#Yuki Kihara
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EVENTS
Artist Talk: Yuki Kihara
4 July
BOOK NOW
Meet at Gallery Reception
£6 suggested ticket price or Pay if and what you can
Time: 6 – 7pm
Artist Talk: Yuki Kihara and Karen Jacobs
Yuki Kihara is an interdisciplinary artist of Japanese and Sāmoan descent. Through a research-based approach, her work seeks to challenge dominant and singular historical narratives and it’s persistence in the socio-political climate through a wide range of mediums, including performance, sculpture, video, photography and curatorial practice.
Paradise Camp, an exhibition by Yuki Kihara premiered to great acclaim in the New Zealand Pavilion presented at the 59th Venice Biennale in 2022, and will be exhibited at the Sainsbury Centre in 2025, in its first UK showing.
Yuki Kihara will be in conversation with Karen Jacobs, Associate Professor in the Sainsbury Research Unit. They will cover Paradise Camp and its ongoing development exploring the artist’s intersectional themes such as gender, museum collections, climate change and colonisation.
Supported by AHRC IAA Fund administered by UEA
#Yuki Kihara#photography#gender#museum#museum collections#collections#climate change#colonisation#aotearoa#new zealand#samoan#japanese#interdisciplinary artist#contemporary art#venice
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Akatsuki no Yona Musical (2024)
Character Portraits
Mirei Hoshina as Yona (✿) Aya Akane as Yona (☾) Ryono Kusachi as Son Hak (✿) Keisuke Kaminaga as Son Hak (☾)
Rui Kihara as Kija Shion Yoshitaka as Shin-Ah Shou Katou as Jae-Ha DION as Zeno Tsukasa Hiryu as Yun
Hisanori Satou as Kan Tae-Jun Daisuke Yanase as Yang Kum-Ji Miyuki Tsurugi as Gi-Gan Shinji Rachi as Suwon (Rachi is also the choreographer!)
Ensemble: Aki Harune, Mion Yajima, Natsumi Yoshida, Sayana Marei, Yu Yoshida, Yuki Yoshida, Leon Terashima, Fumiya Asano, Kaito Sado, Shota Senga
#yona of the dawn#akatsuki no yona#yona musical#yona#son hak#suwon#yona musical 2024#yona musical cast#jae ha#kija#shin ah#zeno#yun#kan tae jun#gi gan#yang kum ji
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All Photos from the Burimyu Cast Page 🩷
Everything is under the cut to not clog up the dash!
⿊崎⼀護 / 木原瑠生, Kurosaki Ichigo played by Kihara Rui
井上織姫 / 佐當友莉亜, Orihime Inoue played by Yuria Sato
茶渡泰⻁ / チャンヘ, Sado Yasutora played by Chanhe
⽯⽥⾬⻯ / 佐藤永典, Uryuu Ishida played by Satou Hisanori
平⼦真⼦ / 山﨑晶吾, Hirako Shinji played by Shogo Yamazaki
浦原喜助 / 根本正勝, Urahara Kisuke played by Nemoto Masakazu
朽⽊ルキア / 田野優花, Kuchiki Rukia played by Tano Yūka
朽木白哉 / 山本一慶, Kuchiki Byakuya played by Yamamoto Ikkei
阿散井恋次 / 宇野結也, Abarai Renji played by Uno Yuya
日番谷冬獅郎 / 松岡拳紀介, Hitsugaya Tōshirō played by Kennosuke Matsuoka
松本乱菊 / 美麗, Matsumoto Rangiku played by Birei
更木剣八 / 岡本悠紀, Zaraki Kenpachi played by Yuki Okamoto
斑目一角 / 川﨑優作, Madarame Ikkaku played by Yusaku Kawasaki
藍染惣右介 / 井澤勇貴, Aisen Sōsuke played by Yuki Izawa
市丸ギン / 秋沢健太朗, Ichimaru Gin played by Kentaro Akisawa
東仙 要 / 藤田浩太朗, Tōsen Kaname played by Fujita Kōtarō
ウルキオラ・シファー / 百名ヒロキ, Ulquiorra Cifer played by Hyakuna Hiroki
グリムジョー・ジャガージャック / 植原卓也, Grimmjow Jaegerjaquez played by Uehara Takuya
note: names in romaji prioritize however the actors write it in portfolios and social media! Also wasn't able to find anything about 美麗 / Birei with a cursory search so if anyone knows her socials please let me know!!
