#a creative process

[sueclancy]

Flying pigs and being human.

Knowing how you feel, what you think and being able to talk clearly about it is an important skill to cultivate. This is true for everyone and especially true for anyone trying to do anything creative. Creativity comes from a regular habit of observing the world and listening to yourself to your own thoughts and feelings. Creativity comes from trusting your own voice. Creativity comes from…

[foolfortune]

current mantra

[themightyhumanbroom]

This is a friendly reminder to give your OC a firm and unmistakable L every now and then.

This is a necessary action to keep your OC healthy for the long term.

[zarpasuave]

🏮✨Xianyun giving her daughters pretty dresses so they can flex those muscles das right.

Based on this🤭:

[itsawritblr]

[writers-potion]

how do you write a liar?

How to Write Liars Believably

Language

The motive of every goal is the make the lie seem plausible while taking blame off the speaker, so liars will often project what they say to a third party: "Katie said that..."

Referring to third parties as "they" rather than he or she

In the case of a deliberate lie prepped beforehand, there will be an overuse of specific names (rather than pronouns) as the speaker tries to get the details right.

Overuse of non-committal words like "something may have happened"

Masking or obscuring facts like "to the best of my knowledge" and “it is extremely unlikely," etc.

Avoiding answers to specific, pressing questions

Voice

There's isn't a set tone/speed/style of speaking, but your character's speech patten will differ from his normal one.

People tend to speak faster when they're nervous and are not used to lying.

Body Language

Covering their mouth

Constantly touching their nose

fidgeting, squirming or breaking eye contact

turning away, blinking faster, or clutching a comfort object like a cushion as they speak

nostril flaring, rapid shallow breathing or slow deep breaths, lip biting, contracting, sitting on your hands, or drumming your fingers. 

Highly-trained liars have mastered the art of compensation by freezing their bodies and looking at you straight in the eye.

Trained liars can also be experts in the art of looking relaxed. They sit back, put their feet up on the table and hands behind their head.

For deliberate lies, the character may even carefully control his body language, as though his is actually putting on a show

The Four Types of Liars

Deceitful: those who lie to others about facts

2. Delusional: those who lie to themselves about facts

3. Duplicitious: those who lie to others about their values

Lying about values can be even more corrosive to relationships than lying about facts. 

4. Demoralized: those who lie to themselves about their values

Additional Notes

Genuine smiles or laughs are hard to fake

Exaggerations of words (that would normally not be emphasized) or exaggerated body language

Many savvy detectives ask suspects to tell the story in reverse or non-linear fashion to expose a lie. They often ask unexpected, or seemingly irrelevant questions to throw suspects off track. 

[aluhnim]

The Things We Carve

A broomsquire attempts to whittle something for himself and struggles until his pen-turning friend visits his workshop.

This is also available on Ko-Fi as a PDF! It is FREE / Pay-What-You-Want. https://ko-fi.com/s/9f40f6db2e

[metanarrates]

an artist is a director of audience reaction, not its dictator. if you know your craft well, you can make most of your cues hit, but in the end, interpretation of art is up to the viewer. you cannot guarantee that everyone viewing your work will react as you are trying to make them react. a good artist knows that this is what allows works to breathe. by definition, you cannot have art where the viewer brings nothing to the table. you do have to respect both the generative and interpretive ends of the process if you want your art to mean anything.

this is why you have to let go of the urge to plainly state in-text exactly how you think the work should be interpreted. that desire for control conveys disrespect for audience. if you have developed your storytelling skills well enough, the audience will understand what you are trying to communicate without needing you to intercede as authorial voice. sure, some won't get it, but it's better to be misinterpreted sometimes than to talk down to your audience. you won't even gain any control that way; people will still develop their opinions no matter what you do. just find a way to communicate your ideas and hope that it comes across well to your audience at some point

[ashleys-doodle-corner]

Oops, all Loops and Siffrin!Loops! Great for a balanced diet!

(these are all transparent, so feel free to use them for whatever. i'm letting them run out into the wild)

[uwudonoodle]

[yeehawpim]

tell me a story

[sueclancy]

Eggheads forum

As I’ve worked on my Eggheads sculpture – hand painting heads on 12 solid wood eggs and bodies on 12 solid wood egg cups – I thought about how smart people are as essential to society as a eggs are to a working kitchen. In the background of my thinking was a question of how to display my finished 24 piece sculpture. My one-person exhibit at the Caplan Art Designs Gallery opens Oct 3 and the…

[inkskinned]

sure i find you in my hair and under my pillow and in the car. but i know in my heart you are picking me out of your teeth. i know i am burning through your sundays, sticking to your ceiling.

i hope i'm in every bitter cup of coffee and every candle wick and every bath. i hope my shadow flickers under your door so the empty hallway i have left behind is a swift dart of nothing more. i hope you find me in notebooks and stop signs and fleetwood mac - like i am marginalia on your life, i want my fingerprints burned into your days like acid.

i loved you, and you know i loved you, and for the rest of your life i will be the person you broke. for the rest of your life i hope the shame of that runs like a cattle dog, bites at your heels. i hope every time your cup is full or the moon is a toenail or a cat is purring or a laugh is in your belly or the sky turns pink while the sun is setting - i hope you remember that someone loved you, and you crushed them in your palms. you extinguished every future i lit. i hope that haunts you.

i hope you never fucking forget it.

