#While it might look like an abstract painting
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indecisivegloom · 2 years ago
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ms-demeanor · 5 months ago
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Do you know of any resources for physical film photo manipulation? Not sure if there's different terms for non-digital stuff, but I'm having a hard time finding anything.
Okay so there are, I'm going to say (casually, informally, and inexpertly - photography experts feel free to correct me or add on to what I've missed), four major types of photo manipulation that are common with non-digital photography. They are: exposure manipulation, compositing, actually photographing weird bullshit, and just straight up painting.
Exposure manipulation gets you things like Ansel Adams "Moonrise." This is what it looks like if it's evenly exposed:
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And this is what it looks like with significant modifications to the exposure:
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That is. Like. SEVERAL layers of different exposures for the final print. This can be achieved through processes called "dodging" and "burning." "Dodging" is creating a physical mask so that the parts of the negative you want to remain darker are exposed to less light. "Burning" is creating a physical mask so that the areas you the negative you want to be brighter are exposed to more light.
This is a process that is really, really easy to do in photoshop, and really really hard to do in film.
Here is a very comprehensive writeup of how to dodge and burn, and why you might want to.
Compositing is a fancy way of saying "copy/paste". But more so. And with more techniques. Compositing is basically combining two or more images to create one new image. You can do this by making multiple exposures (exposing the negative to light multiple times), splicing film negatives together (physically cutting the negatives and taping pieces to each other), or by combining negatives and prints into a new print. For instance the image below is made up of six different photos, which were composited into a single image by Henry Peach Robinson in 1877.
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This is an article written by a photographer who walks you through the process they used to make a composite print in 2020. It involves a lot of planning, cutting, pasting, masking, dodging, and burning. This is a writeup from a photographer who uses a more blunt method of splicing negatives together to create more abstract images.
Actually photographing weird bullshit is what I'm calling "in camera effects." There are all kinds of tricks that you can use while taking a photo to create surreal or magical effects. One that a lot of people know is the speeder in Star Wars:
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The floating speeder wasn't achieved through later manipulation of the film, but instead through mirrors hanging in front of the wheels and vaseline smeared on the camera lens to create a blurred effect.
Light painting is perhaps the most commonly used of these kinds of effects:
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That's a 6-second exposure, the first three seconds were of the cup and saucer still, then the light was lowered as the cup was lifted and light was swept up when the cup was in place to make it look like it was floating.
The Cottingley Fairy Hoax is one of the best known examples of manipulating photos by just photographing weird bullshit. In 1917, two girls cut pictures of fairies out of a book and took pictures of themselves with the paper fairies propped up in trees, then swore up and down that they actually found fairies.
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This seems crude, but hey they couldn't reverse image search the fairies or anything back then. Some of the photos also make good use of forced perspective, which is something that we still use for in-camera manipulations (it was how a lot of Lord of the Rings was filmed in order to make the hobbits look small)
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Here's a listicle with a bunch of "hacks" for using your camera and for testing out some types of in-camera effects.
Just Straight Up Painting is what I'm calling photo retouching. It's a bit of an exaggeration to call it "painting" but yeah sometimes it was literally putting paint on negatives or etching away parts of negatives. It's how you end up with photos like this:
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Here's an article about retouched photos of Joseph Stalin (maybe the most well known examples of pre-digital photo retouching) and an article about the art of portrait retouching. These examples are relatively subtle, but you can also use these kinds of retouching and airbrush techniques to exaggerate parts of an image or add objects to an image (see the text added to the flag in the article about Stalin).
I can't think of any comprehensive resources offhand, but photographers love to tell you how they pulled of their photos (which is why quite a few of the links above are from photographers discussing process). This is by no means a comprehensive list of non-digital photomanipulation techniques, but hopefully it's enough terminology to get you started on what you're looking for.
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shibaraki · 1 year ago
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KISS IT BETTER ┊ SHINSOU HITOSHI
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tags: GN reader, pro hero shinsou, support engineer reader, brief descriptions of blood + injury, tending to wounds, mutual pining, fluff, idiots to lovers, love confessions
wc: 1.9k
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“You know I’m not a doctor, Hitoshi,” your voice is a low murmur yet loud in the cramped space of your bathroom. Just you, his shallow breathing and the steady flow of water in the sink. “I wish you would actually go to a hospital, or someone with a healing quirk”.
Hitoshi shrugs in the reflection and immediately appears to regret it as his face twists in discomfort, the movement jostling his wound. The bullet grazed a vivid arc right across the back of his left shoulder; thankfully not deep enough to require stitches or to damage the layers of skin beneath, but given the awkward to reach area and the blood that had been streaming through his fingers upon arrival you can’t say you blame him for waking you.
“You do it better,” he rasps. The soft hair on the back of your neck stands on end as you sense his eyes on you in the mirror. “You’re gentle. And good with your hands”.
The gauze dabbed around his wound is saturated red, quickly darkening and taking on a brownish hue. Resolutely avoiding his gaze you toss it beside the molehill of stained swabs already on the counter, reaching for a clean one and running it under the cold water. “I’m good with your equipment,” you stress with a huff, willing the heat crawling up your neck to go away. Years of working with delicate machinery keeps your hands steady. “I fix gadgets, Hitoshi. Not people”.
Hitoshi hums. Rather than contemplative he sounds faintly amused at your strong denial, as though he knows something you don’t. “You fix me just fine,” comes his soft reply as you successfully staunch the bleeding. Following the steps that have become routine for you both, he passes back the usual tub from your med kit—used so often now that the label has worn off—and adds nothing further while you cover the wound with a thin layer of petroleum jelly.
“Bandage,” you say, proffering your hand once more. Hitoshi twists his good arm to give you the non-stick dressings. You mumble an apology at the quiet hiss drawn between gritted teeth as you smooth the covered edges around the wound. “And… there. You’re set. That’s as good as you’ll get from me”.
Hitoshi turns in place before you’ve the chance to step away. You find yourself closer than intended. The white luminescence drapes over his shoulders and glints off the silver studs in each earlobe. You don’t know where to look. His ribs expand as he takes a staggered breath and your chests meet; a brief touch of bare skin but enough to make the sound of your heart flood your ears.
You catch how his throat bobs and entertain the thought that he might be equally affected. “Thanks,” he says. The gentle timbre of his voice settles over you like a cold fog of longing.
Neither of you have moved. You do not address the proximity as you study his upper body. There’s old bruising on his hip that looks a bit like an abstract painting but nothing else of immediate concern. He’s lean and angular, tall enough to cast an impressive shadow; neither of you are children anymore.
“You don’t have any other injuries hidden, do you?” you ask, eyes trailing up the column of his throat and lingering on the healed scar tissue cutting through the right of his mouth. It begins beneath his nose, strikes through the dark scruff along his jaw and ends far beneath his jugular, a paint stroke left by a brush with death. The memory is fresh in your mind and guides your hands to cup his chin, thumb tracing the raised skin. You don’t recall ever being that afraid for anyone, and yet he returned to work the day after as though nothing had happened.
At the very least it gives you ample reason to stare at his mouth. You can feel his gaze on you, peering down through half lidded eyes. There’s warm intensity behind them, like he can see through your poorly strung excuse, but if that is the case then he’s allowing it to happen, and you think that reveals just as much.
“It healed perfectly. You don’t need to worry about it,” he murmurs. There’s almost a breathless quality to it that invites goosebumps. And you freeze, as if caught.
“Not worried,” his lips press thin at the sudden cold tone as you turn to gather the used gauze and throw it in the bin beside the sink. “Your funeral not mine”.
Hitoshi moves when you nudge him aside, blood staining the dispenser as you squeeze some soap into your hands and scrub yourself raw under the running tap. The murky red water gurgles down the drain, rivulets streaking higher up the basin and likely to stain. You’re so lost in the sight that you barely register the larger hand coming to cover your own.
“Stop. Let me,” he says, already prying your entwined fists apart to gently massage the soap along each finger. Body heat seeps through your sleep shirt as he loosely wraps around you. You lean into him a fraction and imagine he’s embracing you like a lover while he cleans the dried blood from beneath your nails.
Silence befalls the small space once the water cuts out. Rather than dry your hands Hitoshi keeps them there, encased in his, his thumbs stroking back and forth over your knuckles. He rests his forehead on the curve of your throat and something shifts. The atmosphere, the ephemeral thing between you that you called friendship, the hips that press closer until he’s shaped perfectly to your back.
“I’m sorry,” you hear him say.
Wild violet hair tickles your cheek. It’s shorter than last time. You stare at your conjoined reflection as you overturn your wrists, threading your wet fingers together until your palms kiss. “For what?” you prompt, watching his head lift while you speak. “For constantly breaking your support equipment? For bursting into my apartment after midnight and bleeding all over my carpet again? For scaring me and making me lose sleep? For this—” your eyes meet in the mirror and your mouth becomes dry. “For this less than professional relationship?”
At that the corner of Hitoshi’s mouth lifts in the suggestion of a smile, and suddenly exasperation and fondness is warring over your expression. He clears his throat, almost shy, and he tightens his grip on your fingers. “I guess I’m sorry for all of that, too. But that’s not what I meant”.
“What else is there?” you tilt your head. In a heart stopping move, he turns his nose into your temple.
“I’m sorry I can’t… shit. That I can’t be normal about this kind of thing,” he admits, jaw shifting as he fights the discomfort that so often accompanies being vulnerable. “I always feel like I need some dire excuse otherwise you’ll see right through me”.
“See through you—?” the clamouring in your mind comes to a standstill. Your tongue sits heavy behind your teeth. You spin in his arms, The sink counter digs into your lower back and your hands, mostly dried by the air, come to rest on his bare chest. A mottled blush spreads across his collarbones. “What, you bled on my carpet because you didn’t want me to know you liked me or something?”
Hitoshi grimaces. His eyes rose to the ceiling to avoid your scrutiny and he hesitates to hold your hips. “Sounds stupid when you put it like that,” he huffs.
“Because it is,” you remark, sliding your hands further up and around his ears. Cradling the back of his head you tip him forward and force him to look at you. “You could’ve just brought me coffee at work or something”.
“You’re missing the point,” he mutters, gaze dropping to your lips and away, staring at the space between your eyebrows. “I did it so you wouldn’t know”.
“Why not?”
“Because there’s no way that you’d…” he blinks. His words lose strength as your nose bumps his. You feel a shaky breath leave his lips.
“No way that I’d like you?” as you finish the sentence for him, unsure if he even hears you behind then far off look in his eyes. Emboldened, you pitch your voice lower, quiet enough to cover the short distance between your mouths. You stroke your thumb over the swell of his cheek and say, “You think I patch up every guy that rolls through my bedroom window?”
“Well. There better not be any other guys coming in through your windows,” he rasps, cautiously tipping forward. A playful furrow has etched into his brow. Hitoshi wets his lips, searching your expression for something—perhaps rejection or anything close to it. “I know you’re a good person. You’re good to me. I figured that’s all it was”.
“Right, I’m good to you,” you nod and hear his breathing hitch as your mouths brush. The blush across his chest has spread fingers up his throat to his cheeks, enough reach to stain his ears pink. Hitoshi sways forward. You collide. He kisses you, finally. It is every bit as solemnly sweet and respectful as the hands at your waist.
You can’t help but smile, and feel his smile in turn. There is something so boyish and coy about it; you would never expect it from a man of his status—a man that sees the worst of humanity and spends his nights both evading and preventing death.
“…Oh,” he breathes dumbly as you pull back, his focus caught on the swipe of your tongue.
“Oh,” you repeat to lightheartedly tease, pushing the heel of your hands to his cheeks together until his mouth juts into an ugly pout. Restlessness grips you seeing it paired with his dazed expression, already wanting more than he can give in his current condition.
You release his cheeks and rub them in apology. “You’re done for the night, yeah?”
“Yeah…?” fingers dig in at your soft waist, drawing you impossibly close, as though he were savouring the last of the moment. You smooth over his shoulders, down the curve of his biceps, along thick forearms to take his wrists.
