#Wildman Steve
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W A T C H E D
(Over December 20-21 2023)
#PETEY WHEATSTRAW THE DEVIL'S SON IN LAW (1977)#Rudy Ray Moore#Jimmy Lynch #Leroy Daniels#Ernest Mayhand#Ebony Wright#Wildman Steve#G. Tito Shaw#Ted Clemmons#Sy Richardson#Cliff Roquemore#blaxploitation#comedy#watching
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âThe World is a Little Darker:â Mojo Nixon Dies at 66
- Singer died following a âblazing showâ aboard Outlaw Country Cruise
Mojo Nixon, the brash punkabilly singer who became known as âthe loon in the afternoonâ on his satellite radio programs, has died.
Nixon, 66, succumbed Feb. 7 to a âcardiac eventâ after performing a âblazing showâ aboard the Outlaw Country Cruise, said a statement from the âElvis Is Everywhereâ singerâs camp.
âHow you live is how you should die,â it said. âMojo Nixon was full-tilt, wide-open, rock-hard, root-hog corner on two wheels and on fire. Passing after a blazing show, a raging night, closing the bar, taking no prisoners and a good breakfast with bandmates and friends ⌠is about right and thatâs just how he did it.â
âHeaven help us all,â it concluded.
With occasional gigs such as OCC still part of his itinerary, Nixon had in recent years devoted much of his time to hosting radio shows on SiriusXM, where he was known as âthe Loon in the Afternoon.â
Elizabeth Cook, Nixonâs âpartner in crimeâ on Outlaw Country, eulogized her fellow deejay and musician: âHe was a total maniac, a complete pain in my ass and he will be missed,â she said.
A self-described âcult artistâ who specialized in novelty songs such as âDebbie Gibson is Pregnant with My Two-Headed Love Child,â âDon Henley Must Die,â âBurn Down the Malls,â âJesus at McDonaldâs,â âStuffinâ Marthaâs Muffinâ and others, Nixon once said music âkept me out of prison.â
But for all the irreverent bombast in public, there was another, private side to Nixon, said his friend and collaborator Jello Biafra.
âBeneath all the redneck-wildman veneer, the Mojo I knew was a real gentleman,â the former Dead Kennedy said. âDeep, loving and empathetic as it gets, a true son of Woody Guthrie.â
âThe world is a little darkerâ in the wake of Nixonâs death, said Steve Poltz, who called the âwiseman (and) wiseassâ Nixon âmy buddy, my hero, my teacher, my spiritual advisor (and) my guruâ in a lengthy online remembrance.
âMojo was a fireball and every time I saw him I always felt better,â Poltz said. â⌠My God, I just canât believe heâs passed on.â
2/8/24
#mojo nixon#outlaw country#elizabeth cook#sirius xm#don henley#eagles#debbie gibson#jello biafra#the dead kennedys#elvis presley#steve poltz#woody guthrie
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Reign Of The Dinobots Month! Destiny Of The Dinobots Part One & Two - Credits: Dinosaur consultant/Plot/ Colour Steve White - Plot/Script Steve Alan - Art Andrew Wildman
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Caught in the ship wreck between hope and despair.
July 15th 1993
Shakeyâs Pizza
1963-1993â30 year anniversaryâso said the sign at the McHenery Ave Shakeyâs.
 Itâs where Dan J, SAO and I ate tonight.
Steve was still all decked out in his lawyer dragâŚwhite long sleeved button up shirt and tie. His skin was soft like supple onion skin. His face like fresh spread wet linen. His soulâŚI dunnoâŚwhispering somewhere in the pages of the newspaper before him.
I sat by him. I feltâŚenough!
Dan J and I transplanted a California native tree from backyard to front by the water irrigation pipes at my house.
We watched the movie âCity of Joyâ, a delight.
Recall, this is the day my client removed his chains from his legs and was going to beat me for telling him he could get life for his offenses.
I just stoodâŚmuteâŚcalm. Go ahead. I got work to do.
Wildman was there and later said âpotentially very dangerous, but, everyone remained calm."
Later, I told my client I talk a bit ahead of what I know at times.
City of Joy dialog could fit in Modestoâhuman life is not of easeâŚcaught in the ship wreck between hope and despair.
End of entry
Note:
Dan Johnson, SAO , Bob Wildman and I were all deputy public defenders at the Stanislaus County Public Defenderâs office in July 1993.
City of Joy was a 1992 movie staring Patrick Swayze. He plays a American doctor who went to India deciding he no longer wanted to practice medicine. He gets caught up in class struggle there and joins in the revolt.
I donât recall the client removing his leg chains and threatening to beat me with them. Thatâs the beauty of a journal. It remembers for me. The client had been chained up after being brought to court. Practicing criminal law has inherent risks of being assaulted by your client.Â
#journaling#journal#criminal law practice#defense attorney camaraderie#City of Joy#client threatening attorney#7/15/1993
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Interview: Steve Hunter, guitarist on Lou Reed's 'Rock 'n' Roll Animal' 1973 Live Double Album. Photo:Â Alessandra Tootsie Tulli
Lou Reed & guitarist Dick Wagner â Rock n Roll Animal Tour â 1972
Renowned for his extraordinary guitar tone and for his majestic, soulful, melodic and wildman guitar solos, Dick Wagner (along with his dueling guitar partner, Steve Hunter) has been celebrated in GIBSON.comâs Top 50 Guitar Solos of all Time for âSweet Janeâ on Lou Reedâs, Rock n Roll Animal album. Wagner and Hunter were honored along with guitar legends Jimi Hendrix, Jimmy Page, Eric Clapton, Jeff Beck, and Eddie Van Halen.
