#What I wouldn't give for either of those links to work

[aikoiya]

Oh, don't even get me started! It was so good! Though, my mom also made a sort of mocha bundt cake with chopped pecans & walnuts. It wasn't as chocolatey or moist as my aunt’s Texas sheet cake, but goodness if it didn’t get close! (I actually got the recipe for that one & thought of 1 or 2 ways to improve it! 😃)

You know what? Fair. Totally understandable. I do love the whole happy Zelink ending. It's always nice when we get that.

True, the tragic end very much isn't SS’ intended vibe, but in a way, that makes the idea even more tragic. Though, I feel like bringing up the unfairness of the situation is a bit moot because life's never really been fair. It sure as heck wasn't fair that Sky & Sun had to deal with so much. Likewise, it also wasn't fair that Hylia had to sacrifice so much, die, & give up her godhood in the process. It's also not fair that most of the time that Impa got to spend with Sun was so hecktic.

Still, when you view it from the perspective of the player, I can see why you say it. At the same time, this all takes place behind the scenes as subtext. Similarly, I think it's not quite right that this other Zelda wouldn’t have a happy ending, just that she wouldn't have the one she'd wanted, making it more bittersweet than the ending in the game. Which is pretty endemic of life, in-general, I think. Not to mention, could be a very good lesson to players that not everything is going to work out how you hoped, but that doesn't mean that you can't find happiness.

It's entirely possible that Sun ended up living a good life. Possibly marrying a nice Sheikah gentleman (heck, reaincarnation is still a thing, so he might've even be Sky's previous incarnation; 2000+ years is a pretty long time), having kiddos, spending real time with Impa until they form a sisterhood. And, honestly, maybe that's the point? Look at things from this other Sun's perspective & keep in mind her tendency towards martyrdom. Not only that, the fact that she seems to love just being Link's Zelda, herself.

So, if there were 2 Suns & 1 not only wasn't aware of the other, but also had a chance at that happy ending they both wanted, what do you suppose the other Sun would do? Because in this case, there was really only 2 options: Reveal herself to the pair, thereby complicating things for all 3 of them, embittering their ending unnecessarily, & making things awkward or hiding herself from them so that at least one Zelda gets her happy ending.

I mean, true. But it's confirmed that Farore is the Goddess of Wind in WW & I'm pretty sure that in the OoT beta, the statue of the Goddess of the Sand was Din (however, the Zelda encyclopedia instead calls the statue of an evil deity, but both the statue being Din & the statue being of an evil deity, should be taken with a grain of salt). Though, even if that weren't the case, I feel like it's a bit strange to try & limit a fictional deity to a singular domain, besides what is time if not giving order to events so that they make sense?

It's possible that Hylia is the Goddess of Time, but I'll go over the points, too.

True! Though, I wasn't so much meaning the Gate of Time (that is very clearly related to Hylia), but instead the giant blue blocks from OoT that you use the Song of Time to get rid of. And the light that shows up when you use the song on them. Both are very blue. So, I dunno… I guess it's complicated, ya know?

True, can't argue with that. Though, it's very possible that the Ocarina of Time & the hilt of the Master Sword are both made of Timeshift Stones, which, similarly, also shines blue. Something to also keep in mind is that those stones showed up in the Lanayru region, which was where Nayru's Flame & its dragon guardian had been. Not to mention, the gears that showed up to turn the Gate of Time were also blue & so was the inside of the Gate.

Mmm… But what does “from the edge of time” even mean? Like, I know what it says, but it seems just vague enough that she could either be literal… Or poetic. And considering… Just… the flipping Isle of Songs… Yeah, girl was a theater kid, just sayin’. So, I'd legit give it 50/50 odds for either.

True.

Ah… Question. Could you explain more what you mean by a new timeline? Do you mean, literally creating a new timeline or just… placing a pebble in the stream to create a new path? Because, I was always under the impression that Lullaby just sent Time back in time to some vague point before having obtained the Zora Sapphire using the Song of Time. If so, then that’s not necessarily sending him to a new timeline until Link, himself, then changed the course of events of his own accord. Like, to me, that’s a lot more simple than sending him to a literal new timeline, much less creating a new one. Like… how would that work? Making a copy of a timeline or something? Wouldn't that essentially be the same as recreating reality from its very foundation on her own & controlling the events up to the point she wanted him to go back to? But without the aid of the other goddesses, thereby suggesting that she's more powerful than the Golden Three combined? I mean, she could've probably done it had she used the Triforce, but you'd think there'd be an indication of it had she done so. It just seems easier to simply send Link a bit further back in time, but that's just me.

Again, true & I can’t find an argument for the complexity of Hylia's plans.

See, now, I actually think it wouldn’t be very restrictive at all as it very much depends on what you consider “order” & “time” to be. For one, it’s never really specified what sort of time, so she could be the goddess of cyclical time, linear time, opportune time, foresight, ect. Or, perhaps all are under her domain & Hylia could’ve been a goddess of foresight or history. For example, Greek mythology has 3 different time deities: Aion, Cronus, & Kairos. All three are time deities. However, they each represent different sorts of time. Aion was the manifestation of cyclical time; the phenomenon of history repeating itself. Cronus was a god of linear time; a progression of events from point a to point b & then c. Finally, Kairos was a god of opportune time or simply timing. So,

Something of specific interest, Tingle once states in Wind Waker that Farore is the Goddess of Wind, so in my mind, this means that the Golden Goddesses all likely have other domains besides the ones associated with the Triforce. Which would absolutely make sense considering that the same is true IRL.

And you're fine! I don’t mind.

Well, to be fair, we don't know if Talon was always so lazy. It's possible that he'd been more Sonic lazy in that he loved to relax & laze about & may even have had a tendency to procrastinate, but when it was actually time to work, buddy WORKED!! (Which is a lot like my own dad. That man knows how to work & work hard, especially at his job, but when he's at home, he's fairly lazy.) Who knows? Maybe losing his wife caused him to lose a part of himself?

Though, I do think that Talon probably inherited the ranch.

Sidenote: Something I recently learned, “Mabe” is the name of a type of Japanese freshwater pearl. I just found that interesting. I'm also renaming the Hylian villages to fall more in-line with the local languages I have for them. So, they'll have 2 names: 1 in their native tongue & one in Hyrulean Common. Like how the local Italian name for Venice is Venezia. I haven't finished them all yet, but I'm liking it so far.

Right?! If nothing else, I'd imagine that a Roc's Feather would at least give their flaps more lift.

Ooo! You're right! Different races of Researchers would be a cool idea! I wonder what sort of tech would be brought in? And, to be honest, having more scientists would allow them to work on more things even without the main Researchers paying attention!

Fair. I guess that you just said, “assassins” & my lizard brain automatically went: assassins → ninjas → Sheikah, so my bad. But dang, that sounds cool! It'd also be a good idea to send in the Sheikah warriors when a Yiga Base is especially fortified. So, they'd be used as undercover agents or something.

Thank you!!

And I know, right?? I am still bent outta shape over not getting legit pirates! Like, it wasn't just Lurelin that teased the idea, either. There was also that one lady at the East Akkala Stable, I think, who was super worried over it & the pirates on Eventide Island. Like... The ideas were interesting, but I would've loved to see some actual brigands!

Hmmm! This is an interesting idea! Though, the problem is that I can't really call a baybed a “yard,” now can I? (Or is the literal translation of vignoble supposed to mean "noble vine?") Clos might work. As, from what I understand, a clos is a walled vineyard, so I could approximate the fields that the sea-grapes grow on as an aquatic clos or “aquaticlos” if that isn't too terribly horrible of an idea. Because, one of the problems with building up a fantasy culture that isn't like our own is that you suddenly need to put yourself in their shoes.

For instance, I’ve recently begun to look up a lot in regards to algaes & halophytic crops in order to workshop a realistic agriculture for the Zora. So, to me, this would indicate that for the Sea Zora, sea-grapes likely came before the terrestrial vine grapes that we tend to automatically think of when we hear the word “grapes.” As a result, I think the word "raisins” would more naturally be used in reference to sea-grapes & like how, IRL, “raisins de mer,” refers to sea-grapes, I wouldn't be surprised if a more realistic depiction of the Zora would have them calling Refreshing Grapes, “Raisins de Terre Potentio” or “Terraisins Potentio” rather than just “Raisins Potentio.”

That, or the word for grapes that they use is “Raizins” & “Raisins” would be a newer term coined specifically for the grapes that grow ashore.

(Sorry, I'm always worried about butchering another culture's language. Because while a bit of linguistic difference is very plausible when talking about a different universe, I still want to remain faithful to the spirit of that language. So, my apologies if it feels like I'm taking advantage. 😥)

And, you’re welcome! But, don’t think it’s just outta the goodness of my heart. I also actually enjoy helping people iron out these sorts of things.

@aikoiya The post was getting too long so I’m replying here, hope that’s okay! If anyone is looking for the beginning of this discussion, it's here.

Your extended pantheon is amazing! I just knew that Gàlondo would end up being Demise haha. I'd say I prefer not to associate Demise with any race in particular (and the Gerudo already have quite a heavy burden with Ganondorf), but otherwise I like that backstory you came up with. So what's Hylia's role in your version then if he’s the guardian of the Triforce? I'm curious ^^

I'd say my reasoning isn't so much "I hate this" but rather "this doesn't make sense/contradicts something else" or "previous games did this better". I also want to show that it's still possible to create stories without ignoring everything that was established previously because to me this idea that the timeline is too restrictive doesn't stand. In fact I tend to believe being a bit restricted and working inside a frame can trigger more creativity (after all they did wild stuff like flooding Hyrule before and it fits perfectly in the timeline). I also would prefer to see the existing lore extended or clarified instead of them adding new confusing stuff and leaving it extremely vague.

Oh I LOVE your Outset Timeline!! Though the ending is indeed very bittersweet. It always makes me so happy when someone else points out the inconsistencies in Skyward Sword's story. That's exactly my reasoning for my fourth timeline, it exists because of Ghirahim and Link's victory over Demise in the distant past. Though you are right, adding a timeline split while keeping the Master Sword in the official timeline requires some gymnastics! At the moment I'm going with a lazy theory about the Sealed Temple being the future Temple of Time, so the Temple's magic somehow allows the Master Sword to exist in both timelines (I said it was lazy haha). Impa’s bracelet is another story though. In my timeline the Goddess Sword is also left untouched in Skyloft because Skyward Sword doesn't happen, which could be useful in case someone accidentally broke the actual Master Sword 😁 It's very intriguing to me that Sky left the sword in the past when he had no reason to (and it shouldn't even be possible since it's in the exact same spot as Zelda's crystal). It's probably just a mistake on Nintendo's part but I like to think there could be something else there, and that Fi had a reason to stay in the past.

About the DLC items the thing is that most sets are found in the Depths in random Zonai chests if I remember correctly, or in the coliseums, and there was no explanation as to how they got there. In Misko's little shrines we find the Fierce Deity set and the LA set, but also the barbarian armor, the shock-resistant outfit and the climbing gear. I can understand building shrines for the Fierce Deity or LA Link following what you said, but then for three random armor sets? Not to mention that Link already owned them in BotW, so making us look for them a second time was kind of a joke. I like this shintai/yorishiro idea, but I think it would work a lot better if there were only a few items to collect and not… the outfits of all the Links ever INCLUDING WILD'S (how!!). It feels really meaningless and more like a catalogue for you to choose from so you can look like your favorite Link (which is a bit insulting to Wild, you can just replace him at this point and go as far as changing his hair or even his entire appearance with the LA set). I also didn't really believe they were the actual items from past games, it made no sense (the same way Link wouldn't actually wear a red Nintendo Switch t-shirt or something from Xenoblade). It just really felt like fanservice.

The dictionary thing might help, but I think the story should be explicit enough on its own and I don't really want to study Buddhism/Shintoism in depth so that I can play Zelda games and understand what's happening haha. I mean of course it's fine if knowing a bit about it adds new context and all, but if you can't understand things like malice vs. gloom without it then I think it's a bit of a problem. Speaking of Fujibayashi I feel like this wasn't really an issue before he was in charge.

Yes the French translation for Demise is very misleading, that's another problem: depending on your language things are sometimes interpreted very differently.

I really like the English names for the three dragons, I think they're so much better than what we got in French. Nedrac, Ordrac and Rhordrac, really?? At first I didn't even understand the link with the Goddesses, and then the last two sound way too similar. Btw I remember from my very basic Japanese courses that it's common in Japanese to create new words by mixing a few syllables of other words together. For example "rimokon" means remote controller (remo + con), or there's the well known Pokemon = pocket monsters. So naturally we end up with stuff like Ordinn + dragon etc.

I thought as well about the dragons going by names given to them by mortals instead of their true names. The thing is, I don't really want to create new names because I'm already changing so many things and my timeline stuff can be a bit complicated, so I need to keep at least a few things familiar. And I really like Dinraal, Farosh and Naydra :D

I agree about Farore being more associated to wind and plants than thunder (I mean she's kind of Link's patron goddess and he has nothing to do with thunder). What's even more confusing in BotW/TotK is that the Gerudo are now also related to thunder for some reason, but they're definitely more Din than Farore in my mind.

Maybe I should give you some context about my dragons haha. The beginning of my story is quite similar to TotK, though I still made some changes. Ganondorf completely destroys the Master Sword, Link looses his arm (except here Rauru isn't there to replace it), and Zelda still travels through time (but not because of a Secret Stone since I got rid of everything Zonai). She arrives in ancient Hyrule one century after Sky killed Demise (because this is set in my alternate timeline), and she's stuck there so she needs to find a way back home. Before that she learns a lot about SS, the Triforce, the timeline split and Hyrule's past. After meeting various characters and most importantly Sonia (who's still a priestess, the Sage of Time and her ancestor), Zelda learns that this era has two Master Swords: the one left by Sky in the Sealed Temple, and the Goddess Sword that is still somewhere above the clouds. She understands then that she needs to retrieve the Goddess Sword in Skyloft and forge a second Master Sword in order to help her Link in the future, and to do so she needs the three Sacred Flames. Where are the flames? The dragons "swallowed" them since they weren't needed anymore after Sky left his own Master Sword, which turned them into the giant immortal dragons we see in BotW/TotK. So that's Zelda's quest: find a way to go to Skyloft and then get the dragons to lend her their power. Along the way she'll also meet the ancient Sages, who can help her return to her own time by using the Triforce (but of course this won't work because of Ganondorf, and Link will have to fight him in the present and bring her back himself).

I'm trying to make this both a story I could adapt in comic form and something that could work as a game. The idea is that Zelda's memories would be playable sequences with places to explore, fights and maybe even mini-dungeons and bosses. And of course there's an entire story for Link as well. At the moment I'm trying to come up with interesting arcs and quests for each race/Sage, both in the past and the present.

Anyway, that's why I'm so focused on the dragons. Zelda (and Link) will need their help and they will talk this time. And since they will remember being apointed by Hylia and they're supposed to absorb their respective sacred flames, I need things to make sense. This is also a timeline without climate change in Lanayru (here it's the same province as in BotW with the addition of Mount Lanayru and a good part of central Hyrule), so the thunder dragon has no business being up there. That's why the swap would make sense.

No need to apologise! I appreciate your perspective and that you're interested enough to share your own ideas! :D

I agree on Zelda's magic being her own and what you said makes sense! Love the part about her only thinking about how she's a failure (though I guess it's only natural if she's been trying for 10 years without result). I don't know if she would have had the same reaction had she witnessed her father's death though. AoC isn't canon but Zelda doesn't unlock her power when Rhoam "dies" in front of her and Link forces her to run. The memory where's she's crying in Link's arms in BotW also shows that she knows everyone is dead, it's even possible that she saw some of it happen (maybe in the same way as AoC for Rhoam, or they saw what happened to the Divine Beasts from afar). I guess they must also have seen some terrible things on the roads, so she could have unlocked her power trying to save her people. But it only happened when Link was about to die.

Haha yes, I'm probably one of the most obsessed Zelink shipper there is and even I can't stand that power of love trope. It really has no place in a LoZ game. In my headcanon Zelda wouldn't access her power only because of her love for Link, though it definitely helps, but rather because the Hero dying is kind of an emergency situation and would trigger her divine magic even if the necessary conditions were not met. I don't know if that makes sense to anyone but me though 😆

Yeah I'm okay with the women of the royal family having some sort of power though not as powerful as Zelda. I think some part of it could also be attributed to their Sage of Time abilities. And the gift of prophecy being inherited from Sky is such a cute idea!!

I don't know about Terrako, I only remember that Zelda built it when she was just a child?