“Good. You’re coming to bed with me,” you tell him. The stupefied look after tucking a kiss to the corner of his mouth will never get old, you’re sure of it. “We’re going to sleep. Tomorrow I’ll help you clean and redress your injury and then,” you press another kiss on his jaw, nuzzling the coarse stubble there, “then you can take me out for breakfast”.
You almost lose your footing. In one swift motion Hitoshi has swung the bathroom door open and begun corralling you through it toward the bedroom. There’s an echo of soft, near drunken laughter as you navigate the darkness, and you realise, belatedly, that it is coming from you.
The strong arms cinched around your middle unraveled to drop you on top of the covers. Reclining into the plush pillows at the head of your bed, you holdout your arms to welcome Hitoshi into honeyed repose. The mattress yields under his weight. Breath held, he crawls over to you—braces over you and sinks onto his forearms.
Seconds pass. Fingers dance across his back, avoiding his bandages. Your grin is concealed by the darkness but it’s clear in your voice. “Hitoshi,” you whisper. “You can breathe now”.
With an exaggerated exhale, Hitoshi sinks into the crook of your body and smooshes his face into the pillow beside your head. “I’ll try not to bleed on your bedsheets,” he says, muffled. Then quieter, much later, when he’s sure you won’t hear it, “I like you”.
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as-if-and-only-if · 20 days ago
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the thing that I've got to say is that it really is ethically straightforward that you should vote Harris.
it's not even a trolley problem, it's a trolley triviality. I don't want to use the meme because it seems disrespectful to use those specific images of MS paint people when these are real lives we're talking about.
The analogy itself is serious, though. it looks like this:
the track diverges at the lever; many people are on lower track, while no one is on the upper track. then: the tracks re-converge and continue, and there are people on the track after that convergence.
The point is that the lever—the vote—can be used to prevent those lives on the lower track from being lost, but cannot save the lives lost after the re-convergence.
it differs from the classic trolley problem in an extremely important way: there isn't anyone on the upper track. as such, it's not a question of "who do we save?"—it's only a question of "do we save the people we can?"
(I need to emphasize, because many on this site have long shed the shackles of reading comprehension, that this does not mean that no one dies as a consequence of U.S. or presidential policy choices in a vacuum. It means that your vote cannot prevent that, but your vote can prevent strictly more people from dying, with no trolley-problem type tradeoff of "who do we choose to die".)
~~~~~
you might think that this is abstracting away too much of the real situation—but it turns out it's ironclad.
to see that it is, and reconcile it with reality, we have to ask: what is not modeled by this analogy? where might it fail?
this amounts to asking the question: is there a benefit to killing the people on the lower track that makes doing so "worth it"?
that is: what justification might you have for saying "yes, we actually need to let those lives on the lower track, the ones we could save with the lever, be lost"?
and the answer—as you might have guessed—is that there is no such justification. no peculiar fact about voting means that you should let those people die.
~~~~~
so why do some people—very passionately—insist that not voting is right? I'll survey a few of the most common attempted justifications I've seen, such as:
"I'm not going to vote for less genocide." This is obviously equivalent to "I am totally fine with more genocide!", a truly horrific stance, and yet I have seen it nearly verbatim from so-called "leftists" a few times. My guess is that this usually stems from a kind of perceived moral contamination: a feeling that a "vote for" a candidate is a moral alignment. This is artificial; not real; not consequential. A vote only makes you responsible for the difference between the two tracks while they diverge. Touching the lever doesn't make you responsible for the track. Choosing between these two outcomes is all voting can do—and because voting for most is easy, and doesn't stop you from doing anything else, there are no trade-offs. No "I'm not at the lever, because I had to work on another way." (If your vote is suppressed, that's another story—but this doesn't imply a general anti-voting stance.)
Ironically, some who aren't voting feel they are "keeping their hands clean", when they are in fact actively increasing the chance of more death and suffering. This is kind of the definition of getting your hands "dirty"; it just doesn't feel like it because they're not touching a voting machine, which is kind of just magical thinking. it's not a point not made frequently enough, I think: what some think of as "doing the right thing" here is very much doing the wrong thing, with respect to their own underlying values of right and wrong, and with respect to what they say they care about. those who claim to have the moral high ground by not voting do not actually have it at all.
On that note, some people (fewer, though) seem to think that touching the lever does make you responsible for the track in a real outcome-based way. That somehow, voting lends "legitimacy" to the track, and that by not voting, we are maybe creating a future with no people on tracks. This is just not true; a dangerous fantasy that asks you to sit back and wait for a utopia that's not coming. There are enough voters in this upcoming election that that institution is not going anywhere anytime soon; you'd need a coordinated movement of not voting plus plans for what to do after the state has lost legitimacy, and that is just...obviously not here. To think otherwise is to live in that fantasy, and so to abandon ethical thinking at all, as ethics comes first from a confrontation with reality. you cannot act ethically without acting practically. However: the margins are thin enough that a few people deciding to vote (who wouldn't otherwise) could actually change the outcome. You can actually save the people on the lower track.
Some people think that the tracks never separate at all, or that the same people are on each, or that one way or another, Harris and Trump are "the same". If you think this, please look beyond tumblr "leftists" for facts here. You've been bombarded with all and only all the bad stuff about Harris (not arguing with most of that—though there are misconceptions, e.g. that Biden/Harris provided no protections for trans people); but you haven't seen how much worse Trump is on every single one of those cases, issue for issue, including Gaza. If you think Gaza can't get any worse, you've essentially written everyone still alive there off for dead. Likewise for any group who would suffer more under Trump. Needless to say—don't do that. The comparison—the difference between the diverging tracks—is all that ethically matters when deciding whether to flip the lever or leave it alone.
Some people think voting is primarily "speech", a means to communicate (or worse, merely express), and probably do not realize that this means they think the outcome of "sending a message" (which would do nearly nothing in real terms) is worth killing the people on the lower track.
Similarly, some people think that it's meaningful to "punish" Harris or the dems. (Truly, putting punishment over the cost in lives and suffering is the most horribly american thing to do here.) Some people just want the feeling of punishment, of blame; some people try to excuse their actions in advance ("well, if the dems lose, it will be their fault"), conveniently omitting their own agency in voting, and thus excusing them from the practice of acting ethically at all. Some people think that punishing the dems will actually push them left in the future, to which I say: you don't have a good reason to think this at all, based on history. Parties go where the winning is. And if you do still have a hunch to the contrary, I am sure you don't have a good reason to be reasonably certain of it. This means that you are paying for a gamble, a mere chance, one unsupported by fact, with the lives on the lower track. You can find another way.
~~~~~
Let's be concrete for a moment.
Since this is about difference, let me gesture to a few obvious differences between Trump and Harris: LGBTQ+ rights, Gaza, climate change, mass deportation of illegal immigrants, education, voting rights (and, yes, democracy), the economy, housing, the long-term future success of leftist movements and activism (much more difficult under Trump, who, no joke, has said neatly verbatim he wants to use the national guard and military to handle the leftist "enemy from within", and who can now do so thanks to the supreme court's ruling on presidential powers), everything Lina Khan and Deb Haaland are doing, etc.
And before you respond with something bad the dems or Harris are doing with respect to one of these—I know. Now compare it to Trump on the same issue. That is the only thing relevant to acting ethically in this brutal, tightly-constrained situation.
For example: Harris doesn't want to ban fracking or reduce oil consumption (bad), but wants to fund renewables, stay in the Paris agreement, strengthen climate initiatives in general.
Trump wants to completely gut funding for renewable energy, withdraw from the Paris accords, dramatically increase oil consumption, commercialize NOAA, weaken the EPA, and so on.
We don't get neither. A vote for none is a vote for "worse is fine by me". We are handed the terrible task of making one of these work, and any person actually, practically concerned with that would choose to try to make the Harris version work then spend precious resources fighting the overwhelming tide of the Trump version.
Only someone who does not actually care about these issues is okay with letting Trump in.
Unless you are capable only of black-and-white thinking, unless you can write off the lives in the difference and convince yourself this is ethical, you can see that letting Trump in only lets more lives be lost, and does not reduce anyone's suffering. No trolley "problem". No trade-off.
Voting Harris is not moral alignment. It's not unconditional support. It is maybe the most conditional action you can take: there are only two real outcomes. One not only has more people, as in a trolley problem, but also results in the death and suffering that would result otherwise.
~~~~~
So there it is, spelled out in the most painstaking detail I'm willing to give to a tumblr post: a few of the failure modes of reasoning that lead to not voting. Often simplicity is too simple, a meaningful departure from reality, but in this case the opposite is true: the simple argument
There are two possible outcomes: one of them eases no one's suffering and creates a great deal more. Therefore choose the other, instead of allowing the worse one to come to pass.
—stands up ethically in this case to every sublimation of righteous anger into misguided action.
And I am not using "righteous" sarcastically: it is right to denounce the Biden/Harris admin on Gaza, it is right to denounce the dems on not doing enough for climate change, etc. But that is not the question being asked by your vote. Do not give the right answer to the wrong question.
The question is only: Harris or Trump? Which outcome should happen, now, in the real world, when it's one of exactly two, when "neither" really, truly isn't an option?
If you do not vote, what will your answer be to the people on the lower track? I am sorry; I dreamt nobly, of no track, no lashings at all. No, I was not kept from the lever. It did not even compromise my dream to push it. Still, I just couldn't bear to touch it; still, you had to die, to save me this discomfort.
acting ethically does not always feel righteous. it is not always a release valve for righteous anger. it does not always feel like progress; sometimes it is only the prevention of catastrophe. it is still ethical. it is still necessary. vote Harris. vote to save the people you can.
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hypnagogics · 6 months ago
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SUPERBLOOD WOLFMOON → PROLOGUE
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read this first! ▪︎ playlist ▪︎ series m.list ▪︎ next chapter
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☆: honestly suuuper proud of how this came out ngl, please enjoy!! art in newspaper graphic drawn by the wonderful, amazing, multi-talented, freakin' incredible @sharkthrob ♡ ◇: sfw, both start out as young teens, ends with time skip to "present day", relatively mild (at least imo...idk) violence/gory descriptions, arachnophobia warning (lol), this is also a play on the "left behind" dlc!! ;) ♧: 2.2k wc
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Summer, 2035
“60, 59, 58, 57….” The ambient droning of the abandoned mall’s timeworn neon lighting hung in the air as you stood against the old, mold-scented wall, the wallpaper peeling off in chunks, counting down the seconds as your best friend ran to find a hiding place. You could hear her gleeful giggles and pitter-patter of footfalls echo off the structure’s walls while she frantically searched for an effective crevice to stow herself away in, and break her losing streak once and for all.
Unbeknownst to you, Ellie had reached the complete opposite end of the building in no time at all, stumbling upon a crater in the floor, which opened up to the basement. “Fuck’s this?” She mumbles to herself, peering inside the inky darkness of the unexplored space, her sense of danger being overshadowed by the increasing curiosity, and your progressing countdown.
She idles for a moment debating whether to go inside because if she did, she’d definitely win, but there was also the possibility of getting hurt. She chooses to believe the former regardless. Glancing back in your direction one last time to make sure you weren't cheating and spying through your fingers, she hoists herself down, grunting as she falls harshly onto the damaged linoleum tiles.
Ellie winces as she gathers herself to stand, and takes in her surroundings. A long, eerie, brick-lined corridor extends further than she can see. If she is already here, might as well check it out, she reasons.
Stale air fills her lungs almost painfully, the heavy odor of mildew making her eyes water. Through the crack above she hears you finish the countdown and yell out, “I’m gonna get you!” She coughs, collects herself and begins running into the darkness, there was no way you’d find her down here.
“Shit, shit, shit gotta hide- what the…” She reaches the end of the unfamiliar hallway, ending up in a spacious but empty room, the walls covered in some sort of graffiti. She rubs at her eyes to clear them of any debris particles floating around, and so she could fully observe her surroundings once her eyes adjusted to the absence of light.
