#Wouter Hendrickx

[noxhel]

Wild ┆2018 🎥Jan Verdijk

[angiemcalisters]

wouter hendrickx in hidden assets (2021) 🌻 if you click in the source link or go into my gif directory, you will find #147 gifs of wouter hendrickx (b. 1975) in hidden assets 1.06. you can edit these as much as you would like, but please link back & tag me if you redistribute them! thank you & enjoy !

content notes : gun, smoking !

[movienized-com]

Alter Ego

Alter Ego (Serie 2023) #TaekeNicolaï #WardKerremans #WouterHendrickx #KarlijnSileghem #ZinebFallouk #IssamDakka Mehr auf:

Serie Jahr: 2023- Genre: Drama / Mystery Hauptrollen: Taeke Nicolaï, Ward Kerremans, Wouter Hendrickx, Karlijn Sileghem, Zineb Fallouk, Issam Dakka, Peter Thyssen, Willem Loobuyck, Günther Lesage, Moora Vander Veken, Viv Van Dingenen, Jasper Brawers, Ella Van Remortel, Michael Pas, Inge Paulussen … Serienbeschreibung: Die Serie verfolgt den Tod, wie er sich unter den Menschen bewegt, um seine…

[jacket-coats]

Hidden Assets Wouter Hendrickx Grey Cotton Jacket

$159.00

Product Specification:

Inspired By: Wouter Hendrickx External: Cotton Fabric Interior: Viscose Lining Front: Zipper Closure Collar: Hooded Collar Color: Grey Pockets: Four Outside and Two Inside Sleeves: Full-Length Sleeves

Shop Now

[filmap]

Bergman Island Mia Hansen-Løve. 2021

Opening Titles Fårö 624 66, Sweden See in map

See in imdb

[fourorfivemovements]

Films Watched in 2021:

90. Bergman Island (2021) - Dir.  Mia Hansen-Løve

[boireuncoup]

[sarcasmcloud]

British people, do you know if the BBC has said anything about airing season 2 of the glorious Belgian TV series Cordon?

[abriefingwithmichael]

First episode isn’t as good as the first episode of Kin, but it’s enjoyable. 

The police on this show behave more like TV Cops than the police on, say, Manhunt. 

But the story arc (Irish drug dealers, diamonds, international terrorism, suicide bombers) is compelling enough to bring me back for episode 2. 

[yekuana]

🎬🚲🎞️ #TheMisfortunates (2009) Gunther, un joven escritor que no consigue que le publiquen nada, recuerda momentos del inicio de su adolescencia, con 13 años, marcada por una familia de perdedores, alcohólicos y violentos. (FILMAFFINITY) Dirección Felix Van Groeningen Reparto Kenneth Vanbaeden Valentijn Dhaenens Koen De Graeve Wouter Hendrickx Johan Heldenbergh Bert Haelvoet Gilda De Bal Natali Broods Pauline Grossen Sofie Palmers Año / País: 2009 / 🇧🇪 Bélgica Título original: #DeHelaasheidDerDingen (The Shittiness of Things) Género #Drama #Comedia #Familia #DramaSocial #Alcoholismo https://www.instagram.com/p/CS4i0U3n5x5/?utm_medium=tumblr

[emzeciorrr]

Scars of the Past | War Short from Western Spaghetti's on Vimeo.

Plot \\ Scars of the Past is a story about friendship, loss and sacrifice. Two young soldiers meet during World War II, together they try to endure the chaos and horrors of the war helping one another. During an enemy attack they are forced to flee, but fail to escape when they are quickly surrounded by the enemy... They are forced to take a decision that will hunt them for the rest of their lives.

Description \\ Shooting this short film was a great experience. Western Spaghetti's teamed up with the 82nd - 101st US Airborne Division - Belgium. Together with the special effects team we've tried to recreate the feeling of chaos during a real battlefield. Shooting this short took us 3 days.

