#a couple of notes here:

[abstractfrog]

SILVER BLAZE PART THREE - happy jonkday everyone. one of these days i'll draw a scene that doesn't take place at night

[stark-lord]

Which could, of course, mean nothing.

+ bonus

[unproduciblesmackdown]

Lackadaisy Enrichment

[1driedpersimmon]

Been too tired lately to do full drawings here’s some text post memes

[gunsatthaphan]

#A+ wingman 🪳

[andstuffsketches]

a selection of robins

[its-ur-lucky-day]

I think about this scene a looooot... so much so that I drew it, lol.

Like are you kidding me???

You know, just a couple of guys.

[calmbigdipper]

What you mean to me

[tiny-crescent]

ruby

did a little scene rewrite fic for the iconic Misa/Kiyomi dinner scene.

♡

(in which two women who hate each other but don't really hate each other, but can't figure out why, or maybe they know exactly why and don't want to admit it, end up having sex on the floor. is maybe... what it boils down to.)

[horreurscopes]

watching death note and house of the dragon simultaneously earlier this year did something permanent to my galaxy brain

[respectthepetty]

MosBank being the little instigators setting off Neil to Orca's hijinks is Thai-on-Thai violence, and I love it.

Starting shit and minding other people's business knows no language barrier.

[my-name-is-apollo]

Speaking of coins, I think it's neat that we have a trinity of Apollos with uncommon characteristics:

Apollo Karneios with ram horns and ram ears, Apollo Soranus with a star diadem and a pick-axe and Apollo Vejovis with winged head, a trident and a dagger. (The last two are the results of his syncretism with Roman deities)

What's more fun about the coins of Apollo-Vejovis is that some of them put a thunderbolt under his bust or straight up show him holding it:

And I can't help but think of this being equivalent to a girl wearing her mom's makeup for the photo day

[dovalore]

the world can change when i hit the summit!

[lookmomitsmytmblr]

OKAY so I am re-listening to "Death and The Queen" again and I am having Thoughts™.

I can't find any info about when this drama takes place continuity-wise, but my personal placement would be after "Planet of The Ood" (4x3) and before "The Sontaran Stratagem" (4x4) because 4x4-4x6 take place directly following each other with Donna stating at the end of 4x6 that she plans to travel with the Doctor forever. Donna's determination to continue traveling w him is in keeping with the conclusion of Death and The Queen, where she comes to the decision that the Doctor IS her "happily ever after," as it were. Placing the drama after "Fires of Pompeii" and "Planet of The Ood" also makes sense with Donna's desire in the audio drama to have a break from "the extraordinary" of traveling with the Doctor (specifically, horrific death and destruction,) which adds understandable context to her seemingly being so willing to leave the Doctor after searching for him for so long.

 (Don't talk to me about the ending of Forest of The Dead. It's unlikely Donna would have left the Doctor even if she found Lee. Donna's desire to confirm whether Lee was real could be easily contextualized by her wanting to know how much of her experiences inside CAL were a fabrication, and what the supposed "perfect husband" persona would have said about her if it was drawn from her own mind. Also it was written by Moffatt so it shouldn't count anyway.)

ANyway, what I actually wanted to talk about. Notably, considerable emphasis is placed on Donna enjoying her role as Queen and especially caring for her subjects and having power to help people. A greater amount of text is dedicated to her talking about how as Queen she can care for her subjects than her love for Rudolph, even before the reveal that he is human(?) trash. Her attachment to the role of Queen that marrying Rudolph will grant her is established to be largely based upon her passion for helping people rather than luxuries associated with rank, especially in view of the montage of how royal life on Gorotainia is not as glamorous as she hoped but is still enthralled by being Queen. Later in the story, when danger has appeared, her main role in the story is sacrificing and taking the lead to protect her subjects.

Notably, when things start going downhill and Rudolph starts talking to her about the difficult choices that he must make as royalty she comments that Rudolph is “just like HIM” (the Doctor) and that she went with Rudolph to escape these darker aspects of her travels with the Doctor, specifically the hard choices that go with the role the Doctor plays in the universe (while she doesn’t connect these concepts directly, these two statements are placed very close to one another textually.)

Only when her relationship with Rudolph and role as Queen seems like it will involve some of the same dark choices that her travels with Doctor did does Donna decide she doesn’t want to be involved anymore, which is quickly reversed when she finds out she needs to become Queen in order to protect her people. (I love Donna. In case you can’t tell.)