#Lou Reed#Sweet Jane#Live 1973#live music loves#retro music loves#1970's music#Intro/Sweet Jane#Spotify#Steve Hunter#lead guitar#Rock 'n' Roll Animal#Dick Wagner
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Scarlett #1 Review
Scarlett #1 Review #GIJoe #scarlett #comics #comicbooks #news #art #info #NCBD #comicbooknews #previews #reviews #IMAGE #Amazon #imagecomics
Writer: Kelly Thompson Artist: Marco Ferrari Colorist: Lee Loughridge Letterer: Rus Wooton Cover Artists: Marco Ferrari & Lee Loughridge; JoĂŤlle Jones; Gleb Melnikov; Steve Epting; Leonardo Romero; Jonboy Meyers; David Mack; Jason Howard & Annalisa Leoni; Jason Howard; Freddie Williams; Laura Braga; Rob Csiki; Deegan Puchkors; Sajah Shah; Andrew Wildman; Junggeun Yoon; Ivan Tao Publisher: ImageâŚ
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#G.I. Joe#Image#image comics#Image Comics reviews#image reviews#Reviews#Scarlett#Scarlett 1#Scarlett 1 Review#Skybound#Skybound Comics Reviews
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Help! Looking for horror comics from diverse voices
I read a bunch of new-to-me horror stuff every October, including short comics and single issues, but hoo boy is it real research to find horror comics that aren't by white (and mostly American) men. I also try to pick out a comic or two from each decade for as far back as I can find them. I'm going through the process now of selecting this year's comics, and while I'm confident I can find diverse voices and backgrounds for the comics I'll read, I'm interested to see if any horror comic fans out there have recommendations.
So if you know horror comics and have recommendations from diverse creators, whether it's people of color, or based on gender, ethnicity, nationality, or any other diverse background, lemme know! There must be a ton of comic creators right here on Tumblr that I'm missing out on. It can be a single issue, a story in an anthology, a web comic, it's all good. Maybe there's a horror Discord I outta join?!
As a bonus, here's the list of horror comics I checked out last year:
âThe Boarâs Head Beastâ by George Wildman, Nicola Cuti, Wayne Howard (1975) âI toyed with forces I couldnât control.â
This has bits of Lovecraft but itâs mostly an adventure story, and that just reminds me that so much of the adventure stuff I loved as a kid is from the action subgenre of horror.
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âIll Bredâ by Charles Burns (1985) âI realized her muscles were getting larger and more defined.â
The story seems to go full tilt into menâs panic about gender and sexuality norms until it pivots into a Twilight Zoneish wink at the audience as the plot resolves to an acceptable state for the normies. Pretty gnarly body horror stuff.
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âDonât Go to the Islandâ by SfĂŠ R. Monster & Kalyna Riis-Phillips (2016) âThe skulls at your feet are laughing at you.â
Itâs been almost all white American men in my horror comics this month, so Iâm pivoting to other creators and eras. Fortunately, the Bones of the Coast anthology has that and also focuses on the Pacific Northwest, undoubtedly my favorite region. Itâs a good pairing with the Jackson story. A moody coastal vibe, the gray sky threatening something that doesnât reveal itself immediately, but instead lingers behind trees and corners, watching and waiting.
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âSome Other Animalâs Meatâ by Emily Carroll (2016) âWhat if inside, itâs somehow the wrong stuff?â
Some inside part is always going to feel like itâs different from yours.
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âGreedâ by Becky Cloonan, Jordie Bellaire, Travis Lanham (2013) âKindly take your place by the dead horse.â
I liked what I read here, but itâs clear itâs not meant to stand alone. Itâs too brief and it feels like weâre (rightly) meant to read this entire book and perhaps the series before getting to this point.
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âGoinâ Southâ by Nancy Collins, David Imhoff, Jeff Butler, Steve Montano, RenĂŠe Witterstaetter, Electric Crayon, Simon Bisley (1995) âHe has his hate to keep him warm.â
People in the 90s really wanted to see these sorts of bouts between characters from different media properties. Thereâs an essay in the comic itself that comments on the fascination. Of course, this just presages our modern era of cinematic media universes. As for this first issue in a trilogy, itâs a decent setup, but not much happens since itâs focused on getting the two characters into the same room by the end of a single comic issue. I think a cross-country trip/spree featuring Jason couldâve been cool if it wasnât so rushed.
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âWinnebago Graveyard #1â by Steve Niles, Stephanie Paitreau, Jordie Bellaire, Jen Bartel, Alison Sampson, Aditya Bidikar, Mingjue Helen Chen, Sarah Horrocks (2017) âWhere are the people?â
Ooh good setup here. Iâll return to finish this series for sure. I hope the big bad they introduce here gets a real powerful comeuppance, though it does feel like a setup for torturing some protagonists. Bonus points for a creepy carnival setting.
