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yeyinde · 2 months

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STRAW HOUSE, STRAW DOG

Baby Trap + Soap x Fem!Reader : or, Johnny finds a wife in the woods and decides to take her home.

18+ | DEAD DOVE, DO NOT EAT: noncon, kidnapping, breeding/baby trapping. somnophilia. implied stalking. obsessive behaviour. forced reliance/dependency. non-con drug use (implied). vulnerable character (injured reader) being preyed upon by an opportunistic scavenger.

Somehow, getting hurt in the remote wilderness of Nahanni National Park without any immediate rescue is the least of your worries when a rugged man shows up and claims he's going to help. Out here, you've been told your biggest fear should be bears, steep canyons, and a swift death with fangs and claws.

But maybe you should have been more concerned about strange men with crowlike smiles and blistering eyes.

ADDITIONAL TAGS: descriptions of injury. implied head trauma. bearded Soap. smut. this is my love letter to NWT and a what not to do in a national park.

BABY TRAP MASTER LIST | AO3 LINK

It happens in an instant.

The trek up the fjord narrows suddenly. Chossy growing slick from rainfall the night prior. You pace yourself, stepping carefully on the wobbling slate, testing its resilience before you take another step. Climbing higher. Higher.

There's a storm brewing in the distance. Its burgeoning pace grows rapidly, nipping at your heels as cool winds whistle through the steep valley below.

The park wardens at the visitors centre warned you about it when you set out into the rugged wilderness of Nahanni this morning. Brows pinched, wary, when you'd come to them—all alone—and signed your name on the barren ledger collecting dust on the counter. A fact that drew your attention when you flipped through the empty pages.

Don't get too many visitors around here, the man murmured, eyes cresting in apprehension at your question. Not the most isolated or remote, no. That's probably higher up. Quttinirpaaq, maybe? Heard from some buddies up there that they had no visitors last year. We do pretty well. About one thousand a year? Usually filmmakers and the like. Adventurous types. Gets kinda lonely up here. Ain't no Banff, that's for sure.

They added that the weather was unpredictable this time of year. All year, really. Nahanni is known for sudden swells and white-outs, for weather that can turn in an instant, going from calm to cataclysmic within seconds.

(“Storms,” the man huffs, and you think the sigh was meant to be a laugh. One that falls flat when he takes in your hiking boots (too big, but the sales lady at the sporting goods warehouse assured you it was fine, that you would grow into them), and your cheap Lululemon knock-off tights. Your flimsy rucksack. The tinge of green around your ears; the stench of an overeager novice. “And, uh, it’s urban legends.”)

Valley of the Headless Men, he intones, squinting up at you when you ask about them. Adding: be careful out there when you turn to leave.

Dauntless, you still set out into the park, determined to at least make it to your campground before it set in. But the majesty surrounding you on all sides distracted you from your pace. Eyes caught on the Xanadu of an untempered wilderness slowing your trek to a crawl as you took in the steep, rolling batholiths reaching high into the aether, their sides sloping down in a dizzying, vertiginous drop to a lush valley below of scheele’s green below. It all looked so perfectly symmetrical from the high point in the valley where you stood, breathing in the scents that perfumed the air. With the rugged mountains cupped around a winding white line where the river sawed through.

A lone moose grazed at the bottom of a rolling fell. The sight of her stopping you in your tracks long enough that the plume of darkened clouds—all a terrifying burnt sage—had time to catch up to you, crackling overhead as thunder rumbled through the canyons.

Your campground is at the top of this ravine. Three nights spent inside a cabin with nothing but yourself and several paperbacks for company. Into the Wild amongst them—a morbid parting gift from a friend on what not to do—and its inspirational predecessor, On the Road.

You won't read it. You never do. But it sits, a humourous paperweight, in your rucksack as you clamber up the ravine. An anchoring comfort. A piece of home. Something that reminds you you're not completely alone even though you are.

The book, your friends, and the encroaching loneliness that you feel prickling behind your eyes, all weigh on your mind. Spooling out before you in loose, loop threads. You follow them eagerly, glad for something to abate the unnatural silence, and—

A sound.

It comes from the left, hidden in the thick tangle of furze. A click. It shatters through the eerie quiet of the sprawling boscage. An animal, maybe. Hopefully.

It must be, you think, heart hammering thunderously in your chest. There's a sinking feeling in the pit of your stomach. You hold your breath. Eyes glued on the thatch of green shrubs lining the base of the dense forest.

Nothing happens. You blink, shifting on your feet—

A red line pierces through the gap between the leaves, aimed straight at your ankle. It's thin, diaphanous. Slips over the scraggy rock like liquid.

It's so out of place here that it takes you a second to familiarise yourself with its unexpected presence. A laser—

An explosive boom fills the ravine the moment the thought connects. A rifle. Aimed right at you. It happens fast. The world turning over itself, spinning right off its axis. You fall against the ledge in a crumpled, heavy heap, legs so close to dangling off the precipice.

Gravity is a choking weight on your sternum, pushing you down, down, toward the jagged, rocky shoreline. A fall like that—

You curl into yourself instinctively.

“Ah, shite—” is all you hear amid the roar in your ears. “Y’alright? ah didnae see ye thare—”

In your tear-stained periphery, a man appears. He stands into the glare of the waning sun, limned in a halo of gold. There's a pinch between his dark, thick brows. A steep ravine. He's ragged. Wild. Tuffs of black hair hang loose past his ears and nape, curling slightly at the ends. It blends, almost seamlessly, into his thick, scraggly beard. He pushes a hand through the top, grabbing a fistful in his palm.

“Easn't expecting anybody oot 'ere. Nae this far intae th' woods.”

He seems to be speaking to himself more so than he's talking to you. There's anger writ in the fine lines of his face, but this ire isn't turned toward you. It's inward. Self-admonishment. His eyes darken when they flicker down to your ankle, as if reminding you of the hurt there when you'd been so focused on how out of place his accent is in the Northwest Territories.

The ache in your ankle brings you crashing back into reality. The pain seems to vibrate from within your marrow, riveting up your bones.

You chance a glance—

You swallow down the drum of panic. A trick of the light. It must be.

A dream. A nightmare.

But the man appears. His hand falls onto your knee, holding you steady.

“Ah will hae tae put oan a tourniquet. Will hurt a lot, doe.”

Absently, you nod. Keep nodding. Can't stop.

There's a hole cut through your ankle. Tore thro' yer Achilles, he's saying, words water in your ears. He instructs you to wiggle your toes.

"Ah know it hurts, but just dae it fer me, okay?"

You do. You—

Nausea buds in your guts, churning your stomach. The apple you ate earlier is choked out into the bushes dotting along the ravine. Insides purging themselves, replacing everything—food, water, coffee from earlier, bile—until nothing but shaky panic remains. It tastes like iron in the back of your throat.

“Ah know, doe,” he's saying, fingers knotting into your slick hiking trousers. Lululemon knockoffs from an outdoor warehouse in the city. A pocket knife follows, and cuts a seamless line inches below your hip.

Sad tae see ‘em go, he murmurs, accent thickening around the words. Saturating them in a drawl that's too liquid for your unpractised ears to catch. He makes a mournful sound when he slides the blade down your leg, adds, “hugged yer arse like a dream, doe.”

Another trick. The mountains do funny things to sound, you know. It must be all in your head. All—

“Don't worry,” he's shushing you now as he peels the fabric off your legs, groaning low in his throat. “Ah have ye. Ah will take care o'ye, tae, doe. Bonny thing, aren't ye? a' alone. Nae anymore, doe. Jus' me 'n' ye now. Jus' us —”

You always thought you'd have your wits about you in a traumatic situation. Be able to think clearly, rationally. Make appropriate decisions that befit the situation unfolding. Life saving ones. Practical.

To gear up for this trip, you watched survival videos on YouTube. How to make a fire. How to make drinking water. How to build a shelter. Tips on weathering down for a sudden storm. Tucked it all inside your head, and thought, I got this.

Had to, really, because everything you've read about Nahanni says it's unpredictable. Calm weather, gorgeous views one moment, and then a sudden deluge the next. Snow falling quicker than you keep up with. Animals blend in seamlessly with the landscape. Slips, falls. It's so easy to get lost, someone wrote.

But as he uses the scrap of your trousers to wrap around the wound on your broken, mangled ankle, you realise all that planning was for nothing. This was one of those moments when you discovered just how much you bit off. That panic made you mute, made you freeze up.

The pain is almost secondary to the surge of adrenaline. Fear.

You need to go home. You tell him this, slowly. Muttered through numb lips.

There's something almost like pity in his eyes when he glances up at you.

There was a mix-up, he says, slowly. Cautiously. You got yourself turned around in the opposite direction. There's no campground on the fjord above. All the lodges and cabins are in the opposite direction.

Y'got lost, he tells you. Turned the wrong way out. Ye'r in th' backcountry.

“I'll go back,” you press, urgent. Insistent. Panic is acidic in your throat. Corrosive. It burns when you swallow. “Please, just tell me which way to go, and I’ll—”

"Cannae dae tha'."

“Why?”

“Storm,” he points in the distance where a plume of cloud gathers. So dark, they're almost black. Ominous. “Gonnae skelp solid. Na choice but tae git oot."

“I don't have anywhere to go—”

He rakes his hand through his hair. “Ah kin take ye tae mines. Git a cabin in th' woods. Juist ootdoors o' Nahanni Butte.”

“No, I—”

His hand squeezes tight around your ankle. The pain makes itself known in a visceral, awful throb that travels up your leg, curdling at the base of your spine. Wrong, wrong. Something is wrong. Your body is trying to reject the agony. The breaking of your bone. It's foreign, it doesn't belong. But there's nowhere for it to go.

Pain pulses in tandem with your heartbeat.

You don't realise you're screaming until you hear the echoes of it rebound against the limestone walls. And then there's a whisper in your ear. You feel the scratch of his beard against your cheek.

"Shush, bonnie. Cannae let ye go oot oan yer own. Gonnae take ye home, yeah?"

Home. Home. You nod furiously, and it's only when the scraggly black curls covering his chin and jaw catch on damp skin do you realise you're crying.

He leans away from you, arm stretching toward the rucksack behind him.

The rifle leans against it. You feel sick all over again.

“Drink this,” he says, unscrewing the cap. “It'll make ye feel better.”

He presses the lip to your mouth, a hand slipping over the back of your head, tilting your chin up. “Drink,” he says again, and it's firmer this time. A command. “Ah promise ye'll feel better, doe.”

It tastes bitter. You swallow it down. Keep swallowing.

“Good,” he rasps, hand sliding down the length of your spine until it rests against your lower back. “Keep drinkin’, sweet thing.”

It pools in your belly, sloshing uncomfortably when you move, but it washes the bitterness from between your teeth. You keep drinking. Swallowing it down. You know you shouldn't, that you might get sick again, but it's a distraction from the mess that is your ankle—bloody, twisted, mangled—

Nausea swells. You choke it down until you can breathe without feeling as though you were going to be sick again.

“You'll be okay,” he's saying, moving around you with a practised efficiency for something so broad. It's almost graceful. Agile.

He patches you up as much as he can with the supplies he has, but you refuse to look again at your ankle. It's broken, that much is clear. You can feel your bones grinding, sliding against each other. The sensation is horrific. Wrong. You turn your head to the ledge you were standing on just to distract yourself from the agony of it all.

You're surprised you're not crying. Screaming. The urge is there, just beneath the surface. But for some odd, unfathomable reason you find you can't. Your chest feels heavy. Lungs sluggish. Slow.

It must be an adrenaline crash, you think. Why else would you feel so tired, so exhausted.

“I'm—” you start, but you feel dizzy. “‘m—”

“Shush, doe.” He mutters, and it sounds far away. Garbled. “You need yer rest. Had a traumatic accident. But don't worry. Ye can trust me. A wouldnae let anythin' ill happen tae ye ever again."

“Yeah,” you breathe, nodding. Nodding. You can't stop, can't—

“Lay back. Git some rest. A'm almost done, 'n' then ah will hae ye back home in no time—”

You come to on a groggy whimper, head buried in the messy locks curtained over his nape. There's a soft, pulsing thud in the back of your head when you try to lift it up. It feels heavier than it should. Leadened. You groan again, fighting against the currents dragging you back down to those soporific depths—

Your head is a slurried marsh. Thoughts ephemeral, broken. Fragmented. They slip through your fingers when you reach for them, diaphanous wisps you can't seem to catch.

“Don't worry, doe—” your world quivers when he speaks. Words vibrating through your chest, catching on the heavy rails of your ribs. The seismic vibrations rumble in your ear, coming to life as a mere echo in your head. “Ah will keep ye safe.”

It's comforting. A raft in squall, something to cling to as the waves make futile attempts to drag you under. Your arms, dangling loosely over his shoulders, sluggishly flatten to his chest, linking over his chest.

He grunts at your touch, palms slick on your skin.

“Thank you,” you slur, words thick in your throat. Sluggish. “Thank you for helpin’ me. Fer savin’ me—”

Your body shakes when he trembles. With your forehead against his nape, you hear his thick swallow. The air ghosting out of his lungs in a soundless whisper.

His hands flex around the backs of your knees. Squeezing tight. The man doesn't say anything for a moment. In the silence, the pursuing somnolence catches up to you. It digs heavy fingers into your eyes, dragging you back down into the sticky, thick tar.

Sleep finds you in an instant.

You try to read his words in the quiver of your bones when he speaks. Make sense of the tremble reverberating through the hollow gaps, tangling in the pulpy mess.

But there's a mistranslation somewhere. A missing decibel. A forgotten wavelength.

It almost sounds like he says—

“Wouldn't leave mah wife alone in th' woods like tha’.”

How funny, you think, and hide a giggle into the hardened ridge of his shoulder blade.

Cognisance is a transient flicker.

You're not sure how long he matches through the thicket with you on his back, navigating the unending chaparral with an ease that feels innate rather than practised. You stare down at the ground, world hazy around the edges, and think, suddenly, intrusively, that you ought to remember the steps. Every left, every right.

You get to seven lefts, three rights—a small ravine, a flattened coppice; a gnarled spruce sat alone in a valley of lush green and clumps of topaz podzol—before your eyes are too heavy to keep open. They slip shut. And you think, only for a moment. Just a second, I just need to rest my eyes, and then come to at the sound of a groggy engine growling to life.

The world morphs from a dense forest intercut with sheer cliffs looming, indomitable, in the grey distance, to the faded beige felt covering the ceiling of an old truck.

Your blink is a slow crawl, lashes weighed down by anchors dredging over the seafloor. Gritty, raw. It hurts, now, to hold them open. A furious throb jabs at your temple. It aches like a bruise. But it's nothing compared to the nauseating agony that floods your core each time your foot is jostled. Nerves being lit aflame in an endless throe of pain unlike you'd ever experienced before.

Your mouth feels sealed when you go to speak. Lips glued together. Sluggishly, you squeeze your tongue through the crack between your teeth, licking along the seam.

A plastic bottle appears in your periphery, nozzle tipped toward your mouth. A hand curls around the body of it. Fingers overlapping. It looks small in this big hand. Tiny. Long wisps of black hair cover their ruddy knuckles, spreading in a dense crop up their forearm, growing thicker at the wrist.

Their skin is pale, tinged slightly pink. Even through the brume, the lambent light of the sun catches on their skin. Illuminating small scars, cuts. Little scratches from the snagging furze.

Their hand shakes. The dark veins that branch off from the white-capped peaks of their bent knuckles pulse under the thin skin when they move.

“Drink, hen,” he murmurs, bringing the bottle to the jut of your lower lip. “Ye’ll need it.”

A plastic bottle is an odd choice to bring into the backcountry, but as you peer through the translucent skin, you find the water inside is cloudy. Chalky.

“Donnae worry—” he gives the bottle another shake, disturbing the sediment congealing at the bottom. “It's electrolytes, ken. Nothing fishy.”

Your teeth ache from the cold when he slips the rim between your lips, prying them apart. With your head already tilted back in the seat, the water slips in. A slow trickle. He feeds it to you, humming in appeasement when you swallow.

“Tha’s a good girl.”

It carves a jagged tunnel through the murk in your head. The praise slipping in, liquid, until it coats your burgeoning trepidation in a sudden swell of endorphins. With their unpractised, gauche hands, they paint a mockery of Sargent in the gaps of your synapses, stuffing the spaces between with oversaturated hues of teal, white, yellow, orange, and pink.

Carnation, Lily, Lily, Rose.

But despite the shoddily crafted pastiche, it works.

Your eyes flutter, bones growing heavier, heavier, as they're forced to carry the weight of your liquified flesh. This molten heat in your chest turns your insides into putty.

Water dribbles down your chin. He sees it and coos.

“Ah, doe. Right mess ye are now. Ah will hae ye home in no time. Git ye a' cleaned up."

The idea of home melts you further. You sigh in the seat, soft and drawn out, and shake your head slowly when he wriggles the bottle in front of you again.

“Get some rest, doe,” his hand falls, heavy and warm, on your thigh. Thumb stroking along the curve of your leg, fingers curling into the seam, digging deep. Resting there.

It's too high to be appropriate. You know this. Went through lesson upon lesson in school of bad touches and what's considered friendly, polite. But when you try to open your mouth to say something about it, you catch the spread of his palm over your flesh. Wide, broad. Masculine. It catches in your throat, and gets tangled in the mush at the base.

It should be fine, you think, dizzy over the way his hand swallows you whole. He saved you, after all.

But it burrows. Digs deep. Some sense of wrongness permeates out from the firm grasp he has on you. It feels possessive. The sort of thing you might expect between people who are intimate with each other. A couple. You've known him for—

Hours, maybe?

Most of it was spent in a pain-induced hypnagogia.

It curdles in your stomach. Rotten, spoiled milk.

But—

He saved you.

You'll choke yourself on it if you keep thinking about it. So, you don't. You push it down. Cover it beneath the sediment, and bury it deep.

He's just a man.

Kind. Helpful.

As you dig a hole for this unease, he keeps his hand fixed on your thigh. The other is pressed against the steering wheel, the ball of his palm under the curve at the top of the wheel. Relaxed. Easy. You try to adopt his nonchalant disposition and glance out at the blurry world around you.

You feel exhausted. Unsettled. The sort of fatigue that comes with a raging fever. There's sand in your mouth. Your throat is dry.

You don't ask for water.

In the lull, he pitches the truck forward with a grave rumble. The silence is broken by the crunch of vegetation and gravel beneath the wheels as he ploughs forward.

There are public roads to get to Nahanni. The floatplane you entered into the park on was chartered by Parks Canada. And yet—

He commandeers the truck around a flatbed of rock and dirt. Muskeg dots the tops in some places, and he veers expertly to avoid them.

It's less of a traditional road and more so a forged desire path. You know the highway has to be close by, the link between Fort Liard and Fort Simpson, but as you peer out the window, the world around you looks overgrown. Wild. Alien.

Sloping hills in lush green stretch out into the distance, meeting with the dense montane forests dotted along the stretch of land. The grassy coppice under his wheels is matted down, and interspersed with clumps of brown, wet muskeg and crushed slate.

Over the grey peaks of the mountains in the distance, a thick, black cloud looms. The sky turns gunmetal, almost indistinguishable from the monoliths jutting beneath them.

At some points, he takes his hand off your thigh to navigate winding turns better, but it always ends up back on you. And always a little higher than it was before.

Your mouth is filled with lead. Tongue thick, malleable. Tensile like mercury. You can't speak. So you just ignore it. Dig your crown into the headrest, and breathe in the woodsy scent of him. Laurel, tree moss. Coumarin. Rotting pine. Sweet acacia. It tickles the back of your throat. Sticks there, glued in the syrupy mess.

You'd hoped it would get easier to ignore, but it stays there, a constant weight, even as the world outside fades into a hazy twilight.

In the hush of the cabin, he squeezes your thigh. “Cannae wait tae get ye home, doe.”

Against the staggering backdrop of a black, jagged mountain, a doe stands in the talus. Her fawn fur and tuffs of white spots stick out against the charcoal-coloured cliffs, and you watch, some distance away, as she bends down to fossick through the scree in search of food.

With the looming clouds of gunmetal and ash gathering around the craggy peaks, her presence here feels dangerously out of place. Jarring. She shouldn't be here. She doesn't belong.

But the beauty of this moment is breathtaking. Mesmerising. You stare in muted horror, awe, as she grazes in the rubble, slender neck bent in a graceful arch. The sloping handle of fine china. Her wet, black eyes are so open, so kind. Puddles of ignorance, naïvety, as she flicks her tongue out against the desolate rock, a fruitless search for grass in which to mull on.

Thunder crackles over the snow-capped ridges. Her ears flicker, but she doesn't run. You should warn her. Scare her away. But you can't move. Can't speak. You're a mute spectator, a piece of dross on the ground watching the approaching calamity without a mouth. Horror churns. You want so badly to tell the doe to run—

An impossibility, you know. It's much too late for her to do anything at all.

Around the doe’s leg is a shackle.

Your skin rips, tears, as you force your jaws apart, blood pooling in your mouth. If you can make a sound, she’ll—

A boom echoes through the canyon's cradle.

The scream gurgles in the back of your throat.

Agony rips through your leg—

—you wake with a gasp.

Sputtering, choking on the saliva pooled in your mouth. It tastes bitter, brackish. You feel something gritty between your teeth. It sticks to the backs, granular specks that dissolve, sour and chalky, on your tongue when you run it along the ridges of your gums.

You swallow it down, grimacing at the acidic taste.

“Awake, aye?” His voice chips through the dense fog. You blink the haze away, glancing sideways at him through bleary, heavy eyes.

His profile is lit by the harsh glare of high noon. The sharp jut of his ball cap. The curve of his nose set in the thick bushel of his scraggly beard and moustache. His broad chest concealed most of the view from the driver's side window. The lax bridge of his arm, knuckles loosely curled around the steering wheel.

He tilts his head toward you. “How're ye feelin’?”

Sluggish. Awful. There's sand in your eyes. Cotton in your head. You feel like you've been left out in the hot sun all day. Dizzy and sunburnt. Feverish. Heatsick. Your throat is dry, but you don't ask for water. You don't answer him at all. Can't. Your tongue is laden. Lips numb.

It takes you a moment to reorient yourself, squinting through the glare of the sun—

That reels you back. Breaks through the fog.

You know that the concept of day and night in the summer is different here. Twenty hours of daylight with twilight lasting all night. But even with the skewed perception of time and the heavy molasses thickening around the edges of your cognisance, you know that something is wrong.

When you left the park, it was close to five in the evening. It should be twilight, not—

Your gaze lists sluggishly to the clock on the dashboard. Through the haze, the unmistakable gleam of one-fifteen stares back at you.

It was the right time last night.

“Wha—?”

You're not sure what you're asking. It's not even really a word, but a garbled sound. A noise of distress, confusion, in the back of your throat.

He seems to understand it all the same.

“Park had a bad storm,” he answers, pitch far too light for the severity of your situation, of what you're feeling. It makes you frown, sharp and sudden. “Washed through th’ river. Where ye were—well. Wouldnae ‘ave made it out, ye see. Would’ve gotten all torn up in th’ storm—”

You read that storms in Nahanni are vicious, sudden. Weather can turn in an instant, going from moderate to devastating in a blink. But—

What he's saying doesn't make sense. You remember bits, pieces, from earlier. He said you got turned around. Wandered too far off the trail, lost in the deep wilderness of Nahanni’s sprawling valley.

“Where are we?”

“Nearly home.”

You push the wave of nausea down. “I need to go to a hospital.”

“Can't dae tha't'.”

“Why not?”

He doesn't answer for a beat, eyes fixed on the dirt path. Unblinking.

Finally, he mutters: “had tae leave th' park oan th' opposite side when th' storm came in. No roads take us tae town.”

“I have—” you're not sure where your bag is. You hope he had the wherewithal to snatch it up after you fell. Hope. “I have a satellite phone. I can just call—”

“Sorry, hen. Yer bag flew off th' ledge. Ah coudnae grab it 'n' ye. Ah dinnae hae a phone oot 'ere. Never needed one—”

Hopeless. Hopeless.

“How—how could you survive out here without one?”

“Nahanni Butte is a few hours awa'. Go intae town when th’ winter road is open. Inaccessible now. Th’ rivers flooded it. Cannae cross it. Can hunt, 'n' ah hae everything a'm needin' oot here.”

