#Wilson breaks up with him for two episodes and he’s already in a weird thing with Lin Manuel Miranda

[dracoj]

“back off, people already think we’re gay” <- guy who keeps getting into intense psychosexual relationships with other men

[tauremornalome]

House MD for the top 5 things. Choose wisely

oooo thank you so much. finally i can bitch about this

top 5 things i would change in: house md

1. season 6 finale for the love of god. someone has to. im not a huddy hater but i absolutely despise the way they ended up getting together. and it's such a good episode up to that point! delicious whump! emotional torture! this is for sure one of the best premises for an episode this series has ever had. and then they had to tease sth for the next season in the last 5 minutes so they did the most out-of-character idiotic scene to ever exist. terrible. so ideally i would have made huddy get together sometime earlier in 6th season (not much, just maybe one, two episodes earlier) and house's breakdown in the finale to be a problem already for the two of them to overcome. or made huddy happen a few episodes into s7, and have either cuddy come to house in the s6 finale but not sleep with him, or have wilson come there and sleep with house somehow make house pull himself together

2. speaking of how huddy happens in canon, i would also love to change the episode in which cuddy breaks up with house. it's a terrible episode. it's boring. it's the same plot as the episode with cuddy's mum that was only like, what, 5 episodes earlier?? cuddy is behaving extremely out of character, and the breakup comes off very cheap. so. first of all, get rid of the cuddy cancer scare plot (i meannnn it's a nice parallel to wilson later, but it's really not worth it). second of all, have her break up with house in a more rational way, having decided he is too much of a mess, or that her career is too important to her to have to accomodate house at work all the time, or anything else. just have it be a product of rational thinking and not. this shit.

(overall i would have loved for huddy to happen sometime in the earlier seasons, like season 3 i think would be great! then they could have broken up bc of cuddy wanting a child and house not or sth, and they would have many many seasons post-breakup to somehow mend their working relationship and maybe even get to the point of house being a family friend)

3. there are so many -isms and -phobias in this fucking series. so. less of that, pretty please. i'm fine with house being a terrible person in this instance but i would love for the overall narrative to show him the middle finger for it more often. i would especially love to have a transgender or intersex character appear and not be ridiculed bc really. they were pushing it with the gender-related queerphobia.

4. cameronnnnn holy shit could we please get some decent and consistent writing for cameron. she doesn't have to be likeable, just. uaughhh. ok so i would lean more into her forming weird codependent relationships with patients, and her general emotional fuckedupness. i would have added a cameron-centric episode just before the wedding or just after it to show that she's not 100% invested in this relationship. also an episode concentrating around her work in the ER and her coping with how many patients go through her hands and how she doesn't remember most of them. also i would change her name to literally anything that doesn't end in -on like pleaseeee this is a nightmare i can't stand her being named allison cameron. let it be alice.

5. seasons 7 and 8 and the A-plot – B-plot balance. pisses me off when house is spending whole episodes not doing his job. go back to the ducklings. or ignore the case but at least do it on the hospital grounds - speaking of which, ROOF SCENES, WHERE ARE MY ROOF SCENES. there were some really nice roof scenes in the first seasons. i want the roof to feature more in the later seasons. if house must Not Do his job then at least i'd have him doing something silly on the rooftop. hot wheels track. painting the mona lisa naked. whatever.

also #6 bonnie girlie i'm obsessed with you. more bonnie. my favourite worst real estate agent in new jersey. i would have her appear once per each season. she is thirteen's one night stand. she is a clinic patient. she is selling kutner's flat. i would love for there to be more bonnie.

[eggplant-crusader]

As promised, time for me to go absolutely insane about how good Ruth Wilson and Dafne Keen are at acting, like it's absolutely unbelievable.

First, Marisa Coulter is this weird-ass complex character that has this thing where she is always simultaneously hyper-rational and hyper-emotional. Like whenever she's acting emotional, either that's genuine but she's also very aware of the fact and using it for her advantage, or she's just acting because she's just that good. And whenever she's being cold-blooded and calculating, either she's really that cold about the situation or she's a predator reading to go absolutely feral but acting like she has no feelings one way or another because she knows that's how she gets what she wants.

And Wilson just. Is constantly acting all of that. There's always an undercurrent of boiling emotion to every cold-blooded scene, and there's always a calculating edge to every emotional scene. And everything in between. It's like she's playing multiple characters at the same time, it's incredible. Of course it's not all her, the production of the show is excellent on all sides, and the direction, the costume, the music, it all contributes to crafting the character and what she conveys. But it all hinges on a single person conveying way more than any one human should be able to convey. I never thought anyone would be able to do this walking contradiction justice, yet I am constantly losing my mind about how good Wilson is at it.

Then there's Dafne Keen who is too young to already be the kind of actor who barely needs any lines. Unlike Coulter, Lyra is not the kind of character that is constantly asking the actor to giver everything, few are, but she's still the protagonist so she obviously she has her big moments, and Keen never disappoints. We barely got to see her these two episodes, she mostly did some set up for the land of the dead, and then running away. But the one moment she got, that "let me go, please?", honestly even that line was kind of unnecessary because she had already acted it, but it still was barely a line an yet there was so much to it. Of course it helped that she was acting opposite Wilson who was doing Everything as she always does, and their chemistry is spectacular, but still, Keen earned that reaction from Coulter, she earned it before she even opened her mouth, she told their entire story without saying a word, it was perfect, absolutely perfect. Everything else for her these two episodes was simpler stuff, set up for future episodes and action scenes, and of course she was excellent at it, but not really moments that give an actor a chance to shine. Then there's the quiet moment with Will at the end, which was short and sweet and perfect, and both Keen and Amir Wilson just...they were Lyra and Will. It was like I was being transported to reading the books for the first time and becoming obsessed with them, ugh.

Because surprise bitches, this post is also about Amir Wilson! THAT Will and Coulter scene is one of the most memorable ones from the books, and it's one I've been looking forward to for ages, admittedly mostly because I wanted to see Ruth Wilson doing THAT, playing him like that, but fuck, Amir played off her perfectly, all the inner conflict, him being so full of love and devotion but being torn by it because there's so much he has to protect, it was all perfect on his part, if anything I thought the show didn't do him justice and didn't focus enough on him, but to be fair, the moment when Marisa goes from her pleading manipulation to "you're useless to me" is huge and a joy to watch and show-stopping, but still, let me see Will's heart break for what he's done because his heart was already breaking!

aaaaa sorry I just, I almost never lose it about acting, it's not something I understand that much about, I'm usually all about the writing, but something about them makes me go insane.

[cjsinkythoughts]

In Need of a Breath

Pairing: Bucky Barnes x Avenger!Reader

Word Count: 4007

Warnings: !FATWS SPOILERS!, Cursing, Zemo, Feelings, Another PTSD Flashback

A/N: So…Part 4 is going to have a couple parts to it. Maybe even three. I didn’t even make it half way through the episode on this one, mainly because I really wanted to fit in the Reader’s backstory and I wanted her and Sam to have a heart-to-heart again. I’m suuuuper tired, so I probably won’t be posting the next part for another few hours (it’s 5 am right now and I haven’t slept), BUT it’s my day off work and I won’t be doing anything I planned because my grandmother had a stroke a couple days ago so plans have changed and I’m staying in to help her, meaning I’ll mostly be writing all day. 

This Part is kind of a mix between off-screen and shot-by-shots, but it’s mostly off screen/what’s going on inside Reader’s head.

I’m really excited about future parts and the characters that are being introduced! I will say that after these parts, I will be doing one shots of previous MCU movies with the Reader, due to the information that is being given about the Reader now. You kind of see more of how she was affected/how she affected the previous MCU movies and what she was doing during that time.

Like always, this hasn’t been beta’d, again it’s SUPER early in the morning, and I’m really tired, so please excuse any mistakes! I hope you guys enjoy this part! Stay tuned for more to come later today!

FATWS MASTERLIST

cjsinkythoughts MASTERLIST

!SPOILERS UNDER CUT!

“You know…I’m really starting to regret saying yes to this.” You huffed out, craning your neck and squinting your eyes against the sun as you stare at the facility in front of you, hating the skin-crawling feeling of being back.

“Would you relax? Whenever you’re nervous, I get nervous, and I don’t wanna be nervous about this.” Sam shifted his weight from one foot to the other.

“Do either of you have a better plan?” Bucky grumbled, crossing his arms.

Gnawing on your lips, you finally take the lead and breathe out, “alright. Let’s go then.” You could feel the hesitance from your - what were they? Partners? Coworkers? Teammates? - the fellas before they started after you.

There was a sick twist in your gut as you entered the building, going through the lobby and security.

You had been there.

You had been there when Zemo impersonated Bucky. You had been there when Zemo unleashed the Winter Soldier at the Joint Counter Terrorist Centre Building in Berlin. You had been there during the battle at the airport. You had been there when Zemo turned Tony and Steve against each other in Siberia. You had been there when Zemo tore the Avengers from the inside out. Your family. The only family you’d ever known.

But you’d always been good about pushing your personal feelings aside for the sake of the mission. It’s what you’d been born to do. All you ever knew.

“Hey. Doll. You hear me?”

“Hmm. What?” You looked up from the ground to look into those enchanting blue oceans Bucky had for eyes, staring worriedly down at you, eyebrows pinched and forehead creased.

“I’m going in alone.” You frowned, opening your mouth to argue, but he shook his head. “Sam already agreed-”

“I didn’t necessarily agree-”

“You’re an Avenger, sweetheart.” Bucky tilted his head, speaking softly, those eyes of his worried. Worried for you. It made your stomach flip. “And you were there in Siberia, and that almost makes it worse. Especially considering you went after him. Just…just let me do this, okay?”

You cracked your knuckles nervously as you thought. It was a terrible idea. But it was an idea. And it was all they had. “Okay.” You finally relented, shrugging as your hands hit your thighs and slid up to your hips. “But don’t do anything stupid.”

“Steve took all that with him.”

Knowing about their little inside joke, you scoffed. “Sure he did. Go before I change my mind.”

You watched him walk down the hallway, hands fidgeting with excess nerves. “I think you’re the only one he actually seeks approval from.”

“Good thing I��m so lenient then, huh?” You joked, turning to Sam with a strained smile. Your smile slipped at the curious expression on Sam’s face, his eyes darting to each of your features. “What?”

“Are you doing okay?”

You groaned, throwing your head back. You thought you got out of talking about your feelings back in Baltimore. “Oh my God, Sam-”

“I’m serious. You…you just don’t seem like yourself.”

You shook your head, looking down the hall to where Bucky disappeared before turning back to him. It was weird to have a self that people recognized. Your whole life you’d been searching for it and when you finally found it…everything went to shit. “Honestly, Sammy, the only time I’ve ever felt like myself was with the team. Zemo took that away from me and now we’re here, practically begging him for help.”

Sam hummed, leaning against the wall. “Have you thought of taking a break?”

“What?”

“A break.” At your bewildered look, he rolled his eyes. “Cher, this time last year most of us were dead. This time a few months ago you found out about Wanda. This time last week you were out looking for her. Maybe you should just stop and take a breather.”

Shoving your hands in your pocket and looking at the floor, you couldn’t help but snort at his advice. “I haven’t taken a breather since I was eighteen.”

He clicked his tongue. “That’s my point. FBI academy as soon as you graduated. SHIELD recruit by 21, undercover operations leader by 24? Slow down. You’re in your thirties. Next thing you know, you’re gonna be ninety something, lying on your deathbed, wishing you had stopped to smell the roses.”

“If I live to be ninety, shoot me.” He chuckled in amusement. “I’m so fucking serious, Sam. I will not be put in an old folks home to play Bingo and be pushed around in a wheelchair. It ain’t happening.”

“I’ll see what I can do.” There was that infectious smile, which you unconsciously grinned back at. “Y/N…I’m serious. You’ve been in and out of missions since you were a teenager. What’s the shortest undercover operation you’ve done?”

“I dunno.”

He gave you an unimpressed look. “Yeah you do.”

Licking your lips, you turned away and shrugged. “A couple months. Seven weeks and three days, to be precise. September to October in 2012.”

“And the longest?”

“August 2007 to May 2009. Twenty one months.” 

Letting out a puff of air through his nose, Sam pushed himself off the wall and caught your chin between his fingers to make you look at him. “That’s nearly two years under cover. And I’m sure you went right back under after-”

“I was sitting at a desk for four months doing paperwork on it.” You defended yourself.

He shook his head, brows knitting together, lips drawn down. “You say that as if four months is enough time.”

“It doesn’t matter anymore, Sammy. I’m out. I’ve been out since Ultron and Sokovia. I haven’t been under in almost a decade-”

“A decade half the world was dead for half of-”

“I wasn’t!”

“I never said you were.” Sam sighed, closing his eyes for a moment. You were always amazed at his ability to keep his emotions in check. To stay cool under pressure. Sometimes you forgot how experienced he was with dealing with other people’s trauma. It was no wonder why Steve thought he’d be good for Bucky. “Listen. All I’m saying is once this is done…don’t go diving back into searching for Wanda. Don’t go running to the kid every time he calls - and I know you’ve been doing that-”

“It’s just been homework and stuff-”

“Y/N.” You stopped, biting your lip at the stern look he gave you. “Go home. Order take out. Binge watch TV. Go for a jog through the park. Actually meet your neighbors. Go grocery shopping. Just…live. If only for a couple weeks. Don’t worry about anyone else. Don’t pick up the phone, don’t drop everything because someone needs you. You need you.”

“I-I…” You shook your head, looking at him, sincerely apologetic. “I can’t. I wish I could. But I can’t. I’ve never had one normal day in my life. I’ve never had someone to care for, never had someone to care for me. I can’t let people I’ve come to…I can’t let them think I don’t care. I don’t even know where I’d go.”

“Whaddya mean?”

You winced, not thrilled for his reaction to your next statement. “I, uh, I sold my apartment in D.C.”

He gaped at you in complete disbelief. “You got it in December!”

“I know, I know. I liked it. I really did, but…I dunno. Nomadic life has always suited me better. It’s what I grew up with.”

He took a breath, making you cringe again. You don’t think you’ve ever legitimately gotten on his nerves like this before. “Have you ever thought that, instead of going with the flow and jumping place to place, putting down roots might actually help?” He cut you off before you could say anything, holding up a finger to stop you from talking. “I can’t imagine going from foster home to foster home like you did. I can’t imagine not having a home for as long as you can remember. Louisiana’s my home. Always has, always will be. But I understand your life has been anything but stable. And maybe, just maybe, that’s why you need some stability.”

You clenched your jaw, crossing your arms. “The Avengers were my stability. Steve was my stability.”

“Because you loved him.”

“I’m not doing this with you again.” You turned to walk down to the lobby to wait for Bucky there, but Sam caught your arm.

“You were in love with him! It’s okay! You two were super close! No one would blame you! Why won’t you just admit it? I’m trying to understand! Why won’t you-”

You tugged your arm away, finally snapping at him. “Because he could never be mine, Wilson! Is that what you wanna hear?!” Sam took a step back at your exclamation. You closed your eyes, swallowing the lump in your throat and pushing down the tears. “He could preach all he wanted about moving forwards, Sammy, but we all knew he was stuck in the past. He visited the museum every Thursday because her interview showed in his exhibit on Thursdays. He carried around that broken compass because her picture was in it.” You looked back up at him sadly, shrugging. “And I get it; it’s hard to move past your first love. I get it because…that’s what he was to me.”

There was a silence that blanketed the hallway, before he spoke up hesitantly. “What about Bucky?”

“I thought - I thought I was projecting my feelings for Steve onto him because I knew Steve couldn’t ever…”

Sam raised an eyebrow. “You thought? What do you think now?”

You cleared your throat. “I’m still figuring that one out.”

“If you ever need to talk, I’ll be here.”

You chuckled, nodding slightly towards him. “Back atcha. Don’t think I haven’t noticed you not being yourself lately, either.”

“It’s…a tough topic.”

You nodded in understanding. “Just know that I’ll support every decision you make as long as you think it’s the right one. Because I trust you. Steve trusted you. It’s all we can do to try to do what’s right. That’s what makes you a good man, Sammy. He gave you that shield for a reason, and if you think what you did was right…I’ll stand by it.”

The two of you stared at each other for a moment, calming down in each other’s presences and taking comfort knowing you’d be there for each other through thick and thin. “Thank you, cher.”

“Of course, Sammy. Now let’s go see what’s taking the old grump so long.”

He laughed at that, nodding in agreement, taking your offered hand and squeezing it as you made your way down the hall.

****************

“What?”

Bucky eyed you as you spluttered, coughing on the water you were drinking. “Please don’t choke, doll.”

“Break him out of jail?!” You repeated his words and blinked at him, absolutely baffled by his plan. “Oh my God.” You groaned as Bucky and Sam started arguing, moving your flashlight around the room. “Where the hell are we?” There was no response as they kept going back and forth.

“Zemo’s gonna mess with our minds! Especially yours! No offense.”

“Heelllloooo!” You tried again. “Where the hell are we?!”

Bucky turned on the lights, giving Sam a look. “Offense.” Glancing at you he quirked an eyebrow. “Stop worrying your pretty lil’ head, sweetheart. You trust me, dontcha?” Your breath hitched at his words. You quickly recovered, huffing and pouting - although you’d deny ever pouting - and crossing your arms. You stood between the guys like that, eyes darting to whoever was speaking, waiting for them to stop so you could actually think.

“Look. Let me just walk you through a hypothetical. Can I walk you through a hypothetical?”

You and Sam exchanged glances. “What did you do?”

“I…didn’t do…anything.” Bucky shrugged.

“How is it that you, one of the most deadliest assassins basically ever, are one of the worst liars I know.” You tilted your head at him, an eyebrow quirking up in confusion.