I'd send you an ask to rant about TotK but I'm not sure about the character limit and I fear it would just turn into a second wall of text haha! Here are some thoughts:

– I could live with new lore that contradicts older games, if only things made sense and were sufficiently fleshed out. Then I could just enjoy the story and accept that this is a different continuity. But here everything is so vague and sometimes even confusing. Like if we're going to meet the Zonai and make them such central figures in Hyrule's history, then I want to know more about them and learn about their culture. What's the point if we're only going to see two of them and have no clue about how they created all that technology, mined the Depth, lived with the Hylians, and then disappeared? Same for ancient Hyrule: if the different tribes were at war, I want to see it, and I want to learn more about them. Ganondorf also had so much potential for an interesting backstory. What kind of king is he? How did the Gerudo feel about him becoming the Demon King? What about the Gerudo Sage? And so on. It feels like this could be so much more.

– Other things I would love to see explained: where is the Master Sword in ancient Hyrule and why does no one seem to know anything about it or the Hero? How does it travel through time to reach Zelda? What about Rauru and Sonia's descendants? Also what was the point of the fake Zelda, and why did Ganondorf stay in his bathtub the entire game instead of rehydrating himself right away and getting stuff done? There's also everything I said about the secret stones the other day, but I know you don't see it as a problem ^^ (Also I just rewatched the memories and I had completely forgotten what Rauru tells Zelda in front of Sonia's grave: "Remember, that was a future where you never appeared in this world". So does this mean this is a new timeline that kind of retcons BotW? If not then where did all the Sheikah tech go and how were the shrines replaced by the Zonai ones? I really need an explanation for all of that!!)

– The game also barely mentions what happened in BotW, except for the history class about the Calamity in Hateno, the statues in Zora's Domain, and the memorials left by Zelda to honor the dead. I wanted to see Hyrule starting to rebuild and to get some sort of follow-up on the story. Did Link regain all his memories? Was Zelda planning to take the throne? Does she have some sort of trauma after her century-long battle against Ganon at Hyrule Castle? Why does she react to Ganondorf's name, but doesn't link him to Calamity Ganon? Why did the Sheikah tech that was so central in BotW disappear, especially the Divine Beasts? I care about this world and its characters, I want it to feel like a real place and to see it evolve. But then stuff like this really reminds you that this is just a video game world, and that Nintendo doesn't really seem to care. And if things can be retconned any moment even in a direct sequel, then… why should I feel invested?

– There was a real waste of potential with the Light Dragon and Zelda just transforming back thanks to Rauru and Sonia (btw couldn't they have helped if they could appear anytime and still had that kind of power?). I find it so disappointing that Link doesn't have to do anything to help Zelda, it almost happens by accident. Mineru also said it was irreversible, but in the end it's no big deal (they shouldn't establish something and then ignore it like that). If only Link had to use the Triforce or something. I didn't want Zelda to stay a dragon but sometimes I wonder if it wouldn't have been a better ending.

– It also really doesn't help that Link feels so disconnected from the main story. In BotW he was also experimenting the story through flashbacks but at least they were his own memories and they fleshed out his relationship with Zelda and the other Champions. Here Zelda is the one experimenting the best part of the story, and to make it worse you can find the memories in any order and get badly spoiled. It could have been so cool if Link also time traveled at some point and could explore ancient Hyrule (and they could have done something crazy like Link and Zelda being the ones to seal Ganondorf in the past, which would lead to his transformation into Calamity Ganon). Link is also so expressionless (except when cooking and all) that I find it hard to care when he doesn't seem to. Imagine how different Zelda sealing herself would feel in Skyward Sword if Sky didn't act so distraught. In the same way TotK would hit a lot harder if Link did stuff like falling to his knees after seeing Zelda's last memory.

– I also think that the hands/cooperation theme the devs talked about in interviews is a bit weak and cliché (with characters reminding Link and Rauru that they don't have to do things alone and that they're stronger together, stuff like that). First I don't find it very interesting compared to what games such as OoT, MM or Wind Waker did, and then Link being able to fight Ganondorf alone from the start kind of throws it out the window (and Rauru also ends up sealing Ganondorf on his own). The Sages are not even with Link outside of the dungeons, they just create creepy copies of themselves (and I found them so annoying I never activated them, except for Tulin when flying). But yeah sure they shake hands and vow to help Link. I still think him being accompanied by the Champion's spirits in BotW worked a lot better, and their powers were also more useful. I guess seeing everyone working together to rebuild Hyrule would have made that theme more meaningful. The thing I really liked about this though was Link finally catching Zelda in the end after failing at the beginning of the game, that was a really beautiful scene.

– Also I said it above but I don’t want everything to be explained by Buddhism/Shintoism parallels, especially if the game just expects you to get it without providing context. Let Hyrule be it’s own thing.

So I know this isn't only about lore, but these are the main reasons why I'm not very interested in TotK. To sum up I'd say that the game lacks some kind of depth and has a lot of wasted potential, and it also makes it clear that it's pointless to care about continuity. BotW Hyrule was interesting and I think a lot of things could have been done about existing races instead of adding a new one but not bothering to do much with it. Just bringing Ganondorf back in this version of Hyrule and see how the Gerudo react to him could be so interesting!! Some concepts were also excellent but didn't really go anywhere, like the Depths and the Sky Islands.

Honestly I haven't thought about all these side quests and minor characters yet, I'm still trying to sort things out with the main story ^^ But I don't think I'll touch the ones you mentioned, they were fine. I liked the thing with the Eighth Heroine as well, I've seen a lot of people complaining about it but it's one of the only things in the game I actually found interesting. I just can't unsee the parallel with Link and the Seven Sages (of course).

What I'll be doing for sure is making some of the quests and events more serious, I'm kind of aiming for a darker tone. Most of the quests are quite fun (especially the "potential princess sightings" ones), but I feel like this game really lacks some sense of danger and urgency. For example couldn't the people in Hateno have more pressing problems than making cheese or choosing between Cece and Reede? Or was it really a good idea to make lighthearted little quests about misanderstandings with Zelda when her disappearance should be driving Link mad? (I should have included that in my little rant above haha)

I'd also love to make the pirates in Lurelin something more interesting than just a bunch of Bokoblins, but I'm not there yet. And rebuilding the exact same village was kind of meh.

About the Gerudo questioning their traditions, I'm actually planning for my Ganondorf to be a lot more active and go to Gerudo Town in order to meet his people (I want him to care about them, so he wouldn't attack them the same way he targets the others). I don't have all the details yet but I'm pretty sure there will be a conflict between Riju's supporters and other Gerudo who believe he's their rightful ruler (at first they wouldn't know he's actually that one king who turned into Calamity Ganon). So that's another tradition for them to question.

The consequences of Ganondorf being the only Gerudo male are something I've been wondering about as well. Add to that the fact that he's raised to be king because he's male (and maybe even kind of worshiped by his people) and you get something that can turn nasty real quick. Though I also wonder if Gerudo aren't different from Hylians. You said you hc that the Gerudo are only women because they were cursed so it makes sense that you would view it this way, but on my part I believe that's just how they were created. For that reason I think this is natural for them, so it's possible that it doesn't cause exactly the same problems it would for us or for Hylians.

About Demise, yes of course Ganondorf is more than just Demise's hatred. But in this game it doesn't seem to matter, he kind of turns into a second Demise as soon as he gets his secret stone and his motivations instantly go from conquering/ruling to destroying everything and everyone. They could have done something a lot more nuanced or at least shown a more gradual transition, with him being more and more consumed by his hatred and loosing control for example. I don't know, anything that would look less like a comically caricatural villain riding a demon unicorn.

Also about Demise's curse, I always thought it sounded more like a warning than an actual curse, and I remember reading somewhere that this was the intention in the original Japanese text. In French Demise even says something like "you must never forget, history will repeat itself" instead of "I will rise again", and he and speaks of the curse of the demon tribe (implying that it existed before). Even in English it doesn't sound like Demise himself is casting a curse: "Those like you… Those who share the blood of the Goddess and the spirit of the Hero… They are eternally bound to this curse". He doesn't say "I curse you" or "I bound you to this curse". I feel like this makes a difference (the curse already exists). This is why I interpret it as him basically saying that evil will not die with him and that Link and Zelda/the Hylians as a whole will always have to fight the demon tribe, but not necessarily his reincarnation. So I don't even believe that Demise himself is influencing Ganondorf in any way.

About the Zonai Zelda explains she studied them at the beginning of TotK and recognizes what's depicted on the murals, so it seems strange that sky beings could get mixed with a tribe of barbarians living in the woods. But yeah history getting lost and mixed is the only explanation for this.

Oh you're completely right about the Mogma, I got the same vibe from them! And a Mogma mafia sounds hilarious ^^ I love the Rocktato, Link would definitely eat something like that 😆

I need to take some time to read through your master list, it all looks very promising!

[rubyvhs]

who’d believe? | dean winchester

summary. dean finds you six years after you ‘died’. tags. wc 2.3k, car sex (just fingering), angst, mentions soulless sam. lailas notes. this is for my ‘stuck on you’ by meiko square for @jacklesversebingo + actually got inspired by @little-diable ‘s not a ghost fic. so so beautiful and i think everyone should go read it! ++ for my 500 celebration, so happy i got to it so quickly && the title is the translation of the song title. and most importantly, beta’d by the incredible @copperboom82 who made it much more readable and enjoyable.

You were never really a bar type of person, mostly because of the loud noise and smell, other than that, you liked a good party. But you decided you needed to celebrate getting your dream job, or, okay, whatever, your friend is forcing you to. 

"I'm not taking no for an answer," she said, handed you your outfit and went outside to get the car started, not even giving you time to reject the idea. Though the second you stepped foot in the lively place, you were glad you came.

The drinks and music were exactly what you needed; a nice night out with no responsibilities. And especially no men (at least none like those you work with, you're honestly over them). 

An hour into dancing with your friend, two more strangers join you. When the last song ends and another less 'pop' and more 'rock' one starts, they suggest going out to smoke for a second. Despite not once in your life trying it, you agree. 

You should really work on saying no.

Thankfully you're sensible enough to refuse when they try to hand you one, just standing next to them, linking your arm with your friend's. "Where do you work?" You ask one of the girls. She has shorter red hair that almost reaches her shoulders, black eyeliner and a septum piercing. In other words? Fucking sexy.

"Police." Your eyes widen and you stand up straighter. "Oh, stop it! You're fine."

You laugh but shake your head, "No, no, that's not what I meant, you're just so— cute, I guess. Wouldn't have taken you for the assertive cop type."

"Yeah, well," she shrugs, dismissing the thought. It's obvious she gets it a lot. "Saw the hottest guys today, by the way—"

Her friend interrupts, beautiful brown pin-straight hair, pale skin, a gorgeous smile; "God, he was pretty. And his brother too…”

"Oh yeah. Agent something and Agent whatever, I don't remember, I was too busy looking through the shorter one’s shirt." You all laugh, a sway in your demeanor. You're pretty sure it's the alcohol that's got them saying all this but it's funny either way. 

"Yeah, he was amazing. Like, those green eyes, honestly—" Your smile drops fast. Green eyes had always been somewhat of a trigger for you ever since Dean, especially that specific beautiful shade. Then again honestly everything's been a trigger: hunting, black cars, vintage cars, food, pie— you could go on.

"Oh and the way he walks? The little outward bounce of his leg, so cute!"

You shift, a little uncomfortable. How many guys do you know with bow legs, green eyes and are cops? They're probably not allowed to tell you he's FBI. 

The red-haired girl touches your arm making you jump. "Shit, you okay, honey? You seemed out of it."

"Oh, no, I'm sorry, just reminded me of someone. Old…" Dean. 

There he is. Alive and in the flesh. You don't become a hunter and not hear about the Winchesters, you, on the other hand, fly under the radar. Especially since you try to stay away from any and all hunters.

But you heard nothing of how gorgeous he has grown up.

The girls catch your drift mid-sentence and look back to see what you're staring at. A dumb-struck Dean. "Oh! Agent…" Her friend elbows her stomach and Dean doesn’t peel his eyes off of you to speak.

"Right, yes. Hi, Officer." 

She blushes under the dim light but Dean apologizes before breezing past them and holding your arm roughly to drag you away behind the bar. Your friend makes sure to motion to you if you need help before you let her know she should just get back inside. It’s pretty damn obvious you know the guy.

"Are you fucking serious?"

You let out a shy smile, "Dean, hey, how are you?"

"'How are you?'" He mocks, letting go of your arm aggressively, "'how are you?'"

"Is that not what they say anymore?"

"Are you serious?" He seems to enjoy repeating sentences much more than when you last saw him. "I looked for you, I mourned you." You mourned him too, in a way. 

You and Dean were acquaintances, occasionally hunting together until you stayed at Bobby's place for a week and he came to visit coincidentally. You both started talking more that night, exchanged phone numbers and became somewhat friends. 

Sam left for Stanford and you guys stayed together more frequently. Sam came back and you 'died'. Not on purpose, obviously, but Dean thought you died. You did, for a second, before you were brought back for some twisted, fucked up reason. Not that you knew it but if you did you're sure it would be fucked up.

By the time you woke up Sam and Dean had been long gone and your body had been buried. Didn’t burn your bones like he should’ve, no. He buried you. You're not sure which is worse.

"Look, I don't know what happened—"

"What does that even mean? You magically come back to life; you fucking call me! Ever thought of that?" A thousand times. 

But Sam had finally decided to come back and hunt with Dean, Dean buried you, and so, you'd reasoned he was fine. You knew that if you were Sam, your body would've been preserved in the Impala for months before he'd ever allow himself to do that, to put you six feet under. The fact that he didn’t hold on to you had to mean he was okay.

But neither of you deserve more guilt. "I'm sorry, Dean."

"That's really rich. Real rich comin' from you. Grieved you for goddamn years. Six." Huh, that's a lot longer than you’d have thought. You were sure it would be six minutes. You knew he cared about you, but Deans also a 'what's done is done' kind of man.

"I'm—"

"If you apologize, I'll kill you. Again." You're about to crack a joke but his glare sets you off. Oookay, tough crowd, whatever. 

"I wanted to call, I swear I did," how do you explain to the king of 'I don't deserve good' that you don't deserve him. He'll think it's a cruel joke. "I didn't know if you'd want me to reach out, I thought you were moving on with Sammy, okay? Going on with finding John. Me calling wouldn't have made a difference."

He scoffs, shaking his head. "I went to hell." You bite your bottom lip between your teeth. He sighs, a mix of emotions on his face. "You knew?" Your nod makes him turn around in anger (disappointment? hurt?), kicking the cardboard box as far as it'll go, another plastic one breaks and you flinch at that one. 

In your defense, everyone knows.

"I couldn't do that to you and Sam, you moved on, Dean, I heard about you and Lisa and Ben—"

"Where the hell did you hear that?" Hunters talk. And he knows it. He turns around in an angry haze. "I didn't fuckin' move on, alright? I did what Sam wanted me to do when I didn't have you. Because my goddamn brother was in a cage with Lucifer, and now he's walking around without a soul!" He raises his voice until it gives out and so does his breath. You can't help the way your heart clenches, not even because of the words, but the tired look behind Dean's eyes. 

Subconsciously, you move forward until you can hug him, and like he always used to: Dean throws himself into it, his head in your neck as he breathes you in. "I missed you." He whispers. 

You don't believe how easily he's adjusted to this. If you were in his place you wouldn't hesitate to kill him, thinking he's a demon or a shifter.

He chuckles, his whole body rubbing against you. "Haven't hugged anyone like this in— ever. Was waiting for you." 

He's never been safe, always made everyone else feel protected, you could only hope you built a safe place within yourself for him. You're at least close.

"I missed you too, De. Every single day, I swear."

You don't know what about the sentence sparks anything in him, but it does. He pulls away to smirk and push you against the hard wall. You gasp, doing nothing but turning him on more and giving him an entrance to your mouth. 

He kisses you like he's lost his mind. He has.

His touch is electric as he pulls you closer, the heat of his body searing your skin, the raw intensity of desire saying more than words ever could. The kiss evolves, turning feral, almost carnal. He holds you, firm but tender, and rediscovers your mouth like a starving man. He is, he hasn't tasted you in… ever. 

This is your first kiss with Dean, but the explosive chemistry between you makes the blood scream in your ears. It was never a secret that you and Dean were more than just hunters to each other, and it seems you dying was his last straw. 

"We— Dean, can't here—" 

He agrees. Or he doesn't. He's still kissing you and you're not sure if either of you are breathing. 

Eventually he lets go. "Yeah," he whispers against your lips, moving for another kiss, pulling your bottom lip between his teeth, leaving a peck and panting out, "right." 

"'M sorry." God, why are you apologizing? Why are your bodies so far away?

He shakes his head, moves away (even if it looks like he's struggling to do so), "it's fine, what— you were here with friends? Are you staying?"

"Are you asking me to not stay?" 

He smiles, leans down for another kiss and you decide to say goodbye to your friends now or else you're never getting the chance. 

"De, someone can see—"

"Don't overthink it." He says, burying his head between your breasts, kissing, biting, licking and loving all the noises you're making. He groans into your skin, nipping at a particularly sensitive spot that has you moaning out loud. "God, sweetheart, love that sound."