“So…” the reality of your situation is beginning to dawn on you. Helpless. Hopeless. “I'm stuck here until—winter?”

“Ah hae a friend flying oot fae Yellowknife. Comes tae drop off supplies 'n' th' lik'. He'll be 'ere in two months—”

“Two months?” This whole situation feels impossible. Wrong. You're so close to people—Fort Liard, Nahanni Butte, Fort Simpson. How could you be stuck here for two months? The idea of it is absurd. “You're not—you can't be serious.”

“Aye. I am.”

There's a pinch between his brow. You wonder if it's meant to convey the severity of the situation, but as it grows deeper, deeper, you have the sudden sense that it's not an emotional decree of his sincerity. That it's, instead, a sudden twist of anger.

It scares you.

“I want to go home.” You mean for it to be forceful, but it comes out in a whimper.

The man nods. The punch in his brow lessens. “Aye, me tae.”

“Where are you from?” You pry, needing the distraction from the endless trawl of green and slate and permafrost enclosing in on you. “You're not from around here, are you?” At the gentle raise of his brows, you add, hurried, rushed: “you just. Have an accent, and I—”

“Fae Scotland,” he answers, and there's a quick grin on his face. Roguish. Charming. The sight of it has your start thudding in an uneasy gallop. “Edinburgh."

“Oh. Far from home.”

“Aye—” the grin fades, twisting into something ugly. “Had an—accident,” he spits the word out, brows pinching once more. Anger is writ in the hard clench of his muscles, his jaw. His knuckles blanche around the steering wheel, and you think you should have just kept your mouth shut. “Sent me here.”

There's a multitude of questions you want to ask. Vying for the top is the most obvious—why did this happen? why isn't he letting you go?—but what comes out instead is, “why?”

Just that. Nothing else.

“Military.”

He adds nothing, either.

“Military?”

A nod. “Go’ hurt. Had rehab. Sent me here tae clear ma heid, and well—” his eyes flicker to you. You can't read his expression. “Got a fresh mission, dinnae I?”

“You don't—”

“I cannae leave ye. Both oo' us are stuck 'ere 'til someone comes tae pick us up, 'n' take us home.”

The idea that somehow he's just as trapped as you are hasn't occurred. Why would it when he has a rifle, a truck, freedom—

But what good is all of that when you're landlocked in a place known for winter roads. Permafrost. The forced shift in perspective doesn't quell the anxiety roiling in your guts, but it lessens it. Somewhat.

“Two months?”

He nods. “Aye.”

“And you have no cellphone? No satellite?”

“Ye can check it—” he makes a flippant motion toward the glove box in front of you. “Deader than ever.”

You hesitate only briefly. Long enough to level him with a searching look that yields no results before you reach for the compartment, gingerly pulling it open, and—

Sometimes, things get overlooked by their surroundings. Swallowed in the vacuum. Blending seamlessly into the muddle, the commotion.

This isn't like that.

It sits on top of a manila folder. Sleek black and cold silver. You're not terribly well-versed in guns—the extent of your knowledge stemming mostly from formulaic crime shows aired late at night; CSI, NCIS, Criminal Minds—but you recognise this one instantly. Some sort of handgun. Police issued, you think. It's bigger than you'd expected. Looks heavier, too.

Your heart stutters. The air galloping out of your lungs in a stammering rush.

He makes a noise, soft and nonchalant, as if keeping handguns in the glove box of his old, burnt orange truck is perfectly normal.

“Fer protection,” he mumbles. You catch the jerk of his chin in your periphery. “Forgot I had it in here. Been usin’ th’ rifle fer huntin’ mostly. Or th’ shotgun.”

Three guns. You swallow. “Why—” your voice comes out in a brittle whisper. You clear your throat. “Why, um, why do you need three?”

“Not fae around here, are ye?” He echoes your words with a wry twist of his mouth, eyes slanting in the sunlight. “Tha’,” he takes his hand off your thigh to jab his finger at the handgun. “Is fer wolverines.” His index finger falls, his thumb juts out. He jerks it over his shoulder. “Tha’ is fer huntin’. The shotgun back home is fer bears.”

You try to move out of the way when his hand falls back to your thigh, but the pain radiating up your leg immobilizes you. There's not much you can do in this situation but endure.

Military. Wounded in action. Three guns. Touchy.

You're not sure what to think. It would be easier if you couldn't.

“What do you hunt?” You ask instead, glancing out the window to the barren landscape rolling out around you. There doesn't seem to be much in the jagged hills, and towering mountains.

“Gettin’ hungry? Donnae worry, doe. Go’ tha’ pesky hare I was tryin’ tae shoot oan th' ledge fer dinner tonight.”

It's not much of a comfort. The idea of being injured—by accident, he claims—to such an extent over a rabbit makes you feel a little sick.

“That's it?”

“I can make a mean steak oot o' anythin'. Stews fer tougher meat. Fish—whitefish, arctic grayling, and lake trout. Learned how tae make a nasty fishfry from th’ locals in Nahanni Butte. Bannock, too. Got berries ‘round ma cabin. Caribou, Moose. Taste better in tacos or burgers. Mountain goat, Dall’s sheep. Been eatin’ better ‘ere than ah did at home.”

“And you're—just allowed to hunt them?” The website advised about a permit through some special outfit needed to hunt when you requested your pass into the park. Said that only aboriginals were allowed to do so. “You're not—”

“Aye,” he cuts you off with a small nod. “No huntin’ in th’ park. But. We're nae in th' park anymore.”

“Where are we?” You ask again, firmer this time.

“I told ye. Nearly home.”

“And where is home?”

The way he sucks his teeth makes you recoil slightly. Wet. Irritated. As if he's tired of this conversation already.

“Close.”

You don't let his flat tone deter you. “Are we—are we still in the Northwest Territories?”

“Thereabouts.”

It's not an answer. It doesn't reassure you in the slightest.

You open your mouth to say so, words curling on your tongue when he jerks his chin toward the handgun, brow furrowed.

“Thought ye wanted tae check oan th' satellite phone.”

His tone is severe. A growl curdling the ends, pitching it down, down. Displeasure, irritation, blooms in the gnarled petals of witch hazel when he narrows them into slits.

You swallow, wrenching your gaze from the storm brewing over fields of wheat, and set your jaw. Masking your fear for annoyance. Confidence.

But your hand shakes when you reach for the black box shoved into the corner. Palms slick with sweat. You try not to touch the gun, doing your best to curve around it. It feels—

Real.

A real gun. In the real world. In a place you came to get away for a weekend, experience something you'd never had before. Freedom. Reliance on nobody but yourself. And now—

Somewhere in the Northwest Territories. Injured. Locked inside of a truck with a man who wavers between warmth—an unending heat, a furnace; a beacon of light—and severity like a swinging pendulum. You feel safe with him. You commit every turn to memory. He's in the military. He's going to take care of you. You think he's lying to you. He'll—

He'll let you go.

You're sick. You're paranoid. You're taking all of your grievances out on this poor man who is just as trapped as you are, turning him into a monster for no reason at all. At the end of this, when he drops you off at the airport in Yellowknife, you'll have to grovel on your knees for his forgiveness. Sorry I thought you were a bad man.

It could be worse, you suppose. He hasn't done anything untoward to you—touching your thigh like he's owed the right aside—and you shove it down. A problem to deal with later even though the suspicion tucks itself into your head, folded up against your skull. Metastatic. It eats all of his expressions, turning them over and over again for hidden clues.

If he does something, you'll run.

You'll—

“Almost there,” he murmurs, and you hear the rasp of exhaustion glued to the hinge of his jaw. You wonder how long he's been driving for. And why didn't he just go back to Nahanni Butte. Flooded he said. Too deep into the park. Never would have made it.

If that's the truth, you suppose you should thank him.

It sits in the back of your throat. You swallow around it, reaching for the phone instead.

There's a small thread of hope in your chest that it'll work. That he's wrong, doesn't know how to work it, and all you have to do is press a button and it'll crackle to life. Freedom within reach.

But when you press down on the button, the phone doesn't even whimper. Broke, as he said. Dead.

“Can you—can you charge it?”

“Tried. Must’ve blown somethin’ inside. Fried it.”

His words are a prison sentence carrying a punishment of two months. You knew this, of course. He said so himself. But the reality of it breaking over you is different from blind belief. The realisation of your predicament is a jagged knife cutting through tissue, letting corrosive panic entrench you as it spills out.

This is the sort of thing you’d only read about. Novels, and biographies. Memoirs. Movies. An extraordinary event that could never happen to you. Never.

And you're aware of it. Optimism bias. The not-me fallacy. But everything in your life thus far had been so unequivocally mundane that the possibility of it not happening seemed to eclipse any chance of it occurring at all.

The crux of the bias, you suppose. Though it does little to stem the disbelief surrounding it all. Even when you told your friends, and your family, that you were going on this trip, the most mordant of them said you'd get eaten by a bear or end up lost in the wilderness.

Injured, unable to walk, and stuck with a man you only marginally know (trust) seems like the plot of a lifetime movie.

But—

Two months.

You're sure in the meantime, someone will notice your absence. Raise the alarm. Call the police. They'll launch an investigation, and come searching for you. It's just a waiting game.

And—

(You glance at the man once more, his profile limned in a halo of gold. The rim of his hat casts shadows over his face, eyes concealed in the thickening tenebrous that enshrouds him down to his broad chest, dense with corded muscles. Athletic. Trim. Big.)

—staying alive.

Survival.

If only for just two months.

But the facts are cold, unforgiving. You are alone with a man you don't know. A man with three guns. Military. His experience in this wilderness vastly eclipses your own.

He's fine. Fine. Touchy, sure. But he hasn't asked for anything.

—his hand is on your thigh—

You'll be okay.

It hurts to swallow. “Thank you,” you murmur, hoping the conciliatory lilt eats the panic you feel. “For saving me.”

His gaze darts to you so sharply that the truck veers slightly to the left, tires crunching over thick beds of furze that line the forged road. The action is sudden—surprised, maybe, by your reedy gratitude. A deviation from the demeanour he'd shown you so far—calm friendliness. Affability. It jars you. Scares you. You grip the seat cushion tight in your fists as he mutters something sharp you can't discern under his breath.

It only takes him only seconds to correct, rippling his hand away from you to commandeer the truck back into the centre of the beaten path. Even keeled now. Almost as if nothing amiss had happened at all.

But it's undeniable. Congeals in the air, tense and unignorable. A vacuum that siphons the breath from your lungs. It sits in the whites of his knuckles, arsenic bones jutting from thin, rough skin, demanding to be seen; the terse set to his shoulders. To the grind of his jaw as he clenches his teeth.

You take him in with bated breath, swallowing whole each microcosm that buds to the surface of his demeanour. Wary. Watchful. Squeezing the satellite phone tight in your hands. But he doesn't meet your wide-eyed stare, choosing instead to keep his gaze fixed on the dirt road. Knuckles popping, brows furrowed. Silent.

But it's heavy. Oppressive. The same unrelenting chill as outside. You fight back a shiver in the blooming cold, wishing you'd packed more than just a pair of hiking tights (in tatters, now) and a thermal windbreaker for the trip.

The hum of the engine, and the cracking of rock and muskeg crushed under the wheel, are the only noise that fills the cabin. You stifle your breath. Hold it in your throat. Skewer your eyes to the landscape yawning out around you. The deep, thickening sense of unease grows in the pit of your stomach. Metastasizing.

Outside is a sprawling taiga forest. Emaciated spruce, balsam fir, jut out from the muskeg, dusted in a sparse layer of sphagnum. You can almost hear the trickle of a stream. The dirt road is wet under the tires now. A creek must be close by. A river. Flat River. South Nahanni. Further out might be Slave River. The Liard. Little Buffalo. Great Slave Lake, even.

Narrowing it down seems impossible when nearly the entire south corridor of the Northwest Territories is wet marsh and snaking bodies of water.

It both worries and reassures you at the same time. Getting to Nahanni alone was a challenge. With most of the surrounding area limited to a few year-round highways, there are not many places he could go without reaching dead-ends or winter roads closed for the season, inaccessible in the warmer summer months as the snow melts.

Though—these highways arch as high as they can. From Yellowknife to Tuktoyaktuk, right on the coast of the Arctic Ocean.

But he hasn't driven on any stretch of highway since you woke up. The road is unpaved, wild. You're confident you're still south, but the exact location eludes you. Northwest Territories. Yukon. Northern Alberta. It's overwhelming. Daunting.

You try to commit the geography to memory. Sifting through an endless trawl of nothing to find something familiar. A mountain range. A sign. Anything. Anything—

“Ye mean tha’?”

The sound of his voice draws your attention, raspy. Hoarse from disuse.

He swallows. There's something raw in his expression, fractured. Yearning, you think. For something. What that something is, however, you can't place.

It stays on as he slowly slides his tongue out, licking over the bristles of hair covering his lip.

You offer a shallow nod, unsure why this matters to him suddenly.

“Yeah, I'd be—”

You pause, words turning to smoke in your throat. Uninjured, is the first thought. Without him, your leg wouldn't be—

Whatever it is. Ankle broken. Achilles torn. A gunshot wound clean through tendon and tissue.

But at the same time—

All turned around, he said. Lost. He was hunting, too. You must have somehow wandered outside of the park limits. Must have because the sound of a rifle would have drawn attention from nearby wardens. They'd have come to investigate.

You swallow down the bloom of unbridled panic. The aftertaste is bitter in your mouth. The thought of being outside of the borders, all on your own—

“I’d be dead if it wasn't for you.”

The hush that falls is immediate. Your own mortality dangling by a thin thread. Happenstance keeping you alive.

He clears his throat again. Your fingers tighten around the metal until it hurts.

“Names Johnny.” He twists in his seat, facing you. “Johnny MacTavish.”

It's a bit late for introductions, but you take it in all the same. Johnny. Johnny.

(saviour—)

His eyes grow wide when you slowly, haltingly, breathe yours out. Letting it sit in the air where it dissolves into the silence, the weight of it somehow more damning than being alone in the woods. There's power in a name. In knowing it. Military. You're not sure why it matters, but it does.

You fight another shiver when he says it back after a beat, much too fond, adoring, for the sparse companionship you've barely begun to build.

“I'll keep ye safe,” he says your name again, accent curling in between the bridges of each letter. There's a heat in his eyes; pyretic. A sickness. “Don't hae tae worry aboot anything.”

He turns back slowly, angling the wheel around a sudden bend in the thicket. The path is clearer here, looking more like an established dirt road than a sparse coppice. It twists upward, cutting a meandering line through a dense cropping of spruce. The canopy above—as thick as it is—curls over the road, enclosing it in a bed of conifers branching overhead. Concealing it from view.

The sight fills you with a new bloom of unease. How quickly the wild swallows you whole, shielding you from prying eyes, prickles against the nape of your neck, dripping like hot oil down your spine.

“Where are we?” It comes out in a whisper.

He makes a noise in the back of his throat. In your periphery, you see him lift his hand off the wheel, but sit, paralyzed, when he brings it down to your thigh, giving what attempts to be a pacifying squeeze.

“Home,” he answers, making the turn.

A log cabin comes into view. It’s situated at the end of the clearing, covered by the same dense tangle of trees as the path. The forest seems to bend around the single-storey home, enclosing in a cradled embrace of intermixing wry jack pine, bold tamarack, dark spruce, and white birch. Trembling aspen peaks above the heads of the other trees, hiding the smoked black spruce roof from view above.

It might look homey under different circumstances, but the thick, stripped logs—made of varnished white spruce—jutting out half-crescents to form the walls seem brooding. Claustrophobic. It's small—just a storey and a half. A camper's cabin not meant for longtime use. It wears its age in wood rot and peeling varnish. The scent of wet wood clings to the air when he rolls the window down, coming to a stop a few paces away from the single step leading to the porch.

Firewood stacked high to the awning on both sides of the blue door, encased in metal to keep it dry. Moss-covered concrete foundations lift the house off of the ground, keeping it from melting the permafrost below. The remains of a snuffed, charred campfire is perched to the left of the winding path leading to the door. Felled lumber lays on its side, the top whittled down onto a seat. A wooden rack leans against a tree close by. The hide of an animal is stretched taut across the panels. Leather-making materials sit in a bucket beside it.

A metal box—bear-proof, you're sure—is half-buried in the soil. Storage, perhaps, for the unusable remains of the animals he hunts.

It's fairly standard for a cabin up north, you think. But something about this place makes you feel anxious. Trapped. You can't see anything at all through the dense cluster of trees, but you can hear the sound of running water. A river, maybe. A stream. It splashes against the rock, the current too quick for you to even think about swimming in it.

It only adds to your unease.

“This is home,” he says, jerking his chin toward the house.

Home is a cabin nestled somewhere in the unorganised wilderness of the Northwest Territories. Nahanni National Park is several hours in another direction. Too few communities exist on highway seven for you to even stumble onto them—

Assuming, of course, that you could walk there to begin with.

The lingering pain in your ankle, the heavy bandage wrapped around it—it's an immediate certainty that you can't walk. Broken, you know, from the glimpse you'd taken before. Milkwhite against raspberry red—

You don't think about that.

You don't think about much at all.

“Right.” You murmur. This place is the furthest thing from home you could imagine.

He moves in your periphery, reaching for you. You jerk back, driven by instincts. The need for distance, space—

The jostling of your foot makes you hiss in pain, and he offers a conciliatory hum.

“Ye’ll be alright, bonnie. Lets jus’ get ye inside now.”

The inside is made of varnished wood. A mix of black and white spruce. It's cosy, you suppose.

It opens up to a living room immediately upon walking in the door. A mat sits under your feet. A small closet to the right with the door slightly ajar. Along the length of the left wall is a doorway spilling into a small kitchen. From your vantage point, you make out a sink, and then another door to the right.

Along the back wall beside the arching doorway is a brick fireplace. Soft fur is spread out on the ground in front of it. An old, weathered couch is pushed against the left wall, a shawl tossed over the back.

There's no television. A stack of books and magazines sit above the couch—used more for an end table than entertainment, you note, spotting the glass of water resting on the pile. A pack of cigarettes beside it. An ashtray on the floor. Bottles of beer sit on the small table shoved under the window. One of the chairs is covered in clothes.

It's lived in, you note, but lifeless.

There are no pictures on the wall. No personal artefacts littered around. It's—

Perfunctory.

He comes home, shucks his boots off by the front door, and drinks warm beer on the couch until he falls asleep. An inference, of course; but as he carries you further into the house (his insistence—ye cannae walk oan tha’, doe, stop bein’ stubborn and lemme carry ye), your notion gains credence. It's sparse. Threadbare.

There's a single plate in the sink. The old stove, separated from the sink by a small countertop, is covered in a layer of dust. A fridge is pushed against the back wall.

The door you glimpsed in the kitchen leads to the washroom. It's tight. A shower, a sink, a toilet. No windows. A towel is hung over the curtain rail, still damp from his shower before. A single mat covers most of the tiled floor below. A tube of toothpaste sits in the porcelain basin of the sink.

Beside the washroom is the master bedroom. The bed is unmade. An untouched glass of water is left on the end table beside a worn leather book and a bible.

An open closet sits across from the bed. The window is open. The breeze flutters the old, jaundiced curtain.

He gives you his room and says he'll take the couch. Under normal circumstances, you might have fought it. Insisted that he sleep in his bed. You're a guest. You couldn't put him out like that. But the door has a lock.

“Thank you,” you murmur, and he seems to tremble at your words before nodding.

“O' coorse.”

Johnny places you on the bed before he sets to work rebandaging your ankle. You're all too aware of the fact that you need to know. You need to see what you're dealing with, and how bad the damage is, but the pain that cuts through you when he rests your ankle—as gingerly as he can—on top of an extra pillow makes you yowl in agony.

It's vicious. Whitehot. The pain rattles through your bones.

He shushes you as he unwraps the clumsy brace he put on in the park, murmuring incomprehensible things under his breath that you think must be Gaelic. Words of comfort, perhaps.

You feel none of it except an uneasy dread pooling in the empty pit of your stomach.

“How bad is it?”

He hums, brow pinching tight. “Th' hare took most o' th' damage,” he says, eyes tracing along the congealing blood on your ankle. Dark cherry red. You swallow down a gag. “Tore yer achilles, though. Clean. Doesn't seem tae be any fragments. Broke your ankle, though. But,” he taps your calf, just above the bend of your foot. It doesn’t hurt. “It’s a clean break. Maybe just a fracture. Shuid heal up in no time.”

“And what about infections?”

“Got some stuff oan hand if that happens,” he leans back, and gives you a wink. It feels out of place considering the severity of your predicament. Garish, almost. “But ah was a good nurse. Patched ye up nicely.”

You don't ask anything else, and silence trickles in as he refocuses his attention back to cleaning your wound and redressing it. The bed is soft under you. Giving. You lean back, staring up at the log ceiling, and will yourself not to think at all. Each slight jostle of the wet cloth running along your ankle feels like fire licking at your skin. If you had anything at all in your belly left, you might have thrown it up on the side of the bed.

This pain is consuming. Persistent.

Your fingers knot into the soft blankets below, gripping tight until your knuckles ache. A futile attempt to exchange this pain for a lesser one. Something you can ignore, forget.

Through the open window, you can hear the playful caws of a raven searching for food. You want it to distract you, to pull you away from the sickening sensation of your ankle separating from the heel, but it doesn't.

All you can think about is the fresh pain. Your flesh ripped apart. Torn achilles, he'd said. You feel it as he moves, washing away the dried blood, the viscera. The break in your tibia. It's a nauseating feeling. Visceral. It screams at you that something is wrong, reverberating through your bones.

The raven caws again.

“Gonnae ‘ave tae stitch yer heel up.”

You make a sound—a pathetic whimper choked in the back of your throat.

“Fine,” you rasp, tensing. “Just—”

Get it over with.

Johnny seems to understand, offering a consolatory pat on your shin. “Ye'll be fine. Ah know what am doin’.”

You glance back at him, avoiding whatever is happening below his elbows. Refusing to look.

He reaches up, fingers stained pink with your blood, and pulls the ballcap off his head, shaking the matted hair loose. His hair is thick, curling at the ends. Dark brown. Soft. You take in his expression, him, as he works, using it to churn your thoughts away from the prickling sensation of him pressing your torn skin back together, readying it for the needle.

He's intense, focused, as he works. Eyes lidded to half-mast. Long lashes fanning out over the dark circles beneath his eyelids. Bruises that speak of long, sleepless nights. The empty bottles of beer and the full ashtray within arm's reach make a little more sense as you see the extent of his fatigue.

It doesn't concern you. You rip your gaze away from the thin, twisting rivers of red that snake through the jaundiced whites of his eyes; the possibility of his vulnerability notches something inside your chest you don't want to think about. Can't.

Your saviour, you think again, veering sharply on the edge of too cruel—

“Might pinch a bit, doe,” he mutters low, soft. His thick, even brows pull together at the centre. You feel the prick of the needle pushing through your skin—

Down his brows. The oblique curve of his nose. Bottled to a point. The thick bed of hair beneath his nostrils. Thin, pink lips jutting from the thatch of black bristles. The wisps curl down the slope of his neck, thinning at the hollow below before thickening back into a dense crop on the scant patch of his skin visible from his unbuttoned shirt.

Another prick—

A thin, gold chain loops around his neck. Tucked against his sternum is a Latin cross. It's plain. Traditional. Solid gold, maybe. But not purely for decoration. Where the arms meet the body, the surface is smoothed down. Worn. In the reflection, you can see the thin, circular lines of a fingerprint.

The bible on his dresser makes sense. You glance over at it, taking in the folds and creases on the leather cover. Aged and well-loved. Used. Pages are dog-eared. Waterlogged. Scotch tape holds the spine together.

The Holy Bible gleams in faded gold lettering. Douay–Rheims is etched into the surface.

The sight of a worn-down book and thumbed cross shouldn't relax you, but it does. A good ol’ boy, then. You turn back to him, eyes caught on the gleaming gold flush against tanned skin. It's tight to his sternum. Hung delicately around his neck.

Seeing it now feels a touch voyeuristic. It wasn't intentionally bared to you. Wasn't offered up willingly for you to gawk at, mind looping around thou shalt not kill and do unto others as you yourself would want done unto you, and finding comfort in the ordered morality of its symbolism—however fickle that could end up being.

You know a man is not as moral as his religion demands of him, but he looks devout.