“Shush it you. Just, okay. The weakest point in any system isn’t the software, the hardware, it’s the meatware. The human element.”

The more you listened to Bucky’s “hypothetical”, the stronger the gut feeling telling you this was a terrible terrible idea got. You brought your hands up to your head, eyes wide as he spoke.

“I don’t like how casual you’re bein’ about this. This is unnatural.”

You couldn’t help but agree with Sam’s words, your head falling back and your eyes closing. “Sweet Jesus. Listen, God, I know we don’t talk much these days, but please, please don’t let this not be a hypothetical. I’m fucking begging you.”

A noise to your right made your head snap over. “Oh hell to the fucking no!” You shook your head as Zemo himself walked in, wearing a prison guards uniform. “Uh-uh! No way! Bucky, this was not part of the plan!”

“What did you do?!”

“We need him!”

“You’re going back to prison.”

“If I may-”

All three of you faced him, simultaneously shouting, “no!”

You held your face in your hands as your head dropped, shaking back and forth, your eyes squeezing shut, tuning them out for just a minute to think. Bucky had a point. The enemy of my enemy is my friend and all that, and the Avengers were technically disbanded, which was Zemo’s whole objective in the first place, but…God. You were good at compartmentalizing, but not that much. You were willing to put your feelings aside for the mission so Bucky could talk to him. Not for you to work with him. But he had connections, you knew he did, and he had information…

“Doll?” You looked up, Bucky anxiously licking his lips as he met your gaze. “I need you to say something.”

You looked to Sam, who shrugged, gesturing to Zemo. “What do you think?”

What did you think? What did you think?! You thought that it was the worst idea in the history of ideas and you should turn back and find another way! But…you knew this was the fastest, probably most reliable way to get information that you needed.

Dammit, since when were you the deciding factor?

You sucked in a breath, looking over Sam’s shoulder at Zemo, who lifted his hand in greeting. You raised your eyes to the ceiling, pointing your finger accusingly. “This is why we stopped talking.” Gaze dropping to the still waiting fellas, you gnawed on your lip, before hissing out, “ffffine…” Running a hand through your hair, you threw your hands up as you shrugged. “Fine. Okay. Fine.”

“Okay.” Sam nodded, taking charge again.

You couldn’t believe this was happening. Except, that was a lie. You could. You’d seen weirder. You’d experienced the impossible. Lived through the unbelievable. This…this was completely imaginable.

Which is why, with a lot of hesitation and very little confidence in this plan, you followed Zemo through the auto shop you were in until you reached a large room with a ton of different old cars.

Bucky’s hand found yours as Zemo explained what the plan was, rather vaguely, in your opinion, but at least he was explaining. Point for him. Not that it would make up for the level of distrust you held for him, but it was something.

You looked up at him, giving him a puzzling frown. He usually only grabbed your hand in front of other people when he was feeling anxious. Which, yeah, he had a right to be anxious right now, but it wasn’t the right kind. The type of anxiety caused by large crowds and loud noises, ones that startled him and threw him into a defensive mode.

But the look on his face made you squeeze his hand in reassurance. He was pouting, staring at you although he did something wrong - a puppy that tore up a pillow - and all you wanted to do was give him a hug.

“You’re mad at me.” He mumbled as the four of you headed out with Zemo in the lead.

“No I’m not.”

“Yeah you are. 

“Bucky, I’m not mad.”

“Listen, if I had a better idea I wouldn’t-”

You brought your linked hands up to your lips, pressing a gentle kiss to his gloved knuckles. “I’m not mad.” You repeated more firmly. “It’s just…a lot for me, right now.”

“Why? What’s going on?”

“Nothing’s going on, Buck, I-I just…” You thought about your and Sam’s earlier conversation and suddenly understood what he meant. “I need to breathe for a second.”

His features twisted into ones of uncertainty, eyes squinting as you stepped outside. “Do you…do you wanna leave?”

You shook your head, tugging his arm to stop him and grabbing the sunglasses on his collar, slipping them over his eyes. “No. I just need some time to think. Hopefully the plane ride to wherever the hell we’re going will give me that.”

“Are you sure?”

“Yes, James. I’m sure.”

He lowered the glasses on his nose to scan you over the frames, before nodding and sliding them back up. “Okay. You ready for this, then?”

“No.” You breathed, turning back to where Zemo and Sam were still walking. “Let’s do this.”

*****************

Climbing onto the private jet, you raised an eyebrow at Sam, who shrugged, giving you a bemused expression. A Baron…huh…who knew? You feel like you should’ve, yet there you were.

You sat besides Bucky, across from Zemo, crossing your legs and leaning back while staring at him through narrowed eyes.

His butler seemed nice, which made you even more suspicious. You obviously didn’t know as much about Zemo as you wanted to. It was a habit you picked up after years of undercover work; once the mission was complete, that was that. There was no looking back on it. No sitting on it. It was over and you moved onto the next one. It was a bad habit in cases like this.

The moment you spotted the notebook over Zemo’s book you knew something was going to happen, yet you still flinched when Bucky lunged at him, grabbing his throat. You leaned back in your seat again, steadying your now racing heartbeat. You decided you were too tense, trying to relax your muscles as Bucky sat back down in his seat.

“I’ve seen that book. It was Steve’s when he came out of the ice. I told him about Trouble Man. He wrote it in that book.” Sam seemed so proud of himself that something he recommended was written in Steve’s little book and it made you smile.

You remembered that; Steve and you were supposed to meet up for coffee after his run, but Fury called him in so you rescheduled it for when he got back. He asked you about Marvin Gaye. For your opinion. You told him to check it out and make his own.

You remembered asking him about that little notebook of his, and he just shrugged you off telling you about his list. He would read items off to you, but he never let you read the book yourself. You never found out why, and you supposed you never would now. The thought made an ache behind your ribs that you’d come to familiarize yourself with appear.

You smiled a little more as Zemo and Sam told Bucky how awesome Marvin Gaye was. “C’mon, baby. Back me up.”

Chuckling, you looked at Bucky. “They’re not wrong. But,” you quickly added before Bucky could whine at you, facing Sam again. “Neither is Buck. I mean, c’mon. You can’t find music like the 40’s anymore. Ella Fitzgerald, Louis Armstrong, Benny Goodman, Fred Astaire. Ol’ Blue Eyes himself.”

“Thank you.” Bucky grinned at Sam, who rolled his eyes.

“Okay, okay. But, I mean, c’mon! Everybody loves Marvin Gaye.”

“I like Marvin Gaye.”

“Steve adored Marvin Gaye.”

Your face fell as Zemo started talking about Steve and icons and Red Skull, your mind once again slipping away from reality.

~

“Kids love you.” You giggled as you finally made it out of his exhibit. You’d wanted to show it to him since he moved to D.C., and you’d finally got an opportunity after coming back from being undercover for ten weeks. “You’re their hero, you know.”

“Yeah, well, I’m just trying to do what’s right.”

You nudged him, scoffing at his answer. “You’re too humble. You’re a national icon, you know.”

Steve shrugged, looking around the museum at the planes surrounding them. “I never wanted to be.”

“Why not? Everyone loves you.”

“I’m sure not everyone loves me.” He rolled his eyes. “And…I just wanted to help. To fight. Protect my country and the people I cared about. I-I didn’t ask for…all that.” He waved behind his shoulder where his exhibit was getting smaller with each step they took away. “People were dying. Bullies were winning.”

You shook your head, spinning and walking backwards besides him to face him. “Sure, but you did that. And you became someone people could look up to in the process.”

He narrowed his eyes at you before asking, “why do you do what you do?”

“...because I’m good at it?”

“Honey.” He gave you a look. “Answer the question.”

You hummed in thought. “Because I couldn’t stand by, knowing there would be orphaned kids if I didn’t help any way I could.”

“Alright. Why do you do it in the dark?”

“Whaddya mean?”

He shrugged. “Why don’t you come out and take credit for all the lives you’ve saved?”

“Because that’s not why I do it. I don’t want that attention. I just want to know I’ve helped people. I’ve kept them safe.”

He gave you a soft smile. “I just wanted to beat the bully. I never wanted to be a dancing monkey, too.” You looked at him in a new light then, understanding where he was coming from. “Watch out, honey!” He grabbed you and pulled you aside before you could crash into a wall, arms wrapped firmly around your waist. He gave you that charming smile of his. “Wouldn’t want you hurting that pretty lil’ head of yours, now would we?”

~

“Y/N!”

You snapped back into the conversation, moving your eyes from the window to Bucky, who tilted his head, eyebrows pinched and eyes narrowed. “Sorry. So, Madripoor. That’s a fun place.”

You ignored the side eyed glances Bucky and Sam exchanged, Sam turning to you curiously. “You’ve been?”

“Once. Back in 2010 for a few months”

Zemo raised his eyebrows. “You’re lucky to have gotten out.”

You shrugged nonchalantly. “Lucky, maybe. Skills were a part of it, too, though.”

“Good.” Zemo nodded. “Because we’re going undercover…and if we blow it. We’re dead.”

You breathed out, shaking your memory away and getting your head back into the game. Because like the man you were severely wary of in front of you said, if you blew this, you were dead. And, sure, you didn’t want to live until ninety, but you weren’t even half way there yet. So dammit if you were going to die soon.

“Hey.” You looked over at Bucky’s murmur, his head tilting as he grabbed your hand and pulled you from your seat closer to him. “Are you okay?”

“Yeah. I’m fine. Are you okay? You know you’re going to have to be-”

“I know.” He nodded. You watched his Adam’s Apple bob as he swallowed thickly. “I’ll be fine. Just…tell me right now if you need to step out for this one.”

You gave him a smile that you knew he didn’t buy, just by the slight narrowing of his eye, his lips pressing together. “No. No, I’m good for this. If you think I’m gonna let you two idiots go into Madripoor with him - alone - oil that cyborg brain of yours, because there’s no way.”

He squeezed your hand, eyes still filled with uncertainty. “Are you sure?”

“If there’s even a slight possibility that I can protect you, then yeah. I’m sure, Buckaroo.”

[unsaid-stardust]

Used to This

Words: 2,228

Pairing: Julie x Luke 

Summary: Set between episode 3 and 4, Luke’s curiosity about Julie’s dream box only grows leading the pair to grow even closer. 

Author’s note: I have risen from the black room where Alex has been crying for 25 years to write fics! I’m hoping for it to stay that way!  Tell me what you think! 💜

tagging: @littledancersun  @sunsetcurves @sevenseashigh (Nicolette I tagged the wrong acc first sdklfhadfh)

After the week Julie had, she was happy to be able to finally relax She couldn't wait to get home, take a shower, and just lie down in her bed. Meeting the boys was exhausting in itself, how would you handle being introduced to 3 fairly attractive teenage boys who happened to live in your garage? But, then she started performing again. And while that was exciting and exhilarating, it was exhausting all the same. 

Finally entering her room, Julie let out a sigh of relief as she belly-flopped onto her bed. Big mistake, she thought to herself, because she definitely was not getting up. She smiled into her pillow, hugging it as she closed her eyes. This was dangerous. It was only 8:30 pm. She should not be able to fall asleep this early. Or..she could just-

Julie suddenly shivered. She opened her eyes and immediately sat up. That could only mean one thing. She scanned her room and quickly found him by her bookshelf. Luke. She may feel like she was half-asleep, but she didn't need to be wide awake in order to know what he was over there for. 

"Luke! What did I tell you about my room?!" Julie shouted as she edged closer to him. Luke hissed through his teeth, putting his arms up in defense and shaking his head. 

"I'm sorry, but I told you the other day! I can't stop thinking about the box!" He protested. Julie crossed her arms and rolled her eyes. 

"But I told you what was in it! Shouldn't that satisfy your curiosity? Besides we have rules now!" Julie answered. Luke looked down at the ground then and Julie felt like she had just kicked a puppy. 

"You're right. I'm sorry. It's just, after being cooped up in wherever we were for 25 years, it's nice to finally be able to go wherever I want to. But, that doesn't mean I can go wherever I want. I'm sorry," He explained. Julie wanted to stay mad at him. After all, wasn't she supposed to? He was a ghost living in her house taking up her space and breaking her rules. It wasn't like she was supposed to be used to this sort of thing. She had a right to be mad about his presence. But, she couldn't. She couldn't stay mad. Not after that explanation he just gave. 

"It's ok, I get it. Just, I need my personal space as much as you need yours. But, I guess it's no harm if you come in here-" Julie was cut off by the sound of Luke's cheer.

"Only! You can't touch anything. Got it?" Julie questioned. 

"But what-" Luke began to protest. Julie raised an eyebrow and pointed a guilty finger towards him. 

"Got it?" She repeated. Luke rolled his eyes and sighed in defeat. 

"Got it," He caved, crossing his heart and putting his hands up in defense. Julie shook her head. Usually, what people say after they cross their heart is "cross my heart and hope to die" but Luke, that didn't apply to him since he was already a ghost. If Flynn had done something like that, Julie would've called her out on it, but she didn't think it was necessary to do that to Luke, especially since he's still getting used to this whole being-a-ghost thing. 

"I was going to say, though, it's not like I can pick much up anyway. We already told you earlier, it takes a lot for us to do something like that," He explained as he looked at the box on the shelf. Julie noticed that at a glance, he would seem perfectly fine. But, she was beginning to know him. He held a lot of secrets. She guessed that most ghosts would, I mean, that's why they were ghosts in the first place, right? Some unfinished business or whatever? She didn't know what kind of secrets they were, but she knew that there was a lot more to him. And she could see it in his eyes. He was sad. And Julie had the urge to make him feel better. And she knew what might help, at least, for the meanwhile. 

Julie sighed and moved to grab her dream box off of her shelf. Julie ignored the weird feeling in her stomach that she got when she saw Luke's face light up like he was a kid in a candy store. She moved it to her bed where she then sat cross-legged and Luke sat with one knee bent on the edge of the bed, his other leg hanging down the side. Julie placed the box in front of her lap and opened it. Luke peered over it intently and Julie tried to fight back the wave of sadness that came over her. The very first item inside of the box, was a pair of backstage passes--To Trevor Wilson's concert. She moved quickly to remove them for Luke's sake. 

"Sorry. I'll just-"

"No, it's okay. It makes you happy. That's what the box is for, right?" Luke questioned. Julie nodded slowly in response. 

"Yeah. Back when Carrie and me were friends we uh, we went to her dad's comeback concert and my mom came with. It was my first time backstage and it was kind of when I realized I really wanted to play music like that," Julie explained. Luke smiled.

"So, we really did introduce you to music, huh?" He inquired with a smirk. Julie rolled her eyes as she shook her head. 

"I said rock music. Don't get too cocky now," Julie responded. Luke let out a chuckle before biting his lip. Julie forced herself to focus on the box. She thought that if she let herself look at his lips for too long, she would write a million songs about them. Which wouldn't be the end of the world, you know, if we wasn't an actual ghost. 

"Ooh, what's this?" Luke pointed to Julie's old Tamagotchi. She couldn't help, but laugh. 

"This?" She asked as she held it up. Luke nodded, curiosity showing in his smile. 

"It's a Tamagotchi. It was really annoying when I had it, but my mom got it for me on my 7th birthday and now it makes me smile thinking back on how my mom would remind me to take care of it. Not a lot of people had them, they were kind of retro at my age, but my mom loved it when she was in college," Julie rambled. She looked towards Luke's direction to see that he completely and utterly lost. She forgot sometimes that the boys were from a different time period and that they missed out on so much. Not just with friends and family, but with the ages. The boys would literally love YouTube. Being able to watch live concerts whenever you wanted to? That's right up their alley. Julie made a mental note that she should show them how to view that some time. They'd go nuts. Maybe they'd like the Tamagotchi too. Wait. Do ghost band-boys like Tamagotchis? Well, only one way to figure out. She set it aside to let Luke know that the boys were allowed to mess around with it. 

Luke didn't seem to captivated by it as he his eyes shifted focus on the pieces of paper crumbled beneath a few other miscellaneous objects. Julie should've known he would've picked up on that. 

"Song lyrics?" He questioned, not really needing the answer. Julie sighed. She forgot she had put those back in the box the other day. She nodded. 

"I thought you said they weren't in there anymore?" Luke continued, his voice quiet. Julie shrugged. 

"They weren't. But I, uh-I decided to put them back in. Now that I'm singing and playing again, the lyrics don't hurt as much," She explained, not allowing herself to look at Luke in the eyes, but she could see him nod in understanding. He always did seem to get her. She sighed. She wasn't planning on showing him these lyrics anytime soon, but it just felt--right. She moved some of the other items out of the way and retrieved the pieces of paper from the bottom of the box. Carefully, she unfolded them, and she was suddenly very aware of how close Luke was to her, unaware of when he moved to sit next to her.

"I was um, I was working on this one with my mom before she died," Julie started before she opened her mouth again to sing. 

"Cause everything is rushing in fast. Keep going on, never look back. And it's one, two,, three, four times" She sang. Julie took the leap of faith and looked at Luke for his reaction. She couldn't even put it in words if she tried, but she liked the way it made her feel. 

"That was all that we were able to get to. It's still missing something in the pre-chorus though, but I could never bring myself to finish it," Julie explained. Luke visibly swallowed. 

"That's um that's really amazing already. But...Can I...I uh kind of heard this melody in my head as you were singing. Do you mind...if-if I..." Luke trailed off, unsure if he was overstepping boundaries. Julie felt her lips part. Showing these lyrics to Luke was one thing, one vulnerable enough thing, but having him finish them? That was something else. And she didn't know what it was. But something inside of her told her it was ok. That maybe, her mom had wanted her to finish these lyrics with someone else. And she was ok with it being Luke. More than ok. Julie nodded slowly signaling him to go on. 

