#Wood Surfaces

[taazaofferss]

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[koffclubindia]

What is the best way to get water stains off a finished wood surface?

Water stains on finished wood surfaces can be unsightly, but they can be removed using the following methods:

Use a cloth and warm water: For light water stains, simply dampen a clean cloth with warm water and gently rub the stain in a circular motion. Then, dry the area thoroughly with a clean cloth.

Use a mixture of baking soda and water: Make a paste out of equal parts baking soda and water for stains that are a little more difficult to remove. Apply the paste to the stain and use a towel to gently work it in. After wiping the paste away, dry the area off.

Use vinegar and olive oil: For deeper water stains, mix equal parts white vinegar and olive oil. Dip a clean cloth into the mixture and rub the stain in a circular motion. The vinegar will help remove the stain while the olive oil will condition the wood. Once the stain has been removed, wipe away the mixture and dry the area.

Use a commercial wood cleaner: There are also many commercial wood cleaners available that are specifically designed to remove water stains from finished wood surfaces. Follow the instructions on the product label to use it properly. Buy water resistant wood adhesive.

It is important to note that for more severe water damage, such as warping or cracking, it may be necessary to refinish the affected area or even replace the damaged wood. It is also recommended to use coasters or placemats to prevent water stains from forming in the first place. You can also buy water resistant wood glue to protect against the damage caused by water or moisture-prone area.

[tofreezetime]

entrance

[megpricephotography]

Flynn likes to be involved with everything I do. If he sees me crouch down to look at something &/or pick it up, he likes to come & inspect it as well. In case it's interesting. Or edible. Or both.

In this case, I'd found a fossil. According to Flynn this falls in the "Not Interesting" category but he gave it a polite sniff all the same. Like I politely praise him when he finds & shows me puddles & molehills. We humour each other.

Such a teeny tiny fossil! It's one of the smallest I've found. Probably at least 420 million years old, which is just completely wild.

[emblemoftheattorney]

Is it just me or do Feenris and Junipollo have the same energy?

[allthegothihopgirls]

it is so hard being a themes and motifs + 'finding relatability within the story' game person, and trying to equate the experience you have gaming, to someone who solely plays battlepass progression system games.

[jag-rat]

Let's analyse the drow!

Quick history on the drow: The drow have been historically characterised as ‘evil’, especially in earlier editions their alignment was always on the evil spectrum. Even Drizzt Do’urden for example was a story that essentially circles around one ‘good’ drow who managed to rise above the rest of his kin and become ‘one of the good ones’. I think we also need to acknowledge that in the earlier editions drow definitely had racist implications around them intentionally or not. With the drow initially being described as ‘completely opal black aside from their white hair’ and essentially just existed as the ‘evil’ elf counterparts to their perfect blonde cousins. Now in recent years wizards of the coast have started to rectify this. As of right now Drow have been described as being more purplish grey in colour and are steering towards being implied not to be 'completely evil'. There's no doubt about it that the drow have had a rocky history and being overtly over-sexualisalised by the early writers definitely didn't help much either. But I still think there's something very interesting wedged into this unique race of elves. 

Lolth's role: Their main goddess is of course Lolth who even in modern renditions is always depicted as a chaotic evil spider demon. You could argue she’s currently the main reason why the surface folk still don’t like these dark elves. Even in Baldur's gate three which came out last year the writers make a point of emphasising that the ‘good drow’ are the ones choosing to rebel against this goddess. Now obviously this ‘good’ and ‘evil’ thing has always been a core part of DND, which makes sense given it was inspired by Tolkien who consistently made a point about there being two sides, good and evil. And it's still a very common theme in modern fantasy but I think when we look at Lolth and her connection to the drow from a more contextual standpoint this insistence of ‘evil’ isn’t nearly as interesting as exploring the greyer implications of how this Goddess came to be. Being viewed as ‘evil’ in the dnd universe is natural as Lolth is written as a chaotic evil being, encouraging violence, the sacrifice of first born sons, and general betrayal among your fellow drow isn’t very appealing. It's enough for anyone to wonder why the drow worship her in the first place if they aren’t evil. However I think it's also important to remember in real life when we create gods they almost always reflect our world, the good and the bad. Let's take Zeus for example, he was a pretty shitty guy, cheating on his wife, kidnapping women and punishing people for petty reasons. But he was still worshipped, he just reflected power and kinghood. And kings aren't perfect or benevolent, they can abuse their power and take what they want. People are complex and imperfect and so are their Gods. So a similar sort of argument could be made for Lolth. 