He moves his hands to your waist, thrusts his hips once, checking your reaction. A little tremor passes through you. Eyes hood over. 

"Can't believe you're here, and all for me." 

"Yes," you breathe, resting your forehead against Dean's, overwhelmed by his words and how close his hand is to your inner thigh. "Please."

"If I slide my hand up your skirt, will I find you dripping wet for me?" Another shudder shakes you gently. 

"Yes."

When he grips your knee and your neck, closing your lips with a kiss while his other hand travels higher, you start feeling your pulse hammering in your ears. The windows start misting over, giving you privacy— not that you particularly believe Dean cares. 

Dean moves his seat back, then pushes you until your shoulder blades hit the steering wheel so you're more comfortable, your legs bent on either side of him, hands braced against the door and his chest. 

"Dreamed about this," He says, his voice low and husky. The way his eyes are raking over your body, you're not even sure you're supposed to hear him. "Thought about this everyday for six years, sweetheart. Now I get to have you." 

He glides one finger between your lips, sliding up and down slowly. “Such a pretty pussy,” he groans, eyes focused between your legs and you fall over, your head on his chest, before he pushes you back against the steering wheel, "nu-uh, wanna see it. Wanna see how wet you are for me, baby."

You have so much to say— a lot of apologies and 'I miss you's’ and so many more beautiful words and kisses and you want to tell Dean that you care about him as much as he does you and why you left—

He dips two fingers inside you. Curls them immediately, and just like that, he finds your most sensitive spot. 

You half pant, half moan, the words 'Dean, oh my god, please' a jumbled drowned-out mishmash because he starts torturing your clit, his thumb rubbing perfect circles, hard and fast, reducing your bones to liquid. But when you're right there, he eases away, lazily pumping two fingers in and out. 

He smiles, exhaling a content breath as his gaze zeroes between your thighs, ignoring your pleas. "Yeah? you wanna come, darlin’?" the pet name and the question both bring out a loud moan you didn’t know you were holding, your hips involuntarily moving against his fingers until he stops you. you’re about to whine again but he increases the pace, crooking his fingers inside you while his thumb rubs your clit, and that’s all it takes.

The orgasm rips through you, powerful, relentless, so intense you think you might just black out. You’ve never felt so boneless in someone's arms, until your head falls right into his chest as he works your pussy, the sensation easing off and then coming again like waves crashing against the shore.

Dean doesn't stop. His fingers are rough, his thumb still being put to good use, and the release lasts so long. So fucking long you think you have an out-of-body experience. 

It takes a minute until you're able to breathe anything but his cologne. When you can, you sit up slightly and move into the seat next to him, thankful for the lack of a console to separate you since you don't get very far, just lay your head on his chest. 

He kisses your head. You can even feel his smile against the kiss until you notice the bulge of his pants and frown. You quickly get up and Dean's entire face falls. "I'm sorry, I didn't think—" 

Dean grabs your wrist before it makes it halfway to his dick. "This isn't an exchange, sweetheart." Your entire body is like jelly, you can't move and you're pretty sure if you try sucking Dean off, you’ll pass out. But it feels… rude. "You're spent. I'll get you home so you can take a hot shower, and we'll pick this up again when you're ready. How about that?" 

You can't fucking believe your luck. Dean wants an 'again'. 

[goquokka00]

The Little Things (Jisung Ver.)

The small things he does every day that make you feel oh, so special.

Bangchan | Minho | Changbin | Hyunjin Jisung | Felix | Seungmin | Jeongin

| Compares Hands |

Jisung is one of those people where I just get the vibe where he'd be one to regularly compare his hands to yours. Why? I don't know. But I just get the feeling that whenever the two of you are cuddling, Jisung's got your hand in his, and he's just...comparing them.

Your hands are so different compared to his. They're smaller, so much more feminine. They're so soft, probably because you use that one lotion you hidden from him every day on them. They're nothing like his, which we've seen pictures of them and dear GOD, his hands are absolutely fine. They're veiny and long, they're probably rough, but are just so gentle.

A lot of times, Jisung will take your hand and place it against his to directly compare them. And he'll comment on it, too. "Your hands are so cute, baby," or, "Our hands look so perfect together." They're never bad comments, he just likes to tell you how he feels.

| Shares Earbuds |

This is probably a given. Jisung loves music, and we all know this. And that means he's open to hearing a whole variety of music, mainly to help inspire him for songs for Stray Kids. Where else is better to get that than from the person he loves the most?

If you guys are ever out in public or walking around, Jisung will almost ask for an earbud so he can listen to whatever you're listening to. It doesn't matter what you're music tastes are, either. Kpop, rock and roll, pop, country, hip hop, rap, indie, latin, jazz, he'll listen to it all. And if he recognizes the song, he'll happily sing the lyrics.

There are other times where Jisung will want to share his earbud with you, too. I feel like he wouldn't play any spoilers for upcoming albums (Bangchan would murder him alive), but he'd play music that he listens to regularly, wanting to expand your own horizons. As a bonus, I also think that the two of you would make one big playlist of both of your favorites, and you'd listen to that together a lot.

| Holds Your Arm |

Jisung really likes to be close to you at all times. And that means that whenever you two are shopping, or going to different places outside of JYPE or your work area, or even the apartment, there are times where his arms are wrapped around whichever arm of yours is closest to him. Sometimes your arms are linked, but other times, he's clinging to your arm.

I do have a strong feeling that he'd mostly do this if his anxiety was acting up. If he was starting to spiral because of crowds, or his thoughts were overwhelming him because of work, he'd cling to you to try and ground himself. And of course, you'd be there to comfort him.

He'd probably apologize for it. He'd feel bad because you'd have to put up with him like that. But you really don't care. You'd gently rub his hand, keeping it there while guiding him to a less populated area so you two could chill and just breathe. And while he'd feel guilty, Jisung would be so grateful for it.

| Back Hugs in the Morning |

I've said this once in my first ever post, and I'll happily say it again. I am a firm believer of Jisung not being a morning person at all. The late nights down at the studio, writing songs for hours until the early hours of the morning just drain him, and getting up is quite literally a chore in Jisung's mind.

And so, while you're probably making breakfast, I think that Jisung would be the kind of person to come up behind you and pull you back against his chest, the man still half-asleep as he rests his head on your shoulder. He refuses to talk, as it takes too much energy. And so all you get are grunts, hums, and any other noises he decides to make.

Jisung will just cling to you for as long as he needs. If you need to walk to a different area of the kitchen while you're cooking, Jisung will just follow you, not giving you any space whatsoever. Even when he's finally awake and alert, he's not letting you go. At least, not until he gets his good morning kiss.

| Spoils You |

Guys, I kid you not, Jisung will buy you anything and everything you want. You want food from that one restaurant you went to a few weeks ago? Done. You spotted a sweater that you really like? It's yours. You need something for a hobby of yours? Say no more. As long as you're happy, Jisung's happy.

It doesn't even matter how expensive it is. Nothing is too expensive if it's for you. You can complain all you want, too. You don't want him to spend all of his money on you? Too bad. You're happy with just being his? Yeah, but Jisung wants to make you even happier.

I also have this irk that Jisung would buy you souvenirs from wherever he travels to. If it reminds him of you, he'll buy it for you and then give it to you once he gets back to South Korea. And I'm not kidding you, this man would be like so giddy as he watches you react to each and every single gift. He just loves to spoil you beyond belief, and he will NEVER stop.

Hey! Firstly, thank you so much for reading this post, and I really hope you enjoyed! If you did, please like, reblog, or comment so I can see how I'm doing with writing and getting feedback! I hope you have a lovely day! Sleep well, stay in good health, and eat something if you haven't! ❤️❤️❤️

[rootspiral]

Agatha All Along deep dive: episode 5 part 2

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4][5] ep6 [1][2][3] ep7 [1][2][3][4][5][6] ep8 [1][2][3][4][5][6][7][8][9] ep9 [1][2][3][4][5][6])

I was so looking forward to brighten this particular scene, it's the darkest yet and it's such a beautiful one it's a pity to miss even one detail

oh no lilia stop being so cute????

have you ever seen jen with a bigger smile? and she's quiet as usual, it's almost like more than the ride she's enjoying how much fun her friends are having. especially lilia, those two have been forming a bond that is equal parts bickering and a growing respect

I'm just glad alice had this moment of pure unadulterated joy before it came all crashing down

agatha is very, very quiet. despite never letting herself feel anything freely, she takes a moment to close her eyes and enjoy the beauty of it all

she looks back at rio, so sensual and confident

how can kathryn hahn convey so much with so little time? her breath catches at her sight. and then worry and fear take hold and she gives the tiniest shake of her head, as if she's forbidding herself to entertain any kind of thought about rio. she looks away. the blood moon behind her spells disaster

meanwhile billy is that kid who has the time of his life hanging out with the teachers during a field trip

I want to personally thank aubrey plaza for every acting choice she made as rio, but ESPECIALLY for this witchy laugh

(I just brightened the salem seven witch vomiting bees and it's actually pretty impressive! but I don't want to trigger any insect haters around here) (I love insects though so please talk to me about spiders if you want)

they couldn't get a good look at the cabin before rushing in and I couldn't either until now, do we know if it's something from Agatha's past? did she use to live there?

I'm salty that alice had to die in these stupid clothes

So. I think this trial is the most fucked up and humiliating yet. Billy knew nothing about jen except superficial facts, so he put her in a scenario that matched her work aesthetic, more of a personal insult than a wake up call (compare it with the broom lilia just made for her: roots and flowers, something that speaks about jen's work, beliefs and traditions.)

Alice's trial was entirely based on lorna, we know billy is a big fan so he ran with that concept creating something that really shook alice, and not in a good way. she was forced to sit in her dead mom's house and wear her clothes for god's sake. she took it as the Road wanting to teach her a lesson, when it was just a teenager with the grace and subtlety of a newborn puppy.

Now, agatha. billy doesn't know a thing about her because she's private to the point of paranoia. he has gathered that there's something in her past about a dead child and that's probably what makes her grumpy, so he... tried to make her talk to nicky. with a fuking oujia board. Despite having had his share of shock and trauma billy inevitably has a kid's point of view re: death, and even more so because he's functionally immortal. death is something that happens to other people, or far far away in the future. he thinks he's giving agatha much needed therapy, when he actually put a grown woman in child's clothes and made her relive her traumas for everyone to see.

btw I'm not in any way saying that the trials are bad writing. they are brilliant writing. they're just tragic and fucked up behind the funny exterior, just like agatha herself. sorry for the rant.

I mean I wouldn't be opposed to that. we could put billy back in a closet for a little while and get down and dirty with it. and ooh there's a little leaf on rio's shirt, I hadn't noticed it!

jen's retainer always SENDS me

agatha's face when she realizes it's her trial

agatha is irrevocably, eternally linked with death in all its forms

looks like rio is playing along and setting the scene, but she's also doing something more subtle that only agatha understands: she's provoking her, and it's becoming more personal and hurtful. she's testing and punishing more than she used to. she is growing angrier.

agatha wants to tell rio to fuck off but knows she deserves it. agatha is NOT happy to be in this trial for reasons that go beyond what everyone present (except rio) assumes, but she'll bite the inside of her cheeks until they bleed before she shows any of it

the way he says it with a straight face too (again, NO PUN INTENDED. forgive me joe, I would never)

oh great alice has only thirty minutes to live

everyone looks worried and on their guard, rio has her whole knife out, playing along. agatha is STILL trying to look cool and casual, it's painful to watch. girl is panicking, hard

meanwhile billy is always bringing a whole different energy, he's playing and having fun! think back to the second episode when they met lilia and then jen and alice for the first time. billy had no clue about the tension, the fear and hate between them and agatha. right now he's still more excited than scared. he's about to have a rude awakening.

do not taunt the spirits, AGATHA.

lmaooo. this motherfucker.

another moment when billy sounds chillingly cruel. being jigsaw without realizing it

I'm not pointing it out every time but whenever agatha does this with her arms she's really, really really nervous

what does agatha do when she's scared or overwhelmed? she puts on a show. like clockwork. and rio has already guessed what's about to happen

I really want to continue this so there will be more later today, stay tuned!

go to episode 5 part 3

[slayfics]

Unknown Pleasures Ch. 3

You’ve had a crush on Katsuki Bakugo since joining UA, but will another student change your mind?

1.3k words

Chapter links

The following day after your argument, Katsuki was sitting in the common room of the dorms, eating breakfast before classes. He saw you make your way down from the dorms and walk into the kitchen to grab some food.

Once you had grabbed your food you quickly scanned the room and made your way over to take a seat next to Hitoshi. Katsuki blinked, expecting the sight to disappear. Sure, you two had argued last night, but that wasn't an uncommon occurrence. Usually, these fights were forgotten the next day and you'd go back to prancing by Katsuki's side.

Katsuki heard your stunt last night, the way you raised your voice so he could clearly hear you talking to Hitoshi. He knew it was a stunt to try and make him jealous. Why were you still keeping this act up though, he wondered. It's not like he could believe you actually cared for that purple haired freak. The dude looked like a zombie, and he was far behind the rest of your class with hero work. There was nothing admirable about him at all.

Yet, there you sat having breakfast with him. Smiling about something. Katsuki grunted, and decided you'd get over your tantrum eventually and realize your act wasn't working. Katsuki almost felt bad for Hitoshi, who plainly had a crush on you. Didn't you realize it was cruel for you to use him that way?

Katsuki watched as you and Hitoshi finished up eating and made your way out of the dorms together. A sinking feeling hit his stomach when you didn't turn to glance at him even once. Didn't you want to see if your ruse was working? Wouldn't you want to check if Katsuki looked upset by you giving your attention to someone else?

"Hey man you alright?" Eijiro asked, snapping Katsuki out of his thoughts.

Katsuki clicked his tongue, "What the fuck was that about?" he asked, head bobbing in the direction of you and Hitoshi leaving the building.

"Oh, those two? I don't know but they were up late last night hanging out," Eijiro answered.

"Are you serious?" Katsuki snapped. He had heard your comment complimenting Hitoshi's room, but he hadn't heard you stayed to talk to him for any longer than that.

"Yeah, I was going downstairs to get some water when I saw her leave Shinso's room. I know you guys had a fight last night, everything ok?" Eijiro questioned.

"Everything is fine," he grunted.

Eijiro hummed unconvinced, "Ok if you say so, but if you're worried maybe you should talk to her. Apologize," he suggested.

"HAH? For what!?" Katsuki exclaimed.

"I don't know- whatever you two fought about. I’m just saying don’t you want to be on good terms with the person you like?” Eijiro asked.

“I didn’t say I like her!” Katsuki yelled.

“Oh... so you don’t like her?” Eijiro questioned, tilting his head confused. He knew Katsuki well by now and it was obvious to him Katsuki had some type of feelings for you.

“I didn’t say that either!” Katsuki barked, becoming even more frustrated.

“Relax man, but you should probably figure that out though… from what I heard she seemed to be getting along really well with Shinso…” Eijiro stated.

“Tch- whatever,” Katsuki mumbled, then quickly grabbed his bag to head off to class.

The rest of the day didn't go any better. Once he walked into class, he saw you sitting on Hitoshi's desk, idly playing with his lavender locks while you two chatted. Give it up already, Katsuki grunted to himself. Paying no attention to you or Hitoshi, Katsuki took his seat near the front of the class. The problem was, you didn't pay any mind to Katsuki either. Continuing your conversation with Hitoshi without a second thought to Katsuki entering the room.

Katsuki found himself letting out a breath he didn't realize he was holding when Aizawa walked in causing you and Hitoshi to finally separate.

What the hell could eye bags even be talking to you about that was so interesting anyway. The useless shit he learned in general studies?

Throughout Aizawa's lecture, Katsuki found his thoughts wandering off.

Did you not care at all about your fight with him? Why hadn’t you said anything to him all day? Are you actually interested in Hitoshi?

Katsuki expected that by lunch time things would have gone back to normal. However, he couldn’t have been more wrong. When Aizawa dismissed the class for lunch, you bounced right over to Hitoshi. A wide grin adorned your face as you two walked to the cafeteria.

What the fuck?

Katsuki's grip on his bag tightened, and his knuckles whitened. Couldn’t you stop playing around and drop the act already?

Completely focused on watching you and Hitoshi disappear into the crowd, he didn’t hear the perky redhead sneak up behind him.

“You look pretty upset man,” Eijiro observed.

“I’M FINE!” Katsuki yelled, alerting some passing students to jump.

But he wasn’t fine. The pit in his stomach only grew as he watched you scoot closer to Hitoshi at lunch. The two of you laughed at something you showed him on your phone.

The way Hitoshi leaned into you to get a better view of your screen made Katsuki want to scream. Did you intend to keep this up until Katsuki gave in and said something? Or worse… was this real? Were you actually enjoying Hitoshi’s company?

As more time passed, Katsuki found it harder and harder to deny that this act was just a show. His ego argued with him that you couldn't actually be interested in another boy. Yet, there you sat laughing and smiling with someone else.