An abnormally large rat scurries over her feet, squeaking, making her jump and withhold a startled yelp. That was close, she almost gave away her location. Continuing to walk around the space, she observes the graffiti covering the brittle, withered walls. Splashes of vibrant color in an array of abstract forms stretching on, symbols and sigils of all kinds painted within. Jagged, angular glyphs, containing profanities scrawled in deranged strokes, vulgar phallic scribblings earning an immature chuckle from the girl as she continues to inspect the space, seemingly forgetting about the game of hide and seek entirely.
She’s left breathless when she reaches a peculiar piece of graffiti separate from the bulk of the rest, staring at it with wonder. Extraordinary, brilliant hues of color were painted on a mural spanning the whole side wall of the room, with what looked like a gargantuan spider painted in the center of it all. The illustration of the web seemed to sparkle, stand out and contrast the intimidating blackness of the room, the arachnid’s limbs painted with such precision where she couldn't spot a single mistake, as if it was created with machinery or similar.
Out of the corner of her eye she spots some movement, and from the shadows emerges an iridescent spider—the exact one painted—and it crawls along the mural until it stops right in front of her at eye level. She watches as its countless peepers bore into hers, utterly transfixed, unable to look away. Its body shines, reminding her of a scarab beetle. She wonders what kind it is, it’s completely unrecognizable and foreign to her, however big of an interest in bugs she has.
A sickly dread builds in the pit of her stomach, it’s only now dawned on her just how bad of an idea this was. She silently hopes you can hear her telepathic pleas, pick up on the panicked mantras she’s whispering under her breath and come save her from the mutant creature.
Budding panic rises in her chest, paralyzing her with fear, and she can't do anything apart from watch the eight-legged beast suddenly quadruple in size with a sharp crunch of its exoskeleton snapping, thin, twiggy legs turning muscular and strong, dagger-sharp spines ripping their way through the armor-like exterior, jutting out towards every direction. It has changed form entirely, resembling something that only exists in the confines of a comic book or science fiction film.
Ellie sucks in a harsh, shaky breath through her teeth and braces herself to quickly plan an exit, but before she has the chance to begin running, the arachnid’s jaws burst open, the sharp teeth gleaming as if they were made of a metal alloy. She didn't know spiders had teeth, or made any sounds, but she swore she heard it snarl, right before it leapt forward onto her with a speed faster than sound, tackling her onto the ground.
Adrenaline courses through her veins as she wrangles the spider, shrieking as it scratches and pierces her flesh wherever it can reach. It's feral, unlike anything she's ever seen or read about, its movements inharmonious, yet simultaneously neat and calculated. She’s miraculously dodging every strike, although growing weary rather quickly.
Finally, her instincts to fight kick in, and she frantically scans the room for a makeshift weapon. She’s holding the arachnid away from her, the sharp clashing of its jaws around the air echoing off the walls. Ellie squints, and in the dark she makes out some rusted pipes sticking out of the corner of the wall, and in a burst of strength shoves the creature off of her, bolting to grab the metal. It flies and crashes against the wall with a shrill squeal, its hideous form squirming to recover from the blow.
“Goddamnit, stupid SHIT."  She huffs breathlessly as she wrestles the metal, tugging with every morsel of her might to get it detach before the spider lunges again. The way she pushed it away left it stunned and bought her a mere smidgen of time to act, which she utilizes to strike the paralyzed creature. She hits it once, twice, and a third time, the lethal blow crushing it with a jarring smash.
The oversized spider’s limbs briefly twitch before stilling—oily, dark, navy blue blood pooling underneath its corpse. Ellie stands over it unsteadily, trying to catch her breath and process the fight she endured. All that against a spider. Where did that thing even come from? She didn't even wish to know at this point, and was just grateful she was alright.
She sways, before remembering why she ventured here in the first place—the game of hide and seek. You were still searching for her all around the upper floors of the mall, blissfully unaware of the chaos that just occurred below your feet. “Better get out of here.” Ellie mumbles into the dusty air, taking one last look at the ornamented walls of the room, and begins walking back to the main area where you were, emerging victorious in the game being the very last thing on her mind after all that. Even though she still achieved her goal.
With some difficulty she lifts herself out of the basement space into the main foyer of the mall, feeling fatigued, so she resorts to resting on the cool tiles momentarily to recuperate. 
Meanwhile, you were growing concerned about where she was, having searched every single nook and cranny you knew of to check, with no luck whatsoever. Having a bad feeling that something had happened to her, you return to the main area where the two of you agreed to meet at the end of the game if no one won, and were bewildered to find her laying on the ground.
“Ellie, where the hell were you?” You sprint to her side, almost tripping over a stray glass shard on the floor, and fall to your knees right next to her. She’s laying on her back, with a vague smile on her face. She opens her eyes and grins at you, chuckling at the fact she got her victory after all. “Heheh, you lost.”
You’re filled with relief that she’s fine, but beyond pissed at her for worrying you so much. Sighing, you stand up and nudge her side with your shoe, sputtering, “You idiot, I thought you died or something, what were you thinking?” Her expression falls the moment she sees how upset you got, so she sits up and points to the crack in the ground, trying to explain the situation.
“I was just in there, thought I'd go in there and see what's up, since we haven't been there before, but there’s nothing interesting, just an empty storage room. I promise.” She chews on her bottom lip, feeling rather guilty she’s decided to lie straight to your face like that, but wanted to minimize your worry as much as she could. She knows you’d freak if you heard what actually happened down there, and she wanted to just forget it.
Ellie sticks out her arm for you to pull her to her feet, only now taking notice of how many nicks, cuts and scratches she acquired in the ordeal, with some bizarre puncture wounds at the center of her forearm. Did it bite her? During the fight her focus wasn't anywhere apart from the creature attacking her, so she didn't feel it happen.
You notice her injuries at the same second she does, and open your mouth to say something about it, to lecture her for being reckless, but she beats you to it by stammering out a rapid clarification. “I’m fine, getting down there was a pain in the ass. The way in and out was a little sharp, that's all. We’ll just clean these, n’ I'll put some band-aids on, y’know.”
She avoids your suspicious glare and dusts herself off. “Let’s go back, I’m tired. Gotta enjoy my win. You gonna buy me some ice cream or somethin’? Think I deserve it. I'll even be generous enough to give you a bite!” She flashes you the signature toothy grin you’ve always loved so much, distracting from any residual suspicions you have about what she was up to. And so the two of you skipped out of the abandoned mall, never to return again.
Soon after your last time there, the mall was quickly scheduled for demolition due to “unpredictable and dangerous conditions.” You never ended up asking her if she ran into some trouble while hiding in the unexplored basement area, even though it remained a question in the back of your mind that surfaced whenever you caught a glimpse of the strange scar left on her forearm. Four round welts, perfect raised circles, placed as pairs opposite each other. One day you’d make her talk, but for now all you could do was be thankful that she was still with you, whatever may have happened during that game.
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Winter, 2041
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taggiesssss: @elliesexual @elliesbitchvenus @kawaiibreadbouquet-blog @williamellieslilho @flowrmoth @shestheheadlights @aouiaa @bready101 @shiimer @pascals-doll @boobdrug @starlight-savegery @vqxen @yk2enyx @seraphicsentences @k1ssesworld @lasting-lover @amberputh @syrenada @deliriousrn @corpsebridenightamare @seaseasalts
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softomboy · 4 months ago
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Jotaro/Kakyoin/Polnareff X Autistic Reader ★HEADCANONS★
How would the Crusaders treat you regarding your special traits?
. ݁₊ ⊹ G/N Reader ݁₊ ⊹ .SFW. ݁₊ ⊹
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Themes: Inappropriate use of stands, Touch sensitivity, Noise sensitivity, Food "pickiness", Photosensitivity, Sense of humor, Overstimulation, Burnout.
★ IMPORTANT NOTE :
As my fellow autistic people might know, we all have different traits. I'll base these HCS based off my general experience. Also, english is my 2nd language so sorry beforehand for weird expressions, if there's any. Enjoy! <3
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. ݁₊ ⊹ . ݁˖ . ݁ Jean Pierre Polnareff
❥ I really think he would be the most understanding (alongside Avdol) and supportive, that's why I'm putting him first
❥ When you two gained a little confidence after meeting eachother, he made sudden physical contact without announcing himself (slapping your back or firmly holding your shoulder out of the blue), which he didn't know would greatly startle you, even if you didn't show it.
❥ Since you explained it to him, he became THE GENTLEST. He tries to be in front of you or at your side whenever he's about to make physical contact, in order for you to anticipate and mentally permit the action.
❥ He caresses your shoulder and back, surrounds you with his arm, occasionally hugs you.
❥ You know the crusaders are trustworthy, and great guys. So you don't feel hesitant to make physical contact with them at all, which is very valuable.
❥ He's the most touchy with you because you two get along very well.
❥ His generally cheerful attitude helps your anxious one.
❥ Not to mention that his simple humor and his goofyness are absolute gold
❥ He makes you laugh a lot with the stupidest puns, and the others can see him inflating his chest with pride from making you feel happy.
❥ Whenever you don't understand a joke, one of the crusaders will always explain it to you. But when Polnareff doesn't understand it as well, you become the clueless duo™️
❥ When you're going to eat at a hotel buffet, restaurant... He always remembers what your go-to foods are, and points them out for you.
❥ "Look, y/n-chan! They have (food) here!"
❥ If you're overstimulated, he'll give you space and tell the others to keep as quiet as possible and not disturb you. He'll literally be your guard knight for the day and remember you he'll help in any way he can.
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. ݁₊ ⊹ . ݁˖ . ݁ Kakyoin Noriaki
✦ He hasn't talked with you about the 'tism a lot, because he thinks it must be a tedious enough thing to live with and doesn't wanna pressure you into informing him about all the details.
✦ However, he'll listen attentively and try to remember everything you point out about yourself. Kakyoin cares, and shows it trough his actions.
✦ He likes to gift you emeralds he creates with Hierophant Green, because fidgeting and watching the light refract in them keeps you entertained and helps a lot with stress.
✦ Whenever he notices you peacefully playing with an emerald, he smiles to himself.
✦ Especially when you're watching the sunlight bounce inside the green gem, which is beautiful. And the emerald's pretty as well.
✦ Regardless if you're good at painting or not, he'll encourage you to paint with him in order to decompress.
✦ Mostly abstract or kindergarten level paintings, nothing serious in order to set your intuition and senses free.
✦ When you forget to put on your sunglasses while it's really bright outside, he knows you'll get gradually overstimulated and pissed off.
✦ So he remembers you to put them on, or offers you his own.
✦ Always tries to get you to eat pieces of fruit when they're available.
✦ If you like fruit he'll pick up your favorites, and if not he'll try to pick the most appetizing looking ones and convince you to try them.
✦ "These dates are amazing, they almost taste like brown sugar. Want to try one?"
✦ He'll not force you to try the ones you have tried and don't like, though.
✦ He has helped you on some occasions to regulate sensorially, simply by tying a straightjacket around you with his stand. The pressure feels like a tight hug, and it is strangely soothing, calming you down completely in a matter of minutes. You're both weirdly into it.
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. ݁₊ ⊹ . ݁˖ . ݁ Jotaro Kujo
★ There's AT LEAST one thing you have in common: You don't like small talk. So being able to sit in comfortable silence with him turns out to be a nice break for both.
★ For that reason, he always listens to you, because he knows you won't talk just for the sake of it. If you bring up something, it's most likely worthy of his attention.
★ His cold behavior makes it seem as if he doesn't care about your sensitivities. However, Star Platinum shows otherwise.
★ As much as an obedient Stand he is, he's always ready to appear against Jotaro's command in order to interact with you.
★ Star has appeared in some occasions to cover your ears with his enormous hands when you're overwhelmed by all the noise in a crowded place.
★ "Give me a break..."
Jotaro whispers, walking by your side while his stand is floating above you. He is concentrating on shielding your ears from the hubbub of the place. Jotaro lets out a sigh with his mouth closed, remotely feeling the soft texture of your hair trough his stand's hands.
★ Star also brings you little gifts. Catches bugs for you to see, picks cool rocks, steals little trinkets to give you. Everything just to make you smile, which warms him to his core.
