#XLR Mic
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adamharkus · 1 year ago
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Maono PD200X USB/XLR Podcast Dynamic Microphone Review
Review of the Maono PD200X USB/XLR Podcast Dynamic Microphone. I’ve been recording my own music at home for almost 30 years now, from a Tascam Porta 05 cassette-based multi-track, through most of the BOSS BR series, and finally onto GarageBand for iPad. In all that time, I’ve only ever used two mics: The Shure SM58 and a RODE Videomic Me. Truth be told, neither of those mics were ideal for home…
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catastrophic-crow · 1 year ago
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gods i love wired headphones. love having headphones with a headphone jack (and thus a replaceable cable) and no other way of playing music. love 10 foot long audio cables. love dedicated usb DACs. love headphones that are designed primarily for long-term listening comfort and don't need to have extra bulk in hinges or padding to make them more sturdy or flexible to accommodate being shoved in a bag when you're done with your commute. love high-quality audio with no perceptible delay and no fucking battery life and no extra mass from a bluetooth module and microprocessor and flashable ROM and a battery and charging circuit and onboard DAC and amp driving the speaker(s) weighing my head down.
#sincerely#wired headphones#my beloved#analog audio#i love you#open back headphones#you help sustain my will to continue living#i've got a microphone that has a built-in DAC and amp that can inject microphone audio at a configurable volume and it's delightful#it's a USB mic that can also operate over XLR with a dedicated audio interface#i love it so much#plus it sounds amazing as a mic#anyway. gosh i just love wired peripherals#sure; most of my stuff *also* can operate wirelessly or i have a wireless alternative for sake of convenience in certain situations.#but wired is king (female gender)#side note: i think it fucks severely to describe a woman as being king. not queen. not monarch. fucking *king*#realized that when i read a fanfic where it was referenced that athena was once king of the gods and i was like “oh; damn. that fucks.”#oh; right. i'll make an exception for my mouse. *that* i typically prefer wireless.#but it had *better* operate over 2.4 GHz with a dedicated dongle#mine has a 2.4 GHz dongle and *also* a bluetooth mode and it's lovely. convenience *and* competence as desired.#ily my wireless mouse <3#works well with my NiMH rechargeables; too. not all aa/aaa devices play nicely with the 1.2V battery chemistry; but they work well here 😁#my keyboard; also. has both wired connectivity (and charging) over usb c; and multiple bluetooth profiles. it's great#(i would be over the moon if it *also* had a 2.4 GHz dongle; but for a keyboard “wired” and “bluetooth” are the two i would prioritize)#oh; yeah. it's a 60% keyboard; too. and it has per-key RGB. gods i love this keyboard. it fucks hard. so glad i got it
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gadgetgeniusinsights · 5 months ago
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FIFINE XLR/USB Dynamic Microphone
🎤 New blog post alert! Dive into my review of the FIFINE XLR/USB Dynamic Microphone. Perfect for podcasters, streamers, and more! #PodcastGear #MicrophoneReview #Podcasting #Streaming #AudioGear
Visit the FIFINE Store Color: BlackRecommended: Streaming, Podcast, Vocal, Recording, GamingBrand: FIFINEModel Name: AMPLIGAME AM8Connectivity Technology: USB, XLRConnector Type: USB, XLRSpecial Feature: Headphones Jack, Monitoring Volume Control, Buitin 3/8″ and 5/8” Threads, RGB Lights, RGB Control Key, Volume Control, Mute Function, XLR/USB ConnectionCompatible Devices: Laptop, Desktop,…
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mahbubulalam-799 · 9 months ago
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flesh-into--gear · 11 months ago
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late night smoked out slow jammin’ in the dark. sorry about the hum, single coils be like that
i need to start using my recording equipment again, i haven’t opened studio one in like three years. gotta get off the lazy train. especially since im not really streaming consistently anymore
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sirfrogsworth · 1 year ago
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Whenever I see an up-and-coming Youtuber I notice they often make the same mistake. When the time comes to increase production quality, the absolute first thing you should do is invest in improving your sound. Not the camera or the lens or lighting or set design. Audio quality trumps all of that. People being able to understand what you are communicating should always be the highest priority.
