#While writing this all I could think of is “This actually sounds a lot like Yuno?” like

[saltymarshmall0w]

Another Dp x DC prompt inspired by a Danny Phantom episode.

Identity Crisis- The episode where Danny flies through one of his parent's inventions (A dream catcher, but let's all replace that little detail with a net or a strainer) and separates into Phantom and Fenton. Fenton is glad to give up being a hero and be lazy with his friends while Phantom turns into the embodiment of a heroic archetype.

----

There was an empty, gaping chasm in him nestled somewhere between his spotty memory and the apathy that constantly settled over his brain like a weighted blanket. 

He could see it in the way it felt like something was missing when he looked in the mirror.

In the way Danny enjoyed things but couldn’t list what exactly he liked. 

His parents knew it too. His dad didn’t look him in the eye anymore, and his mom always made a disappointed “tsk” noise when they tested his blood to “check if his levels were going down yet” then questioned if he was using the decontamination soap. He did, even if it made his hands burn and left Danny feeling lethargic after every shower.

They moved to Gotham of all places overnight, before Danny could so much as say goodbye to his friends. 

(He knew it was weird. He didn’t even remember packing his stuff—but he didn’t have to do the work so, whatever) 

They locked him in the house all day as if he would go out on the streets and fight crime while they weren’t looking or something. They were being controlling freaks!

(He should probably run away. It was obvious, even to him, that he was being abused… but that sounded like a lot of effort and not all that fun, so he’d rather just stay in his comfy bed and watch tiktok. He could ignore the sounds coming from the basement until he was 18.) 

Uncle Vlad would occasionally stop by to say thinly veiled threats and act all weird– once or twice asking about “Phantom” or a “core” whatever that meant. It was easier to just let Vlad send him to a rich-people school and drag him to a couple galas. At least he was actually getting out of the house. 

Whatever was going on with Danny was probably something he should be concerned about. He should go to a doctor, or the police, or his obviously-a-vigilante classmate for help rather than attempting to create half-thought out inventions to solve a problem he couldn’t even describe that he inevitably would forget about in favor of watching tiktok. 

According to google, the headaches, the tiredness, the dry skin, the disorientation- it all pointed toward dehydration. So, he was just overreacted anyway and should probably just drink more water. 

Whatever, Doomed came out with a mobile version for phones so, he’s way more interested in that anyway.

-

Basically, Human!Danny does not remember anything to do with Phantom and he’s missing a lot of his key components. 

lots of procrastinating, lots of apathy and emotions are extremely dull. 

He doesn’t realize how much he misses his friends or his obsessions unless they’re directly in front of him. 

I think it would be a fun writing exercise, questioning how Danny would act without Phantom based on the events in Identity Crisis. 

-Emotional incompetence. (He’s awful at identifying how he feels about things)

-Shameless Dopamine-seeking behavior. 

-Doing things without thinking of the consequences.

-A completely gray moral compass

-

Meanwhile, with Phantom—There are different levels of messed up we could take this. 

After Jack and Maddie separated Phantom from Fenton, they tried their best to get their son (who, thankfully, doesn’t remember being possessed for nearly a year) to decontaminate fully by moving to Gotham, while keeping their subject in the lab so they could keep running tests on it. 

Unfortunately, the ectoplasm levels in Danny’s blood aren’t going down, despite weekly tests. 

Last night, Danny had a nightmare where his parents cut him open.

It was only a nightmare, of course. His parents were inventors. They specialized in making every-day objects into the shape of his dad’s face; they didn’t work in biology.

Still, the phantom pain of his mom snapping his ribcage open was too realistic, and he still didn’t have an explanation for the surgical scars he kept finding on his body. 

OR

Jack and Maddie separated Phantom and Fenton and decided it was time they gave up ghost hunting for the safety of their son. So, they sold the ghost to the GIW and used the funds to move to Gotham, the city with the least amount of ambient ectoplasm in hopes to fully decontaminate their son. 

Phantom is in the hands of the GIW until Fenton comes across him (probably due to Bat-related shenanigans) and instantly goes “Oh, shit. That’s my soul. I kinda need that back.” 

-I’d be kinda funny if at this point the bats all know Danny as an extremely relaxed civilian who’s smart and figured out all their identities, yes, but also has zero interest in vigilantism.

-They’re going to get the “soul” thing Danny was freaking out about back Asap but they need to do a bit of reconnaissance first and–

- Oh—

-Danny’s mission-impossible-ing his way into the highly secure government base. 

-and he’s, like, GOOD at it. WTF

OR

Phantom, separated from his human half, turns into Little Baby Man. And just tries his darndest as a tiny little cat-possum-snake thing to find his human half… and protect everyone he sees… and collect shiny things. Okay! It’s not his fault he keeps getting distracted!

Until!! He found his human!! Well, it wasn’t actually his human, but Phantom could tell his human had been around this human. Besides, he sure did like this human. And the human said he was cute. Which actually made him explode with happiness!! 

(The Waynes adopt little Baby Man, thinking he’s just a really weird alien cat) 

-

So, now for the DC part of this I’m gonna throw some ideas out there for some interactions and you can decide if you like ‘em or not. I basically just really liked the idea of Danny finding out his classmate’s/friend’s secret identity and just… being completely apathetic to it. 

I really flip flopped on his Designated Gotham Bf being either Tim or Damian, bc i think both would have a really interesting dynamic with a really apathetic yet insanely smart Danny, especially if you throw in Damian adopting LBM Phantom. 

You, (yes, You! The reader!) can take this as whatever Wayne child you chose and I’ll just refer to them as Robin from now on. 

Each of these separated bits are just a different new way I thought an identity reveal would happen, none of them are connected. 

-

*Danny, standing way too close to an active rouge attack, watching Robin and Batman fighting*: You know… that guy throwing around the stylized R’s around looks kinda like that cute guy from physics. 

Goon, currently trying to take Danny hostage: Yeah, whatever kid. 

-

Robin: Hey, so, I know the school is under attack right now, but I really need something from my locker so–

Danny *The new kid who so far has only slept in class*: Dude, I know you’re Robin. It’s, like, really obvious. Just go, I’ll cover for you. 

-

(while Fenton would not be inclined to help in a rouge attack, he still has the overconfidence of a super-powered being and some of the instincts that were ingrained into him after hundreds of fights)

Robin: Hey, Kid-I-don’t-know! This is an active gunfight! You should run!