"And it's one, two, three, four times that I'll try for one more night. Light a fire in my eyes, I'm going out of my mind," he sang. Julie pursed her lips, her mind running a mile a minute and yet, her mouth unable to move. Something inside of her, though, gave her the power to respond. 

"I like that. A lot. That's exactly what was missing from it before. What if we um, what if we then went into a chorus that went something like...whatever happens, even If I'm the last standing, i'ma stand tall, i'ma stand tall," She sang. Luke smiled the biggest smile that Julie had ever seen. 

"Yeah yeah, and then we could go like..." Luke buzzed with lyric ideas as Julie reached to grab a notebook and pen and suddenly, they were spitballing words and melodies back and fourth until morning. It wasn't until the sun began to shine through her window that she realized what time it was. Julie snapped out the creativity whirlwind that she and Luke had been in. 

"Morning? What no, no, no, it can't be morning! I was just about to go to bed," Julie exclaimed as she stood up from her bed. 

"Julie, relax that was only like 10 minutes ago. It's not like we stayed up all night," Luke stated. Julie crossed her arms. 

"That's not how that works! It was dark when we started writing lyrics and now it's not which means we did stay up all night!" Julie responded. Luke shook his head, still not seeming to understand Julie's dilemma. 

"But, we don't need sleep. When I'm with Reggie and Alex, we have so much energy that we could probably win a marathon and win. And trust me, that says a lot, Alex can't run if his life depended on it. Oh, wait. I can't use that phrase anymore can I?" Luke rambled. Julie rolled her eyes. 

"Yes, but I'm not a ghost so I need sleep, so you, out, now!" Julie demanded. Luke's jaw dropped before he began to protest. 

"But you said-" He moved towards her with a victimized finger. 

"Out!" Julie repeated. Luke sighed and put his hands out in defeat. 

"Fine!" He yelled before blipping out. Julie sighed with relief as she grabbed a hold of her covers to climb into bed; her tiredness from last night creeping its way back. She closed her eyes, hoping to get 1 or 2 hours of sleep before her dad starts to wonder where she is, a smile painting across her lips the night with Luke replayed in her mind. Julie never thought that she would get used to ghosts appearing and disappearing in her presence whenever they wanted to. And she didn't think that she had wanted to. But, maybe it wasn't all that bad. Especially when one of said ghosts can write lyrics and know your soul without you having to say a word and possessed your mind when they weren't around. It was weird to say, heck, everything about this was weird, but she liked what she had with Lu-the band. And she wouldn't change anything at all.

"Sorry, I forgot this. Goodnight, uh morning, don't let the bed bugs bite," Luke blipped in briefly, grabbing the Tamagotchi from the dream box, causing Julie to sit up in her bed. Except maybe that. She shook her head with a smile before laying back down. Her Tamagotchi was definitely going to be dead when she woke up. And that? That she wasn't ok with. 

[ebaeschnbliah]

THE  NEW  RUSSIAN  HOLMES

EPISODE SIX:  HALIFAX  PART ONE  (on to PART TWO)

Outtake:  CREATOR OF A LEGEND

________________________________________________________________

Directed by Andrey Kavun - Igor Petrenko as Sherlock Holmes - Andrey Panin as Dr. Watson

Episodes:   1    2    3    4    5    6    7    8

A charming guy with a suitcase full of money, who calls himself Mr Ebenezer Buckley, vistits the national bank at Saxe-Coburg Square, where the notes soon get changed into gleaming goldbars. 

But luck doesn’t last long for Mr Buckley. 

TBC below the cut  (with a lot of pics and all the spoilers)  …

The moment he leaves the bank, policemen rush in on the Square, take hold of Mr Buckley and shove him into an already waiting, closed carriage. To the utter shock of the bank employees and onlookers, the man’s face is beaten to a bloddy mess when he falls out of the carriage not long afterwards. Mr Buckley only has time to whisper one word before he dies ..... Halifax ....

The new client ...

Jabez Wilson vistis Baker Street 221b and has a very weird story to tell. Daily, for two months now, he had copied the Encyclopaedia Britannica, neatly page by page, ordered by an organisation called ‘The Red-Headed League’. A somewhat strange job but very well payed. Mr Wilson quickly grew to love it.  

Then something unexpected happened. From one day to the next ‘The Red-Headed League’ vanished without a trace. The rooms were closed. There was no explanation whatsoever, not even a notice in the papers. What Mr Wilson finds though, is a story about an extraordinary talented detective who lives in Baker Street 221b. In his desperation he spontaneously decides to pay a visit to that detective. 

(And Mr Wilson is not alone, because seemingly a lot of people had read that story too, liked it and wanted to meet detective and author in person ... which leads to an outburst of rage by Sherlock Holmes and Mrs Hudson. But that’s a story for another post  (Outtake: CREATER OF A LEGEND). :)))  

Despite the cheering crowd in front of his windows, Sherlock is amused and faszinated at the same time by Wilson’s story. What an intriguing little mystery!

When Sherlock learns that the red-headed vendor has a small flat at Saxe-Coburg Square, the already raised interest of the detective increases even more. John notices immediately how the gears in Sherlock’s head suddenly start turning ever faster and faster. He knows very well the signs, when the extraordinay mind of his friend begins to align seemingly disconnected dots, when he starts to play with possibilities and formes theories ....

On the way to Saxe-Coburg Square ...

Sherlock wants to investigate Wilson’s flat and the surrounding area. The three man take a cab and set out for Saxe-Coburg Square. When the cab stops, suddenly shots are fired at them.

Although the attackers are policemen, the doctor strikes back without hestitation and is able to chase them off. Fortunately Jabez Wilson, the obvious target of the ambush, survives the attack. John cares for the wounded man and later takes him to hospital, while .....

... Sherlock experiences the vague feeling that he’s missed something very important.

Sherlock Holmes pays a visit to Scotland Yard

It really is no easy task to convince Inspector Lestrade that the crime of the century is about to happen very soon .... nothing less than an attack on the National Bank at Saxe-Coburg Square. Sherlock suspects that parts of the police force will be involved on a big scale. He is also convinced that none other than the mysterious master criminal Moriarty is behind that bold plan.  (Allow me to be a little capricious)

Finally Lestrade agrees to organize an ambush to catch the culprits in the act ... ‘but only to prove to you that all of this is just another opium-induce delusion’. 

Dr Watson joins Sherlock Holmes, Inspector Lestrade and his men at the National Bank and then ..... they wait.

Sherlock uses the time to examine one of the late Mr Buckley’s forged bank notes. The man is no stranger to the detective. Ebenezer Buckley, also Timothy Trout, also called ‘Halifax’ (because of his big dream to go to Canada some day) had some extraordinary talents. He was a magician and illusionist, but also someone who liked to play with life. ‘Maybe he would have become an artist some day’, Sherlock muses.

His disposition for perfectionism made Halifax also into an excellent forger. And when he had to go to prison, he met someone there who decided to use that special talent for his own sinister plans. 

So Halifax changed one prison for another and put his talents into the new job. 

And the criminal mastermind was very pleased ....

Finally the long wait is over ....

When the tea starts to vibrate in its cup, Sherlock Holmes knows that  (T-REX sorry, couldn’t resist :)))  ... that the burglars aren’t far away anymore.

The vaults of the National Bank have indeed been breeched ....

... but the burglars are able to escape through their own tunnel. Inspector Lestrade, Holmes and Watson take up the pursuit. 

The unexpected interruption ...

Their ride gets stopped abruptly. A row of policemen blocks the street. Lestrade is furious but all his protest is in vain. The royal cartiage has priority over everything else. 

Sherlock and John exchange the carriage for a tandem bike. The somewhat bumpy ride comes to a sudden end rather soon though .... (‘Tandem Pursuit’)

An apalling discovery ...

While Sherlock and John continue the pursuit by foot, Lestrade still uses the carriage and catches one of the three burglars. He follows the tandem’s ‘path of destruction’ and finds the second one. To his utter shock and disbelieve he has to realize that Holmes’ assumptions had been right .... the burglars are indeed policemen in disguise. To say that Inspector Lestrade is beside himself with rage is an understatement.

Meanwhile Sherlock and John have cornered the third and last burgler. Inexplicably the man is already dead when they catch up to him. 

The mysterious death of three burglars ....

Dr Watson is sure that he’d missed the man with his gun. And indeed ... no gunshot wound can be found on the body. Why then did he die? 

A quick postmortem examination provides the answer to the mystery: poison. What’s more, the toxin must have been administered even before the break-in had been executed. And it will turn out later that all three burglars lost their lives due to the same poison.

The arrest ...

But there is no time for Sherlock Holmes to expound his theories. Inspector Lestrade arrives at the scene with some of his men and arrests Holmes without any explanation. Dr Watson has no chance to intervene. 

The execution order ....

After putting Holmes into a cell and giving his men the dressing-down of their lives, Inspector Lestrade retreats into his office. But there is no time to relax or think things through. The phone rings and from a superior instance he gets the unambiguous order to execute Sherlock Holmes ‘when trying to escape’. What now?

Meanwhile at Baker Street ...

Lestrade’s officers aren’t the only ones who get a proper dressing-down. Mrs Hudson thinks that John hasn’t nearly done enough to protect and support his friend. ‘He wouldn’t leave you! He would help you out!’ And while cutting the cabbage furiously, she threatens to go to Scotland Yard herself. 

‘Suspecting Sherlock Holmes of commiting a crime is as ridiculous as suspecting you of exhibiting bravery’, she tells John, who isn’t quite sure if this had been a compliment or not.

John would have come too late ....

Lestrade enters Holmes’ prison cell and Sherlock knows immediately what’s going on. He might die today.  (When trying to escape)

Thankfully Inspector Lestrade is not a man who follows orders blindly. Not even when those orders come from the highest level. ‘I always decide everything by msyelf’ he will tell Sherlock later.

The inspector and the consulting detective prepare to leave the police station as unobstrusive as possible and then go undercover .......

°

TBC .... on to PART TWO

Outtake:  CREATOR OF A LEGEND

Links to watch the series can be found HERE

A big thank you to @spiritcc  and everyone who made it possible to watch and understand this wonderful Sherlock Holmes adaptation. 

°

January, 2021

[theastrophilearchitect]

Falcon and the Winter Soldier series commentary.

It’s currently 07.28am on Friday the 19th of March 2021, and the first episode of Falcon and the Winter Soldier is now on Disney+. For WandaVision, I re-watched the series for a review when it ended, but for this one, I’m going to go as I watch them the first time.

This isn’t going to be run-down, or a play-by-play, just any comments I happen to have. I’ll give some context, but this will generally make more sense if you’ve seen the show.

I’ve actually avoided most of the trailers for this show, but it follows Sam Wilson (AKA Falcon, played by Anthony Mackie) and Bucky Barnes (AKA the Winter Soldier, played by Sebastian Stan) after the events of Avengers: Endgame, after the (death?) of Steve Rogers, the original Captain America, who passed the title to Sam.

Let’s get into it.

Episode One: ‘New World Order’ I hate this title, and I’m scared. This episode is 49 minutes long, and I’m expecting the series in total to have roughly the same six-hour runtime of WandaVision, but that’ll be in fewer episodes because WandaVision started in a comedy format, with shorter episodes. Let’s go.

Cue the Marvel intro.

No, no, no, no, no, no. He’s dressing for a funeral. Fuck.

Nope, no funeral. At least not right now.

And he jumps out of a plane with no parachute. Steve Rogers who? I mean, at least he has wings. Steve’s just an idiot. Where’s Bucky?

Okay, this plane break-in is a really fun sequence. Yes, shields, thank you. Sam’s already smarter than Steve. He’s rescuing a Captain Vascant, and I honestly thought he said Captain Croissant. It would make sense. The people on the plane French.

This sequence, flying through a gorge, really reminds me of a game I used to play at a bowling alley arcade. These damn swerves. They’re so satisfying.

I can’t get the WandaVision episode three theme song out of my head. This show was meant to come before WandaVision, but I saw a chronology timeline that claimed this takes place after it.

I’m really not into huge action sequences--I find them to be the most boring part of any superhero movie, but this is a good one. It is, however, ten minutes long. Still no Bucky.

Ahhhh Rhodey!!! Rhodey’s here! (From Iron Man, but then he’s also in the Avengers movies, so you should probably know who he is.)

Oh, Sam’s giving the shield to the Smithsonian. 

Excuse me, he chose not to become Captain America??

Welp, there’s Bucky. Being murderous. EXcuse me??? What did he just say???? Fuck off. I thought the Wakandans helped him :(

Never mind. It was a nightmare. So he’s meant to be being a law-abiding citizen, and failing. He’s in therapy, and she is calling him out. 

Bucky just asked out a girl, and it feels so wrong, but that just shows how immersed I am in the #stucky ship.

So Sam’s widowed sister is trying to get a bank loan, and they’re real idiots. The bankers, that is. They’re having a go because Sam didn’t have any income in the last five years--gee, I wonder why.

Sam just got a text from Torres--a member of the air force, who he’s working with--and the text ends with ‘#important’. I get the feeling the writers don’t understand no-one uses hashtags in texts.

Newsflash, and the mayor’s announcing a new Captain America, and it’s...  show me the face. Show me the face. Who the fuck is that?

Alright, well, and cut to seven minute-long credits. Well. I have questions. A good episode, though nothing exceptional. And just like the early WandaVision episode, no credit scene.

Episode Two: ‘The Star-Spangled Man’ Released March 26th, this episode also has a 49 minute runtime, and the title is clearly referencing the ‘new’ Captain America. I say ‘new’ because even though I don’t know who this guy is yet, fuck him. Anyway.

There’s a guy in some kind of locker room, who I’m assuming is the new Captain America, who was apparently a football player. I just want to know if they pulled more super soldier shit. The captions say his name is John Walker.

Cue the Marvel logo... with some weird-ass music. Okay, it’s just a... dancing marching band, at the Captain America presentation. They’ve given him a new symbol, like an A turned into a five-pointed star. Apparently he’s the first person to ever receive three Medals of Honour, run missions in counterterrorism and hostage rescue, and he has some fancy-ass physicality. This guy seems alright, but I’m just mad they didn’t tell Sam what they were going to do with the shield. At least he likes Steve.

God, Steve would be pissed. Ay, Sam and Bucky are finally in a scene together!

My favourite trope: ‘I’m doing this with you!’ ‘No, you’re not.’ [cut to them doing the thing together]. 

Bucky followed Sam on a mission to Munich, Germany, to do with the Flag Smashers, a free border organisation mentioned in episode one. They’re just glaring at each other, and I love it. God, I love their dynamic.

This has ‘What’s our plan of attack?’ ‘The plan? Attack’ vibes. And Bucky just jumped out of a fucking plane without a parachute. Steve Rogers who? (I think I made that joke in my episode one commentary about Sam. They take so much after their father.)

Sam made a joke about Bucky becoming White Panther after Wakanda, and apparently he’s now the White Wolf. I’m pretty sure that’s a comic book alias, but this is its first MCU mention.

OOOOh, the action sequences in this are fun. And there’s a kid in the back of the bad guys’ truck. Why’s she smiling?

And she just blasted Bucky out onto the road. Wonderful. She’s also a Flag Smasher. Yes, Sam! Yes!

Maybe don’t drive your lorries side by side in the same direction on a two-way road? Just a thought?

And roll in John Walker. You’d think they’d be having a harder time staying stood on lorries travelling this fast.

And Captain America has a fucking gun. No. No. Steve just used a frisbee! Don’t do this, Walker, you bastard.

So apparently the Flag Smashers are all super soldiers. That doesn’t bode well. I don’t think Walker is, though. 

And this suit does nothing for his ass. It just isn’t America’s.

So they all rolled off the lorries, and the bad guys got away. Walker rolled up beside Sam and Bucky in a military vehicle, and they’re just refusing to get in.

‘Just ‘cause you carry that shield, it doesn’t mean you’re Captain America.’ THANK YOU.

‘You ever jump on top of a grenade?’ ‘Yeah. Actually, I have. Four times.’ You fucking what? Why? That doesn’t sound like Steve’s dumbassery, this sounds like genuine heroics. Disgusting. 

And they finally got in the car. So the Flag Smashers want to put things back how they were during the Blip.

‘Does [Bucky] always just stare like that?’ ‘You get used to it.’ !!!!!!

‘I’m not trying to replace Steve.’ Really? Because it sounds like you are.

I hate that the subtitles are calling him Captain America. He seems like a fine guy, but really?

So apparently there was a super soldier in the Korean War. 

Great. Police racism, demanding to see Sam’s ID but not Bucky’s, until the other policeman points out they’re Avengers. Wonderful. And they’re now arresting Bucky for missing his court-mandated therapy.

Also, I didn’t even acknowledge the fact Bucky got a haircut somewhere before the show stars. I was conscious of it, but I didn’t even think to say anything because I’m just used to seeing Sebastian Stan with short hair.

So John Walker got Bucky out. And Bucky’s therapist is forcing him and Sam into a session. HA, she’s giving them couple’s therapy. This is intense. She made them do some soul-gazing shit, and they started having a staring contest!

AND they’re going to go see Zemo, the villain from Captain America: Civil War. I knew he was in this show, but they’re just going to willingly have a conversation with him?? And again, no credit scene.

This was definitely a better episode than the first--the first honestly felt kind of unnecessary, and I think they just wanted to put the new Captain America at the end of an episode to build tension as a cliffhanger, which is a little annoying but does make sense.

I’m going to be constantly comparing this show to WandaVision, but it’s a lot less mysterious than WandaVision. Mystery isn’t necessary for a show to be good; there’s just a stark contrast between the two shows in that aspect.

