#Win Butler

[yourfavealbumisgender]

Everything Now by Arcade Fire is a Gendervoid Lesbian!

requested by @stormywinter42

[krispyweiss]

Song Review: Arcade Fire feat. David Byrne and St. Vincent - ““Heroes”” (SNL 50)

Those who like their ““Heroes”” fast and poorly sung will marvel at the David Bowie number as performed by Arcade Fire, David Byrne and St. Vincent at “SNL50.”

The rest of us will wonder why it was released as a standalone video.

Byrne goes first and muffs some words. When St. Vincent, stuck with the unenviable task of recreating and accelerating Robert Fripp’s core riff, comes on the mic, it’s clear she and Byrne don’t share a blend.

And when Win Butler goes into rock-star mode on his verse, holding his guitar over his head and falling to his knees, the cliché almost outweighs the fact he, St. Vincent and Byrne also don’t share a blend.

Butler then sings a bit of “Once in a Lifetime” as an awkward homage to Byrne, which one can only hope signals they won’t be doing this again.

Grade card: Arcade Fire feat. David Byrne and St. Vincent - ““Heroes”” (SNL 50) - D

2/28/25

[milafm2002]

Happy Music Friday Everyone!

The Weeks Songs Are...

Put Your Money On Me - Arcade Fire 2017

Sod Off - Bjork 1997

Starvation - AURORA 2024

Christmas Day - Bat For Lashes 2024

Enjoy and have a great weekend

[siblings-in-music-bracket]

Match 9 (Round 1)

[horneboy]

i saw arcade fire last night!! the best gig i have ever been to in my life hands down

[30000songs]

#800 - Funeral - Arcade Fire

Despite having been one of my biggest musical betrayals, starting with their fifth album and culminating in the revelation of Win Butler being a giant creep...this still holds up. One of the defining indie rock albums, a work that, had Butler's vocals been more confident, would have gotten a perfect score. As it stands, Pitchfork had it right.

97/100

[captainpirateface]

[gaiazy]

Porno; A deep dive.

Arcade Fire's ‘Porno’ is about love, intimacy, and desire in a world saturated with superficial imagery, particularly during the “Reflective Age”,  a time when people are caught up only in abstract reflection and thus complete inaction, standing in contrast to a “Revolutionary Age” where meaningful change is possible through action. 

We’re not talking about that kind of porno, but rather a reflective piece that challenges us to consider how modern culture shapes our perceptions. The title alone, ‘Porno’, grabs your attention, setting the stage for a deeper exploration of relationships and authenticity. The word evokes something raw and provocative, but the song subverts this expectation, moving instead toward a longing for genuine connection. It challenges listeners to confront the complexities of relationships and authenticity. 

The opening line, "Take the makeup off your eyes. I’ve got to see you," sets the stage by juxtaposing surface-level appearances with a raw yearning for connection, framing the narrator’s plea for sincerity. With the line "just take it off" playing on a common cliché often directed at live adult performers, where "it" typically refers to their clothing. When coupled with the line above ‘And all your makeup’,  the meaning changes to a plea for authenticity, the narrator yearns for the subconscious patterns cemented by society to be broken in their partner. Yet, the repeated “I know” introduces an ambiguous tone, at times empathetic and understanding, but also potentially controlling, mirroring both sides of society, one side where people genuinely understand, and the other side, where they act like they understand but turn a blind eye. It also highlights the messiness of real relationships where intentions and emotions are rarely clear-cut. The chorus "You can cry, I won’t go. You can scream, I won’t go." seems, on the surface, to be a declaration of unwavering commitment, but it carries an undertone that could be possessive, emphasising the tension between devotion and control. 

The lyrics continue, singing ‘Every man that you know would have run at the word go’, this line serves as a double meaning, referencing how a simple man would take the opportunity to spend time with a woman, further objectifying their value, the lyrics also mean that most men would rather leave a tough situation like this if given the chance, but what’s needed is effort for a stable relationship in this ever-changing world.

The repeated line “Little boys with their porno” broadens the song’s critique, as the narrator attempts to separate himself from the shallow, performative approach to love that dominates modern culture, and highlights how people treat love like it's a performance, like it's something meaningless. However, his assertion raises further questions: is he genuinely capable of the deeper love he claims, or is he merely convincing himself and his partner of this distinction? As the song unfolds, his confidence falls, reveal rare vulnerability with lines like “Makes me feel like something's wrong with me. Can you see me?” This self-doubt strikes a universal chord, capturing the fear of being misunderstood or rejected in a world obsessed with façades.  The narrator wonders, “Is it me?” “Am I wrong for wanting something real?” Which is something a lot of people can relate to. That feeling of, “am I the one who's out of sync here?” 