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âSeedâ by Fiona Staples, Jose Villarrubia, Michael Dougherty, Todd Casey, Zach Shields, Marc Andreyko (2015) âFor this is not a woman but a demon with no soul to save.â
I remember Trick âr Treat being more jokey with its anthology format, but this was just a straightforward historical horror tale. But I liked the sincerity and will certainly return to this book later.
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âKill Screenâ by Lauren Beukes, Dale Halvorsen, Ryan Kelly, Eva de la Cruz, Clem Robins, Bill Sienkiewicz, Rowena Yow, Shelly Bond (2015) âThis better not end up in a bathtub full of ice with missing kidneys.â
Some of the writing here is cringey, but the character setup is intriguing. Iâll stick with it and finish the series after October.
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âThe Fool of the Webâ by Patricia Breen, Roel, Brenda Feikema (1997) âYour belly quakes with laughter even as I tremble in disgust.â
Sometimes you follow the maiden, and sometimes the maiden follows you.
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âFortune Brokenâ by Sandy King, Leonardo Manco, Marianna Sanzone (2015) âDeath runs from me, you old witch!â
A simple one, and too abrupt in its conclusion. A bit more time at the end and I mightâve been more into it.
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âThe Cemeteryâ by Franco, Abigail Larson, Wes Abbott, Sara Richard (2022) âDonât you just want to get this over with?â
How do we learn to navigate the scary stuff? And why do some of us make it while others donât?
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âThe Speed of Painâ by Jeff Lemire, Andrea Sorrentino, Dave Stewart, Steve Wands, Will Dennis (2018) âI spent the week cursing God.â
Whoa nelly, this first issue is a great setup. Itâs got that urban decay vibe of grungy industrial hellscape movies of the 90s like The Crow, Seven, and Dark City. Iâll definitely be coming back to finish this series.
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âGestationâ by Marguerite Bennett, Jonathan Brandon Sawyer, Doug Garbark, Nic. J. Shaw (2014) âIâll deal with the corpse, my lady-love.â
Itâs very satisfying when men in power are absolutely wrecked by women, so I appreciate the still too-rare opportunity to see it happen. (And you should know that this short comic story was expanded into its own series.)
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âChemical 13!â by Michael Woods & Saskia Gutekunst (2009) âEverything is fine.â
Comeuppance stories about Nazis getting the wrath they deserve donât hit the same anymore, not when they are just still around in daily life.
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âHello, My Name IsâŚâ by Nadia Shammas, Rowan MacColl, Licha Myers, Chris Sanchez (2021) âWorkers have names. Management has power.â
What is a name but a tracking system? The means by which to search and destroy.
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âSea of Soulsâ by Jenna Lynn Wright, Alvaro Feliu, Juan Francisco Mota, Ricardo Osnaya, Erik Lopera Tamayo, Jorge Cortes, Robby Bevaro, Maxflan Araujo, Walter Pereyra, Taylor Esposito (2022) âThis isnât the face I had when we met.â
The feel of a rushed committee affair, but stitched together adequately enough.
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âCrushâ by Janet Hetherington, Ronn Sutton, Becka Kinzie, Zakk Saam (2018) âHis eyes are as wild as the sea.â
Aye, thatâs a Gothic story alright. The foreword by Jacques Nodell that introduces the anthology was actually a really good breakdown of the Gothic literature genre and its trappings. The ending is pretty gruesome but then I think thatâs also a tendency in the scary Gothic romances.
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âThe End of All Thingsâ by Natalie Leif & Elaine Well (2014) âIâll look at the lines myself.â
I wasnât quite sure of the message here, and itâs probably a sign of a good story that I found it very compelling but wanted more. The ending evokes a sense of inevitable collapse beneath the weight of the world, that we are all inextricably linked to an entity we cannot escape.
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âSwamp Monsterâ by Basil Wolverton (1953) âYou stare in unbelief at what used to be normal hands!â
Thereâs something appealing about these old, simple morality horror tales. I suppose itâs knowing that someoneâs getting a comeuppance, or a rude awakening. So reading these is about knowing theyâre gonna get it and enjoying the twisted revelation.
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âThe Portrait of Sal Pullmanâ by Lonnie Nadler & Abby Howard (2019) âYou fools, do you not see what this truly is?"Â
Abby Howard is the ruler of the kingdom of creepy illustrated faces. Er, maybe the architect. The wizard behind the curtain? Oh, the god, the god.
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âO Whistle, and Iâll Come to You, My Ladâ by M.R. James & Abby Howard (2019) âIf you see any more spooks or beasties, please do let me know."Â
I often fantasize about illustrating text stories if I had the skill, just to visualize whatâs in the brain. Itâs cool to see Howard taking that on with one of these old timey and appropriately spooky stories.
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âRainbow Sprinklesâ by W. Maxwell Prince, Chris OâHalloran, MartĂn Morazzo, Nimit Malavia (2018) âArizona like in the movies of our dreamsâ
My first reaction was this isnât horror (particularly after a more straightforward horror story in the first issue), but I think this is going to happen many times throughout the month. Iâve made the effort to seek out a more expansive range of voices and backgrounds in my horror selections and itâs going to require a broader acceptance of horror as a genre and medium for storytellers. All that said, this second issue of Ice Cream Man is more tragic and real, and horror fiction is, after all, a reflection of the horrors we face as real people.