Danny: Don’t worry Robin, there are no civilians around! I have time to wait around so when you’re done kicking ass we can get back to our group project. *thumbs up* 

-

Robin: B, this is my friend, Danny. Please be nice to him. 

Danny: Hey Batman. Rad. 

Bruce: Hrm

Robin: *spluttering* Pfft- Bruce- Bruce isn’t Batman! Haha! What makes you think that?

Danny:

Danny: Wait– We’re friends? 

-

Robin *very angsty moment*: Danny, I’m sorry. I only befriended you because I thought your parents were shady and wanted to investigate. The truth is… I’m Robin. 

Danny *This is a total shock to him. He had no idea. He should probably react appropriately*: If I had a nickel for every time I dated a vigilante’s civilian identity I would have two nickels, which isn’t a lot, but it’s weird that it happened twice, right? 

Robin: Are you seriously quoting Phineas and Ferb right now??

Robin: Wait– which vigilante have you dated before?

Robin: Danny? You can’t just leave me hanging, Danny. 

Robin: Was it superboy? Because- Danny! I’m way cooler than superboy

—

Alternatively, consider the shift in dynamics when Danny is back “complete” and can finally feel regular emotions again. 

Like shame, for example.

Robin: Hey :) 

Danny: *Remembers anything he did as LBM  and calmly moves to the floor so he can curl up and die of embarrassment* 

Robin: ??? Are you okay? 

-

Robin *bats his pretty eyes*: So? You and Phantom are finally back together again. How do you feel?

Danny *hasn’t noticed his Paulina-level attraction or Sam-level crush on Robin before*: Bisexual. 

-

Misc:

Phantom: *growling at a mirror and repeatedly trying to attack it*

Robin: Yeah, we don’t really know what it is, but it’s cute. 

Robin: This is weird, He doesn’t usually warm up to people so quickly. Usually he’s really protective. 

Danny *completely calmly*: Oh, yeah. That's probably because it’s my soul. 

-

Bruce: Listen, I know you like my son-

Danny: Woah, hold on. Yeah, Robin is pretty great. Dopamine goes brrr around him, but I don’t have a crush on him or anything. 

Bruce: *gestures to Robin on the other side of the room, where Phantom is repeatedly giving Robin butterfly kisses and nuzzling into him*

Danny: ooh. 

--

Anyway! if you're at all inspired by this and write something the only requirement is that you have to tell me so I can read it too :) otherwise, go crazy!

[jamiepaige]

Constant Companions Closeup #3: ROT FOR CLOUT

(also on bandcamp and spotify!)

WHAT'S going on guys, welcome back to another Constant Companions Closeup, the show where we take a DEEP DIVE into what makes these tunes tick! Last episode, we went aaaaaall the way there on Not Quite There, and today, we're making that liggity-line go up up up up up with ROT FOR CLOUT featuring VISUALEYES!! Before we get started, remember to SMASH that like button, SLAM subscribe, and FUCK the bell icon. This week's community challenge: leave your credit card info in the comments! Bet you won't!

(*cough*)

---

I check my notifications way too fucking much. It's a habit I'm trying to curb, and to my credit, I am doing better lately, but being chemically predisposed to dopamine deficiencies has done a number on my ability to go five minutes without checking the funny glowing numbers on my phone. Naturally, I also very much seek more validation than I should from the opinions of strangers yadayadayada yeah that's what the song is about but none of that actually has to do with why I started writing this song in the first place.

Have you ever taken a flight with American Airlines?

This was after waking up at 4 in the morning to fly out of Houston thinking I'd be napping on a couch in Ohio by 2 pm at the latest.

I want to make one thing clear here, and that's that I made this bed for myself. Tucked the sheets in and all. You see, on the rare occasions I fly, I normally take Southwest. Southwest does not overbook flights like a lot of other airlines do, so it's a practice I am mostly unfamiliar with. So, when I received a notification on my phone promising genuinely ridiculous amounts of flight credit money in exchange for taking a slightly later flight, I thought - well, shit! That sounds nice!

This is how they trick you. I didn't really realize I'd been tricked until I was on my second flight of the day, sitting in a middle seat at the very back of the plane, heading from Dallas, a city I don't live in, to Washington, DC, a city I was not trying to get to, staring down the barrel of another flight I was destined to get on that had been delayed like two fucking hours.

I became the Joker. All I could do to remain sane was write a song about it. This is how ROT FOR CLOUT came to be.

I guess the moral of the story is this: Don't go to Ohio. And to answer your question,

Yes I am

Not really

No

---

This is a complete sidenote but I want to mention it here: I'm genuinely overjoyed at the amount of people excitedly talking about my songwriting or the intention behind my lyrics. For a long time, it really felt like lyricism was the last thing people cared about from me, while it was always the thing I wanted to take pride in the most... So genuinely, thank you everyone for caring!! Every single fire emoji people have put next to a line I've written has extended my lifespan by multiple years

There's a brief little moment where the song's chords leave the key, doing a really stereotypically jazzy 2-5 movement, and it's one of my favorite parts of the entire song. I'm not really a music theory buff or anything, and I'm certainly not formally trained, but I've always been very passionate about more complicated harmony in otherwise poppy and accessible contexts - bo en's album pale machine really rewrote my brain when I first heard it.

On that note, there are microtones in the vocal melody - During the chorus, some of the rapidly repeated words move up in quarter tones! Possibly the simplest way I could've included microtonality, but I'm genuinely afraid if I learn more than what I already know about it I'll be lost to the darkness.

Obviously, the work of Sasuke Haraguchi was a massive influence on this song, particularly the song Igaku. I think basically everyone on the entire planet has picked up on that at this point, but I do also wanna point out some other songs that were on my mind at the time! (two for three on these posts mentioning louis cole now)

I'd also like to take a moment to spotlight the vocal samples on this! They previously appeared on エビチャーハン!, and they've honestly become some of my favorite samples to throw in things. They're also just a fucking goldmine sincerely

Finally, HUGE thanks to Visualeyes for the delightful synth solo on this!! I had put out a call on Twitter looking for instrumentalists, genuinely originally envisioning a super jazzy piano solo, but their synth playing genuinely brought the whole song together perfectly!

That's about it for this song - though again, if there are any more questions people have, I'd be happy to answer them in the replies to this post or elsewhere!! (*ahem*) THAT'S gonna do it for today's video, folks! Feel free to leave a like, comment, hit the subscribe button for more and click the bell so you don't miss any new videos. Tomorrow? I Wish That I Could Fall. it hurts.