A good Catholic boy.

Still—

You peel your gaze away from his chest as the thread slides through. The sensation is uncomfortable. Ticklish. Forcing your attention back to him, well above the neckline. His nose. Nostrils flaring when your knee jerks. His hands close over your shin. Mouth parting slightly just to say, keep still, doe. Donnae want tae hurt ye.

His hair is slightly greasy near his scalp. Sweat from earlier dampens his locks, flattening it tongue head. It's longer at the top compared to the sides. An odd, asymmetrical hairstyle that doesn't feel like an aesthetic choice at all. Maybe he had a mullet. Or—

You see it when he tilts his head down, chin angled toward your foot.

A scar stretches from his temple back, thinning the hair that lines his scalp on the right. The flesh is jagged, uneven. Cratered. It forms a ravine. The canyon walls clumped scar tissue. The nullah in the centre is all pink and raw.

You think of a shooting star. Meteor showers in the indigo sky.

You think of his words from earlier—ah know what am doin’—and the depth of his medical knowledge. It stands out now. You suppose he would, wouldn't he?

The thought has shame dripping down your spine like hot, slick oil. Burning. Tarry. You remember what he said in the truck about being wounded in action, the misery in his words, the anger, and choke yourself on the regret that swarms your throat.

He looks up, then, catching whatever awful amalgamation of self-hatred, shame, and regret makes of your expression, and the words—sorry, I'm so sorry—tear through your throat until it's bloody and raw. Pulp. Unspeakable, now.

It dampens his brow, but there's no embarrassment in his eyes when he holds them to yours. Nothing except an intense, dizzying sense of curiosity. Of—

Intrigue.

It doesn't have a place here, and the sight of it is sobering.

Why is he looking at you like that when you're gawking at his injury? Confusion knots deep. Uncertainty coiling around your ribcage. Maybe he didn't notice. Doesn't care.

Is too used to it to worry about whatever conclusions you might draw from the jagged skin barely knitted back together. But his eyes flash. Understanding edging out the unfathomable greed lurking in hazel plains, nestled, restive, in the shade that falls over the sloping boscage.

You almost miss the shadow when it appears. Wrought with Leashed ghosts. Tempered anger. Wild, frenetic. The chains holding it at bay tremble. Shake—

And then it's gone.

Dissolve back into passive cordiality. All ire stayed behind a wall.

You want to apologize, but the words are ash in your throat. Unspeakable. Johnny doesn't address it. He dips his head down once more, silently refocusing his attention to your ankle, and offering no explanation for the scar on his head.

You don't ask. Don't pry. It's not your place. But your eyes are still glued to it.

It's a horrific injury. Survival from such a terrible wound seems like an impossibility. A gunshot, you're sure. Seeing the small chasm carved into skin, narrowly missing his eye socket, fills you with a blistering sense of pity for this man, and you quietly, quickly, peel your eyes away from the jagged surface, letting your gaze run across the room. A meagre sense of privacy, you're sure, but it lets you breathe a little easier when you can't see the way his temple split apart to make room for a bullet—

“Had a mohawk,” he says. “They cut it off when this happened.”

A mohawk. The asymmetry of his hair makes sense now, and you can almost picture it as you stare at him. The edges shorn, the top long. Unruly. His hair has a slight curl to the ends, but is mostly straight for the first few inches.

As wild as he looks now—untamed, rugged; the thick tangle of uncharted wilderness—the mohawk must have made him roguish. Boorish. With his broad shoulders, thick biceps, and piercing blue eyes, the mohawk would have added to the playful appeal. Boyishly charming with his cropped hair and puckish grin. The draw of a bad boy, a vandal.

But as you try and shape this around him, you catch the strain in his shoulders. The terse set to his jaw.

“You don't have to talk about it if you don't want to.”

“Was shot.”

It's said without a preamble as if he was waiting for you to ask. But the words are spat out like they're something foul in his mouth; like he's ridding the taste of it between his teeth. The anger, the aggression cows you slightly, but you offer a small, warbling smile you hope is conciliatory. Apologetic.

“I'm sorry,” you offer around a stuttering exhale. You can't imagine what that must be like. Shot in the head. The idea is unthinkable. Improbable. And yet, the evidence slashes across his temple; a meteor shower carved into his flesh.

He lifts his chin, staring down at you from the bridge of his nose. “Wasnae yer fault, doe.”

“I know, I just—”

Johnny gives a nod in response, ending the bubble of words and apologies building up behind your teeth. It is what it is, he mutters when you blink at him, flummoxed. This sort of reveal seems like it should necessitate a bigger conversation, a deeper one. Questions buoy to the surface—from prying (how did it happen, how did you survive) to intrusive (what did it feel like, does it hurt still)—but you trample them until they sit, a building mass lodged in your throat.

He seems content, then, to continue with what he was doing, and says nothing more about it. And it's not your place to pry. To chisel into his trauma.

You let it pass. Let it moulder.

The raven caws once more. You lean back in his bed, staring through the fluttering curtains, mind reeling at this discovery.

Stupidly, you feel more at ease in his presence. As if this show of vulnerability somehow negated the distress of your predicament, and the infeasible nature of how you ended up here, in his home. Gazing through the thick canopy of green to the golden sky above. A whole world away from your home. Broken. Injured. But the cross, the thumbed-through bible, and his human fragility seem to curl along the vicious dread curling inside your guts, soothing over the distrust with gentle, sweeping brushes.

Quelling a frightened child after a nightmare.

How strange, you think, but let yourself relax in his presence all the same, breathing in the scent of stale smoke, sweat. Coumarin. Tree moss. Fresh pine. It smells like the valley. Soft, waning detergent. Masculine.

You pretend you're watching for the raven as you sneak small glances at him. Taking in everything with a new perspective. The broadness of his shoulders. The thickness of his waist. There's power in his arms, in his thighs. Sculpted musculature, honed and refined. Despite the thickness of his fingers, he has a delicate touch. Deft and sure, as if he's used to working his bulk around small parts.

He's unkempt. The ballcap hid most of his dishevelled state, but he's not sloven. It reminds you of the outdoorsy explorers. The hikers you met on your trip out. Roughhewn and unconcerned about their overgrown beards and their tousled hair.

There's something potently masculine about it, and you can't deny that even with the garish wound on his head, all mangled scar tissue, he's handsome. Rougish. The scar elevating it somehow—a testament, perhaps, to his resiliency.

He catches your stare on the next glance, holding it as he leans back with a quirk of his lips. It's not quite the grins he aimed at you before, but the shadow of it lingers.

“Now,” he utters, the severity in his tone makes you flinch. Sobering quickly under the weight of his solemnity. “Th' bad part.”

“Bad part?” You echo, confused. “What could be worse than that?”

He taps two fingers against your swollen ankle, urging you to look. You swallow and force yourself to glance at where he rests his fingers.

With your split heel stitched up and wrapped in bandages, the sight of your leg doesn't make you want to curl into the fetal position and cry. But it's still horrifying to look at.

A mass half the side of a baseball juts out from your skin.

“Ankles dislocated,” he murmurs, sliding his fingers over the mound. “Gotta pop it back into place.”

“That's not—” you shake your head. “That's impossible.”

“S’okay, doe. I gotcha.”

“That's not the point. That's not—”

“Look,” his pitch lowers dangerously, firm now. “Gotta do it or you'll have problems later on. Much worse than a bit o’pain.”

“But—”

He inhales sharply. “Can't let it go, doe. Gotta fix it.”

You understand the logic in that. Leaving a dislocated ankle will undoubtedly cause problems later on. But—

“Will it hurt?”

Your fear quiets the irritation brewing in steeled hazel. “Aye. I won't lie tae ye, doe. It will hurt.”

You swallow around a whimper.

“But,” he leans over, his hand sliding over your cheek. Cradling your face in the palm of his hand. “I'll do mah best tae be quick. Ah won't hurt ye, doe.”

It must be the way he carries himself that puts you at ease, so assured in his abilities; confident in what he can do without any sense of grandiosity.

“Fine.” The word is juttered out of your chest. “Just—”

His thumb catches the tears that spill over your lashline, swiping them away with a tenderness that makes you shiver.

“Ah’ll be quick.”

He reaches into his pocket and pulls out two chalky white pills. Tylenol, he mutters, catching the furrow of your brow. It abates the unease somewhat, and you let him drop the pills into the flat of your palm, rolling them over with your thumb as he grabs the water on the end table. They're circular with a slit down the middle.

“It'll take the pain away.” He says, holding the water up to you. “Ready?” It's uttered so severely, so seriously, that your breath hitches in your lungs. Mirth blooming between your teeth.

“As I'll ever be,” you rasp out before popping the pills into your mouth, cradling them on your tongue protectively as you reach for the glass he holds out. They're bitter.

You wash it down with a mouthful of stale water before leaning back on the bed, letting the scent of his sheets wash over you once more.

Outside, the raven trills.

The pain of popping your ankle back into place leaves you a weeping mess in his sheets, but Johnny doesn't seem to mind the shuddering sobs. He pets down your back, shushing you quietly under his breath as he mutters something in Gaelic that you're sure is meant to be soothing.

“Ye’ll be fine,” he says, tracing figure-eights down your spine until the Tylenol kicks in, and the agony tapers off into an aching throb. “Jus’ breathe. Ah’ll get ye somethin' tae eat.”

He leaves soon after. You let the numbed, drowsiness of the pain medication lull you into a doze, listening to Johnny move in the kitchen. The squealing slide of unvarnished wood rubbing against old metal. The thud of a knife. The scent of hot oil. Muttered curses. A playful raven's caw.

You're not sure how long you slip in and out of this dreamless state, but Johnny appears in the doorway, arms crossed over his chest as he leans against the frame. He watches you with hooded eyes, a small, secretive smile tugging on his lips.

Blearily, you yawn, somehow still exhausted despite how long you slept between yesterday evening and today. Trauma, you suppose, and say nothing at all about it when he helps you sit up in the bed.

Dinner consists of leftover bannock—the fried dough soft in your mouth, the flavour buttery; smokey—and hare stew. He pulls a chair from the living room into the bedroom, eating on the edge of the bed with you.

He's sloppy about it. Slurps all the meat and potatoes out of the bowl before sopping chunks of bannock into the gravy, shoveling it into his mouth with a grunt. It dribbles down his chin, and dirties his beard. This slovenly display might have churned your stomach before, but you're just as ravenous.

And it's good.

The bread leaves grease stains on your fingers, but the toes on your uninjured foot curl when you bite into the crispy surface, teeth sinking into the pillowy dough below.

“This is bannock, you said?” You ask, dabbing the napkin he offered with a wink when you finish. At his nod, you continue. “It's good.”

“Aye,” he grunts around a mouthful. “S’the best. Make it every mornin’ so ah go’ fresh bannock tae go.” He swipes the back of his hand over his mouth, slurring out: “s’good wit’ jam.”

“Did the locals teach you how to make it?”

He nods. “Scottish dish, originally. Made wit’ oats. Drier, too. But—fuck. S’good—nae. Better like this. Ol’ couple taught me when ah first came. Paler ‘n’ shite, they said. ‘n didnae ken a fuckin' thing about surviving oot ‘ere. Big man, Jim, taught me ‘ow tae hunt. Where tae fish. An’ ‘ow to cook it. Made this cabin, aye. He, ah, and his son. Offered ‘er up tae me when they realised ah didnae come wit’ shite all but a bad attitude.”

“That was nice of them.”

“Most folk up ‘ere are. Quiet, ken? People take care’a ‘emselves, most. Take care’a others, too.”

You mull over his words as he leans back in the chair with a satisfied groan, legs spread wide. His hands folded over his belly. The picture of ease. Contentment. This freedom of motion makes you slightly envious.

“An’ wha’ about ye?” His eyes are lidded, leonine, and fixed on you. The intensity is always on the side of too much. Too dizzying. Consuming.

You stamp it down, running your thumb along the inseam of his gingham throw. “What about me?”

“Why’d ye come here?”

His question throws you off balance. “It’s a pretty park,” you offer with a shallow laugh. “Who wouldn't come here?”

“Lots of pretty parks. Why this one?”

“Dunno. It was—”

“‘ave ye ever been tae any other parks? Anything like this?”

“I hiked a bit, and, um—”

He sucks out a piece of meat from between his teeth. “A bit, aye?”

“Yeah. A bit. Why—”

“Ye came all the way here fer what? A pretty park? With no experience at all? And alone?”

The shift in his posture reads as angry, irate. You blink, bewildered by this sudden change.

“Well. It was supposed to be an experience.”

“An experience, aye? Survival skills of a lemming.”

It's derisive, cutting. You bristle through the sting of humiliation, grappling through the slurry of fatigue to cobble together some form of defence against this lambasting of your—admittedly—ill-thought adventure, but he's already moving on. Fingers tapping an off-rhythm beat against his belly as he levels you with a sober look. More serious than you'd ever seen him before.

“An’ yer family? They just let ye come here oan yer own?”

The mention of your family makes guilt well to the surface, buoying above the indignant anger at his mocking words. Cowed, you shrug.

“Sure.”

Something cracks in the severe mein he carries; fracturing through the blatant disapproval. Cutting it like a knife.

He sighs through his nose before reaching up and scrubbing his hands over his face. “Shite. Ye really needed me, aye?”

You blink at the odd choice of words, brows drawing together in a tight knot. It's indefensible, of course. In many ways, he's right. If he hadn't found you—

Well.

You temper that thought before it forms. You're too out of it, spatially unaware and unmoored, to let yourself fall into an existential pit of despair when you know you won't be able to climb out. Thinking of your assured doom out there, all because of a misstep somewhere along the path, makes dread bloom in the pit of your stomach. Nauseous, roiling. It froths over the basin, ready to spill over and drag you under.

Swallowing around the surge of panic—mortality a fickle thing in a place like this—you offer a despondent shrug in response. Unable to scrape together any sense of a defence that won't make you sound childish and idiotic.

You ready yourself for more mockery, having become the very thing the park rangers tried to warn you about when you showed, alone, in hiking boots much too big for you.

But then he's shifting, expression clearing. The anger folded back behind a quick grin.

“Pretty here, isn't it?”

You're not sure what to make of his mercurial temperament; emotions cascading by, quicksilver and sudden. The flashes of anger, intensity, curiosity, and this, all happening within such a short period. It's overwhelming.

It unsettles you. But—

“Yeah,” you mutter, unable to stem the awe from leaking through.

The change in conversation is freeing. Sometimes it's just easier to let sleeping dogs lie, and that's exactly what you do. Tucking his odd behaviour behind a plexiglass of indifference, pretending it wasn't there, lurking just out of sight. Something to unravel later, when your heart wasn't on the verge of buckling under the strain of your anxiety. When your chest didn't feel like it was slowly being crushed. Your stomach is all twisted up in knots too tight to untie with your bare hands.

It's easy to let yourself heave through jittering lungs, and pretend you couldn't feel the rot festering on the sides of them. Eating holes through delicate tissue.

The majesty of this place hasn't quite worn off, and you use that as an excuse to drift. To close the doors on the overwhelming deluge of hysteria creeping up on you.

You still think of the jutting fjords instead. The steep ravines, the moose in the distance—her colours sharp against the green backdrop—and let the untempered sense of reverence split you down the middle.

It comes out in a flood, then—as if you've been biting back the words this whole time.

You tell him about the valley. The waterfall. The white river. The marmot you saw poking its head out. No bears, you sigh; the forlorn lilt to your tone seeped with a touch of relief, an aspect he pokes at with a crooked smirk until you huff, rolling your eyes to the ceiling at his gentle ribbing. Huffily, you admit that as much as you want to see a bear, you're not quite ready to face them in the wild.

Lots’a bears ‘round ‘ere, he taunts, rolling his knees out further as he sinks deeper into the chair.

He dodges your next question of where, exactly, is here with a silky grin and a need tae know rolling off his lips before they tug downward in a sudden frown.

You must be acclimating to the strange ebb and flow of his emotions because the lour grimace on his face doesn't deter you as much as it did moments ago. You pick up the slack when the conversation lulls, telling him about the places you've been and how they compare to Nahanni.

“They just—don’t.”

It's hard to encapsulate the scale of it all into simple words; digestible pieces someone else can swallow. The park isn't too far from Yellowknife, and yet it feels like a world on its own. The remoteness, the vastitude of it all, is hard to describe, but Johnny seems to understand.

He listens with a slight quirk to his lips. A smile you'd almost call fond. He gets it, you know. The words you can't say. The ones that feel too lacklustre when you do.

“That really why ye came?”

You hesitate for a moment, looping a loose thread around your finger. Contemplating. Mulling it over. You've never told anyone the reason for the trip outside of a new experience for yourself. Testing your mettle. But with Johnny—

There's a sense of kinship, you find. An understanding.

“It seemed so—” he waits for you to find the words. “Lonely, I guess.”

“Lonely,” the way he says the word is ruminative. Rolling it around between his teeth; testing the weight of it. “Ah suppose it is.”

“You don't think so?”

“It's—” he pauses, eyes listing to the side as he mulls over what he wants to convey.

He does this sometimes, you think. Gets lost. Loses himself. Retreats inward. You can't help but wonder if this is a manifestation of his trauma—a head injury such as this would be classified as a traumatic brain injury, wouldn't it? You're not well-versed in this area, and it feels a little mean, cruel, to have this thought, but it blooms as his eyes fog over. As he struggles, almost, to find the words he wants to say, to give voice to what he feels, thinks.

“Lonely, aye,” he grinds out after a beat, but he looks frustrated about it, and glares down at his lap, silently fuming. Annoyed. “Big.”

The word is ripped out from between his teeth, and you nod, hastily, to both quell the looming anger brimming in the terse set to his shoulders and to let him know you understand. Can read between the lines—if only just.

“Is that why you came?”

The shrug he offers is noncommittal but you can see the tension pooling in his brow despite your efforts to quash it. “Couldnae go home after this—” he lifts his hand, tapping his fingers against the scar tissue on his temple. “Wasn't safe. Had tae give up everything after. Maw. Da. Sisters. Cannae ever see them again.”

It doesn't make sense. None of it does. The innate understanding between you is shattered by the impossibility of this moment, and his half-formed words. What you gave up seems paltry in comparison to what he's confessing to. His family. His whole family—

“Might see them one day. Once that fuckin' prick is in th' ground, but 'til then—” he shrugs again, easy. As if the look on his face wasn't cataclysmic in its anger. It's rage. Sorrow. Hatred. You flinch back as if the blackhole of these awful emotions will eat you alive.

Johnny sees it, and reaches for you, making soothing noises under his breath as his hand wraps around your thigh. “Ah, doe, don’t worry. He wilnae find us—”

You're not sure what to say to that, but the grip he has on you is firm. Unyielding. There's a scowl etching over his lips, as if the mere thought of such a thing fills him with disgust, fury, and you shake your head slowly.

“I'm not—I’m not worried.” You don't know how to tell him that this phantom prick from his past isn't what made you reel back, but the intensity of his wrath. The sudden infliction of his ire. So you don't. You give in with what you hope is a conciliatory smile. “I, uh, I trust you.”

It's loose. Shaky. Your conviction wanes around the edges, falling flat and hollow when it trembles out. If Johnny notices the brittleness around it, he doesn't show it. If anything, he seems to take it as a sudden gospel.

“D’ye—” There's a crack in his voice. He swallows, then. Adam's apple bobbing harshly against the skin of his throat. You wonder if you've upset him. Angered him. But he's leaning down, eyes widening. Feverish. Blue lagoons. “Ye trust me.”

It's not a question, but he poses it as such. You nod slowly and unsure.

Johnny ducks his head, then. Lifts one hand to rub at the bristles around his chin and upper lip. Lost in thought, maybe—

It's when he reaches around, scrubbing at the nape of his neck, do you see the flush peeking out from beneath the thick bed of hair covering his cheeks. The sight is jarring. Unexpected.

You're not sure what to make of it. Of this strange reaction. But it passes almost as quickly as it started. The red is replaced by a wide, blinding grin. He squeezes your thigh.

“Hah, doe. Ye really know what tae say tae cheer me up—”

You haven't said anything at all, but this, too, goes unacknowledged. And before you can even try to draw attention to it, he breathes in deeply as he sits up in the chair.

“Ye finished?” He motions to the bowl and plate on the bed. You nod. “Alright. Ah'll put ‘em away. Get ye some tea.”

“Oh, I'm fine—”

“Nah, hen. Tea is good for ye. Will help ye heal.”

He leaves without another word, carrying away your dirty dishes. The unfinished conversation lingers in the air around you, but beneath the loose strands of everything unsaid, you feel something tangle inside your chest as you replay his words in the back of your head.

All alone in Nahanni, unable to see his family. You're sure the prick he's referring to is the one who gave him that horrific scar, nearly taking his life.

Somewhere in the loop, a knot of pity begins to take shape.

Johnny brings you Labrador tea—a speciality he learned how to make from Ethel and Jim, the couple from Wrigley who took him in. It's good. It tastes sweet, earthy. Honey and pine. You sip at it as he grabs sleep clothes from his dresser, watching him with a muted sense of listlessness.

You can't imagine the next sixty days that loom before you. Restlessness, claustrophobia—it coalesces into this strange, itchy feeling that sits, uncomfortably, atop your chest; an increasing pressure. You wish you could pick it off like a loose scab. Dig your nail under the hard clot and tug—

Peel it all off until just silken new skin remains.

Johnny looks antsy when you finish the tea. Eyes bright. Wide.

As you contemplate the surrealism of your predicament over Labrador tea, he grins like a shark and tells you he only has one toothbrush.

“Dinnae mind sharin’, doe,” he offers, too jovial, eager, for the notion of lending his toothbrush to a stranger he met less than twenty-four hours ago. Ah ‘ave good hygiene, he adds, as if that might make this any better.

Putting away the disgust, the idea of sharing a toothbrush feels much too intimate to you. Something befitting a long-term partner, or kin, before a man you know only the bare bones of.

But like most things lately, what choice do you have?

Johnny grins brightly at your acquiescence. All teeth. He hands you an old sweater—his favourite football team, he adds with a wink when you blink at it—and then moves toward you with a wicked gleam in his eyes you try to pretend is just overeager hospitality.

“Wait—” you start, jerking back instinctively as he looms over the bed. “What are you doing?”

A dip forms between his brows, and he cocks his head quizzically at you. “What're ye talkin’ ‘bout, doe? Need'tae brush yer teeth, don't ye?”

“I—I can walk—”

He snorts. “Oan yer broken ankle? Will only hurt yerself more.”

Despite the truth in this statement, the flippancy in his voice stings. Prickles under your skin. Your loss of mobility, of being wholly dependent on another person, is a bitter thing to try and swallow. Especially when you're here for the literal antithesis of it. To be free. Self-reliant.

Not needing anyone at all except the grit in your bones and the determination to see things through.

Having all of that ripped into pieces in front of you, by a man who says it with such nonchalant disregard—as if your efforts were meaningless, insubstantial for what it got it—is humiliating.

You can't remember the last time you needed someone for something so simple as walking to the washroom to brush your teeth, to wash up. The loss of this minute freedom makes you want to cry; to break down. Rage. Break things with your bare hands just to show the world you still can. To fight against these shackles locking around your ankles, and run—

Johnny's hand falls on your knee, thumb brushing the torn edge of your tights, grazing the skin beneath the loose threads with each pass.

“Don't worry. Ah'll take care 'o ye.”

That's the problem, you think, chest burning. This awful feeling inside is churning. Frothingly acidic, corrosive. You don't want him to. You don't want to need this man at all. Ever. For anything.

But—

“Thanks,” you choke out. It tastes like iron. Like defeat.

He carries you to the washroom, cooing the whole time about how ye ‘ave nothin’ tae be embarrassed ‘bout while you blister from mortification, from shame.

You came here to be self-reliant. To grind your mettle against the wilderness and come out on the other side victorious and better for it. But what you've accomplished so far is getting lost, getting hurt, imposing on a man you barely know—

One who has to sit down on the ledge of the bathtub with you cradled in his lap like a child, injured foot elevated on the lid of the toilet seat. He cups his hand under your mouth as you scrub at your teeth, trying to catch any of the foam from the toothpaste that spills from your mouth.

It's mortifying.

You've never felt so vulnerable in your whole life.

“Sorry,” you choke out around the brush—his brush—as he slowly commanders the weight of you around enough to spit in the sink.