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âMirror, Mirror, on the Wall!â by Jack Davis, et al. (1953) âWhy do they scream when they see you?â
First-person perspective in a comic must have been a fresh thing in the fifties, and if youâre going to do it, then you may as well pull from a classic like Frankenstein. I also recognize this sort of amnesiac monster thing from many stories since â53, in particular the disturbing âHis Silicon Soulâ from Batman The Animated Series.
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âThe Harvestâ by Shannon Campbell & Pam Wishbow (2016) âJust think of blackberry jam."Â
Oh fuck yeah, that autumnal folk horror. Much of this sort of thing comes out of places with traditional seasons but I love that this anthology is all about horror from the Pacific Northwest, so here you can feel the gray gloom and green hells of those thickly forested areas. This particular story also gets into the insidious and unknowable machinations of plants. Who knows what theyâre thinkingâŚ
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âIn Each and Every Packageâ by Reed Crandall, et al. (1954) âI kept thinking of you and that gave me the strength.â
This came up in a list of noteworthy horror comics from the mid-century due to this gnarly cover that got held up as an example of the questionable artistic merits of this sort of stuff at the time. I also doubted the horror qualities of this series since the title itself says itâs crime fiction, but I gave it a shot. Itâs crime fiction for sure and I donât think Iâll read other Crime SuspenStories, but it definitely feels like something Iâd see on Tales from the Crypt.
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âRoots in Hellâ by Richard Corben (2016) âHave some of this mango. Itâs delicious!â
Kind of an abrupt ending but I dig the conceit.
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âMars Is Heaven!â by Ray Bradbury, Wally Wood, et al. (1953) âAnd Lustig began to cry."Â
Looks like this story hit pretty hard in the fifties, but then the Godliness and paranoia of the nation was more potent then. Now it comes across as quaint.
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âSave the Last Dance for Me!â by Dennis O'Neil & Pat Boyette (1969) âTin Toes makes the decisions around here!â
So many horror comics of this time are just peeks into the Ironic Punishment Division in hell.
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âInfectedâ by Bruce Jones, Richard Corben, Steve Oliff (1982) âYou drag a shaking claw across your mouth and wipe away the sour smelling bile.â
Whoof. The casual racism is real bad in this one, even if itâs portrayed just to show the shitty attitude and personality of the protagonist. It feels more like some white guys riding the wave of edgy work like Heavy Metal to paint a portrait of âthose peopleâ and a cautionary story about getting involved with âthem.â
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[Image missing because Tumblr has a limit of 30, but here it is.]
âUnpleasant Side Effectsâ by Kerry Gammill, Sam F. Park, Mar Omega (2010) âAfter Iâve recorded my findings, Iâll take care of this⌠thing.â
I liked seeing a modern take on the EC Comics comeuppance formula, and in particular an ending where the victims sorta get their due.
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What Is a Weed?
The names we call plants say more about us than they do about the greenery that surrounds us.
â By Rivka Galchen | May 26th, 2023
Illustration by Karlotta Freier
Steve Brillâs first stop was the greenery behind the bike racks. Brill, who is known as Wildman Steve, picked up a weed with heart-shaped seed pods and a small, four-petalled white flower. About thirty of us were gathered for a three-hour foraging tour through Prospect Park, in Brooklyn. The plant was shepherdâs purse, a name that references the seed podsâ resemblance to the containers shepherds used to make from the bladders of sheep. âItâs in the mustard family,â Brill said. âMost all of the flowers in the mustard family are four petals in the shape of a cross.â He encouraged everyone to take a bite, and to tell him what vegetable it tasted like. Someone asked whether we should worry about pesticides. âDonât worry, they donât have the money for pesticides,â Brill responded. âAnd, anyhow, theyâre pretty good at Prospect Park. In Central Parkâdonât eat anything there.â He was exaggerating; heâs been doing foraging tours off and on in Central Park for some forty years, and was once even arrested there, for eating plants, after which he was brought on David Lettermanâs show to make a foraged salad.
The weed tasted like carrot? Like okra? Like broccoli, almost precisely. âShepherdâs purse is one of the more mild species in the mustard family,â Brill said, and then plucked what looked to me like a dandelion but wasnât. âHereâs something spicier,â he said. It was another member of the mustard family, called poor manâs pepper. He drew our attention to the serrated leaves. Like shepherdâs purse, poor manâs pepper is an invasive weed, one that came from Europe. âI picked a lot of this in the Rockaways this morning,â he said. He planned to make âpoor manâs potatoesââpotatoes (bland) with lots of poor manâs pepper (spicy). The common name dates back to when spices were a luxury import. Besides being tasty, spicy foods are also often a preservative and an antibacterial.
We walked deeper into Prospect Park. In a shady spot, Brill asked everyone to pause again. There was a sweet fragrance. It was the smell of . . . jasmine? Vanilla? âThatâs the scent of the black locust tree in bloom,â he stated. But we couldnât see one. Black locust is considered an invasive species in the Northeastâa big weed, one might sayâbut it also has flowers that taste good in salads or mixed into pancakes. âThere must be one nearby,â he insisted. Someone pointed to a tree with white blooms in the distance. âThatâs a dogwood,â Brill said, with a mischievous smile. âYou can always recognize dogwood by its bark.â
Another weed eddied us out into history. âThis one is delicious and deadly,â Brill explained, holding up an innocent-looking broad-leaved plant, called pokeweed. Itâs a plant native to North America. Its poison is water-soluble, and itâs also a tremendous source of Vitamin A, which was once difficult to come by in the fall and winter. It used to be serially boiledâthe poison leaches outâand then used as a treatment by Native and not-Native Americans, when the characteristic signs of Vitamin A deficiency, such as skin irritations, infections, and night blindness, would turn up.