How the environment shapes a culture: The underdark is almost always described as a harsh environment, with creatures like hook horrors casually wandering around, mushrooms that explode when touched and let's be honest probably not a lot of food in a place with little sunlight or stability. Earthquakes happen often here killing many and flattening villages. The underdark is without a doubt an unpredictable chaotic and cruel hellscape where death is a guarantee and often occurs for little to no reason. It's not hard to imagine how competition could become everything here. That means that every creature living in the underdark, even every other drow clan is just another competitor for those sparse food and resources in an already barren and harsh climate. In an environment so unforgiving and competitive you can imagine how a Goddess such as Lolth would be worshipped. Because Lolth, like most Gods, reflects the environment her worshippers live in, she is characterised as being as cruel, violent and chaotic as the underdark is. And the teachings of violence, sacrifice and betrayal that she encourages of her followers might not actually be such a bad thing but rather the key to the drows continued long term survival in such an impossible climate. Traditions and culture almost always stem from a purpose, in this case how you survive. The cutthroat nature of drow culture mirrors the underdark in such a way that it ensures that the strongest survive (although it's important to note when I say ‘strongest’ I don't mean it in a literal sense but rather those who possess the qualities best suited for survival in that environment.) The strict hierarchical structure also ensures this, with female drow being favoured as they are naturally larger, stronger and more robust than their male counterparts. Which in itself is most likely because larger stronger women generally lead to a higher rate of survival in offspring especially in harsher conditions where a single misstep can be certain death. This physical and social difference lends itself to the spider metaphor of their goddess both literally and figuratively where spiders eat their males. But as unfair as this rigid hierarchy based on sex seems, it can be argued like many cultural phenomena to be a curated survival method in itself. After all you need fewer males than females to maintain a stable population which is an important detail when living somewhere with a natural lack of food. Even sacrificing your first newborn son as gruesome of a tradition as it is, in a way makes sense. It selectively ensures that the male population is lower meaning less overall resource demand in an already scarce environment will be lower while still being able to maintain some semblance of genetic diversity.

Solutions to these dilemmas?: Now of course it goes without saying all these things are horrible, sex selection, strict hierarchies and encouraged violence to decrease competition are all bad. However in an extreme dystopian sounding scenario such as this one it does at the very least make sense. And I think what we can gather from this is that despite all the terrible things, at least terrible to us living in the world we are, drow aren’t really evil. Not even their society despite its depiction is ‘evil’. Calling them evil is kind of like if lions from a zoo who get fed everyday started calling wild lions evil for eating zebras. We may not like it of course but it's not fair to call it evil, it’s survival. In the same way Lolth isn’t even an ‘evil’ Goddess, she's just a cruel and unfair one, made to reflect the natural violence of the underdark and the lived experiences of those worshipping her. When debating the drows morality it's just about context. It brings some questions to mind. Like if the ‘good drow’ drow who are against Lolth did manage to rebel and forcefully shift the culture of the drow to be more like the surface elves for example what would really happen? Would the drow stop all their violent habits and competitiveness to live happily ever after in a more equal world? Or when all of this ‘evil’ behaviour was ‘corrected’ would it lead to a ripple effect causing famine and death anyway? Who are the surface dwellers to determine what’s wrong and right when they’ve never had to survive in such an environment? Perhaps instead the culture of the drow would just naturally change over time anyways if the need for those more violent and extreme traditions subsided because there were more ways of accessing resources and building a stabler environment. Either way I don’t know the future of drow society, but what I do know is that it’s far more complex and grey than we give it credit for.