★ As much as Jotaro acts pissed about his stand manifesting w/o permission, he is actually glad that at least his Stand is able to do things for you he's too embarrassed to do himself.
★ And don't ever bring this up: you've catched him smirking once or twice at his stand's actions. Specifically when he makes you smile.
★"Eat your damn food and drink your goddamn water. If not, don't be complaining about being hungry later, because I'm not letting Star bring you snacks".
★ (Like he can do something to stop him. Seriously SP is out of control ☠️)
★ At some point, you mentioned in front of him that having a bit of weight on top of you normally helps you sleep better. Next thing you know, Star Platinum's snuggling next to you in bed whenever you're struggling to fall asleep.
★ He hugs you with one of his arms and the slight pressure of its weight makes you feel secure. (He's the cutest thing ever I seriously cannot)
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I was initially planning to include Avdol and Joseph in this, but I was too lazy to keep writing ☠️😭 I am truly sorry for my sins against Avdol and Joseph fans
Maybe if I get requests for them I'll make another post for them both ( ͡° ͜ʖ ͡°) idk
Please like & repost if you like this ndv crap 😳❤️
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awkward-tension-art · 6 months ago
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bad batch x artist (painter) reader?
I am SICK and have been traveling so please excuse any typos
Hunter
He’s gonna think your so talented, whether you paint land scapes, abstract, flowers, people etc
And he’s absolutely going to fuel your painting
Whenever the batch are on a planet with a market, he’s gonna try and find new paints for you
Even some brushes too!
I Hc that as a cadet, Hunter would doodle in his free time, so he might get back into it whenever you paint
So, some times, whenever your painting, he’ll sit nearby and start to doodle. Just the two of you in comfortable silence as you each do your own thing
Echo
Like Hunter, he’s going to also look for paints and stuff to gift you whenever the batch are on a friendly planet
He’s gonna go for the truly expensive, nice stuff. I’m talking stuff made from diamonds or shells or something
I can see Echo sitting next to you as you paint. There’s something so relaxing about the movements the brush makes on a canvas
Keeps whatever you paint. Unless you want to sell it, in which case, he’s gonna help you do that. Make sure you aren’t underselling your work
“Echo, we need the credits” “not at that price. You worked on this for several rotations. It’s worth at least double.”
Wrecker
Fascinated by everything you paint and how you paint it.
He is amazed by every work of art, no matter the style or subject matter
Gonna ask you to paint him. If you do he’s keeping it forever. For years. It’ll be hung up on the Marauder.
He’ll also brag about you and your talent a lot.
“My Cyare? Most talented artist. You want to see their work? Of course I’ll show you!”
He might accidentally break a few of your paint brushes. They’re fragile to him and sometimes he forgets his own strength.
But don’t worry! He’ll find you nicer, stronger ones to use!
Tech
Working on stuff together? Working on stuff together.
He will want to work on his own projects while you paint. You guys just spend relaxed, quiet time together as you do your own things.
He honestly loves the sounds of you painting. The brush on canvas. Mixing paints. All of that.
He might try his hand at painting if you teach him. He knows he’ll never be as talented as you, but he’s a quick learner
Painting isn’t something he’ll particularly stick to though. He prefers his own projects, but he really enjoyed learning from you.
Crosshair
Not going to lie, he’s actually kind of interested in painting when he sees you paint for the first time.
He has the eye for detail, and the patience for it as well.
So, after a while of being together, he’ll sheepishly ask if he can paint with you too. Just to try it, of course!
Turns out you might have found him a new hobby he enjoys
Like his brothers, if he sees some quality paints or brushes, he’ll get them to gift them to you.
Sometimes he likes to play a little game and at the beginning of a new painting, he’s gonna try and guess what it is
He gets it right a lot of time, to be honest. Like I said, he has the eye for detail.
Bonus:
Omega (platonic obv)
Gonna want to paint
She wants to learn! And ends up really enjoying it!
I mean, her brothers s/o is a talented artist! She wants to do what you do!
And she loves it. Is super proud of her first painting. Your the first person she shows <3
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qsycomplainsalot · 1 year ago
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AI isn't Art it's just Illegal Predatory Randomized CGI
Reposting this because OP blocked me, can't begin to guess why.
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Photography, collage, readymade and various of the more abstract styles of painting and drawing are all art, and AI isn't. Why is that ? Simply, there are skills required to make technically interesting artpieces using these media, let alone meaningful ones. A skilled photographer might not be skilled with a pen, but their knowledge of composition and observation will always be transferrable to a new medium, in a way that they'll never start their art journey from scratch again. Because they're already an artist, because they've already done art and are skilled at it. Speaking for myself it took me a decade to get to a level where I was able to get paid for my work drawing traditionally, and once there it took me less than a year to reach a somewhat similar level switching over to digital. The skills are more comparable than with say collage or sculpture but the core principle still stands: I had gone and learned traditional art in art school, and while there I learned a slew of skills that were not at all limited to one tool, and when it came to switching I did not have to learn these skills again. Because by that point I was already a trained artist. I could just switch to sculpting with clay tomorrow and the biggest challenge would be to find a new market more than any skill issue.
Meanwhile fucking about with a computer to generate new pictures randomly has NO transferrable skills whatsoever. So much of the work has been taken out of your hands by a pattern seeking piece of software that it is impossible to learn anything from the experience. It's just plain to see when before you click the doodad to generate a new picture, you have NO IDEA what it will look like, none whatsoever unless you've been iterating on it before. You're not having an idea, formulating it in your mind and applying your skills to getting it out into the world, you just sort of have an idea and then a machine does the actual art work for you.
The only way you could possibly get better as an artist from doing this is if somehow you were deluded enough to think the process of scalping every artists' work in history was ethical, while also being observant and caring about art history enough that you'd learn critical skills from looking at the result of your quotation mark work end quote. Which is something you can do by going on a museum, or the internet. And if being an art historian isn't good enough for you, I invite you to actually join the elite exclusive vip club you're funding the death and automatisation of, by simply picking up a pen and piece of paper and starting to draw. It's that fucking simple.
PS: People trying to compare writing prompts with poetry: poetry does not include a stage in its process where all your artistic intent is surrendered to a machine to churn out a mash up of unethically sourced content. Nobody is going to buy a small book of computer generated picture prompts to keep on their night stand. You guys are delusional.
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hiskillingjar · 1 month ago
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Branding (Strade/MC)
i said i wanted to write people being nice to each other, right?
day 8: branding second person. sfw. injury aftermath.
"Ouch!"
You took in a sharp hiss, your naked body, drenched in sweat and still trembling, lurching forward in a feigned attempt to get away from him, all while he was cleaning the still bloody wound on your thigh.
Cleaning your wounds. What a sick joke.
"Easy! That fucking hurts..."
Strade didn't take any offence to your desperate urging away from him, though (since he never did), chuckling to himself as he doused a new cotton pad with rubbing alcohol and dragged it over the shiny, raw skin of the burn.
An arrow and two stripes beneath it. 
It matched the tattoo on his left bicep, and had your mind not been foggy from the pain, you would have found a reason to consider it a little romantic.
"Ah, come on, you're gonna have to toughen up a little, buddy!" He said, pulling your body a little closer to him, trying to keep you still as he kept working. "If you can't take the pain, you're a little too weak to survive me!"
You scoffed with an idle roll of your eyes, trying not to look at the twisted strips of metal at your side, still glowing a hot ‘orange’, after being stuffed in the kiln.
"If I can’t take the pain…are you ever gonna stop prodding at me, just because you're bored?" You asked with a petulant little pout. “Don’t you have anything better to do?” You instantly took in another hiss as the blood and pus-stained cotton whisps got caught, painfully, on the raised, black scab of the burn. 
"NGH-FUCK!"
"Mm, you want an honest answer?" Strade asked, sucking his teeth indulgently as his amber eyes flitted down to your bloody thigh for a moment (probably enjoying how much you were flinching and squirming), before going back to meet yours, creased with amusement. "Probably not. Your reactions are too cute for me not to fuck with you. It's way too fun!"
You huffed again.
“You have a pretty demented idea of what’s fun.”
"If you say so, bud. Now hold still."
His voice was firmer then, and his free hand held your body tightly against the cool concrete so he could continue cleaning the ever burning brand. His touch wasn’t painful, he didn't want to hurt you any more than he already had, for whatever reason, but it was rough and authorative, making sure you'd stay still and he could care for the injury properly.
"You keep wiggling around like that, I'll have to tie you up!" He smirked, in spite of his firmness.
"I wouldn't put that past you," You murmured softly, but you kept still, doing your best not to hiss or whimper too much as he continued to soak the blistering skin with alcohol.
"Careful, meine leibe, I might take that as a request." He chuckled again, the smile on his lips never faltering in spite of your discomfort. 
After a bit more alcohol and plenty of soft, canvas gauze to cover the festering wound, he finished cleaning the brand. 
He was obviously pleased about it too, as he let go of your shoulder and sat back with a smug smile, staring down at where the wound was already starting to soak into the pure white, dots of black, soaking streaks of red and the haze of yellow painting the canvas, like an abstract portrait of your pain.
"See? That wasn't so bad, was it?” He asked, his voice low and encouraging. “And now you're all marked up as my property. Nice, isn't it?"
You idly chewed the inside of your cheek, eyes flitting down to where your new mark was hiding on the thick meat of your thigh, claiming you like-
Like cattle, like livestock.
Your stomach turned just thinking about it, and you felt your cheeks glow a subtle, and wholly uncomfortable pink.
Strade must have seen the way you were looking down at yourself, as he let out another amused chuckle and leaned forward, grabbing ahold of your chin and making you look up at him, into his eyes.
"Don't pout, liebling.” He chided lightly, his other hand pressed firmly against your injured thigh, making you swallow a gasp of pain. “Look on the bright side - you'll always have a little reminder of me every time you look down. You should think of it not as a brand, but…ah, as a symbol, right?"
He lowered his voice to a more commanding tone, bridging the gap between you.
"You're my property, after all."
“Mmph…”
You wouldn't deny that a softer part of you, a part that always fell for this kind of bullshit, felt strangely honoured that he had branded you with his symbol. The same symbol he, too, had carved into himself, a symbol he hadn't bothered giving Ren or anyone else, thus marking you as truly special in his eyes.
You couldn't stop yourself from wondering what that meant, though, and what that consequences that honour would lead to.
"Thinking a little too hard there, are we, buddy?" He asked, his smile turning into a little grin, clearly amused by the sight of your conflicting emotions at being marked. “I can tell. You always pull the same dumb expression,” He tapped a thick finger against your forehead condescendingly, making you flinch. “Like you think I don’t notice it.”
"Ngh," You grimaced slightly, gritting your teeth slightly as you pulled back and batted his hand away, trying to distract yourself from the pain in your thigh. "Y-Yeah, whatever...it doesn’t matter anyway."
"Oh, that just doesn't sound too convincing," He blinked before giving you a subtle roll of his eyes. "Don't try to bullshit me. I know you're thinking about something right now. I can see it in your eyes."
"I just…I don't understand you..." You murmured, feeling his free hand slide down the side of your neck, and his grip on your thigh relent, even just fractionally. "Sometimes I think you might love me, and then you do this...treat me like you hate me and it makes me feel confused and cautious again..."
"Woah,” His smile dropped for a moment before he barked out a laugh and shook his head. “You’re getting pretty deep for me there. What, you think I'm that extreme? You think I'm dealing with...what, love, hate, those sorts of things?"
"So, what?" You frowned. "Do you hate me? Do you love me?"
"Now, why do you gotta be asking such difficult questions, huh?" He teased, letting go of your thigh and leaning back on his hands, ever causal, like you were two friends having a normal conversation.
Instead of a captive lucky enough to amuse their captor.
"Maybe I do love you, meine liebe - or maybe I hate you?” He laughed again, an unfortnately handsome grin on his smug fucking face. “But I'm not gonna tell you! That'd ruin all the surprise, wouldn't it?"
"You're insufferable," You murmured with a slight roll of your eyes.
Though you couldn’t resist the slightest of smiles.