Someone brought over a green. âOh, thatâs white snakeroot, also very poisonous,â Brill said. âAlso a native plant.â When cows used to be sent to graze in the forest, they sometimes developed what was called milk sickness. The cows might live, but humans who drank their milk often didnât. Abraham Lincolnâs mother died of milk sickness, and whole communities of settlers would move when there was an outbreak. They didnât know what caused it. The nineteenth-century physician Anna Pierce Hobbs Bixby noticed that it was seasonal, and so deduced that it must be from something the cows were eating. In Illinois, she became friends with a Shawnee medicine womanâwe know her only as Pierce did, by the name Aunt Shawnee. Aunt Shawnee had remained behind after her tribe was forced out West; she taught Pierce that the responsible weed was the one with the clusters of small, tender, white flowers. Pierce tested the theory by feeding the flowers to a young calfâwhich developed symptoms of milk sickness. âDo you think people believed her?â Brill asked. âNo, of course not. They said it was fake news, and it was decades before her work was accepted.â
One way to think of weeds is as a plant in a place where it isnât wanted. Ralph Waldo Emerson described weeds as plants âwhose virtues have not yet been discovered,â and even the usually less exuberant Henry David Thoreau wrote, âShall I not rejoice also at the abundance of the weeds whose seeds are the granary of the birds?â Weeds can also be thought of as taking up the sun and nutrients that other plantsâand the insects, birds, and humans that rely on those plantsâneed. Weeds can be undervalued; weeds can be bullies.
In âLives of Weeds: Opportunism, Resistance, Folly,â from 2021, the scientist John Cardina charts the trajectory of certain plants like figures in a Shakespearean play, as they shift from being perceived as nobodies, then as heroically medicinal or nutritious plants, then as villainous weeds, and maybe back and forth again a few times. Or perhaps the closer resonance is to the âLives of Saints,â with the plants sometimes coercing whole new geographies into spaces devoted to their propagation while nourishing the locals, or saving the soil, or ruining other crops, or doing all these things. Weeds make for fine portraits of ambiguity. Cardina told me, âI try to make a distinction between plants that are invasive in a natural area versus plants that show up and disturb agriculture.â
âLives of Weedsâ is organized around eight plants: dandelion, Florida beggarweed, velvetleaf, nutsedge, mareâs tail, pigweed, ragweed, and foxtail. Consider the story of velvetleaf, a remarkably resilient plant with silky fibres. In the nineteenth century, velvetleaf was called American jute, and it was the hope of the maritime industry in the United States, as it was used to make rope, a key element of national defense. But that hope didnât pan out; these days, the velvetleafâs exceptional ability to grow in disturbed soil has made it a weed, plaguing soybean crops. Velvetleaf and soybeans both evolved, originally, in similar ecologies in China. When the Second World War increased demand for domestic sources of oils and fats, soybeans were cultivated, and velvetleaf followed. Herbicides that were developed to knock out velvetleaf led to stronger, herbicide-tolerant varieties; today, itâs among the most troublesome weeds in agriculture, often surviving what farmers sometimes call spray and pray. Cardina ends his chapter on velvetleaf by describing how its ancient seeds were found in a jar, dating to the Neolithic period. The careful collection of the seeds suggests that it must have been a valuable crop.
In conversation, Cardina said, âA peculiar irony is that the methods we have for controlling weeds are more sophisticated and better than ever in a thousand years of agricultureâbut the weeds that have survived are more difficult.â Cardina grew up in rural Ohio, served in the Peace Corps, received a Ph.D. in horticulture and crop science, and worked for a time for the United States Department of Agriculture; he has witnessed many shifts in thinking about weeds. He said that once herbicide-resistant weeds began to dominate, âthe response was: keep developing the technology.â He sees weeds in agriculture as âa human problem more than a weed problem. We donât have to have farms get bigger and bigger with fewer and fewer people looking at the landscape and managing the land. Itâs more of a social thing than a technological thing.â
One story in the book follows the arc of beggarweed, a member of the legumes family. Cardina describes the weed in the way that a philosophical sheriff might narrate conflicts with an outlaw whom he respects. Early in his career, when employed as a research agronomist for the U.S.D.A., Cardina was working in Georgia, where beggarweed was taking over fields of peanuts. (It was also infesting fields of corn, cotton, and soybeans, but the peanuts were having the hardest time.) A local farmer explained to him that beggarweed had been popping up in peanut fields for years, but it hadnât been so great a problem until recently.