He waves you off with a noise. “S’alright, doe. Ye can lean oan me all ye like.”

So he says. But you feel the rapid inhales behind you. The soft pants spilling from his lips, lungs expanding, broadening his chest into your back. Exertion, you think, slightly cowed and humiliated. Desperately trying to hold some of your weight on your uninjured foot.

“Nah, ah,” he breathes, arm slinking around your middle, tugging you firmly into his lap. “Ye jus’ worry about gettin’ ready tae go tae bed now. Ah got ye.”

He soothes his palm up and down the length of your arm as you finish up in a fruitless effort to calm your nerves, but it doesn't work. Can't. Because you know what's coming next.

“Can I, um—” your tongue is thick in your mouth. “I need to use the washroom to–to, uh, washup, and stuff—”

His thigh jerks beneath you. When he speaks, his voice is rougher than normal. “Okay.”

But he stays where he is.

“I think I can do it on my own—”

“And if ye step oan yer leg?” He tuts, arm tightening around you. “Only gonnae hurt yerself more, doe.”

“I'll be careful, but I really have to—”

“S’okay,” he coos. “S’only me.”

That's the problem, you think wildly. Hysterical. That's the whole problem, isn't it?

“No, you don't understand. I need to, um, go.” He makes another noise, soft. Agreeable. Fuck. “I need to pee.”

It comes out in a hiss. Feral, like a cat. Embarrassment turns you into more animal than man.

Again, he hums. “I know, doe. Donnae worry, ah’ll hold yer leg.”

“Can't I just keep it, um, on the ledge?”

“No, no. If ye put weight oan it, doe, ye’ll be in serious trouble. Dislocated. Broken. Jesus, ye cuid slip the bone out of place—”

No. No.

The idea of him holding your ankle as you piss is beyond any measure of shame you've ever felt before. You like your privacy. Crave it, sometimes. You don't think you've ever done this in front of someone since you were a child.

You need—

A moment.

Time. A pause.

But he doesn't give you a chance.

Johnny's other arm loops under your knees, and with a small huff he stands, holding you aloft with an arm anchored across your belly. It's quick. Mercilessly so. He steps back and lifts his foot to toe the lid off the toilet seat, unbothered by the loud clang it makes when it hits the tank.

“There we go,” he mutters, and sounds almost breathless for it. “Let's get ye ready.”

It should be awkward. Clumsy. But he moves with a surprising agility that belies the firmness of his muscles, the bulk. He lets your uninjured leg drop to the floor, murmuring for you to put some weight on it as he cradles your shin in his hands, careful not to let your foot move more than it needs to.

The strange dance ends with him holding your shin in his hands, stretching your thighs out more than they'd ever been before. An image that might have been comical under different circumstances but just makes you flounder at the suggestiveness of the pose. Added, in large part, by the firm hold he has on you. There's not an ounce of give. No threat of falling.

You gasp when he moves, shuffling backwards to pivot you around until the back of your shin meets the cold porcelain.

“Alright now, doe,” he motions toward the seat as he slowly bends down to a crouch on the floor, your foot still held in his grasp.

You follow him down until you meet the seat, trying to avoid his gaze as you clumsily paw at your tattered pants, slipping the down your thighs in a hurry. Your panties follow after a moment of hesitation.

When his breath catches, you say nothing at all. Pointedly avoid whatever face he might be making as you stare, fixed, at the panels on the wall behind his head. Wallpaper. Probably moisture-resistant. It's peeling in some places. Decades ago, it might have been a soft canary yellow.

His breathing is shallow. You ball your hands into fists and press the flat of your knuckles against your thighs.

It's hard to focus when you can feel the scorching heat of his body bleeding into your leg, your knee. Close enough that all he has to do is bend down a little more, and his face would be pressed against your thighs.

There's no room, no privacy.

You close your eyes and pretend you can't hear how his breath seems to fill the entirety of the small washroom, ghosting over your skin. Virginia Falls comes to mind—a roaring rush of water—but even in the solitude of your mind, you can't ignore the way his stare drills through your skin.

You swallow. You can't do it. Can't do this.

“Can you—” back off, go away. Stop breathing so heavily because you might get the wrong idea, like this whole thing excites him somehow—

His voice is rough when he speaks. Ragged. “Cannae ah what, doe?”

“Turn the tap on? I can't—I can't concentrate.”

“S’only me, bonnie girl,” he murmurs, but does what you ask. Leaning over you, broad torso swallowing you up entirely under his bulk. You can feel the soft give of his belly on your knee as he presses it into you, but it only lasts a second before you meet a wall of solid muscle beneath. He braces a warm, rough palm on your naked thigh, leaning in as he reaches over to the sink above.

It's barely a fraction of his weight but the drag of it makes you blink in surprise. His skin is burning. Redhot.

Opening your eyes brings you close to his chest, nose only a hair away from the tanned skin stretched over his collarbones. The metal chain gleams in the flushed light hanging overhead, sitting in a golden contrast to his sunkissed flesh. Its reflection casts beads of glittering lambency over the slope of his neck.

Pretty, you think, watching as it coruscates in a mesmerising dance each time he moves.

The faucet turns with a metallic squeak, breaking you from your reverie. Water gurgles up from the pipes, spitting into the basin with a hiss. You pull back, twisting your head to the side as heat floods your chest.

“Thanks,” you mutter, unable to meet his stare.

His fingers tighten around your flesh. His voice is raw when he mumbles, “anytime.”

The trickling rush of water reverberates around the room, and it's easy to close your eyes and pretend you're alone.

So that's exactly what you do.

His palm grows slick on your skin. Damp. But you ignore it, focusing on nothing but the urgency of getting this over with as quickly as you can. It works, marginally—

(Johnny makes another noise in the back of his throat.

That, too, you ignore.)

“Finished?” His voice is thick, wet. You nod slowly, peeking out from the sliver between your lashes to paw at the wall for the toilet paper roll. “Here, ah’ll help ye out of fer pants—”

Your head feels heavy. Limbs laden. The embarrassment crushes you into a fine powder; malleable, putty. You let Johnny take the lead after. Let him slip your tattered tights down your thighs, and say nothing at all when too much of his palm glides along your skin as he pulls. Needlessly, of course, when just two fingers would do.

But it's fine. Fine. Maybe he's never taken off tights before. Maybe the material is too thin and he's worried about it catching on the scrapes over your knees, the bandage wrapped up to mid-calf.

Your shirt, too. When he slips his fingers under the hem, splaying them wide over your belly before dragging them up until it bunches around his wrist. Tugging, tugging. Hands gliding over your skin, fitting along the contours of your body.

He keeps one hand moulded to your neck, fingers brushing your jaw, as he gingerly pulls the shirt over your head. The ragged pants in your ear, the soft groans when you slip into his old shirt—

It's exertion, really. Must be. He's tired from holding you up the whole time you brushed your teeth, washed your face in the sink. It's all fine. He's being gentle. Doesn't want to hurt you.

He's just being nice.

(And when you notice that your panties are missing from the pile of dirty clothes he shoves into the corner behind the door, that, too, you ignore.)

Exhaustion takes you soon after Johnny tucks you into bed, dragging you under once again. He tells you he'll be on the couch. To holler if you need anything. Sluggishly, you nod. Thank him when he places a glass of water on the bedside table for you.

(Bite your tongue when he brushes his fingers over your cheek as he bids you goodnight.)

Through the gossamer of sleep, you can hear the floorboards creak in the doorway, but when you look, there's nothing there. Just an empty kitchen. The soft flicker of the fireplace smouldering in the living room.

Nothing, you think. It's nothing at all—

There's a weight on your chest.

Warm, searing. It dampens your skin where it sits, heavy, on your breast, cold air ghosting along the sweat building up each time it moves.

You stir. The pressure takes shape. A hand. A man's hand. Rough, calloused, and hot. In his palm, he holds your breast, thumb brushing along the curve of it. Sliding, sliding—

You come awake with a gasp.

There's a twinge in your ankle when you move, and the pain grounds you, silences you. His thumb twitches on your nipple, but he, too, stills. Quietens. An impasse.

And you suppose this would be where you'd scream. Rage. Slap him across the face, rip his hand off your breast. Curse at him for being a creep, and a pervert, and nasty, disgusting man because there's nothing at all that could justify the reason for why the shirt he gave you to wear to bed is tucked up over your chest. The bruising press of something hard digging into your hip negates any excuse he might try to give. This is unmistakable. You should scream, cry, and—

Leave.

This is what glues your lips together. Keeps you from moving at all, from making a sound. Where would you go? How would you even get there to begin with?

It's this—the uncertainty, your vulnerability—that paralyzes you. Keeps you still, silent, as his hands brush over your skin, touching, fondling. His palms are rough, calloused. Pyretic. He squeezes, kneading your flesh in his sweat-slicked hand like he's owed the right to touch you. Like he's allowed.

He pants against your temple, breath warm, humid on your skin. Heaves like a dog in your ear, grunting low as he ruts his hips into your side, smearing something hot, tacky across your skin. Something you try not to think about, to inch away from. But he catches you quick, and stops your meagre protests before they form.

His thumb and forefinger close over your pebbled nipple, pinching softly at your budded flesh. The shock of pleasure is unwanted. Awful. It churns your stomach, and you fight the urge to weep—

He leans up, ragged exhales growing heavier as he moves until milk-warmed breath shudders over your bare breasts. His excitement throbs against your hip. You swallow down around the sudden wave of disgust, the sickness knotting itself together in your belly. It devours the lingering pity you'd felt earlier. The safety, the comfort, that brimmed inside of you for him.

(bleeding heart—

he gorges himself on it.)

Stay still, you think. And maybe he'll go away.

But he doesn't. Of course, he doesn't.

Johnny leans down, mouth closes over your nipple. It's all searing heat. Wet, soft. A sudden jolt of pleasure shoots down your spine when he sucks in tandem with the soft, rolling pinches he doles out on your tiger nipple, and you hate your treacherous body a little bit more for it. For how good it makes you feel when he flicks his tongue over your hardened peek, laving it sloppily. Messily. Drooling all over you—the big fucking dog—

You wonder how long he's been doing this. Touching you in your sleep. The thought sits like hot oil in your guts; sloshing against the soft lining of your stomach until it aches. Burns. You blame it on that when he grunts against your breast, the vibrations send a shiver down your spine. Have to, don't you? Because the alternative is to admit that you're slick, soft between your thighs already; folds soaked, inner thigh damp. Wet. Blame it on him, and the burden in your chest eases when you feel the stirrings of desire, lust, thicken in your lower belly. Bodily reaction becomes your clutch, your lifeline when he lays his upper body against you, the weight, the heft, of his bulk forcing the air from your lungs.

Johnny lifts his head suddenly, eyes drilling into yours before you can feign sleep to avoid looking at him. You don't want this. Your body thrums with reluctance, with fear, but you can't drag your gaze away from him. The rapturous look in his eyes, burning in the low simmer of a never-ending twilight, is paralyzing. Electric. You can't remember a time in your life when another person has ever looked at you with such raw want. Desire. Need. It's covetous. Ugly. Marbled with heady streams of hunger, of awe, as if he's not sure whether or not he wants to eat you alive or savour you for aeons. Taking bites, nibbles, when this urge becomes too burdensome to bear; when the ravenous chasm in his guts threatens to devour itself, bones and all, like a man-made black hole. Under this heavy, unrelenting stare you wither. Submit. Your head rolls until your cheek is pressed against the pillow, neck bared. Offered up to him.

(anything, you think, to run away from the naked want on his face. because with his mouth slack, lips slick, glistening with spit, he looks predatory like this. animal. bathed in gloam and flushed a deep roseate.)

He props himself up on his elbow, watching you. Feasting. Your quiet submission makes him moan; hips juttering at the slow reveal of your vulnerable neck. A paroxysm. As if he just can't help himself to hump against you like a beast in rut.

He swallows. You watch his throat work from the corner of your eye, Adam's apple bobbing up and down, up and down—

Then:

He lifts himself up higher, angling his body until it's bracketed over you. Sliding between your legs until your slit is pressed against the coarse hair that covers his thighs. He keeps his elbow propped on the pillow, sliding up, up, until his forearm comes to rest beside your face. It boxes you in completely under his weight, and the position forces your legs to spread open to accommodate him. Not given up freely, of course; but your compliance in this is inessential, it seems. He moulds you how he likes, mindful of your injured ankle the whole time. A kindness that makes something molten thicken in your throat, stifling the scream that claws its way up your esophagus.

You try not to stare when he clambers over you, chest bare against yours. Hips chiselling a gorge between your thighs wide enough for him to fit. To press his fattened length on the insides of your sticky thighs; groins drawing together. Your legs slung loosely around his tapered waist. A dreadful pastiche of lovemaking. Intimacy.

But even as a mockery—bastardised as it is—it’s embarrassing how easily you open up for him. Legs falling, spreading further apart. Hot, sticky at the apex of your thighs. Wanting.

Blame it on sleep, on this endless hypnagogia you've been feeling since he leaned over you on the cliff edge, and said, pretty thing, aren't ye? All alone. No’ anymore, doe. Jus’ me an’ ye, now. Jus’ us—

You swallow, fighting the urge to cry. Blinking rapidly against the tears that pebble against your lashline, but you're helpless to stop the flood even though the levee doesn't break, doesn't spill over. It just sits, a sorrowful lagoon with nowhere to go.

In your attempt to hold back the deluge, you let your gaze wander away from the piercing blue that drills into your face—seemingly unbothered by the tears in your eyes, the ones that clot over your irises, stinging and hot—and stare down at his broad chest. A mistake, maybe, because you catch sight of the gold cross dangling around his neck. Like a pendulum, it swings. The motion is mesmerising. Hypnotic.

It distracts you for a moment. Or maybe you've just grown accustomed to his touch, to the heat of his hand on your skin. Whatever the reason, it's enough to pull you away from the feverish trail his fingers leave as they make a steady drag downward. It's only when they dance over your belly button do you realise the muted tickle is Johnny, and by then—

“Shush, s’alright, doe,” he's cooing, warm breath ghosting over the plains of your face. It might be comforting if he didn't rest his weight on his elbow, freeing his other hand just to bring it over your mouth, thumb brushing under your eye. A warning maybe. Don't scream. “Ah go’ ye. Ah’ll make ye feel so good—”

There's a fever in his eyes. Wildfires spreading through the yawning boscage, burning everything in sight. The heat is hot enough to char bone; to blacken meat into a dessicated husk. Eating away at everything in its path.

You know, almost immediately, that Johnny's beyond reason. Or, rather—

He's gone, turned inward; delusional enough to think that this is something he has to do.

You'd seen all the warnings of the kindling fire before. Something you'd decided to ignore even as the hunger in his eyes surged; as the shape of it morphed into a frothing devotion that felt ill-fitting for two strangers stuck together like this.

Stupidly, you thought you could outrun it. That he was a good man beneath it all, and wouldn't succumb to touching you in your sleep, to lulling you into a false sense of security—

Except. He hadn't, had he?

He'd been blunt about it all since the beginning. My wife—

How silly, you thought.

But the humour fades when he teases over your hips, resting his palm over your mound, middle finger perched above your clit. Just holding. Touching. The possessiveness of the action is unmistakable, unignorable.

It shouldn't send a shiver down your spine when you'd rather he didn't touch you at all, but it does. There's something about him, you think. Electric. A lightning storm. It crackles in the air around you, humming low in the atmosphere; this unavoidable surge, natural phenomenon. Maybe that's what he is.

More storm than man. A force you can't outrun, but can only endure—

His eyes flash when he slides his fingers further down your slit and finds your skin soft, hot. Drenched. When he groans your name out, it sounds like a prayer. An orison.

“So wet, doe,” he's heaving out in a whisper, eyes nearly rolling back into his head as his touch grows bolder, more insistent. As if the softness of your flesh, the wetness that sticks to your inner thighs, is all the consent he needs. “So fuckin’ wet fer me, aye? Been waitin’ fer this, haven't ye?”

You want to shake your head no but it's futile. He drops his head to look down the chasm between your bodies, watching his hand slide along your skin. Legs spread around his waist, inviting. He curses foul under his breath when he sees how wet his fingers are from just a touch, words mangled in the back of his throat. They sound less coherent as he roams your body, parting your folds and stroking through the slick spilling out of you, dragging it up to your clit.

His voice is closer now. Lips bruising against the shell of your ear. Butchered English. Gaelic. An amalgamation of low whines, and rasping grunts. He sounds more animal than man. A booming thundercloud groaning above you, as if touching you is enough to please him, too. Siphoning it from your body as he presses his fingers against your clit, circling, stroking.

It’s good. So good. And that's the problem, you think. It's easy to give in like this when he pets your pussy like the feeling of your fluttering heat on his hand is enough to make him cum. No one has ever touched you like they were starving for it. Needed it as badly as you did.

The sensation is almost too much. The notion of it getting tangled in the back of your head, looping around the part of you still screaming to run. To go home. To push him away.

(your arms are laden. your tongue is a puddle of mercury in your mouth—)

But just as the pleasure blooming in your belly raises with each pass of his thumb, he pulls away. Slides down, down—

Circles your hole with the tips of his slick fingers, petting with the same desperation he showed your clit until he deems you soft enough for him. He slowly sinks his finger inside of you to the knuckle, stretching your walls around him as he moans into your ear about how good ye feel around him, all tight. Hot. So fuckin' wet, do. So wet fer me—

He pulls out just as slowly, shushing the soft gasp you make when the ridge of his palm catches on your clit.

“Ah told ye, didnae ah? Ah’ll take care’a ye.”

He presses two fingers inside of you as he peppers kisses over your cheek, cooing low about how badly you need him. Only him.

Johnny fucks you slowly on two fingers. Gently. Deeply. Sliding into the last knuckle, petting against your slick walls, like he's owed the privilege and not touching you in your sleep.

He brings you to the edge, takes you right there, and—

Pulls away. His fingers slide down as your hips flit, lifting to make them catch on your clit again. It's embarrassing how badly you want him to touch you. Shameful.

He leans up and catches your mouth in a messy kiss. It's all tongue, wet, no finesse. The wild, unkempt tangle of hair abrades your skin, rubbing it raw as he devours you. Scoops out your tongue with his own, enticing it into his mouth. His teeth close on the thick of it, lips pursing. Sucking on the tip.

His kisses are doglike and obscene. Leaves drool dribbling down your chin, soaking into your neck. He can't seem to decide what he wants to do, so he tries to do it all. Everything. Biting your lips, trying to choke you on his tongue. Slurping up the taste of you until his mouth is stained with it. Beard matted down, drenched.

Despite it all, he's a good kisser. His pace is fast, breakneck. You can't keep up, but you try. Struggling along as he seems hellbent on eating you alive. But it's sporadic. He pauses just long enough to settle into an easy rhythm that makes you arch into it, silently begging for more as he fucks you on his fingers. Nips your tongue as he slides in a third, swallowing the gasp you let out, savouring your moans between his teeth.

Johnny ruins you with just a kiss. Leaves you panting, unmoored. Mouth slack, open wide for him to do what he pleases because the taste of him is divine.

“C’mon,” he urges, spreading his fingers inside of your cunt until you keen, whining his name. “Suck my tongue, bonnie.”

It's disgusting. You do it, anyway.

Your quiet acquiescence makes him moan, hips rutting against you. The hard press of his cock into your skin is bruising. It aches. Your inner thighs are tacky with your slick and the smears of pre-cum he leaves behind as he humps against you.

He sounds mournful when he pulls away, mouth messy with spit, and whispers, “fuck, wish ah could taste ye again, doe—” You don't know what he means until his eyes drop down to his hand, working insistently between your thighs.

Your stomach drops. Plummets. You thought this started when he was touching your chest, when you woke up to his hand on your breast—

“Ye didnae wake when ah did it before,” he says, as if sounding mournful, sad, over the fact that you didn't wake up to him eating your pussy while you were asleep, was normal. “Must’a had too much tea—”

You wish, so suddenly, so viciously, that he'd stop talking. You can't hear this. Can't bear to listen to him confess to all the needling worries that bloomed in the back of your head, ones you stamped down with a heavy foot and a potent sense of guilt, shame, for condemning a man who was just trying to help.

It makes you want to cry.

“Oh, doe, don't cry—” he coos the words out, contrite and conciliatory, but you can feel the way his cock twitches against your thigh. The unmistakable heat mushrooming in his eyes as the sight of tears streaming down your face.

He seems to take it as misery over not feeling his mouth on your cunt, a plaintive assertion he whispers into your ear (poor thing, jus’ wannae feel ma mouth on you, aye? wannae feel me lick yer sweet pussy again?), and decides to rectify your sorrow by kissing his way down your body.

His fingers slip out when he moves, resting them on your knee as he kneels back on his haunches.

You spare a glance toward him, nervous with trepidation, and—

This whole time, his cock had been this phantom sensation against your skin, bruising and hot. Leaving wet smears over your thighs. Hidden from view. But like this, it's the first thing you see as it hangs, heavy and thick, from between his thighs.

The sight is—

Something.

You don't want to think about the heat in your belly. The nervous flit of your heartbeat.

A pearlescent strand dribbles down the weeping, slick head, dropping to the sheets below. The shaft of his cock is similarly drenched, smeared with what seems like a copious amount of precum. It gathers at the base, a startling contrast of thick, black hair and globs of milky white.

Something about it makes you recoil. Almost instinctively, primal.

Your flinch just makes his cock twitch, spitting more out.

The motion seems to unveil more of it to you, adding to the growing unease you feel because his cock is the furthest thing from pretty.

It's flushed a daunting vermillion and purpling like a bruise around the engorged glands. Thickening at the base. Streaked with dark veins that run the length of it, like rivers intersecting and jutting up from his skin. Blotches of red, pink, purple, and peach make up the colouring of it. Marbled like a black eye. A busted lip.

It bobs when he moves. Ugly, garish. You don't want it anywhere near you—

But Johnny’s wet hand on your knee keeps you from moving. Holds you in place as he bends down, resting on elbow to bring his face as close to your pussy as he can get.

Johnny stares—unabashedly—at your bare cunt when he finally settles between your thighs, widening them further to fit the broad stretch of his shoulders. Eyes lit with a heady greed, a hunger, that knocks the air from your lungs.

“Missed ma mouth, didnae ye?”

For a moment, you think he's talking to you. Confusion colours the panic you feel, dampening the dread down until it's flattened by sheer bewilderment when you realise his eyes haven't left your slit.

“Such a bonnie girl,” he purrs, breath ghosting over your cunt. “Been so lonely without me, aye? Poor thing.”

It heats you up from the inside out. The mesmerised, almost unfettered look of pure adoration shaded alongside the raw want on his face twists a sense of desire inside of you. Has anyone looked at you with such naked need on their face? As if the idea of not having a taste was somehow the most agonising thing they could experience? The way Johnny looks at you is enough to make you ache. And with anyone else, having him address your pussy instead of you would be awkward, humiliating, but somehow, him doing it makes you burn white-hot. Makes you want—

“Johnny,” you whisper, paper-thin, and his head shoots up, brows inching high on his brow. You're acutely aware that this is the first thing you've said since this started. Since you woke up to him groping you, touching you, in your sleep. And it's his name. Johnny.

Not no, don't. Stop. Please. Just—

“Johnny.”

It's not consent. You're not sure you're fully capable of doing so right now, if ever. But it's the closest you think you could come to saying yes. Admitting that you want his mouth on you, even though the situation leading up to this still makes something ugly and awful twist in your guts, is as much as you can give. He seems to see this. To know.

But Johnny takes it between his teeth as an unequivocal yes despite that, groaning low in his throat, midnight eyes rolling back into his head. The hands on you tremble. Shake.

He breathes in deeply through his nose, the sound whistling as a great plume of air is forced through small channels, filling his lungs. Perfuming them with the heady scent of you, of sex, clotting in the air.

“Fuck, doe. Gonnae give ye what ye need.”

And then he bends his head, eyes lidded still, half rolled, and without any preamble, glues his lips to your drenched slit, forcing it between your soft folds.

The first touch of his tongue is molten. Soft, tensile, he laves it over the whole of your slit from the sensitive skin beneath your hole, to the crest of your clit. Digs his tongue in, swirling it over and under your folds leaving no part of you untouched. Feasting. Devouring.

It makes you mewl. Your back arches off the sheets, ankle throbbing in a heady, pulsing pain at the sudden movement, adding to the shrill whine in your voice.