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"Turn Courage Into Music", from Mashin Sentai Kiramager (2020). Performed by Kiramei Band: Kiramei Yellow/Imizu Tametomo (Kihara Ryu) on vocals, Kiramei Red/Atsuta Juru (Komiya Rio) on guitar, Kiramei Green/Hayami Sena (Shinjo Yume) on keyboards, Kiramei Blue/Oshikiri Shiguru (Mizuishi Atomu) on bass, and Kiramei Pink/Oharu Sayo (Kudo Mio) on drums.
#Mashin Sentai Kiramager#Kiramager#Super Sentai#Character songs#Kihara Ryu#Komiya Rio#Shinjo Yume#Mizuishi Atomu#Kudo Mio#SoundCloud
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Musical Touken Ranbu ㊇ 乱舞野外祭 Cast & Dates announcement
Toumyu's next matsuri officially called "suehirogari ranbuyagaimatsuri" in FujiQ highland conifer forest openair concert hall will take place between the 17th and 24th of september 2023.
for the only 8 shows we will have 28 toudans and 2 humans
The returning cast we already know is
Ohira Shunya as Imanotsurugi Imari Yu as Nagasone Kotetsu Takahashi Kensuke as Hachisuka Kotetsu Torigoe Yuki as Yamatonokami Yasusada Yokota Ryugi as Monoyoshi Sadamune Sakamoto Shogo as Horikawa Kunihiro Tamura Shin as Mutsunokami Yoshiyuki Kiyama Haruki as Tomoegata Naginata Tanaka Ryusei as Otegine Nadaka Hiroki as Akashi Kuniyuki Okamiya Kurumu as Tsurumaru Kuninaga Sasamori Hiroki as Matsui Gou Fukui Tomoya as Kuwana Gou Tachibana Yuta as Buzen Gou Itokawa Yojiro as Urashima Kotetsu Ishibashi Hiroki as Hyuuga Masamune Raita as Oodenta Mitsuyo Konishi Seiya as Suishinshi Masamune Nobunaga Sato as Minamoto Kiyomaro Seiichirou Nagata as Murakumo Gou Yamazaki Shougo as Samidare gou Matsushima Yunosuke as Ookanehira Nagata Kohei as Koryuu Kagemitsu
And our new swords :
Kihara rui as Heshikiri Hasebe Kunishima Naoki as Ichigo Hitofuri Kyoten Waku as Daihannya Nagamitsu Hayashi Mitsuaki as Onimaru Kunitsuna
The human cast is :
Fujita Ray as Enomoto
Kojiro Oka as Date Masamune
all the SNS infos of all of the actors are in this Gdrive
Source : 25News
i will soon publish all the infos on the all new toudans and the new toumyu show announced for this spring,
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Aktivisme sosial
Apa yang dimaksud dengan aktivisme sosial?
Aktivisme adalah sebuah tindakan yang dilakukan bertujuan membawa perubahan di masyarakat.[8] mendefinisikan sosial aktivis sebagai sekelompok orang yang perduli tentang sebuah isu dan secara terorganisasi melakukan sebuah kegiatan untuk mencapai tujuan yang berkaitan dengan isu tersebut.
Apa contoh aktivisme?
membentuk komunitas, mempromosikan gagasan atau pesan melalui tulisan atau mediummedium kreatif lainnya, menulis surat atau petisi, menghadiri pertemuan atau diskusi publik,
Aktivisme sosial-budaya dan seni dalam menyuarakan isu-isu minoritas hingga perlindungan lingkungan terus meningkatkan usaha melalui kolaborasi antarsektor dan pemanfaatan platform-platform yang beragam. Menyoroti persoalan demikian, panel kelima dari rangkaian kegiatan
Perubahan iklim (climate change) yang merupakan isu nasional bahkan global menjadi sorotan penting sebagai agenda yang harus digiatkan untuk menjaga kelangsungan alam dan manusia.
