#What it means to be Chief

[collieii]

someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.

there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!

so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"

miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)

[ask-the-rag-dolly]

i'm going to be honest what you all have been doing is harmful to her wellbeing and will have considerable impacts going forward and yes i am saying this right as it's too late to change it , you're welcome everybody

[aphel1on]

will never stop being funny to me that nmj near the end of his life was extremely paranoid and delusional, but he was correctly identifying jgy as a threat, but, like... for wrong reasons only. you'll see ppl going "nmj was right about jgy all along, it's sad no one listened to him😭" but no. jgy isn't inherently evil, nor is he a power-hungry monster. not everything he ever said or did was part of some conniving ploy. when given the opportunity, he generally does try to return kindnesses and help people! but - oh, yeah, no, he's totally gonna murder you dude. no, yeah, he's gonna be so sneaky about it that it'll take a decade for the truth to come out.

it's like making 2 mistakes on a math quiz that just so happen to cancel each other out and give you the correct answer.

[whatwooshkai]

Gimme a number 5! :D

Chase's face is contorted in badly disguised panic as he stands there, finials practically brushing the lights on his back, waiting for instruction.

Charlie tries desperately not to laugh, coughing into his fist. "I am so sorry," he says, voice strained, as Mayor Luskey forces his way out of the car, fuming.

"BURNS!" he snarls, his toupee slightly askew, and he nearly trips over the grappler as he storms up to him. "WHAT IS THE MEANING OF THIS?!"

"So sorry," Charlie repeats, noticing that Chase has started nervously wringing his hands. "The police bot noticed your car was going above the speed limit and wasn't responding to the flashing lights, so he- uh, the AI, I mean- took the next logical step." He gestures at the scene. "Hence the grappler."

Chase had deployed it without asking, and Charlie hadn't even known what happened until the mayor's car had suddenly stopped and started swerving in front of them, caught in a trap of yellow nylon webbing.

"Well- well- fix it!" Mayor Luskey turns on his poor chauffeur and starts shouting again, and Charlie notices the slight sigh of relief from Chase as the attention is taken off them.

"Police bot," Charlie orders, biting back his smile, "fix this please."

"Yes sir," Chase says, sounding much less confident than usual.

-------------------------------

"I didn't even know you had a grappler," Charlie pipes up as they roll into the firehouse's driveway. "My last patrol car sure didn't."

"It was equipment I had back on Cybertron," Chase explains as the garage door closes behind them, then transforms when Charlie steps out. "I just haven't had a reason to use it until now."

"Well, uh, good to know," Charlie says, patting his hands on his hips. "Just maybe ask first next time?"

"Of course," Chase hums, and his finials flatten against his helm.

"So, do you have any other equipment you're holding out on me?" Charlie continues teasingly, and Chase's finials cant back.

"No," he answers, sounding almost disappointed. "A question better suited for Heatwave. I have not seen him use any of his arsenal."

"Really?" They step on the lift together. Normally Charlie would go back upstairs, but now he's curious. "What kinds of equipment?"

"I'd imagine it's similar." Chase taps his foot against the ground as the lift starts down. "He's got a kit hand."

"What's that?"

"Heatwave!" Chase addresses the fire bot instead, who's up on one of the pillars with the training dummy.

"What?" he calls back, leaning against it.

Chase gestures to Charlie. "He's curious about your equipment."

Heatwave frowns. "...What equipment?"

"Your firefighting equipment. You hand." Chase gestures abstractly.

"Oh." Heatwave jumps down and Chase offers his hand to Charlie, who climbs into it, and he's deposited onto Chase's shoulder for a better view. "Most of it's only accessible in my alt mode, but I got a few things."

He sticks his forearm out and a panel retracts. "Winch," he says, gesturing at it. "Got them on both sides. And my hand's kit." His left hand retracts back into his forearm, and he transforms tools out in rapid succession, including but not limited to a sledgehammer, an axe, a halligan, and a chainsaw. His hand's back in a few moments, and he offers Charlie a shrug. "I don't really have a need for them. I can usually brute force my way through any of the emergencies you guys have."

"True," Charlie hums, "but it's good to know. Thank you."

Heatwave blinks, then nods, turning away and going back to his dummy. Charlie looks to Chase. "Do the others have equipment like that, or, uh, 'kit' hands?"

Chase's finial flicks. "Why don't we go ask?" he says, voice colored with an excited lilt.

Charlie gets the distinct impression he's being included on something important, but he can't even begin to be sure of what. So he just smiles, pats Chase on the cheek, and lets him take him to the others.