Episode Three: ‘Power Broker’ Released April 2nd, this episode has a 53 minute runtime. We open with an ad for the Global Repatriation Council, apparently an organisation focused on helping those who were Blipped reintegrate, though I’m really confused what this has to do with anything--it’s not like the ads in WandaVision, because this is the first we’ve had. I guess the GRC must show up in this episode, but I don’t really think the ad is necessary.

I don’t want to give a rundown of this show like I did with WandaVision, so I’m just going to mention which scene each comment is for.

They’ve really given Zemo an atmospheric cell. Also, this bitch, saying the words that turned Bucky into the Winter Soldier. This bitch and his audacity. Now he’s sorry? That’s hilarious.

Why in fuck’s name does Bucky want to break Zemo out??? I’m really with Sam on this one. What is Bucky’s point here?

And now they’re breaking him out. Wonderful. Nope, never mind, just a... imagining? Nope. He did it. Zemo’s out. This seems like a bad idea. He’s going to betray them. That’s just how stories work.

Ah. Snake gut cocktail. Lovely.

I hate that Bucky’s pretending to still be the Winter Soldier. Hate it. And now Zemo’s trying to sell him. No. Good writing, sure, but still.

Love the ‘kill them’, then gets shot. Love it.

SHARON! YAY! I don’t even like Sharon that much, mostly because her romance with Steve was weird, but yay!

Sam: *takes off his shirt* Sharon: Much better.

‘The bionic staring machine.’ I mean, Sam’s not wrong, but still.

I can’t tell if this song, where they’re walking through this place with pistols, is just background music or actually playing, but I love it. Okay, it’s real. It has Umbrella Academy vibes.

Nope. Zemo has his mask. I don’t trust this. There he goes. Wait. He didn’t betray them? Why? It might just be poor comprehension, but I’m confused.

‘You’re not gonna move your seat up, are you?’ ‘No.’ Bucky gets his revenge on Sam. 

So a woman showed up at the end, head shaven, and, according to the subtitles, spoke Wakandan. I think it’s the woman who came with T’Challa in Captain America: Civil War, but i’m not completely sure.

But, hey, that’s episode 3. I didn’t enjoy it as much as episode 2, because, mad as I am they replaced Cap, so far, I quite like John Walker’s character, and I think it’s a really interesting plot line. This was still better than episode 1 though, which just felt like set-up.

Episode Four: ‘The Whole World is Watching’ This episode was released April 9th, this morning, with a 53-minute runtime, and I’ve already been told John Walker does something unredeemable in this episode, so I’m scared. Let’s go.

And we have an explosion, kids. It’s a previously on, never mind. I don’t remember the explosion, but it’s fine. Okay, yeah, the woman at the end of the last episode was the woman from Civil War. I need to look up her name.

Oh, yep, her name’s Ayo, and she’s a member of the Dora Milaje. Lovely.

Jesus, we’re in Wakanda. Why am I scared? Six years ago. Bucky in Wakanda. Right. With Ayo. I hate seeing him cry, God. 

Back to present day. Of course she’s mad about Zemo. I’d also be mad about Zemo. I am mad about Zemo. She gave him a time limit--I think time limits are fun. Build tension. They’re great.

God, Zemo walking down a street full of children singing Baa Baa Black Sheep is so... 80s. Maybe don’t offer sweets to children you don’t know?? Like?? I mean his tactic’s working. Unlike Sam’s. This bitch just turned the children against Sam and Bucky. As you do.

And they have more serum. I’m going to be honest, the supersoldier thing’s pretty elitist, unless they intend to make everyone in the world a supersoldier. I can’t help but see a capitalist versus socialist metaphor here, but then I find those in literally everything.

I do like Walker’s character--he’s entertaining--but as a person, no thank you. I also really like the fact Karli Morgenthau is British, but not quite in the way most British characters in US shows. I fit the stereotypical accent, but you don’t really see other English accents in American shows.

Walker you little bitch, you said he had ten minutes. No, no, no, no, no, no, no, no, no. Don’t guilt-trip Bucky, you shit. And here we go.

I hate the fact this episode mean’s we’re already 2/3 of the way through the series.

And Zemo’s absolutely going to take that serum. Nope. He’s smashing it. I mean, that’s one way. Not the way I expected, but still. And he missed one. Walker’s going to take it. I know he is. And he pocketed it. Yep.

Okay, I would absolutely take the serum if I were offered it. I bet Walker’s going to take it at the end of the episode, though. Who has a bow??

And he’s the Dora Milaje. Pff, it wasn’t even an arrow; it was a spear.  I’m with the Dora Milaje in this scenario, absolutely. Love that Sam and Bucky are just stood there, doing nothing. What’s the point of Lemar Hoskins? He doesn’t do anything.

Don’t unbolt Bucky’s arm, you ass. 

And Zemo’s gone. Now, who could’ve seen that coming? 

Why the hell is Karli calling Sam’s sister??

Sharon put a tracker on Walker? Smart. 

Well, we found Zemo. God, I miss Steve. 

Did Karli just kill Hoskins??

And Walker just smashed this guy’s head in. Lovely. What a Captain America thing to do.  Ooh, the bloody shield’s kind of a vibe though.

So that’s episode 4, and oh my lord.

Episode Five: ‘Truth’ 16th April, and... crap, it’s 07.26, of course, the episode’s not up yet. Will return in like half an hour.

Okay, it’s past 8am, and the episode is...up. Lovely. It’s 60 minutes long, and I’m terrified, because someone told me about a theory that Bucky was going to die in this episode.

Lemar does seem to be dead, which is disappointing, because that would mean his entire character existed solely to motivate Walker to kill that guy, which isn’t very satisfying. Lemar Hoskins is a comic book character though, so who knows.

I mean. At least murderous Captain America is in anguish. He deserves it. Serious credit to the actor, by the way. Wyatt Russell got a lot of hate about his character, and I get why people don’t like the character, but he’s hugely interesting and Russell plays him so well.

So Lemar Hoskins is not dead. Doesn’t exactly put Walker in a good light. He’s obviously not going to give Sam the shield, for God’s sake.

Bucky just looks amazing with the short hair and the blue coat. It’s great. Love it.

And now Walker’s trying to kill Sam. Great idea. Did he take the serum already? Because that would explain why he’s become so brutish. Hold up. No, I don’t think he has. But who knows. Clearly not me.

Yep, trying to choke Sam. Very Captain America of you, John. And he tried to smash his head in. Thank God for Bucky. And Sam got the shield. Good.

There’s cat hair everywhere around me right now.

Well, that intro was very, very fun.

Did Sam just give up the wings...? Why...?

Glad, at least, that Walker’s no longer Captain America. Yep, yelling in a courthouse. Great way to warrant lenience. It’s the good-man-perfect-soldier balance again: Steve was always a good man first, where Walker’s first a soldier.

So Walker did take the serum. That makes sense. It exaggerates personal qualities, so Walker’s anger and... vengefulness.

Is Bucky actually going to kill Zemo? No. No, the gun’s empty. I’m not sure I get why Bucky would take out the bullets intentionally, but alright. 

Hope Zemo has fun with the Dora Milaje.

This storyline with Sam’s sister is so wholesome compared to the rest of the show. So Bucky brought Sam something in a case, and I just want to know what is is. He said is was a gift from the Wakandans, so obviously tech of some kind. New wings?

I’m really confused as to whether or not Lemar Hoskins is dead. He seemed dead. Walker thought he was dead. Then this woman said he isn’t, but now Walker’s going to his family, so... yeah, I guess he is, and I just have really poor comprehension. 

Sam’s nephews playing with the shield is adorable.

Aww, Sam’s learning how to use the frisbee. I know it’s more intense than that, but it’s literally a frisbee.

Soooooo the Flag Smashers are attacking the UN. As you do. 

Credit scene! Credit scene! Walker’s hammering, making... something. A shield. Great. Wonderful. love how he thinks he can make a better one than Tony Stark. Sure. And that, my friends, wraps up episode 5, and marks us as 83% of the way through the show.

Episode Six: ‘One World, One People’ It’s April 23rd. And the last episode is up. Just going to finish the chapter of my audiobook first.

This title is very exciting, and the episode’s 51 minutes long. Let’s go.

Honestly, I’m not huge on shows this intense, but I am enjoying this, which I think is because a) I know the characters, and b) it’s only one episode a week.

Oh, hell yes. Falcon America. Honestly, costume looks kinda dumb. Awww, the subtitles are calling him Captain America. 

This show hasn’t been nearly as exciting as WandaVision, because it lacks the mystery aspect. It’s definitely more for Marvel fans than the other series. What’s next? Loki? Yeah. I just googled it, and Marvel’s really putting out a lot this year. Which is probably because we had a year of nothing, but we’re getting four shows (WandaVision, FatWS, Loki, Hawkeye--which doesn’t yet have a definitive release) and four movies (Black Widow, Shang-Chi, the Eternals, and Spider-Man 3, which I wasn’t expecting until at least next year).

I feel like I just don’t have much to say about what’s happening, because it’s basically just a battle, which I’m never hugely interested in. I’m not really an action person.

Oh, and apparently Ms. Marvel’s this year, too.

Going through a list, clearly, and you mean to tell me we’re not getting Guardians Vol. 3 until six years after Vol. 2??

And fuck. Hey, Walker. In a costume that isn’t yours. Christ, Karli. 

Honestly, I’m really fidgety because all I want to do is watch Shadow and Bone, because the entire series has been out for nine damn hours--I could’ve watched it all by now--but I’ve been busy, and I promised I’d watch it with somebody, and godddd.

We got a far-out shot of Walker dressed as Captain America just then, and I honestly thought it was Nebula. Anyway, offended that Walker dares to think he gets to wear that costume and follow up Steve Dumbass Rogers. Uh-uh.

GOD I just want to watch Shadow and Bone. Christ. I’m desperate. it’s on my Instagram, it’s on Tumblr... that’s it, but oh my God. I so hope it’s good. If it’s bad I’ll literally be distraught.

Oh, thank god. It has 94% on Rotten Tomatoes. Good.

No. Christ. God, I just want to watch it.

Screw it. I’ll finish this episode tomorrow. Byeeee.

Okay, I’m back. I watched all of Shadow and Bone. Let’s keep going!

So I did get about halfway through, yesterday, bar credits, so there’s that.

I love the symbolism of the new Falon/Captain America costume, but that doesn’t stop it from being really, really ugly.

Appreciate the speech about society being screwed up.

Why are they showing the prisoner transport? Something’s clearly going to happen. Did they just blow up the prison van??

And Walker got a new costume. That’s concerning. Give me the name, honey. US Agent. That’s bullshit.

So it is apparently his actual comic book name, but it’s still terrible.

And it said Captain America and the Winter Soldierrrrrrrr. Which is already a film. I mean, the film doesn’t have ‘and’ in it, but still. Anyway. Positive symbolism. Shall we check for a credits scene?

They’re pardoning Sharon. Huh. Nice.

There’s something ominous at play here. Great, so Sharon really is a villain here. That’s fun. 

And that, my friends, wraps up Falcon and the Winter Soldier. I didn’t enjoy it as much as WandaVision, partly for the mystery, but mostly for sheer tone--this was much more your typical darker action film, where WandaVision was more light-hearted, even towards the end.

Regardless, this was a really interesting addition to the MCU, though may not be worth it if you’re not already invested.

[aion-rsa]

Zack Snyder’s Justice League Ending Explained: The Sequels and DCEU We Never Saw

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This article contains Zack Snyder’s Justice League spoilers.

Zack Snyder’s Justice League is a lot of movie. It’s four hours plus of superhero action with some heavy mythological overtones. And it’s ending isn’t even a single ending to this story…it’s multiple endings. And each of these multiple endings is meant to set up a host of spinoff movies and Justice League sequels that we will unfortunately never get to see!

We’ll consider the “main” ending of the film, the one that wraps up the initial story begun in 2013’s Man of Steel, to be the defeat of Steppenwolf. But from there, we get several epilogues, and that’s where things get even more complicated. There are no post-credits scenes in Zack Snyder’s Justice League because, well, it doesn’t need them, but the “additional endings” kind of serve the same purpose.

So let’s get started…

The Defeat of Steppenwolf

The key to defeating Steppenwolf actually comes much earlier in the movie when Barry is explaining to Bruce some of how his speed works, and his discovery of what he dubs the Speed Force. 

“When I approach the speed of light, crazy things happen to time, but when I do it I create massive electrical power.”  

It’s that “massive electrical power” that is ultimately used to help “wake” the Mother Box that’s used to resurrect Superman (who himself is, of course, a key to Steppenwolf’s defeat). Barry builds up enough of a head of steam to generate the necessary to spark the Mother Box and charge the chemical soup that brings Superman back to life. 

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But there’s another key here, and that’s the “crazy things that happen to time” which comes in later…

With Steppenwolf in possession of all three Mother Boxes, he’s in position to bring about “Unity,” which grants him impossible destructive power, and which would allow Darkseid to easily access Earth and begin his campaign to attain the Anti-Life Equation. Since the Mother Boxes have already been joined, and “Unity” appears to be underway, Cyborg needs to “hack” into them (since some of his power and technology was derived from a Mother Box).

The only problem? Not enough power!

And that’s where Flash comes in. As Barry begins building up the speed necessary to generate the kind of power required for this, he’s hit by a lucky shot from a Parademon, delaying Cyborg’s ability to prevent Unity from happening. In the process, the Mother Boxes unleash a torrent of energy powerful enough to vaporize everything and everyone in its path (and possibly the entire world), including Wonder Woman, Cyborg, Aquaman, and even Superman. Barry witnesses this from afar and with only nanoseconds to act, decides to break his own rule about not surpassing the speed of light, for fear of the “crazy things that happen to time” he mentioned earlier in the film. 

Needless to say, Barry succeeds in his goal and seems to reverse time by the necessary few seconds as he approaches the Mother Boxes, reconstituting everyone, delaying the explosion long enough for him to give Cyborg the energy needed to hack the Mother Boxes, and stopping things in their tracks long enough for Aquaman, Superman, and Wonder Woman to send Steppenwolf back home… in pieces.

We’re going to come back to Barry in a minute, but let’s just take a moment here to talk about Steppenwolf’s boss.

Darkseid Will Return

Or… he would have returned if Zack Snyder’s original plan for multiple Justice League movies had come to pass. “When I made the film originally, it was part of a five-part trilogy,” the director recently told Vanity Fair. “There were two more episodes of the Justice League to be shot.”

Darkseid isn’t cowed witnessing Steppenwolf have the extraterrestrial crap beaten out of him by Superman, skewered by Aquaman, and decapitated by Wonder Woman. Instead he calmly tells DeSaad to “ready the armada, we’ll use the old ways,” indicating that he’s ready to just invade Earth the old-fashioned way again with a massive alien army and warships. 

Why he feels confident in doing this considering how it ended for him the last time is anyone’s guess, but the fact that he knows for sure that Anti-Life is here probably has something to do with it, along with the fact that he can use the Anti-Life Equation to control Superman, who just proved himself to be the most powerful champion in the galaxy.

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In other words, the Justice League 3 (yes, three…we’ll get to Justice League 2 in a minute…I told you this would be out of order) that we’ll probably never see would have dealt with Darkseid’s second invasion of Earth and his clash with our heroes. What this means now is that the Knightmare sequence from Batman v Superman (and which is revisited in this film) wasn’t just a nightmare after all, but a vision of a possible future in which Darkseid is successful, at least to some degree.

Which brings us to…

Joker, Batman, Knightmare, and more…

In the not-too-distant future we see Batman, once again wearing his desert togs that we saw in his Batman v Superman: Dawn of Justice nightmare. He’s joined by Cyborg, Flash (wearing that weird armored get-up that we saw when he visited Bruce with his “too soon?” warning about Lois Lane in BvS), Deathstroke, and Mera. Why this team?

Well, it turns out the vision Cyborg had during the resurrection of Superman (see? I told you it would keep coming back to that moment!) was what would happen if Darkseid was not only successful in his invasion, but in acquiring the Anti-Life Equation. We know from that vision that Wonder Woman is dead, Darkseid skewered Aquaman just as Aquaman skewered Steppenwolf, and Superman is… not a good guy anymore. Apparently, Darkseid vaporized Lois Lane with his Omega Beams and then used the Anti-Life Equation in Superman’s moment of weakness to bend him to his will.

This explains why Superman is “evil” in Batman’s original Knightmare vision from BvS, and explains the wrecked Hall of Justice, the dead Green Lantern, and more from Cyborg’s vision at the moment of his resurrection. Things are apparently so dire that even the Joker, the Clown Prince of Crime and an Agent of Chaos, has thrown in his lot with Batman, the Flash, and all the rest in an attempt to reverse time and save Lois Lane from being obliterated. Hence Joker asking Batman, “You need me to undo this world you created by letting her die. Poor Lois.”

Of course, Joker also hints that the only way to truly undo this is for Batman to ultimately sacrifice himself, and Snyder has indeed said that the plan was for Batman to die at Darkseid’s hands, in his final bid to save Lois. Batman getting fried by Darkseid was a key part of the climax to Grant Morrison’s excellent Final Crisis series, too, but that’s another matter entirely.

And if a ragtag band of heroes and villains fighting an alien invasion and an evil Superman isn’t out there enough for you, Snyder ALSO told Vanity Fair that Batman’s ultimate sacrifice would restore the timeline to where Lois Lane survived…but was pregnant with Bruce’s child. No, not a typo. And then the Justice League trilogy would end with: “Twenty years later, on the anniversary of [Batman’s] death, they take young Bruce Kent down to the Batcave and they say, ‘Your Uncle Bruce would’ve been proud if you did this…something like that.”

Anyway, with this weird potential future stuff out of the way, let’s talk about the more immediate implications of what happened in the ending there.