Kolaborasi antara pegiat lingkungan dan peneliti dengan musisi pada Kopernik juga tercermin pada program IKLIM yang diusung salah satunya oleh I Gede Robi Supriyanto, seorang musisi dan aktivis sekaligus Pendiri Akarumput.com. Robi mengatakan bahwa kolaborasi dan memanfaatkan beragam medium diharapkan dapat lebih menjangkau suara kepada orang-orang berpengaruh, pemerintah, hingga para jurnalis media untuk lebih mengangkat isu-isu penting, khususnya isu ekologi dan perubahan iklim, dapat menjadi prioritas isu yang digarap dan diperhatikan oleh pemilu yang akan datang
Sementara itu, Natalie King, Profesor Visual Arts dari University of Melbourne juga menyoroti bagaimana seni visual juga berkontribusi pada pengenalan sejarah hingga menyuarakan suara orang-orang termarjinalkan. Salah satunya melalui projek “Paradise Camp by Yuki Kihara” yang merepresentasikan kelompok minoritas yakni Fa’afine di Samoa dan ditampilkan lewat pameran Venice Biennale 2022. Menurut Natalie, creative artist memiliki peran penting terkait imajinasinya dalam menyampaikan isu-isu penting, khususnya pada merepresentasikan suara kelompok minoritas atau yang termarjinalisasikan di masa lalu maupun masa depan. Dari diskusi yang dibawakan oleh para ahli dan pegiat lingkungan hingga sejarah tersebut dapat ditemukan bahwa isu perubahan baik lingkungan, Hak Asasi Manusia, dan hak minoritas terus diupayakan dan dikembangkan lewat beragam langkah-langkah kreatif. Baik memanfaatkan medium seperti media sosial maupun kegiatan promosi seperti pameran seni, pameran warisan budaya, musik, festival, hingga film.
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Fandoms and characters I write for
Neon Genesis Evangelion
Shinji Ikari
Rei Ayanami
Kaworu
Asuka Langley Soryu
The Owl House
Luz Noceda
Willow Park
Amity Blight
Gus Porter
Hunter
Lilith Clawthorne
Edalyn Clawthorne
Sword Art Online
Asuna Yuuki
Kirito Kirigaya
Alice Zuberg
Asada Shino
Eugeo
Kirigaya Suguha
Naruto
Sasuke Uchiha
Naruto Uzumaki
Sakura Haruno
Hinata Hyuga
Neji Hyuga
Gaara
Rock Lee
Kakashi Hatake
Ino Yamanaka
Temari
Summer Time Rendering
Mio Kofune
Shinpei Ajiro
Ushio Kofune
Fruits Basket
Kyo Sohma
Yuki Sohma
Momiji Sohma
Tohru Honda
Kagura Sohma
Mushoku Tensei
Rudeus Greyrat
Roxy Migurdia
Sylphiette
Eris Boreas Greyrat
Elinalise Dragonroad
Ruijerd Superdia
Clannad
Tomoya Okazaki
Nagisa Furukawa
Kyou Fujibayashi
Ryou Fujibayashi
Kotomi Ichinose
Youhei Sunohara
Tomoyo Sakagami
Nagi no Asukara
Chisaki Hiradaira
Tsumugu Kihara
Kaname Isaki
Miuna Shiotome
Manaka Mukaido
Hikari Sakishima
Sayu Hisanuma
Nisekoi
Chitoge Kirisaki
Kosaki Onodera
Seishirou Tsugumi
Marika Tachibana
Raku Ichijou
Charlotte
Nao Tomori
Yuu Otosaka
Kumagami
Shunsuke Otosaka
Ao Haru Ride
Kou Mabuchi
Futaba Yoshioka
Toma Kikuchi
Shuko Murao
Yoichi Tanaka
Yuri Makita
Aya Kominato
Miraculous Ladybug
Marinette Dupain-Chen
Adrien Agreste
Luka Couffaine
Kyoko Tsurugi
The King of Fighters
Kyo Kusanagi
Terry Bogard
Blue Mary
Mai Shiranui
Yuri Sakazaki
Joe Higashi
Sie Kensou
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Photographer Research: Yuki Kihara | Week Nine.
I like the angle this photo is take and the vibrancy of the colours, theres a depth to the photo which I like and really compliments the brief behind this photo.
I think that the colours and vibrancy of this photo really help to capture the motion of the ball.
I like the depth of focus in this photo that encapsulates the motion of her going to kick the soccer ball.