In the late nineteenth century, beggarweed had been considered a superior forage crop. A letter to the editor in the Southern Cultivator described it as producing âthe most delicious hay, thousands of pounds per acre,â with a yield so great that âthere never need be another poor milk-cow from the sea-board to the blue ridge.â Beggarweed thrived where other forage crops didnât, and it didnât need reseeding. Then, after the nineteen-twenties, as tractors replaced horses and mules on farms, less forage crop was required. At that point, beggarweed might have become a merely ordinary weed. It is a self-pollinator, and therefore has relatively limited capacity for the kind of genetic variationâand rapid adaptabilityâthat often characterizes plants that take over.
But beggarweed benefitted from the wondrous development of herbicides. By the mid-twentieth century, herbicides were becoming more refined, and better at selectively killing. Some herbicides killed grasses but not broad-leaved plants; some killed small-seeded plants but not large-seeded ones. Beggarweed had long been travelling with peanut plants; though they look very different, beggarweed and peanut plants have similar metabolisms. When herbicides started knocking out the grasses and broad-leaved weeds that were pestering the peanut crops, the beggarweed suddenly had a lot less competition.
In 1986, when the billion-dollar American peanut industry had come to rely on an herbicide called Dinoseb for its management of beggarweed, Dinoseb was suddenly made illegal. (It was found to increase the risk of both birth defects in female field workers and sterility in men.) Cardina started getting calls. âPeanut farmers, peanut-butter manufacturers, peanut sales reps, peanut haulers, peanut dryers . . . peanut marketers, peanut-market speculators . . . were irate and bewildered,â he wrote.
What a weed is, and which weeds play the roles of villains, is ever-shifting. Cardina mentioned a species of bedstraw that has recently become a problem in Canada. In North Dakota, flea beetles have been introduced because they feed on leafy spurge, which the nonprofit Weed Science Society of America describes as âa noxious weed that infests more than 800,000 acres of the state.â
I asked Cardina what he thought of the weeds that tend to turn up in abandoned lots and other spaces in cities. âWeedy plants are adapted to disturbance,â he said. âAnd thank God theyâre thereâthey cover the soil, they start capturing carbon, they decompose and add organic matter to the soil.â But, he added, those urban-lot greens could include poison ivy, or oriental bittersweet, a vine that burdens trees.
In Iceland, Alaskan lupine, an invasive species, covers many fieldsâand itâs very pretty. Weeds are sometimes seen as a symbol of strength and resilience. In Tanzania, beggarweed goes by a term Cardina says is translated roughly as âspirit plant,â a name that honors its tendency to show up in the most unexpected of places. In Montreal, the greenery that sometimes grows out of sewer grates is called tree-of-heaven. Cardina feels that humans, like many weeds, have great plasticity, and, when he tries to locate a feeling of hope, it is in oneâs ability to change and adapt.
Cardina closes his book with an essay on giant foxtail, which âbecame a major weed only because of remarkable chemical innovations, industrial expansion, a cheap food policy, Cold War rivalry, and confidence in unlimited resource availability.â For a time, he was trying to predict when foxtail would emergeâto offer a âfoxtail forecastâ so that farmers could use less herbicide, at more wisely determined times, to control it. He did elaborate work trying to understand the weedâs germination, but farmers didnât feel comfortable risking a new approach to weed control.
Then he had another idea. He spoke to an entomologist friend who had a profound sense of the sequence of natural phenomena, like noticing that âbronze birch borer adults start to emerge just as black locust begins to bloom; egg hatch of pine needle scale coincides with full bloom of common lilac.â Cardina and his friend gathered data to predict foxtail-seedling emergence according to the biological calendar, noting that the appearance of the first red-chokeberry flowers was when foxtails would emerge. Hardly anybody paid attention to his efforts.
When Cardina was studying foxtail, he also paid attention to farms run by the Amish, where little to no pesticides are used, weed management is done with mechanical cultivators, weeds are more diverse, and the crops are rotated on a four-year cycle. He isnât particularly romantic about the Amish farming practices; instead, heâs a weed scientist who sees poetry in the way that foxtails use the oscillation of oxygen concentration in the soil as part of a mechanism that determines when to sprout. âThereâs no moral or ethical difference among foxtails or other mixes of weeds that Iâm aware of,â he writes, but notes that, for the Amish, weeds are a nuisance and not an existential threat. Itâs a strong modelâthe crops, the weeds, and the humans he calls âfoxtailâs co-evolutionary partners.â âŚ
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Thank you for answering my ask! đ
FIRST OF ALL!!! Uncas/ Alice from Last of the Mohicans movie YES!!!! 100% YES!!!!! đđđ
Ok, back to business đ
I do not know any of the foreing TV shows you mentioned đ
All the shows I consume are actually foreing, because my country is quite small and I do not really like any shows they produce đ
But if we talk about Western/USA made shows, here are some of my ships (I will use your list as a guide đ, canon and not canon pairings by the way, most of them are not canon to be honest đ¤Ł): Marvel: Bucky/Darcy (I do not even know if they actually meet in canon 𤣠Top 10 ships) Steve/Natasha Meredith Quill/Yondu Udonta Madisynn King/Wong (She-Hulk TV)
The Expanse (TV): Amos Burton/Praxidike Meng
Punisher (Netflix): Frank Castle/Karen Page
The Martian (movie): Mindy Park/Mark Watney
Alien (Covenant): Daniels/Walter (do I need to move this ship down to problematic? đ¤)
Pride and Prejudice: Mary Bennet/Original Male Character (I just love to read about Mary and how she goes through life and maybe finds love)
Hobbit (Movies): FĂli/Sigrid (.... problematic age gap category? đ¤ Top 10 ships) KĂŹli/Tauriel (.... same problem as above? đ¤)
Gosford Park (movie): Mary MacEaachran/Robert Parks
Fargo (TV): Nikki Swango/Mr. Wrench
The Bear (TV): Sydney/Carmen (Like one of my top 10 ships!)
