#Which cover do you like best?

[ariannafraserwrites]

I need your opinion!

So give me your opinion, which cover do you like best for Deconstructed? Same model. Majority rule applies here.

Thank you!

[floccinaucinihilipilificationa]

[barrenclan]

HELP IM TRYING TO FIND THE FIRST POST BUT I CANT FIND IT HELP

Do you very possibly mean the cover. The pinned post. The post that's pinned. The post that appears first when you open the blog. The post with the words "Here is the cover!" on it. The post with the link to "next" on it. The pinned post.

You know. The pinned post.

[sidesteppostinghours]

pulps law is that whenever i get insane enough about something, i will inevitably attempt to make a persona 5 au, regardless of whether or not i am successful at it.

[supercantaloupe]

okay don giovanni review from last night. under the cut bc it's me. tldr the vocal performances were great, leporello carried the show, one of the most insane productions i've seen thus far but somehow in a new bizarre direction from normal. good snacks.

first of all i don't care how much wine you offer i think it's kind of ridiculous to charge $165 for a base ticket price for a performance that 1. isn't even in a concert hall or theater 2. is a concert performance rather than a staged performance (which was not advertised ahead of time) and 3. was not even a full production because they made the absolutely mind boggling decision to cut 100% of the recitative and replace it with Some Guy sitting on the stage narrating the plot between every 1-3 numbers

i did not pay that much gd bless. the student ticket was way cheaper.

the narration wasn't even good it was weirdly ungenerous to the women (like how do you even make elvira out be a "women, amirite" thing and also vaguely imply anna was into it in a production with zero acting? well they figured something out) and i don't think it even explained well enough what happens between each number to truly give a first time watcher a good idea of what's actually going on. not to mention that it absolutely kills any sense of momentum in the plot and makes the entire show drag like hell, because you have to wait between every single aria for either Some Guy to talk at you for three minutes straight, or wait awkwardly while people onstage walk off and people offstage walk on. it was so painfully clunky

they had a piano up there but since there was no recit it's not like she was accompanying much of anything. in practice what it ended up being used for was 1. the mandolin part for deh vieni (acceptable in the absence of a mandolin player; they were working with a limited chamber ensemble of musicians so i get it) 2. the party music at the end of act i (egregious fault imo because it absolutely kills the vibe of the scene and completely obfuscates the way the music is supposed to be adding to the tension and chaos with its different instrumental groups playing in different meters)

and 3. used to give singers their notes when the vocal line of their arias start on beat 1 measure 1, which they otherwise would have been able to get from the preceding recits (which is imo painfully amateurish for an ostensibly professional production)

all the numbers in act i were there although the narration was so bad i got jumpscared by fin ch'han dal vino because i forgot it was supposed to be there and thought we had skipped over that point in the plot. act ii had some really bizarre additional cuts made, notably they just entirely skipped over meta di voi and vedrai carino. it was like masetto and zerlina fuck off for the entirety of act ii save for, like, mille torbidi (they VERY briefly mentioned masetto getting beat up in the narration and i don't think they mentioned vedrai carino at all, they just skipped straight from deh vieni to sola sola. and also there was a painful awkward pause before deh vieni because i think the pianist forgot she was supposed to play there and the narrator jumped ahead to the next chunk of plot explanation too early). kept both dalla and tesoro (i'm fine with this ottavio was quite good though could've used a bit of ornamentation imo), kept mi tradi, kept non mi dir (more on that in a bit). no per queste which is probably a good thing not only for the show itself but also my head would have absolutely and irreversibly exploded if they had, probably

the whole thing kind of felt underrehearsed. like a quarter of the time it seemed like people didn't know what they were doing or had to be reminded where to be at that point in the show. and there were a few moments throughout where the orchestra struggled to keep up with the singers, but i really don't think they had much time to rehearse together, honestly.

and then, to my utter shock, the finale was actually really good?? like. insane compared to the rest of the show thus far. though it helps that 1. i absolutely love the harmonieband arrangements of cosa rara/i litiganti/non piu andrai, after possibly the draggiest non mi dir i've yet experienced it was like a breath of fresh air to hear that (and non mi dir was actually well performed i liked this anna but considering how much the Entire Show was dragging, the fact that they cut meta di voi and vedrai carino, AND the fact that they promised this act would be short, it felt crazy to me to keep it at that point.)