The Flash and Flashpoint

Barry comes to a realization as he sprints towards Unity that he can “make your own future/your own past/it’s all right now.” When moving at this speed and when he’s this deep in the Speed Force, he perceives time differently than we do.

More importantly, from a wider DCEU standpoint, this is absolutely the moment when Barry realizes that he could potentially change the past. Specifically, he probably wants to go back in time and prevent the murder of his mother, and thus keep his father out of jail. In other words, this is the first seed of what would have been (or will be?) the long-gestating and troubled The Flash solo movie, which will be based on the Flashpoint story.

In Flashpoint, Barry goes back in time, prevents his mother’s murder and…does NOT live happily ever after. Instead, this causes ripples in the timeline that lead to a very strange and unpleasant world, and Barry realizes that maybe he shouldn’t be doing things like that.

The current Flash movie plans (the film is now in the hands of director Andy Muschietti) probably involve Flashpoint in some capacity, since Barry is able to access the multiverse and meets Michael Keaton’s Batman from the Tim Burton movies. So Barry might not have just gone back in time a few seconds here in Zack Snyder’s Justice League, he may have accessed the DC Multiverse itself. That, of course, is another can of worms entirely.

Lex Luthor, Deathstroke, and Batman

Think of this as what would normally be a “mid-credits scene” and a tease for the Justice League 2 that we’ll never see. Lex Luthor escapes from Arkham Asylum (which is a weird place for Lex, but whatever) by using a fakeout move kind of similar to the one Gene Hackman’s Lex pulled in Superman II.

But when next we see Lex, he’s in the recruitment business. His first meeting is with Joe Manganiello as Slade Wilson, better known as Deathstroke. You might remember this scene from the Joss Whedon version of the film, but here it plays out differently. While here, as there, Lex is indeed looking to put together a team of supervillains, he’s a bit more specific here, revealing Batman’s true identity to Slade, who apparently has a grudge against the Dark Knight.

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This was supposed to be the premise of the Batman solo movie when Ben Affleck was still involved as both director and star, but that, like so many other DCEU projects, fell to pieces. It’s a shame, because after Affleck’s terrific performance as Batman in this, that really could have been cool. 

Lex earning Deathstroke’s loyalty here by doing him this little favor also would have helped set up Lex’s team-building efforts, which apparently would have paid off in Snyder’s planned Justice League 2.

Martian Manhunter

As we learned earlier in the film, Harry Lennix’s General Swanwick was actually J’onn J’onnz, the Martian Manhunter in disguise. Here, he finally reveals himself (in his true form no less) to the no-longer-xenophobic Bruce Wayne, who is now fully the hero we hoped he would be when he was introduced in Batman v Superman: Dawn of Justice.

It’s pretty self-explanatory stuff. Martian Manhunter tells Bruce Darkseid will come for the Anti-Life Equation, lets him know he’ll be around to help, and flies off. Bruce accepts this pretty readily, and we’re ready for a sequel, and for that “unite the seven” marketing prophecy to finally come true.

But while Lennix’s reveal as Martian Manhunter was always intended to be part of this film and Snyder’s DCEU in general, he wasn’t the superhero intended for this scene! Yes, just as Bruce wanted “room for more” at the Justice League headquarters table, this movie would have also introduced an eighth hero.

“We shot a version of this scene with Green Lantern, but the studio really fought me and said, ‘We really don’t want you to do Green Lantern,’” Snyder told Vanity Fair. “So I made a deal with them, and they let me do this [instead].”

The Green Lantern in question would have been John Stewart. But it turns out the studio has long intended for Stewart to be the center of their Green Lantern Corps movie, so according to Snyder, Martian Manhunter “was the compromise.”

Wait, did I say eight heroes? I meant nine!

Ryan Choi is The Atom

In case you were wondering, Ryan Choi, the STAR Labs scientist who works with Silas Stone throughout the film is indeed an important character from the comics. Choi is destined to become the Atom, the shrinking superhero who will one day become a member of the Justice League.

Here, we see him getting granted the position of “director of nanotechnology” for STAR Labs, a role which will certainly lead to some useful discoveries for him down the line. Hopefully someone decides to give Zheng Kai another shot at the role down the line.

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

What do you think? Do you still want Zack Snyder’s vision of the DCEU and his plans for Justice League 2 and Justice League 3 to become a reality? Let us know in the comments!

The post Zack Snyder’s Justice League Ending Explained: The Sequels and DCEU We Never Saw appeared first on Den of Geek.

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[hufflepuff-ravenclaw-reviews]

Titans Season 2

So I wouldn't exactly say that Titans season 2 was bad, exactly. But I felt like it kind of meandered through a bunch of different plot points without actually seeming to go anywhere?

And I was thinking about the constant “five years ago” backstory episodes, and I was like “But they make sense”. So it's not like things felt... unnecessary, by any means. However, I felt like the plot kind of zig-zagged around a lot different points, zipped back to a couple different backstory episodes, rerouted back to the present for something completely different, and then... somehow managed to wind up at episode thirteen (the last of the season).

We left off in season one with Rachel's demon father literally being brought to the human world, and all hope seemingly lost.

However, the entire subplot of resolving this barely lasted for five minutes, when all way said and done. Most of the first episode was just these darker timelines in which every one of Rachel's new-found friends and adoptive family sunk into evil ways. But not to worry, because Rachel was able to just talk to them and remind them of how much she means to them.

And then she stopped her father. Somehow. I can't swear that Princess Celestia didn't show up and preach about the power of friendship.

It was such a huge build-up in the first season, and the fact that it was resolved so quickly in the first episode of season two is honestly the first of many let-downs, I felt.

Following this, Dick is adamant that he take the new kids to San Francisco, where, with Bruce's permission, he's going to start up the Titans again.

Back in the day, it was Robin, Hawk and Dove, Wondergirl, and Aqualad. You might remember that we've met all of these characters from the first season... except for Aqualad.

And if you're wondering if he died... bingo. You win a prize of a depressing episode in which we're introduced to his character and his budding romance with Donna Troy... only to have him be murdered by a man named Slade Wilson.

This asshole was the entire reason why the original Titans broke up. See, following Aqualad's murder, Dick got it into his head that he could befriend Slade's son, Jericho. And the others were on board with this, because their friend was killed. But when they actually got to know Jericho, they all felt bad.

Until they find out that Jericho has “body snatching” powers, and can “possess” other people so long as he has initial eye-contact with them. And then suddenly, they tell him everything and even make him an official member of the team.

And that's all fine and dandy, but Slade is upset over this and murders his son. Because reasons.

And all of these memories suddenly being brought to the surface because of Slade's reappearance cause a break in Dick's already fragile psyche and he starts to have intense hallucinations in which Bruce Wayne follows him around and offers advice. It got old after a while.

Eventually, it reached a point with Dick this season that he went out and punched a security guard at the airport just so that he could be locked in jail. And this subplot dragged on forever, and never seemed to actually go anywhere.

But eventually, Dick made nice with the suit maker who seems to supply all of the suits for all of the heroes. Bruce had already designed the Nightwing costume for Dick, although this didn't make an appearance until the final episode.

Kori does have a lot of interesting developments this season, but a lot of them are seemingly being put on the backburner for the next season. She goes off for a while to help Donna do crime-stopping stuff, and ends up getting “kidnapped” by a guard from her homeplanet... Who also is a former lover of hers. He tells her that it's time to go home and rule, but Kori decides to go to California and help Rachel instead.

Eventually, her lover is taken over by her sister, Blackfire's mind-controlling jelly-thing, and Kori ends up needing to kill him in order to help stop her sister.

And then... that's it. Kori's duties are literally never brought up again for the rest of the season. Or the fact that Blackfire killed her entire family and seemingly started some sort of war on the planet. Kori can't even be bothered to tell Blackfire that she would prefer to stay on earth. Just... okay, this is a thing that's happening. BUT TITANS. Ugh.

There is a little teaser of Blackfire taking over some random lady at the very end of the last episode. But, as I said. Season three material.

Hank and Dawn... exist. That's pretty much the only thing that I can say about their characters this season. They simultaniously don't want to do crime-fighting anymore, yet refuse to actually walk away. Hank eventually pushes Dawn away to the point where he suggests that they should break up. And then he goes off the deep-end and starts doing hard-core drugs.

Anything that happened with them this entire season could have literally been cut out, and I doubt that the overall plot would have changed much.

I feel like the same could probably go for Donna as well. Although she had two exciting parts. One with her lover dying. Which... felt weird and forced and I honestly couldn't care either way about Aqualad's relationship with Wondergirl.

And then Donna herself died. Which was just so random and seemingly out of the blue. Especially because they'd just gone done taking down a mind-controlled Superboy (I will get to him in a second), and she had a full-powered fight with him. And then she'd killed by a ferris wheel falling on her.

And then Rachel says that she's going to go with the other ladies and probably learn how to better control her powers for next season. I don't know, and at that point, it all just seemed like characters moving around without having any actual motive.

And then there's Jason Todd. His plot basically revolves around Slade giving Jason PTSD, and then Jason fucking Slade's daughter, Rose.

When the season started, and it became clear that Jason was going to be on the team as the official Robin (leaving Dick to take over the role as Nightwing), I had really hoped for some decent character development from him. But instead, all we get is thirsty asshole with daddy and authority issues. Moving on.

And speaking of Rose... I felt like her character was given the proverbial shaft. She has an interesting character of being the daughter of a villain, but wanting to break away from her father after coming to understand a few things about found family.

She realized that she had healing powers, and told her father. He then trained her, and used her to further his own goals. Meaning to get vengeance on the Titans for using Jericho to get to him. But after having spent some time with Jason, Rose decides not to have anything to do with her father at all.

In the end, Rose and Nightwing team up and take down Slade. Which is something that the original Titans said that they'd struggled with “the first time around”. So how is it that “circus boy” and “girl who can heal herself” can do what actual super-powered Wondergirl, with the help of Robin, Hawk, and Dove failed to do?

All in all, the take down of Slade coupled with the destruction of Rachel's father is leaving a sour taste in my mouth. Don't get all excited over things like the build-up of villains, because the show will probably let you down in this regard.

And then there's Rachel. So much time in the first season was devoted to building up her character and everything, that it was honestly kind of disappointing that she seemed to take a back-seat in the second season. There was too much going on.

On top of a pointless side story where Rachel ran away from Donna and beat up some girl's father. It went nowhere, none of this was explained, and it was almost like the development of Donna, Dawn, and Hank.

Finally, the introduction of Superboy. For those not familiar with DC lore, Superboy is a science experiment to basically make an mpreg baby between Lex Luthor and Superman. He's got all of Superman's powers, and all of Lex's intelligence. However, the thing that comes out from the CADMUS lab is as innocent as a newborn baby... which makes him insanely dangerous.

There was a really long and honestly kind of tedious episode where he escaped from the lab with Krypto the Superdog, and how the project lead came to find him.

And then he went off and saved Jason from falling to his death, thanks to Slade. Only to be shot with kryptonite bullets for his trouble.

When Connor wakes up from this shooting, it's to find that Gar is the only one remaining at Titan's Tower, the others having taken off because of REASONS. However, Gar is certain that teaching Connor how to do proper hero stuff, that it'll make the other Titans want to come back. But circles around to Connor's innocence, he goes off and attacks a bunch of police officers.

This results in CADMUS breaking into Titan's Tower. Once the leader sees what Gar can do, they take him, too.

They then brainwash both of them to follow orders without objection. For Gar, this means transforming into a tiger whenever classical music is played, and killing anybody who is nearby.

This comes to a head after the others have taken down Slade. Gar attacks a street carnival, and Superboy is sent in to “stop” him. However, all of this was a ploy of CADMUS in order to convince people to buy Superboy for millions of dollars.

Rachel is somehow able to un-brainwash Gar simply through THE POWER OF FRIENDSHIP. And Dick is able to get to Connor again, using nothing but talking. AND THEN EVERYBODY SANG AND THERE WERE MAGICAL BIRDS AND A UNICORN SHOWED UP. /sarcasm

Overall, this season wasn't bad. It was trying REALLY hard to be good, I felt. But I also felt like it was trying to do too much in just thirteen episodes.

[jq37]

The Report Card – Fantasy High Sophomore Year Ep 3

 Thanks, I Hate It!

This week, we move forward by first jumping backwards. Last episode, the Bad Kids found that Riz and Fig were missing. Now, we get to see what happened in the meantime. Riz was in his office, trying to put together anything new on the Nightmare King. We’re reminded that his sword--the Sword of Shadows which he got from the arcade and lets him misty step (also, which he used to kill Kalvaxus)--was made by Tabaxi ninjas (seemingly relevant considering the whole Shadowcat thing). He notices that, in his photo, Kalina’s image doesn’t look as time-worn as the rest of it, as if only the part where she appears was protected. He hears a noise and goes to investigate. What he finds, is a creepy-ass nightmare skeleton person in the mirror claiming to be Baron, from the Baronees (the person he on the fly lied--poorly--that he was dating in ep 1). Respecting the fact that Murph never clarified whether Baron was a guy or a girl, Brennan has Baron exclusively refer to themselves as Riz’s R̵̪̹̄o̸̱͝m̸͔͔̂̽a̴͕̾̈́n̵͙̬͒c̸̣̏͠ḙ̸̃̓ ̶̞̇̕P̸̞͚̈́a̸͉͒͝r̴̛͈͈t̷͓͇̋͒n̸̬͛̈́e̴̮̒r̴̝̃̓ in this mega-cursed, fake Swedish(?) accent.

Thanks, I hate it. 

Riz, faced with his lie brought to life, is pretty freaked and tries to shoot it but he’s quickly subdued and dragged into the mirror. Luckily, he’s able to leave the photo for his friends to find. 

Meanwhile, Fig spent the night in a weird fugue state--almost like an enjoyable nightmare. Most of her focus is on this feeling of isolation, fame, and power--but in a good way. In the background, she’s doing some unimportant stuff. You know, packing her stuff, stealing a gem, trapping Gorthalax in it, and going to Bastion City. No big deal. Anyway, that brings us back to the present with the rest of our party.

They make it to Bastion City and, more importantly, the hotel where Fig is supposed to be. On the way, Adaine tries to detect magic on Sandra-Lynn to try and figure out why she can see the photograph but nothing comes up. At the hotel, they unsuccessfully try to get the concierge to tell them where Fig’s room is. Adaine detects that the receptionist has some kind of transmutation on them and her first thought is, “Magic plastic surgery.” She dispels it. Not magic plastic surgery. The concierge is a demon--which is different and worse than devils who are at least lawful and, like, part of the bureaucracy of punishing people who deserve it.

Anyway, fight time! A lot happens during this fight so I’m going to try and highlight the most important parts:

All the employees in the immediate area turn into various demons to fight the party.

Adaine and Kristen catch sight of Fig’s room number (downstairs penthouse) right before the fight starts and, at the top of the initiative, Adaine goes invisible and runs for the elevator. 

Fabian vaults of Gilear’s face--unnecessarily--and rolls a nat 20.

Gilear (who has FIVE hit points) ducks and covers because of course he does. That doesn’t stop him from being completely obliterated by one punch from one of the huge gorilla demons. He freaking DIES. Thanks, I hate it.

Downstairs, Adaine finds a bunch more demons who are with Fig who is clearly being mind controlled. They have Riz strapped to a table and Fig’s about to stab him with a ritualistic knife. Adaine goes for a dispel magic and gets advantage because of Boggy which leads to her rolling *two nat 20s* and snapping her out of it immediately. 

In a very boss move, Fig immediately grabs Riz and dimension doors him out of his restraints and them both to the coat check where she left the ruby with Gorthalax. Before they poof out, Riz sees yellow eyes in the shadows. Familiar tabaxi eyes. Seemed like she was calling shots. 

Riz gets in a very cool kill with the line, “Tell Daybreak I said hi.”

Fig finds out Gilear is dead and grabs his soul. Kristen heals him up.

Fabian vaults off of Gilear a second time and rolls a nat 1, sending him back into death saves. 

Kristen tosses a spare the dying at Gilear and then kisses full wolfed out Tracker because time isn’t of the essence or anything.

Fig grabs the ruby Gorthalax is in and sees that it’s cloudy--cursed somehow to keep them from breaking him out. Not good. She also finds a bunch of other gems which she also grabs.

We meet Kristen’s new spirit guardians which are now hipster Post-Grad philosophy students in a full spectral coffee shop. She finds them insufferable but is also kind of into it. 

They clean up the rest of the demons and then Fabian does donuts on the Hangman. And we are out of combat.

Fig is a little distraught about having almost killed Riz and brought them all into this dangerous situation which literally killed Gilear--even though no one else blames her even a little. Gilear has a bit of a breakdown which is fair. The man died. They try to send him home--Fig wants to give him 10k gold and send him on vacation--but he is determined to stay and experience things and be useful. Also, Fabian has it in his (and Gorgug’s) head that Gilear must be some kind of chosen one since one of the demons in the fight chose to attack Gilear over him. 

Fig looks through the other gems she got and only one--a Celestial Sapphire--is similar to size to Gorthalax’s. When they bring it out, a slot in Gorgug’s van pops open. They slot the Sapphire in and, through the radio, an Angelic voice speaks to them. He sounds like Owen Wilson and he doesn’t remember his name. The Hangman hates him immediately. Fig pretends to be a cop to get info from the cops that arrive on the scene, doesn’t find out anything useful, but does roll a nat 20 on her deception (come on) and briefly turns the game into the sister, cop-drama show set in the same universe as the Grey’s Anatomy sham-life she’s living, kissing another full adult man. Incredible. 

They regroup at a posh restaurant/cafe called The Swan’s Little Parade. Sklonda calls and, after she and Sandra-Lynn do the mom-catch up thing, she has a quick talk with Riz where we find out a few things about Kalina:

She only worked with Pok on missions between Falinel and Solace.