[flovoid]

guess why these fellas are in the same frame with floyd… mobwives? *posting this and running away*

[slutforsilverfoxes]

Of all the incredible one liners Rossi says to Hotch in the 187 years of this show, “I need you to dominate me because it gives me direction and a purpose in life” is pretty high up there imo

[leelarots]

quick war chief study because i love him and miss him every day

ref:

[jackfromthefairytale]

artists featured on bad omens' concrete jungle [the ost] + genres

poppy (v.a.n): post-genre, with elements of art pop, nu metal, industrial, experimental, electronic, metalcore, electro-pop synth-pop, grunge...

health (the drain): industrial, sludge, noise rock, experimental rock

swarm (the drain): edm, industrial edm, edm-metal

bob vylan (terms & conditions): grime, punk rock, hip-hop, rap-rock

wargasm [uk] (hedonist [recharged]): electro-punk, nu metal, post-hardcore

erra (anything > human): technical progressive metal(core), melodic metalcore, jesse cash co-wrote/co-produced artificial suicide, what do you want from me? and more from this upcoming album

iRis.EXE (nervous system): industrial goth rock, electro-pop

thousand below (artificial suicide [unzipped], the grey [unzipped]: post-hardcore, metalcore

we are fury (the death of peace of mind [we are fury patch]): edm, trap, melodic dubstep

so wylie (the death of peace of mind [so wylie patch]: electronic, alt-pop

dahlia (bad decisions [lofi]): machine learning powered femminoid trained on sevdaliza's voice (an iranian-dutch singer), unknown

let's eat grandma (just pretend [credits]): experimental pop, art pop

chief (just pretend [credits]): indie pop, michael taylor co-wrote/co-produced who are you? v.a.n, the drain and more from this upcoming album

[askblueandviolet]

Do you think you be Mayor could’ve been better friends (orsomethingmore) under different circumstances?

MASTER POST

Asks Start 💜🩷

Previous 💜🩷

Next 💜🩷

[verxsyon]

canon compliant ptn. chief!gn!reader

! contains major character death ! 

hey, what’s up? finally started playing ptn. does angst exist in the ptn writing community? if it doesn’t, lemme introduce myself— /shot. 

as i was saying! i finished chapter 3 so i don’t know much about the lore yet. but something came to my mind the last few days since i finished it. okay, sinners are unshackled if the sinner themselves die or if the chief dies. zoya wondered about the chief’s shackles, one of which being the side effects, and even the chief doesn’t know the content behind their own powers (amnesiac protagonist amirite).

so this is my idea: what happens if you, the chief, dies? the sinners you shackled finally gained freedom, but why does it feel so empty? and as time went on, their unconscious reactions of grief, sadness, and other negative things that are indescribable caused their mania levels to spike, losing control over their powers and themselves, to the point where they start to hallucinate you being alive.

they hallucinate an alternate reality, maybe a dream. in one life, you and them are strangers. in another, you’re friends. in another, you’re lovers. in another, your relationship with them could be something else. why do their hearts ache when they see you? shouldn’t they feel overjoyed that they have control of their own powers back? to kill you over and over again, the cause of their misery, without the shackles holding them back? but, why is it…regret? should’ve they done something to prevent your death?

when they call your name, depending on your relationship with them in that alternate universe, either you’ll give them a confused look but ask for their name, give them a hug, or kiss their face. and when the dream ends, when they soon succumb to madness of mania, the grief, sadness, and pain finally hit them. they want you to call their name so many times they won’t forget, to hold them a little bit longer to feel their warmth, and to take your breath away as if their lives depended on it. afterwards their mania peaks. their dreamworld starts to fall apart, and you’ve become transparent, slowly vanishing from their memory. 

as they inch closer to death, they can feel your presence enveloping them. it’s warm and safe, as if death never came knocking on their door at all. as their consciousness drift away into nothingness, all they can hear are muffled noises, except one: your voice. in that moment, they found you in a field of flowers (the scene in the beginning of the game), in another place of existence where their darkness can’t reach.

“see you in heaven, those who have sinned.”

[boasamishipper]

anyone who thinks bobby 'i became a firefighter because i didn't want to be behind a desk' nash is going to be the fire chief someday has not been paying attention

[fuckmeyer]

girl please, Charlie Swan is Team Werewolf and you know it

[typicalcommondandelion]

we do a little projecting <- went to the zoo today <- comes home . draws mirage in the clothing it wore while at the zoo <- yes i decided she is also going to the zoo. she's gonna perk up as soon as she gets to the reptile and frogs exhibit (and spot at least 2 more bugs on the way there)

[batsplat]