Then it all came to a head during the afternoon training session.

The training was simple sparing matches. A random drawing decided which two students would spar together. Comically so, Katsuki and Hitoshi were paired to spar.

You felt your breath catch in your throat when the match was announced. Why did it have to be Katsuki? Your nerves stood on end, as the two boys made their way to the designated sparring ground.

It's fine, you attempted to soothe yourself. Katsuki obviously didn't care about you or Hitoshi, right? If he did, he would have attempted to reconcile today after the nasty fight you two had last night.

The whole class was on edge as they waited for the spar to begin. As if everyone was wondering the same thing, Katsuki wouldn't go too hard on him right?

But just as Katsuki had underestimated your feelings for Hitoshi, everyone underestimated Katsuki's jealousy.

Within a few minutes of the spar, Katsuki had Hitoshi on the floor. The recent transfer to the hero course was no match for the experienced Katsuki. Attempting to hold his own, Hitoshi wrapped the capture scarf around Katsuki's wrists to no avail. A strong blast still came his way effectively knocking him out cold.

Katsuki's jealousy and rage getting the best of him, he let out another explosion directed at his classmate despite him being already knocked out on the floor. Aizawa quickly stepped in to stop the now one-sided beating.

Once the smoke and rubble had cleared the gruesome scene came into view. Hitoshi was on the floor, unconscious, fresh wounds across his face, dirtied from the soot of Katsuki's explosions.

The sight elicited a frenzy response from you. Your fists clenched, face hot, and ears ringing you trampled over to the sparing ground. Interrupting the lecture Katsuki was receiving from Aizawa, you broke in between and slapped Katsuki across the face.

Everyone froze, even Aizawa was caught off guard by your behavior.

Katsuki looked at you astonished, speechless for one of the first times in his life.

"YOU DIDN'T NEED TO GO THAT HARD!" You yelled.

The stinging on his cheek, the distraught look in your eyes, and the venom laced in your words made the realization finally hit. It wasn't an act.

"You really like him?" Katsuki mused almost to himself.

sinners: @unofficialmuilover @maddietries @fiannee @derangedmango @reneinii @peachsukii @abadbitchblogs @deluluforcarlos55 @that-one-fangirl69 @pinkpurpledreams

[sugar-grigri]

Fujimoto has never talked so much about love as in this chapter 

This chapter is incredible, not only for the multitude of answers it offers but also for the beauty of its writing on first reading alone. 

It opens with a man who appeared in chapter 101 of CSM, as passers-by passively walked past him, this stranger was actually right: humans, one of whose major causes of death are demons, are leading to a cold war (ironic to talk about a Cold War for a manga set in the 90s)

But it's as if the whole of society refuses to notice, that everyone hides behind Chainsaw Man and consumes all these derivative products like lucky charms. Chainsaw Man embodies a demonic anomaly, a demon at the service of the people who make them forget this war. 

And that's exactly why Yoru has a grudge against him. Chainsaw Man is an instrument of peace, wielded in times of peace and sacrificed in times of war. Chainsaw Man is there to make us forget the conflicts or become the scapegoat, in either case, he is there to make us forget the war in which humanity is trapped.

A machine into which all hopes are projected, cries of suffering directed, whose childlike quality is seen only by the predators who exploit him constantly. 

What we need to see in this dialogue between Nayuta and Fumiko is a struggle for domination. As we have seen, Fumiko is someone who, despite her aggressions, drowns them in a constantly contradictory protection: she wants to protect a child, but moleste Denji, plays a game in which she places him as older in order to hide her predation, and has saviour syndrome.

Fumiko thinks she's easily understood the nature of weapons, she's sensitive to Quanxi's bodily sacrifices and only repeats to the one she's abusing like an unrestrained fan of a child. Fumiko is the symbol that even when she belongs to the same camp as those she intends to protect, she still can't understand them.

She thinks it's either Nayuta who finds humans weak, or the fact that Barem supports Denji's demonic quality, that they are threats to his well-being when they are the ones who know him best. This is normal, because the strategy of public hunters is to bank on Denji's human side, but this strategy is not enough.

In chapters 136 and 137, Denji is mistreated when he's playing as a human being, getting into fights at school, being treated badly by his teachers, molested when he was thinking about a date at the cinema, and the closer he gets to normality, the more he suffers.

She symbolises not only Denji's sexual trauma, but also the paradox of the hunter system: a system that intends to offer Denji a family framework, but which is not only failing but also traumatising.

Nayuta says she wouldn't kill humans because they're weak compared to demons anyway. It would be as boring as killing ants! It's a continuation of Makima's point that the demon of control isn't interested in things that can be mobilised or easily controlled, it's powerful demons like Pochita that she wouldn't be able to control. Because the only way to establish a link for this demon is to find a demon as powerful as her, of her rank. Nayuta's superiority complex is always balanced against Denji's inferiority complex.

While the demon of control is only interested in demons, the demon who was martyred by humans cannot conceive of himself without them, but we'll come back to that later. 

I just want to point something out: isn't it paradoxical to reproach Denji for the education he gives Nayuta when Fumiko is supposed to regard him, as she claims, as a child? Once again, Fumiko is in constant contradiction, protecting by controlling and attacking, conceiving of a child as an adult, she is the hold over a child she can't help but see as a weapon while vouching for his condition. 

What's more, Fumiko's thinking is purely human, not universal like Denji and Nayuta. For them, feeding the dogs and their cat is a mission of the utmost necessity, it's like acting to protect one's family, whereas Fumiko refutes this.

Denji has been considered a dog for part of his life, and has bonded and merged with a demon in the shape of a dog, which is the first form of love he received: it was not humans who first gave Denji love, but animals. In the same way, the demon of control likes to form a relationship with dogs who take pleasure in their domestication, either as a form of denunciation or as a clearly established hierarchy. 

Fumiko proves that human sensitivity only stops at their peers, while the rarer demonic sensitivity is more universal and intense, whether it's treating animals as precious beings or forgiving unforgivable acts like Denji's continued love for Makima.

The fact that Denji and Nayuta appear to have no moral barriers is what allows them not to be prisoners of their own, and to conceive of love more extensively, whether it be harmful or inter-species. 

All this just goes to prove Barem's point that, as a weapon, he has a very good understanding of the different species and what they have in common: death is what binds us together.

When humans no longer find interest in a figure, it is destruction that attracts them. In other words, it's intrinsic to them. Even when they have been spared the demon of fire, they intend to spread it. Isn't it ironic, then, that Fumiko intends to protect two demons at the expense of their animals? Humans only see the world in terms of hierarchy, whereas demons and animals recognise that there is more to it than just a food chain. 

Nayuta's emphasis on the exhilaration that comes from abusing and killing demons is spot on. In chapter 137, Denji had fun beating up all those men, even concluding that "this" normal life wasn't so bad. Why was that? Because it's the daily life of a demon.

Denji, who belongs to both camps, has human needs just as much as he has demonic needs, so Nayuta has a point. But just as living solely as a human doesn't satisfy Denji, acting solely as a demon doesn't work any better. 

Denji works through the concrete, through sensations, and what he materialises through his senses, the fact being that he's had at least one kiss without any major damage with a human his own age.

Just a harmless touch is what allows Denji to connect with humanity as a whole, to be sensitive to their plight, even though he has no morals and takes pleasure in human suffering.

It wasn't until Denji struck up a relationship with Aki and Power for the first time that he was able to feel human and stop feeling like an animal. We are empathetic to the fate of those who resemble us, Denji is a universal being, animal, human and demon, he is the one who brings these different worlds together. Barem is right: death is what binds species together. But Pochita and Denji are the symbol that love can also be a common denominator. 

The fact that he thinks of Asa is symbolic because, without knowing it, she is the one who understood the plurality of species in Denji. She began by dehumanising him, Denji's animal phase, placing him below the cat (proof that she too places animals before men), then she had budding feelings for Denji before being disturbed by Chainsaw Man. 

That's why Chapter 101 is so important to understanding this chapter: because in it, Asa makes friends with both humans and demons, getting to know Yuko just as she does Yoru. She is not outraged by the idea of killing, as Yoru asks her to do, having put aside her human nature and accepted the world as it is, which is ruled by death.

But she is no fatalist, and in the face of a demon, she protects Yuko, continuing to love despite her mistakes "as long as her heart is in the right place". What matters is not so much our actions as the cursor through which we place ourselves to apprehend the world. 

Relationships are full of mistakes, imperfections, misunderstandings and a game of dominance. Denji doesn't realise it, but the one who kissed him wasn't Asa but Yoru, and it was for a bad purpose: to turn him into a weapon. Paradoxically, in wanting to make Denji a weapon, Yoru conceived him as he was, a hybrid being, a weapon. It was the first kiss in which he was seen for what he was.

But not only that, just as Asa loves the different natures of the multi-species being that is Denji, so Denji loves Asa's dual nature, what holds him together is as much the memory of the human in the aquarium as the physical contact with the demon inside her.

While Asa, in her desire to protect Denji, was distancing herself from him, hurting him and making him doubt himself, it was paradoxically the demon, with evil intentions, who gave him some peace of mind.

The chapter is called Devil's choice, an expression which means that we only have two choices, that we can't have everything. In this case, that would mean choosing a species, a side. But what Asa and Denji still represent in this Shakespearean symbolism is not belonging to any side, but loving in a universal way.

The rejection of men has opened up other perspectives for both of them, be it the animal or the demonic connection. 

Once again, the answer lies in plurality, in what begins with two: Asa and Denji decide, on the contrary, to have it all, there is no Devil's choice. 

By deciding to bond with animals rather than humans when they lost their parents, Asa and Denji forged a destiny guided by love without barriers.

Their bad experiences - sexual harassment for Denji and bullying at school for Asa - at the hands of adults have naturally created a distrust of humanity that is rekindled by contact between the two of them. It's when Denji and Asa come together that they regain hope, because they are the definition of loving each other fully.

Those who stand in the way of this universal love are the public hunters who avoid this natural crossing.

The public hunters are there precisely to fuel the fight against humans and demons, the link they carry is not love but the other common denominator, death, destruction. Even if it means crossing the moral barrier to exploit children with Yoshida by forcing them to harm other children like Asa, Fumiko being once again the symbol of this danger.

Denji has both human and demonic needs, so he's destined to love Asa because she's both human and harbours a demon with a thirst for violence. Chainsaw Man was used to make us forget the war, but by loving the demon of war, they both unravel.

Only Chainsaw Man and the demon of war can conquer death, because love is the second common denominator that links the species. Why? Because everyone has a heart. Even demons. Who not only have one, but become one.

[cjlouwho]

Our Future

(a bucktommy mini(ish) fic)

ao3 link or read below

Summary: Buck gets a little reckless at work, and Tommy gets a lot upset.

It had started with the silent treatment when Buck first got home from work. Tommy was fixing dinner, forcefully plucking basil leaves from the stem and tossing them into the pot when Buck came in.

He knew something was wrong right away, especially when he was only greeted with a monotone, “Hello,” and no attempt to move away from the pot that did not actually need to be stirred at the moment.

Buck had walked over to him, giving him a kiss on the cheek before going to shower.

Once he was showered and dressed in sweats and a t-shirt, he came back out and sat down at the kitchen island, where Tommy was now aggressively chopping lettuce.

“So, how was your day?” Buck asked cautiously.

“Fine.”

“Do anything fun?”

“Not really.”

“Get some rest?”

“Tried to.”

Buck rested his hands on the counter, tapping his fingers a few times before asking his next question. “You didn't... Did you happen to catch the evening news?”

Instead of answering, Tommy stopped chopping the lettuce, put the knife down and went to the fridge to get a cucumber. A thick silence filled the space between them as Tommy washed the cucumber and returned to his cutting board. He picked back up the knife and resumed the harsh chopping.

“I will take that as a yes,” Buck mumbled. He sighed, briefly resting his head in his hands before continuing, “Say something, Tommy. You've got your grumpy face and everything; I know you're mad.”

“I'm not mad,” he answered, obviously mad. “And I do not have a grumpy face.”

“You very much do have a grumpy face.” He tried to meet Tommy's eyes from across the island, but Tommy was avoiding him. “Come on, Tom,” Buck said calmly, patiently, “Talk to me.”

Tommy put down the knife and, for the first time since Buck got home, he looked at him. His eyes were red. It almost looked like he'd been crying.

“I just don't get it, Evan. What would possess you to do that?”

“It's my job,” Buck defended. “It's our job. It's what we do.”

“No. No, what you did was way beyond the job. You know how I know it was beyond the job?” He asked rhetorically. “I know because, when I was watching the news, I could hear Bobby on the live feed yelling at you to not go back in.”

“I- I had to go back in though, Tommy. I had to save him. If I didn't go back in, he would have died.”

“He. Was. A. Hamster!” Tommy replied, emphasizing each word. “You risked your life, for a hamster.”

“Of course I did!” Buck said, as though it was crazy to think he wouldn't go back in. “Tommy, you didn't see that little girl crying. Sh- She just got Georgie a couple months ago for her birthday a- and she took such good care of him. She was freaking out. I didn't really think about it, I just went.”

“That's the problem!” Tommy exclaimed, motioning to Buck. “You didn't think about it. You never think about it. You go, and you run into the fire, and you become the hero, and you never once stop to think about you!”

“Hey, that's not fair-”

“What if the ceiling would have collapsed?” Tommy continued. “What if your exit had become blocked? Or the buildup of smoke got you lost? You never considered those things, did you?”

“I told you I didn't think about it,” Buck replied. His voice was quiet, reserved. He wasn't sure if what he was feeling was anger or shame. Either way, he hated it.

“Well, you should have.”

Okay, now Buck knew it was anger he was feeling. “Oh, thank you for those- those wise words. You've really changed my perspective. You should have,” he mocked, getting up from his seat. He went to head toward their bedroom, every intention to slam the door behind him, but instead he turned back around to face Tommy. “You know, we've been together for two years and never once have you made me feel bad for doing my job! In fact, most of the time, you seem to find it pretty hot.”

“When you're not being careless.”

“I was not being careless! I was saving an animal! I was helping that kid wh- who just lost everything she had.”

“Yeah, well what about us, Evan? What about everything you have? Our future? Our kids?”

All the retorts Buck had prepared suddenly disappeared. He stared at Tommy for a moment, dumbfounded, before uttering out, “Our... Our kids? Tommy, we don't have kids.”

Tommy put his hands on his hips, standing straighter. “No, not yet, but one day we will.”

“You think about that?”

“Of course I do,” Tommy replied as though it should be obvious. “We've talked about having kids someday, Ev.”

“Yeah, I- I know we talked about it I just didn't know you thought about it.” Any hint of anger in his voice had long fallen away.

“Don't you?”

Buck nodded. “Yeah. A lot.”

Tommy took a breath, rubbing his hands over his eyes to try and wipe away some of the exhaustion from the day. He moved around the island, taking a few steps closer to Buck. “I just worry,” he said, his voice faltering. “I worry that one day you're going to run into a burning building looking for a turtle, or a fish, and then I'm gonna have to explain that to our kids. I'm gonna be left,” he paused, “left alone, and I can't- I can't handle that.”

“But what if it's a person?” Buck asked. “How would that be any easier?”

“It wouldn't be easier,” Tommy admitted, “but at least I'd understand it then. Listen, Evan, I love animals as much as the next person but I love you a lot more. I'd like to know that when you're at work, you're there with the priority to come back home.”

Buck moved closer to Tommy. Close enough to reach out and grab his hand. “I can't promise you that I'll never run into a building looking for an animal again. That's just me, you know that. But I can promise you that surviving and coming home to you, and our future children, is always in the front of my mind. Always.”

Tommy nodded, blinking away tears. “Today was, um, it was the first time I was ever home, just sitting and watching the news and there you were. They had a special alert for the fire, and it was just live coverage of everything happening, and there you were,” he took in a shaky breath. “I couldn't do anything but watch and when you ran back in, I- I started counting. It was four minutes, twenty three seconds and I don't think I took a breath that entire time. I know it sounds ridiculous, but it kind of felt like my heart was breaking apart, piece by piece.”

Buck shook his head. “That's not ridiculous,” he said, squeezing Tommy's hand even tighter. He pulled Tommy closer, wrapping him in a hug. “I would've felt the same way if it was you. I'm sorry.”

Tommy rested his chin on Buck's shoulder, closing his eyes. “You don't need to be sorry.”

After they held each other for a moment, Tommy pulled back just enough to look at Buck. “Evan, I don't want you to change who you are. You know that, right?”

“I know,” Buck replied, and it was true. He knew Tommy loved him for exactly who he was, even if he was a little reckless sometimes.

“I just-”

Buck raised a hand to Tommy's cheek, stopping him. “I know,” he assured him. He leaned in, giving Tommy a soft kiss. Tommy sighed into it, the tenseness from the day leaving his body.