2. leporello and the don were by far the best performers of the night. so much so that i sought them out during the post show reception to tell them how great they were and enjoyed their performance. which i usually do not do, but in this like, high school recital ass production value. unbelievable relief that the final scene is dominated by the two actors in the show who most remembered that they can, and in fact Should, be acting. so much more movement and physicality and expression from those two compared to most everyone else. leporello especially, his actor apparently specializes in comedic bass roles and it shows, he was the standout all night

and 3. for the first time in the entire production they made an interesting decision regarding the physical space and staging! they had the commendatore sing from up on a balcony overlooking the audience in the foyer. the bar admittedly was set very low in the previous act and a half but the finale reminded me that i actually like this show again which is appreciated

though they then threw another curveball at me by Cutting the sextet at the end. which like didn't even piss me off at that point i was just baffled. like the don sinks down in agony and leporello sinks down whimpering in fear and the orchestra cuts off. and i'm expecting an awkward pause while they quietly get up and shuffle off so the rest of the cast can come back but nope. big orange title slate appears on the big screen behind them and the audience breaks into a roaring applause and the announcement of the wine and dessert reception. felt like i was in a fever dream

i will say the desserts were very nearly almost worth the bullshit that was the preceding show. they were so good. thank you austria for your dedication to pastry. and because i don't drink and couldn't appreciate the free wine offered i had to indulge in my own manner. spread contained chocolate oat bites (tasted as much like espresso powder as chocolate and coated in coconut, 4/10), almond sponge cake (classic, 7/10), cardamom apple bread pudding with caramel cream (not enough cardamom but otherwise very tasty and autumnal, 8.5/10) and honey cake (11/10. i don't know how they made this so good. i want more right now so much). i take both my mozart opera and my desserts very seriously.

anyway overall the production was. i would say frustrating. the singing quality was Really Good (leporello was the clear standout, probably followed by the don though i prefer my dons with a lighter voice but technically he was very good, then probably ottavio, then maybe masetto or anna. the commendatore was great but he's in it so little it's hard to compare)

i just wish they could have, like, actually done a full production. it would have been so great if they had gotten to tell the actual story and had been fully allowed to act. when there Was acting were the best moments of the show, and it's really unsurprising that most of that came from leporello, the absolute legend.

[oscillating-fan-whore3]

Anyways there's a lot of constructive criticism for the season but I am hungry for any content a producer will dump in my hands for a show I like I could honestly care less

(Mini rant in tags)

[hopeinthebox]

tagged by my beloveds @cordiallyfuturedwight and @aprylynn for the july list <33 i'm terribly afraid the glen powell of it all got to me this july and thus..

you can find this country music for beginners playlist here and check out lizzy's guide to the delicate art of making a playlist for a breakdown from yours truly if you feel so inclined <33

tagging my musical favs if they haven't already: @thvinyl @kimtaegis @jihopesjoint @visionsofgideontheninth @hoseeok @eoieopda @monismochi <333 and your lovely self reading this also

[here-there-were-dragons]

i have to wonder what super hardcore militant vegans think should be done about obligate carnivore animals, because in all my painfully-rapidly-approaching-30-years i've literally never actually seen anyone give a clear consistent much less halfway feasible answer on that

[leenaur143]

we got our choi brothers collab... at the cost of my HEART AHHHHHHH 🥹❤️‍🔥

[vaugarde]

very very subject to change depending on if i can get pokego to work but here is what i'm thinking for my team....

[aroaessidhe]

2023 reads // twitter thread  

Six Times We Almost Kissed (And One Time We Did)

YA contemporary about two girls whose mums are best friends combining households because of the cost of healthcare, with one donating part of her liver to the other

forcing them to eventually confront the tension that’s been building between them for years

messy characters, grief

[jutsuuu]

girl help I’m experiencing

[unproduciblesmackdown]

truly lmao 2024 lambda literary award finalist wynnstannery

[voidimp]

i hate insurance companie

[franeridan]

no but talking about the beginning of the kaido fight i dunno if it's just a personality of the characters involved sort of thing but i love the difference between the way lu zoro and law interact with each other vs with kidd and killer, there's an ease to their working off each other that's missing from how they move around kidd n killer and you would say it's normal since they've spent months together by then and all three of them fought doflamingo together already, but i love that oda keeps these things in mind when writing dynamics sm

[cattailtales]

seeing the reactions to this latest chapter I can’t help but to think back to the first post-war arc and remember how little was ever addressed then too.. like dgmw I enjoy all these characters and think horikoshi is insane for trying to juggle so many but in the end he kinda like. Cannot handle it all. maybe he could if he didn’t waste time on silly things.. like I get that he’s trying to uplift the story in the end but it kinda falls incredibly flat with so many anxious questions looming and a rapidly approaching finish line…