Cast \\ Lukas Bulteel - Young Veteran Gerd De Ley - Old Veteran Jonathan Lambrechts - Young Soldier Sofie Joan Wouters - Veterans Granddaughter Greg O'Brien - Voice Actor

Extra's \\ Sander De Wever - Soldier 1 Nick Op de Beeck - Soldier 2 Tobias Van Huffelen - Soldier 3 Danny Vandroogenbroeck - Soldier 4 Willy Vandenbroeck - Soldier 5 Bjorn Demars - Soldier 6 Raf Van Rooy - Soldier 7 Jelle Vermeulen - Soldier 8 Urbain Verbist - Soldier 9 Willy Bals - Solider 10 Benny De Maeyer - Half-track Driver

Crew \\ Sebastian Vuye - Director, Writer, Producer, Director of Photography Marlies De Win - 1st Assistant Director, Producer Maxim Vincent - Line Producer, Editor Wannes De Houwer - Director of Photography, Producer Stijn Bogaerts - 1st Assistant Camera Thomas Rillaerts - 2nd Assistant Camera Merlijn Moonen - Production Sound Mixer, Sound Designer Ruben Pauwels - Production Sound Mixer Jelle Vermeulen - Boom Operator, Storyboard Artist John Scigulinsky - Composer Ines Verheyen - Make-Up Artist Juan Melara - Color Grader Harry Wiessenhaan - Special Effects Supervisor Nils Verstraete - Special Effects Technician Albert Hendrickx - Weapon Master Christian Vuye - Script Editor Sylwia Rasimowicz - Script Translator Raf Van Rooy - On Set Photographer Axelle Vincent - Runner Liesbeth Lafaille - Runner Kaat Wets - Runner Louis Fimmers - Runner Leo Vincent - Runner Maarten De Meutter - Runner

A Western Spaghetti's Production 2016 westernspaghettis.be

[stardips]

mooie juweeltjes uit antwerpen?

Studio Collect!!!!!!!!!!!!!! Anne Zelien!!!!! Wouters en Hendrickx!

[itsmedicinesfakianakis]

GSE99929 Single-cell mass cytometry reveals the impact of graphene nanomaterials with human primary immune cells

Contributors : Marco Orecchioni ; Davide Bedognetti ; Leon Newman ; Claudia Fuoco ; Filomena Spada ; Wouter Hendrickx ; Francesco M Marincola ; Francesco Sgarrella ; Filipe A Rodrigues ; Cécilia Ménard-Moyon ; Gianni Cesareni ; Kostas Kostarelos ; Alberto Bianco ; Lucia G Delogu Series Type : Expression profiling by array Organism :

The genome-wide transcriptome analysis highlight the increased biocompatibility on immune cells of graphene functionalized with amino groups (NH2) compared with graphene oxide (GO); reducing the cell metabolism disfunction. Moreover, GONH2 was found to polarizes T-cell and monocyte activation toward a T helper-1/M1 immune response.

from # All Medicine by Alexandros G. Sfakianakis via alkiviadis.1961 on Inoreader http://ift.tt/2wEQc3T from OtoRhinoLaryngology - Alexandros G. Sfakianakis via Alexandros G.Sfakianakis on Inoreader http://ift.tt/2vQoMur

[jacket-coats]

Hidden Assets Wouter Hendrickx Grey Cotton Jacket

$159.00

Product Specification:

Inspired By: Wouter Hendrickx External: Cotton Fabric Interior: Viscose Lining Front: Zipper Closure Collar: Hooded Collar Color: Grey Pockets: Four Outside and Two Inside Sleeves: Full-Length Sleeves

Shop Now

[londontheatre]

De Roovers’ production of A View from the Bridge. Photo by Stef Sessel

de Roovers adaptation of Arthur Miller’s A View from the Bridge is set against the stunning backdrop of the Thames and Canary Wharf as part of this year’s Greenwich and Docklands International Festival. As the characters speak of immigration and our brothers, Rodolpho and Marco (Wouter Hendrickx and Adriaan Van Den Hoof), are travelling to a new land, as our narrator tells us the ship has arrived, the cast are subtly upstaged by the view of passing boats on the river. Amidst a ground of sandy stones sits the interior of our stage, a humble square platform, the home of Eddie Carbone, with his wife Beatrice and her niece Catherine (Robbie Cleiren, Sara de Bosschere and Sofie Sente). The play is accompanied by live music which undertones the text, eliciting feelings of excitement and intensity, bubbling the setup of the story and underpinning the emerging drama throughout.