[xpuigc-bloc]

COLOSSAL

“Unearthing Buried Gods.” Michael McGrath

Michael McGrath Summons Symbolism and a Folk Art Style in Expressive Paintings

November 6, 2024

Art

Kate Mothes

From fanged cats and all-seeing ravens to anthropomorphized botanicals and disembodied faces, Michael McGrath’s uncanny works nod to the symbol-rich, flat compositions of folk art or “naïve” painting. His mixed-media works combine materials like graphite, oil paint and oil stick, ink, and acrylic on a variety of surfaces, including wood, canvas, and burlap.

Inspired by the expansive scenes of contemporary artists Peter Doig and Mamma Andersson, and self-taught artists Henry Darger (1892-1973) and William Hawkins (1895-1990), McGrath harnessed a narrative approach in his own practice. “I decided to experiment with figures and storytelling in my painting,” he tells Colossal. He also counts Jim Henson among his influences.

“Threats and competition for tiny vampires” (2023), graphite, colored pencil, and India ink on wood panel, 14 x 11 inches

Populated with an array of characters, from trees with alarmed expressions to tiny, fairy-like black critters with bulbous wings and long legs, McGrath delves into mysterious, emotional tales with plots as enigmatic as they are supernatural.

The artist’s interest in painting evolved from an early fascination with design, especially album covers and advertising in magazines like Spin and Thrasher. “I never had the patience to develop classical skills, so I focused on dimensional and collage work for a while, until I eventually decided to invest more time in painting,” he says.

McGrath’s work will be part of an online group show with MePaintsMe, Slight of Hand, which opens on November 12. In February, he will also have pieces on view in a group show at Court Tree Collective in Brooklyn.

“Monster control, future systems No. 3,” (2024), acrylic, oil stick, and oil on canvas, 78 x 120 inches

“Night float, threat window” (2024), oil and oil stick on canvas, 60 x 48 inches

“Hunting songs” (2024), oil, oil stick, and grease pencil on linen, 30 x 24 inches

“Muppet moon nightmare choir” (2024), acrylic, acrylic yarn, embroidery thread, painted canvas, and burlap on burlap, 40 x 30 inches

“Moon float” (2024), acrylic, watercolor crayon, enamel, and oil pastel on canvas, 60 x 48 inches

“Stories to frighten your children with and dangerous literature” (2023), oil, oil pastel, and acrylic on linen, 30 x 40

“Cat song, moon riot, No. 2” (2024), oil on canvas, 48 x 36 inches

[toyastales]

A beautifully designed kitchen

[carnivalcarriondiscarded]

shoutout to Asteroid City for making me pace and cry for a solid ten minutes after watching it

[floridafemme]

[materialsscienceandengineering]

Newly created super-black wood can improve telescopes, optical devices and consumer goods

Thanks to an accidental discovery, researchers at the University of British Columbia have created a new super-black material that absorbs almost all light, opening potential applications in fine jewelry, solar cells and precision optical devices. Professor Philip Evans and Ph.D. student Kenny Cheng were experimenting with high-energy plasma to make wood more water-repellent. However, when they applied the technique to the cut ends of wood cells, the surfaces turned extremely black. Measurements by Texas A&M University's department of physics and astronomy confirmed that the material reflected less than 1% of visible light, absorbing almost all the light that struck it. Instead of discarding this accidental finding, the team decided to shift their focus to designing super-black materials, contributing a new approach to the search for the darkest materials on Earth.

Read more.

[tofreezetime]

will you recognize me later?

am i memorable enough?

or will i fall out of your consciousness?

[belas-undead]

i am once again becoming what i sought to destroy

[hypnoneghoul]

On a scale of almond mom to stoner how insane are Swiss's cravings

for now he's in food repulsion stage but once it turns into cravings? oh boy...the kitchen is gonna be locked fr and uh. well considering he's a ghoul im going to make it so weird and funny hehehe

[i-love-ropes]

ROPE OF THE WEEK (2):

HAUL-MASTER 1/4 IN. X 50 FT. POLYPROPYLENE ROPE

FROM AQUA HARBOR FREIGHT

(Real equivalent equivalent to Harbor Freight)

HELLO! I’M ROPE MF AND I LOVE ROPES!!!