[celerifleuri]

How did you code the game?? I'd like to make my own game in the future and I'd really appreciate some tips or tutorials if you have that😭😭(THE GAME WAS LITERALLY SO GOOD AND I WISH THERE WAS A PART 2 ICL)

as much as i love complaining about renpy, it is actually pretty simple and straightforward!

two links before getting more into it

the renpy documentation, your most reliable friend

the current script for hold your tongues, so you can see for yourself what the code is like vs what the game you get looks like

(might not be the most perfect/efficient code but it gets the job done!)

the way i went about it was basically in multiple rounds of edits, each focusing mainly on one aspect

you want to have your lines written first (doesn't have to be the final version, you're very likely to edit a bit as you go) so you can arrange them into proper code ("", associated characters)

+ i personally did it later for readability but you might want to think about the flow of these lines there too ({w} click again, \n new line, {p} them both)

while doing that (or when you're plainly writing too), i recommend adding notes of images, expressions, sounds you might want in specific places. this will make your life easier

because images (especially if you have a lot) take time to code and can definitely drive you a bit insane!

starling. has 2 bodies (+ associated faces)

so that the game doesn't get needlessly heavy, you separate the body (always:, so it is always there when you show the sprite) and the faces (you could even separate the facial features which gives you more things to code but can also give you more freedom)

these two types of files won't magically attach themselves perfectly on screen so be ready to potentially have your eyes suffer a bit!

you need to fuck around with the pos(x, y) until it looks fine ☺️

as for maelyn, she's shown as a side image so

the key thing here is to title the files side [name] [expression]

and when defining the characters, associate [name] as their image so the side image shows even when the other characters are speaking

for other kinds of images (like bgs, cgs), you'll find everything on the documentation and forums if needed!

now for sounds, you'll also easily find how to code them on the documentation but for where to find the actual sounds, i recommend

good luck with your game and don't worry too much, there are lots of resources out there!

as for a part 2 well there won't be a very long continuation of one ending especially (for fairly obvious reasons) but i do have lots of bonus episodes planned and all of them combined would probably be longer than what's currently out (too many ideas in the brain, not enough time 💀) so yeah you can look forward to that

[trixy812]

⋆｡‧˚ʚ You have all my support ɞ˚‧｡⋆ pt 2

{Nanami Kento x reader}

ִֶָ࣪☾. Content: kento nanami x reader, just fluff, comfort, friends to lovers, nightmare, digimon mentioned!, i really think nanami looks at memes like parents look at memes xdxd (don't forget we are in year 2007ish)

ִֶָ࣪☾. Summary: It was inevitable. Kento Nanami and you became friends.

ִֶָ࣪☾. AN: Hello! I bring you guys part two, I took longer than I expected. Yesterday, I had a very calm nightshift and decided to finally write this second part, i really liked how it turn out. I really want to encourage you all to leave comments because that would help me a lot now that I'm just starting to write! extra: i really want to thank my twiniieee @totallygyomeiswife because she helped to organize my thought and how i want this fic to keep going.

pt. 1 - pt. 2

It’s been several months since Haibara’s death, and while Nanami remains the serious, reserved man everyone knows, something has subtly changed in him. In these past months, he’s allowed himself to trust you, finding quiet comfort in your friendship. You've always been there for him, offering support without demands or expectations. Yet Haibara’s memory still casts a long shadow, and sometimes his dreams dredge up painful scenes, reminding him of everything he's lost.

One night, after an especially vivid nightmare where he relives those haunting images of Haibara, Nanami wakes up, gasping for air. Without thinking, he picks up his phone and sends you a message:

Are you awake?

Your response comes almost immediately.

Of course! I’m always awake. You couldn’t sleep again, could you?

Despite the lingering weight of his nightmare, Nanami can’t help but smile slightly.

Do you ever actually sleep?

It’s my superpower! you reply, adding a sunglasses emoji.

Just as he’s about to put his phone down, he sees a notification from you—an image attachment. Curious, he opens it to see a meme of a concerned-looking dog, accompanied by the huge caption: “Your life is as worrisome as my face!” Nanami frowns, confused by the image.

Whose dog is that? he asks.

That doesn’t matter! Just laugh! It’s funny, right?

It seems we have different definitions of funny, he replies, teasing you. But he’s unable to stop himself from smiling, finding a strange comfort in your lightheartedness, and grateful for the brief escape from his thoughts.

Later that day, the two of you meet up at an arcade. You've set your sights on a claw machine with a Palmon plush, and after several failed attempts, you’re determined to get it. The lights and sounds around you barely register; all your attention is on the machine and on winning that Palmon.

Nanami watches from behind, arms crossed, his expression showing his skepticism. “Are you seriously going to keep going? You’ve already spent 4,500 yen. This is ridiculous.”

Without looking away from the machine, you throw him a quick glance. “Yes! I need it. Palmon is beautiful, and I won’t be able to sleep if I don’t win it.”

Nanami raises an eyebrow, doubtful. “Is it really that important?”

“Obviously!” You pout, looking at him with that mix of determination and stubbornness he’s come to recognize. That blend of energy and defiance stirs something in him, and he blurts out a suggestion he hadn’t even thought through

“Come study with me at Jujutsu High.”

The proposal surprises both of you, and you stop playing for a moment, though you keep your hand firmly on the joystick to hold your spot. Smiling, you look at him with a mix of affection and amusement.

“That’s not going to happen. I’ll never be a sorcerer. Not even you could change my mind, Nanami.”

A faint blush rises to your cheeks as you say his name, wondering if you’ve let slip too much. You seem about to say something more, but he interrupts, his voice soft and sorrowful.

“I’m alone now. I was left alone”

His words strike you, and though you want to tell him how much he means to you, how you've had a crush on him for months now but you know it’s not the right moment. He’s still too vulnerable, and you wouldn’t want to take advantage of that. Instead, you try to lighten the mood.

“My dad always used to say, ‘You go to school to study, not to make friends,’” you say, imitating your father’s voice and holding a finger under your nose as if you had a mustache. Nanami watches, but the sadness doesn’t leave his gaze.

Finally, you look him in the eyes, speaking with quiet sincerity. “You have all my support, Nanami. You know that, right?”

Nanami meets your eyes, and for a moment, his expression softens, the sadness easing a little. “Thank you,” he murmurs, and you notice a hint of peace behind his smile.

“After school, you probably have homework, just like me,” you suggest, taking a breath. “How about I come to your house every day after classes, and we do it together? Studying will be easier if we have each other’s company.”