The dialogue of Miller’s text is delivered with a feathery density, in that its poignant simplicity flows between the characters in a mode that makes it consistently engaging. It never stabs, but rather willows in the air, allowing even the moments of silence to be packed with a curious intensity. The story is clear and spoken with the sense of a beating heart; the essence of time is lurking beneath the surface; we are waiting for the climax from the start; we can sense it slowly building. It finally hits us, but there is something in the reactions of those around the final bullet which brings an anti-climactic closing. After a ninety-minute build up, the play doesn’t quite manage to pique at its dramatic end, but rather just stops. It feels under-thought, or under-rehearsed. Similarly, in an enthralling moment when Cleiren rips up the stage piece by piece (literally, breaks it apart into a scattering of individual square panels), the surrounding atmosphere doesn’t match up with the internal breakdown. There is little or no reaction from the family. It’s all rather half-hearted, which is a shame as physically destroying the interior of the home so captures the build-up of jealousy in Eddie’s mind and, in isolation, is captivating.

de Roovers is a company which works without a director. The thing I felt this production really needed: a director. Whilst it has vision and concept, it’s simply a case of uninteresting, simple blocking. Our narrator, Alfieri (Luc Nuyens) walks on awkwardly in most cases, not quite sure what to do with his hands. Cleiren stands for a large chunk of the beginning in one spot, de Bosschere clocks the audience quite a bit; the whole thing seems like a clumsy, unintended attempt at melodrama. Characters don’t really talk to each other, but mostly to us. It’s awkward and static. There’s nothing natural about it, yet it doesn’t seem purposeful enough to be non-naturalistic. It’s like the cast don’t trust the audience; they have to keep checking to make sure we’re concentrating. At the same time they are not fully committed themselves; distracted by passing boat music and planes; a nice idea which does not work in its execution. These moments breakaway from the story and struggle to refocus.

The performance makes a contrasting use of the interior and exterior space, which is really exciting; with the exterior constantly exposed, there’s nakedness, a vulnerability to those standing in the background. There is nowhere to hide. This could be taken further, making it even more exposing. Outside is natural, inside is still. Some of the most intense moments – lifting the chair, for instance – are skimmed over quickly, creating little dramatic impact at such an opportunity.

This is not a bad production. It just feels like it’s only half-way through rehearsals; like there are more discoveries to make. Moments of dance, tension or drama that are vital to the story’s progression are unfocused, more often than not. That being said, it’s nonetheless engaging and works beautifully in the realms of nature; two birds flying above the stage in the play’s final scene could not have been timed more perfectly. Of course, the chances of this happening every night is unlikely, but performing in the liveness of the outdoors permits for all kinds of moments like these; moments that are truly live theatrical experiences. Perhaps this production just needs to rethink about how these moments are engaged within the context of Miller’s text.

Review by Joseph Winer

Arthur Miller’s tragic masterpiece comes to a dramatic Thameside location in the UK première of acclaimed Belgian company De Roovers’ adaptation, in a new English translation. A story of dock workers and illegal migrants in search of the American dream is given new resonance against the backdrop of the 21 st century London riverscape.

De Roovers, founded in 1994, is a theatre ensemble that works without a director. Starting with challenging material — either classical or contemporary — the actors make and perform theatre that, through compelling text, innovative approaches to design and an urgent performance style, examines issues that are socially relevant

De Roovers presents A VIEW FROM THE BRIDGE PART OF GREENWICH + DOCKLANDS INTERNATIONAL FESTIVAL 2017 Thursday 22 June-Sunday 25 June, 2017 at 9pm At Peninsula Quays, Greenwich Peninsula, SE10 0QE

http://ift.tt/2t727J0 LondonTheatre1.com

[pityful-plaything]