I WANTED TO TALK ABOUT MY ROPES EARLIER BUT KING DEDEDE TOLD ME THAT I SHOULD TRY LEAVING THE FOREST MORE OFTEN

AND I ASKED HIM “WHY?” 

AND HE REPLIED “WHEN WAS THE LAST TIME YOU LEFT THE FOREST? DON’T INCLUDE THOSE MEETINGS WITH YOUR ROPE DEALERS.”

I TOLD HIM “YEARS.”

SO THEN HE SENT ME TO THE RAINBOW ISLANDS TO EXPLORE THEM FOR FIVE DAYS!

HE ALSO SENT ME SOME STAR COINS TO BUY FOOD BUT I BOUGHT ROPES INSTEAD!!!

I’M GOING TO TALK THIS ROPE I BOUGHT ON THE TRIP NOW!

WITH OVER 645 REVIEWS AND RATED AT 4.6 STARS

THIS POLYPROPYLENE ROPE IS A THREE-STRANDED TWIST ROPE

THAT MEANS IT'S NOT ONLY EASY TO HANDLE, BUT GREAT FOR THE OUTDOORS BECAUSE IT’S RESISTANT TO MILDEW AND MOLD

IT’S ALSO ROT-PROOF

IT’S ALSO DESIGNED TO FLOAT ON WATER

THAT MEANS IT WON’T SINK LIKE MY OLD ROPE DID!

I MISS MY ROPE SO MUCH…

(Rope MF needed a moment to mourn his lost rope)

ITS SLICK SURFACE IS GREAT BECAUSE IT PREVENTS IT FROM SNAGGING

WHICH MEANS IT’S EASIER TO DRAG WHILE WALKING AROUND THE FOREST LIKE I USUALLY DO!

THIS ROPE DOES NOT ONLY DOES ALL THE THINGS STATED BEFORE

BUT IT ALSO DOES. NOT. EASILY. FRAY.

THAT’S AMAZING!!!

THIS ROPE IS SUPER DURABLE

WHICH IS GREAT BECAUSE I CAN HOLD AND LOOK AT THIS ROPE FOR LONGER!!!

IT CAN ALSO HOLD UP TO 112 POUNDS!

112 POUNDS WORTH OF ROPES!!!

112 POUNDS WORTH OF ROPE MF!

ONE KING DEDEDE FROM 16 YEARS AGO! 

NOW, WE WILL NEED AT LEAST TWO HUAL-MASTER 1/4 IN. X 50 FT. POLYPROPYLENE ROPE TO CARRY KING DEDEDE

BUT MORE ROPES THE MERRIER!!!

YOU THINK THIS ROPE WOULD BE EXPENSIVE WITH HOW HIGH QUALITY IT IS BUT NO! IT COST 12 STAR COINS!!! THAT IS ALMOST 2 KIRBY BURGERS FROM THE WADDLE DEE CAFE

(Based off of some calculations, a star coin cost at least $0.18 and the rope in the real world cost $2.19 (I rounded it down and used the American system))

THAT’S WHY I BOUGHT MANY OF THEM!

I’VE BEEN USING THEM ALL AROUND THE HOUSE

FOR EXAMPLE:

I USED IT THE OTHER DAY TO TIE DOWN ITEMS AROUND MY HOUSE DURING A VERY STRONG WIND STORM

I USED IT THE OTHER DAY TO NOT GET BLOWN AWAY DURING THE WIND STORM

I HAVE ALSO BEEN USING IT TODAY TO DRAG LOGS AROUND BECAUSE MY HOME GOT DAMAGED DURING THE WIND STORM

A SINGLE LIGHTING-BOLT SHOT THROUGH MY HOUSE, SETTING IT ON FIRE!!!

THE ROPE IS A GREAT HELP!!!

IT’S MAKING CARRYING AND DRAGGING THINGS AROUND EASIER WHILE I’M REBUILDING MY HOME!

I RATE THIS ROPE A

10/10