He notices, and pets your knee once before sliding his bicep under your leg, looping his hand around to secure your thigh in the crook of his below. Locked in tight. Immoveable. The other he pushes down with the flat of his palm, until your joints ache from the stretch. Your knee is almost flush with the mattress. Widening you further for his searing, eager mouth.

If his kisses are dogish—wet, messy; sloppy with drool—then the way he eats your cunt is foul. Slobbering down his chin, slurping up the mess he makes with a series of chewed-off moans and muffled whines. He paws at you as if he was denied the pleasure of drink for aeons, feasting like a man half-delirious and starved. There's no finesse. No skill to speak of. Just a desperate man lapping at you like a beast. Worshipping you.

He nuzzles his chin and cheeks against your cunt, drenching himself until his beard is matted to his skin. The feeling of his coarse hair grazing your sensitive flesh is overwhelming. Too much. Too ticklish. But—

It feels good.

The contrast of his fleshy tongue rolling over your clit, and the rough brush of his hair when he nuzzles you with the point of his chin, cooing softly about how pretty this little pussy is, getting him all wet, is cataclysmic. The heat floods your belly, and you clench around nothing. Achingly empty. Moaning at the feeling of him bringing you right there, right to the brink, with nothing by the hair on his cheek. It's unreal. Inescapable. Your head drops, mouth lax, open wide as you pant and whimper through the madness of Johnny MacTavish trying to find a way to suck your clit and fuck you with his tongue at the same time. An impossible goal, you know, but he doesn't seem to care about logic or reason with his head buried between your thighs, mouth never leaving you once. He merely nods his head up and down, refusing to pull away.

It's divine. It's worship. It's—

He pushes two of his fingers inside of you, lapping at your taut rim to stem the sting of his sudden intrusion, and you think, for a moment, that you see Nirvana behind your eyelids.

It's embarrassingly how quickly he brings to you the brink, slurping messily as he drills his fingers into your hole, petting against your walls in a mockery of what he'll do to you once he's had his fill. Satiated his hunger with the taste of your pussy.

Something he can't seem to get enough of.

Your thighs draw together, crushing him between your legs. Arching into his mouth, nearly smothering him as you rut clumsily against his face, moaning at the rough scrape of his beard against your skin. You're not normally so aggressive, but he loses himself in it, eyes rolling as he grabs your hips and pulls you closer to his wanting mouth, encouraging you to use his tongue, his lips, to meet your end as you see fit. Riding his face as much as you can with your leg locked tight between his shoulder and bicep.

And it's in between his loud grunts, his whines—almost caterwauling into your slit—where you shatter. The sound of his pleasure, the feeling of his mouth on you—it’s all too much. You break when he sucks your clit into his mouth, keening in the back of his throat as he works another finger into you. It feels good. Too good.

Johnny works you through it. Lets you take, and take as your muscles spasm with the force of your release. Fingers digging into his shoulders, fisting the sheets. He moans along with you, eagerly lapping at your cunt until you whine, begging him to stop. You've had enough. Can't take anymore—

He only pulls away when you melt into the sheets, shuddering with the aftershocks bubbling through your body. Leaning back on his haunches once more, the hair around his mouth slick and wet. The evidence of your pleasure dripping down his chin, droplets still clinging to his beard.

He crawls over you once more, eyes boring into yours. Pits of coal. An endless black hole.

In this strange space, liminal, you lose yourself. Shed pieces of who you were before when he slots his hips between your thighs, cock heavy in his hand, and presses it to your slit.

This is happening. He's going to fuck you.

You wish the thought didn't make your knees fall apart a little wider for him. Make your hips flit, lifting slightly into the air. Eager. Hungry for it. For him.

It's loneliness, you think. Desperation.

Madness is addictive. It feeds itself and infects those around it. Noxious. An all-consuming black hole that eats, and eats. It must have bitten you, too. Dug infectious teeth into your skin, severing flesh to imbed its jowls in your marrow. Clinging. Poisoning you from the inside out.

There's no other reason for why you reach for him, hands sliding over his sweat-slicked skin as he falls into the open brackets of your arms, grunting when the head of his cock catches on your rim. He's a wall of heat. Firm muscles. Your nails dig into the thick cords of his shoulders just to feel the reluctant give of his skin.

Nothing about this man is soft. His waist, his thighs, his chest, his arms, the hard ridge of his cock. It's all unyielding muscle. Burning. Searing into your skin when it drags against his.

“Gonnae fuck ye, doe,” he whispers, words pitching low. Damp wood, felled timber. Rough. You shiver from the heat of it. The warning, the plea; both extremes coalescing together to make truism more potent. Weighty. “Gonnae fuck this pretty pussy, and yer gonnae beg me fer it.”

Despite the surety in assertion, he doesn't wait for you to plead with him to split you apart, taking the initiative instead to sink the head of his cock into you. The stretch stings already, and only his glands have sunk in, a fact he grunts into your ear as he drives forward another inch. Another—

You don't think you've ever been this unmoored before. Rendered this docile. A mere domicile for him to burrow inside of; to carve a home from the sanctum of your walls wrapped tight around him. And carve he does. Splitting you apart as he grunts with the efforting of forcing his cock into you, feeding it further with blunt jerks of his hips, his hands feverish on your skin. Sweat slicked already even though he's barely halfway inside of you.

“Feels so good,” he slurs into your ear, face pinching. Twisting up as pleasure blooms over his brow. “So fuckin’ good, doe, fuck—”

It does. Beyond the blunt pressure of him forcing his cock inside of you, the sting of the stretch, there's an intense, dizzying pleasure in the fullness you feel. In the press of him notching against something inside that makes heat bloom in your belly, turns your bones liquid. It might be the previous climax rendering you oversensitive, but the feeling of him splitting you apart is euphoric.

It's aided by the moans he lets out as you take more and more of him, as if the sound of his pleasure is funnelled into yours. By the look on his face, eyes widened, feverish, as he darts his gaze between your face and your pussy, unable to decide if he wants to watch his cock disappear into you or watch your face, pinched up in pleasure, in flickering pain, as you take him fully.

This sort of bliss, this pleasure, is addicting. Narrowed down to the sharp nudge of his cock grazing places inside of you that light your nerves on fire, burn through your synapses until your thoughts are muddled, mush. No coherency, no logic—just the fat length of him bludgeoning into your walls; the tap of his heavy, full sack slapping against your ass as he finally, finally, roots deep.

He must feel it, too. This strange, overwhelming pleasure loops around your lower belly, twisting itself into knots because when he pushes the last few inches inside of you, he nearly collapses on top of you, his whole body shuddering. Trembling. Presses his damp face to your cheek, matted, slick hair tickling your skin, and groans from deep within his chest at the feeling of you wrapped around him. The noise shivers through you. His pleasure is enough to make you clench down, tightening up around him. Already on the verge and all he did was slide his cock inside of you.

A fact he seems to luxuriate in, huffing shakily into your ear as he quenches himself on the soft, fluttering pulses of your walls around him. Content to grind his hips into yours in shallow gyrations that make your eyes roll into the back of your head. The tension in your belly coiling tighter and tighter, the pleasure ameliorating the shame you'd felt before, burning it into cinders.

As long as he keeps his cock inside of you, as long as he keeps pushing the blunt head into that spot that makes your vision whiteout, you think could cum just like this. Right now—

He doesn't.

Johnny lifts himself off of your chest, elbow coming to rest beside your head, taking the brunt of his weight. His eyes are bright, burning. He stares down at you, and the look of sheer adoration on his face is daunting, overwhelming. It threatens to eat you alive. Devour you whole. Pure rapture. Devotion.

You flush, face stinging with embarrassment. Prickling with unease. No one has ever stared at you like this, so hungrily, and the fact that it's him makes your head spin. Looping endlessly in circles of disbelief and fear.

He might be omnipotent, you think, with the way his lips tug sharply downward, brow bunching together as if he can hear your thoughts, taste your disquiet in the air.

Johnny rolls his hips back slowly, inching out of you with a hum until just the tip remains. The loss has your hands scrambling down his chest, fingers tangling in the coarse, drenched hairs at the soft incline of his belly. The other sliding around the thick breadth of his ribs, nails digging into the slick skin covering his spine. Pressing. Biting.

More, you don't say. Please.

The knot in his brow dissipates. Eases into something almost playful, impish.

“Want ma cock, doe?” He whispers it waggishly, like a cloy secret, and you pretend the tease in his voice doesn't make your heart lurch in your chest. “Didnae anyone teach ye some manners? Gotta ask politely.”

You won't. You won't.

Your reluctance makes him sigh. The chain around his neck swinging when he moves. His hips pull back, and he reaches down with his free hand, and grabs his cock, pulling it out of you, and sliding it against your slit. The head bumps into your clit, and you nearly choke on the gasp that's ripped from your chest. The pleasure is too much, too—

He pulls away, denying you the euphoria of release.

“No, no, please,” you babble, resolve crumbling into ash. “Please, Johnny, please—”

“That’s more like it,” he coos, and lets his cock dip back inside of your fluttering hole, rim stretched taut around him once more. The sting is lessened now, but still there as the thick glands force you open for him. “Sound so pretty when yer desperate for ma cock.”

He leans down, catching your mouth in another sloppy kiss as he slams his cock back inside of you hard enough to bruise. To make you see stars. Cockhead bludgeoning into your cervix in a dizzying amalgamation of pleasure and pain that makes you whine, the whimper snatched up between his teeth as he burrows them into your lip with an echoing groan.

He fucks you hard, working his cock into you at a maddening pace. Bestial, now. All animal. The tenderness from before dissolves into an choppy desperation. An eagerness to seek his own end as you fall to pieces beneath him, shaking from the force of taking him over and over again, each piston, each hard thrust driving the thoughts from your head until all you have left is sensation. An absence of everything except the way he feels above you, inside of you.

Sweat builds up along your hairline, gathers at the base of your spine, and soaks the sheets below. You feel liquid under him. A ragdoll for him to sink his jowls into, to toss around as he likes.

Johnny is all sensation and a cacophony of sound.

He ruts into you clumsily, groaning in your ear. Moaning out how good you feel around him. Pretty pussy made just for him.

“Oh, fuck, doe—” he moans, arching into the next thrust. Drool dribbles down his chin when he curves his spine, dropping his forehead onto your temple. “Feels so good. Feels like my cock is meltin’ instead ye—”

The lewd squelch of his cock pistoning into you seems to echo through the room, louder somehow than the ragged moans that spill from his mouth.

“Been so long,” he shudders against you, rooting his cock deep. Burying himself inside of you as his cockhead bullies into your cervix. The flash of pain is whitehot, blinding, but the bloom of pleasure eats it whole before it can pollute the puddle of bliss pooling in your belly. “Been savin’ it all jus’ fer ye—”

His hand slides from your hip, burrowing between your bodies as rubs at your clit. It feels so good that it nips sharply into pain, into agony. Too much, too much—

But he doesn't relent. Fingers toying, circling your clit in time with each jarring thrust, tightening the coil inside of you until it whines from the tension, the pressure—

It snaps when he growls into your ear—cum fer me, doe; wannae feel this pussy squeezin’ ma cock—and releases in a flood, a deluge of molten heat. Back arching, toes curling. You're barely cognisant of the ache in your injured foot, the throbbing pain. It's swallowed by the surge of endorphins roaring through you, ringing in your ears. Blotting everything out except the way you pulse around the thick of him still lodged deep inside of you.

You barely have time to come down before he starts again, forcing you to take him as he thrusts in harder than before, mindlessly seeking his own end as you gush around him, nails raking across his flesh.

He's babbling above you, spitting words into your ear about how he's going to take care of you. All of you. Take you back to Scotland with him so you can raise your children—

It slices through the haze, ripping a hole through the fog clouding your mind.

“No,” you whimper, devastation flooding your chest alongside the vicious pleasure still rolling around inside of you. “No, please—”

Children, he breathes like you hadn't spoken at all. Lots. Lots of them. Brothers and sisters. Two, maybe three, of each. But he's not picky, bonnie, he'll take whatever you give him. And keep fucking you over and over again until he gets what he wants. A whole family to raise. To surround himself with. Been lonely, you think he says. Needed something to keep him busy.

You don't want this. Can't. But he doesn't stop, doesn't relent. He breathes life into the picture he paints with the soft flutter of your cunt clenching tight around him at words, once again betrayed by your own body.

Despite the nausea that bleeds to the surface at his words, your eyes roll back into your head once more, driven mad with the thunderous pleasure that rips through you as he forces every last inch of his cock into you.

Johnny grinds his hips against yours, moaning, loud and untethered, muscles jerking, twitching, as he cums deep inside of you.

The aftershocks of his pleasure make him tremble, body spasming as he drives himself tight against the seal of your womb. A new heat grows inside of you as Johnny slumps against you, panting in your ear.

“Ah’ll be so good tae ya,” he promises in a rasping growl, shoving his head into the crook of your neck. Gyves close around you as he nuzzles his mouth into your flesh, licking at the sweat that beads on your skin.

“All mine. All fuckin’ mine—” The confessional is tainted with the sickness that leaks from the craggy hole chiselled into the side of his head. Obsessive devotion hewing ruinous dogma into the fibrils of your head. Tenderised, softened, by the blunt, unyielding touch of his hand. A slurry that this polluted notion slips inside, tainting your resolve until it's thickened into his whim. His wants.

You sob into his chest as he wraps you up in his arms, shackled against the man who carved a place inside of you just wide enough for himself to fit. Who spat poison in the hollow crevasses, and called it absolution. Love.

All you can do is heave through corrupted lungs as he smothers you under the weight of his madness.

“No’ gonnae let anyone touch ye. Ah'll kill anyone who tries to tae take ye away from me, doe—”

The conviction in his tone is bound in steel. In feverish blue.

“Ah’ll take care’a ye,” he rasps, voice thick in his throat. “Donnae worry about a thing, doe.”

“Will you let me go?”

He doesn't answer at first. Just digs his nose into your hairline, breathing in deep until the wide breadth of his chest expands across your back. Mulling it over, maybe. Coming up with an excuse for his behaviour. Something to negotiate with on reasons why you shouldn't call the police the moment he does.

And for a moment, a startling, terrible moment, there's hope. The assurance wells on your tongue. Some unfathomable amalgamation of please and i’ll never tell. Maybe you were going to tell him he was an honest man who did something bad. That there was still good within him. All of those hideous clichès bubble up through the cracks—

But it's all dashed when his hand drops down from its perch beneath your bare breasts, sliding over your skin until it curls possessively over your lower belly.

He breathes out and the hope inside you is snuffed under the gale of delusion, his obsession. “Why would ah do a thing like that?” He prompts, and the genuine confusion in his voice makes you shiver, as if the idea of it is so outlandish, so absurd, it negates everything he'd done to get to this point. You feel hollow. But not—

Not empty.

As if he hears the thought thundering in the ruins of your mind, he presses a tender kiss to your temple that you think is meant to be soothing. Shushing you softly when you begin to shake. “After it took me this long to find ye, doe. Am no’ lettin’ ye go fer the world, ken. Yer mine. All mine.”

And then he closes his jowls around your throat.

Time feels artificial here.

You wake up several hours later, groggy and disoriented, but the sun doesn't seem like it moved from where it was perched last night at all. Fixed in place. Lost in some strange, eternal twilight zone where the sun is a warden, watching you tirelessly through the window.

Cardboard cutout hung amongst the stars.

Your ankle aches horribly—an agonising throb. You must have turned in your sleep, jostled it. You're further away from the spot you were last night, too. Rolled over in your sleep, maybe. The burn brings tears to your eyes that you swallow down with a groan.

As you awkwardly settle your leg in a way that hurts slightly less than it did before, you let cognisance slip back in to keep your mind off of the horrible ache that tremors through your bones. Your neck.

Between your thighs—

It's then that you hear Johnny.

He's whistling in the kitchen. You peer out through the crack in the door, catching the broad expanse of his naked back as he works over the stove. Flexing. Muscles bunching. He hums a tune you can't recognise as he scrapes the spatula over the cast iron pan.

His grey sweats sit low on his hips. The divots above the hem—dimples of Apollo, you recall—are stark against the hollow ravine of his spine. You can't help but stare. Gawk. Limned in the soft light of the morning sun that spills through the open window, he looks almost ethereal. Unreal. Like something out of a magazine and not the middle of nowhere in Canada where the sun doesn't set this time of year.

He feels surreal. A man too good to be true. All sculpted musculature that looks like it could just as well be handmade by an amalgamation of both David’s by Michelangelo and Gian Lorenzo Bernini. All sharp, angled lines; beautiful in their fluidity.

It's unfair, you think suddenly. To be stuck with a man you feel nauseous thinking about but can’t seem to take your eyes off of. Some paradoxical madness. Retribution for a time in a past life where you swindled fate and got away unscathed. All of your karmic sins pile down on top of you as the events last night flicker past, drenched in seafoam. Ghosts linger in the cracks; in memories.

The phantom weight of something slung over your waist, knotted tight between your breasts. Scorching heat glued to your spine. A heavy hand cradling your lower belly. Words whispered into your nape—

He turns, then. Catches your eye like he knew it was there the whole time. Stands there like the picture of ease, of a satiated man puttering around a small space while his sweetheart lounged in the bed, lazing the day away.

Like this wasn’t illegal. Immoral. He treats you like a lover even though you’d only met less than a day ago—

And already his cum was drying on your inner thighs, thick and sticky. His madness pooling in your head, words uttered into your ear about this cabin he has back home, back in Scotland. He’ll take you there, he said. It’s time he came home, he thinks. His head is on straight again, and he finally feels like he can breathe without shattering into a million pieces—

(He put your hands on his head last night, palm cradling the ugly scar on his temple, and whispered, fervent and insane, ye keep ma head together, doe. Ye make me feel whole again—)

Knows a man, he told you. A good bloke who’d help him get you home, too.

His smile is bright. Blinding.

“Mornin’, doe. Ah made breakfast.”

#johnny mctavish x reader #soap x reader #baby trap anthology #the kinks in this are just #wow #UM proceed with caution lmao

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flowering-thought · 16 days

Text

So uhhh guess who kinda has a lil brainrot about the psych ward AU and wanted to write an official chapter??

Rip the other stuff I'm working on why did I have to go and get brainrotted fuck- Came from this

Anyway have a lil intro chapter <3 Who should I add to the mix do you think?

Masterlist

WARNING - MINORS DNI

AFAB reader and reader is described as feminine and chubby/plus sized.

Yandere themes, obsessive behavior, things will progressively get more obsessive as I add to this lil series-

COD Psych Ward Unit × Reader

Deep in the Alaskan wilderness, a 30-minute drive from the nearest town lies a highly secure hospital, containing multiple countries' top assets and operatives, whether, in service or retired, only a few know of its existence.

All staff, even janitorial staff, are picked carefully. The doctors who are chosen are in the know along with the head nurses and security staff. Knowing what is in that hospital in itself is a security risk. It's why the staff who know are not a majority.

The main staff, nurses, janitors, and cooking staff lack the knowledge that the hospital holds retired and highly dangerous military personnel on top of criminals from different countries.

So when you're picked and recommended to move to Alaska to work for a multinational hospital in the psych unit one look at the pay is all you need to say yes to moving.

I mean that kind of pay?? In this economy? You nearly thought it was a scam until it was certified by the United States government along with multiple other UN countries.

Moving was surprisingly easy, and you were a little sad to be leaving your current psych ward, but you got a good send-off from the few patients who you managed to help.

And now there you were, a new badge displaying your last name and horrible ID photo, a cute kitten badge holder clipped to the pocket of your scrubs. It was the only little bit of personality you could spare for Psych units you had to be careful about what you exposed about yourself and not have things on you that the patients could harm themselves with.

The first night shift in the unit was eerie. It was completely silent and the little windows that peeked into the individual patient rooms only provided so much light to check on patients.

Hell, three hours into your shift you wondered if anyone was even in these rooms.

It wasn't till three am that you noticed a patient buzzed a call button. So naturally you got up from your little traveling desk, taking your badge, and opening the door to room 142, "Hello? Is there anything I can do for you?" You called out into the semi-dark room, checking your charts for the patients' name, only finding the name "Ghost" typed in.

You raised your brow but didn't think anything of it, squinting your eyes a bit to see the hunched figure on their bed.

You heard him before you saw him, the sound of the mattress springs and a raspy accent following the figure, "Could ya get me some tea? I can't sleep." The figure spoke before coming into view, a baklava with a skull covering the individual's features.

You took a glance over his features, how tall and big he was, the muscles bulging from his shirt, and his eyes which focused on your form. You glanced at his chart, noticing his refusal to take medication, especially sleep medication. The doctors' notes told you to force him to take 100ml of trazodone, but when you took a glance up at the noticeable eyebags the man had you decided to go with your gut.

"Yeah I can get you some, just wait here I'll be right back." You said, giving a small smile before you closed the door and went to the staff break room, rummaging around for what you were hoping would be chamomile.

Sadly you had to make do with plain black tea as it was the only thing you could find the the cabinets. You brewed it in your mug before transferring it to a paper cup and leaving the break room.

You knocked on the door before opening it with your badge, and the familiar figure of Ghost appeared at the door. You gave him a smile as you held out the paper cup, "This was all I could find but I'll pick up something decent for my next shift okay? If you need anything else let me know.".

Ghost only observed you, taking the warm cup from your hand, his dark eyes watching the small smile tug at the corners of your lips, how you lifted your hand to give him a little wave before you closed his door.

You were the first nurse to not try and force sleeping medication down his throat. He tried the tea but it was one of the worst cups of tea he's ever had. But somehow he figured whatever tea you managed to scrounge up was expired at best. But still, the mere gesture made him relax a bit on his bed, keeping the cup between his hands to warm his skin.

Maybe the new nurse wasn't so bad.

As the days came and night fell, he didn't expect to see you come into your shift around dinner, getting a small paper bag checked in at the desk in the common area.

He sat with the rest of the boys, Price reading a book while Gaz and Soap grumbled about the horrible dinner they had. But Ghost couldn't help but watch you beg the person at the front desk that the snacks and drinks were just for the break room and nothing else.

He also noticed the little victory smile you wore when they approved the contents of the bag and let you pass through to the common area. Ghost couldn't help but smirk at the little spring in your step as you walked to the break room.

And the tea you gave him that night was the best cup he had ever since he was forced into this hellhole.

It had only been four days since you brought him tea, he had actually been getting a slightly better sleep, which led to him telling Price about you.

And once again, at the start of your shift, you had two observers of you checking into the front desk, Gaz and Soap noticing that their captain and lieutenant were a bit distracted from their tangent about the disgusting slop they called dinner. Both had grins as now four men were observing you while Soap tried to get Ghost to tell him about the pretty lass walking through the halls.

That night, when checking on patients, the second one you would come to meet was Price, who had kept his light on that night so he could read and hopefully catch you at a good time. He noticed the click of his door opening, how you opened the door and leaned against the doorframe and gave a small friendly smile, just like how you had with Ghost, "Hi? Price right? Is there anything I can do for you?".

Usually when the lights were on it meant they couldn't sleep or they needed something. That's what you learned at your first ward so you figured you'd do a check-in just in case.

"Don't need anything sweetheart, don't worry 'bout it." Price assured, his tone authoritative but a little soft, you assumed that had to do with how late it was. You noticed that he had a little reading light built above the bed and a shelf that had stacks of books built over the desk that came with all the rooms.

"You know there's a library here, right? I could get some books if you're running low on things to read." You mention, watching as Price eyes you. He didn't know what to think of you. Yeah, you were nice, and it didn't seem like you knew about the truth of this ward, but how was he to know if you did or didn't know what you were getting into?

You watched as his gaze went back to his book, his hand raising to turn a page, "As nice as that sounds sweetheart, the only thing I want is the daily paper and these damn muppets won't even let me have that." He grumbled.

You frowned, looking away from him to check his chart, noticing nightmares and slight paranoia on his chart but you also knew other patients with far worse delusions were allowed to read the newspaper.

After glancing over some rules and chewing on your lip a bit, you decided to do something a little foolish. After bidding Price a goodnight and delivering tea to Ghost, you finally had a weekend off.

During that weekend you bought some more things in town. Among them was a cheap kettle for the break room as it didn't look like the nurses used anything other than the coffee machine. You bought a couple more teas and a few papers. You got a few from the Alaskan sources but also noticed a couple papers that came from other countries and decided to sneak those in the Alaskan papers you were already gonna sneak into work.