And the cool part is you can do this with a cheap lav mic. There are some that can just plug right into your phone. The next priority is learning how to set levels and make sure your voice isn't distorting from being too loud. You can even record a little quiet and bump up the levels later on. But if you record too loud to begin with, you can't fix that.
After that you can "treat" your room. Which just involves controlling echo and reverb. Foam acoustic panels are expensive and not necessary. You can do the same thing by just filling your room with stuff. Furniture, books, blankets, pillows. You want to eliminate large flat surfaces. If the sound has to bounce around on 20 different surfaces before it comes back to your microphone, it will have much less energy.
You can also figure out which wall is the biggest echo offender and hang a couple of heavy blankets in front of it. If you can score those moving blankets on the cheap, those work great. And if you can put a gap in between the blankets that will further reduce echo/reverb. You don't have to cover the entire wall, just the main area in front of where you are speaking. If you can reduce that very first reflection, the sound will have much less energy to bounce off other surfaces.
All that said, sometimes people will go overboard with sound and buy that giant phallic SM7B dynamic microphone. I see those things everywhere. Yes, Michael Jackson used it and it does sound great. But with so many quality USB mics that plug straight into your computer, it is a huge hassle and really overkill unless you just enjoy audio tech and want a cool toy. The SM7B requires extra equipment to make it sound good. It's XLR so you need a special interface. And most people add a "cloudlifter" because it isn't very sensitive and can be really quiet without it. Plus, dynamic mics need to be super close to your mouth and I think covering half your face with a giant mic isn't the best visual. There are lav mics in a wide spectrum of price ranges that can be hidden and sound great. Or you can do a shotgun mic like they use in movies. It can be hidden offscreen and pick up your voice from a distance.
Big dynamic mics are great for people with baritone voices. If you are James Earl Jones and you want to show off your voice, the SM7B or something similar makes more sense. Beyond that, most of your viewers just want clarity. Good room treatment and a $30 lav mic can achieve that pretty well. And if you watch a few tutorials on how to EQ and process audio, you can do a lot to make a cheaper microphone sound great. Reaper is a wonderful audio program with professional features and a reasonable price.
TLDR... fix your sound first!
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themarkofoxin · 10 months ago
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dnp hardware information i'm collecting from this stream
they seem to have bought an elgato that allows them to stream from their DSLR rather than their webcam which is why it looks so much nicer
seems to have been a different DSLR than their youtube one, because they switched to their youtube camera a little way in
dan mentioned a stream deck which would allow them to map shortcuts to buttons but they haven't used it visibly so he may have just called the elgato a streamdeck (same company)
they have a boom arm and a nice microphone! i didn't immediately recognize it but it looks like an XLR mic rather than USB which means the audio quality is nicer
they send their audio through a goXLR which means they do use a nicer XLR mic now, and can mix channels as they record
they only have one battery for their camera lol
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34saveme34 · 15 days ago
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uurrrgghh I can't wait to get that xlr cable so I can record more
yes. more
i have a mic but. I wanna use sm58 so bad
but I DO have a usb condenser
and ngl I'm. so funny to listen to I think
I have like. 2 audio files where I'm just reading copypastas and they have such different yet similar vibes
I wanna do more of those tbh
I wonder if there's like. a good smg4 copypasta out there or something
or I can just like. make the worst possible smg4 creepypasta and read it out for yall
I did that w fnf once not that it ever saw the light of day
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catgirltitties · 1 month ago
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its basically common knowledge amongst audio/video creators these days that xlr mics are needed if you want to be taken seriously in the field and still ASMR youtubers are still touting their shitty usb mics in the camera in their videos
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jessepinwheel · 1 year ago
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thinkin about microphones
obviously if you have different computers or different uses for audio recording you can end up using multiple of these. pick whichever one you feel like you use the most often.
bonus question tell us about the microphone you use
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lucifer-kane · 3 months ago
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spent 20 minutes troubleshooting my microphone after shifting my setup around my desk because my mic wasn't working.
the xlr cable sitting, not plugged in, directly in front of the interface
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castleaudios · 2 years ago
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I’m not really up to date on your social media stuff so I don’t know if you said this already but I just remember something. A while ago I asked you about some technical stuff (this came to my mind because I’m upgrading my set up) and I was wondering, did you upgrade to the XLR mic already? If so, how is it? (I hope I remember the mic correctly) Looking for a new mic so I’m open for recommendations :)
Another thing: do you prefer getting questions one by one or should I just write them in one message?