Nanami looks at you, a bit taken aback by the suggestion, but he finds himself surprisingly comforted by the idea. Even though he knows your schoolwork might be very different from his own, the thought reassures him.

“And what about your hospital volunteering? Don’t you have to go?” he asks, concern creeping into his voice.

You wave his concern off. “I’ll do it on weekends. There are fewer people, and I can hide what I’m doing more easily. Don’t worry.”

Nanami nods, and without another word, he steps toward the claw machine, nudging you aside gently. Reaching into his pocket, he inserts 1,000 yen. And as the good sorcerer he is, it looks like magic, the claw captures the Palmon on the first try.

As soon as you see the plush descending, you let out a shout of pure joy, bouncing with excitement. Nanami pulls it from the machine and hands it to you.

“Thank you so much, Kento!” you exclaim, hugging the plush tightly, and realizing, as your face flushes, that you’ve called him by his first name.

Nanami blinks, surprised, but then he smiles, seeing you so happy. For a moment, he catches a glimpse of Haibara in your lively expression, just like that day when you met, and the thought fills him with an unexpected peace.

“So, what time will you be coming to my house to keep up with your ‘plan’?” he asks, his tone faintly teasing.

Unable to help it, your smile grew even wider, thrilled to have the Palmon in your hands, happy that Nanami won it for you, ecstatic because you know you'll see him more often, just as you've dreamed awake before going to sleep, you respond, “Let’s meet at Akihabara station after school, and then we can go together. Does that sound good?”

Nanami nods, satisfied with the plan. “Perfect.” With a slight blush, he murmurs almost to himself, but just loud enough for you to hear, “Keep calling me Kento.”

[fxckn-sxck-fr]

omg hi if ur inbox is open can u give us a short blurb/your thoughts on or some kind of headcanon list for yan tim drake (romantic) bc ur interpretation of him is so yum🤤 i like how you rlly focus on more darker aspects of his character which i dont see a lot of ppl doing unfortunately bc the way he’s a complete FREAK LMFAO🫣🫣

𝐒𝐎𝐌𝐄 𝐘𝐀𝐍𝐃𝐄𝐑𝐄 𝐓𝐈𝐌 𝐃𝐑𝐀𝐊𝐄 𝐓𝐇𝐎𝐔𝐆𝐇𝐓𝐒…

!!! GN reader, mentally ill Tim, psychotic Tim, just Tim, he’s a problem, manic/depressive episodes, violent tendencies, suicidal tendencies, stalking, kidnapping, obsessive behaviors, gross ways to show affection, slight insinuation of pervy Tim, blood, mutilation, harm to reader mentioned, self-harm, severed body parts, drugging, gaslighting.

YAAAAYYYYYYYYY, TIM DRAKE TIME!!!! This is so long overdue. I’ve been meaning to write for him, but… it just hasn’t happened yet. I hope the ideas will start flowing after I get some of this off my chest. I’ve been harboring so many miscellaneous Tim thoughts for a while.

(Y’all. The CW on this just kept getting longer and longer. My bad.)

First thing’s first, Tim is a fucking mess. There’s no way to know for sure which version of him you’re gonna get each day. Maybe he’s going through a manic episode, coming up with batshit crazy schemes and going on about things that don’t make sense. Maybe he’ll then swing into a depressive fit, where he can’t even bring himself to get up from the floor. Maybe he wakes up completely fine after an hour long nap, regretting whatever initial brash decisions he made. Maybe he quickly turns violent at the sound of knocking at his door. Maybe he wants to claw his own arteries out after trying to maintain a normal social interaction.

The possibilities are endless! Which makes him extremely dangerous.

If you’ve caught the eye of Tim Drake… yikes. Good luck. There’s a chance you don’t even know who he is before he inevitably kidnaps you (completely on a whim, no less). Maybe you’re a total stranger he saw on the street once, captivating him and causing him to spiral into a twisted obsession. While I’ll defend Tim against the fandom allegations until my lungs give out, I’ll admit: they’re on to something when it comes to stalker Tim. Bro definitely has pictures of you covering every square inch of his walls. And, yes, it’s to the point where they overlap each other.

Kidnapping can take anywhere between 3 days and 3 years. During that time, he may try to weasel his way into your life in an attempt to win you over... though we all know how well that would go. As I’ve mentioned before, he may be attractive, but he’s such an off-putting person. Just being around him is enough to give you the creeps. And it doesn’t help he’s completely unaware of how weird some behaviors are. Tim... honey… you can’t shamelessly stare at people with a startling grin like that. I know you’re thinking about how much you want to lick your darling-to-be’s neck, but it’s weird.

Whether he attempts to interact with you or not, one thing’s for sure: he’s stealing your shit. Clothes, toothbrushes, half-eaten food, straws, whatever he can get his hands on. Don’t ask what he does with it. You don’t wanna know. Tim is a neeeaaaasty freak, to the point where even he thinks to himself, “what the fuck is wrong with me” after he calms down from a fit.

Oh, speaking of guilt, Tim is filled with that shit. He may swing from various stages of instability, but there are moments where he’s perfectly fine. And those are the moments where he has to grapple with the consequences of his own actions. Those can range from slightly scaring someone to causing irreversible damage. There have been many times where he snapped out of some episode with blood dribbling down hands and chunks of skin under his fingernails. Who did he hurt? Could be someone else, could be himself, could be you. Who knows!!

Let’s actually get into his suicidal tendencies a bit. His arms and legs are covered in scratches and cuts. Now, this could be explained by his vigilante life, but it gets harder to justify when you get to the bite marks at angles that only make sense if they were self-inflicted. Oh, and also the carvings of your name. He does that a lot. It’s like you’re with him everywhere he goes!! And kind of on the same note, he wants you to have him with you as well!! This could come in the form of strips of skin, vials of blood, toes, an eye, an ear, a spleen… just whatever he’s willing to cut off or out of himself in the moment.

His suicidal tendencies are also connected to those moments of guilt I mentioned before. After calming down and realizing what he’s done, he may harm himself as some sort of penance; especially if he’s done something to you. Depending on how far he spirals from his guilt, he may actually enact “an eye for an eye” (perhaps in the most literal sense) to help make up for what he’s done. Who knows, maybe he’ll replace missing pieces of you with his own. Will it work? No idea. Maybe a skin graph or two, but let’s hope you don’t have to find things out in the more extreme cases.