“og 4 aliens very particular vibe in being ‘three distinct flavours of socially awkward loner and also valentino rossi’” LMAO I WAS JUST THINKING THIS!!!!!! That he has the funniest possible 3 foils in that era bc like…those three guys could not be less his vibe ~personality wise if they tried. And actually tbf I do think they WERE trying a lot of the time. Feeling very curious if you think there’s anything to the idea of how Marc was the first alien-era rival he had who was more on his level all around? Like early days Marc was kind of just 😀😀😀 all the time but I do think he can be v charming and is clearly extroverted as hell (tho like…notably also a loner but like…not by choice??). Like idk where im going w this but the contrast is interesting to me. IDK

to some extent! I'm not sure I'd necessarily call marc an extrovert, you can be charismatic and cheerful without being an extrovert - but also this is splitting hairs. the og four aliens are one guy who's on the 'roughly as extroverted as you can possibly get as a professional athlete' end of the spectrum and three guys who are on the 'roughly as introverted as you can possibly get as a professional athlete' end. now, tbh, I don't think valentino massively minded this. he's extroverted but crucially he's also got enough charm going for him that he could get his rivals to chat with him if he was so inclined. he had an increasingly friendly relationship with dani, there's real genuine warmth in how both of them talk about each other - ultimately dani might have been quite sullen and withdrawn in general, especially in his early years, but he got on well with valentino. casey and valentino had perfectly decent interpersonal chemistry, they got on well, and tbh they were still warm with each in-person long past the point where that relationship had rhetorically soured. with jorge... I mean, okay, no chemistry there, but that was also very much valentino's choice. I do not fundamentally doubt valentino's ability to charm twenty year old jorge lorenzo. I think just because they were DIFFERENT characters, that doesn't necessarily mean they weren't valentino's *type* personality-wise, like he does seem to be happy enough to be the chatty one who draws them out of their shells in that scenario. unless competitive necessity requires otherwise!! but as marc discovered, somewhat higher levels of extroversion does not protect you if that's the case

I will say I know you do put alien-era as a caveat, but it is still important to point out that marc is very much not the first valentino rival who doesn't fall in the introverted loner camp. valentino had a rival who matched his vibe!! who he had a real proper off-track friendship with, who he went on holidays with, who he had a warm relationship with for substantially longer than the marc/valentino honeymoon lasted. I think you can see the early marc era as a bit of a return to the friendlier vibes of the early noughties, but crucially it is a return. the early noughties was the last gasp before the sport came to be completely dominated by a bunch of young prodigies who had been moulded into perfect athletes and had less chance to grow into people outside of the sport - valentino is already part of that camp in everything but temperament, cf the contrast with biaggi. in the early noughties, he was surrounded by a bunch of older riders who varied dramatically in disposition... biaggi was the guy everyone had issues with, capirossi was always fond of valentino, kr jr he got on well with, he played a mentoring role for in hayden's rookie season... and of course, most importantly, the friendship with sete - now there's an obscenely friendly rivalry right until the very moment when it isn't. 2013-14 is a bit of a return to that more congenial climate, but at the end of the day that lot were still less likely to socialise than riders were back in the day. they just didn't have the time lol

so yeah, I mean. valentino clearly did take to marc on a personal level, and marc is definitely closer to valentino on the introversion/extroversion spectrum than the three other aliens are. though that is also... not difficult. there is something quite funny about how 2006-07 went from valentino's pov. the engine regs changed, valentino literally blinked and suddenly all his opps were toddlers. went from goofing off with capirossi on the sepang 2006 podium to running a daycare centre overnight. and marc is part of that! it's also a massive change in that suddenly, valentino was surrounded by rivals who had been influenced by watching him ride as they grew up and were all really, really, really weird about him. marc with his little bike collection, jorge with his dabbling in pseudoscientific schools of psychology, casey and his championship-winning shirt, dani... well, tbf, I do actually think dani was pretty normal about valentino - probably because he'd known him the longest. had gotten drunk with valentino in the days when the bloke was just an idol and not a god. which is an underrated reason why the dani/valentino relationship never got so weird imo, one that goes beyond competitive calculus - dani was the most capable of interacting with valentino as just another guy. with all three of marc/jorge/casey, that idolisation dynamic does contribute significantly to the interpersonal turmoil

but that's a topic for another day! in conclusion, marc defo the dispositionally cheeriest foil of the alien lot, albeit somewhat by default, and WAS part of the reason why motogp got a bit of a mood lift in that 2013-14 period after what had just been a dire few years vibes-wise. mediocre racing, devastation caused by the financial crisis, tragedy... motogp was feeling quite lifeless in 2011-12 in particular, and those years do have a bit of a drab energy to them. in that sense, what followed was a bit of a reversion to the mean until the vibes completely went off the cliff. have they ever recovered? who can say

[sobredunia]

Tried to write something remotely spicy. Got once again reminded of just how asexual I am

[2pen2wildfire]

P DIDDY'S CHIEF OF STAFF IS MY FUCKING COUSIN???????????????????????????????