"And you love it~"
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the-kr8tor · 1 year ago
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Heatwave
Feat: The cats 😺😻😾
Pairing: Hobie Brown x gn! Reader/ Spider-Punk x gn! Reader
Word count: 1.7k
Synopsis: You and Hobie try to survive a record breaking heatwave.
Tags: no use of Y/N, no specific physical description of the reader, established relationship, some miscommunication, FLUFF, lovestruck Hobie.
A continuation of this fic
My Masterlist
*I don't consent to having my work translated/ published on other platforms*
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You groan loudly, as if it helps make the air cooler, but alas it doesn't work that way. It certainly doesn't help that the air-conditioning in your building completely fizzled out last night, resulting in you and Hobie waking up sweaty and grumpy.
You breathe heavily through the humidity, but the sweltering heat doesn't make it any easier.
The cats don't help too, especially that they're currently blocking the air flow from your single working fan. Crumpet,Teacup and Crowley lay sprawled across a cooling mat, Crowley looks back at you every minute or so, checking to see if you've melted into a puddle.
Teacup, the ever spoiled baby, mewls towards you, as if to say it's time for their hourly wipe of their paws with a cold damp cloth. She's lucky you love her. She's been relishing the attention lately, especially time spent with Hobie, you can't help but get jealous sometimes, this is what Hobie probably feels like with Crowley attached to your hip.
You reluctantly stand up, stretching to your full height, arms wide, you cringe at the sweat clinging to your back, arms, legs and clothes, it's safe to say you're covered in it. You grimace at how tacky your clothes feel on you, your tank top must look like an abstract painting from behind. You lick your lips in a futile attempt to keep them moist, feeling the cracks of skin underneath your tongue.
You grab the designated cloth to soak it in the sink, at the same time you open the fridge to grab another ice pack. Thank goodness you have a stock of them for whenever Hobie comes home bruised. You wish you don't have an abundance of it though, you hate it when Hobie gets hurt.
Teacup meows loudly, telling you to hurry up.
"Alright, alright! 'm coming, you big baby" not noticing your words slurring together. You lift up the cloth, wringing off the excess water.
You stride towards the cats, carefully patting the cloth on their paws, while checking their fur for any tangles. Making sure their water bowls aren't empty.
After rubbing their paws you move to pet Crumpet, moving your fingers on her head, and scratching behind her ear. She purrs under your touch.
You're concerned about Crumpet, she's a lot older than the other two, so you're taking more time to be more attentive towards her.
You rub her thick fur absentmindedly, the air from the fan blowing on your lashes. Your mind wanders back to Hobie, how is he faring in this temperature? Especially in his suit, you practically had to beg him to leave his leather vest at home.
"I always wear it, love, I don't feel complete without it"
"Yeah, I know for the aesthetic," you change your tone, you don't want to fight, "but damn it, just for today please, I don't want you getting heatstroke" you sigh at his stubbornness.
For added effect Crumpet meows at Hobie, backing you up.
Hobie sighs in defeat, "fine," he drops the vest haphazardly over your bed, you think he's mad.
He leans over kissing your cheek, it's too hot to give you a proper kiss, you curse at the temperature, depriving you of affection. "don't forget to drink water, yeah?"
"Mmhm, you too. Take breaks, okay?" you move to hug him, but you recoil your hands back, thinking the added heat might make him more agitated. Hobie thinks you're mad at him.
You wanted to convince him to leave his leather boots and wear his trainers instead, but it might've been all in vain, since he's already opening the window to swing away.
That was hours ago, you hope he's okay, and keeping hydrated. You wish he wasn't mad at you.
Putting the ice pack on your head, you lean against your sofa, watching the cats stay cool.
You zone out, not hearing the familiar thump of heavy boots.
Hobie thinks you're ignoring him, shit you look mad, your face scrunched up into a scowl, sweat dripping on your forehead.
He crosses the small distance, the cats lay sprawled on their mat, the only indication that they noticed him is their heads slightly following his movements, even Crowley refuses to scowl at him. It's hot even for the little hell spawn.
Hobie grabs the cool can inside his little plastic bag, it rustles, but you still haven't looked at him. Fuck he should've kissed you goodbye better.
You feel the cold can on your cheek, waking you up from your daze. You feel sluggish. Craning your neck towards Hobie, you give him a small smile.
"Hey, you're home, early" your eyes slightly glossy.
"Yeah, even villains are too hot to commit crime" he notices your eyes, "when did you last drink water?"
You grab the cold can of soda from his hands, your hands shake trying to open the lid. "Um, I'm about to drink now"
"Shit, sweetheart, that's not enough" he grabs the can from your hands, earning a small "hey" from you. "Let me get you some water, yeah?"
Hobie rushes towards the kitchen, shit how long have you last drank? You must've been too busy taking care of the cats that you forgot about yourself. He doesn't blame you though, those cats are your family. He should've checked in on you on one of his breaks.
Glass in hand, he webs himself towards the living room, so he can get to you faster. You hate it when Hobie leaves his webs inside, but he'll apologize and clean it up later.
Hobie brings the cold glass to your chapped lips, you empty it in a flash, water drips from your chin, he wipes it with his thumb.
"There, you're gonna feel better in a minute" he sighs when color comes back to your lips.
"Can I have the soda now?" You tilt your head prettily.
Hobie opens the can for you before giving it back, "lemme change and I'll get you another glass, yeah?" He rubs the sweat clinging on to your eyebrows, messing up the strands. He chuckles at your unruly brows.
"What's so funny?" You pout against the mouth of the can.
"Nothing" he pecks your forehead, ignoring the sweat. That kiss will have to do for now, he has to make up a lot of kisses for the lack of love he gave you that morning.
Hobie basically tears his suit off him, sweat clings inside, he should shower. He should also try and fix your aircon, but he doesn't want to leave your side, you were on the brink of heat stroke when he arrived, Hobie needs to watch over you till you're better, and the cats need attention too, he still hasn't won over Crowley yet. He's made it his personal mission since he met the rascal.
Crowley settles next to you, the fog clouding your mind slowly dissipating. You sigh with your eyes closed.
"Oi no sleeping" Hobie places another cold glass in your hands in exchange for the soda. He's now wearing an old band shirt that he's kept at your place. Hobie doesn't have shorts, so he just went for his boxers.
He sits next to you, with Crowley in between. Hobie stretched his legs in front of him, his toned legs in full display.
"Here," Hobie hands you a fresh cloth "nevermind c'mere" you happily lean towards him, "you need to take care of yourself too y'know" He dabs the cloth on your neck, drying it.
"I know," you sigh "I was just worried about the cats and you, it must've been hard being in that heat all day"
He hums too engrossed in wiping you dry. You take this as Hobie still being angry at you.
"Are you still mad at me?" You ask in a small voice. wringing your hands anxiously.
"What?" He stops his movements, "I thought you were the one who's angry" he grabs your hands, smoothing the skin with his thumbs, trying to calm your thoughts. "Why would I be mad?"
"Because of the vest thing" you look up at him through your lashes. "I thought, you might've looked at it like I'm trying to change you, I'm not, I like you just the way you are"
Crowley watches the scene with pensive eyes. Crumpet sneezes in her sleep, while teacup curls near Hobie's foot.
"I'm not mad about that, I understand you were looking out for me, and I was too bloody stubborn" he kisses each of your knuckles, his warm breath calms your nerves. You know he isn't good with his words, sometimes opting for showing what he means through his actions.
" 'm not mad either, I shouldn't have pushed you" you lay your head against the couch cushion.
"Nah, I want you to make me, you keep me in line, love. You're right I would've gotten heatstroke with it on" he softly lays your hands on Crowley, he returns to his previous action, wiping at the soft skin on your hip.
"Imagine, I fainted while swinging" he jokes but you glare at him.
"Not funny, Hobart"
"Now, you're mad" He chuckles as he moves the cloth over your nose.
"Augh!" You swat at the piece of wet cloth "that's disgusting!"
"It's your own sweat, lovey" Hobie smiles lopsidedly.
"Next time, wear your trainers instead of boots too?" You ask shyly.
"Alright, for you, yeah"
You nod, finally convincing him "you took care of yourself out there?" You cup his jaw, making circular patterns over his skin with your thumb.
"Yeah, took breaks, hydrated, can't say the same thing for you though"
"I know, I'll do better next time" you sigh, thumping your head on his shoulder.
"Oi" he shakes you with his shoulder "I still owe you that kiss"
You laugh, Crowley perks up at the sound "and I still owe you a hug"
"What are you waiting for? Come up here and get it" a smile creeping on the corner of his lips.
You lean up, head staying on his shoulder, Hobie does all the work, he cranes his neck down as he holds the back of your head, guiding you towards his lips. You sigh into his lips, ignoring the sweat forming on his upper lip.
You cling on to his shirt, slowly moving your arms around him, he kisses deeper.
By some sort of miracle the aircon comes to life, blowing much needed cold air into your flat. You both decide to ignore it, while you climb on his lap, so his neck wouldn't strain. He holds your back, anchoring you.
Crowley meows at the both of you trying to get your attention away from Hobie.
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A/N: thanks for reading! Hope you liked it! Likes and reblogs are always appreciated ❤️❤️❤️
*picture above is from pinterest*
My requests are open! Check out my rules.
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yaksha-lover · 2 years ago
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Malleus isn’t the type to fall in love at first sight. His curiosity might be peeked by the mysterious new prefect, but it’s not as though he knows you. No, his interest is simple, and having any significant relationship with you isn’t something that even enters his mind during your earliest encounters. You’re merely a fleeting thing, something friendly and amusing to sometimes brighten his walks around Ramshackle. As a human, you’ll dance in and out of his life quickly, just as they all do.
Before, Malleus had never really concerned himself with aesthetic beauty; he’d never really understood the concept of attraction beyond a superficial level. Although he could recognize conventional attractiveness, he couldn’t really see the appeal in it himself. He’d felt the same way during the early days after meeting you. Malleus didn’t think much about your appearance or really anyone else’s.
It catches him off guard one day when he finds himself noticing things about you. It’s your eyes that draw him in. Pretty eyes, he thinks for the first time while you tell him about your day. He’s unsettled by the way he can’t bring himself to look away, and it shakes him so much that he quickly excuses himself away from you.
Human bodies were just lines and edges to him before, arbitrary shapes. As Malleus walks with you, he notices your form next; the curves of your shoulders, your exposed collarbone. It feels like you transform before him from an abstract painting to a portrait lovely beyond life. The feeling of uncertainty comes again, and this time it’s accompanied by a pit in his stomach that Malleus doesn’t quite know how to deal with.
Now, he knows you. You’ve spent more time together than he could’ve imagined when he first met you. He knows the beauty of your eyes because they tell your story. He knows the kindness of your heart by tracing a lifetime of memories across your shoulders and down your back. Malleus feels drawn to your lips because he knows what sweetness they sing. He knows you, and thus he loves you.
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pamwritessometimes · 3 months ago
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British Invasion
Soldier Boy x (British)fem!reader
Summary: Soldier Boy is forced to attend a lavish gallery opening for an emerging artist, expecting nothing more than a typical evening of pretentious small talk and overpriced art. But when he gets to know the artist herself, he quickly realizes they might share more than one thing in common.
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proofread & edited on 8/21/24
Warnings: unprotected SMUT (be smarter), pet names, some 60s slang, breeding kink if you squint, terrible writing, AmE and BritE use is varied based on the characters
Word Count: around 4.7 k
Author’s Note: This is my VERY first fic I have written since I was a teenager. English isn’t my first language, so I apologise for any mistakes. Please be kind. 🤍 All kinds of feedback are appreciated!
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May, 1962.
He tried his best to understand what he was looking at. The colours danced in a confusing symphony - deep red lines flashing across the canvas, yellow streaks breaking through the tainted blue background. It was an odd mix of serenity and unease, a puzzle that felt both ambiguous and crystal-clear. Not that he had any expertise in art, he was a superhero, after all. Analyzing abstract paintings was hardly part of the job description. Thank God and Vought for that. He didn't even know why he was there in the first place, stripped of his imposing suit, which at least gave him the semblance of authority. “This will do wonders for your image. Supporting some up-and-coming artists is exactly what we need to repair that reputation you seem so determined to destroy.” 