By the next Monday evening, you were knocking on Prices' door with a small smile and a suspicious hand covering your stomach that looked oddly ruffled under your scrubs.

"Alright, Price, since you don't seem like a snitch, you better remember that these didn't come from me alright?" Price only looked up to see you pulling out a couple folded-up newspapers from underneath your scrubs, a little wrinkled and battered from you having to make sure they didn't slide out.

His eyes were widened and his eyebrows were up in complete surprise. He really didn't expect you to actually bring him the paper, "Are you sure about this? Won't they know about this?" He asked, approaching where you stood, putting a hand on his hip, hesitant to actually take the papers.

"Well this ward isn't technically allowed the paper which is odd cause other wards are but it shouldn't be too bad. And as many restrictions they have here they don't go through your trash looking for things so it should be fine!" You say, a big smile reaching your lips as you shove the papers into his hands, "Now you enjoy and I can't do this too often so next time I have a day off I'll get you some more. Just remember I'm not the one handing you them hm?".

While you did these small acts of kindness not really expecting anything, what you wouldn't know is that during the day, when you're off shift and sleeping the day away, Price and Ghost would start talking about you to Soap and Gaz after Soap started teasing about their crush on the new nurse.

Their thoughts were, if you're truly so kind then surely you could do something about the slop at dinner no?

This started a full week campaign of Soap saying "Come on lass surely you could do something huh?" and Gaz joined in with, "Please love, if you had to have the bloody mess of what these idiots call dinner you'd understand."

Price had attempted to get them off your ass but a few whines from Gaz was enough to make Price back off.

Soap was the first to get a knock on his door, his messy sheets strewn about his room as you handed him the flimsy pen and a sheet of paper, "Write down simple snacks and I can get you some, the cooking staff are assholes that refuse to change anything so this is all I can do.".

The grin that formed on his face was surprisingly cute to you and you watched as he started writing on his desk quickly only to hand it to you in 30 seconds with a "Thanks bonnie!". You watched as just before he handed the list to you he hesitated and his hand moved to the back of his neck, lightly squeezing before he looked you straight in the eye, "I'm real thankful for all this lass. Ever since we came here its' been the same shite daily but you've made it more bearable so thank you.".

You weren't expecting such a heartfelt thanks but just smiled and pat his shoulder while telling him not to worry. The last thing Soap saw that night was your back as the door closed.

The next stop was Gaz with the same protocol, the same flimsy pen they deem safe for patients, and a little sheet of paper.

Unlike Soap he was more quiet, his eyes not showing anything but you saw his leg shake up and down as he contemplated taking the sheet of paper from your hands.

You saw his mouth open and close until finally he asked, "Why are you doing thing you don't have to do?".

Part of you understood it. I mean, they were just patients. He'll all the other nurses just did the bare minimum and from what you heard of the day shift nurses they practically left them in the common area and fucked off.

But maybe it was the part of you that had too much empathy, the part of you that knew what it's like to sit in a psych ward, lonely and depressed and stuck in a cycle you can't get out of. You shook those thoughts from your head and Gaz swore the smile you gave him in this moment was probably the prettiest he's ever seen.

"Cause if I was here, I'd want someone in my corner, ya know?" Was all you stated as you handed him the paper.

Next weekend and you had snacks that you'd sneak the boys after dinner at the beginning of the night shift. Some of the other nurses noticed your habit of giving the boys some snacks but you offered to help fun for a better coffee machine as silence so they never ratted you out to the head nurse.

And your relationship with them definitely got better as the days flew by, a full month at the ward with the pay you were getting and you were considering changing your shift to day shift.

Unknown to you, the boys were attaching to you far quicker than you'd expect. All their flirty comments flying over your head as you kept it professional.

But with the day shift comes more interactions with other patients. I wonder how many patients will soon be at your beck and call.

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fangswbenefits · 10 months

Text

The Arrangement (7) - Tension

Chapter summary: Astarion needs to feed and things get out of hand... again.

Pairing: Astarion x female!Tav

Warnings: 18+. Dry humping. Masturbation, Precum, Innuendo. Astarion briefly talking you through it. Sexual tension. Sexual frustration.

Word count: 5.4k

Series Masterlist

Astarion needed to feed.

That undeniable fact had come to light in various forms.

You were quite sure that, to the others, it was a blessing in disguise, as Astarion's snarky remarks were now sparse.

But you knew better.

You knew him better.

He hadn't even made a single comment when Gale brought home some horrendous tapestry that he promptly hung on the wall.

That was when you knew he was due a proper feeding.

You glanced at him over your shoulder as you diced some fruit to start the day off.

Astarion was seemingly deep in thought as he masterfully threaded a needle along the edge of the collar of his shirt.

Your heart fluttered briefly as you recalled his enjoyment in embroidery. He had once revealed it helped him hone his dexterity while looking fabulous at it.

A faint smile tugged at your lips, and you returned your attention to the cutting board.

The morning had started off slow and quiet and, for the first time in a long time, you had gotten a proper night's rest.

You couldn't tell if your conversation with Astarion was the sole reason for that, considering you did try the lavender extract Shadowheart had given you. Regardless, there was this pleasant and warm feeling brewing within you.

The joys of communication laced with a touch of intimacy truly left you feeling at peace.

But then…

Your face tensed up as your thought drifted back to Ava.

All pleasant feelings morphed into dread at the conjured image of Astarion offering her his blood.

Whatever interest she had in it had to be rooted in something nefarious. You refused to believe otherwise. Besides, how could she even accept such an exchange when dealing with his vulnerability?

That wasn't right.

You were so caught up in the haunting visual projection of her bleeding him dry, that you didn't realise someone was pressing against you from behind.

“I, for one, am glad we are not back in the wilderness, darling.”

Astarion.

You jolted in surprise as his chin came to rest on your shoulder, his hand drifting down your arm to grip the knife you were holding.

“Anyone with ill-intentions would have you gutted by now.” His voice was low with the faintest hint of a tease.

He was absolutely correct.

Your distraction could have landed you in a bit of a predicament not long ago.

But your gaze was now set on how his hand examined the blade.

“This knife needs polishing,” he said, shifting his lips closer to your neck. “And the edge needs sharpening.”

Oh, he really needed to feed.

And he wasn't even being subtle about it at this point as his lips ghosted your skin.

“I'll get to it later.”

You were trying your hardest to keep your composure, feeling the palms of your hands sweat when he pressed further against you.

A low chuckle rumbled through his chest and your back. “Honestly, I'm surprised you can cut through anything but butter with this.”

He had to know.

He had to know how your pulse had quickened so easily because of him.

“Astarion.”

“Hmm?”

But your mind had blanked for a second, your body reacting instinctively to his.

His hand was closed around yours, thumb rubbing circles on your heated skin as he pressed his cold lips to the throbbing artery that ran along your neck.

Gods…

“You need to feed.”

He paused briefly. “It's quite adorable how you can tell whenever I'm craving your blood.”

You would have dropped the knife had he not been making sure you kept a firm grip on the handle.

“You aren't being particularly subtle.”

He let out a dramatic gasp. “I'm merely offering help with this sad blunt knife, my darling.”

Well, his idea of ‘help’ now involved him pressing his thumb against yours to have it tracing circles along the handle.

“I reckon your grip isn't adequate either,” he whispered in your ear this time. “You must grip it tighter .”

Oh.

Oh…

He was too good at courtship.

The innuendo wasn't lost on you, and you nearly rolled your eyes at his bluntness.

“I do know how to grip a knife, Astarion.”

He chuckled once again. “Yes, I remember your fierce grip whe–”

But before he could finish his sentence, a scoff was heard next to you and you immediately jolted back in panic, slamming into Astarion's lower half.

“Gods! ” he wailed in pain.

Chaos ensued as fruit went flying off the table and rolling along the floor, the knife landing at your feet and the jarring sound of metal clattering around.

“Is everything alright?” Gale's alarmed voice was heard.

Lae'zel merely stood with arms crossed and looking as unfazed as ever.

“Could you two keep your mating rituals out of the kitchen?”

Your eyes widened at her accusation, crouching to clean up the mess. “Oh! No – no! We were not – Astarion was just… just talking about polishing this knife.” You immediately held the blade in your hand for Lae'zel to see.

She raised a brow instead. “Yes. I am quite sure Astarion wouldn't mind you polishing his knife.”

Your jaw dropped.

Astarion was still hunched over the table, clutching his crotch and spilling profanities.

Shit.

You must have hit him really hard.

Lae'zel threw a final scoff heavy with disapproval at both of you before pacing away.

“I'm sorry. I didn't mean it…” You started off, wincing as Astarion massaged the soreness away.

He waved a hand dismissively. “You're a menace even when you don't mean to.”

As he straightened up with a low growl, you noticed the colossal height difference.

Kneeling on the floor, you gathered the scattered fruit and utensils as you looked up at Astarion.

A playful smirk tugged at his lips when he met your gaze. “Not even going to kiss it better, darling?”

You were now at eye-level with his crotch and, for a moment, you thought he had rendered you speechless.

But two could play this game.

You placed a hand dramatically over your mouth. “Right here? In front of everyone? Astarion! ”

You hadn't bothered keeping your voice down and as you rose back to your feet again, you saw a couple of heads turn your way.

Gale looked utterly confused while Lae'zel rolled her eyes, returning her attention to the sword in her hands.

Astarion's smile only deepened. “Oh, you vicious little tease – that was good.”

You patted your clothes straight with a proud smirk before leaning in closer to his face.

“I learned from the best.”

And you quickly pressed a fleeting kiss to his cheek.

He stirred briefly under your touch and you offered him a kind smile as you walked away, casually taking a bite off a pear.

“You should do that more often if it means we are greeted with his silence.” Lae'zel complimented as you sat by her side.

Astarion looked as though you had just slammed a frying pan on his head, but his eyes following your every move.

It wasn't every day that once could take pride in leaving Astarion speechless.

He could hand out the most intricate of innuendos laced with sexual tension, but show him small acts of affection, and he will be disarmed in an instant.

You still remembered that first hug you ever gave him in Moonrise Towers and how he was stunned at first.

“Are you malfunctioning, Astarion?” Shadowheart suddenly quipped as she trailed down the flight of stairs.

You giggled softly at how adorable he looked, even when he finally came to his senses and shook his head, frowning slightly.

“They were engaging in some bizarre pre-mating ritual,” Lae'zel spoke up, inspecting her sword up close. “Seems like she won. Not that I'm surprised.”

Shadowheart winced, disgust splattered all over her face.

Gale chose the wrong time to sip his camomile tea and nearly choked, and you rushed to his side to pat him on the back.

“You do have a way with words, no doubt,” he drawled out, clearing his throat.

Even as used to her bluntness as you were, you still felt heat rush to your cheeks. “We were not doing such a thing.”

She merely shrugged.

Having snapped out of his previous stunned state, Astarion cleared his throat. “You sound jealous, Lae'zel. Should we invite you over?”

You gave him a murderous look, which only served to fuel his boldness.

“Jealous of what, Astarion? Getting kicked in the balls?”

He scoffed.

A soft knock on the door was heard and Shadowheart swiftly moved to open it.

Your stomach flipped momentarily, hoping it wasn't an undesired visit yet again.

But your worries were laid to rest as Wyll strolled in, accompanied by a Fist.

You bolted from the sofa, pulling him into a hug, which he promptly returned.

“I would normally welcome your visit, but the look on your face tells me you don't come bearing good words.” Gale said, tension heavy in his voice.

Wyll parted from you and his silence was truly revealing.

You shuddered and felt panic rising inside you. “What is it? What happened?”

He forced a warm smile. “Shall we take a seat?”

“Or…” Astarion said with a deep scowl. “... you could simply spit out whatever ill-news you're about to drop on us without the unnecessary foreplay.”

Wyll sighed as you motioned for him to take a seat, as everyone else followed suit. The Fist stopped by his side, an unreadable face turned to Astarion.

“Can I get you something?” you asked.

He shook his head vehemently. “I am not staying long. Just offering an update on the murder case.”

You heaved a deep breath, eyeing him expectantly.

“Well? Get on with it,” Astarion goaded impatiently with a click of his tongue.

Shadowheart seemed quite tense all of a sudden and Lae'zel kept a hand on her sword handle.

“It seems that Astarion is no longer a suspect.”

You watched as he rose from his seat with a smile. “Finally. Glad this is all settled!”

“Not so fast,” Wyll said, his face heavy. “Have a seat.”

He sank back into the chair with a deep scowl and crossed arms as a child who had just been told to finish their vegetables.

“After talking to some of the passers-by from that night, the general consensus is that you were the only one they spotted,” Wyll said, turning his head to you. “No one recalls a second person being there, let alone that person being Astarion.”

Your heart dropped before speeding up again.

“What… does that mean?” you said in a whisper.

There was a brief silence and you could feel the tension in the room becoming increasingly more palpable.

“For all intents and purposes, you are regarded as the only offender.”

A cold layer of sweat took over your body all at once.

“Nonsense,” Astarion scoffed in disbelief. “I was there with her. I got captured.”

This time, the Fist was the one to speak, “You offered to get captured, spawn .”

“I wasn't talking to you, Fist .”

You felt Gale's arm around your shoulder protectively. “Wyll, this is ludicrous. No one here murdered anyone.”

He nodded. “I agree. I do believe this to be a grave misunderstanding. However, upon closer inspection of the body, there were some interesting findings.”

You were too stunned to utter a single word, thankful that your companions were doing the talking instead.

Lae'zel's grip on the sword intensified, her stare glued to the plate-armoured Fist. “Such as?”

“Necrotic magic reminiscent of that found in the Szarr palace.”

You watched as Astarion stilled all of a sudden, lips pressed together.

“Which we cannot further compare since someone burned down the entire place,” the Fist said, eyes shifting to Astarion.

The grand manor had gone up in flames not long ago, and you did know Astarion had had a hand in it, but with no proof of his crime, there was no effective way to pin him to it.

But it had been enough to strain his relationship with The Flaming Fist with only Wyll being able to keep them at bay.

“Accusing me of arson now? My, my, add it to my tab, dear,” he said with a roll of his eyes.

But Wyll's patience was wearing thin. “None of this makes any sense. If the two of you are not to be blamed for this – which I definitely stand by – then who could benefit from tangling you into this mess?”

Ava.

Your mind immediately jumped to her.

You had no idea what purpose that could serve, but your instinct seldom failed you.

Even so, you remained silent.

“We are to continue the investigations, naturally,” Wyll went on with a nod. “Necromancy is grounds for imprisonment. Whoever did this, needs to be found and brought to justice.”

Astarion tumbled his fingers on the table. “Well, if you are so sure we are innocent, then let us go.”

“Justice should be blind. I know it is not always the case, but as a former magistrate, I am sure you can agree on the principle.”

Astarion waved dismissively. “It's a sound principle on paper, but its application is tainted and unjust. No one expects the lordlings of Baldur's Gate to answer for any crime.”

Wyll's face twisted into a faint frown. “As true as that might be, I am not keen on upholding such practice. Friend or foe, everyone must face the consequences of their actions.”

A mysterious smile settled on Astarion's lips, but he didn't retort.

Shadowheart cleared her throat. “I could lend my expertise in the matter, Wyll. I could examine the body myself. I have some contacts in the city that could aid me, but I shall need a sample.”

He seemed to hesitate at first, but then slowly nodded. “Very well.”

“So what now?” you finally found your voice again, eager for any glimmer of hope.

Wyll gave you a kind smile. “My friend, do not fret. I am keeping you both here as safekeeping for now. The Council of Four remains sceptical, but if someone did try to frame you, then it is best to stay out of sight.”

You gave him a reluctant nod, realising that time was the only thing on your side for now.

“We've increased the security outside,” the Fist said flatly. “We've added detection spells and mage slayers on rotation.”

You looked up, startled. “ Mage slayers? ”

Gale shared your indignation, the arm around you tensing up. “That is quite extreme.”

“Is it?” Wyll asked. “You two are quite powerful at magic, my friends – but there is always a bigger fish.”

“No wonder my magic has been wavering this morning,” Gale said, rubbing at his chest before pacing towards the window and taking a peek behind the black curtains. “ Two? Wyll, this is–”

“Necessary. For now.”

You swallowed hard, burying your face in your hands in sheer frustration.

“On a lighter note” Wyll began once again. “I was informed that you are to go to Waterdeep to meet with your contact.”

Gale returned to his seat, looking livid. “Yes. We are expecting some proper information on the Wish spell.”

“Good news, then, Astarion,” he said with a soft smile.

He threw a poisonous glare at him instead. “Seeing is believing, or so they say. I will not be celebrating until I am strolling down the sunlight streets of this city without having my ashes being swept off the pavement and into an ashtray..”

Wyll gave him a light-hearted laugh before rising to his feet, adjusting his cloak. “Fair enough. Though my offer still stands, should things go awry.”

That immediately piqued your interest. “What offer?”

Astarion shrugged. “Oh, dear Wyll made me an offer after becoming duke.”

“Which you refused.”

He nodded with a frown. “I am not a dog to order around.”

Your gaze kept switching between the two of them, feeling lost.

“That was never the implication of my offer, friend. You know the nightlife of Baldur's Gate better than anyone. Your intel would be of great value,” Wyll said in exasperation.

“And you are an adequate rogue,” the Fist said.

Astarion immediately scoffed. “ Adequate? I could have you pinned to that wall at the tip of my dagger faster than you can say ‘Baldur's Gate’,” he said with a laugh, but his words held no humour.

“I'd like to see you try, spawn."

Astarion drew his dagger from its sheath, twirling it playfully between his fingers.

Wyll quickly intervened. “It's not one or the other, Astarion. You could have both. We would keep searching for a way to cure your vampirism, while you'd take to the streets to help us fight wrongdoers.”

Well.

It did sound like a solid proposal.

“I would still need to feed.”

“We would bring you fresh carcasses at your demand.”

Astarion was now inspecting his nails. “What about thinking creatures?”

Wyll tensed up immediately. “No.”

Astarion smiled playfully. “Then I'm better off with my current arrangement. The blood of carrion can only do so much for my body and mind.”

He exchanged a look with you.

“I don't mind helping you out,” you said firmly.

Wyll sighed heavily. “Well, I do not like that arrangement one bit, but it's your blood, so it's your choice.”

As he paced towards the door after bidding his goodbyes, you hurried after him.

“I have a favour to ask.”

He arched an inquisitive brow. “What is it?”

You took a deep breath, glancing around to make sure no one could listen.

“I need to go to The Blushing Mermaid.”

Wyll's eyes widened. “The Blushing Mermaid? Why?”

“I need to talk to someone there,” you said in a whisper. “And maybe you should come, too.”

He chuckled. “My days sneaking into that tavern are long gone, my friend. It would not be suitable for the Duke of Ravengard to visit such a place.”

You shook your head, grasping his hand in a plea. “ Please . There's this woman. Astarion's… acquaintance . Ava. She is – or used to be – a monster hunter and she has been taking blood from him.”

You blurted out the words in one breath, hoping he wouldn't ask you to repeat yourself.

If there was anyone who might be able to help you with this issue, it would be Wyll. After all, his experience as a monster slayer and as the Blade of Frontiers had to account for something.

He looked positively flabbergasted. “A monster hunter… bedding a… vampire spawn?” he drawled out as if trying to make sense of your words.

That effectively struck a nerve in you. “She is not bedding him… but there is something off about her.”

“Ava you say? That name doesn't ring a bell.”

You mustered all your courage. “Please let me go talk to her… I have a feeling she might be involved in this entire mess.”

That caught his attention. “You think she's behind this? No respectable monster hunter would resort to Necromancy.”

“She's meddling with Alchemy now.”

He seemed… alarmed.

“Very well. I cannot accompany you today, but tomorrow we shall go there.”

You expected more resistance from him, and his sudden availability made you feel very wary all of a sudden.

“How bad do you think this is?”

The Fist appeared from behind Wyll, startling you. “My Lord, we ought to go. We have a council meeting to attend.”

Wyll nodded and gave your shoulder a reassuring squeeze. “Maybe it's nothing at all.”

Maybe it's nothing, but it could be anything…

As he moved out and the door closed behind him, Astarion hurried to join your side, clearing his throat.

“You two have gotten quite close.”

You scoffed at him, not in the mood for indulging in his banter.

“Well, being pleasant to others has its perks.”

Astarion smirked widely, his fangs peeking through. “I can be pleasant, darling.”

You rolled your eyes.

But it seemed that Astarion was bent on having your attention on him.

“So… sweet and righteous Wyll?”

You squinted, realising where this was headed. “Are you jealous, Astarion?”

As expected, he didn't bend easily to your taunt as he was a master at it and an equally skilled dodger.

So, he merely held his smirk, seeing through your intent.

“Can I feed on you tonight?”

Your heart skipped a beat.

Right.

He still needed to feed.

His bluntness caught you slightly off guard. “Uh… of course.”

You watched as his smile only grew wider before he leaned in to plant a quick kiss to your cheek.

Your eyes widened as the coldness of his lips parted from your skin and your mouth fell agape.

“Splendid.”

And he swiftly went back to his embroidery duties, humming some camp songs as if he hadn't just made your heart almost implode.

Across the room, you spotted Lae'zel rolling her eyes.

Astarion came to you in the dead of night.

The door to your room clicked shut behind him and you immediately felt your body react to his presence.

With only candlelight and the muted glow from the moon spilling through the uncovered windows, you realised he looked more beautiful than ever.

Your heartbeat nearly doubled as you rose from your bed, waiting for him to close the distance.

And he did.

With sure and slow steps, he came to you.

His black shirt held a new embroidery near the collar.

Exquisite needlework.

He held a faint smile as you traced the flowery lining with one finger.

“This is beautiful.”

“My fingers can make or break,” he whispered softly, his crimson eyes set on you. “Depending on what the situation requires, that is.”

You swallowed hard as his words seeped through your mind, reminding you that the man before you had experience and knowledge in matters you could only dream of achieving.

He held your chin, gently tilting your head, and your eyes fluttered shut as you waited for a kiss.

And he did kiss you.

Just not where you expected.

Or wanted.

His lips lingered on the swell of your cheek, your body already accustomed to the difference in temperature.

“I was thinking…”

He hummed, tilting your head slightly to the left, so he could mirror the kiss on the other cheek.

“You can feed on me more often, if you'd like…”

Astarion pulled back slowly, an elegant eyebrow arched. “More often?”

“Yes. If you want to, of course.”

He eyed you in disbelief, the thumb on your chin rubbing gently circles. “If I want to? Darling, if I had it my way, I would feed on you every single day.”

His words hit hard and not because the prospect of that scenario scared you.

But because you wished he would do it.

The moments when he fed on you belonged to the two of you alone.

No one could interfere in the intimacy of it.

He would not feed on anyone else but you.

And that sort of craving was easy to get addicted to.

You wanted him to want you.

To feel comfortable enough with you that he wouldn't seek anyone else.

“Maybe we can do it every other day, then?” you suggested, nearly gasping as his thumb moved up to trace your lower lip.

Astarion glared at you in silence for a moment, caressing your flesh and occasionally teasing further by pushing past your lips.

“Do you have enough scrolls of Lesser Restoration for that?”

You nodded, feeling his thumb being pushed inside.

“So, I can feed more often…” he said, eyes dropping to your mouth.

He sounded absolutely delighted and you closed your lips around him, earning a low growl of approval.

Then you let go and he moved to your lower lip once again.

“More often, but less quantity.”

He nodded with a smile. “Seems fair.”

The room was already heavy with sexual tension, and you needed to disperse it before things escalated too quickly.

“Are you still tender down there?” you asked sweetly.

“Well, there is only one way to test out if you haven't caused irreparable damage.”

Oh.

Of course.

You felt a wave of heat flush to your face at his words.

Because Astarion would get an erection eventually.

It was expected and, at this point, more than welcome.

“Go on. Make yourself comfortable,” he said, pointing to your bed.

You stared at him in confusion. He usually fed on you while standing. It was more practical and less intimate.

But then it dawned on you that maybe that was what he was aiming for.

“This one might be a long feed.”

Your expectations shattered at once and you gave him a hesitant stare, remaining rooted in place.

“Honestly, after all the times I fed on you, you still worry I might take it too far?”

“Can you blame me?”

He chuckled, placing both hands on your shoulder before planting a kiss to the back of your head.