Kihara, Y. (2014). Yuki Kihara. Yuki Kihara. https://yukikihara.ws/faatasi/artist-statement
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FA8801 supervision review 1: Henry Symonds and George Funaki 07/03
My initial supervision with Henry was interesting, my expectations of a queen with slews of sass was verified and I'm quite glad we're working together. The discussion was open and frank, in a general sense - our aim is to produce a project that is of honours quality which incapsulates my theoretical framework pertaining queer-Pasifika, specifically leiti, within a Tamaki Makaurau diaspora.
We discussed ways of working to produce something tangible to showcase for the April seminars - I suggested an objects based approach since my background pertains design and construction. Henry suggested we find some mean to my making before that and was interested in examples of my previous work in fashion. Henrys feedback was concise, "You have the style, the vision, and your concept is present. But there isn't a lot that you're saying. I think that is what we need to establish".
My practice is collaborative by nature and it is often difficult to establish a singular voice because of that - I had interests in exploring primary ways of making when I jumped on board for the honours programme. Because of my skills, I felt that there was a need, or want, to create independently, to cultivate a focused out view from the collective, and to stray from the confines of working collectively.
Henry suggested that there are ways of incorporating that interest of independent making without jeopardising my experience in collective dialogue, which is a scope, in retrospect, that I do want to maintain to a certain degree. We spoke about queer-Pacific artists who practice within the diaspora with similar out views of the framework I intend to build - such as Yuki Kihara.
Kihara, Yuki. "Fa'afafine - In the Manner of a Woman." 2004. Pigment print on paper, 750 x 870mm.
Henry's passing mention of her piqued an interest in me to sift through the queer-Pacific artists upcoming in Wellington and Tamaki. I have always been familiar with Yuki's work - but never to the extent of actively engaging with it. I can identify similarities between our process with her method of making, particularly her way of navigating self image concurrently advocating for fa'afafine, because her practice aims to disrupt norms of sexuality and gender within spaces that conform to traditional binaries i.e. the brown diaspora of Aotearoa.
Her work tends to encompass Pacific worldviews, how those worldviews inform her self-image, and how sexuality can be woven into traditional spaces. I intend to source Yuki's process to help form my theoretical framework that encompass the worldviews of a leiti (like a lady), the Tongan equivalent of fa'afafine (in the manner of a woman).
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Powerhouse Museum Visit - 'Paradise Camp' by Yuki Kihara
"Kihara’s performative photography upcycles select paintings by post-impressionist French artist Paul Gauguin created during his time in the Islands of Tahiti and the Marquesas between 1891 and 1903. Kihara problematises Gauguin’s outsized legacy by re-enacting his paintings back in the Pacific, paying careful attention to the details of his works. These re-enactments instill a Polynesian inflection to each photograph and are based on strong personal relationships with Kihara’s sitters, all of whom are part of the Fa‘afafine and Fa‘atama communities. Kihara works with these models to represent her own vision of paradise, redirecting the viewer to the concerns of contemporary Pacific Islanders and ‘returning the gaze’ in a profound gesture of empowerment."
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Akatsuki no Yona Musical (2024)
Reahearsal video #1: ♪ Founding Myth
From left to right: Rui Kihara (Kija), DION (Zeno), Shou Katou (Jae-Ha), Shion Yoshitaka (Shin-Ah)
Aya Akane is the Yona in here Yuki Yoshida from the ensemble is Iksu
#yona of the dawn#akatsuki no yona#yona musical#kija#shin ah#jae ha#zeno#yona#yona musical 2024#ooooh I LIKE this#also I just realized jae ha was mori in the first ouran musical
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Yuki Kihara
Yuki has been inspired by the past and many of her photos are represented a very cultural and heritage way. Her work done for the MET was a representation of that. I think her work shows who she is and her reflecting on that in photography is inspiring.
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YUKI KIHARA: FIRST IMPRESSIONS : PAUL GAUGUIN
[pdf-embedder url=”https://vqt-blog.com/wp-content/uploads/2023/06/First_Impressions_Paul_Gauguin_by_Yuki_K.pdf”%5D
View On WordPress
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Siva in Motion (2012)
Yuki Kihara, at the Utah Museum of Fine Arts
April 2023
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Video
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グソクムズ『夏が薫る』MV 2022 Director/Editor Thanks : Futai Shiwo/Tsunoda Haruhiko/Kihara Mitsuharu/Yuki Hidetake/Lee Fani
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Siva in motion (Yuki Kihara, 2012)
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