I think it’s important to keep in mind that Tim Drake is just generally fucked-up. “Normal” Tim doesn’t mean “completely well-adjusted” Tim, it just means he’s not acting on some manic or brash decision. Normal Tim would be fine with chaining or drugging you if he’s justified it to himself. As long as he’s not causing active physical harm to you, he probably won’t see anything wrong with whatever he’s doing in the long run. It’s for your own good, okay? Don’t worry, he’s gone through the possibilities and failsafes. Nothing bad will happen to you!

Unfortunately, manic Tim does not go through the possibilities and failsafes. Well, he kind of does, but the logic is far from realistic and runs in total circles. Whereas drugging you has a rational (fucked up, but still rational) reason behind it — to keep you immobile — filling your ear canal with cement takes some mental gymnastics. Manic Tim doesn’t want you to listen to anyone else. Solution? You can’t hear through concrete, right? At that point, you’re at the mercy of his mood swing RNG. Let’s hope he calms down enough to take a step back and really think about this. Hmm… filling someone’s ears with cement… probably not healthy. Wow. Silly Tim! He let himself get carried away, didn’t he? Whoops! There are more logical ways to keep you from listening to anyone else.

That’s where manipulation comes in. I mean, come on. Y’all know who his mentor is, right? Stable Tim is wicked good at manipulation. Huh? He’s acting weird? Well, he didn’t want to say anything, but he was actually thinking the same thing about you. Yeah, you’ve been kind of off lately… is there something wrong? You sure? You know he’s there for you, right? Okay, just making sure. A gaslighting king when he’s in the right headspace for it. Too bad his psychotic aura gives him away; he’d probably be really good at keeping up appearances if he just got medicated or something.

So… yeah. Just some Tim thoughts. What a charmer, amiright? I don’t think this one’s salvageable. No amount of therapy could ever fix whatever Tim’s got going on. Just throw the whole damn guy away. Start over. Your only hope of escaping him is the chance of someone on the outside realizing what’s up. Here’s to hoping Tim gets institutionalized before he does something really bad!!

[simpforpeterp]

stanford pines x reader

I Believe in a Thing Called Love

summary: on the road trip to bring the kids back to california, you have to keep ford awake!

warnings: none!

word count: 749

After deciding to drive the kids back to California this year for a road trip, Ford was unlucky enough to be picked to drive overnight. Stan, Mabel, and Dipper are asleep in the backseat despite the music you were blaring to keep you awake so you can keep Ford awake.

After all, if you had fallen asleep in the passenger seat, it’d only make Ford more tired. So, you’re night driving buddies. He has a lot of catching up to do music-wise so you’ve been playing your favorite songs going up from each year.

He, to be honest, doesn’t give a shit about the music. He’s not a music person, it takes up too much time and can be distracting. He especially hates when songs are over three minutes because he thinks the singers are being selfish by taking so many minutes of his life.

But watching you while it plays? Singing and having such a great time? His heart could explode any minute now. This thing between you two hasn’t been spoken about yet. It’s only been stolen glances and a silent yearning. Neither of you believe that the other would be interested because of the slight age difference.

Nonetheless, you can flirt with him in very small ways through the songs you play.

“Can't explain all the feelings that you're making me feel. My heart's in overdrive and you're behind the steering wheel,” You place a hand on his arm that gets a smile out of him before you jokingly snake it up to his shoulder. “Touching you, touching me

Touching you, God, you're touching me.”

You sit up straighter for the chorus so happily and in shock that the people asleep in the back are still asleep.

“I believe in a thing called love. Just listen to the rhythm of my heart. There's a chance we could make it now. We'll be rocking 'til the sun goes down. I believe in a thing called love, hoo, ooh-hoo.” You tap along the windows as you sing, the wind moving your hair perfectly.

“He’s not singing, he’s yelling.” Ford tells you through laughter, speaking over the music.

“You totally suck. You’re no fun.” You laugh with him as he slightly turns the volume down.

“You totally suck.” He jokingly mocks your voice and then realizes what just happened. He just acted childish for the first time in decades.

“And what do you listen to?”

“Nothing.”

“Oh, come on. You’re not THAT boring.” You laugh and the sound is music to his ears as you slightly turn your body to face him even more. He desperately tries to keep his eyes on the road but it’s so hard when it comes to you.

“You really don’t listen to anything?” You ask, glancing over at him, curiosity in your eyes and he shrugs, trying to play it off.

“I…never made much time for it,” He admits, his voice soft. “Always had too much on my mind. Music felt like…well, like a distraction.”

“You’re allowed to be distracted every now and then, you know. Life isn’t just about… equations and discoveries and whatever else goes on in that brain of yours,” You shake your head, amused. “I’m distracted ninety percent of the time. Music is rarely the cause. It actually helps me focus sometimes. It drowns out the noises that drive me crazy like if I’m in a library, it feels like my senses are amplified. I hate hearing every push in and out of everyone’s chairs and pens writing, I need my headphones.”

“Maybe so. But I don’t think I’d ever be good at it the way you are.” He hums.

“Good at music?” You laugh, incredulous. “Ford, it’s not about being good at it. It’s about feeling it.”

Ford watches you, captivated. The way you let yourself be so free, so uninhibited—it’s something he envies, a part of life he’s never quite understood but longs to experience.

“I’m not the type of guy to ‘feel’ the sound of a bunch of different instruments.” He chuckles.

“Maybe you’re just lame then.” You gently nudge him.

“Lame? How many degrees do I need to get to not be lame?” He asks.

“Negative ten. You need to loosen up.” You tell him.

“And how do I do that?”

“I don’t know. Listen to some music.” You tell him with a small smile pulling at your lips as you lean on the window and look away.

[vertumnanaturalis]

OH BOY DO I HAVE SO MANY THOUGHTS ON THIS! Sorry there is a lot here lmao oops

First off, on teenager jobs:

From my reading of the game, it's implied that a lot of the launching population was in their teens, and one of the things Flulu mentions about applying was that a lot of teens didn't want to sign up as bonded pair/trio/ect, which is extremely reasonable - But if you think about it more, this implies that teenagers were applying to the Strato as a bonded pair/trio/ect, something that the founders were actively seeking out.

Think about what a huge and insane commitment that is to ask from somebody not old enough to drink; To go on a one way trip with their middle/high school sweetheart(s), with no way to turn back and few options if the relationship doesn't work out - All possibly with the added promise that they'll one day have kids as part of their bid to even get on the ship! It stands to reason that if they'll treat teenage relationships with the same gravitas as a marriage contract, it'd make sense for them to want the same level of career dedication from their possible future exocolonists.