She was great at going invisible and other infiltration things.

(Note: We actually learned this earlier but I wanted to keep this info together)She looks more like a traditional housecat than a big cat like some other tabaxi.

It’s extremely hard to scry on her. 

She didn’t attend Pok’s funeral.

The last time Sklonda heard from her was 12ish years ago.

Riz only encountered her a few times as a kid. 

Last Sklonda remembers, she reached out to Pok it was something to do with the ship the Oracle sank on. 

They pass around the picture to see who can see it and not only does it appear that Ragh can see her (oh, kinda implied this before but Riz can too) he also seemed really bugged out. Tracker says she can use her cleric mojo to put up some wards to (1) keep them from getting mind whammied like Fig did overnight and (2) maybe make Ragh feel safe enough to talk. She also suggests they all sleep in a huge dog pile for safety which I think is great and someone should draw that.

Gorgug gets a text. It’s Zelda. She can’t believe he left without saying goodbye.

Thanks, I hate it. 

Detention

Fabian for Using Gilear as a Launch Pad Two (2) Times

This was a top contender for this spot, even before Fabian did this a second time and screwed up so bad (nat 1!) that Gilear dropped to zero again and had to make death saving throws.    

Honor Roll

Adaine for Freeing Fig 

Listen, I will freely admit that I have a clear bias towards Adaine. You got me. She’s my favorite. HOWEVER, you cannot tell me that going invisible, rushing straight to the elevator, then rolling double nat 20s (a 1/400 chance) to release Fig from domination right before she plunged a knife into Riz’s heart wasn’t the sickest series of events that happened during this ep. What could possibly compete? 

Random Thoughts

I’ve been trying to figure out the rhyme or reason to who can see the full photo but I haven’t figured out a pattern yet. It’s not that only people who have seen her before can see her because Sandra-Lynn can see it and she said she’s never met her--although I guess it’s possible that she has and she didn’t recognize her since she’s a super spy. And it’s not a blanket thing on the Bad Kids specifically because Riz can see her. I was hoping they’d show it to more people so we could get a better idea of the rules. Maybe it’s based entirely on if she wants to be seen by that specific person? But then why wouldn’t it default to the blank image. It seems (from our limited POV) that most people can see her. Maybe for most people a blank space would be more suspicious than a random tabaxi? Idk.  

Riz forcibly installing himself as Fabian’s best friend and it working is low key the funniest relationship development in FH. I’m so glad Murph and Lou ran with that. Also, the fact that he’s basically accepted that Riz is his best friend but the Hangman hasn’t at all is so good. 

Brennan really just shot Zac in the head at point blank range at the end of the episode, huh? He really just did that to our boy. What’s also funny is that, unlike--say--CR where there’s usually at least a good minute of decompression and goodbyes, Brennan just goes for the kill shot and then peaces out immediately. What a power move. 

Also, poor Zelda! She’s already so insecure, this isn’t gonna be good for her self esteem. Arguably, there were extenuating circumstances Gorgug can claim but you know that’s only gonna help so much since he def could have at least called/texted her to let her know he had to leave in a hurry because Fig/Riz were missing. I wonder if there’s a section of the binder on this. 

For reference, the demons they fight in the hotel lobby are a Cambion, and then several barlgura and skeksis.

“He’s just a guy!” He certainly is. Check out his stats. Hilarious but also, I can’t act like my stats would look that much different. 

I truly, truly cannot believe that Emily pulled the exact same hospital stunt again and it resolved in exactly the same way. This is like when I played blackjack with my brother when I was a teenager to teach him that the house always wins and he hit 21 twice in a row. 

Also on the topic of Fig, her coming down from her mind control was my favorite part of this episode, for a couple of reasons. I love how sincerely Emily played the immediate shock and horror at what she almost did (closed book my ass). I love how every other person was so happy to get her back. I love that none of them even entertained the thought that she might be dangerous or untrustworthy now. Relationships at the intersection of constant bullying and ride or die are my favorite. 

While we’re on the topic of emotional scenes, Gilear full breaking down in the van post-fight was very funny but you also genuinely felt for the guy. It’s been a really long day for the guy and he died like one and a half times. His, “I haven’t experienced anything before this moment,” line really hit me hard. And I think it’s very wild that Brennan set the DC for convincing him to go home at 25 (which Fig did not pass with a 21). It’s very interesting that Gilear’s reaction to this series of events was to double down and be like, I *need* to be here. Seems like this could be a set up for some interesting Gilear development. 

The amount of times I have almost typed Balnor is unreal. My brain stores all the middle aged men hanging out with people too young for him to be hanging out with in the same folder.  

I can’t believe Adaine just went for that dispel except that I can because she did the exact thing with Iris’ wig at the NY live show and I couldn’t believe that either! I really did not think (1) that was a good move or (2) gonna lead to combat (except for the kind that gets you banned from a hotel). I completely misread that situation. Like, it’s a world full of magic. It’s not that weird that a random person would have a spell on them. Anyway, this is why she’s the oracle and I’m not. 

The Barlgura needed a 3 or higher to hit Gilear. He got a 19. Yikes.

“I had to ask.”/ “No you didn’t.” (The crew explodes into laughter.)

Riz tells the whole gang about the Baron thing and tells everyone that they need to stop lying in case all their lies are gonna pop out and attack them. Gorgug admits that he’s kissed the Hangman. Kristen confesses to a group of her closest friends and girlfriend that she is gay. Tracker is like, “Babe, what?” Tracker (and the Bad Kids but in a different way) must really love Kristen because she is just so much all the time. 

Fabian: Who are you seeing then?/Riz:...................No one. 

Ally Middle Name Beardsly wtf is a paranoia check? 

The comedic rhythm of Fabian vaulting off of Gilear���s face with a nat 20, him dying, being resurrected, and the Fabian trying to do it again with a nat 1 and knocking him near death is so perfect that it’s wild that it was totally random. This is the kind of thing that makes you get superstitious about dice. 

We’re introduced to Boggy’s second mood this ep which is Boggy’s mood which is a slightly squinted, “Hmm...I don’t know about this.” Thanks, I love it. 

In addition to considering Gilear might be the chosen one (by who? Of what? They don’t know and neither do I) the half of the group entertaining this theory also considers Gilear might be the Nightmare King (”If you are you have to tell me. I’m your daughter.”). I don’t know if the NK does possession but please have the NK possess Gilear at some point. If the theme of this season is carefully filing away random off the cuff gags and making them plot relevant, please let this be one of them. Also, lol at Murph trying to roll high enough so that Riz has the knowledge to stop the shenanigans before it derails the whole campaign.  

The group bestows upon Gilear the positions of Tour Manager, Social Media Manager, and Honorary Bad Kid (listed last of course).

Fig grabbed a lanyard of out Adaine’s jacket and I remembered, oh yeah, she has a very magical jacket that is only ever used for shenanigans, if at all. Imagine being so magic that you have a magic jacket that you’re always wearing that can summon anything (w/i reason) and you just kinda...forget about it most of the time. 

Curious about why Fig specifically was called in to do the sacrifice and why Riz was the one who had to be sacrificed. 

I hope Adaine just continues to loan out Boggy to anyone having a bad day. I love that.

“Maybe this is one of those massages that hurt.”

Really wanted Hilariel to Skype in and ask about Gilear. Her take on everything is always so funny. She is as crazy as everyone else in her family but in such a low key way.  

Lol at the party being like, “Yeah, Tracker healed me just fine without any 69-ing,” which is truly an incomprehensible sentence without context and still mostly incomprehensible with context. 

Don’t wanna overlook the coolness of Fig rolling double 17s (disadvantaged) to command the barlguras. Not magically, just convincing them she was still in charge of them. Very clutch.

Fabian is so much chiller about letting people on his motorbike these days. He let Gilear ride it. He let Riz ride it. He gave a blanket invitation for anyone in the area to hop on before he did donuts. I love Sophomore Fabian. 

Gilear gets a nat 20 for his first roll! Riz and Kristen got two nat 20s. Fig got one, Gorgug got one (he rolled a second one that was lost with disadvantage), and Adaine rolled two but they really only count as one since it was with advantage. Fabian rolled one of each. That’s a lot of 20s for one ep!

[pierrotdameron]

On the set of His Dark Materials, Dafne Keen is about to see a bear.

With battle raging around her, snowflakes flying and alarms ringing, the young actor – who plays lead character Lyra in the BBC’s new adaptation of Philip Pullman’s acclaimed novel – sprints down a corridor, dodging enemies and fighting for freedom. And just when all seems lost, she looks up, seeing her saviour. A broad smile breaks out as she sees who’s standing above and ready to save her… a man wearing a white, faux-bearskin rug on his head.

OK, on set Pullman’s trademark armoured bears (or panserbjørn) aren’t much to look at – but over a year later, when they finally arrive on-screen, they’re an incredibly impressive achievement, realistic and filled with character, a triumph of puppetry and visual effects. If anything, they’re even more impressive than the animal dæmons that have appeared in every other episode so far. But how were they brought to life? What did the actors film with on set, and what were the biggest challenges?

Happily, after we’d suitably calmed down from all the excitement, the behind-the-scenes team were happy to fill us in…

Pre-production

While the 2007 movie adaptation of His Dark Materials (titled The Golden Compass) wasn’t exactly beloved by fans, it did win plaudits for its VFX, with the work of independent company Framestore winning the film its only Oscar. Now, over a decade later, the new adaptation would have to surpass even that achievement – which is why Framestore were brought on board again to work on the TV series, marking them out as the only common element between both adaptations.

“Framestore did the original bears in the original film, which we won the Oscar for, and we’re doing the bears again, now,” VFX supervisor Russell Wilson told us. “And what’s really interesting about that is certain things we computationally couldn’t do then, we can do now – but obviously it’s harder work.”

And the digital work on the bears didn’t begin after the shoot had already concluded, as many might expect. In fact, before a single scene of the panserbjørn storyline had been committed to film, Framestore and Bad Wolf’s in-house VFX gurus were working hard on previsualizations for the bears – in other words, plotting out scripted scenes in basic computer animation in specially-rendered environments, so they could work out how the bears would look before the directors started work.

“That was a combination of Framestore’s bear animation and our [interactive set] environment,” VFX artist and pre-vis supervisor Dan May told RadioTimes.com. “We blocked out the sequence with Russell and the stunt guys downstairs. “They animated the bears to quite a high level in pre-vis, that that pre-vis was then brought to our [digital] set with all its textures.”

In other words, basic digital bears were added onto a specially-mapped digital set, blocking out the scene before anyone had even turned on a camera and creating a “virtual shoot.” And when it came to actually filming the sequence IRL, this preparation meant that the bears could (sort of) be on set as well, with specially-prepared screens and virtual “cameras” allowing the production team to check where the animated, moving bears were at all times.

“When they shot the sequence, they were able to bring that animation and the virtual camera angles, and see them live on set,” May explained. “They were able to line up a digital bear with a real set. And that is not a first, because they’re doing that sort of thing on Jungle Book and Avatar. But we’re doing it on a more affordable, sustainable way.”

Though of course, it wasn’t just digital bears lurking on set…

Puppeteers

As with the dæmons, the bears on set were built and puppeteered by Brian Fisher and his eight-person team, with various different rigs and outfits utilised by the team for different purposes.

“There’s about seven to 10 different bear rigs,” VFX supervisor Wilson told us. “There’s one for smashing into stuntmen, there’s one for representing his face, there’s one where there’s literally a guy with a glove on putting it on his face.

For example, sometimes the bear was just represented by actor Joe Tandberg (who also provides Iorek’s voice onscreen) wearing (functionally) a bearskin costume, while other times he wore a special rig (pictured exclusively above) that allowed Iorek’s bear head to hang in front of his own.

Other times, he just wore a plain boiler suit with a light rig over his face, or stepped away in favour of a static model (pictured) to help the crew include Iorek’s scale, or was replaced by a large grey cushion for scenes where Iorek was less mobile or in a confined space. “You’re basically in a green room, with a weird grey thing which is supposed to be a bear, and with Lin singing? It’s just all very weird,” Dafne Keen, who plays Lyra in the series, told us.

And of course, a lot of the time the full-time puppeteers took over. For example, while on set RadioTimes.com was shown a large puppet version of Iorek operated by two people to impressive effect. Within the rig, one puppeteer wears an ordinary large hiking backpack, leans forward to face the ground and hoists two long poles forward, with a mesh bear head that he can control and turn at the end of the poles.

Another man behind holds two strings to control the front legs. Together they can rear the bear to his full height, stalk him around an area and generally bring him to life. In His Dark Materials episode four, another bear head – one with Iorek’s snarling teeth – was used for a scene where he attacks a foe, and generally speaking the team tried hard to keep things simple instead of using complicated mechanical rigs or creations.

“When the bear attacks – that was much more stuntman, him, us throwing him around on a mat until we worked out something that we liked,” Wilson says. “We take a very human, organic, what I call a man-tronic approach to things that you might take or do in a technical perspective. “When he’s getting dragged around by the bear it is just a guy in a boiler suit and [the victim’s] on a wire, and that’s it.”

Riding Iorek

But the fighting wasn’t the only filming challenge. In fact, a key action shot that everyone was even more keen to get right comes later in the series, when Lyra rides on Iorek’s back as the pair travel into a dangerous new area. On set, the human portion of the shot was achieved by creating a special rig for Dafne Keen to ride (pictured above) – but unlike similar ridable CGI animals like the dragons of Game of Thrones, it wasn’t mechanical, instead requiring the puppeteers to move it themselves.

“When Lyra’s riding a bear, it’s all operated by a human in a backpack,” Wilson said. “You know, we don’t bring in rigs and mechanically programme them because it’s quite slow to do, and it means you get less takes at it.” “To get the specifics, the biomechanics behind how a polar bear’s gait runs, we had to go through and, with the animators, actually break it down into segments, figure out how we can translate that into something that has movement and life but is not purely mechanical,” puppeteer Brian Fisher told us.

“The second you go into a mechanical movement, you can speed it up, you can slow it down, but it is always rhythmic, whereas we don’t work in binary movements.” As you can see in the above video, RadioTimes.com actually got the chance to try out the bear rig while on set, and can confirm it’s definitely man-powered – and surprisingly bouncy. “I loved the bear rig,” Keen herself us. “Though I was too light for it. “It was very funny. They made this rig, and they didn’t calculate my weight. So they had to then harness me, because I bounced too much off the bear. So that was really fun.” “Although I felt kind of bad because I had two human beings bouncing up and down underneath me…”

The final touches

Obviously, the lion’s share of the work done by the VFX team comes after the filming as they gradually work on creating and animating CGI shots right up until broadcast. And for Wilson and his team, no detail was too small when it came to the armoured bears. “In our version of Iorek now he has the muscles underneath [his fur] that flex as he moves, and that also drives the fat on him to jiggle as he runs,” Wilson told us. “But then the skin actually slides over the bones and the ribs, which makes the fur that’s attached to the skin slide over that as well. All of that together gives you something that feels really realistic. “So again,” he concluded “the appetite and the ability is higher – therefore the workload is higher.” Oh well – hopefully, the time and trouble wasn’t too unbear-able.

[gingercullenboy]

Movie Commentary Monday: Episode 1

Hello everyone and welcome to the very first episode of Movie Commentary Monday (or as i call MCM, which sounds ridiculous by the way) where I express my thoughts on a movie while desperately trying to be funny (and usually fail).

There will be dozens of side comments in brackets because I talk too much, sorry in advance.

This week’s movie is:

Isn’t It Romantic (2019)

Directed by: Todd Strauss-Schulson

Writing Credits: Erin Cardillo (screenplay&story), Dana Fox (screenplay) & Katie Silberman (screenplay)

Stars: Rebel Wilson, Liam Hemsworth, Adam Devine, Priyanka Chopra, Betty Gilpin, Brandon Scott Jones

Summary: A young woman disenchanted with love mysteriously finds herself trapped inside a romantic comedy.

(thanks IMDb)

Now, buckle up folks, it’s gonna be a loooooong ride. Let’s get down to business!

(this isn’t a Mulan reference)

Why is the Mom so bitter about happy endings? I bet she has seen things...

They don’t make movies for girls like us. 

THIS!!! LINE!!! IS!!! SO!!! IMPORTANT!!! 

That single sentence just basically summarized the entire history of Hollywood and you can’t argue with me on this. The evidence is there (sorry i’m bitter like mom) (i’m full of rage like younger john mulaney)

Natalie’s (Rebel Wilson) apartment is a mess and is so tiny, it’s like screaming YOUR FUTURE HOUSE at me, it’s unbelievable

Fucking finally, a realistic view of New York; smelly, crowded, and filth everywhere (not that i could ever know, i don’t live there but i’ve seen metropolitans before)

“STOP THE CART WITH YOUR BODY” WTFFF I’M CRYING THAT’S SO RUDE

Ok, Natalie’s a nobody at the workplace, even though she’s a fricking architect. UNREALISTIC TO ME

That co-worker and office manager can choke, that’s all I’m gonna say

Ohmygod, Whitney (Betty Gilpin) is so cute, I’ve seen her 10 secs in and I already love her (lovey dovey characters are always my faves)

JOSH (Adam Devine) IS AMAZING, ADORABLE DORK, PROTECT HIM AT ALL COSTS

LIAM HEMSWORTH’S AMERICAN ACCENT GOT ME SH00K!!! He just said “Goddamn it” and I am already hooked

Who puts whipped cream in a coffee? ME, BITCH

I PUT WHIPPED CREAM IN MY COFFEE BECAUSE BLACK COFFEE TASTES LIKE SHIT, SORRY THAT I’M NOT TOUGH AS YOU

Natalie says nice guy with a nice life and it... kinda bothers me. It’s a reaaaally generic expression and a bit insulting if you think about it bc if you don’t fit that person’s standards of being nice with having a nice life, it discourages you (in this case, you=man). So when Josh said “I’m a nice guy with a nice life” I thought ‘Of course you are’ bc he is in my standards. What I’m trying to say is that rom-coms have stereotypes on not only women but also men. Yes, it is sad.