“I think we should order out,” Buck said once they parted. “Dinner's starting to smell a little charred.”

Tommy's eyes widened. “Oh God,” he said, rushing over to the burnt pot of food on the stove.

“So, did they say anything about me on the news?” Buck asked cheekily as Tommy turned off the stove and dumped the pot into the sink. “Come up with any good nicknames?”

“Oh, actually, yeah,” Tommy replied. “They were calling you the Rodent Rescuer.”

Buck's face fell. “You're kidding.”

Tommy smiled. “I'm not.” He walked back over to Buck, pressing another gentle kiss to his lips. “I prefer Hamster Hero,” he said, smacking Buck's ass playfully as he headed into the living room to get his phone and order some food.

Buck smiled. “I hate you,” he said, plopping down on the couch beside Tommy.

Tommy wrapped his arm around Buck, pulling him to his chest. He leaned down and kissed the top of his head, running his fingers through Buck's hair. “Yeah, I hate you too.”

[rita-repulsa-ke]

Rio and Billy Part Two

Pt1 Pt2 Pt3 Pt4 Pt5 Pt6 Pt7 Pt8 Pt9

"Um. Ms. Death? Rio? Can I call you Rio? I don't think she's coming back. Really."

"Probably not."

"I mean, it's been three days."

"Has it? Wow."

"…Yep. Three days of you just sitting here. In my room. On my carpet. Kind of in the middle of everything."

"It's nice carpet."

"Right. …Any chance you were thinking of leaving soon?"

"Nope."

"…Why?!"

"Because I think you know how to contact her. So if I stay here long enough, maybe you'll be motivated to try and convince her to come back."

"…I really don't think that will work. I don't think she likes me that much. I don't think she likes anyone that much."

"It's worth a try, though. And I'm not doing anything else at the moment. Well, this part of me isn't."

"…expellere hoc malum…expellere hoc malum…."

"What are you mumbling—hey, are you trying to banish me? I'm not evil! Why does everyone think that?"

"Uh, I'm really, really sorry about that, rookie mistake on my part. Could you please put down the knife?"

"Well. I've just thought of something else I could try, something she might come back for, if she's paying you any attention at all."

"…Is it stabbing me? It's stabbing me, isn't it?"

"You got it. Hold still for a minute, okay?"

"Agatha! Help!"

"...So you're, what, stooping to chasing kids around with knives now? You are so obsessed with me."

"Hi, Ags. Nice to see you. Even though you're a ghost."

"That's your fault, honey, you shouldn't have made me do it."

"I was kind of hoping you'd give up and die already."

"Not. Done. Yet. I've still got things I want to do."

"Have you figured out telekinesis?"

"Of course. Watch this."

"Hey, Agatha! Stop throwing my things around."

"Shush, Teen. So? Pretty good, huh?"

"I knew you would. It takes most ghosts years, you know."

"That's really sad to hear, those are pitiful ghosts. I'm currently working on possession."

"…Oh?"

"Yes, but why did you say it like that—oh. Heh. You'd prefer me in a body, even if it wasn't mine?"

"It's very slightly less creepy. I really do hate ghosts."

"And I could kiss you."

"…And you could kiss me."

"But I wouldn't."

"…"

"Ooh, that one hit, huh? But hey, if you want a kiss from a ghost, I'd consider it."

"…maybe."

"Wow, I actually did not think you were that desperate. Do you want Teen to show you to how to use the Internet? They have all kinds of websites for dating these days, you could finally move on."

"You wouldn't want that either, Agatha. You love me."

"…You know what I've just realized? You can't stab me! I can be as mean as I want. Let's see. I don't love you at all, even a little. In fact, I never liked you and also, you're ugly."

"…I know none of that is true, Agatha."

"Sure, but it hurts your feelings anyway and the best part is, you can't do anything about it. This is great, I'm loving this. Here, let me think of a few mo—aww, she left. Come back! I was just getting into it."

"…You were kind of mean, Agatha."

"I think what you meant to say was, thanks for not letting me get stabbed, Agatha. You're swell."

"…You do still like her, though, huh?"

"What? No, I don't."

"You're such a liar. You know, maybe you two deserve each other."

"So next time I'm going to let her stab you, okay?"

"Are you sure there will be a next time? She might not come back."

"Hah. You don't know Rio. She's obsessed with me. She always comes back."

"I don't know, you don't have a body, you can't really kill people, she hates ghosts and you were really mean. Don't you think it's possible she might move on?"

"...No. She wouldn't. ...she wouldn't..."

"...Yeah, so you definitely still like her."

"Shut up, Teen. Let me think. ...She couldn’t actually do that. Could she?"

Link to the masterpost

[houseofoddballs]

OK, wow, a lot of you really wanted to go for the "good" ending, right? Well, I'm sorry, but there was no good ending. Enjoy my little oddballs! Final word count is about 2,400 words!

Tw: aggression, angst, emotional hurt, vulgarity, physical abuse? Tell me If there are more to add!

This wasn't working. You stood inside your bathroom, propped against the sink as you stared into your own eyes. They just looked so sad now, so hollow. You could remember Simon cupping your cheek as he stared into your eyes under starlight and murmured against your lips how much he loved seeing them light up around him.

What you wouldn't give to have that again. Staring up at the stars with Simon, his fingers brushing through your hair. You missed the soft mumbled apologies whenever he would catch a snag, and the way he focused on you more than any silly constellation.

"Why stars?" You had asked him, on probably the third date where he took you stargazing with either a picnic or just some takeout. I mean, this was Simon after all. Deep, brooding, knew all of the vital organs and arteries on the human body, etc. He didn’t exactly seem like the soft stargazing type, especially with as clumsy as he was at romance.

You were met with a gruff grunt and a shrug at the time. But later, once you two had eaten and were just laying back together, hand in hand, he answered your question. "'S because no matter where I'm deployed, I know I'm always lookin' up at the same sky as you."

You were snapped back to reality by a sharp rap at your door and the voice of a Scottsman who you had began to secretly loathe. "Aye, lass, ya' mind bringin' up the wheely bin? Ghost said he would take the trash out if ya do." A soft sigh was leaving your lips before you could even process his words, turning away from the reflection of your despondent hollow eyes.

Snow crunched under your feet as you trekked out of the garrage to fetch the trash bin from its place next to the mailbox. Cold seeped through the thin layers of your clothing, a frigid therapy to clear your mind and remind you that you were alive. It was uncomfortable, but in the most comfortable and enveloping sort of way. Like a hug that lasts a bit too long from someone who you know just wants to help.

Hugs. You missed those.

Your eyes flicked up to the night sky, moving between the stars like a pachinko ball bouncing off of celestial pegs. Maybe this was it. Maybe it was time to put yourself first for a change. The very thought made your stomach twist and churn with guilt, but you were far beyond guilt at this point. It wasn't healthy for you to spend afternoons sitting on your floor with you back pressed against the door so you could just listen to Soap and Simon talk without intruding on their time. It wasn't healthy for you to make yourself dissappear just to please an overgrown child. It wasn't healthy for you to beat yourself up over standing up for yourself and what you needed.

So, this was it. You had to be done. Simon had been given more than enough chances to put you first, and he hadn't taken any of them. Simon had simply stayed off to the side complacently as Johnny pushed you further and further away. So beit then.

Soap won.

You didn't bother packing most of your stuff knowing that it would only make it harder to leave, and if you let yourself think about it too much then you were going to stay trapped, haunting their broken relationship. No.

Your favorite clothes, toiletries, and other things went into your suitcase as you finally decided to free yourself. With every item you packed, it felt like another link was cut from the chain that was wrapped around your neck, trapping you here. And yet, there is terror that comes with freedom. You canceled your phone plan that night and waited until Ghost and Johnny went to bed to make your move.

Guttural grunts and lewd moans were your signal to move, rolling your eyes as you left a single sheet of paper folded neatly on your bed. Neither of them hardly ever came to check on you, so you reckoned that you had at least a week before even Simon noticed your absence. Unless, of course, Johnny noticed your car missing. But, even if he did, it didn't matter. This was it.

"Goodby, Simon. I loved you."

And then you were gone. Tossing your suitcase in the back and driving off into the night. The stars were, and always would be, a painful reminder of Simon. But they say that time heals all wounds. You would just have to test that.

no. No. NO. NO!

Simon's hands trembled as they clutched the small piece of paper from you pillows, eyes tracing over and reading each line until he couldn’t make out the words through the tears welling in his eyes.

Gone. You were gone.

His angel, his sweet, his world, his everything. As much as he tried to fool himself into asking why, he knew the answer.

Simon loved you desperately. After everything that had happened to him, his father, losing his family, being buried alive, being hung by his ribs, all of it; after all of it was when he had met you, and Ghost felt truly alive in a manner he had never felt before.

There were quite a few differences between feeling alive in the heat of battle and feeling alive with someone you love, and yet, both of them made Ghost acutely aware of his pounding heart, both of them made Ghost's stomach twist up in knots, both of them brought blood to Ghost's face.

And Ghost wouldn't have had it any other way. Ghost had spent so long being Ghost, that he was starting to forget who Simon was. But you changed that. A simple holiday with Price, that was all it took for him to meet and fall so ridiculously in love with you that he walked around base with a dopy grin under his Skull balaclava at the thought of you texting him.

As Simon numbly sat on the edge of your bed, clutching so tight to the paper that he was afraid it might shred, your entire relationship flashed before his eyes.

Your first date, your first hug, your first kiss, your first time, When he told you his real name, the first time he took off his mask in front of you, the first time he broke down to you. How could he have been such an idiot?

Simon tired to think back on His and Johnny's relationship in a similar way, but it just wasn't the same. They had been great friends in the task force already, so when they were both captured together, of course that was when things had to change.

Sure, he had fallen for Johnny's kind words and beautiful eyes when they were tied together and bleeding on the cold concrete. Ghost should have known better!! But when the stubborn Scottsman confessed so sweetly so that he wouldn't die with any regrets, well, it was hard not to feel touched.

But they just weren't compatible.

Johnny was loud, immature, selfish, didn't think very far ahead, and he was just so clingy. And, yet the thought of leaving him made Simon's heart ache whenever he thought about it. Johnny didn't treat him like he was in love, but Ghost was sure that Soap loved him in his own way.

But it wasn't worth this. He tried calling you, searching for you, emailing you for the queen's sake! But he found nothing. You had been so isolated that you didn't really have any friends that Simon knew of. He was just lost.

He should have taken the ache of being honest with John over this overwhelmingly hollow torment in his chest. When you left, you took hardly anything, but you took everything from Simon.

The world became colorless, music lost it's rhythm, food lost it's taste, life lost its luster. And Johnny? Well, he became a lot harder to tolerate.

"Did ya hear their makin' a new-" "Not now Johnny." It was like he didn't care. Didn't care that you were gone, didn't care how badly Simon was hurting. "Is this about the lass again? Look, I'm sorry Si, but it's not your fault she didn't care enought-"

"Shut up." Soap looked at Ghost in shock for a moment, a brow quirking up. "What?" "You heard me." Now Johnny's brows were furrowing, his lips setting into that stairght line that meant he was about to win.

Something about Soap? He was impossible to argue with. He would argue in circles to the point where it didn't matter which side he was on as long as he won, which was incredibly frustrating to say the least and made any arguments completely pointless because he would win in the end out of sheer exasperation. It was just easier that way. But not this time.

"Shut. Up." "Look, ya' ken nae go blamin' me for the way she left! She-" Simon was up in an instant, a hand around Soaps throat, effectively shutting him up and pinning him to the wall. Johnny reached up and clawed at his wrist as Simon squeezed just a bit too tight, he could feel Johnny's windpipe being crushed into itself. But he didn't care. Not right now.

"You absolute fuckin' nubty. You just don't get it, do you? Well, seargant, let me spell it out for you, you dense fuck." Simon's eyes were burning, but this wasn't Simon anymore. He could almost feel his balaclava over his face as he glowered down at Soap, eyes filled with disdain and mallace. This was Ghost, someone who hadn't been out to play in years, despite the name sticking around.

Soap winced as Ghost tightened his grip even further, a snarl meeting his lips as he spoke. "She was MINE. And I was hers. We'll use a pie for the sake of your small. Fucking. Brain." Each venomous word was punctuated with a twitch of Ghost's hand, a lingering desire to just squeeze all of the life out of Soap right here and now.

He could see Soaps eyes rolling back as dark spots were inevitably clouding them. That was no good. He had to be awake for what Simon had to say. Ghost loosened his grip just enough to allow Soap the bare minimum of blood and oxygen before delivering a harsh slap across his face with his free hand.

"Ah ah ah sausage, stay with me. So, the pie. She goes and gets a third of the pie because I'm in the military and she doesn't get to see my beautiful mug very often. Then, she hears that I'm coming home for good. She gets all of that delicious pie. Ya' followin' me Johnny?" A strangled nodd. Good. Ghost didn't care about the strangled noises leaving soap or the way that tears pricked his eyes.

"Good boy Johnny. So, she thinks she's getting all of this pie that I am. And then, I come back toting your arse along like some fucking new pet. Well, now she thinks she only gets half of the pie. But she still agrees because she was a fucking angel." Ghost's voice was cold again, filled with the same gruffness that the military had imparted into him.

Ghost hadn't been out in ages. It felt good. Ghost could feel Soaps pulse under his fingers, feel his lifeblood. It was intoxicating. He loved that look of pure terror, missed people looking at him like the monster he was.

"Except, instead of half of the pie, she's still only getting a third, because SOMEONE is a greedy fucking pig. Wonder who that is, Johnny?" Ghost cocked his head to the side as he dug his nails into the flesh of Johnny's neck, reveling in the way that he winced.

"And then what happens? This little piggy goes and takes even more of the fuckin pie. You just keep taking and taking and TAKING until all that was left was fucking crumbs. Do you get it now? You fucking muppet."

Soap nodded furiously as he gripped Ghost's wrist, trying desperately to pull him off. But it wasn't Ghost's fault Johnny hadn't been working out as much. Five years ago he would have at least been able to put up a fight. This was just pathetic to Ghost.

"And so, she lapped at your fucking crumbs like the good girl she was, because she fucking loved me. Do you love me Johnny?" Ghost cut off Soaps nodding with a glare. "I know your cock does, but that's not what I'm asking. Do YOU love me? Because I don't think you do. I think you love having someone complacent to you. You love thinking you have complete control and having everything bend to your fucking whim."

Ghost pulled away finally, letting Soap crumple to the ground coughing and clutching his neck. Ghost just shook his head and made his way to the door, grabbing the keys to his jeep off the rack and his familiar skull balaclava as he did so.

"Pick yourself up. Shits about to change, and I'm done letting you walk all over me. You better hope I find my girl again, or you better be gone when I come back. Your choice Johnny."

It wasn't good, wasn't healthy by any means, but everyone had a breaking point.

And you? What did you do? You lived. Love was definitely off of the table, but you managed to find a place to stay with a nice landlord who helped you find a job in your new small town. A nice older gentleman with sandy chops and a fatherly disposition. He became your best friend. Romance was dead to you at this point, but he was just so gentlemanly and sweet.

Little did you know that Price had forbid Simon and Johnny from your life after what you told him. He was protecting you in more ways than you knew from both the devil you knew and the devil you thought you knew. Simon was ravenous, like a rabbid dog desperately trying to get to you. But Price wasn't going to let him hurt you anymore.

And he didn't.

[aviradasa]

Eu Hi, I saw that you were open to requests. I really need to satisfy my desire for Juuzou headcanons.... I need to read something about my husband.....(well, it could be random headcanons)🍰🤍

no, thank you for enabling my ideas, lol. I am so happy to write to him. This is my first time, and I had absolutely no idea what to do, but I'll get better. i promise. This is a little short and late so I apologize in advance!!

Juuzou x reader Hc

Ok, starting off. A lot of people think he wouldn't like to be touched. But i think it's the opposite.

He is extremely touchy. Not it that kinda way he just likes to give you lots of hugs and stuff along those lines

Hand holding,slinging an arm over your shoulder, linking his pinkie with yours-

He just really loves stuff like that.

But he does it a lot in public, and he doesn't understand the concept of PDA being frowned upon.

Well actually your not sure it he's actually confused or just doesn't care.

But that's the fun part you never know with him.

Another thing he adores is doing your hair. And he's surprisingly good at it.

He knows how to do a bunch of intricate hairstyles, and it's one of the few times you get to see him truly focused besides when he's touching us his stitches or trying to draw.

Speaking of stitches.

He would probably want to give you some to match his. And if you agree, he gets really excited.

If not, he will drop it for a little bit . I will probably ask you again every once in a while.

You just gotta hold your ground.

Switching gears a bit tho.

People alot of the time do forget juuzo is really smart

Just cause he acts a bit childish does not mean he's clueless.

And he really likes to make you remember this. It's his favorite thing to watch you look at him in a bit of shock when he says something smart as hell.

You could be confused about something, and he will just pop up behind you, give you an answer, and run off with a laugh and a smile.