T U A (TV): Five/Lila (that's how we know each other đ, Top 10 ships!)
Game of Thrones (TV and books): Brienne/Jaime Shireen Baratheon/Rickon Stark (they did not die! both are alive and well and when they are adults they will marry and live a happy life until both of them die together in their sleep of old age! YES I still have feelings about them, very strong ones! FUCK the TV show!!!! đ¤Źđ¤Źđ¤Źđ¤Ź)
The Gentlemen (movie): Coach/Raymond Smith
Bridgerton (I only watched season 1!): Anthony/Penelope
Star Wars: Rey/Kylo Ren (Rise of Skywalker does not exist, Rey is still a nobody, fuck the whole story line that only special people/born of a special line of yedi/sith can be powerful! Fuck that storyline!! đ¤Źđ¤Źđ¤Źđ¤Ź)
Pitch (TV): Ginny/Mike
Karppi (Deadwind -TV): Sofia Karppi/Sakari Nurmi (Top 10 ships)
Elona (Netflix Movies): Edith Grayston/Sherlock Holmes
Top Gun (movie): Robert "Bob" Floyd/Natasha "Phoenix" Trace (Bob is such a supportive co-pilot đđđ)
The Marvelous Mrs. Maisel: Midge/Lenny
Star Trek Voyager: Icheb/Naomi Wildman Icheb/Q Junior (... problematic age gap?đ¤)
Good Omen: Beelzebub/Gabriel Eric (Disposable Demon)/Muriel
Debris (TV): Bryan Beneventi/Finola Jones (Top 10 ships)
Willow (TV): Elora Danan/Graydon Hastur (Top 10 ships)
So to the more problematic pairings, because their canon power dynamics are kinda fucked up:
American Gods (TV): Laura Moon/Mad Sweeny (Top 10 ships)
Sicario: Alejandro Gillick/Kate Macer
Mad Max Fury Road: Slit/Toast the Knowing (do not know why I ship them, I just do. Found some great ffs and now they are my ship in the fandom đ¤ˇââď¸đ¤ˇââď¸đ¤ˇââď¸)
Good Girls (TV): Beth/Rio Eddie/Annie
Harry Potter: Hermione/Draco
Wednesday (TV): Wednesday Addams/Tyler Galpin
Knives out: Marta Cabrera/Ransom Drysdale
Succession (TV): Lukas Matsson/Shiobhan "Shiv" Roy (I found one extremly good ff and that sparked this pairing for me! And let's acknowledge that both of them are terrible, terrible people, just ... so terrible đ¤)
The problematic ones with age gap (so people can shit on my taste đ
):
New Year's Eve (movie): Ingrid [o]/Paul [y] (I just like their dynamics, what can I say đ
)
Firefly (TV): Jayne Cobb [o]/River Tam [y] (It is always a plus if the younger female character could kill her partner without even getting sweaty, and I do mean literally kill him đ) River is such a great character, I love her a lot đ
The Walking Dead: Daryl [o]/Beth [y] (again, I just like their dynamics, what can I say đ
They made each other better people, I like that a lot in a pairing. )
Split/Glass (movie): You thought your pairing was problematic đ
Mine is, besides Casey[y]/Kevin[o], Casey[y]/Dennis [o] đ
Mare of Easttown (TV): Mare [o]/Colin [y]
Euphoria: ADULT!!!!! (so we do not misunderstand each other!)-Ashtray [y]/ADULT!!!!!Cassie Howard [o] (nobody dies, everybody get's be a an adult and have an adult relationship that is not abusive, looking at you Nate! That MF! đ¤Źđ¤Źđ¤Ź)
Game of Thrones (TV): ADULT!!!/QUEEN OF THE NORTH!!!-Sansa Stark/Sandor Clegane (HELLO, HELLO!!! đ¨đ¨đ¨đ¨ADULT SANSA!!!! Let it be known!!! ADULT-SANSA!!!! Top 10 ships!)
Extra category of "problematic"??? Fallout (TV): Cooper Howard[o+ghoul]/Lucy MacLean [y] (because age gap and ghoul?!?! đ¤ˇââď¸đ¤ˇââď¸đ¤ˇââď¸đ¤ˇââď¸, Top 10 ships!đ¤Ł)
So this list ends here đ Definitly not complete BUT very, very long 𤣠I do not know if you find any other pairing you would like on my list. But maybe one or two đ
đđđ
Hi, so you do not have to publish your respond or answer at all đ But beside Five x Lila and Brienne x Jaime what other pairings do you ship? Much love đ
Hi! đđť
I donât mind answering- the main thing I use tumblr for is appreciating and talking about ships that I love so itâs not an issue to answer this by any means :)
I havenât watched a ton of new shows lately, mostly rewatching older favorites or watching new-to-me-but-not-new-this-year foreign tv shows. But I will put a few below (I liked the main couple in the foreign shows) and some of my older ships after that! đ
Foreign TV shows (I donât often find a lot of fanfic/ fan art for foreign TV shows comparatively but I loved these series):
-Love Between Fairy and Devil (cdrama)
-The Manny (Mexican TV show)
-Hidden Love (cdrama)
-Strong Woman Do Bong Soon (kdrama)
-Ever Night (cdrama)
-Love, Now (Taiwan drama)
-Tale of the Nine-Tailed (kdrama)
-Happiness (kdrama)
-Mischievous Kiss (jdrama)
-Boys Over Flowers (kdrama, but I like Ji Hoo/ Jan Di instead of the main couple of Joon Pyo/ Jan Di)
And several others, but those are the ones I remember at the moment.