Another thing in favor of this is the way that adults (but Flulu specifically) treat Sol growing up. On Sol's twelth birthday we get the scene where their parents ask them what they want to be when they grow up, something that out of context sounds very normal and is covered in placating statements about how they didn't know they wanted to be Cultivators at that age... But at the same point, it's made to sound like they really do expect Sol to have a concrete idea of who they want to be as an adult soon and to stick to it. Which, from a gameplay perspective, yeah that makes sense! There's only ten years of game to play, you only have so long to work on skills/relationships/events, you should pick what you're going for sooner rather than later if you want a specific ending! Sol's choices in their teenage years completely dominate the rest of their life, no if-ands-or-buts about that. Even so, on the other hand, the in-universe perspective of it is a little....

Yeah.

There's also a lot I could say about the fact that Flulu, who was apparently wanted enough back on Earth that the space cops they sent after the Strato recognized her face after 25 years MIA, still had to apply to get on the ship and over emphasize her relationship with Geranium to do it - Or how Instance, just as infamous, but still had to be good at a dozen different things just to get on the ship as a woman who did not want to raise children - but that would take over it's own post.

As far as job changes post-landing go, the game does mention a few times that peoples job did change, like Tonin going from Spaceship Navigator to Chief Surveyor (another slightly insane set of skills if you think about it). While the concept of other creche parents is mentioned in passing, we never directly see any other adults helping Anne and Tammy in the creche, but the game does directly mention that there are other adults and teens working in the kitchens and Sol and Tammy aren't being left alone there.

I actually have a pretty long term WIP fic that focuses on the adult perspective of the colony during a lifetime where Sol doesn't have any of the magic answers, with Anne and the quarters being the most common POV for the story. Maybe one day I'll actually gain the ability to write again and actually work on it.

(Mandetory disclaimer that I find major issues with Anne but I don't think her failures are malicious or intentional, just a lot of terrrible, terrible choices.)

Anyway so do you guys think the Strato colony teenagers who left Earth were generally already assigned their job (like Besk the colony psychologist at the tender age of 16) or do you think some of their jobs were figured out on the way? Like, I imagine there would have been at least some kids who were 13 or younger (Utopia was youngest being a toddler but she is implied to be the only one in her age cohort in both directions).

Either way I personally headcanon that they had to do some work reshuffling after landing on Vertumna, what with the catastrophic levels of food insecurity. If every person who could be spared was shuffled into working in Geoponics, it would also explain why Anne was running kinda ragged — I mean, having the same person as the main person in charge of both kitchens and the creche is pretty insane the more you think about it.

[willow-p012]

Thinking about how Fuuta is constantly portrayed in a childish manner despite that canonically being something he HATES. He does act very childish, even though that's something he very clearly doesn't want to be.

Here we see Fuuta explaining that he can't just take it when he's treat like a child, so it obviously upsets him, and Mikoto thinks he acts like one. He is constantly being thought of and reffered to as if a bratty child and it's obvious he not even sure how to be thought of as an adult.

He refers to his father as "weak, pathetic fogey", or in other words someone who is incredibly old-fashioned. It's obvious he holds a lot of distaste for this and yet we see him voicing old-fashioned opinions.

Fuuta: Isn’t that obvious? What a stupid question. There’s no way a girl could win in a fight against a man.

This is one of the most obvious examples (that I find really funny considering Kotoko best him up), but we also see it in the way he treats children in an almost demeaning manner. He also rejects certain old-fashioned values though, such as respect for your elders, or just 'respect' being something he should offer everyone in the first place.

It's almost as if he doesn't know how else to be mature except for being demeaning, his attempts to be mature are to be angry when Mahiru does so much as offer him sugar, or to get offended quickly, or to attempt to take charge in the most demeaning manner possible. His attempts to be mature look almost like a bratty child's actions to the other prisoners.

[lightbulb-warning]

i used to freehand comics all the time as a child and since the part i liked was the drawing part i would just draw panel after panel because i didn't want to stop drawing to think about icky icky words, plus the story TOTALLY still made perfect sense! to me! and noone else, but 'whoooo caaaaares omgggg its not like comics and sequantial art are a communicative meeediummmm lmaoooooo'. i spent my entire childhood telling myself stuff like "oh pfft I know this story by heart- ill SIMPLY remember the dialogue and write it later" ...and. I can't help but admire baby maiora's (call that a minora ba tm tsk) fucking audacity? hubris? confident wrongness? kid couldn't even remember to finish the comics in the first place? INCREDIBLE levels of unearned self assurance, wish that were me, genuinely- what an icon!!! anyway i think i have forever cursed myself

[shinesurge]

I love webcomics as a concept absolutely to pieces but genuinely I'm fascinated by how much this medium seems to be almost corrosive to us working in it. I'm probably just looking at it too close because it's what's in front of me but I wonder if we really do have more weird drama than other indie art scenes just because like, a lot of us are already mentally ill, then comics is such a punishing medium itself that the usual amount of social tension that comes from posting art online is cranked even higher. As someone with one of the Scary Social Disorders, basically everything about the way the social media spheres for webcomics operate is triggering to me and I'm positive the only thing that kept me from becoming an internet star for the day (Bad) at some point was that I chose to quit socializing in dedicated comic spaces and get therapy years ago instead of trying to stay in the thick of it lmao. Not everybody ends up having to make such a black and white decision so most people just keep hanging out in the pot until it boils.

[tempestmothstorm]

"I think I would have just deleted myself if you didn't show up."

Yeah this is just straight up canon. But i have more thoughts though. So.

Like if you look into her dialogue is like abundantly clear that she’s just suicidal. It’s different from someone like Sayori who’s actively suicidal because she feels she is worse than everyone else, or Yuri who I don’t know is suicidal but has self harming tendencies she takes too far in act 2, or Natsuki who isn’t at all and is like “wtf are you guys ok”. The answer is no btw.

Monika’s whole outlook on it is that she has a lot of passive suicidal ideation that she pushes aside because she has to be the best. Her issue isn’t centered around her specifically being bad but instead a feeling of pointlessness with existing and the fact that the act existing itself puts burden on the world.

She’s also the type to make jokes about it, which I think is telling about her attitude about death, especially when compared to the others where the idea of dying is still terrifying and scary and something to hide. Meanwhile Monika acts casually as if people’s lives actually don’t matter. We all know her “left her hanging joke” and her general nonchalance with the other girls’ deaths, but the secret poem “A Joke” is probably written by Monika too, and the punchline is another reference to sayori’s death. The special poem about cutting is also by Monika, which shows that she would self harm if it weren’t for her needing to be the ‘responsible one’, and that she’d only do it again if she killed herself. She writes it as if it was a quirky relatable diary entry and not something deeply concerning, which in of itself is also deeply concerning.