On the other hand, though, he gets more confused when it comes to social interactions.

You do a lot of the talking.

If you didn't, there would be a lot more drama surrounding yall cause juuzou has zero filter.

And this can be an issue cause..

Yall gossip to damn much

Come home from a long day at work, and either he's waiting for you to tell him the tea, or he's got the most jaw-dropping shit to tell you.

Apparently, they are messy as hell at the CCG 😭.

And it's perfect because people tend to get the impression that he's not listening to what's going on around him when he spaces out.

Yeah he is listening to EVERYTHING.

You two are like that couple who are just best friends, honestly.

Always together, always on the same page. It's lowkey adorable. Sometimes a little creepy. But it's whatever.

I will say this

Personality wise, if you are a calmer person it's really nice cause you balance him out a bit, and your personality mix together a little so he might chill a bit more and you might gain some of his energy, which makes life a bit easier for everyone including you guys.

But if your just as hyper it's a whole thing. You guys are crazy together. Lowkey be enabling each other into doing dumb shit on the daily, and that can get a bit dangerous as juuzou has a high pain tolerance, so 1. If you dare him to do something stupid and he gets really hurt, he might not notice right away, and it could cause issues. Or 2. He dares you to do something, not aware of how painful it should be, and you end up getting hurt.

Either way, somebody is injured.

It's ok though at least yall are happy together. 😭

Being dead serious, yall surprisingly have a pretty stable relationship.

Like it's lowkey healthy and it surprises people. Like nobody expects someone like him to be able to even find someone let alone keep a partner around. So when he does and you don't go anywhere people are kinda like

🤔🤔🤔

Scratching their chins like "if they can do it why the hell can't i." You know.

But yeah that's about it. I hope you enjoyed again this was my first time writing for him so I'm trying to get a feel for the character. Have faith i will get better 😭 i love you all have a lovely day/night

[midnight-bay-if]

How would the RO's help an MC who refuses to go to sleep? Maybe because of nightmares?

(There may be a little of this in the game. So, I'll give a teaser, haha. Also, S is absolutely going to fail at taking their own advice.

I will also link this one since it explores what the ROs would do should a nightmare occur.)

S: As someone who suffers from night terrors, S has become begrudignly familiar with this problem. They've dealt with it alone for a very long time and have been very bad about accepting advice in dealing with them in the past. Now, it's come down to passing that wisdom on to you (they're being very hypocritical, and they know it).

Still, they would rather not watch you suffer, sleepless and spent. The first thing they do is push the end tables further from the bed, just in case you're a mover. They begin to encourage you to partake in meditation and yoga. This is something they never kept up with, so if you agree to participate, you unwittingly bring them back into the fray of healing. If that fails, they will offer to read to you as you cuddle up together in bed until you fall asleep.

It acts as a promise. They'll stay by your side, sleep by your side, and battle any demon that dares disturb your peace... if you are willing to do the same.

Rain: Rain has never been one for sleep, either. But they've spent enough time with S to recognise the importance of sleep for humans. The first time you protest, they brush it off. One night won't hurt, right? You can stay up with them watching old movies and eating snacks, and hopefully, you'll fall asleep with them on the couch.

If it continues, however, they talk to you about it. They will ask, gently, why you seem so averse to sleep. If you are willing to discuss it, Rain will work closely with you to devise a solution.

If you aren't willing to open up to them, expect Rain to become very annoying. Rain never knows how to handle situations when they don't know how to fix them. In their mind, no problem should be left unheeded. You are worth their time, and you're worth your rest.

Taj: Taj will handle your sleepless nights how they handle everything. Grumpily.

"What do you mean you don't want to sleep?" He grouses. "Stop your chirping, Koel, and go to sleep."

If you choose to divulge the nightmares and the terror they derise, a little bit of guilt will trickle in for their abrasiveness.

With a softness they do not show, they will take your hand and guide you to the bed with them. Taj climbs into the bed, holding the covers up to invite you in with them. Without a word, they settle in for the night. You're confused until you feel a tail carefully wrapping draping across your waist. A reminder that you aren't alone, and Taj will be there should terror visit you that night.

N: They already know why. They've borne witness to those pesky little demons that plague your dreams already, and it wouldn't surprise them to learn they have even added to them. So, when you refuse to fall asleep, the answer as to why is simple enough to decipher.

The question comes easily: "If you like, my dear, I could ensure you have only pleasant dreams tonight. With your permission, I could guarantee only pleasant dreams every night."

There are a few perks to dating a demon if you are the type to take advantage. If you aren't... Well, it would be a lesson in restraint for N. A lesson they would most likely fail.

Umbra: Umbra has heard only secondary tales of nightmares. To them, it sounds very similar to what they experience awake. It hurts Umbra to imagine you going through such a threat without the means to defend yourself.

"I will be here, MC. Sleep, and allow me to watch over you."

It may be a selfish hope to imagine you would believe them enough to keep you safe, but they do hope. If not today, if not tomorrow, they hope one day you will lay your head on your pillow, secure in the knowledge that Umbra would never abandon you to your scourge.

(One day I may learn how to answer these while keeping them somewhat brief, lol.)

[shuinami]

Jess and Hobie: their defining strengths + their weaknesses

I had a thought about Hobie while I was writing, have been thinking about Jess for a while and then this post about Miguel came out and it made me kind of want to yap. I'll only talk about Hobie and Jessica here because I'm biased + Peter & Gwen have been talked about a lot + I linked a post about Miguel + Miles & Pav have simpler, more obvious flaws that basically come down to youthful naivety.

I also find it really interesting that their flaws are basically opposites, Hobie's comes from "inconsistency" whilst Jessica's comes from stubbornness. And again, both these flaws come from their greatest strengths.

TL;dr

Jess' defining strength is her resolve when it comes to fighting for what's right and tussling with destiny but it causes her to have a one-track mind, even if it comes to dedicating herself to something wrong (from being misguided).

Hobie's defining strength is his optimism (e.g. anarcho-communism) but the extreme difficulty of pursuing those ideals and the struggle against systems can bring that optimism to a breaking point, causing him to be inconsistent or, more directly, to give up.

I think people forget that Jessica's pregnancy is by design and not just a 'feature' of Jessica Drew as a character. She was deliberately chosen to be represented in this stage of her life and I think it is so important to her character, even if it's not in the traditional way that pregnancy is typically portrayed as in media.

I think her pregnancy shows the kind of person she is: most obviously, it's cold, hard evidence that she's a bamf who takes care of spidey business even while pregnant.

More importantly to me, though, there's an implication that, as her universe's one and only spidey, she has been the one to save the day and been the change she wishes to seek, effectively enough that she feels comfortable bringing a baby into the world.

Unlike someone like Peter, she does not make the choice between bringing her child to work with her or leaving them behind. She just has to do what she needs to do to make sure her kid is safe, there's no failing for her. During her pregnancy, it's always going to be a matter of life and death. Jess is well aware and, instead of shying away from action, she's just committed to not making those kinds of mistakes. To get over her losses. She's going to take charge of her own world's destiny as she has always done and she's going to make sure it's good.

Her strong allegiance to Miguel's ideas is her most glaring flaw to us as an audience because A. we're seeing things through Miles' eyes, she's standing in the way of him saving his father and B. we know that Miguel can't be right about canon events - we know they wouldn't make the movies as bleak as that.

Of course, taking a step back from our perspective, it's also a flaw because she is being antagonistic to a teenager as a grown adult. It might make her seem cold and harsh.

However, Jess was the one to vouch for Gwen, to take her in, even though Miguel didn't want her to and they could have left things up to the web of destiny. Jess trusts her own capabilities but she doesn't trust the world to be kind. She doesn't assume Gwen can handle things just because she can, either. On top of being sympathetic, I think her dedication to being the change she wishes to see is why she accepts Gwen as a student; she trusts that a young girl can make the world a better place too, it's not a thing where she wants to micromanage everything. She just wants to know the multiverse is in safe hands. That's her "great responsibility".

The only reason she is following the anti-Miles agenda is because Miles, as far as she and anybody else in-movie knows, is jeopardising the existence of every universe (insidiously via the holes). Maybe, in another position, say, a bright-eyed teen who mainly worried about high school and puppy love, she would be more willing to risk things, to see how it goes.

She's not in that position though. Her world that she felt confident she had the power to keep safe has been made uncertain. One day, it could just go poof, along with her baby, and she wouldn't be able to stop it in the moment. If she makes the right decision now, if she doesn't make a mistake, she can prevent it. It's understandable that she's going to do whatever it takes to prevent anomalies.

What was the canon event chosen to represent her?

Her version of the moment from "The Final Chapter".

It comes from a story that largely focuses on Peter's personal life before spiralling into action to make up for a mistake that has made Aunt May fatally ill. In the panel, Spider-Man is trapped under machinery with the cure - the thing that will absolve the mistake - just out of reach. As the lair is flooded, drowning is imminent.

Against all odds, though, Spider-Man pushes past what should have killed him and rises to the occasion, with the thoughts of saving Aunt May and refusing to have a repeat of Uncle Ben.

"I won't fail you. No matter what - I won't fail."

Jess has had to handle her own fate as well as her world's. Now that the multiverse is involved, it's not going to stop at her own universe. She has to stop this. She won't fail. As per the dialogue between her and Gwen in ATSV, she's made a mistake before (by getting too close to someone) but she tells Gwen "I got over it". Sounds so savage in the moment but she still gives Gwen a chance to make her own situation right before letting her get kicked off the team. Helping Gwen in spite of the anomaly would be a mistake if she couldn't handle this.

And when the Spot gets away and Miles enters the picture? The gloves come off. It's tempting fate at that point. Jess' no mistakes mindset pushes her to even prepare to roll up on a teenager.*

Her greatest strength is her resolve - I mean, hell, she doesn't let even pregnancy slow her down when it comes to saving the world - but it causes her to be stubborn and leads her down a misguided path.

*By the end of the film, she seems to be questioning Miguel's method, though. On top of the fact that BTSV is obviously going to end on a good note, I think Jess' fight against destiny is going to have her come around in the end as Miles is doing the same thing.

Onto Hobie:

I luv luv luv Hobie as much as everyone else, he's definitely my favourite but I feel he has his flaws too (which tend to make me love my faves more lol).

In fact, I think he says what they are when we first meet him, though they are veiled as jokes.

I find that the audience tends to position him as a perfect distillation of anarcho-communism at its best. I think the teen spideys see him in a similar light; they see him as effortlessly cool & charismatic, a wise mentor figure ("use your palms" + his play fighting with Pavitr featured him taking on the stance of a boxing trainer as Pavitr tried to punch his palms) but he's not like the adult adults - he's relatable, he's cool, he's anarchist, he's not always on their case like Jess and Miguel.

He neither calls himself a hero nor a role model... but he is the perfect hero and role model, right? He's the best! He's the only one who's looking out for Miles and, when Miles is getting chased down by the entire society, what does he do?

He... quits.

Wouldn't that perfect hero we all believe him to be swoop in with his cape, know exactly what to do and save Miles, the underdog? He can't have possibly known Miles would manage against the society and, if he knew it was possible, then why wouldn't he lend a hand? He didn't drop off the watch in Miles' dimension, he gave one to his bestie, Gwen, likely in the scenario that she wanted to quit or got booted because 'it [didn't] work out'.**

I think Hobie's major flaw is his lack of consistency, as he famously said himself.

He has a strong moral code - he believes in the right things for the right reasons... but communism and anarchy are pretty much impossible to properly/entirely employ in a system that is consumerist, capitalist and authoritarian. He riots, he fights, but it's never over. London isn't free. In my experience, people with strong moral compasses tend to have issues with themselves because they hold others to higher standards than most and hold themselves to even higher and impossible standards (think Diane from Bojack Horseman).

One of the first comic panels I encountered of Hobie was him getting real with Captain Anarchy about losing morale because, despite killing President Ozzy Osborne, the face of fascism in his dystopia, nothing changes. He wasn't able to save the world like a hero in a movie or like a proper role model. He 'failed'. When you give your everything and nothing changes, no matter how optimistic, clever or read-up on theory you are, it can be hard to keep going.

And what is chosen as his defining canon event?

His version of Spider-Man quitting in "Spider-Man No More". Rather than being fed up with the world antagonising him as 616 is, Hobie is done with an antagonistic world.

The Hobie/Spider-Punk that has been built up externally, as far as I understand, would never give up. He'd keep raging forever and ever because that's the cool thing to do, because it's the heroic thing to do - because it's the right thing to do.

But under the mask, he's just a teenager, imperfect as any other.

He's still a Spider-Man too. Before the bite, he was another lanky black boy in racist-af, peak National Front, send-the-blacks-and-the-Asians-back, '70s England. He's a nerd, as evidenced by his ability to build such a high-tech watch, especially as a teenager who wouldn't have had access to anything like it until joining the society, meaning he had to pick it up quick. And I'm to think he didn't have any Flash-esque characters in his life? "Come out of it."

As Spider-Man with the mask on, he yells to the rooftops; as Hobie with the mask off, he mumbles and whispers. Sure he looks cool now but people don't tend to come out of the womb as Spider-Punk. On top of that, he's still so young and surely has plenty of room to grow.

I believe he joined the society in earnest, optimistic that he could help the multiverse but eventually reached his limits with actively facilitating death and trauma, with saving the multiverse not meaning freedom in his own universe, with being shackled to the web of destiny. I'm not convinced he made the watch in one day; I think he had been planning on quitting for some time and was waiting for the right moment (as he also wanted to support Gwen because friendship is important to him). That's why he tries to dissuade Miles from joining but, when he does leave, he doesn't go out in a riot, he doesn't even leave knowing that Miles has people on his side other than him. Hobie just quits.

I think his greatest strength is his optimism (his anarcho-communism & adamance about "love, joy and freedom" as per the un-permitted performance art pieces in his montage) but he's smart and he's been through shit - he isn't naive like Pavitr or Miles - the great heights of that optimism lead to intensely low lows.

**(I don't really see why or how he would have been able to predict everything that happened in the chase. I know that the watch is set to 1610 but if Hobie believed Miles would make it out of 928 and get back to 1610, would that not be things 'working out'? Or did he predict that he would get to the go-home machine but was the only one who considered that he would be sent to the place his spider came from. Why? And why wouldn't he set the watch to 42 if he knew Miles wouldn't be in 1610? I feel like the 1610 on the interface is just there to be there and that Hobie gave Gwen the watch so she could have the freedom to leave 65 if she wanted to, in the event that she quit the society because they captured Miles or because Miguel kicked her out as Jess kept warning.)

[sysmedsaresexist]

I spoke with Colin Ross again.

The original post, for those who missed it.

This is going to be really disjointed and rough. I've been put in a really weird position and I want to just... talk about it. This is okay to reblog, I'm sure there's pro/endos that have been waiting for this. Unfortunately, it's going to be attached to a vent.

Sadly, talking to him brought up a lot of bad feelings. I'm still so sad to see so many people turn on me. I'm disappointed that there was so much pushback. I'm disgusted by people's hypocrisy.

People wanted to know why I wasn't posting my side of the emails to Colin Ross, they tried to say he didn't believe those things anymore.

So I emailed him again, recapping our previous conversations, and asking him if he still believed in non traumagenic plurality.

And he responded that he does.

I thought I could post it, and that would be the end of it. Proving we had spoken before, confirming the topics discussed. But in my email to him, I shared what I've been doing since I last spoke with him, what prompted me to reach out to him again. The same thing that stopped me from posting my side of the emails originally. I wasn't entirely honest with him, either. I don't think I would have gotten a response if I had talked about tumblr.

And I'm simultaneously so excited and so scared.

This is a man that, in a very vague sense, formed a mentor/professional relationship with me. Our interaction overall was brief, but it was exciting to discuss his work with him, ask him questions that had been bothering me-- I told him about myself, my educational and work background. I used my real email and name. My real school. He's Canadian, we talked about it. I shared real details of my life, and while it wasn't necessarily in confidence, I don't think he would appreciate knowing that I've shared his personal thoughts and emails on tumblr, of all places. I'm not lying or hiding anything in my side of the conversation.

I'm scared.

I'm terrified to post anything that could be linked to me. Even posting this, I'm like, "can people like... reverse edit my picture and get my email?" I genuinely don't know.

I worry about posting the full screenshots with his email, knowing people won't believe me if I don't, but not wanting to have these ridiculously immature people in his inbox. I have encouraged people since day one to find his email themselves and reach out. I figure that the only people who would put in that work are the people who genuinely want to learn.

But then I realized that there are people that could ruin the relationship I made with him.

People that could make it so that I can never contact him in this way again.

People could use this to find me, if they get Colin Ross talking. (The rational part of my brain says he's smart enough not to give someone else my name, but goddamn, some of you people are actually dangerous)

There are people that want to do that to me. People that hate that I even brought a professional into this conversation. And I get it. I sat on the original conversation for almost three years, remember?