Musically, the shift mirrors this emotional arc, moving from defiant energy to quiet introspection, leaving the listener with a lingering sense of unresolved tension. The closing repetition of 'I’m not over it' sees Win passing the mic to Régine, giving voice to the other side of the story, the perspective of the marginalised and objectified. This shift offers a poignant contrast to the previous narrative, underscoring the uncertainty and leaving questions about the narrator’s motives and the relationship’s future unanswered.

 Finally, the lyrics end with a resolution, ‘And boys they learn some selfish shit until the girl won't put up with it on and on and on we go I just have to know I'm not over it’, while the narrator admits that they can’t do anything to stop these men from hurting other women, he acknowledges that though men are told to "get over it," that it's normal, and that they should just "man up", he can’t and won’t concede to the toxic idea of objectifying women, and he refuses to "get over it." As he shares the lyrics with the other narrator, they both sing "I’m not over it," presenting two perspectives: one from the man, who struggles with the guilt and complicity ingrained in masculinity, and one from the woman, who is told to move on but cannot simply heal from the deep scars that society leaves on women.

By refusing to tie its narrative into a neat conclusion and its refusal to offer easy answers, ‘Porno’ challenges the listener to confront the ambiguity, vulnerability, and complexity of human connections. It forces us to examine our own values and assumptions about love and intimacy, asking whether we are truly authentic in our desires or simply products of a culture steeped in surface-level ideals. Porno becomes a poignant reflection on the complexity of love and desire, highlighting the importance of vulnerability and self-reflection. It questions whether genuine connection can survive under the weight of unspoken conflicts and contrasting desires, particularly for women who may wonder, Are they really listening to how I feel? By leaving its narrative unresolved, the song itself becomes a metaphor for the tangled nature of life and vulnerability , challenging listeners to examine their own roles in the search for authenticity.

‘Porno’ offers two perspectives, holding up a mirror to the listener and asking: What about you? What are you willing to fight for? What compromises are you making? Are you being true to yourself? Overall, the song repeats the album's original meaning, everything is a reflection of humanity, but there's still a place to find the good under all the bad. :) Written by Lumiéres (gaiazy) !

[girlish-entropy]

[altamontpt]

NOS Alive 2024 – Dia 1: primeiro round - K.O. absoluto de Parcels e Arcade Fire.

Dia marcado por grandes festas. Para os nostálgicos, Smashing Pumpkins. Para os outros, os que vivem a música que se faz agora, os Parcels e os Arcade Fire.

Dia marcado por grandes festas. Para os nostálgicos, Smashing Pumpkins. Para os outros, os que vivem a música que se faz agora, os Parcels e os Arcade Fire. Dois dos três dias esgotados, o que sobra a esgotar. É quase sempre assim. Ir ao NOS Alive parece ser cada vez mais uma (boa) obrigação. Por volta de 160 mil pessoas esperadas em todos dias do evento. É obra. E nós a caminho. Texto e fotos,…

[radiovoyager]

"Funeral" Studio album by Arcade Fire

Released September 14, 2004

[milafm2002]

Here Is part 5 of Music with The Silent Films of Georges Melies the songs found in this part will be a mixture of indie Alt-rock, techno, and a few Unhinged songs Enjoy!

It Happened Quiet - AURORA ( Infections Of A Different Kind Step I ) 2018

Vanessa - Grimes ( Darkbloom ) 2011

Taut - John Parish and PJ Harvey ( Dance Hall At Louse Point ) 1996

Vertebrae By Vertebrae - Bjork ( Volta ) 2007

Close Encounters - Bat For Lashes ( The Bride ) 2016

Here Comes The Night Time II - Arcade Fire ( Reflektor ) 2013

Tonight Tonight - The Smashing Pumpkins ( Mellon Collie And The Infinite Sadness ) 1995

Bobby - Wolf Alice ( Blue Weekend Tour Deluxe ) 2021

Motion Picture Soundtrack - Radiohead ( Kid A ) 2000

Stay Tuned for More!

( This Post Contains GIFs from Hugo 2011 and Le papillon Fantastique 1909 )

[yesnowhatno]

One of the best indie rock albums I’ve ever heard👌

[holdcelebritiesaccountable]

Win Butler (Arcade Fire)

accused of: sexual misconduct

a. sexual misconduct

[ena333333]

someone's pov before losing their sanity

[scliffe]

Highly appreciate that Ciel went through this and the first thing he did after he came back was put his foot up Sebastian’s shoulder