There’s also the iiiiiiiiiiii.txt file that has her say that it would be “really easy to kill (herself) right now”. Reasonably the easiest way to do it would be to delete herself. While her constantly reminding the player how easy it would be to delete her is supposed to be a hint on what to do next, it does say something about her when she constantly fixates on it, almost as if she’d thought about it. Like a lot. She thinks about suicide and mental illness just as much too. Also a lot. And existential philosophy a lot. And death too. Again. A lot.

Her friends aside, she clearly just thinks about these things on her own, which implies some real bad things about her mental health considering literally everything else we know about her. Like it’s pretty obvious she’s not ok base game. And yet she doesn’t go through, in fact actively avoiding getting deleted because she still wants to see you. Because you are her only hope.

While her attachment to the player has like a dozen factors influencing it, I think a lot of it is also connected to her more suicidal ideas. She does emphasize that you “saved her” a lot in act 3 and while it mean saving her from her reality, knowing some of the other talks, it also could have saved her from giving up entirely.

Not to get too repetitive about how her life sucks, but like she really has no reason to exist in her eyes post epiphany. Nothing outside the literature club exists, there’s no past or future, everything is fake and has no consequence on the real world, and worst of all she’s completely alone with whatever connections she could have being fake. I think this one quote from her “introverts” talk basically sums up her situation:

"You know, I really do think you literally saved my life by being here with me, [player]."

"I can't imagine having been able to keep myself mentally stable, knowing that nothing here is real."

"I think I would have just deleted myself if you didn't show up."

"Sorry, i don't mean to sound dramatic or anything."

"Ahaha!"

"But I'm sure you understand yourself after spending so much time in the club."

"I mean, if you were forced to abandon everything in your life and spend your eternity with a few game characters..."

"...You'd probably find some way of killing yourself, wouldn't you?"

But yeah something something the connections you have with others gives life meaning and when the relationships she did have turned out to be false, she reached out to you, whose love could be real and whose existence as a real person is the only thing that could give her life meaning.

Another Monika talk that’s relevant would be the “No reason to be alive” talk. I’m not posting the entire thing here because it’s too long but the entire thing is pretty relevant. In it she talks about how living is pointless because you probably aren’t special and your existence alone takes up dozens of resources that isn’t worth wasting.

This highlights two factors that I think influence her thought process. One is that she feels like existence is worthless and likely won’t affect society at large, and with the whole being a video game thing the connection is obvious. The other is that she worries about how much of a burden she is on society. She wants to earn her right to exist in this world. When her reality doesn’t exist, this specific framework doesn’t seem that relevant, but when it comes to being a burden to others this ends up becoming a lot more alarming (and also creates another Sayori parallel yayyyyyyy)

Notably she mentions the key to happiness is to live selfishly and just look out for yourself and your friends. This can’t really apply in her own reality when she can’t see her friends as sentient, but when it comes to you, she can deliver just fine. She says she want to “live (her) life desperately striving to pay back (her) lifetime's worth of consumption” and with her own reality being pointless, paying back the people around her (you) is the next best thing.

But what if she failed to

"Of course, even if I fail to do that..."

"I think I would be too selfish to kill myself anyway."

"So much for being a good person, right?"

Sure thing buddy.

Another thing i want to mention is that it’s implied that these thoughts aren’t new. Like with some of these talks it’s ambiguous whether these ideas came pre or post epiphany. With her whole nihilistic thinking in base game contrasting side stories, it wouldn’t be that surprising if her thoughts got a whole lot more cynical over time. But she does seem to talk as if she’s thought about them for a while, while the epiphany was apparently recent in her memory.

For example in the “Dying” talk:

“It's something I used to think about pretty often..."

And in the “No reason to be alive” talk

"But the older I get, the more I realize that it's an immature frame of thinking."

Uh yeah these ideas aren’t new.

Of course it was probably taken to an extreme post epiphany and thinking about existential topics is normal. By itself it’s probably not some secret sign of mental illness, or at least not anything severe. (Sure she talks about a lot of stuff like mental health issues but it doesn’t really reflect on her, it just shows she can understand others perspective. Like she can talk about the introvert experience without being an introvert. Idk she’s just very empathetic and reflects a lot on the world. Makes her epiphany a lot more ironic though. So.)

But her post epiphany persona was very much built on preexisting ideas she had before that. It might not be that serious, but the fact that it’s there at all is concerning knowing what we do. The implications that come if this is all true is facilitating tbh and it honestly makes the side stories more interesting too. Like her whole “i have to be the best” attitude is probably connected to all her worries about being a burden or worthless.

And her whole thing in trust becomes a lot more layered too. The standard she holds for herself are not carried over to Sayori, who she sees as deserving of life just by being herself. She doesn’t want to be a burden or distract from Sayori’s problems, because her own true self isn’t good enough. Sayori is reassured that her existence is valuable and that she isn’t being a burden, something that goes against Monika’s entire act 3 talk yet is some she believes wholeheartedly.

This is also contrasted by base game where she straight up jokes about her death because death barely matters to her either. In base game, Sayori doesn’t matter, she isn’t special or even sentient, just a pile of code that gets in the way of Monika’s plans to reach the player. In base game Sayori is worthless and a burden, where Monika’s worldview has extended to everyone else. Yet in side stories she doesn’t think that, her standards only applies to herself because she loves her friends, they are what give her life meaning. Of course they deserve to live. They don’t need to prove their worth.

She’s a hypocrite because she values her friends more than anything. Again, the Sayori parallels are obvious from this angle, she has these exact same thoughts, with the only difference being that base game Monika projects her fears of worthlessness onto everything else while sides stories has her a lot more similar to Sayori.

Now the difference between side stories Monika and base game is really just how far their ideals reach, because normally Monika is like ok mentally , while in base game she’s suicidal along with everything else. Forget her saying she’s too selfish to do it cause it’s heavily implied she does do it in other universes.

Speaking of which I never hear people mention the MES emails in this cause a singular line puts into perspective how influential the player’s presence is on Monika and just how bad her mental health is. She is the MES’ guinea pig that everyone wants to see suffer (actually I don’t know how common knowledge this is I just got here and mostly stick to tumblr so idk)

So with the Side Stories MES email i think with all the lore drops we sorta forgot some of the more self explanatory info, including the fact that they have multiple VMs of ddlc and that there were “3 or 4 of them created and then destroyed by Monika”

While most people conclude this is just a reference to base game i think a lot of people dismiss that fact that these aren’t the game VMs, these VMs have no access to a player. Yknow. The player she relies on that supposedly saved her life.