“Yeah, fuck that.” he thought, scanning the room until his eyes landed on a tray of champagne glasses amidst the other hors d’oeuvres. At least there was free booze. He swiftly grabbed a glass, downed it in one go, and swapped it for another. He barely noticed the presence next to him when he stood back to pretend to interpret the same painting he had been looking at for the last fifteen minutes. 
"Do you like it?" a voice with a soft British lilt called out from his right. He turned to see the source—a striking beauty with (Y/H/C) hair styled in a classic beehive. Her makeup was flawless, with bold eyeliner and red lipstick that enhanced her gorgeous features. The elegant black dress she wore hugged her curves in all the right places, and for a moment, he felt his already tight pants grow even more uncomfortable. "You’ve been staring at it for quite a while."
He quickly gathered himself, a charming smile sliding into place as he responded with feigned confidence. 
"I do, yeah. I really like the... uh, colors and how... this line curves," he replied, trying his best to sound like he knew what he was talking about. “It… makes one feel uncertain and… and certain at the same time.”
“Does it?” she asks, her sceptical eyes glued to the canvas. "To me, it just brings back memories of a February night when I drowned my sorrows in a cheap bottle of rum after finding out I didn’t get into RCA."
His brows furrowed as he looked at the girl next to her taking a sip of her champagne. “You painted this?” he asked. She just nodded in response, her eyes still fixed on the framed painting. “Busted” she chuckled awkwardly. He looked back at the artwork once more and it suddenly all made sense. It was a testament of chaos, the rage and unsettle she must have felt when creating it. Plus, being drunk while creating something? That, he could understand. “I’m (Y/N)... (Y/L/N). But I believe you figured that out.” she said as she nodded to the signed painting.
He smiled and nodded. “Benjamin,” came the reply. “But please, just call me Ben.”
She nodded and smiled at him. “So, Ben… What brings you to London?”
“I'm here for work.” he replied casually. It wasn't a complete lie, per se. He could tell the truth, she will learn it soon anyway. But for now, he just wanted a normal conversation, free from the weight of being America’s Greatest Hero. Just for a couple of minutes.
“I see” she said as she eyed him with great attention to every detail of his appearance.  His dirty blonde hair was slicked back with a sophisticated touch, and his tailored suit and slacks fit him impeccably. "Are you some kind of actor?" she asked finally.
“Among other things.” his tone playful, reflecting on the fact that he enjoyed her not recognizing him. “Why?”
"I was just wondering," she shrugged, finishing the last sip of her drink. "When I first saw you, I thought, ‘He’s either a soldier, a businessman, or an actor.’ Your physique suggests military, but then I took a closer look at your suit, and– may I?" she asked, lifting her hand toward his jacket. With a nod, she touched the fabric. "As I suspected. Kid mohair. No soldier I know could afford that. So, that left businessman or actor. Now, here comes my first observation: your athletic build. If you were an accountant or something like that, you probably wouldn’t be this fit. So, my conclusion? You’re an actor." She smiled, clearly pleased with her deductive reasoning.
He chuckled, clearly amused by her careful observation. “You are quite the observer, aren’t you, sweetheart?” he asked.
That she was. Her favourite hobby was studying people. Every little feature, every line and detail that made them unique. Later, she would capture those fascinating subjects in drawings from memory. Any details that became hazy would be filled in by her imagination. She did the same to him; just memorising his lines (though the nickname almost made the whole process cease).
“So this whole happening… is it all for you?”
She just scoffed. “They say it is” she started, though her face was soaked with clear annoyance. “But I believe it’s more for my agent. He said he found great patrons for this current collection. They want me to go overseas for a potential business proposition.”
At the mention of that, Ben's eyes gleamed with a mischievous spark. The Vought executives had briefed him on their plans to renovate the entire Tower. Stronger foundations, new levels, and, of course, fresh furnishings and decor. That was the real reason he was here in the first place. For whatever reason, Vought wanted (Y/N)'s artwork to grace the Tower's walls. He’d flown in with some executives to evaluate her latest collection, to decide whether it was worth the investment. It wasn’t his decision, of course; he had no real say in the final call. But to the public, he was the face of Vought, their most powerful representative, so his presence was required by his superiors.
“Miss (Y/L/N), it is time” the aforementioned agent’s voice cut through their conversation. She took a deep breath before turning to face the charming looking man in his early thirties.
“I’ll be there in a minute, Greg.”
Greg then nodded and smiled at the two. “I see you met one of your patrons already.” he said as he nodded towards Ben. “It’s an honour to have you here, Soldier Boy. I hope you enjoy your time in our country.”
Ben nodded, a smug grin spreading across his face as he kept his gaze locked on (Y/N), who now wore an expression of stunned realisation. She had only just realised who she had been casually conversing with. “I’m enjoying it so far, very much,” he replied, his voice dripping with satisfaction.
“Alright, Miss (Y/L/N), please say goodbye to the gentleman and follow me.” Greg interjected, his tone formal and clipped, as if he were conducting some high-stakes business transaction.
She swallowed the urge to roll her eyes at the mannerism of the whole conversation. That was one of the many things she hated about the art society she was part of. The pretentious idiosyncrasy and the sense of being loftier than the others. If she had the resources to fund her own artistry, she would leave it all behind. But unlike her peers, who all came from money, she wasn’t that fortunate. Her parents, God bless them, did everything they could to support her, but it was never enough for her to break free. Now, under the thumb of Greg—THE Gregory Alcons, the most influential artist agent in the region—she had little choice but to play along.
Still a bit flabbergasted by the previous revelations of Ben’s identity, she managed to compose herself and glanced at his green orbs. “It was nice meeting you, Soldier Boy. I hope to see you around,” she said, her voice steadier than she felt.
As she turned to follow Greg, Ben couldn’t tear his eyes away from the way her hips swayed in that sinfully tight black dress. If he didn’t know better, he might just think it was all for him. 
(Y/N)’s speech was a drag. Even she knew that. Every word was scripted, every pause rehearsed, her smile a mask. Like a goddamn politician–she often thought to herself. Nonetheless, her official duties of the gathering still didn’t end, but she could now move around more freely, trying to charm the people gathered in the museum, occasionally sipping on champagne to look for that blitzed state she was so eager to reach. She just wished she had something stronger. During her museum circles, she heard some speeches that she couldn't care less about. Mostly influential old hags talking nonsense about the importance of art patronage and trusting the vision of an artist... She also heard Soldier Boy's brief speech, but she was too occupied to talk to the other guests, she couldn't stop and listen to it.
The smooth jazz tunes created an atmospheric scene, adding to the illusion of sophistication. The guests seemed to be amazed by it all–the champagne, the music, the elegant attires, the modest speeches… yet, she couldn’t care less. This wasn’t her world. It was all a grand performance, and she felt like an imposter in the spotlight of her own art exhibition. She was chatting with a man in his early to mid-seventies about the long-term consequences of giving freedom riders a platform to talk when a familiar rumble cut though the conversation.
“Can I borrow Miss (Y/L/N) for a minute?” 
Relief washed over her as she turned to see Ben—no, Soldier Boy—in his full supe attire, helmet and all (he certainly just finished his speech duties, too). If she had to pretend to share one more of the old man’s bigoted views, she might have committed murder. Soldier Boy was by far her greatest conversation partner tonight, and probably the most tolerable person in the room, which speaks for how entertaining the gathering is. The elderly man tried to hide his disappointment, but reluctantly let her go. 
“Wow,” she muttered, taking in Soldier Boy’s imposing presence. “Now, this is the Soldier Boy I’ve seen in the telly.” Her voice dropped to a sheepish tone. “And… sorry for not recognising you earlier.”
“Can’t say it didn’t hurt,” he replied with a smirk “But it’s also nice knowing that it’s the suit that most people recognize, not my face.”
(Y/N) offered Soldier Boy another small, apologetic smile before letting her eyes drift across the room. The jazz band was playing a smooth set that impressed the crowd but grated on her nerves. The soft melodies and gentle horns just didn’t resonate with her. If she had her way, she’d have had her friends, Gerry & The Pacemakers, play instead—something with real energy, something raw. But, of course, that wouldn’t have flown with Greg or the rest of the stuffy art crowd. They were too wrapped up in their own pretentiousness to appreciate anything that didn’t fit their narrow idea of ‘classy’.
She took another sip of champagne, but it did little to ease her frustration. She felt trapped, stuck in a night that was supposed to be hers but felt like anything but. All she really wanted was to be with real people, having real conversations, and listening to music that made her feel alive. Instead, she was here, pretending to enjoy the company of people who saw her as nothing more than a name to drop at their next social event.
“You’re not exactly enjoying this, are you?” Soldier Boy’s voice cut through her thoughts, bringing her back to reality. His tone was amused, but there was a hint of genuine curiosity there too.
She looked up at him, surprised he noticed. “Is it that obvious?” she asked with a slight smile.
“To most people here? Probably not. But I can tell,” he said with a shrug. “You’re too real for this crowd.” He leaned in closer, his voice dropping to a low murmur. “How about we get out of here?”
(Y/N) hesitated, glancing around the room filled with guests who were supposed to be admiring her work. “I wish I could go somewhere more fun. But this is my show. Not mine mine, obviously, but I can't just disappear,” she said, sighing. “Plus, Greg would kill me if I bailed.”
Soldier Boy smirked, undeterred. “I’m not saying ditch the whole thing, just take a break. Clear your head, get away from all this for a few minutes.” He paused, lowering his voice. “You deserve that much, don’t you?”
She bit her lip, tempted by the offer. The idea of stepping away, even just for a little while, was more appealing than she wanted to admit. Especially with such a handsome-looking bastard. “And where exactly would we go?” she asked, intrigued.
His smile widened, a mix of charm and mischief. “Trust me,” he said, offering his arm. “You’ll like it better than this place.”
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She would lie if she said she didn’t see this coming. She was more than a bit tipsy, but who is she to fool? She would’ve followed Ben to the staff restroom sober, without any question. She needed to release some tension, and he was more than happy to oblige. His calloused thumb was drawing invisible circles on her swollen clit as his cock pounded in and out of her juicy, tight hole. 
“Fuck, sweetheart–” he growled into her ears as his other hand was leaning on the counter, trapping her body between the cold surface and his heated body. It was all quick, filthy, but –oh so needed. Her watery eyes were locked on his reflection in the mirror as she observed both his ecstasy-filled pupils and her rather dishevelled appearance. Either of her boobs were bouncing with each harsh thrust of his hips, stark contrast to that tight black dress that still clung to the rest of her body.
How they ended up like this was both a blur and a logical consequence of their desire. One moment they were talking, and the next, they were stumbling into the restroom, hands all over each other. Soldier Boy’s strong body pressed her back against the door, his lips crashing against hers with a fierce hunger. She didn’t hold back, kissing him with just as much intensity. She melted into his lips and wrapped her arms around his neck, pulling him coser. She gasped softly as his tongue swiped against her lower lip, asking for entrance. She granted it, his tongue slipping past her plush lips and exploring her mouth while her hands were busy finding a way to rip off his tactical vest. Fuck, why does a supe suit has to be so complicated? 
He soon noticed her efforts to undress him, so he leaned back for a moment with that same smug grin he always seemed to wear, and began to take his suit off. She hurried to do the same when Ben’s voice commanded her to stay put. “That dress stays.” he said, his voice low and sultry. “Couldn’t tear my eyes off of you, you know that? Wearing a dress so fuckin’ tight… swaying your hips like you did… was it all just to drive me crazy, huh?” he asked as he got rid of her suit, now standing in front of her in his naked glory. 
She swallowed hard once his member sprang free–erected, the fat tip leaking with pre-cum. She obliged to his requests by rolling the skirt of the dress up to her perky butt. With delight, he discovered that she was wearing black panties with delicate lace trimming, which was overall already ruined by her soaked cunt. He growled at the sight, grabbing the base of his cock to pump himself a couple of times. She was about to pull her panties down, when he spoke up again. “Those also stay.”