It's really scary to admit you're wrong, that you've been close-minded and hardheaded. It's scary to confront your bias and actions.

But having him respond to me... I feel so lucky? Not that Colin Ross is a saint, but how often do you get to meet someone like him? How often do you have a chance to take advantage of a professional contact that seems willing and happy to have these kinds of conversations with you? Three years later and he remembered me. He took the time to answer me, again.

I don't want to fuck that up.

So I thought about reaching out to certain people, showing them the entire set of emails without any blockout and having them vouch for the authenticity.

Then I realized that I wouldn't trust any of you anti endogenic systems with any of my information after how you've all behaved.

And I realized that none of you are going to change your minds, no matter what I show you, and I'd rather to maintain my professional relationships than put any more effort into any of you.

And I know if I wait too long to post this, people will call it fake, so I either need to go ahead and make this post or just kind of let it disappear into obscurity.

It's so important, though.

Isn't it?

I can't tell anymore.

[midnight-mourning]

Two Animatronics Dancing—Oh, and You. You're Here Too

Holiday Spirit! au Chapter 2

*peeks into tumblr, looks around, drops this and runs*

Anywho, this chapter was a bit of a struggle for a bit there, I also just randomly felt bad so apologies for the delays, please enjoy! I went for the kill :)

having said that, Content Warning: Borderline/implied suggestive content, reader discresion is advised.

Ao3 link for those who don't wish to suffer (you should come back once you're done and read the tags and take the poll tho >:)c)

Word Count: 7306

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"Oh, I um—" You're still processing this is happening, you need to think, lest you make a fool of yourself in front of the king. 

You take a breath and bow. "My name is Y/N, your Majesty."

"Please, rise. After what you've done it's me who should be bowing to you." He chuckles, then waves you closer. "Allow me to thank you properly, if you would."

With a swallow, you walk forward, ignoring the tightening of the hold on your arm before it releases you finally. 

Once you make it to the carriage is when you finally pay attention to the others inside. Neither the younger prince nor the princess look happy to be there, though the princess seems to be greatly enjoying teasing her brother every few moments. The older prince seems aloof, annoyed, but when you catch his gaze he shoots a wink your way. 

Before you can think on it further the king is firmly clasping his hands around one of yours, shaking it. "Your quick actions have saved me quite the trouble. Might I ask how you had such knowledge?"

You give a—slightly mumbled—explanation regarding your work and your shop, to the king's delight. 

"Ah, so it's you who's been repairing my guards so quickly." The king chuckles. "I must say, fine work. Almost like new!"

You nod. "We try our best, your Majesty."

"I want to thank you for your work." The king announces, thinking for a moment, then snaps his fingers. "I'll be hosting a grand ball in three weeks’ time, I insist that you join in the festivities as the guest of honor."

Your eyes widen, putting your hands up. Out of the corner of your eye, you see the older prince—god you're terrible with names, what is it again?—straighten up slightly, small frown on his features as he watches his father.

"Oh, you're far to kind, your Grace. I wouldn't want to intrude—"

"Nonsense!" The king scoffs, then shakes his head. "No, I've decided. I'll see to it myself that you get a proper invitation." He turns away from you then, addressing the crowd. "Three cheers for the smithy!"

The crowd responds in turn and you feel like curling in on yourself. Not just because of the attention, but because of the King himself. There was something about him, something behind those eyes and that smile that you found off putting. Which, not the attitude to have towards a man who could wave his hand to decide your fate, but you're trying here. 

Soon after, the precession begins again, and continues without any further issue. You're still processing the entire ordeal however much later as you sit in the tavern up the street from your home and shop. Said shop having received an abundance of visitors in the past few hours.

Consisting of either new customers, curious festival goers, or fellow villagers congratulating you. 

You didn't even do anything that major, you just unplugged a few wires!

Your crew gave you hell about it, their teasing was incessant once they found out the news. 

It all had been so much that when Bri walked in your shop with the proposition of getting drinks like old times you all but jumped at the opportunity. Tossing off your apron and gloves and leaping into her arms—an old inside joke you used to play on each other—and with a laugh she carries you out of the shop and to the tavern. 

Now, here you were, the sun long gone and a pint in your hands that you've been nursing for the past couple hours. You'd have drank more if you firstly didn't have work tomorrow, and if you could manage to get a sip without being interrupted by a thank you or the likes. 

After the last person leaves, having been one of the chattier ones, you set your forehead on the bar with a groan. 

Bri pats your back with her free hand. "There, there, o great and powerful smithy. People are just being nice. Eat it up while it lasts."

"I think if I 'eat' anymore I'll burst." You say into the wood, then turn your head to the side to look at her. "It wasn't even that big a deal, I don't know why he made it seem like such."

Bri tsks, taking a sip of her own pint. "He's the king. A major disruption happened during an event he was present for. He has to make a big deal out of it. Especially considering how bad it could have been."

You cringe at that. You'd found out after the fact that Bonnie's malfunction had caused him to not only lose control of himself, but prior to being tackled to the ground had attempted to point his weapon at the King. That had been the lone shot you'd heard, with the miss ending up in the sky instead. 

"Just be glad it's a one and done thing, could be worse in that regard."

You sigh. "True. Very true."

"You know, I wasn't expecting to see you out today." Bri looks up down to you with a soft smile. "You've come a long way."

You scrunch your nose. "Don't remind me. It's disgusting." You protest as she flicks your nose. 

"Getting through your grief isn't disgusting, you idiot. It's an accomplishment. One you should be proud of."

You sit up finally with a stretch. "Thanks. And what about you? What's new?"

"So much, and yet, nothing at all. I've missed it here though, I've been pissed off three years in a row that I wasn't assigned to come back." Bri huffs as you laugh. 

You grab your pint, taking a sip. "Guessing it's cause of the threats?"

"That's what everyone's thinking, but personally I think there's more to it than that."

That grabs your interest. "You don't say?"

"Yeah, and I'd say it's because so many animatronics have been acting up lately, but that just started when we arrived here." Bri shakes her head. "I shouldn't be talking about this, you're probably tired."

"No!" You say, then cough, trying again. "I mean, no I um, find it interesting. I'm the one doing all the repair work, you know. Is that really the best you've all been able to come up with is just beating them senseless?"

She shakes her head again. "No, that I'm not entirely sure on, but I've noticed there's been a large number of bots stationed in certain locations throughout the castle, and town, for that matter. Places that just seem odd, you know?" She takes another sip of her pint, finishing it and waving her hand for another. "But I swear, it's when they come back from those locations—already a bit banged up mind you—that the glitches start happening."

You take all this in like sponge. Then, licking your lips you ask—"Which spots out of curiosity?"

"Town, just look anywhere that there's way too many guards. In the castle it's been the library, the west tower, and the—"

"And just what are you two chatting about?"

You turn in your seat, finding Sun is standing behind you both. Behind him is Moon. 

Bri laughs, twisting to face them both fully. "Well look who it is! Didn't expect to see you two shmucks tonight."

"Shmucks is a bit harsh." Moon quips. 

Sun nods. "We prefer the term bozos, or fools."

The three of them chat back and forth for a moment before Bri remembers what she was saying. 

She turns to face you again. "Oh right, you wanted to know about the guards—"

"So, celebrating are we?" Sun interrupts, taking a seat on the stool between yourself and Bri.

You attempt to lean around him, but he sets his elbow on the counter, head in his chin, essentially creating a wall between you and Bri.

You frown. "We were, before you jutted in."

His grin only widens a tinge. "That's not much a greeting, friend."

"Well, considering you just now decided to acknowledge me, I could say the same to you."

You hold each other's gaze until a hand is set on your shoulder; Moon. He sits on the opposite side of you, taking your free hand to press to his smile.

"They're right, Sun. Good evening, Diana. How are you?"

You scoff, small smirk on your lips as you turn to him a bit more, ignoring the ticking sound behind you, and the tapping—of what you know is—a golden claw. "Just because you gave a proper hello doesn't mean you're any better."

"Late is better than never." Moon argues.

You reach for your drink again with a nod. "To some extent, I agree with you."

"I'll take that." Moon waves to the bartender, surprising you.

You keep your eyes trained on the pint that's set in front of him, then to him when he raises it to his mouth, pausing to meet your gaze.

"Something the matter?"

You're in denial. "You can drink?"

"I'm older than I look." He chuckles.

Your eyes narrow. "That's not what I mean and you know it."

"We're living machines. We have thoughts, feelings, and pain." Sun remarks, and you turn in time to watch him sip his own drink. "With all that considered, it be cruel to not be able to."

You twist in your seat again, genuinely curious and outright confused. Be it your own impulse or the small amount of alcohol in your system, you reach up with both hands to hold his face. He's less than impressed.

You rub your thumb's over his cheeks, brow furrowed. "What material is this? It's... spongy."

"Decided to acknowledge me now, have you?" Is his mused response.

You huff. "Let's call it even. Answer the question."

"Silicon. I believe." He puts a hand on one of your wrists. "Now are you quite finished?"

You don't care to take the hint. Still examining. "No. Why the mostly constant grins then?" You glance over to Moon slightly to be able to address both of them.

"More appealing to the public eye." Sun states.

Moon shrugs. "Laziness."

You nod, releasing Sun finally and reaching for your drink. "Never seen the like before."

"Well, seems you don't know everything after all." You must have genuinely annoyed him, you can hear a whirring sound emitting from him, just above the sound of the crowded tavern.

Moon chuckles are you bluster at this. "Who said I did?"

"That's the word going around, after the show you put on today." He offers up.

"Hardly. Believe me if I knew it was going to cause that much of a fuss I wouldn't have—" You pause, remembering the alternative. "Well, I suppose I still would have."

Moon sets down his—now empty pint—waving his hand for another. "What's done is done. You did the right thing."

"Though maybe not the wise one." Sun mutters into his mug. But before you can question him on it he's looking over you to his counterpart. "I'm not helping you back if you drink yourself into a stupor."

Moon's eyes crinkle, resting his head on the back of his hand. "Aren't you such a good friend, Sunny?"

"We're not friends." He bites, looking away, cup creaking under the force his hands apply to it.

Moon must've not been expecting that response. His grin falters, then he tsks, facing forward and taking a long drink from his pint, setting it down again with a muted thud.

Silence. Then, a realization.

"Wait a moment." You lean around Sun easily this time. "Where's Bri?"

Sun hunches further over the bar. "Dancing. Left some time ago. While you were busy 'chatting'."

You glare at him at moment but say nothing more. You'll leave him to his brooding. You twist around to face the rest of the tavern, taking a moment then spying Bri among the dancing parties.

"Why that little—" You glance back between the two animatronics.

Of the two, Moon seems in higher spirits, contently musing over his drink now. You'll take your chances on him, then.

You stand, grabbing his hand. "Come on."

"You want to dance?" He sets the mug down, surprised, but stands up.

You start dragging him out to the floor. "Hardly. I want to give her 'what for' for abandoning me, but it's a partner dance and I don't want to make a scene." You turn back to him for a moment. "That a good enough reason?"

His faceplate clicks, then his surprise turns to his normal grin, snickering. "Enough for me."

"Good."

The two of you integrate into the group seamlessly. You've never been much of a dancer, but despite this, the two of you move well together. It's some jovial, upbeat, song, and you fall in step together well. Despite being much taller—and you think maybe just a tad tipsy—Moon makes a good partner. You enjoy it more than you were expecting to.

However, you remember your goal again when Bri dances by you, not a care in the world. You make eye contact and she grins at you, speaking just above the music.

"Look at you! Thought you weren't the dancing type."

You scowl. "I'm not. You left me!"

A spin about the room, then returning to your original positions.

"Oh, you were fine. I left you in good hands." She nods to Moon. "Isn't that right?"

He nods. "Indeed."

"Of course he's going to agree with you!" You huff, then shake your head. "I'll forgive you if we can finish our earlier conversation."

"Right now?" She asks and you nod. She's not even surprised, just protests. "But I'm dancing!"

You open your mouth to respond, but before you get the chance you're spun away again. You curse under your breath, glaring up to your dance partner.

"I wasn't finished." You state.

Moon bends so you're a little more eye to eye. "I know. But this isn't the time or place."

Your frown deepens. "Just how much did you hear—"

Moon takes the lead. Or at least, more so than before. The two of you begin to dance faster, grander, more elaborate. You can hardly keep up.

One moment you're on the outer edge of the circle of dancers, but now find yourself front and center, some space having been cleared out for the two of you to take the stage. The musicians begin to pick up pace to match your energy and you can't do anything more than focus on not making a fool of yourself. Much less think.

You're about to be protest being tossed around like a ragdoll when Moon spins you back into his chest, leaning down for a moment.

"Let go and let yourself enjoy the moment." He mutters, then spins you back to face him. "For once, don't worry about anyone but yourself. Please."

The sincerity in his tone makes you hesitate. Something about it striking a familiar chord. So, you relent, relaxing and letting the song take you.

Keeping up becomes easy after that. Simple. A smile growing on your face as you take joy in seeing if the animatronic can now keep up with you. And as he picks you up for a final spin you feel something you haven't for a long time. A sense of happiness you rarely feel these days. It's in that aftermath while people are cheering all around you that your eyes meet with a face watching you from the bar.

Sun's glare is scorching, posture far too relaxed for the frown he's wearing beneath that hardened gaze. Your eyes meet and your stomach twists. Triggering some long forgotten memory with faces you can't recall and names that are still deeply buried.

When you escape it, shaking your head to move it back to the recesses of your mind, you see he's facing away again, ordering another drink.

Had you been paying closer attention you'd have realized he was watching the entire time.

"Are you alright?" Moon asks and you look back to him You envy the fact that he's not out of breath like you. "I apologize. I suppose I got a bit carried away for a moment."

You take a few deep breaths, nodding. "Fine. Just next time? Ask before assuming I can keep pace."

"Won't need to." He says, leading you off the floor as another song picks back up. "Now I know your tempo."

The night ends for you sometime after that. You'd not intended to be out very long in the first place. And with those damn guards seeming hellbent on keeping you from talking to Bri—even while intoxicated themselves—there was no point to you lingering any longer. 

So, you say your goodbyes and leave the tavern, heading home. Your head hurts, either from the stress of today, or the stress for tomorrow, and maybe because of that last pint you chose to chug before leaving. Who's to say, really?

You're ever so curious to what's happening up in that castle, now more so than ever. While there's nothing you could do about it, you can't help but be concerned for what it all might mean. Not to mention, another child went missing this evening. Just before dusk this time. If your shop hadn't been flooded with spectators you'd have volunteered yourself, instead of just letting part of your crew go.

You think it may very well have been haunting you since, hence your insistence to ask about the damage to the animatronics. It was a distractor, a way to keep your mind from wandering and fretting over the what ifs. You shake away said with ifs right then and there, your siblings are safe. And you'll do everything in your power to keep it that way.

The crunch in the snow behind you alerts you to the fact you're being followed. It's late, and you have another few streets to traverse before you can get home. So, you stop. Reaching down as if to tie your boot but in reality are grabbing your knife. It's not much, but it'll get the job done when needed. And you're hoping it's not needed.

Slipping it into your sleeve, you stand up and turn around. "May I help you—you're joking."

"You're the joke if you thought you were going to walk home alone, Bright Eyes." Sun stands behind you, his tone not being nearly as intimidating as he thinks he's being with that slight sway to his stance. 

You scoff. "Some good you'll be. I can handle myself just fine, Pretty Bot." You feel your brows shoot up at that, likely matching the look on Sun's own features you're guessing. 

He relaxes quicker than you though. "You think I'm pretty? How sweet."

"Don't start. It was merely a slip of the tongue." You scowl, but take his hand when he offers it. The nickname troubles you. But you're too distracted by him leaning down into your field of view to think on it further. 

His gaze is half-lidded again, lazy. But you can still sense a sharp wit about him. "From my understanding, drinking makes you more honest, not less."

"Then I'll be blunt with you and say it was meant to be taken as an insult, how's that?" You say, marching forward finally. It's cold out here and you don't have time for his, whatever this is.

A pause as he thinks on it, nothing but the sound of your combined footsteps in the snow.

"Hurtful, but I won't hold it against you for suddenly becoming bashful."

You huff. "That's not—"

You're cut off as Sun suddenly spins you around and into a dip, bending low.

"Don't you dare drop me." You warn. Though his grip on your hand and back are firm, secure. 

He tuts. "Oh, let me have this, won't you?" He mutters something you can't quite catch, almost seeming to be staring through you before setting you upright again. Starting to walk again without another word. You call it a bit of drunken foolishness and let it go.

The streets are eerily quiet the closer you get to home. Of course, off in the distance behind you the noises of the night market still flit about. But down the road you're traveling it's nearly dead silent. It holds a peace that soothes you and your worries. 

Temporarily. 

"You shouldn't have accepted that invitation today." 

You look up to the sunny bot, brow raised. "And I suppose you believed I had much a choice in the matter?"

"You didn't." He shakes his head. 