[themightyhumanbroom]

It's always risky killing off a character but if you have to, you must have them HAUNT the narrative. Let their death and absence be constantly felt at some level.

[writer-logbook]

How to introduce your character in 3 steps

A friend of mine was the source of this very pertinent question. So I decided to write a blog entry about it. Because how do you introduce your character without sounding fake ?

Remember that, in real life situation, no one calls you by your name. Have you noticed that none of your friends is adressing you by your name, unless they're trying to get your attention or that something serious is happening ? That should be the same in your story : find a situation where it is relevant to use names. Or stick to nicknames, which is a more common way to address your friends.

Use another character. If you can’t come up with a situation, you can always rely on a side character to introduce your MC. It’s also the perfect way to describe your character rather than simply using mirror, which is convenient yet very cliché. But the fun thing to do is to make several characters talk about your MC : their opinion might go in different directions due to their relationships, their own sensibility and attention to details. It’s also a good way to breath life into your side characters so please consider that option seriously.

The reader doesn’t need to know everything, especially on the very first page. Unless the info is relevant to the plot, there is no need for the reader to know MC’s favourite food or eye’s color. If you’re on character-sheet-side (which I’m not btw), you should be careful about wether the reader the story will progress or not. Try to be balanced !

What I really want to stress in this article is the importance of action when introducing your character. You want the reader to know your character is courageous ? Put them directly into a situation where they can show courage. You want to describe their hair color ? What about that moment when the light is flickering in a way that gives their hair a peculiar effect that catches the eye of another character ?

Don’t worry, your creativity will always find a way ~

[joseefinwrites]

Ultimate "Know Your Character Inside Out" Template

The ultimate template for creating a character, without losing your mind, while you're at it.

Character Background Template ... (open)

1. Name:

2. Age:

3. Gender & Pronouns:

4. Physical Appearance:

   - Hair color:

   - Eye color:

   - Height:

   - Build:

   - Distinguishing features (scars, tattoos, etc.):

5. Background and Upbringing:

   - Where were they born and raised?

   - What was their family structure like (parents, siblings)?

   - Describe their childhood environment and upbringing.

   - Were there any significant events or traumas in their past?

6. Education and Skills:

   - What level of education did they receive?

   - Did they excel in any particular subjects or skills?

   - Have they pursued any additional training or education since then?

7. Personality Traits:

   - Describe their personality in a few words.

   - What are their strengths and weaknesses?

   - How do they typically react under stress or pressure?

8. Motivations and Goals:

   - What are their short-term and long-term goals?

   - What drives them to pursue these goals?

   - Are there any fears or insecurities that motivate or hinder them?

9. Relationships:

   - Who are the most important people in their life?

   - How do they interact with family, friends, and acquaintances?

   - Do they have any romantic interests or significant relationships?

10. Past Experiences:

    - Have they faced any major challenges or setbacks in the past?

    - How have these experiences shaped their beliefs and values?

    - Have they experienced any significant losses or tragedies?

11. Worldview and Beliefs:

    - What are their core beliefs and values?

    - How do they view the world around them?

    - Are there any cultural, religious, or philosophical influences in their life?

12. Inner Conflict:

    - What internal struggles do they face?

    - Are there any unresolved issues from their past that continue to affect them?

    - How do these inner conflicts impact their decisions and actions?

13. Connection to Outer Conflict/Plot:

    - How does their personal journey intersect with the main plot or external conflict?

    - What stakes are involved for the character in the larger story?

    - How do their goals and motivations align (or conflict) with the central conflict?

 

(Shorter) Knowing Your Character Inside Out Checklist

Personality Traits:

   - Introverted/Extroverted

   - Optimistic/Pessimistic

   - Assertive/Passive

   - Empathetic/Self-centered

   - Logical/Emotional

   - Adventurous/Cautious

   - Honest/Dishonest

   - Ambitious/Content

Beliefs and Values:

   - Religious beliefs (if any)

   - Moral code

   - Political beliefs

   - Views on relationships

   - Attitude towards authority

Fears and Insecurities:

   - Common fears (spiders, heights, etc.)

   - Deep-seated insecurities (failure, rejection, etc.)

   - Traumatic experiences (if applicable)

Desires and Goals:

   - Short-term goals

   - Long-term aspirations

   - What motivates them to pursue these goals?

Strengths:

   - Intellectual strengths

   - Physical abilities

   - Emotional resilience

   - Social skills

   - Unique talents or abilities

Weaknesses:

   - Personal flaws

   - Areas of vulnerability

   - Bad habits

   - Limiting beliefs

Backstory:

    - Family background

    - Childhood experiences

    - Significant life events that shaped their identity

    - Education and career path

    - Previous relationships

-Josie