Awwww Josh has a crush on Natalie *wipes happy tears* but she thinks he’s looking at the model billboard LMAO SAME, NAT

I’m so done (but it’s also so relatable, bc i’m like Nat but with less cynicism)

WHITNEY’S DESKTOP OMG

PAWSITIVE VIBES???? I WANNA MARRY HER SO WE CAN WATCH ROM-COMS WITH CATS ON OUR LAPS ALL DAY TOGETHER

Natalie was on the subway and a stranger waved at her. Then he tried to mug her. Then she knocked herself over. My mom always says don’t talk to strangers and I see why. I’m 22, if you’re wondering *clears throat* Moving on...

OH MY GOD SHE WOKE UP WITH THE MAKE-UP ON AND A NICELY DONE HAIR WITH FLOWERS AND STRAWBERRY DRINK ON THE SIDE, I CAN’T-

Oh, hello Mr. Morningstar... *wiggles eyebrows* (quick note, i don’t actually watch Lucifer but i really like Tom Ellis)

She just ripped her IV and blood didn’t spill everywhere, yeah this is a rom-com alright 

She’s dressed from lost and found and she looks like Julia Roberts in Pretty Woman-

NO WAIT, THE ENTIRE SETTING HAS CHANGED

HOLY SHIT ‘A THOUSAND MILES’ BY VANESSA CARLTON IS STARTED TO BE PLAYED BY A RANDOM GUY ON A BIKE AND HE PLAYS IT FROM THE STEREO ON HIS BIKE I’M CACKLING

ENTER LIAM, HE LOOKS SO GOOD I CAN’T EVEN DESCRIBE (i’m a thirsty hoe, your suspicions are correct)

What the fuck does beguiling mean? *checks dictionary* oh, okay *is weirded out now*

HE’S AUSSIE NOW, THEY’VE DONE IT, HE’S KEEPING THE ACCENT, AND I’M HAPPY AGAIN

...Birds form a heart while flying... Uhhh... Strawberries and champagne in the limo... Rich as fuck, my poor ass can’t relate

NATALIE’S STREET HAS CHANGED, TOO

He’s giving her flowers already? Ok- NO WAIT

HE JUST WROTE HIS NUMBER ON MULTIPLE FLOWER PETALS AND HANDED TO HER, IS HE FOR REAL LMAO

“But there’s only one of you, so...” Well, this doesn’t change the fact that there are millions of ways to order the numbers, you dumbass (why is he like this)

Her apartment... Every Millenials’ dream

And... A gay neighbor/best friend who acts like an over-feminine gay (which is also a stereotype)

So, I’ll count every rom-com trope I’ve seen in 22 mins *counts her fingers* So far, I have seven tropes

The Big Presentation (eight)

Unconventional workplace which looks like a Google office (nine)

Nat is the star architect now (ten)

Rival bitchy colleague (eleven) (WHY DOES IT HAVE TO BE WHITNEY, THOUGH) (SHE’S MY SENSITIVE WIFE) (oh, she looks hot)

They gave like, four other tropes in two mins and it doesn’t feel like rushed at all *salutes respectively*

The setting change is so... Like, you cannot miss it, it’s sweet and makes you feel all giddy inside, it’s so lovely, so rom-com like (does that make sense to you?)

OH PRIYANKA, SHE JUST TURNED AND I’M LIKE “Oh I’m fucked”

“Josssssssh”

Natalie keeps falling (twelve)

“MY LIFE IS A ... ... ROMANTIC COMEDY!” “AND IT’S ... PG-13!″ EVERYONE STARTED DANCING BEHIND HER I’M HOLLERING 

The subway map behind her is shaped in a heart, lovey dovey couples everywhere... And shE’S GONNA JUMP ONTO A TRAIN??? THIS GOT DARK ALL OF A SUDDEN

Officer Hansom *facepalms*

She threw the flower petals and guess what? THE NUMBERS FELL DOWN IN THE CORRECT ORDER, WHO COULD HAVE KNOWN HAHAHA (thirteen)

Y’ello

Y’ELLO

Y’E LL O

IS THIS HOW AUSSIES ANSWER THE PHONE, AUSSIE MUTUALS PLEASE RESPOND

BLAKE (Liam Hemsworth) IS SO ADORABLE I’M ROOTING FOR EVERYONE IN THIS MOVIE 

Dress up montage... Yeah- Oh wait, they cut it out what the hell fvygbuhnj I WANT MY DRESS UP MONTAGE, GIVE IT TO MEEE

This is some fancy first date though... Also leaving 100 bucks tip doesn’t justify breaking in to a store I guess??? Seems like the law has no function in rom-coms lmao (fourteen)

BUTTER PECAN??? HOW OLD ARE YOU, 200 OR SOMETHING??? WHAT THE FUCK, MAN

The rain... You know what’s coming after- Ah, and they kissed *giggles uncontrollably* YES!!! (fifteen)

THEY CAN’T HAVE SEX BC IT’S PG-13 (liam’s abs, though) *bi scream*

Her apartment makes me cry, it’s so beautiful (ok i’ll stop counting from now on bc i cannot keep up anymore)

Also the romantic tension between Natalie and Josh................ I have no words

Isabella (Priyanka Chopra) calls Josh ‘Mush’ and it’s so f-king cringey, I swear to God sxrdctfvygu

STOP OVERSELLING NEW YORK, WE KNOW IT’S NOT THAT GOOD

I can talk about Blake for five hours, he’s so fucking funny lmao

Donny (Brandon Scott Jones) is such a gay sidekick, he comes out of nowhere and talks weirdly but he makes me laugh so I’ll give him a pass

NOW WE’RE GETTING SOMEWHERE, NATALIE’S GONNA STOP ISABELLA&JOSH’S WEDDING

That musical scene is everything, and Natalie hits that high note H AR D

GET IT, GIRL

Blake............ no-

I ROOTED FOR YOU, WE ALL ROOTED FOR YOU, HOW COULD YOU DO THAT-

Oh my, he’s a certified douchebag, I should’ve guessed, I’m so disappointed in myself 

Unexpected wisdom coming from Donny who had no function to the story other than appearing beside Natalie at random times (again, rom-com trope) 

BUT at least he made her realised who matters to her the most

Slow motion running!!!!!!!!!!!!!! 

Her boobs are like sxrdctfvyg SHAKING AS SHE’S RUNNING ESXRDCTFVYB (as someone who has big breasts, i relate to that so hard) 

“Yoga Ambassador. Yoga. Ambassador.” “Ambassadors are for countries, not for streching.” Dang, Nat!!!

She finally realised she loves herself! Awww, that’s so sweet and empowering and I can’t get enough of this!!!! Yes, to love someone else first you should love yourself!

Oh she crashed the car and went back to reality

Another hot doctor???? Wait, I’m confused- No, false alarm, she’s back and her real doctor is tired, is also swimming through lawsuits LMFAO

She pulled her IV and blood SPILLED EVERYWHERE AS IT SHOULD BE, THANK GOD

I’m glad that she’s happy with what she’s got and she didn’t decide to keep what she’s been doing but instead, tried to take care of herself, it’s such a good message to young girls and I cannot praise this enough

PLOT TWIST, DONNY IS ACTUALLY REALLY GAY AND HAS A BOYFRIEND AND IS ALSO A WEED DEALER OH MY FUCKING GOD I LOVE THE TWIST SO MUCH 

Natalie!!! Is!!! Confident!!! Now!!! I’m literally living for this *throws hearts to the screen*

OH MY WIFE IS BACK, HI WHITNEY I LOVE YOU MY SWEET SUMMER WIFE I MISSED YOU

Nat stormed into that meeting and she’s. on. fireeee

Real Blake is as jerk as ever, no surprise

Using parking lots as metaphors would never cross my mind but ok I guess???

Fuck, he said “What does beguiling mean?” I’M LOST FOR WORDS, THIS MOVIE SXDCTFVYGU

JOSH HAS BEEN LOOKING AT NATALIE FOR THE WHOLE TIME, NOT THE SWIMSUIT MODEL, WHO COULD HAVE THOUGHT???

ps. me and probably everyone else except Nat lol

EVERYONE SINGS

THIS IS NOT A DRILL

I REPEAT, EVERYONE SINGS AND IT’S SO GOOD

LIAM PLAYS THE SAX HOLY SHIT HE’S SO HOT I’M GONNA FAINT

Priyanka with that rose.......... Consider me dead, thank you

“It’s hot as fuck” tcfyvgubh probably true

Overall, I would give this movie 7/10 because of the message. Plot is nicely done and I got see basically every single rom-com tropes. At total, I counted 23 tropes I guess? If I could look every minor detail, I would count more but I won’t get into it that much for now. (i’m running late to a meeting with friends so i have to cut short)

I loved the production design, setting felt like I’m in a classic rom-com movie and characters were written accordingly. Every actor in the movie has fit perfect to me. I especially loved Priyanka and Liam because 1) I’ve never seen any of her movies and 2) It’s been a long time since I watched a Liam Hemsworth movie (i only watched hunger games, so you think about it lmao)

I guess that’s about it! I have a list for the next weeks’ movies but if you have a request then tell me so, I will watch your recommendations first! I appreciate comments; if you have something to add, please do. I will read every single one of them.

See you next week!

[cogentranting]

Arrow Season 1 Highlights

As part of my countdown to the season 7 premiere, here are my picks for the best and most memorable parts of season 1. 

Top 5 Episodes

Pilot 1x01 - Few shows have such an exemplary first episode but the pilot remains one of Arrow’s greatest episodes. The action is great, it sets the tone, we get to see the dual sides of Oliver, and there’s emotional moments between him and practically every main character. It also sets up a few great mysteries. 

Damaged 1x05- This episode shows off Oliver intelligence with his grand scheme and the way he manipulates everyone involved. But it also involves a lot of emotional vulnerability- from the flashbacks during his lie detector test, to showing Laurel his scars, to him being tortured for the first time in the flashbacks. It does a lot to establish who Oliver is, even if you can’t completely trust any of it. 

Vertigo 1x12- We get Oliver in peril, Bratva connections, Seth Gabel as the Count, brother/sister moments, Oliver losing control and attacking Diggle... And the ending with Oliver injecting the Count with Vertigo while Quentin tries to stop him, is one of the most morally dubious things Oliver does in season 1. Overall, just a really solid episode. 

The Odyssey 1x14- Slade and Oliver take the forefront and go on their first adventure together. Oliver begins to learn to fight and begins to step up and become a hero in flashbacks.  Felicity joins the team and gets some great heart-to-heart scenes with Diggle, not to mention the iconic moment of her finding Oliver in her car. Plus, once more we have Oliver in peril. 

Sacrifice/Year’s End 1x23/1x09 (I couldn’t pick between the two, especially because I like them for the same reasons)- Great character moments, great action. Tommy’s death is in there. Oliver and Thea bonding while Oliver’s in the hospital. Thea’s weird anti-texting and driving PSA to Roy. Big important fight scenes with Malcolm. Really solid arc episodes, both of them. 

Top 5 Fight Scenes

Oliver v the Kidnappers 1x01- Our introduction to Oliver as a fighter, it shows off his skill, his parkour, and most importantly, his ruthlessness. With no weapons, Oliver kills 5(?) armed men with little trouble, and no hesitation and it clearly establishes just what kind of man we’re dealing with. 

The Hood v the Dark Archer 1x09- Oliver has been essentially unmatched so far. Some opponents are more of a challenge than others, but mostly he’s been able to beat everyone he comes across. And he so. thoroughly. loses. A big, grand defeat. It’s also a very dynamic fight, through the different parts of the abandoned building. 

Slade Wilson vs. Billy Wintergreen 1x14- Not only is it a great fight (it involves Slade, of course it is) It’s one of the first sword fights on the show, and it is important foreshadowing-- Slade kills a former friend because he’s been betrayed. And someone loses an eye. 

Oliver v Mr. Blank 1x20- This one is fun primarily because it’s in Queen Mansion and Oliver is in plain clothes. Its always fun to see the two sides of Oliver mix, and watching Mr. Blank react to that is also interesting. Plus, dramatic lightning, and Oliver improvising weapons, fighting up and down the stairs. It’s a good scene. 

The Hood v Malcolm Merlyn 1x23- Oliver’s final (haha not really) confrontation with his nemesis, who has already beaten him twice before. A nice dramatic rooftop setting. And Oliver winning by stabbing an arrow through his own shoulder to kill Malcolm, is fantastic. 

10 (+ a few) Great Scenes/Moments

Not a top 10 because I’m sure I’ve forgotten some. But 10 that I really like. Plus honorable mentions. 

Nightmare 1x01- Having just returned home, Oliver is sleeping on the floor in front of an open window, dreaming of the Gambit sinking; when Moira tries to wake him, he instinctively flips her to the ground and puts a hand on her throat. This scene sets the stage for just how broken (and how dangerous Oliver has become). It’s dramatic and emotional, and very well portrayed. 

“My coffee shop is in a bad neighborhood”  1x03- The iconic first meeting of Oliver and Felicity. It’s funny, and charming, and so sweet when looking back at how far they’ve come. And without this scene we wouldn’t have Felicity who is such an essential part of the show.

“I killed your daughter” 1x05- The lie detector test that Oliver takes for Quentin. First of all, Oliver is easily able to beat a lie detector, and that’s cool. Secondly, you get to see the unexpected toll that Quentin’s questions have on Oliver, as they trigger ptsd flashbacks and an admission of the guilt he feels over Sara’s death. It’s emotional and vulnerable and well done. 

“I just want it to be quick like yours”  1x06- In flashbacks, Oliver is trapped in a cave and dreams/hallucinates a confrontation with his father. It’s a really pivotal scene because it ends with Oliver trying to kill himself (which doesn’t work because the gun is also a dream/hallucination). It’s heart-wrenching to see Oliver brought so low so early on and it sets the stage for years of self-destructive and at times suicidal behavior to come. 

“I don’t need the bow” 1x12- Diggle cautions Oliver not to go out against the Count’s men because he’s still feeling the effects of Vertigo. When Oliver can’t reliably aim an arrow, Diggle thinks it’s settled until Oliver delivers this iconic line, and then proceeds to go out and beat up all the counts men with his bare hands. A testament to Oliver’s Awesomeness.

“You might have some fight in you after all” 1x13- Slade and Oliver meet for the first time, beginning one of the most important relationships of the series. A pivotal moment, that establishes Slade’s character well, and a key point in defining Oliver’s will to survive, as he (breaks his hand? dislocates something? its not clear) to escape. 

Oliver and McKenna’s first date 1x15- Oliver and McKenna go on their first date. She starts questioning him about the island, triggering ptsd flashbacks and leading to him becoming irritable and offending her. It’s a nice little slice of life moment with an underrated character (I love McKenna) and one of the clearest demonstrations of Oliver’s ptsd. 

“Because you always have” 1x16- Oliver is forced to reveal his secret identity to Tommy in order to save his father. High stakes, emotional, and a great moment in the relationship of these two

“You sentenced me to that island” 1x23- Oliver and Malcolm get a face-to-face confrontation at last and for the first time, Oliver has someone to blame for all that he’s been through up to that point. We get to see Oliver’s anger and betrayal, are introduces to the personal side of this nemesis relationship, and hear Malcolm’s justifications

Oliver kills Fyers 1x23- This is the first time that Oliver actually makes the choice to kill someone. He’s killed before accidentally, and he fired the missiles that destroyed the camp, but didn’t seem fully aware that Shado had reprogrammed them in that way. But this time is a very deliberate choice in order to save Shado and it marks a turning point in Oliver’s life. It’s also his first kill with a bow and arrow. 

Oliver and Moira go to Big Belly Burger (I don’t know what episode)/ Diggle takes Tommy and Oliver to Big Belly Burger 1x03- Season 1 has some great human bonding moments in Big Belly Burger and I miss those. 

Felicity and Diggle talk in the foundry for the first time 1x14- Its a really fascinating look at their beliefs about Oliver’s crusade, and such a different introduction to the mission simply because Oliver is not a part of the conversation. 

“I looked in his eyes. He’s a killer.” 1x04 - Oliver loses control in Iron Heights and Laurel turns against the hood as a result. A side of Oliver that rarely comes through, that part of him that’s fueled by rage and not quite in control. 

Every time Oliver ditches Diggle (and Rob) 1x01-1x04

[sinsins52]

Everything Wrong With Everything Wrong With Teen Titans Go! To The Movies

ORIGINAL VIDEO: https://www.youtube.com/watch?v=bq3g4pJY07Y&t=0s

1.He’s slightly improved in a few ways, but he still has the same terrible intro that begs for likes.

2.He also still refuses to put his sinning intro over the actual title card. So really it’s Everything Wrong With _____

3.”A full minute of intros and I’m not even sure because two of them were for the WB” The 2nd one was for WB Animation, which is no different from all the other major animated films, it ain’t that long of a log sequence until the Marvel joke one.

4.”And already the first joke is them playing off the Marvel Cinematic intro. There’s so many Marvel jokes in this movie one might think they’re a bit bitter because they’re kicking their ass in the movie industry” Marvel is the dominating force in the superhero movie industry, and this movie spoofs a lot of that, so no duh there’s some Marvel jokes. Hell, there’s some potshots at DC, even in the first trailer!

5.”The welcome to Jump City sign is well within the center of the city. I think everyone knows where they are by the time they get that far in” That’s how it works in real though, or in the least my city is like that. And get used to him being pedantic, even by Sin standards..