“I suppose not, but you are free to press a stake to my chest just in case,” he said teasingly.

You picked a scroll from inside the bedside table, placing it carefully atop as it waited for the inevitable moment.

Slowly, he let go of you so you could settle back on your back, feeling the soft mattress envelop your body.

Your legs were firmly pressed together and you laced your hands in each other and on your stomach, waiting for his move.

Astarion hunched over you before shifting until his face met yours.

You felt the mattress dip under you as he got on top.

At this point, your heart was drumming so loudly in your ears, that it drowned out any other noise.

Unexpectedly, you felt his lips on yours, but before you could react, he had lowered himself until you felt his tongue swiping along the skin of your neck.

Just like clockwork, you felt a jolt of pleasure coursing through your body and lingering between your legs. You tensed up and clutched your hands together more fiercely, bracing yourself for what was to come.

The initial sting made you jolt lightly as he pushed his fangs further into you, before his lips closed around the wound and he began to suck.

The first gasp didn't take long to spill from your lips from the sound of his faint moans.

The throb between your legs continued to intensity with each passing second, and you prayed to any god above to spare you from succumbing to the lurking lust.

You felt him untangle your hands and pinning both your wrists together and above your head as he lowered himself even further.

And much to your embarrassment, your legs instinctively parted to accommodate him as he pressed further into you.

Gods… no, no, no….

This was not good at all.

Even through the fabric of your trousers, you could feel his growing erection nudging against you.

Astarion's chest rumbled in a growl of approval and you couldn't keep your hips from rolling, seeking that delicious friction.

You balled your fists as your back arched when his hips began to match yours.

No… no…

The throb in your head was nearly blinding from the blood being drained whilst the one in between your legs only intensified.

“Astarion…” you moaned through gritted teeth.

He slowed down ever so slightly, but you quickly realise it was even more torturous as you could now feel the clothed underside of his thick cock teasing between your folds.

Oh, you were not going to last long like this…

You were too hungry for him to deny yourself from reaching your peak as he fed on you.

Even as your body became weaker, you could still feel yourself walking dangerously fast to the precipice, yearning that sweet release.

“I'm going… I'm going to…” you mumbled, feeling wetness drip from you as your body readied itself for him to be inside you.

Your breathing quickened and your gasps began to merge together as his cock dug harder against you with each roll.

And just as your eyes closed shut and your mouth parted to welcome the pinnacle of your pleasure, you felt him pull back with a guttural growl.

Blood trailed down his lips and chin and neck and you nearly cried tears of overwhelming frustration as you were denied your release.

He moved to grip the scroll and shoved it into your hand.

“Say it.”

Astarion knelt in between your legs, fumbling with the lacing of his trousers, his bulge strained against the fabric and you spotted the familiar stains of precum.

“Say it…” he urged you with a growl.

But you could only stare, mesmerised at the beautiful sight of relief he let out once he managed to ease pressure that had built up.

It made your mouth water and you suddenly felt the urge to touch yourself.

“Say. It .”

As if he had just snapped you from a dream, you quickly mumbled the incantation as the scroll vanished into thin air.

Your heart was hit with newfound vigour as warmth spread throughout your body on rhythmic waves.

Astarion slid off the bed, adjusting himself through his clothes with a whine.

He looked so beautiful… ears flushed pink and a tint of a blush on his face as your blood coursed through him.

The swell and throb didn't fade and you allowed your fingers to dip slightly under the waistband, wanting nothing but release.

He eventually locked eyes with you, licking the remnants of your blood from his lips, pacing closer to you.

With a gasp, you felt him tug at the strings of your own trousers, eyes dark and pupils fully blown.

“Do what you must.”

He had loosened them just enough for your hand to slide inside, and you couldn't contain the moan that erupted from within you once the pads of your fingers brushed against the throbbing swell between your legs.

Instinctively, you began to roll your hips, feeling just how ridiculously soaked you were for him.

Your half-hooded eyes landed on his lower half, taking in the sight of the precum that had seeped through the fabric and wishing you could see his cock.

Astarion's cock always looked the prettiest after he had fed on you: all flushed pink, bulging veins snaking around his length, precum dribbling down…

But it seemed that he had no intention of granting you your wish, and you felt guilty for craving it in the first place, knowing he probably just wanted to take his time.

So you stopped your ministrations, which earned a disapproving growl from him.

“Keep going. I can hear how wet you are for me and it's music to my ears,” he whispered, before kneeling at your side. “Be a good girl… please .”

Your hips bucked at the caress from his words.

His face was so close, but his eyes were fixed on your hand that moved under your trousers, your own fingers teasing your entrance.

“You just slid one inside, didn't you?”

You bit down on your lip, nodding with a whimper as you clenched around yourself.

“Gods… you can take another one, can't you?”

Your back arched and your eyes fluttered shut. “Astarion…”

His lips ghosted yours. “Add another one…”

His voice was dripping with lust and it was all the incentive you needed to push a second one inside.

You tried to remember how his cock felt inside you. How full you always felt and how much cum he spilled inside you.

Your fingers were no match for him.

He felt so much better…

How you wished he would replace your fingers with his, going knuckle-deep and drawing out the most desperate moans and pleas from you.

He finally pressed his now warm lips against yours and you eagerly deepened the kiss, tasting your blood on his tongue.

You kept riding your own fingers and you nearly whimpered as his hand came to rest on your forearm, thumb caressing your heated skin.

He broke the kiss not long after and your eyes snapped open as you were about to voice a complaint.

Astarion was on his feet again, fingers expertly tying the front of his trousers once again, drawing a pained hiss as his hard cock was once again strained.

You whimpered in response, rolling your hips desperately as your fingers edged you closer and closer.

“It's frustrating, isn't it?” he asked as he finished working on the lacing, crushing your hopes of seeing his cock leaking precum for you.

“Now you know how it feels..." he said, a devious smile crossing his face. "Besides, I still wonder if this is what friends do."

Your jaw slacked open as a gasp mixed with a whine escaped your lips from his taunting words.

No. No. No...

"See, you never gave me an answer, darling."

You removed your fingers from deep within you with a long and pained whine on the verge of tears.

"I'll leave you to figure it out, then."

Before you could voice a protest, he slipped out of the room quickly, and you vaguely wondered if he had been there at all if not more the ache between your legs and the fresh puncture wounds in your neck.

Fuck.

TBC

series masterlist . ao3

#astarion smut #astarion x female reader #astarion x tav #astarion x you #astarion x female tav #astarion x f!tav #astarion x f!reader

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starshipsofstarlord · 6 months

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lap girl (2)

summary. daryl needs comfort at the greene farm after he fails to find sophia again. luckily his girl is willing to give him exactly what he needs; her in his lap

warnings. fluff, angst mentions of daryl’s childhood abuse, mentions of death, swearing

divider credits. @cafekitsune

greene farm

It was a new place, and they didn’t belong, and were only welcome due to the miss-aim of Otis. If he had hadn’t ricocheted a bullet into Carl, then their group that had travelled from Atalanta to the CDC and then some, would never have found this little piece of solace. Daryl’s eyes squinted beneath the glaring sun as he sought out the figure that had brazen themself to be absorbed in the daylight, feeling safe since there were barbed fences separating them from the wilderness in which the dead freely roamed. Y/n was enjoying the quiet that surrounded her, sitting upon the blades of grass that handed no threat in her direction.

It was pleasant to see her so peaceful, she wasn’t running for her life, or scavenging for scraps to replenish her hunger, she was instead still, and content in being so. But feeling secure wasn’t enough; it wouldn’t last, it never did. They’d eventually be sent on their way back to the trailing lands that had lead them here in the first place. The road was cruel, and it would only get worse when winter devoured them with the hardships of its crisp air.

And Daryl resented the foreshadowed thought, as they would need more supplies and warm food, and a fire big enough to bring heat to them all. The embers would only attract the undead and threaten them with even more loss, and whilst Daryl wasn’t particularly fond of many people in the group, he had somehow integrated within its ties after Merle’s absence.

Merle had left him before, in the worst possible way - alone with their father William Dixon. He understood that his elder brother had wanted to escape from the abusive entrapment, and thus he had allowed Daryl to be single-handedly foreseen by their parent as a punching bag; and worse. He still had the scars that were far too prominent over his body, they were askew like lines in a map, permanent and hadn’t faded since the sharp indents that had once been bloody had healed.

He resonated in a ying and yang parallel with Carol, the mother of Carol. She was distraught with Sophia’s fleet, already grieving her loss when there was nothing sufficed to state that she was either dead or alive, and Daryl felt responsible to uncover the reality that encased the child, to bring comfort to not only her mourning mother, but the rest of the group. It was an unsure journey that he had already been scathed from, a bullet that only with luck grazed his temple, and an arrow that was plunged from the long fall into his side, but he needed to do this.

Daryl knew what it felt like to be alone when he had been of the same age as Sophia, however he had discovered a loophole through the tormenting years prior to the contagion that infected the human vessel; there was a girl. He had been instantaneously drawn to her, although at first he had wanted to keep his distance, he’d never allowed anyone close. But she made him see the sun shine in every smile that composed itself upon her face and each glimmer that reflected in her eyes.

She made him feel safe. And so here he was, seeking her out as the gauze remained attached to his head, and if anyone saw him he was sure he would look like a fool. The normally obscure and grouchy Daryl appeared giddy as he stepped towards his human lifeline, his footsteps uncoordinated as he felt the ache in his side brew.

At the sound of shuffling fabric behind her, y/n’s head whipped around, she knew better than to just assume that there was no danger that could appear out of nowhere. Even with the serene tranquility that was deranging her viewpoint from the world that had began feasting on itself, there was always the risk that getting too comfortable would end in death. And Daryl smirked at the sight of the blade that shone from the sun in her hand.

“Thought you were a walker you ass!” She exclaimed, her mouth widening in a teeth baring smile. Her blade was placed back in its hiding spot as she felt the need to aid Daryl in seating himself next to her, her palm remaining against his bare arm. “I kicked Andrea’s ass after her shit shot, told her to get Herschel check her eyesight.” Daryl shook his head lightly as to not cause any more disturbance to his injury, promptly nudging her with his shoulder as he allowed himself to laugh at her protective demeanour towards the blonde.

“Yer real funny sunshine.” His rare smile was prominent as he endearingly looked at his girl, wrapping his arm around the back of her relaxed shoulder blades as he brought her closer. But close was still not close enough. “C’mere.” Daryl agilely helped her climb onto his lap, the place he reserved solely for her, his rough yet tender hands remaining on her hips as he brought his face near to y/n’s, rubbing their noses together in a sweet eskimo kiss.

He was exhausted, and he felt like a failure, but she was the only comfort that he needed. Her form was facing his own, and she brushed her featherlight fingertips against his cheekbones, sparing a glare to the dressing. “We’ll find her.” She whispered gently, shutting her eyelids as she melted into him. “But for now you need to rest honey, I’m not having you wear yourself into the ground.” His head rested against her collarbone, inhaling her presence as he tried not to be frustrated with himself.

It wasn’t his fault that Sophia had ran for her life off of the highway, and he wasn’t guilt for being unable to find anything other than her stuffed toy. His hands ran up and down y/n’s back as he buried his head in the crook of her neck, finally taking a break from his daily searching. He just needed his girl planted in his lap, and all his qualms and insecurities became minor.

#daryl dixon x reader #daryl dixon imagine #daryl dixon fluff #daryl dixon smut #daryl dixon angst #daryl dixon x you #daryl dixon x y/n #daryl dixon x female reader #daryl dixon fanfiction #daryl dixon fic #twd x reader

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writingwithfolklore · 7 months

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When Your Antagonist Isn't a Person

Last time I talked about how to character create an antagonist (check it out here if you missed it!) but what happens when your antagonist isn’t a person?

Antagonists don’t necessarily have to be another character (or even one singular character). Rather, an antagonist is anything that raises the stakes and creates conflict for your protagonist. You will likely find this antagonist in your worldbuilding.

1. What your world may say about your antagonist

In a survival story, your protagonist will likely be out in the wilderness alone—thus, their antagonist may be creatures, starvation, dehydration, exposure (freezing, sunburn). Or something like a giant storm, or other natural phenomenon/disaster.

In an urban setting, the antagonist may be the ‘system’ itself; politics, institutions, a way they’ve been disadvantaged or otherwise put down by their world. (Often these systems can be represented by a person, if you so choose).

And a futuristic world opens up to technology being an antagonist; things aren’t working as they’re meant to, AI has gone wrong, or it’s gone too right—the technology is taking away from what the protagonist wants.

2. Goals and Motivations

Your non-human antagonist may not have goals or motivations, or very basic ones. Does a nasty storm exist to destroy humans? Probably not, it just is as it is. A creature’s goal may be to eat, it’s motivation being that it’s hungry.

However, a system or institution may have deeper goals/motivations. For example, Amazon is a company built to make Jeff Bezos money. Your institution may have a goal it presents to the public, and a true goal (usually monetary, but could also be religiously or politically motivated).

3. Additional sources of conflict

Sometimes non-human antagonists need some extra support to make your character’s life suck. A dangerous storm brewing in the distance is great, but you may also need some additional sources of conflict to keep your character moving until it reaches them.

If your character is taking down Amazon, they may be targeted by police, or drones with guns, or people who live off an Amazon salary, or require the convenience of it.

Often stories without one human antagonist tend to have multiple little antagonists. Survival stories are great for the amount of different conflicts you can throw at a character. You may even introduce small conflicts between other characters, even if those characters aren’t fully antagonists.

Next time I’ll talk about character vs. self, what do you do when your antagonist is also your protagonist?

#writing #creative writing #writers #screenwriting #writing community #writing inspiration #filmmaking #books #film #writing advice #antagonists #when your antagonist isn't a person

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astralnymphh · 7 months

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copy that, romeo

— ellie williams was supposed to be your supervisor, not your object of infatuation ~ ♡

⋆❝ this is cordero tower, calling in.❞⋆

CHAPTER ONE: SUMMERTIME INTERLUDE . NEXT CHAPTER > ♡. pair; firewatcher!ellie x recruit!reader

♡. summary; it's 1995, and the angel crater national park welcomes you; a retrograde lookout all to yourself, a space nerd for a supervisor, and a whole summertime job spent in hues of sepia and juniper, waiting for the first sign of smoke. ninety–three days. you don't know her face, you share no breath— but by walkie–talkie, you know her voice.

♡. a/n; READ THESE; 1 and 2, HELP HERE, BOYCOTT. CLICK HERE. DO NOT BUY THE REMASTER, TLOU2, TLOU1, OR ANY GAME FROM NAUGHTY DOG! neil druckmann (the creator) is a zionist. PLEASE READ THIS. AND REBLOG THIS. ALSO THIS.

♡. content; EVENTUAL SMUT, narrator present, silly fourth wall breaking, a dash of comedy, slowburn (somewhat), living alone, long–distance pining, reader/characters are similar ages(mid–late 20s), depression, heavy metaphor usage, complicated poetry styles, mentions of organs, mentions of weaponry, metaphorical death, grim humor, drinking alcohol, drunk!ellie, drunken flirting (vaguely and bluntly), ellie jumpscare, uh-oh sassy masc apocalypse, she's corny and cheesy too (a dork), awkwardness, humiliation, lighthearted bickering, nicknames used. [lmk if i missed anything] . SERIES PLAYLIST .

WC; 6.1k+ ✮ thank you @trackinglessons for your sexy brain and beautiful ideas + custom art ✮ masterlist ✮ series masterlist ✮ ellie ref sheet

Summertime is the interlude between misery and Mondays.

May was a rough patch for you. A coagulated chapter within the spring world, a shunned ponder, red jello in the gradience of passage. Tempus, time. Early months hence were just as pessimizing, doubt is an arid reservoir in you. But, as a maypole sits a svelte giant in the sweet Beltane soil, braving an invisible smile whilst little ones— little laughters, spun prances and wraps of dainty satin to an ensnare on its long body, it weeped for its delicate capture. You; flesh coarse like timber, relate to the log standing, ensnared. Sunk in that gelatinous texture, unmoving as pressures collided with the surface outward, ripples everywhere yet incapable of sprinkling through you. Something would have to delve itself to drag you out.

Chapters; cusp of autumn to April, every single month, wound ‘round you. They each had separating colors, and spared turns to soundly fold your limbs and bulge your skin in ribbons. It snipped your circulation, shriveled the ripe breath in your skull and traded it for a pressure. A throb. Weight upon the cranium, you felt the narrowing cradle inside wilt from thought, drain from consciousness, and soften your stiff eyes locked on drywall. Hour to hour.

But those weren't the only things taunting you with a dance— expectations danced faster. Expectators, paired minds heaping expectations; yourself and the selves blackjacking their wants expressed as worries onto you. Stressful creatures, they are. Bosses, co–workers, energy vampires disguised as lover boys prowling about your workspace, general creatures of the retail world. God, they're like ravenous wolves snarling hunger through their teeth, slobber moonlight–bright of that dire carnality for variety meats. Depression just took the first serving before they could.

Even the domesticated places are a wilderness untamed.

Stress drained you of life. It softened your desire to even try. Gods are dulling, blamed you, on another dull morning where the trickling sound of coffee pouring drilled irk into your ears, rather than simply a trickle. Caffeine, a roast so void–black was brewed to un–drain you. Yet, it fuckin didn't.

Impugning was your everything, until it could no longer purify; Elaine. Emptiness. Hmm, you gave this state of vacuum–headed hollowness a name, keenly because it deserved so by its dismantling of your autonomy. You don't want it. It's not you. It's Elaine. A some–angel fallen out of grace, weary of its wander upon a washed up cove, beige toned and swept shivering–cold. Interested by the warmth your sundry organs pushed into its light silhouette.

And perhaps, if the bird was never freed from its heavenly cage, it would be powerless to pester you, to poke the meat inside with the pointy end of plumage.

Elaine was an organized assault on your wellbeing, moreso against the pulpy, pinkish-gray blob sitting ugly above your throat. Believe it, or assume it. A paralysis, moving shoulders from bed sheets proved farcical, running bristles over your teeth twice a day rhymes with nonsense, and midnight ink born to swirl and curtsy to convey thoughts gone rancid, goes unused atop the white flutter between your journal hardcovers. You have a morbid case of the seasonal blues, except this time, the season is beyond its blue hues. Spring, a fuckin’ kaleidoscope embellished. Blotches of big fuck you greens so vibrant you'd long to die from your tears, and an abstract spit of smell me reds thorny as your stomach brought to a scream for something. Anything.

It was a slow, banal descent into the jello.

January, floating atop the sweet delicacy, atop your bed.

February, the solidity gave out beneath you, goo subtly etching around your ankles, calves, elbows, unforgivingly cold when it first hit. When in reality, the bed was heating from your lay.

March, marrow goes heavy, your limbs at this time could not lift, your efforts waned, and satiating the rumble in you with sustenance was forgotten, as that rumble got so, so.. quiet.

April, the jello had stuffed your nose, your sockets, and lullabied your ligaments. You let it happen.

May.

You let yourself sink. Let yourself decompose and go mush in the head. Like a zombie.

The descent doesn't taste of sweet delight, but it also fails to churn your lips with a heavy saccharinity. Neutral, your hopeful side did say. Nothing, rationality slapped past your lips.

Five months, either a misery, or a Monday.

Yes Eve, a bite out of the Apocrypha will indeed fill this human abysm in me. Forbidden knowledge is my craving. Contraband of truth, bite to bite, I envy that I could not cope with its coating of my empty gut earlier.

Innocence is so dull. You are depressed, not a fucking saint for staying indoors, starving your rage.

But on came a crisp bouquet of biker–boy newspapers; ‘Hiring’, and a few scans further; ‘Do you harness a great love for the evergreen?’

A honed section in Missoula's local print— jobs. A publisher boldens and compresses enthusiasm sporadically; writing–on–the–wall hollers speckle themselves meticulously on the newsprint that strike a sense of obligation into the susceptible and soft–of–heart chunk of the population. A pert voice read with persuasion between your ears, gritty in tone and stereotypical of a middle aged ranger, vocals fried by cigarettes but as booming as a cannon.

“Do you care for the animals inhabiting our national sanctuaries?”

Abutting small paragraphs, the sagging belly of a black bear, tender caramel snout and snoopy–faced, fitted on its head a mustard yellow campaign hat labeled, ‘Smokey’. Its burly, blundering frame on all fours stood out over a comic–style vista of the Montana rockies, paws obscured by blocks of thickset text reading ‘Only you’.

Huh, a realistic depiction of Smokey Bear— over a not–so–realistic background, avant–garde.

Tree greens sprawly that didn't shout ‘Fuck you’ on your poor, sunken eyes searing for sleep and a twilight darkness. Sagey lichens that didn't draw out the spasms above your own bones, calling your regard to bring pin–sized problems and blemishes sprawling your own flesh out of the bliss of ignorance. Brunette muds with only a fleck of sun, a slice of earth dull, humble and unprocessed enough from benevolence to leave you unconsumed, unsunken. A mere slop and pudge in the future and wake of your walk. Nothing obnoxiously grand, nothing sanctimonious. Nature is by birth— righteous, regardless.

“Before we can be proud of our nation, our nation must be proud of us!”

The advertisement gropes for a summertime made free. A cyclopean sinkhole in the becoming of time. Recruits–in–waiting are called to bargain normalcy and the bustling cities plump with lumbering limbs of sheen–tight pantyhose shaded under short shapes of plaid skirts for boot–cuts n’ backpacks hefty with gear that could either save you the trouble of mountaineering by path, or trouble your time with a faulty snapping of two things. Rope and neck.

Too grim?

A months’–long moment of tension snapped at the pressure joint— Summertime the snapper. You'd be devoting ninety–three suns, ninety–two moons, and some two–million breaths of fir laden air up in Angel Crater National Park, northwest of here. Pupils flickering the double-page setup, you continue: A pictographic, old–fashioned lookout taller than the timber spires surrounding would be your station, your core of operations, for those three young and sunny months. Boxed provisions and supplies are guaranteed to ship every other week, and testimonies encourage even the anxious, balmy buzzes of your brain to sigh in solace learning that the weald creatures there— are mostly harmless, if you aren't bred an imbecile. Alongside, an appointed supervisor, whose name was never disclosed duly except for a scratch of text gingerly clasped in quotations reading, “E.R.W” trailing the mention of said supervisor. What’s required of you was delivered plain written and patent on that shoddy newspaper, held thick in your intrigued thumbs; Keep the forest from catching wild fire.

You fiddled the idea. Should I? Or should I wallow the summer away? Fiddled it anxiously, fiddled it needily, bumped the clumped rim of the newsprint on your cupid's bow in bending rumination, steadied it cause newspaper smells oddly good— but next to minutes racing hours upon musing, a conclusion had to knock your static looping of gloomdom in the butt.

One phone call, and the bird would be barred again. Pesterer, Elaine the Terrible, would be cast back where eyes can't roll over the cottony clouds. Just a couple fucking prods to your number–pad, might genuinely un–drain you.

Luckily, you aren't an idiot reared to take bullshit longer than meritted.

You took the job.

May 30th, 1995, 7:28 PM.

What does any clever pedestrian traipsing capricious terrain store in their pack to avoid total gangly–branch–grips–of–nature butchery?

Item one; Black nylons— scratch that, you aren't getting paid to snag at every kink and curl of the forest, tighties of gossamery fabrics are a no–go. Citywear stays citywear. Double scratch on those sweet, blackberry Mary Janes too prized and polished to muck up in shit of the earth. Immolating the rigid underside of some chunky hiking boots to the unruly woodlands is the adrenaline pinnacle of out–worlding, come on. It proves you've got a hardy backbone and the right row of teeth to chew what you've bitten off, sullying boots ‘till the color is forevermore stained. Backup boots are tradition, so that's item number two. Best get used to cargo, ankle–length overalls and miscellaneous graphic tees, cause the rockies’ fashion gurus can't get enough of ‘em!

Clothing, check.

Swathes of ropes twined pumpkiny orange and plenty of clanging anchors to bolt them in, goddesses and gods forbid you be tight on anchors. Medical kits— duh, did you trudge all from yonder just to die out here? This country is dicey, at the cuddly claw of a bear, or not. Hair ties, scrunchies you hoarded as a teenager in the eighties, disposable camera to suit your flaky memories, and an eclectic dump of nutty and fruity cereal bars galore. Unless you're allergic. Substitute.