“You are having many commands just for a little hookup” she remarked as she leaned her body closer to his, her palms replacing his on his shaft. Her hands were soft against his skin, his dick twitched by the touch. She pumped him a few times before stopping and releasing him completely. He let out an annoyed huff that quickly turned into a satisfied moan when he felt her hands once more around his cock, now coated with her saliva to add more to the pleasure and to prepare him to enter her already weeping pussy. 
Soldier Boy swiftly gripped her hips and spun her around to face the sink and the mirror above it, returning them to the position they’d just been in. “You’re a real tease, aren’t you?” he growled, his voice thick with desire. She could feel the need in his tone, matching the flame that burned inside her. He lifted one of her legs, giving himself better access, and she braced herself against the counter, anticipation running through her veins. “You're so beautiful. A beautiful tease.” he kissed a line along her spine.
“Yeah…you are just as much of a—” before she could finish the sentence, she felt the tip nudge at her entrance after pulling her panties to the side. It was that moment she finally came to terms with how huge he was. Seeing it, palming it wasn’t enough. Feeling the head of his cock spreading her folds was a whole other sensation. Before he would properly enter, he asked. “You sure you want this?” She couldn’t help but moan, her mind completely taken over by anticipation. Not trusting her voice, she just nodded fervently and pressed herself against him more. That was all Soldier Boy needed. He took a shaky breath and eased himself into her dripping cunt. The only sound in the room was their mingled, sinful noises that escaped both their mouths.
“Fuck….so tight…so fuckin’ wet…” Ben growled as quietly as he could. They were still in that museum, just a few rooms away from the exhibition. As much as he wanted people to hear them, he knew she would probably prefer their affair to stay hidden. 
He kept one hand on her hips, guiding her movements, while the other slid up her stomach, to her exposed breast, his fingers gently tracing over her sensitive nipple. The way it bounced at every thrust, every movement, and how the nipple hardened at his touch… Soldier Boy was known for his supe stamina, but he was already on the edge of coming undone. She was closely behind, her moans and gasps were music to his ears in a sinful symphony as she clenched her hands around the edge of the sink.
“Ben…please…”
“What? What do you need, honey?” he cooed.
“Please… h-harder.” it was more of an incoherent muffled cry than a plea. But he understood nonetheless. He ceased his speed, his hips clashing against hers in a relentless motion. He groaned, his body moving supernaturally fast, his grip on her hips almost bruising on her sensitive skin. 
His mouth attacked her neck, finding her sweet spot, the one that seemingly made her go feral. He sucked and bit that one spot like a madman, being on the mission to elicit as many sounds from her as he could.
“Fuck…baby, youre gonna kill me.” he mumbled into her neck. He felt he was nearing his climax and he needed to make sure she was there with him. He redoubled his efforts, his body moving against hers in a rhythm that was both brutal and beautiful. “You are squeezing me so fuckin’ tight. Shit, I can feel your pretty little cunt trying to push me out.” he said and delivered a brutal thrust to the hilt, burying himself inside for a moment. “Fuuuuck.”he said as he stopped to feel her convulsing pussy. He could feel she was close too. 
His voice, his words and the way his twitching cock was balls deep inside of her made her go feral. “Soldier Boy, I…please… I need to–” his fingers stopped their ministrations on her nipples and found their way to her sensitive bundle of nerves.
“What do you need, honey? Do you want to come? Do you want to soak this big, fat cock, huh?” he asked as he began to move again slowly, his gaze locked at hers in the mirror. Fuck, she looked even more phenomenal than at the grand hall. Her neatly made beehive now a bit more messy, her red lips were a bit smudged, her eyes hazy…Truly a sight to behold. When she didn't answer, he delivered a harsh slap onto her clit. “I asked you a question. Do you want to soak my dick, baby?” he asked and buried himself to the hilt once more, his own climax nearing the edge, too.
“Fu–Yes! Please, let me come on your cock, please, make me squirt all over you… please…” she urged, looking at his reflection.
Her words made her already aching shaft twitch deep inside of her, and with a throaty rumble he set a ruthless pace. His cock was laced with her wetness, the sight making Ben go ferocious. “I’m gonna come into this tight little pussy. I’m gonna pump my load into you. Fuck, come with me, baby, soak my dick.”
Their breath hitched almost at the same time. His fingers were still working their wonders around her clit. Her pussy almost pushed him out when she came, her cum gushing over his shaft. While he made sure to ride her orgasm out, she felt him spilling his seed deep into her hole, dribbling out from her down to his balls. His slowled his pace, but the strength didn’t cease, making sure he fucked his white hot cum back inside of her. 
Once they both came down their highs, they found their eyes going back at their reflection. His satisfied grin, her spent expression, their mingled, joint bodies… Besides being absolutely filthy, there was something more behind that scenery…
After catching their breaths, Ben slipped out of her, quickly pulling her panties back to their place to hold up his cum. He saw her panties being soaked with his climax, which elicited a moan from him. “Now that’s a sight, darling.”
She just laughed breathlessly and rolled her skirt back down, putting her tit back into the confinement of that dress. “That was… just what I needed. Thank you.”
(Y/N) glanced at her reflection in the mirror, cheeks flushed, her breath still unsteady from the intensity of what had just happened. She watched as Soldier Boy straightened up and casually began putting his suit back on. There was something about his calmness, his complete lack of urgency, that made her heart race all over again. He caught her eye in the mirror and flashed that mischievous smirk she was starting to find dangerously attractive.
“M’just happy to help the artist out,” Ben shrugged, the smirk never leaving his face. His voice was playful, but his gaze was laced with something deeper, something that made her pulse quicken. As he fastened the last strap of his vest, he turned to her, an eyebrow raised in challenge. “Don’t you… wanna get out of here? For real?”
(Y/N) bit her lip, torn between the temptation of escape and the nagging responsibility of the exhibition. The thought of ditching this pretentious gathering for something—anything, really—more genuine was almost irresistible. But despite her wild child tendencies, she was still aware of her responsibilities. “Ben, I still have this exhibition,” she said, her voice softening. “I can’t just leave. Greg would have a heart attack if I walked out right now.”
Ben chuckled, stepping closer until he was just inches away. “And you care about that?” he asked, his tone low and teasing, but with a seriousness beneath it. “You really wanna stick around, playing nice with assholes who wouldn’t know real art if it smacked them in the face?”
She hesitated, knowing he was right. Everything about this night felt wrong, but she still felt trapped by the expectations that came with it. “It’s not that simple,” she murmured, almost to herself. “This is my career.”
He reached out, gently tipping her chin up so she had to look at him. “You’re not one of them, you know that,” he said, his voice firm but not unkind. “You don’t belong here, with these people who only care about what you can do for them. You deserve more than that. Plus, you’ve already got that deal with Vought. Why would you care about any other guests?”
His words hit her harder than she expected. He wasn’t just trying to lure her away for some fun; he was calling out what she had been trying to ignore all night. She sighed, feeling the weight of the evening press down on her again. “But where would we even go?” she asked, though the resistance in her voice was fading.
“Anywhere you want,” Ben replied, his eyes lighting up with the possibility. “Somewhere where you can breathe, where you don’t have to pretend.” He leaned in closer, his voice dropping to a whisper. “You said you wanted fun tonight. Let’s go find it.”
She looked at him, really considering his offer this time. The idea of leaving it all behind, even just for a night, was more tempting than ever. She knew it was reckless, maybe even career suicide, but there was a part of her that didn’t care anymore. Not tonight. Tonight, she wanted to feel alive.
Slowly, she nodded. “Alright,” she said, her voice stronger now. “Let’s get out of here.”
Ben’s smirk widened, satisfied. “Atta girl,” he murmured, taking her hand in his. He pulled her toward the door, and as they slipped out of the restroom, a thrill shot through her. She was leaving behind everything that had been weighing her down all night, walking away from the people and the pretence, and into something unknown but undeniably exciting.
As they made their way through the back halls of the museum, she felt a strange sense of freedom. The further they got from the exhibition, the lighter she felt, like she was shedding a skin she’d outgrown long ago. She didn’t know where Ben was taking her, but for the first time in a long time, she didn’t care. She was done pretending.
And as for Soldier Boy... maybe coming to this exhibition wasn't such a bad idea after all.
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Thanks for reading. <3
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angelheaven7 · 4 months ago
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OK IM GONNA TALK ABOUT ASPIDIMORPHA MILIARIS BECAUSE OH MY GOD THEYRE SO PRETTY
They have that artsy look like the Dynastes tityus beetle but while the Dynastes tityus has a more older artsy look, the Aspidimorpha miliaris reminds me of modern abstract art
And also the bright warm yellow color underneath this sick ass COMPLETELY CLEAR ELYTRON WITH BLACK SPOTS LIKE COMMON
Its so fascinating how one type of beetle can look beautiful like old porcelain and another beetle can look like an abstract painting
The Aspidimorpha miliaris, also called a spotted tortoise beetle, is a type of Asian lady beetle that def deserves more recognition, ive been noticing how much hate Asian lady beetles have been getting lately and it’s driving me crazy, like I get it’s mostly people who aren’t really into insects thinking that they found a lady bug and when they find out it’s an Asian lady beetle they go “oh…🫤🫤” like I get it but jeez 😭
Like it might just be an entomologist thing or a me thing but whenever I find an insect I don’t care what type or species it is I’m just happy as shit that I found a bug of any kind in the first place
Like I’ve sat for hours staring at a single ant I found on the ground 😭 like beetles might be my favorite species of insect but I really have a passion for all insects and I love every single one of them even the aggressive and smelly Asian lady beetles
Even those fuck ass Asian hornets
And obv I’m not trying to shame anyone who’s into bugs but not every single one like I am ‼️ like you do you I don’t care , I’m just expressing my perspective on the whole thing ‼️ I’m just sad as someone who likes Asian lady beetles is all😭
Also thank u guys for all the support and reblogs on my first post!!! It means a lot to me as someone who’s slowly getting more comfortable with unmasking and letting myself info dump about bugs🥹
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shoccolatine · 9 months ago
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purple.
⚘pairing: rafayel x gn!reader ⚘summary: for the first time, rafayel asks for your help with his latest painting. ⚘tags: sfw, oneshot, 2nd person POV, gender-neutral reader, fluff, mutual understanding, a lot of metaphors, blushy rafayel bc boy can BLUSH ⚘word count: 943 ⚘a/n: hi!! i started playing l&ds two weeks ago and i am HOOKED. rafayel is my favourite, and so i was inspired to try writing his voice! this is my first l&ds writing so thank you for reading and i hope you enjoy~!
─── ・ 。゚☆: *.☽ .* :☆゚. ───
As usual, the door to Rafayel's home studio is unlocked. You push it open and slip inside, removing your shoes. The heat of your bare feet sticks against the surprisingly cool hardwood floor as you move into the room.
Rafayel is actually where you expect him to be for once, headfirst in a painting you haven't seen before. You sigh and get ready to settle in for a while, knowing how absorbed he gets when inspiration hits. He probably didn't even hear you come in. So it catches you off guard when he actually speaks first.
"Hey. Come over here," he says as he slides a thick, wet stroke of paint onto the canvas, never looking away.
You oblige without fuss, mainly because his tone is so airy and earnest that you feel being mischievous right now would go over his head. You stop next to him.
"What do you think?" He asks, still gazing at his work.
You puff air out your nose. "You're asking for my thoughts? That's a new one."
He finally looks at you then, his expression just as light and floaty as his voice had been. It's not a side of Rafayel that you're used to, but it's one you find most interesting—the one where he's so deep in artistic expression that he himself has become one with his canvas. An abstract impression of its own creator. A secluded forest monk reaching a state of nirvana like sunlight's warmth on his face.
You don't see it often, since he paints in solitude and you get him out of the house more than he bargained for, but it's the rare intrigue of it that makes this Rafayel all the more special.
"Just tell me," he says simply.
You finally take a good look at the artwork perched on the easel.