Have a great day, drink water, and expect questions from me <3
I tried upgrading to the XLR mic but after several days of fighting with it, it's just not gonna work out so I'm looking for other options! I'll post updates as I make the upgrades to my equipment
Personally I prefer when people send all their questions at once. I'd rather work on one long submission than do seven individual ones.
I hope you have a great day as well! I look forward to your questions
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sirfrogsworth · 1 year ago
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I have been noticing a few people using this microphone on some of the channels I follow and it has really impressed me. A lot of microphones are designed to show off deeper voices and I feel like people in higher registers get ignored. With this mic, higher pitched vocals sound very full and natural. You don't get that sometimes sought-after boomy proximity effect for deeper voices, but I think it still has a very smooth pleasing sound. If you have a baritone and you really want to show it off, there are plenty of options, but I think this mic is really well-balanced for any voice and really shines for tenors on up.
It is called the Earthworks Icon microphone. It comes in XLR or USB. It's about $300, but I think that is a reasonable value for a professional quality podcast/streaming microphone. It does not need to be right next to your mouth, so you can put it outside of frame or in the corner. I think it is fairly attractive, so either way is good.
Here are a few videos so you can hear it for yourself.
youtube
EposVox shows off the USB and XLR versions. They sound pretty close.
youtube
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sassylich · 1 year ago
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ok question for the VA and ttrpg folks on here: whats your fave usb mic for streaming/video content?
i have a great XLR in my booth, but i can't do fun themed backgrounds in there, and i MUST do fun themed backgrounds
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glasspyramid2211 · 5 months ago
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yarr me matey (pleasedontkillmeitsajoke)
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I'm only doing this for mic. he likes pirates...and XLR Cables.
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pleasestopthese · 8 months ago
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more audio shenanigans
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so, i got this old mic. it's my second from the sennheiser MKH series of RF mics (they use radio circuitry to cut down noise and withstand moisture in the air, instead of just being normal audio circuits). in both cases, they use T-power or AB power (same thing), which is totally different from and dangerously incompatible with phantom power, which most modern equipment uses. these mics are older than me, i could afford them because they're so old and so unsupported but they sound fucking good. mostly people get the newer versions, they work phantom powered and sound mostly identical. not me!
my bigger field mixer and recording rig both have switches for T power (the switch in my FP33 is what got me looking for these mics) so mostly it's not a problem.
except my smaller recorder (this old MR-1 in the pictures) and my very tiny FP24 very much do not have T power.
so, i found the manuals for these old mics of mine online and in both there's a little circuit diagram for powering them with a 12v supply and that's what i did here in a cable: attached a couple 180-ohm resistors to the ends of the leads of this A23 battery holder (this would also work with smaller A27 batteries) and stuck them to pins 2 and 3 of an XLR connector, finished up this cable, stuck it inline.
turning everything on, i listened to the resistors charge up and come online, and the sound over the mic was,
i forgot to turn down the gain in the recorder!
i went into the menu of the MR-1 and set gain to -26dB, and the sound over the mic was just silky.
this whole rig fits in my purse, without emptying it.
i ordered a few more resistors to go with some capacitors i have to make a low cut filter inline, and then i'll have all the channel strip i want for this rig.
my FP24 does not work with this setup (i'd tried to use it for its LCF during this whole process) so i'm guessing i'll need to make an adapter to go from phantom power to T power so that it can hopefully more easily pretend this mic is no different from the other mics, but that's not urgent or anything i'm super curious about just yet. soon enough.
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including screenshots here of the manuals for the MKH 406T and the MKH 815T showing identical schematics for providing power to a T powered mic. looking at the simplicity of it, i don't know why phantom power became the standard.
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