#_2014

[kommabortsig]

Edelweiss_-_Monte_Zugna,_Rovereto,_Trento,_Italy_-_July_20,_2014.jpg

[thinkforaminute]

Laurel Canyon, Hippies, Satanism, Pedophiles, the Music Business, the Military, and a Lot of Murders

From Weird Scenes Inside the Canyon by David McGowan, (c) 2014

https://www.amazon.com/dp/1909394122

This is a .pdf of pages that I've highlighted:

https://filesend.io/4H94/weird_scenes_inside_the_canyon_by_david_mcgowan,_laurel_canyon,_2014.pdf

Robert Heinlein lived on Laurel Canyon and mentioned it:

https://thinkforaminute.tumblr.com/post/669275038200070144/and-he-built-a-crooked-house-from-and-he-built-a

[bumzu-is-my-everything]

07.19.2014

계범주 with ??

@ Rapbeat Show

posted by fffimkeezy

[marikura-makurin]

. ＊カンザクラと線路と . . #Rolleicord_Va (type2) Xenar 75mm f3.5 #pro400h . . #filmphotography #蔵出し_2014

[baggebythesea]

Image attribution: Wikimedia commons user CostaPPPR, uploaded 14 July 2014 under the Attribution-ShareAlike 3.0 Unported (CC BY-SA 3.0) license. https://commons.wikimedia.org/wiki/File:Abacaxi_(Ananas_comosus)_2014-07-14_20-40.jpg

[vague-humanoid]

oppression is developed at home, then exported abroad. refined abroad and returns home.

for example.... https://en.wikipedia.org/wiki/The_Anti-Homosexuality_Act,_2014

this famous law in uganda was developed in America. u.s. bigots like to use the rest of the world to test out their fantasies before trying to enact them here. Israel, the libertarian hell holes of South America, the madness of Iraq post war.

hell, even Canada.

and since black and brown bodies are viewed as less valuable, we get to be the first on the chopping block.  

[wirsindschoener]

https://commons.wikimedia.org/wiki/File:James_Cauty_Smiley_Riot_Shield,_acrylic_on_appropriated_ex-police_riot_shield,_2014.jpg

[print-print-shop]

newyork _2014

[kb-p2730]

Peter Pan Speedrock - Buckle Up And Shove It! (Full Album)_2014

[mapsontheweb]

Largest political party in each Swedish county.

More info: http://en.wikipedia.org/wiki/Swedish_general_election,_2014

[xyzdghun]

“Imagine an eye unruled by manmade laws of perspective, an eye unprejudiced by compositional logic, an eye which must know each object encountered in life through an adventure of perception. How many colours are there in a field of grass to the crawling baby unaware of ‘green’? How many rainbows can light create for the untutored eye? How aware of variations in heat waves can that eye be? Imagine a world alive with incomprehensible objects and shimmering with an endless variety of movement and innumerable graduations of colour. Imagine a world before the ‘beginning was the word’. Allow so-called hallucination to enter the realm of perception, accept dream visions, daydreams or night-dreams. There is no need for the mind’s eye to be deadened after infancy. Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photo-graphs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work, and theft, will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery – celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: ‘It’s not where you take things from – it’s where you take them to.’ Shooting must be done on location. Props and sets must not be brought in. Music must not be used unless it occurs where the scene is being shot. The camera must be handheld. The film must be in colour. And special lighting is not acceptable. Optical filters are forbidden. The film must not contain superficial action. Temporal and geographical alienation are forbidden. Genre movies are not acceptable. The director must not be credited. I swear to refrain from personal taste. I am no longer an artist. I swear to refrain from creating a ‘work’, as I regard the instant as more important than the whole. My supreme goal is to force the truthout of my characters and settings. I swear to do so by all the means available and at the cost of any good taste and any aesthetic considerations. Fact creates norms, and truth illumination. There are deeper strata of truth in cinema, and there is such a thing as poetic, ecstatic truth. It is mysterious and elusive, and can be reached only through fabrication and imagination and stylization. ********** I am at war with my time, with history, with all authority that resides in fixed and frightened forms. I am one of millions who do not fit in, who have no home, no family, no doctrine, no firm place to call my own, no known beginning or end. I declare war on all icons and finalities, on all histories that would chain me with my own falseness, my own pitiful fears. I know only moments, and lifetimes that are as moments, and forms that appear with infinite strength, then ‘melt into air’. I am a constructor of worlds, a sensualist who worships the flesh, the melody, a silhouette against the darkening sky. I cannot know your name. Nor can you know mine. Tomorrow, we begin together the construction of a city. “

[notneverunless]

Jeff Robb

(via unnatural_causes_18._2014._lenticular_photograph.jpg (JPEG Image, 2000 × 2000 pixels))

[dorrrmouse]

Zizi(Spookiz)_2014

[bumzu-is-my-everything]

12.24.2014

계범주 - 99%

@ Black Christmas

posted by rudacole

[marikura-makurin]

＊マバユイヒカリノナカデ . . #Rolleicord_Va (type2) Xenar 75mm f3.5 #pro400h . . #filmphotographyday #蔵出し_2014 #寒桜

[riseofrobots]

Manifesto part 3 futurism

This part, which is part 3 from 13 channels, talks about futurism. It combines 4 different artists who wrote the manifesto about futurism. From there I've learnt in the past people wrote manifestos to reject the past, and celebrate the speed, machinery, violence, youth and industry. Those manifestos were narrated by a broker. They are very suitable. They have to work fast all the time, catch the newest information, work with numbers they don’t need and don’t want to know the past, they care about the future because development is money. I think they work in a library because all they need are in the computer in front of them. It is kind of telling us that technology is replacing history.