It's gorgeous and colourful, his trademark thick strokes, playful yet meticulous and reminiscent of sea foam, present a scene that is at once novel and familiar. It's significantly warmer than most of his other paintings, liberally using more reds and purples alongside his usual blues, as if plucked directly from a sunset.
Knowing Rafayel, if he could do just that, he would.
And yet, as lovely as it is, you can't help but feel like something's... off. The canvas is nicely underpainted, but the centre is dreadfully blank. The painting has no focal point.
"It's missing something," you point out. He hums a thoughtful "mhm" in reply, as if those were the exact words he was waiting to hear.
Suddenly, he turns the paintbrush on you. You realize, a bit delayed, that he's holding it out as an offering.
"I want you to add something to it."
"Huh? Me?" He doesn't respond right away, so you continue. "What would you want me to do?"
Rafayel shakes his head, but there's a gentle smile on his lips. "If I told you what to do, then I might as well just do it myself."
His smile remains as silence grows between the two of you, a silent invitation beckoning a leap of faith. You break his gaze to turn back to the canvas, the gaping void in the centre like an eye of the storm, pulling you in and yet blowing you in every direction. What could you possibly add to this piece that Rafayel couldn't?
"I thought you hated people messing with your work. This is a trick, isn't it?"
He shakes his head again, his soft messy purple curls tickling his lashes. "Kinda a lame trick. And annoying. I put a lot of hard work into this already, only for it to go to waste like that..." he says, and the pouty Rafayel you're more accustomed to is back. "Besides, you're not 'people'. You're you."
"And what exactly does that mean?"
"It means you know what this painting needs. You'll treat it well. You know my vision for it more than anyone else because, well... my vision is you." His voice trails down to a whisper.
You look at the painting once more, with new eyes. This painting... is you?
"Rafayel..." you say, unable to say much else.
He takes your hesitation gently, holding it like a hand and guiding it along, taking the reins and allowing you to find your footing again. "It looks different from my other pieces, right? I'm sure you noticed. That's because you make me different. Not like I've changed for you or anything, but more like... I've changed because of you. You know?"
"Um...? Not really," you reply sincerely.
He taps his chin thoughtfully. "You're red where I'm blue. And together, we make purple." He breathes out a laugh. "It sounds so simple when I put it like that. It's not that simple at all. Nothing about you is simple. You're annoying and loud and strong and everything I'm not, and yet somehow we blend together so well that I don't know how I was able to be content with being blue for so long. I want to be blue, and red, and purple. But only your shade of red will do."
He pauses, his ears a dark shade of the exact colour he speaks of. His eyes are pleading, as if saying 'understand me as I understand you', and before he can open his mouth to spout more abstract nonsense, you dip the brush in red—a perfect match to the hue blooming in his face. You are in this colour as much as he is.
"I think I know what to do now," you say, and your red splatters over his blue, mingling purple like summer plums, sweet and sour and bursting.
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fayewoodss · 27 days ago
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hello I am here to ask what art movements you relate to the dream team
Okay, let's do this! LONG POST! *cracks knuckles* 😤
George
I'm starting with George bc I'm a shameless Golo and he lives in my head like a worm.
I immediately associate George with expressionism. Now, this may seem strange considering his personal aesthetics are very designer streetwear and techwear, which in many way is the opposite of expressionism. However, in a lot of his wardrobe and overall personal tastes, he does have small bits of appreciation for expressionism.
For example, this Supreme shirt of his displays the piece "Reaper" by artist Josh Smith. Josh Smith is a contemporary post-modern artist and not from the original expressionist movement, but his work holds a lot of traits to expressionist artist Edvard Munch. Though I do have criticisms of Supreme and their foundation being in appropriation of Barbara Krueger, taking her anti-consumerist work and messaging to create a consumerism giant, I do admire that they've grown to collaborate, credit, and pay artists through their clothes.
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(Josh Smith with Supreme and Edvard Munch)
Expressionism is very broad in style and artistry because it was the movement all about expressing personal taste and emotions through art, rather than capturing scenes as close to reality as possible (impressionism). I shared a post a few days ago about George's precious Discord profile pictures and both of them displayed a broad and vibrant spectrum of color, one being a palette knife piece and the other being a splatter piece. Now, these aren't necessarily expressionism. Like Josh Smith's work, they are post-modernist and abstract contemporary, but the usage of color and freedom in strokes puts them in a similar category.
Now, my final reasoning for George being expressionism is purely just Vincent Van Gogh. I am biased as George is my fave and Van Gogh is my fave, but recently a theory emerged about Van Gogh that he was likely red-green colorblind. When we look at Van Gogh's color palettes. He heavily relies on blues and yellows that fall within the protanopia color spectrum, whereas when he uses greens, reds, and oranges, they are often used as shading for blue and yellow. There are instances where he uses red and green with intention (his self portraits and the painting of his room), but even then when he uses red-green, it is not in a way that follows usual color theory.
It is impossible to know if Van Gogh was actually colorblind or had a color deficiency, but I do think it is a strong theory that supports his art and adds a new layer of perspective to it. Especially considering he was very unsuccessful in his lifetime and his artwork was often considered jarring and not appreciated.
George's color blindness is also fascinating to me, as per his own on stream tests, he has tested both as severe and mild, so unless we had George's vision, we don't realize exactly how much color he truly can see. But in the parasocial box in my mind, I think he would enjoy Van Gogh and expressionism as a whole.
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(Vincent Van Gogh, original work left, work with protanopia filter right)
Dream
In my collage post, I mentioned impressionism for Dream, and while I do believe that to an extent, I personally think Dream might fit more into illustration and outsider art.
Illustration is an easy one to talk about because so much of his brand is simplistic and stylized in a very graphic and illustrative way. His very icon, the black and white Microsost paint smiley on the eye straining neon green, is playful, memorable, and recognizable. It's easy to replicate and remember, and through the artists and designers on his merch team, it's able to be reimagined and expanded upon.
For some context, I originally went to school for illustration, but very quickly switched into fine arts, so my knowledge of illustration as an industry is not as deep as it could be, but I know that reproduction and recognition are definitely pushed as important.
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Stepping away from Dream's own branding with illustration, I think there is a strong connection from Dream to outsider art as well.
I am a huge fan of outsider art. I took multiple classes on it.I love outsider music and poetry. It is overall a movement I greatly enjoy. However, as a disclaimer, the origins of outsider art as a movement and category for art are very dubious and unethical. I won't get into all of it here, but when outsider art was initially coined, it was very exploitative of the mentally ill, disabled people, people of color, etc. I think as time has gone on and outsider art and artists alike gained audiences that were more appreciative and good faith, it has transformed into something more wholesome and celebratory.
Dream is a self-made individual. He didn't go into YouTube, content creation, and merchandising with previous learned knowledge. He's very open about being self-taught in most of his skills and endeavors. Outsider art at its core is about the uninitiated and the self-taught pursuing artistic endeavors without the fear or stress of the institution of art.
Daniel Johnston is the most notable artist within outsider music, but he was also a visual artist as well. His work is naive and honest, even when it is hamfisted and fumbled. He is genuine and truthful, but often to a fault. But he grew a cult audience that loved and appreciated him, even through his worst moments.
A little personal interjection, but I am a huge fan of Daniel and his work spoke to me through high school as someone who spent most of my life with undiagnosed autism. His death genuinely shook me and I remember the day he died so vividly that in some ways I'm still grieving. I recommend exploring his music with my whole chest, even if it may not be to your taste.
I do think in the modern world, a lot of people drawn to outsider art and the act of being self-taught in fields of interest are neurodivergent. Dream has been very open about having ADHD, and even mentioned possibly being on the [autism] spectrum (though that question was asked in a very invasive way, so I take Dream's answer with a grain of salt). I think that adds another level of connection/relation to outsider art.
I could go on and on about outsider art and how amorphous it's definitions have become, but I'll stop there for now.
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(Works of Daniel Johnston)
Sapnap
In my opinion, I think Sapnap is the most open about his interests and personal aesthetics. Even if it's not a direct comment on it, he has the most furnished and decorated office, he has a clear and consistent sense of style with favored brands and imagery, and he's a big fan of anime and adult animation. He also advertises the most out of the Dream Team, so, like, get the bag, but also I'm going to tease him with art movements that directly comment on consumerism and advertisement.
Right away, I think appropriation and pop art.
Appropriation can be a scary word as we often hear it in the context of theft or bigotry. Even within the world of art, appropriation is a touchy subject as we try to define what is transformative appropriation and what is plagiarism, reference back to Supreme and Barabara Krueger.
I actually saw a Barbara Krueger show in real life, and it was nothing short of breathtaking. It was overwhelming and in your face. It was uncomfortable and eye-opening. It both meant nothing and everything as you were faced with false advertisements, bold statements, and consumerist culture.
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(Barbara Krueger at the Art Institute of Chicago, 2021)
The biggest name in pop art is Andy Warhol, and when it comes to Warhol, you either hate him or you love him. The man is surrounded by controversies, both good and bad, but I won't deny his influence on contemporary art. I think his bold colors, high contrast, and play on reproduction in art all fit Sapnap's personal aesthetics, similar to Dream with illustration. But in more modern pop art, I think a lot about my friend and colleague David Hernandez. David's art is provocative and at times uncomfortable, but he uses a lot of ideas and concepts from pop art and appropriation to appeal to a more modern audience, playing into nostalgia growing up in the age of the internet in a way that is reactionary. His work can be very NSFW and outright gooner brained, so if you do seek out his art, be warned of that nature. Still, his skill is insane because he uses acrylic, oil, and spray paint to make pieces that feel as if they were done digitally.
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(David Hernandez)
I hope these make sense, and maybe you even found a new artist/art movement to enjoy! I do think there is flexibility within these and plenty of other movements and artists that fit these creators (like impressionism with Dream even though I didn't include it), but these stand out to me the most as fitting their identities and personal aesthetics and interests.
If anyone has more they want to add or discuss, please reblog and/or comment because I would love to hear from others on this!
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trickstarbrave · 1 year ago
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Gold Tutorial
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hiiiii i got asked for how i color gold. tbh most of the time i just blob shapes in but i can try to explain my process too <:v
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(i was trying to write more b4 giving up bc my handwriting is a mess)
here is an elf ear to start with! i just paint on top of my sketch for gold but feel free to line art or do whatever is your normal process
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we need to keep in mind gold is reflective! so while picking a light source keep in mind there will be light bouncing back. typically i do this by not coloring the shadows all the way to the edge, but if there are multiple sources be ready for some bounce light action too
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heres some colors! the second lightest shade is the base color we'll be working with. feel free to make the gold cool or warm toned, i just usually make my gold warm toned. in theory this also works with rose gold and silver, so feel free to play around with colors!
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we're gonna keep in mind the light source, which i will be using the same as the example photo roughly. again i'm really messy with gold i just slap it on on top and it usually works okay but refine the shapes if you wanna!
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first shadows! i keep these towards the middle to build shape. playing with different shapes of shadows will give different form to the metal but tbh.... i build most of my form in the highlights
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second shadows: i focus these usually closer to the light source, but you can also do darker near the rebound light. again, try not to color directly to the edge to keep it looking very shiny
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darkest shadows! like before, but smaller. here you can also add in different colors blobbed in the shadows if you want. i find its easiest to see reflections in the 'shadowed' parts of metal. add in your character's hair color, clothing color, or even the bg color if you want!
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example with my nerevar picture of the reflections: you can see the blueish-grey of his collar in the gold to give it more dimension! even if you're working with abstract shapes it can help sell the illusion with more detail.
next up is highlights which i use a blending mode for (actually every highlight in anything i draw uses it but i feel for metal it REALLY helps): Add (glow)
or at least, it's called that in CSP. in other programs it might have a different name.
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first highlights i like to draw rays of light from the light source and blend the parts furthest from the light. you can curve these according to shape but tbh most of the time i just do this. or you can softly add it in very blended like the nerevar picture above for a brighter look
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second highlights: i add them in around the top and bottom. keep it organic really if im being honest.
ANDDDDD UR DONE! it should hopefully look like metal. tbh i have no idea what im doing <:v
i hope this helped a lil!
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