The narrative has established that a large part of Donna’s attachment to her relationship with Rudolph is potential authority to help and guide people, and that her main interest in pursuing a life with Rudolph rather than her travels with the Doctor was her perception that her role as Queen of Gorotainia would not involve the same death and destruction she has seen with the Doctor. Perfectly understandable after experiencing something like Pompeii.

Donna’s compassion and empathy have been essential components of her character since her introduction, with her wanting to protect the Doctor despite being irritated with him and feeling sorrow for the children of a Rancoss that wanted her to be eaten in “The Runaway Bride”, her taking the time to mention Stacy in “Partners In Crime,” and literally everything in “Fires of Pompeii” and “Planet of The Ood’. Donna has always taken the time and the energy to think of others and work to protect them, even this early in her run. In view of how deeply she feels the pain of others, it is understandable that she would find the idea of a world where she could help others from a position of power without all of the death and chaos and destruction appealing, and her outrage at Rudolph for once again putting her in a position where she has to witness (and potentially be responsible for) terrible things happening to innocent people is believable. He proves that being a Gorotainian royal is like being the Last of The Time Lords. On a smaller scale, sure, but still. 

So the text (and Donna) have set up the idea of Rudolph being similar to the Doctor in role, so what is the difference? Rudolph doesn’t much care about people. He is willing to sacrifice his own people quite coldly.

The Doctor does care about people. How good of a person he is, or how good of a job he does caring for people is up for debate, but he cares.

Which all leads me to this quote from “Beautiful Chaos,” that I cannot believe is cannon and real and published.

Why does Donna love the Doctor?

"I wish you could see what I see. We've been to places, to worlds, to futures and pasts you could only dream about. I think half of them I dreamed up because they can't be real. But they are. And everywhere we go, we make a difference. We put things right, we make people happier. That's what the Doctor is all about. He finds a way for the universe to make sense. And I love him for it.”

Donna Noble wants to make a difference. No matter where she goes, she cannot escape the death and pain and suffering and chaos and nonsense that is the universe, and she can’t help but want to help. And right there beside her, the Doctor is working to put things right too. And she loves him for it.

We have this entire drama dedicated to Donna wanting to make a difference, while also escaping the darkness of the universe, and she learns she can’t. There are no happily ever afters.

Except with the Doctor.

I have so many feelings guys.

[earthbovndmisfit]

jonawagons marcianitos 🌌🛸💕

(og base/reference by @/lilalienz4ever on twt!!)

[sade-alicious]

The Wheelclair Argument (1x05)

watching the show the first couple times around i thought that mike got upset out of defense for el. but when rewatching this time, i realized mike got upset because lucas was losing hope on finding will. thats what made mike angry. the fact that they werent actually closer to finding will.

at first when lucas says el's been playing them, mike deny's it because he thinks that el's been helping them find will. el's importance to mike in the first season is to find will; to reconnect mike with his best friend. mike has no issue leaving el when he thinks that will died, and he had no issue using her again to find will when he thinks will's still alive (and I don't recall any scene of him apologizing to el for how he treated her during the quarry scene.)

secondly, we don't see mike defending el out of personal interest throughout this scene. in fact, when lucas says how el used the party, or when he claims that mike is blind because el isn't grossed out by him, mike doesn't look particularly angry or mad. even when lucas shouts in his face to “wake the hell up.”

but you know when we do see mike get ticked off? when lucas says that el is letting will die in the UD. that moment is what made mike get majorly pissed off, even more than he was beforehand. hell, there's even a whole beat after lucas yells in mike's face. mike doesn't get defensive over el, he get's defensive over will, and the fact that they do have hope in finding him.

when we look at when mike decides to speak up, it's not really to defend el's position. the closest we get is when he says "screw you." but there are many other moments where lucas spews things about el that mike says nothing about. but the moment lucas suggests that will could be dying, mike yells at him. he can't bear the possibility that he'd have to grieve will's death again. even when we examine camera angles, it shows mike's reaction to lucas saying that mike is blinded by el not being grossed out by him, and the reaction to him saying that will could be dying.

and at the end of the scene, when mike yells at el. “what is wrong with you!?” if mike was defending el while arguing with lucas, then wouldn't he show at least a bit of concern for her and how she feels? which also leads me to believe that when he was looking for el after lucas stormed off, it was because he still had hope for finding will, and as far as they knew: el was their only hope.