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BONUS ROUND!!

They were the original inspiration for the bracket, and I was a bit sad not to see them against each other, and I had a few requests to do so, so here is a bonus round with the brothers!

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THE WINNERS OF THE SIBLINGS IN MUSIC TOURNAMENT:

GERARD AND MIKEY WAY OF MY CHEMICAL ROMANCE

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MIKEY AND GERARD ARE THE WINNERS!!!

FINAL ROUND

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FINAL ROUND

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SEMIFINALS - ROUND 2

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SEMIFINALS - ROUND 1

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Colin and Jonny move on to the semi-final!

(Ignore that I forgot to mention the Gallagher's when they won)

Match 3 (Round 3)

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Match 4 - Round 3

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Match 3 (Round 3)

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Merry Christmas to those who celebrate 🎉

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Match 2 (Round 3)

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Match 1 (Round 3)

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Guys 3 Cheers Won !!!!!!!! (early i know but still)

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As we enter round 3, the poll will be taking a break. See you all next week!

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Congrats to the Wilson sisters!!!!

Match 8 (Round 2)

Congrats to the Wilson sisters of Heart!!

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Congrats to Martie and Emily!!

Match 7 (Round 2)

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Round 6 - FINALE

The winner takes all! Which piece of media deserves to be the Champion of 1997?

Revolutionary Girl Utena: If it cannot break its shell, the chick will die without ever being born. This sentiment, originally found in Hermann Hesse’s 1919 novel Demian, features during a repeated sequence in the 1997 anime Revolutionary Girl Utena. Hesse is far from the only reference to philosophical, surrealist, or heavily symbolic text in the show, which trades in visual metaphor and multi-layered subtext. Revolutionary Girl Utena follows the story of Utena Tenjou, a young orphan who aspires to princehood-- challenging or outright circumventing the place of gender in that aspiration-- and is entangled in a series of duels centered around a girl named Anthy Himemiya. Written by Kunihiko Ikuhara, Chiho Saito, and Yōji Enokido (known collectively as Be-Papas) and soundtracked by J.A. Seazer and Shinkichi Mitsumune, the show has an instantly recognizable style, combining lush fairytale visuals and French-inspired architecture with a choir that functions as a sort of Greek chorus to the internal worlds externalized in combat. Utena is a story about many things, arguably all things, taking a surgical scalpel to adolescence and using the flat of the blade as a paintbrush, leaving a deeply human, visceral work of art in its wake. It has been massively influential on feminist, queer & sapphic, and otherwise gender-deconstructive or gender-subversive modern media. Smash the world's shell! For the revolution of the world!

Radiohead's OK Computer: I go forwards, you go backwards, and somewhere we will meet. By the middle of the decade, Radiohead was weary of the ubiquity of their 1993 hit Creep; although the record that followed it (The Bends) was a lusher, more evolved album than their first, it had failed to produce a distinctive enough image for the band to undo what Creep had done. The song threatened to define the band entirely to those outside their devoted following. In 1997 the band swung for the fences with the haunting, abstract OK Computer. It was a move their label cast immense doubt on at the time, and its success then and now would cement Thom Yorke and his bandmates as soothsayers of a sort, draped not in bohemian silk robes but in white hospital sheets. It's an album that speaks to the future with dread more than wonder, that critics described as "nervous almost to the point of neurosis," but marries the uneasy experimental soundscapes with poetic, surrealist, and increasingly prophetic songwriting regarding the parallel lives we lead with technology. Featuring the singles Karma Police, Paranoid Android and No Surprises, OK Computer is hailed by many as the band's magnum opus: it's certified double Platinum in the US and five-times Platinum in the UK, and in 2014 it was included in the United States National Recording Registry as "culturally, historically, or aesthetically significant."