6.”I don’t think anyone’s accidentally going to Jump City, one of the most riddled with crime places in the world, right next to Gotham or Metropolis” I…don’t get this one. I mean I don’t even know how to explain why you’re wrong I don’t even get your point. That accidentally really throws me off.

7.He sins all the references in this establishing shot, even though they are basically cute Easter eggs that are not sins.

8.”Batman’s not even liked in Gotham yet he has his own building” But maybe Jump City likes him fine. Also, this version of the DC characters is different in tons of ways, so why are you assuming it’s exactly like the other version in this case?

9.”I am upset that this isn’t even a gag character. It’s an actual person who exists in the DC world” That same world also has Kite Man and Condiment King. Just saying, the DC universe is weird and it’s not weird for a spoof movie to acknowledge this.

10.”Before he was crushing buildings with no problems, but now he can squeeze between them without them even building” He was punching at them before to destroy them as they were smaller than him but these two were a bit taller and there was a small space. Do the math.

11.”The safe is comically huge in comparasion to the actual bank” Congrats, you noticed.

12.”This why you can’t bring Starfire to a petting zoo” They were balloons. They pop. Come on.

13.”I get it, they’re supposed to be failed heroes but they’ve done plenty of stuff even in the TTG to be known within their own city” Maybe to the citizens or something, but not to this random villain we’ve never seen in the show before, and maybe he’s not super up to date anyway.

14.”Can’t Wonder Woman still fly in this world? I’m not sure why they gave her the invisible jet other than lol references are funny again”. If I had an invisible jet, I would show it off as much as possible…Maybe not “show” per say…

15.Also, the jet isn’t really a joke so that doesn’t apply here.

16.”Of all the heroes in Jump City, they had to pull out the A squad for Balloon man?” He still a pretty decent threat though, with all the destruction he was doing.

17.”They only make movies about real heroes” “But they’ll sure as hell make a Netflix original about just about anyone” If you’re referring to the Marvel shows, they're about pretty well liked and solid heroes, even Iron Fist isn’t that silly or an idea given their roster.

18.”The titans can afford to make their own movie, they have a private island and own a giant building” You mean like they do make? The one Robin dislikes because it is is so rnky dinky and he wants a serious Hollywood movie?

19.He really over analyzes a background reference to Young Justice.

20.”Further proof that the bat credit card has been canon all along” How does that Utility Belt movie prove this?

21.He shows off a fairly lo0ng clip just to sin another background gag. He likes to run the clips for too long, almost like he wants the video to be longer for extra watch time…

22”Breaking the 4th but yeah, he’s not Deadpool” That would work better if not for the actual Deadpool joke they make later. Oh and this character that character!

23.’I get it, this is a comedy movie-” And that’s when you should have stopped talking. His sin is that Slade being more comedic is “insulting” even though it really isn’t.

(By the way, this scene has them thinking Slade is Deadpool and Slade finds that comparison stupid because there’s plenty of guys with swords like him. The Titans would be amazing at Cinema Sins!)

24.He says he’s removing a sin for the Circe of Life spoof…but he ends up adding one. Whoops.

25.”Batman kills a baby-” In a dream sequence.

26.”This improvised song already has a billboard” A visual gag for a song is a sin I guess. Also, no sin removal for this?!

27.”This might be a bit overboard for a nitpick-” Lol.

28.”Would it have been okay if his dad wasn’t a cop?” No, but that fact does make it a bigger deal.

29.”Stan’s cameos are not subtle but neither are the references in this movie” And yet when they are subtle, you sin them anyway.

30.”Leaving them with the permanent injures” “And huge medical dat making him go right back to that life of crime-” Yes, because if he didn’t have bills, he’d just…give up crime for no reason? Also, I have no idea what he says but it sounds like “Dat” for screw it.

31.”Raven, who didn’t know the time cycles even existed prior to this was able to summon them from an unknown location because that’s how her powers work now” That’s how they’ve always worked but okay.

32.”When I think of rad, I definitely think of terseness are on tricycles” What, you don’t?

33.”What’s up with the 80’s fetishim in this movie? Take on Me, Tricycles-” I don’t think Tricycles are an 80’s thing.

34.”And Batman doesn’t remember the Teen Titans being the ones that pushed his parents into an alleyway to be brutally murdered” Eh, it’s scarring and all but I can buy him not remembering their exact faces and hey, they don’t dwelll on it too much since you’re not supposed to think about the logic in this silly movie too hard.

35.The bit where Cyborg and Beast Boy fal to be saved prompts him to go into this long winded rant on how it’s not possible. And I thought the previous sin was pedantic. This is after he sinned the movie for having bits that go on too long, by the way.

36.The sin counter randomly drops to 42 before going back to 85 in the next sin.

37.”Superman skips leg day, because that’s what happens when you can fly anywhere” …K?

38.”You already have Netflix, so there’s literally no reason for this” This is on a bigger scale and tell that to DC.

39.”Can you guys mainly do this so that Robin can get the movie? Wouldn’t this be the right choice?” I have no idea what you just said.

40.”He would have to keep up this facade all these years to compete these movies” Correct me if I’m wrong but there’s nothing to indicate “Jade Wilson” has been around for years, just that she’s a big director and those can rise fairly quickly sometimes.

(Frankly the real sin is that he didn’t just give the Robin the movie right away so can finish his plot quicker. Seriously, he just made it more complicated for himself)

41.”Slade, instead of using the swords and guns he has, decides to instead blow up an entire town” I think that’s far more efficiency in this case though.

42.”For a plan this is pretty retarded” Ugh.

43.”Added camera shake to make things more intense” Yes, that is why they did that, well done. Also, I hardly even noticed that here.

44.”-And I don’t mean that shitty Netflix original series were Starfire looks like a hooker” It’s not for Netflix and something that way you worded that bugs me.

45.It says Episode Sin Tally.

SINS VIDEO SIN TALLY: 45

SENTENCE: Mind Manipulation

Yep, our old friend Moliminus actually beat SeriesSins to it. I wanted to give SeriesSins time to do his video, but his taking his time so here we are. I will do his sometime in January if all goes well. I think this is the most sins for an off brand video, but that’s only because this video is 27 minutes long for some reason.

Anyway, I want the SinsSin post that goes up closest to Christmas to be a Cinema Sins video, so we’re doing Off Brand sins next week as well. And with it, we go back to a 2000’s animated movie.

[calzona-ga]

Showrunner Krista Vernoff and out trans actor Alex Blue Davis talk with THR about how they'd like the ABC medical drama to advance the storylines for trans characters and actors.

There's a line of dialogue in Thursday's Grey's Anatomy that showrunner Krista Vernoff rewrote more times than she can count. But the impact of the line — from out trans actor Alex Blue Davis (who plays new intern Casey) to his boss, Bailey (Chandra Wilson) — was worth reworking a million times: "I'm a proud trans man, Dr. Bailey. I like for people to get to know me before they find out my medical history."

The moment comes after Casey has just saved Bailey and all of Grey Sloan Memorial from a hacker who, having taken over its computer systems and air conditioning, left several patients in jeopardy and pushed the hospital to the brink of closing. The episode also followed Casey's very personal reveal, having let both his new colleagues and viewers alike get to know him as a person before they learn something deeply personal about him.

"We worked very hard and very closely with Alex and [LGBTQ advocacy group] GLAAD on this storyline," Vernoff tells The Hollywood Reporter. "The scene in which Casey disclosed to Bailey that he was a 'proud trans man' was rewritten more times than anything else — we wanted it exactly right."

Inspired by President Donald Trump's proposed (and since blocked) ban on transgender individuals serving in the armed forces, Vernoff set out to tell a story about a trans veteran. Vernoff then intentionally cast a trans actor for the role of Dr. Casey Parker, one of the long-running medical drama's six new interns for season 14.

"We wanted the audience to get to know this character before they knew his private medical information; we wanted his disclosure to not feel like an 'A-ha!' shock but a genuine unfolding of this character's truth when he felt safe with someone," Vernoff says.

Thursday's episode resolved the hospital's cliffhanger from last year's midseason finale as Casey confides in Bailey that he was arrested for hacking into the DMV's computer system. Bailey is initially stunned as her background check on her new intern didn't catch that very important fact. That's when Casey discloses that there was a mistake on his driver's license that wasn't a typo: his local DMV declined to issue him a new license with his proper gender after he transitioned so he hacked into the system and fixed it himself.

"A lot of people don't understand what you mean when you say 'mistake' on a driver's license — they think it's a typo," Davis tells THR. "It wasn't enough for people to understand what female-to-male is and it's hard to have that changed [on your driver's license] in a lot of states. It's a serious issue."

Davis, whose previous credits included episodes of 2 Broke Girls andNCIS: Los Angeles, says he knew when he was cast that he'd be playing a character with comedic sensibilities that come from a Sandra Oh-like level of directness — who also was transgender. "What's cool about the show, the episode and Krista's vision for this character is he's about way more than being trans," Davis says, noting that he sees Casey's story as unexplored territory on the small screen. "I cried at the table read, it was very moving for me. I've been waiting for a moment like this on TV my whole life. I am so honored I got to say that line on TV because it's a long time coming."

Indeed. Just like Ellen's coming out on her ABC comedy in 1997 proved to be a landmark moment in television and pop culture, transgender characters have become more common on the small screen: Showtime's Shameless features trans actor Elliot Fletcher (who also played trans characters on Faking It and The Fosters) in a romantic storyline with a gay character; Orange Is the New Black star Laverne Cox made history last season as broadcast's first openly trans actress playing a transgender series regular character (on CBS' short-lived Doubt) and multiple trans actors have had roles on Amazon's Transparent. But what Davis and Vernoff hope Grey's can do is advance the types of storytelling featuring trans characters and actors.

"Trans people for years have been represented as punchlines, victims and villains and not as whole people and I was not aware of that until I went through the experience of my friend's son disclosing that he was transgender," Vernoff says.

Those (married) friends were former Grey's Anatomy showrunners Tony Phelan and Joan Rater (whose son helped inspire Cox's character on Doubt) and whom Vernoff remains close with after working with them as far back as season two of the Shondaland medical drama. (Phelan and Rater's son, Tom Phelan, played a trans character on Freeform's GLAAD Award-winning drama The Fosters.)

"When Tom transitioned, I found myself confused, frightened and bewildered by it all because I had never personally known a trans person or understand what it meant for Tom," Vernoff confesses. Rater, Vernoff recalls, at the time sent a lengthy email to friends and family in which she posed questions and answers that they might have about her son. Vernoff was moved by the experience and never forgot the feeling of love and acceptance she saw for Tom from Phelan and Ratner and those around them.

"Realizing that a trans person is like any other person with a journey in this lifetime — they are not victims, villains, weird or wrong; they're none of the things people believe when they support laws like the one that Trump put forward," Vernoff says. "My goal as a storyteller was to help illuminate that experience as an ally. I reached out to GLAAD for help in doing that because I am only an ally and not a member of LGBTQ community. They were more than happy to help."

For the L.A.-born Davis, also a singer-songwriter whose music has been featured on shows including MTV's Pranked, seeing more inclusive storytelling in which trans characters are not sensationalized is a welcome change.

"TV is opening up a greater range of roles [for trans characters]: Laverne played a lawyer on Doubt, and I'm playing a doctor — both roles haven't really been seen before [for trans characters]," Davis says. "People can see trans folks in a new light: these are people who walk among us and are human beings who have lives. They're not defined by being trans." And just like the gay actors playing straight roles debate that has (thankfully) come and gone, Davis and Vernoff hope the next frontier is seeing trans actors playing characters in which their gender is not the central storyline as well as trans actors playing heterosexual characters where their trans-ness also has no impact on the role.

"What's important for me to remember is there are opportunities out there where I don't have to play trans," Davis says. "I'm an actor. I love acting. I do love that I'm also representing a group of people who have been underrepresented, and that's awesome. But being trans is not my identity; I identify as male. There are male roles out there that I want to play. And being an actor who happens to be trans, it'd be awesome if all those roles opened up for me because people see me and how I define myself."

As for what comes next for Casey, Vernoff says the writers have talked about casting a love interest for Davis' character. The showrunner also hopes to reunite with Fletcher, with whom she worked on Shameless, and cast the actor as "just a dude" on Grey's.

"There's so many beautiful stories to tell and representation changes minds and hearts," Vernoff notes of the impact of art on society. She pointed to Grey's creator Shonda Rhimes adding characters like Arizona (Jessica Capshaw) and Callie (Sara Ramirez) at a time when it was still considered a rarity to put gay or bisexual people on TV and having audiences fall in love with them before revealing their sexuality. "When there's bigotry in the world, people can point and say, 'No, I have a friend who is gay and it's someone you know' — and you realize that it's a character you love on TV. That's how we influence people to open minds and hearts."

That's part of the reason Vernoff wants to try and avoid telling a story in which Casey faces any backlash just because of who he is. "One of the things we talked about with GLAAD is wouldn't it be revolutionary to just tell human stories about trans characters? There's a fair amount of hate that's already depicted and hate feeds hate. I just wanted Casey to be a whole person who is an Army veteran, a good doctor and one of the gang — who happens to be trans. I didn't want to do hate," she says.

That's not to say that Casey won't disclose his medical history again in an upcoming episode as Vernoff and the Grey's writers have yet to break the last third of season 14.  

"We talked about how, when and why trans people disclose their private medical history to their community. Casey might disclose out of advocacy, if we had patient who was trans or doctor who was insensitive to patient but I imagine Casey has disclosed to some of the interns," Vernoff notes. "My goal for Casey was to gently disclose his private medical history to Bailey and, by extension, to America and then keep him in our world as the doctor he is becoming. I told GLAAD and Alex that I'm open to continuing to talk and work with them if there are more stories that would be helpful or ways that I can be an ally."

[theblogchelor]

The Bachelor Week Ten aka The Mute, The Flake, and Becca

It’s the finale of The Bachelor, the show that has never heard the parable of The Boy Who Cried Most Dramatic Season Finale Ever. We’re expected to believe that – no really this time – this is the Most Dramatic Season Finale Ever, but if you’ve spent any time on the internet lately, you already know what happens: pretty par-for-the-course drama that shouldn’t rouse more than a “oh, huh.”

Arie’s love journey has boiled down to two women: Becca K, the Minnesota publicist with the hot Stanford football coach ex-boyfriend, and Lauren B, the human person who has said a total of ninety-four things this season.

Here’s What Happened Monday

Last week Arie’s family split an Uber down to Peru with Becca’s ex and now it’s Arie’s parents’ turn to make things weird. They are tasked with getting Lauren to make sentences, preferably not crying-oriented ones. We are reminded that Lauren is terrified of everything, mostly about her love for Arie (which she finds so scary), but also because this is the first time she’s seeing more variations of Arie’s gene pool. Yikes.

Next the family meets Becca, who is overwhelmingly charismatic in comparison to Lauren. At dinner, Arie and Becca argue over who wanted to say I love you first, which Becca decided in ten minutes. As she tells Arie’s mom, “When you know, and the cameras are on and you’re sweaty and disoriented and you haven’t eaten in 28 hours and you really want more Instagram followers, you just know.”

Arie’s family is oddly just as into Lauren as Arie is and they keep trolling Becca by bringing Lauren up to her. At one point Becca snaps and says, “Lauren and I are so different it’s like comparing an apple to a starfish.” Ultimately though the family recommends that Arie go for Becca, final – and only reasonable – answer. 

I Machu Pick-u Lauren

Arie takes Lauren, her crop top, and their collective plethora of denim on a hike to Machu Picchu. Over the next several hours they wander in the rain and say “wow” so times that somewhere in America Owen Wilson is starting to get jealous.

I Might Machu Pick-u Tho Becca Idk Yet

Becca and Arie find llamas, then panic about the future. What a date.

The Rose Ceremony

Arie dons a blueberry suit and waits by a rushing muddy river as Lauren gets dressed and blinks a lot. She arrives and begins her a three-sentence monologue telling Arie how much she loves him, only for Arie to tell her he can’t make it work but still loves her. Lauren responds, “wow.”

Becca’s turn. She finds Arie in the llama field, recites her love speech, and breathlessly accepts when Arie gets down on one knee and proposes. She accepts the final rose too, which is frankly just a formality at this stage in the proceedings.

Immediately afterwards Arie asks, “when are we gonna start having babies?” because he’s wasting no time growing into this dad bod he’s sporting.

There’s Still Another Hour Left

Fast forward to ten minutes after engagement. Arie is already bored of Becca and thinking about that Lauren B booty. And, because this is The Bachelor (although, technically, post-Bachelor), they’re going to televise Arie breaking off his engagement with Becca. Savage.

Seconds after Chris Harrison promises uncut, unedited, raw footage, we get a standard walking scene with added voiceover. But then it’s followed by Arie and Becca sitting together in front of a huge mirror with cameramen carelessly (purposefully) appearing in every shot, making the scene feel all the more staged and claustrophobic – on top of the standard awfulness of the current situation. Arie tells Becca he’s still thinking about that Lauren booty while Becca stares in blank disbelief. It’s over for these lovers, because Arie is shallow and dumb.

Well, the breakup happened and we have another thirty minutes of episode, so we get to watch Becca wander around the house and cry for all of it.

We do see her in the viewing room afterward with Chris Harrison though, sporting resolute anger and a sexy new dark hair color. You know what that is, Blogchelorites? That’s Bachelorette hair.

Miscellaneous

Arie literally wears his track record with commitment and poor decisions with the number of terrible tattoos he has. We should have seen this coming.

Meet you here tomorrow to watch shit go down on stage with Chris Harrison and the people who just dramatically sat in sniffly silence for the last forty minutes.