Main ships from American and/ or western shows and movies (though I probably like others from the same franchise too):
-Marvel: Steve/ Peggy and Clint/ Natasha are my main ships. I really enjoy Bucky/ Sam too, but I havenât ventured to them quite as much.
-Barney/ Robin from How I Met Your Mother
-Penelope and Colin from Bridgerton. Really liked Kate/ Anthony too.
-Carol/Daryl from The Walking Dead followed by Rick/ Michonne (admittedly I slowly lost interest in the series after Glenn died, & I think I mainly stopped watching after Carl died. But I love the ship still)
-Tony/ Ziva from NCIS
-Deeks/ Kensi from NCIS LA
-Rollins/ Carisi from SVU followed by Benson/ Barbara. (All 3 of which, NCIS/ NCIS LA/ SVU, I didnât finish or donât really keep up with regularly)
-Harry/ Hermione from Harry Potter
-Penny/ Sheldon from The Big Bang Theory (I probably stopped watching regularly after season 5 though)
-Chloe/ Oliver from Smallville
-Enola/ Tewksbury from Enola Holmes TV show
-Uncas/ Alice from Last of the Mohicans movie
-Casey/ Kevin from Split & Glass (theyâre one of my more problematic ships, TBH)
Cartoons/ Anime/ Comics:
-Starfire/ Robin from 2003 Teen Titans cartoon & the 1980s comics & live action tv show, also known as Dick/ Kory followed by Beast Boy/ Raven (or Garfield/ Rachel)
-Bruce/ Selina (pretty much any Batman universe Iâve seen)
-Naruto/ Hinata from Naruto. Shikamaru and Temari are a secondary fav for me.
-Ichigo/Orihime from Bleach. I also like Renji/ Rukia.
-Toph/ Zuko from Avatar the Last Airbender, but I prefer them as a post-original series couple. Sheâs too young for me to want them together during the show. Katara/ Aang.
Pretty much any of the studio Ghibli main characters, though there are still a few films I need to seeâŚ
Honorable mention to Lily/ Sebastian in the Love, Lies, & Hocus Pocus book series Iâm currently readingâŚ
Thereâs probably a ton of other ones (certainly there are more shows/ movies I love that I donât necessarily have a ship for or that I just didnât have a ship I went to fanfic for) but these were the ships I most remember from growing up and/or from reading fanfic/ fan art in the last 10 years or soâŚ
What about you? What are some of your ships? I donât suppose we have any other overlapping ships or shows, do we?
And much love right back at you! đŠľ
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Heavy hitter line up of dirty comedians
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# 3,342
Dealers Choice label: vinyl label (1978, 1979)
Obligatory gambling post and itâs been a long time. Dealers Choice was Miamiâs independent soul-funk label whose label aesthetic (obviously) is a spades card. Calvin Arnold, Eddie Holloway, Michelle Lamb, and Sherman Hunter's vinyl singles receive the spades card vinyl labels. That was until the turn of the decade when the label only released Wildman Steve comedy records.
#omega#music#mixtapes#reviews#playlists#Dealers Choice#Miama#soul#funk#vinyl#Wildman Steve#spades#poker#gambling#cards#Calvin Arnold#Eddie Holloway#Michelle Lamb#Sherman Hunter
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Reign Of The Dinobots Month! Destiny Of The Dinobots Part Six - Credits: Dinosaur consultant/Plot/ Colour Steve White - Plot/Script Steve Alan - Art Andrew Wildman
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I would kill to be able to attend a ships & dip cruise
#been watching BNL concert footage....#ships and dip my beloved#itâs literally the greatest band of all time goofing off ON A BOAT that is perfection#especially when steve had that wildman hair and beard going on#that was even more laid back chaos vibes#ughhhhhhhhh why did I have to be born so late I was a KID when they were doing those
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Fan Faiv
Two of the most boring wines Iâve ever hadâI brought the Myglands, the house had the whiteâsame vintageâand expectations abounded. The Aligote not surprisingâmy mind is just filled with WHY when I see these things. Why. Of all the great inexpensive white wines out there, why drink Aligote? Verdejo. Viognier. Fiano. Sancerre. Pinot Gris. And the looming elephant in the room is of course PetitâŚ
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#1er cru#Aligote#Burgundy#Chablis#Clos des Myglands#Domaine Faiveley#France#Fredrick Wildman Imports#Joseph Faiveley#Maison Faiveley#Mercurey#Monopole Pinot Noir#Pinot Noir#Stephen McConnell Wine Blog#Steve McConnell Wine Blog#wine1percent
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