Accessories and essentials, check.

Ah, and a spare pistol and switchblade in replacement of newcomer paranoia! Keep that hush–hush though. No matches or lighters, obviously.

True American, illegal weaponry, check.

All this paraphernalia bangs and clangs heavily on the polyester holding of your backpack, straining your scruff uncomfortably as you tiptoe, scarcely tumble, and tread lightly across a log. It creaks, it groans, it wobbles slightly over the blaring white rush of a stream, suctioning your heart–to–stomach when it grinds a wee bit louder than you thought it should.

“Shit!” you crimp your torso in and dart wary hands on the timber beam at your feet, assuming a gawky newborn–bambi–pose in hesitation, shuddering in cracked tones, “This can't be the right way..”

Hoping on an evaporated sun, you frazzlingly testify in repetitive thought that the map mailed by the rangers a week prior led you on this perilous and incorrect path.. for the last two days. Winding and wounding, literally— your bruises are measureless and on top of that ache your skin to want no more of this. But, you have to. A boulevard of brown, short and stout, wrung unyielding from one gray side to the greener other, a shortcut. Assumed to be a shortcut, based on the route drawn by utter confusion.

Oh yeah, and remember the advertisement stating the park was twenty-five miles out?

Nothing about that hot-press, black-cat inked newspaper accounted for the extra eight weighing your ankles down and your motivation dead low. Twenty-five only stretched out unto the ranger parking lot. The entrance, for fuck's sake.

Shaky flit of your digits, they float gently off the carve–veined surface of the wood, unfolding your spine as you rise. “Wrong way—” you utter to your chest, oven–warm as it puffs, “—gotta be the wrong..”

Tentative–ism is normal here, right? Like, no way you're cautious and sweating at the brow for nothing. Right?

One foot— creeakkk— in front of the prudent other, two sailing lunges, three hurried hops and a matched thud soft as marshmallows plants your shoes to hallowed ground. Blades of verdant whiskers so innocent crush under, and it feels fucking— demeaning, actually. All that gulping and pausing.. for nothing.

You tuck a shoulder–glance to the makeshift ricket of a bridge, and blankface, “Didn't feel like killing me today?”

The tree bears no reply.

“Hmph, surprising. Seeing as someone killed you,” a sigh parts, fading into the whip and straightening of your head, “figured the pursuit of revenge doesn't stop at ghosts.” and the hoist of your boot up, carrying onward.

Sundown paints, crescent layers repose approaching moonlight and dying sunlight sprawls psychedelic limbs above you. Balance ambling in tiny bops only made the swirling grasp of those gradient rays more trippy on your eyes and coercive of daydreams, rot–nip for the brain. You spot nutbrown brick— a fireplace in your mind, fevered heat roasting on the inside wall of your forehead too. It was Christmas before the storm, a subzero December. And it was, in fact, colder than the unreachable heaven. Dad was hunkered down in front of that innocuous amber crackle, his right leg slack to the ground and his left arched in the neck of an acoustic guitar, arms plaiting its hollow curve into his chest. 1971, when the veil through and within was thin, and love–vomit poured so easily through. A time of justified ignorance; Childhood.

Stood you adjacently, legs short and posolutely not stout, dimpled in the knees. Aged two years, and mushy as ambrosia, contorting your mouth jubilant as you're told for the camera, contrary to your father with his expression drooping to his strumming fingers. Sickly sweets, adult–you unpurposefully neglects to twirl lips at, your extraordinary grins now turned ordinary flat–lines. Holiday memoirs, those spoiled ripe quick after adulthood bolted itself in the slabs of your tender spine and instilled an artificial love for labor and country, displacing nostalgia from ever being seen as a flesh existence.

“Say cheese!”

America is sub–human, and sub–humans created America, the imperfect cycle. Families tear, eagles outcry, friends drink their death, and the days continue to unfold without a trace of acknowledgement. Days exist where you soak festivities and stave off the pointer–finger poking at so called slack you relish, and some twenty dwindling years ahead the slowly deadening oak grove road, carousals will be criminally known as layabout–makers.

Joy is a luxury now.

A blockage prevents your foot from winching clean forward, meeting the bone–hard kiss of a boulder to sore your toes. “Fuck!” you brand your throat walls to a shout, pissed at the rock rather than your woolgather that lead you to said rock, “Fucking fuckhead rock!”

Woolgather means daydreams, by the way. Funner to use words that don't make a split of sense. Yay for English.

The sunset clouds dripped with a mania of fascination and had strung your brain to its hypnotic whims, like a siren had soloed a trance, drifting your mind somewhere utopian and phantasmagorical. It sounds silly, but, blanking out seems so often out of grasp from your control, you usually could never flag what caused it, when it started, and why. Nothing practical surfaces. Fuck, your head is so tangled upon memories, you haven't even noticed the progression of scenery twelve o’clock from you.

Ponderosa boughs band together where your eyes brush shapes and forage for a clue of what scene wants to greet you ahead. The sequestering silence of rustles indicates a clearing, possibly. Possible as it could be, you fully expected this cruel footslog to wallop your ass into a minefield, so you bet cards and course carefully beneath the crowns of pine, completely bent to the chance of another obstacle threatening your tender ankles. Leafy whispers above strum your ears brimmed with its sotto voce song, and then— colors it silently behind.

“Holy shit.”

Presence crumbles above you, and opens before you. The lookout. Wood shafts slant in opposing directions, up and up along four brawny beams in three consecutive layers, like a blocky cone. The face closest to you overlaps the backing rest, giving the illusion of tufted wooden legs sketched under all lackadaisical. Endgame daylight spies from behind this one–roomed cyclops, gushing final spurts of citrus rays as if it truly was an orange squeezed to pulp. So, the flank and forehead of that towering, mountainscaping lookout rolling a cold shoulder to the sun, paves in a tattered tapestry of garnet smokiness instead. Shadow of sundown. From where you sow feet, a football field apart, petty details are difficult to squint into clarity, but the window panes appear tawny, too.

An intimidation, “So much for a tiny room.” A beaute intimidation, “And no actual bathroom.” it makes you feel like a genuine insect compared.

A sort of stairwell serpent faintly chokes the foot, the calves, the thighs, and punctures kindly a mouth leading up to the skirting balcony hedged in many gaunt teeth. Tamping gravel closer, subtleties and fine points fade as the tower's plank–lined and flat underbelly turns to you. Larger and larger, it dips darkly from miniscule masquerade.

Bringing your decently aching foot to the first step, you press into the curb and meander your cruder aching— thanks to a random boulder— foot weirdly on the outer ridge of your boot. Making it up the stairs to fund yourself a fucking break was a palpable mockery in itself. Like, ‘Hey! Climb this long–ass stairwell for a teensy break before doing it all over again the next day!’.

Un–fucking–believable.

Fifty years of history and past rangers grate in your walk, the floorboards thump with their stories, thump into your skin— verse you a wordless eulogy. Each step is a sentence, and every sentence branches into a whole tree of genealogy, lives. Lifestyles you can't understand now, but will.

Really redundant of me to highlight the generations alive in those floorboards. The walk up there isn’t that exciting.

After the last step, you're met eye–to–frame with a scratched door, pygmy window centered and paper–screened from within, and the stories predating your stay inspire a comical theory, “Jeez— bears make it up here?” you half–suppress a snort, palming a fist on the doorknob coldly before rotating and giving sympathetic pressure to the door.. jammed.

“C’mon..” knuckles pulse into the knobs plate, gradually upping the force you pushed, “.. losing light out here..” eventually adding your other hand to sweeten the push.

Sure, a whole year has gone by since it homed somebody, and it's retro, but come on.

Breaking splinters into the door was your last intention, so you try so–so carefully— to some extent, “Please..” now butting the tip of your boot on the rim to ease it— ease, and finally pry, a clapback of wind blowing dusty, nightfall air past your crescent cheeks following the snap of the fallow door.

Thank goodness for your grace and balance, some days, avoiding a timely trip face–first to a floor so powdered in light dust, any kid would mistake it for a good time sweeping snow angels.

Not so good for the respiratory system though.

Muggy space filtering your lungs tightly, you cough out, “Gah— fuck!” nothing higher than the level of a guttural wheeze, your chest punching into your throat. Gaping out the last flock of butterflies clumped at your collarbones, the tickle inside calms, and you find your sights taking in a dark box. A dim orb of lily silver glow rests in the middle of the pall room, raising the natural, “Where's the ligh— ah, big clunky thing—”

Flicking the off–white and stubby nub attached to an impractically sized lightswitch, which frankly resembles an electric box externally, an essence of Apollo ladens the room. Lemony–gold light, passably bright off the redwood ceiling, and murmuring a low buzz through one ear, and out the other, your pupils caper along the contrasting shades awakened.

“Definitely retro, but.. no roommates.” spoke you, gingerly content with the colors piecing this camper pad together. You observe.

Forget–me–nots bled the cotton bedsheets baby blue, leavening the mattress with a tidy emotion as it's tucked, folded at the top and draped in a complimentary quilt— benevolent blues, hues your lids soften on. The bed beelined from the doorway, a corner counter fawn–brown as the wood extends adjacent to it, covering the northeastern angle of the room. Magpied brands of canned food clutter shelves, spines spanning thick books of epic poetry to sci–fi comics create a ribcage of literature along a compact bookcase perching that countertop, and sunken in the east side of it, a steel sink. It shimmered sunflower bands of light as you moved, a rainbow–arched faucet brightened completely.

Step by step, you draw near a circular table in the middle. Strange rods and gadgets stuck out of the borders, inlaid glass protecting a local map so sleek you could see a phantom of your face in it, and a black bar looming the width, so it rings with tangible importance. Of which you'll gauge about later. Truthfully, the journey by foot here? Dead–beating, your knees bloated, throbbed flesh hot, and almost buckled; fatigues infamous way of scolding you to sit the fuck—

“Sup Maple lake, you there?”

A pang hammers to your heart, and a crawlish wave of startled blood pales from your face and drops to your jaw, “Jesus!” sweat hitting you a blink after, every normal function just— flunked. That voice, more like a ruptured stereo sizzling, caught you the fuck off guard. Now you dither, dumbassery taking your eyes through a new loop of figuring out where–why–how and what the robotic intruder wants.

But pre–realizing, your ears perk to a more coherent, and outstretched string of static, “C'mon, know you're checked in.” and post–realization tugs your eyes to a mustardy n’ black cased device; a walkie–talkie.

Okay, way to creep recruits out. Whoever, for whatever reason— at the nick of night too, gimme’ a break. You wry, knitting raisin crinkles above your nose, trying to discern your palette of options; pick up the walkie, tap in and feign politeness in the shortest and sluggiest scraps of small talk to be done with the day, or rant off the bat— highlight how fucking late it is, and how taxing a double–goddamned–day hike made your head and patience feel. And right now, the second response route feels arguably more tempting than—

“This is Cordero Tower, calling in. Can see ya’ standing by the Osborne, by the way.”

Its staticy feedback has waned completely, densening a thick husk and tilting towards a honeyed undertone. Relaxed sounding or not, what the fuck.

You react predictably, flicking your chin west, then east only for you to meet the dead of night— thanks mountains— stalking perfectly in every single window. So, useless to check. Answering it was a yes–go, it would be sickenly awkward to thrust it under the rug now. Your knees pull forward, eyes calligraphing the power buttons tinted in cherry light, palm drawing to meet your focal point.

The case is ribbon gentle under your fingertips’ graze, fresh and in store–new condition. Maybe the only thing hot from the pot of newfangled technology. Plastic intricacies roll under until you settle on a swollen button, denting the plush of your finger as you press, hold, and speak. A crisp crackle activates your line, tuning you in.

Breath hesitates between your chords, “Maple.. lake.. speaking,” off–the–tongue words manifesting on–the–spot, “you can see me?”

“Yeah.” the walkie chuckles, sugary curl pitching up and through their tone, “Look out ur’ north window, you'll see her.”

Her?

Nooking your nose north, you only widen pupils on that same, starless coast of darkness nosing the rim of your window sills. What do they mean to—

“Nh–no,” You literally said north, “get closer to the window, n’ look up.” What, are you a fucking sparkling, rasp–voiced eagle?

“Fuck are you talking about,” mouthed you void of voice, stumped on what this person was getting at. Wedging your knuckles below the meshy underside of your backpacks right strap, you wrangle it down your arm as you glide rubbery sole along croaking oak, tossing that bag so cumbersome atop a lily white pillow— looking fresher than a daisy, and clamber the mattress pliantly dented to your knees to grasp a broader panorama.

And with that window hood washed over, a convoy of fireflies focus a tiny constellation in the murked glass. Little pinholes of light, dots in the distance. They rough–hew a blur, but the excess seconds taken to brood squints and balance the blurry blotches, an outline crops up. Another fire lookout, sprouting from rock and rise of a berg. Offspring of the distant cordillera that gives this whole park its sense of a cradled–woodland, but either way thought, a lookout hosts it home on top.

“You can see me from all the way out there?” you wondered, truly. I mean— at minimum, a sore sprawl of miles bridges you both.

“Mhm..” a pause loiters that fluid hum, then some really throaty syllables, “Binoculars~” you could almost envision— nah, feel the stare of those binocs, undoubtedly taking note of every contort in your body right now.

“Oh thats, totally.. not,” you blunt your tone, shying a few inches from the glass, “.. creepy.” awkwardly. “Uh, who are you anyways— are you like, uh, another recruit?” as you engage small talk, grumpy frown pouting, the habit of kissing your wrist to your jaw as you would a piglet–tailed telephone overruns your burnt out focus, having to wince the walkie away when your eardrums nearly burst.

Ouch.

“For one, I'm actually your supervisor. I know, I don't sound like a typical smoker–lunged, middle–aged white dude.” their tone gruffs and deepens to impersonate, finger air quotes practically radiating from the other end, “And two, my name is Ellie— Ellie Miller–Williams, if you care.”

“Don't.” you heave out the pain stretching your head, aching each time you simply thunk.

“Straightforward,” her timbre ups in approval, seemingly, “I like it. I like you, recruit I dunno’ the name of.” and a bubble hics her throat, quite audibly.

“Not single.” Wrong, just uninterested. Hooking two fingers in the fabric handle of your bag and craning it to the ground, with scattered grates of plastic buckles skating the floor.

“What?”

Oh, shit she wasn't— oops, ‘course she meant that platonically, heads so damn muggy, “Uh, it's—my name.. sorry I’m just a bit out of the loop—” Dumbass, unscramble your brain alphabet soup, will you?

“That’s a long ass name, what were your parents thinking? Haha.�� Her duo–beat chuckle flares your humiliation, and then proceeds to pinch its swollen parts into total inflammation, “Where does it originate from?”

Cheesy bitch, “Can you not— I like, pfhh..” you temper yourself with a moon–cool blow to chap your lips and inflate your cheeks, ending up with a draw of an even more loosened tongue sour as it complains, “Did a whole two–day hike through the most torturous terrain just to get here, I really don't—”

Please.

And if gripes trudged through teeth aren't persuasive enough, you recess your bone–ache bod avidly in the springy haven of your bed which chirped at your weights shifting motions, collarbones packing down on your vocal chords. You shouldn't sound up to chat whatsoever. Instead, vehemently drained, “I just wanna get some shut eye, talk me over n’ the mornin’.” your thumb lying a button away from disconnecting.

“Hey, hey—” Ellie ushered, her slurry breath fogging up the mic. Lips squeak softly into it, smacking before an intone, “Can't I be a little curious?”

You synchronized in noise, sucking teeth behind heart–pursed lips, “Do you think somebody this exhausted has the appetite to entertain you?” stilling your thumb–pad on the power off key.

“If I keep bothering you,” that alone ticked you, her blatant drive to carry on when your brain rejected its substance, “.. yeah. Maybe you'll be nicer then too.. huph!” a heartier peep hicced up on the speaker, and right then that noise jogged a discovery.

“Are you drunk?” has to be.

Of course, she ignores the naked and sorely obvious, “Did your boyfriend break ur’ heart or something— an’ that's why you're out here?” bottle sloshing in the background of her mumble.

Dumbstruck, you furrow a miffy expression, “W–what, boyfriend?”

“Said you weren’t single.” she recalls, warmly unspinning the fuddle that knit your brows, “Think I forget so easily?” drawled like a sultry retort, baking your ears.

You a hundred percent forgot though.

Gosh, short–term memory sucks, or it's just your energy drought making you woozy. Blame it on lethargy, “No no, that was just.. tired talk. I thought you were hitting on me.”

“Oh? That's cute.” her choosing to say that latter statement unfolded discordantly, you seriously couldn’t gauge if that was a flirt, or another paper daisy— mock honey, a platonic notion. Even so, it sounded so damn smooth, lace to the ears. “But no, I wasn't— m'not like gay or ‘whutever.” stammered her, light snort fanning.

A stifled chuckle hops from your chest, mixing with hers, “Uhuh, cool.” halfway uncaring and halfway amused, bafflement working your facial muscles.

“Yeah, um, but seriously..” her voice drifts into a ponderous rasp, the faint rustles of flimsy paper licking page to page subtler than her speech, “what's got you out here, newbie?”

“Newbie. Really?” A brow pricks.

“I mean, you're new— new to the lookout, new to the job, in need of my phenomenal supervision and my wide range of knowledge. Yeah, a newbie.”

Then your brow mellows, tension held in your face dropping dead on backhanded flattery, “You are funnily agonizing.”

“Aw.” her scratchily suave coo has your jaw set like stone, “That's so sweet.” but her short–lived song has your heartstrings soaked in ripe honeycomb, touched to the core by sweetness nebulose and an assortment of some foreign threads. Thickened heart, tighter ribs, a churn to weaken your stomach, a maverick of things unfamiliar to you.

Momentaries, but still noticeable even if your senses were twisted backwards.

Chewing over how you'll begin to explain, a few letters sift through your chords, until you hook on a sigh, “Ah, well, I'm out here for a fuck ton of reasons—”

“Reasons, or— huhp, problems?” Ellie blurt–hics, nosy.

“..”

A brief gulp and exhale wheezes from her, “Sorry, it's the bourbons’— super good. Continue.”

You loosely split your mouth, gasping to exchange a gale for words pressing out, “A series of reasons, and problems, that I don't bother to lay on a grand platter, so you'll get a summary tossed on an appetizer plate.” you preface. Allow an elliptical gap to cut through, rousing her hum to let you know her ears are as intent–peaked as a Chihuahua’s, “Contact with my parents’ has gone cold, my last job made me want to hurl into a pack of crocodiles— and the city became too loud and too heavy–handed. Saw this job on the local paper, and got the hell out of dodge.”

An omissive summary, you meant.

There’s more that eats the heart. People can’t just.. drop the burden of knowledge wantonly on randos like they’re idling under fertile treetops waiting for the apples to plummet, biting into a pulpy biography. She’s just a girl, not a therapist.

A discomforted purr lengthens into her reply, “Mmmmh, ever try a drink or two?” her intoxicated reply.

“Oh, see,” you flap your hand and slap it to your denim clad thigh, “you are drunk.” as if she could even see your gesture.

“No, I’m Ellie, hmhm~” comes with a giggle, and you consider her state of insobriety to be— wavering, but it’s stimulating to hear her fluctuate between groaned jokes and extra raspy comments, “Still haven’t told me your name though.”

Some moments during this whole ‘Who are you?’ seminar made you concerned for your future here— if you’ll make it out psyche intact, but some moments found by winnowing through the illogical backtalk touched you with inbound camaraderie.

Invisible touches that inhabit your neck with a leak of your name so— sincerely. It transforms into a fairer sound on your ears when she repeats it, affirming it. Nobody else's teeth clutches your name so welcome as she.

“Hmm, ‘name kinda fits your voice.” odd commentary, but since composed with her already peculiar and drunken tongue, the shoe fits.

That said, crabby confusion seems easier to articulate, “Thanks, weirdo.” but lips rebellious, they press an inevitable grin together.

“No problem, sleepyhead.”

So many nicknames.

Recognizing that downtick in hubbubs and breaths on the walkie, checking out for the night posed as a passionate option the burden weighing your eyelids couldn't or shouldn't veto. So you haul your torso up, kick and poke your toes over ankles to butt your boots off prior planting your heels, whisking toward the lightswitch and committing your lookout to swell with the outside's dark fresco.

Stygian tones.

“Speaking of sleepy heads..” you taper off speech, leaving the rest to her— touch wood— wide enough, hopefully–not–drunk–enough imagination to fathom as you slide and slip desperately beneath woolen blankets, sleepy worries, and sentences sailed to rest.

“Aw man.” Ellie bums so, so stupidly, for comical value.

“Yeah, man.”

“Mpht—” wetness smacks, “wanted to bore a pretty girl to death with recruit regulations and syllabi..”

How would you know?

In reality, Ellie was reaching a transcendent caliber of wasted, drinking up your atmospherics and drunken to her gutly core. Woods hatch forlorn people; forlorn people get thirsty, “But, mhh, heads’ nearly falling off, whoof.” she expresses a soaring of vowels, but it parallels a gruff howl more.

Drowsy, buzzy jubilancy, plucking her flirty strums. You sugarcoat the flare in your chest hearing ‘pretty girl’, ears clicking to the swallow convincing your heart that Ellie was not flirting. As established; She’s under the influence, and not gay. Your brain repeats that, over and over, repeat, repeat, she isn’t flirting.

“Hey, here's a tip..” you inch the walkie a penny away from your flopped head, clefting your lip open, “Don't get drunk on the job. They didn't hire you to decoct your brain the day before chaperoning a recruit in the literal wilderness. So, stash that shit, n’ let's both get some shut eye, yeah?” and saying all that, may have just cashed in your last dose of breath and brain cells for the night.

Ellie being Ellie— well, what you suspect is a ‘her’ thing after these few speckled minutes, dopily laughs at you. And dammit if she wasn't glamoring a dopey smirk in accord, you’ll have gleaned wrong.

A voice, “Who’s the boss again?” her witty and cruel wisecrack, “They didn't pay you to boss the— hup, boss around.”

They will pay you to confront and reflect your spectrum of limits if this girl brushes their seams, that's for certain. Or, play God and lambast her, tender as milk.

There's even a stroke of a chance, that your crooked lips poached her dopey grin instead, “Kay, well, maybe they'll reimburse me for your poor services.”

“My services are not poor. You'll see, tomorrow.” the volume of her melts away, going muted under liquid swills clanging on glass.

“Please tell me that's the sound of you putting the bottle away.”

“Mhm!” came out plugged, the bottle confining her garble, then popping clean as a cork, “Fuck— okay,” she siphons air in, pure little clink tinting the end of her sharp–edged sniffle, “Make sleeping in earlier worth it t’morrow, wanna drive you nuts with my questions.” she nasals, drawing near the mic again.

Such a magpie, “Cause you're lonely?” and weird.

“Shut up,” she shushes you, a satin whisper light–hearted and quick on beat, “M’not lonely anymore, right?” The type of softly spoken outcry that would balloon your cheeks with soreness if you were face–to–face with the throat that conducts it. Involuntary smiles plague you everywhere. But there is no mouth, no larynx, no throat that you view the swallow of. Just a walkie, so you settle in stoicism.

You tug your upper–lip and pivot your eyes, drumming up something clever to combat, “In a sense. Not like we’re bunkmates, thank goodness.”

“Fuck you,” Ellie breaks into a cuss spout so serenely, she sounded small and harmless, “just go to bed.” reduced to birch in winter shed of its brittle autumn arguments.

“Don’t gotta tell me once.”

By the first full and emphatic giggle she cast just now that wasn’t suppressed nor achieved by humble pie, you take it that Ellie found you funnily harrowing just as her, two peas in an outstretched pod. Fault be with her, for getting wasted. Otherwise, you might have pried her skull open with questions dolled up as a pruner, clipping the forelimbs that are foliated in a messy breadth of first glance leaflets and attitudes until you piece it prettily, in a way that thralls you to never shrink your eyes back into their sockets. Drunk people are like prone beehives though, so you don't prod them.

Tomorrow, you can paint her portrait, or vice versa.

“Whatever you say, newbie.”

And with the whirry crunch of the walkie shutting off, Monday, came to a close.

if you enjoyed this chapter, please lmk what you thought!! i love getting asks about my content ♡

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anominous-user · 4 months

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Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton.

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff | Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine | Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on.

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives.

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair.

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another?

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her."

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first." • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.