Yeah i think she just deletes everything including her in apparently 4 separate universes. She kills her self in 4 universes.

She deletes everything in act 3 too but specifically because they get in her way between you, and the only reason she doesn’t delete herself there is that she still wants to see you. When the idea of reaching you is crushed, she gives in. By act 4 she ends up like all the other VMs, deleting everything knowing she can’t have you, can’t have reality. I mean the only thing keeping her going is the dream of reaching reality and finding real connections to people, and the idea that her existence will forever be meaningless probably pushed her to the extreme.

The player is the only real person who can give her life meaning and value, and in a world where the rest are seemingly fake, you’re also the only human connection she has. Again, the things that keep her going is her life being valuable in some way and the people around her. Post epiphany she only has you to care for with everyone else being thrown to the wayside without consideration of their own wellbeing.

So of course in act 4, where her connect to you is severed and she is suddenly aware of the harm she’s caused, she’s the lowest she’s ever been. Her reason for living is to be there for her friends and somehow pay back reality for how much she’s taken. And yet she let her friends die and let herself use them for her own selfish gain. She failed them, and has therefore become someone she see as not deserving of life. And with her last hope of the player rejecting her reach, she has no reason to keep going. So in the Easter egg where the player tries to bring her file back after deletion, she refuses to follow. She doesn’t deserve to intrude on their happy ending. She doesn’t deserve to come back.

And she doesn’t.

In future games she’ll probably return though, and with all the secret files and her motivations in the normal ending, I feel like it’s going to be for redemption by finally being there for her club.

She sticks around because no matter how much guilt she feels about just existing, she still wants to be there for her friends. Because while a lot of the act 3 dialogue was not meant to be something people agree with, there was one thing that I feel like is good if you look at it in the right way. Maybe people can’t pay back for the lifetime of consumption they’ve done just by living, but people can pay back and be worth existing just by looking out for their friends and those closest to them. Even if there can be doubts about life and existence as a whole, it doesn’t matter in the end when there’s joy to be found in the people you care about. Even if you make mistakes or hurt them, you can still find a way to make it up to them, to still deserve happiness in the end. The one thing that makes life worth it is the bonds you form with others. Because the people around you are what give life meaning.

She can’t let go and she can’t give up because she still has people she loves and wants to protect. So she’ll keep living for the people she loves. That’s all she needs to do in this world to make it worth living.

I hope she succeeds.

(Side note i took a lot of the Monika talk examples from this post. I did have my own ideas even before i read the doc and I already knew about this stuff anyways i just don’t wanna scroll through the entire wiki again to see all the Monika talks and this is pretty comprehensive. The extra imput is also useful so yeah)(anyways thanks for reading this really long tumblr essay. Good job and drink water ;D)

i would like to bring up that monika has probably considered deleting herself before

like staring at a high cliffside and getting the urge to jump

[gothsuguru]

getting an iced pumpkin chai in the morning and then my personal goal is to spend the whole day writing and i hope i can come back to this post tomorrow and rb w how much progress i’ve made!!!

[geee-three]

rewatching alien stage after round 7 heres my thoughts on a prsk version:

sua -> haruka mizu -> an till -> akito ivan -> toya luka -> mafyu hyuna -> shiho

[dbphantom]

maybe i should have gone into practical effects instead of computer science...

[nomairuins]

we had fun tho the whole family hung out and we did some sporclee and chronophoto and then globle me n lamp nd father did globle bc mein mamma went to sleep. yay :]

[vaspider]

While I'm writing things that I've been intending to write for a while... one of the things that I think that a lot of people who haven't been involved in like... banking or corporate shenaniganry miss about why our economy is its current flavor of total fuckery is the concept of "fiduciary duty to shareholders."

"Why does every corporation pursue endless growth?" Fiduciary duty to shareholders.

"Why do corporations treat workers the way they do?" Fiduciary duty to shareholders.

"Why do corporations make such bass-ackwards decisions about what's 'good for' the company?" Fiduciary duty to shareholders.

The legal purpose of a corporation with shareholders -- its only true purpose -- is the generation of revenue/returns for shareholders. Period. That's it. Anything else it does is secondary to that. Sustainability of business, treatment of workers, sustainability and quality of product, those things are functionally and legally second to generating revenue for shareholders. Again, period, end of story. There is no other function of a corporation, and all of its extensive legal privileges exist to allow it to do that.

"But Spider," you might say, "that sounds like corporations only exist in current business in order to extract as much money and value as possible from the people actually doing the work and transfer it up to the people who aren't actually doing the work!"

Yes. You are correct. Thank you for coming with me to that realization. You are incredibly smart and also attractive.

You might also say, "but Spider, is this a legal obligation? Could those running a company be held legally responsible for failing their obligations if they prioritize sustainability or quality of product or care of workers above returns for shareholders?"

Yes! They absolutely can! Isn't that terrifying? Also you look great today, you're terribly clever for thinking about these things. The board and officers of a corporation can be held legally responsible to varying degrees for failing to maximize shareholder value.

And that, my friends, is why corporations do things that don't seem to make any fucking sense, and why 'continuous growth' is valued above literally anything else: because it fucking has to be.

If you're thinking that this doesn't sound like a sustainable economic model, you're not alone. People who are much smarter than both of us, and probably nearly as attractive, have written a proposal for how to change corporate law in order to create a more sensible and sustainable economy. This is one of several proposals, and while I don't agree with all of this stuff, I think that reading it will really help people as a springboard to understanding exactly why our economy is as fucked up as it is, and why just saying 'well then don't pursue eternal growth' isn't going to work -- because right now it legally can't. We'd need to change -- and we can change -- the laws around corporate governance.

This concept of 'shareholder primacy' and the fiduciary duty to shareholders is one I had to learn when I was getting my securities licenses, and every time I see people confusedly asking why corporations try to grow grow grow in a way that only makes sense if you're a tumor, I sigh and think, 'yeah, fiduciary duty to shareholders.'

(And this is why Emet and I have refused to seek investors for NK -- we might become beholden to make decisions which maximize investor return, and that would get in the way of being able to fully support our people and our values and say the things we started this company to say.)

Anyway, you should read up on these concepts if you're not familiar. It's pretty eye-opening.