You scoff. "Then what should I have done then? I shouldn't have accepted but I had no other choice."

"The castle is no place for someone like you." 

Your eyes narrow. "Because I'm a commoner?"

Sun stops, turning to face you. Both hands take your shoulders as he bends so you're eye to eye. 

"Because they'll eat you alive."

You swallow, frown deepening. "You're a big help now, aren't you? Appreciate the vote of confidence." You shrug yourself out of his grip, marching on without him. 

"Wait, that's not—" There's static for a moment and he rushes to catch up with you, almost falling in step quickly with his longer legs. "Please, forgive my wording, Celeste. I'm not the most fluent at the moment."

You huff. "Yeah I can tell—What did you just call me?"

"I, I'm only—" He doesn't get to finish, as right when he manages to catch up with you again, he slips on a nonvisible patch of ice, falling back into the snow. 

When you turn to look back at him, his eyes wide, you see a slight fear in his eyes at your still hardened glare. But the ridiculousness of the situation and how overtly frazzled he looks for the first time ever, makes your burst out laughing. You clutch your stomach and throw your head back, not a care in the world for who may hear you. 

It takes you several moments to calm down enough to lower your volume to quiet giggling, looking back to him with tears in your eyes. 

"I, I haven't laughed that hard in years. Thank you."

You see his rays spin, able to do so with his hat lying abandoned in the snow. Then, he shakes his head, grumbling as he tries to collect himself to stand. 

"Here, take my hand you drunken klutz,"—you extend it down to him, giggling again while he looks for his hat—"Behind you, Pretty Bot."

He twists around, grabs it, and before you can think further his free hand grips your own, and pulls you down with him. Your eyes widen, stumbling and falling on top of him, your knees landing hard on the packed snow around his torso. 

"Ow." You groan, looking down for a moment, before glancing back up to tell him off. "Was that really necessary—" You cut yourself off, you weren't expecting to be just inches apart. 

His hand comes up to hold your cheek, eyes focused intensely on you. "Yes. Definitely." 

You just stare at each other for a moment, well, you more so at him. It finally clicks what he's looking at when his thumb swipes over your lips. Your cheeks start to burn and you cough. 

"Your hand's cold. And my knees hurt. So I'm getting up now."

You don't have to shift out of his grip, he release you himself, hand letting go as if he'd been burnt. He keeps that same troubled look on his face as you both stand up and start walking again. At this rate you'll be surprised if you ever get home. 

But, you finally turn the corner for your street soon enough, the pull of being in your bed growing stronger by the minute. 

"What did you mean that you hadn't laughed that hard in years?" Sun asks in the quiet.

You shove your hands deeper in your pockets, looking to the ground. "What did you mean by 'they'll eat you alive'?"

Silence. 

"You first."

You scoff, but relent. "I'd say it was the grief, but that's only been a year or so." You shake your head. "I lost a part of myself to someone, a long time ago. They took my laughter with them." Your hand comes up to your necklace gripping it tight before releasing it. "Your turn."

"The two you ran into on the street last week are nothing in comparison to actual nobility. They see everyone around them as lesser, including those at the same or higher ranking to them. And I fear should you attend in three week's that we won't—" Sun falters, shrinking in on himself. "That I won't, be able to protect you."

You mull over his words. "Who cares?"

"Pardon?" He looks over to you, drawn out of his thoughts. 

You stop walking, turning to him and poking a finger into his chest. "Why would anyone care what happens to me, especially you? You hardly know me."

"Hardly know you—" He stands straight now, towering over you. "Why do you have such a lack of care for yourself? And why would time matter so much regarding whether I care for your safety or don't?  I—let me ask you, that child that went missing yesterday, or the one today, do you have any connection to them?"

You shake your head. "None at all."

"And yet, you went searching for them last night, and would have tonight as well had you been able to, no?"

"Of course. Without question." You shrug. "What's your point?"

Sun stares at you a moment, then laughs, bringing his hand up to his faceplate and gripping one of the rays at the top of his head. "You've answered your own question, Celeste. And mine." He shakes his head, looking back to you. "Do your knees still hurt?"

"Terribly. Thanks a lot."

He nods. "Thought so. My apologies, allow me to remedy it." Before you can think, he's scooping you up, one arm under the back of your thighs, the other your shoulders as he carries you bridal style the rest of the way to your home. 

Flustered, you allow it to happen, assuming he'll set you down once you get to the door. 

"Do you have your key?" He asks, not setting you down. 

"I, it's unlocked."

He nods, taking a moment to open it and then bending his head to step inside. He locks the door for you, then turns around with you still in his arms. Seems he was serious about this. 

Your living room is quiet, dark, and you spare a glance at Clara asleep on the couch as Sun takes muted steps back through to your kitchen, then up your stairs when you point to them. 

"You have a lovely home." He murmurs when he reaches the top. 

"Thanks." You whisper back. "My room's at the end of the hall, but stop in the nursery for a moment."

Sun obeys, allowing you to peek in and see that Gabe and Lisa are both sound asleep. You feel lighter as Sun walks the remaining way to your room.  He sets you on the bed, stepping back once he does so. The comfort of your bed underneath you almost makes you want to flop back then and there to sleep, but you resist the urge and take off your shoes and coat. 

You get up and walk past Sun to set them by your bedroom door, snatching up your sleepwear as you do so. You walk back and around to the opposite side of the bed, staring at him as he simply looks on. 

You make a circle motion with your finger. "You mind turning around? I don't have one of those fancy room dividers."

His rays spin again, hat tight in his hands. "Oh! Um, sorry. I should, leave." He turns to go. "Have a good night—"

"Stay." You just manage to snatch his wrist, having had to climb up onto the bed and reach out for him. 

He glances back to you, eyes wide. 

You shake your head. "It's late, it's cold, and I doubt you have enough of your wits about you to make it back to where you belong alive. Not after you're little spill earlier." You chuckle, then nod. "It's fine. Stay."

His rays tick to the left a few times, then to the right. Then, he nods. "Okay."

You let him go, sitting back and he turns around once more, unmoving this time. 

"The other two going to be alright without you?" You ask as you slip out of your clothes. 

Sun nods. "I told Montgomery where we'd be earlier this evening. And Captain Perry is more than capable of handling her own." He chuckles. "And her liquor. Of the two it would be Moon that would be of concern, but they'll be fine."

You snicker. "That's Bri for yah. And captain huh? She's been busy." You realize that your knife is missing, and you start looking around for it. "Shit, where did I put that..."

"You dropped this in the snow earlier." Sun holds up your knife, still facing away. "Such a large weapon for a small thing like you."

You scoff, climbing back over the bed to take it from him. "Hardly much at all. Do you consider everyone shorter than you to be 'a small thing'?"

He snatches your wrist then, turning slightly to face you. slight grin on his features. "Truthfully yes. But especially those who take more risks than they should, like an immature teenager."

"I'm two seconds away from headbutting you right in that smart mouth of yours." You mutter. 

"Proving my point~"

You take your wrist, and your knife back. "You know. I could have still been half-dressed. Then you would've seemed like a creep just now instead of slightly humorous."

That stupes him. He stutters out a rebuttal as you set your knife on the nightstand on the left side of the bed, laying back on it a moment later. 

"Well? Don't just stand there." You pat the bed beside you. "You're sleeping in here so I can keep an eye on you."

It takes him a moment, then he sits down with a tsk. "I have no reason to harm anyone in this house."

"I have no reason to trust your words." 

Sun removes his boots, then reaches up to unbutton his coat, revealing a white undershirt soon thereafter. "You trust me in your home but you don't trust the things I say?"

"Action speak louder than words." You quip as he folds the coat, setting it on the end of bed with his hat. The last thing he removes is the claw from his index finger, setting it on the nightstand on his side. "Not the gloves?"

"You wouldn't like my hands." He says, laying down, then turning over to face you. 

You remember the feeling of that claw on your face earlier in the night. You wonder what's so wrong with his hands if he believes they're any worse than that. 

"You're bed is small."

You huff. "It's not built for nine foot tall animatronics, you mean."

"Just eight, though I know someone of your height and stature could hardly tell. The entire world must feel large to you." He snickers as you roll your eyes. 

You feel bold, your last minute drink seeming to hit you now of all times. You grabbed his clothed shoulder, pulling him closer. "Then curl up a bit then. Make the most of the space."

Before he can protest, you reach down and pull his legs up, and then entangle with yours. 

Seeing his wide-eyed, open-mouth stare you scoff, ignoring the heat on your cheeks. "What? You think you're the only man I've shared a bed with? Only person for that matter? I was stuck in the nursery with Lisa for seven years, and she is simultaneously a cuddler and a kicker."

"I, I s-see." Is his only response. 

Now you can't ignore the burning across your face and ears. "It's only weird if you make it weird."

"Weird? I'm not making it weird, you're the one who's bringing it up!"

"Because you're giving me that look, stop it!" You hiss.

His hands come up and over his face, muttering something. 

Your face is on fire now. "Since when are you bashful? Seriously, this is nothing—"

"Your knee, Celeste. For the love of the stars, move your knee." He manages to get out. 

You glance down. "What—oh." You quickly pull it back towards your body. "Sorry."

"I can't understand you." He shakes his head, finally letting go of his face. "Not in the slightest bit."

"Maybe that's intentional." You chuckle as he scoffs. 

Sun glances over to you again, resting one hand by his head. "You're incredibly smart and yet, so foolish. Selfless to a fault and again, foolish because of it. You cautious to trust anyone, and yet you'll invite them into your home and your bed, and then act as if it's nothing! I just, you're so confounding."

"Would you like to know a secret?" You ask in the quiet. 

"I suppose I have nothing better to do."

You laugh softly. "I don't know why I do the things I do sometimes. Life's complex, it's made me complex. Even I can't wrap my head around it sometimes." You shake your head, looking away for a moment then back. "There's just, something about you that made me decide you should stay. And that's all there is to it."

Sun nods after a moment or two. Then—

"That's a piss poor answer, Bright Eyes."

The days that follow are filled with you doing your best to evade the two animatronic guards. Not because of what happened that night with either of them, though. Rather, you're trying to find out what's happening to their compatriots after your tip from Bri.

It's nothing more than a curiosity at first, but it occurs to you that they're actively trying to stop you from investigating further. Which only serves to take your curiosity to genuine interest, then to zealous inquisitiveness that almost starts to eat away at you a bit. Every nook and cranny you seek to turn over, they're there to lead you away or distract in some manner from it. The elephant in the room has doubled in size, and it's only a matter of time before it breaks through the floorboards, sending you all tumbling down. 

Not to mention, every night, like clockwork, there's a report of another missing child. The total number having grown to six. Everyone's in a panic, and very little can be done to soothe the worries of those who are fortunate enough to still have all their children accounted for. Yourself included. 

Despite their overall annoying presence the past week, you cannot deny that you do feel safer having one of them nearby while you go to and fro with your siblings in tow. 

There's something going on here, and you don't know the connection point but something has to be related between all of this, there's no way there isn't some link. The disappearances started occurring after the festival began, and Bri told you there wasn't these glitches happening back in the capital. But what relation the two have to each other, you don't know. 

And how the two guards watching your every move fit into it, you couldn't make sense of that in the slightest. 

"Musing to yourself, Diana?"

"Something like that." You mutter into your cup.

You were sitting on a bench near the grand tree in the town square. Lisa had asked you if you could visit the festival again today, and needing a bit of break yourself—for more reasons than one—you agreed. 

Gabe's sitting on the ground beside you, playing in the snow, while Lisa dragged the sunnier of the two guards out to dance with her among the others gathered in the square. Though, he didn't seem to mind. To his credit, he had seemed to prove to you he was good with kids.

Moon as well, as he bends down to toss some snow on Gabe's legs. Your little brother giggling and smacking his gloved hands into it. 

Moon sits up again, chuckling and nodding to your mug. "With how tightly your gripping that, I'd say you need something stronger."

"Shit. Sorry." You relax your hold. 

He takes it from you, taking a drink himself. "No need to apologize to me. It's not my mug."

"There's just, a lot on my mind." You sigh and lay back against the bench. "Too many things happening in what's supposed to be a quiet village."

"A lot of them aren't your problem though, are they."

You scoff. "They are and they aren't. Your pals are coming in to me by the dozen daily. Can't help but wonder as to why. Because we both know there's more than just, glitches, happening."

"And why do you think that?" There's still a cheekiness to his tone, but there's an edge of something else underneath. 

You look over to him. "Because neither of you have shown up once in over two weeks. I'm getting repeat customers by now, and yet, not a lick of damage to either one of you. I've been checking."

Moon stays quiet, but you hear the tiniest little creak on the mug. You continue. "And I think we both know this is past the point of coincidences. Wouldn't you say?"

He doesn't. He says nothing at all as he hands your mug back and you take another drink, downing the remaining warm liquid.

"And besides that, my bigger overall concern is keeping my siblings safe, first and foremost." You reach down and ruffle the hat on Gabe's head, eyes on Lisa as she spins about, not a care in the world. "I'm starting to worry about how well I'm able to do that."

You're surprised by a touch to your shoulder, jumping as you see Moon's much closer now. 

With a tenderness you weren't expecting at that moment, his hand moves to your cheek, words murmured, but firm. "Nothing is going to happen to them. I won't allow it. We won't allow it."

"You can't guarantee me that." You counter. 

"I can and I will. Rest assured, your siblings are safe, but if you keep up this meddling then—"

"Then what, Moon?" You feel your frustration rising again, but keep your voice even. "What do you know that you're so obviously hiding? What are you trying to keep me from finding out? Are you in on this? Should I be scared?"

This angers him, grip tightening just a tinge. "No, never! How could you think such a thing?"

"You haven't give me much reason to think otherwise based on your actions—ah!" You jump, pulling back after feeling a sting against your cheek. Reaching up, you touch the spot, pulling away to see a small speck of blood. 

Looking over to Moon, he's horrified, eyes wide as he stares at your hand. 

"Selene I—" He reaches out for you, then sees the claw and buries his hand against himself. "I'm so sorry."

You put your hand to the spot again, an even smaller drop appearing on your finger. It was just a prick. A tiny one. You relax. "It's fine. You hadn't meant to."

"That's no excuse." He searches around, finding a handkerchief on his person and handing it to you.

You wave him away. "There's no need for that—"

He takes your hand, setting the cloth in it and folding your fingers around it. "Take it. Please." He squeezes your hand gently before letting go. 

You raise the handkerchief to your cheek, holding it there for a moment before pulling away. However, Moon insists you keep it there for longer, pressing his own hand against the back of yours for a bit to ensure you do. 

"I apologize for accusing you. It was wrong of me." You say, watching the dancers once more. 

Moon chuckles, it's half-hearted. "You have a right to be suspicious. I understand."

"That's no excuse." You repeat his words from earlier, glancing back to him with a small smile. 

It takes him a moment, then he laughs again, more genuine this time. 

"Hey! Time's up!"

Both of you turn to see Lisa standing in front of you, hands on her hips. 

You raise a brow. "Time's up for what?"

"It's my turn to hang out with Mr. Moon!" She says, huffing. "He promised he'd help me build a snowman for the competition!"

Moon laughs, standing up. "I was going to keep my promise. But I didn't want to interrupt your dancing."

Your sister turns to you pointing at you, then behind her. "It's your turn to dance with Mr. Sun."

"I, what?" You ask. "Lisa I'm not—"

She grabs your free hand, pulling on you with a strength no eight year old should have. "Hurry up! He's going to look silly if he doesn't have a partner when the next song starts!"

"Go on, I'm more than capable of watching them both." Moon urges and helps you to your feet. "Allow me the chance to prove that I mean what I say. If you may."

You glance back to him for a moment, then over to where Sun stands, sending you a wave with a mischievous glint in his eye. He did this on purpose. You turn back to Moon with a nod, offering him back his handkerchief, he shakes his head. 

"Keep it. I have no need for it."

You nod again, stuffing it in your pocket and looking down to your sister. You flick her forehead and she protests, releasing you finally. You bend down to her height, stern. "Have fun, but behave." You ruffle her hand and stand up again. "Love you."

She grumbles out a 'Love you too' and runs over to Moon, who picks up your brother. You give them a final wave goodbye as you walk over to where Sun stands, hands behind his back, grin as wide as ever. 

"You're not clever." You quip. 

He rolls on the balls of his feet, then offers his hand to you with a bow. "And you, owe me a dance."

"Keeping score are you?" You take his hand and he leads you into a spin amongst the other dancers. "I'd say you're well ahead if that's the case."

Much like his counterpart, he dances well, leading you effortlessly through the song. "Ah, ah. Let's keep that little bit of information to ourselves, shall we? We wouldn't want the wrong people to hear about it."

You laugh, shocked. "And you're cheating! My, my. I took you for a lot of things, a cheater wasn't one of them."

"Cheating implies I've done something unfair, but is it unfair if he was doing it first?"

"'He started it!'" You mock. "That's you, that's what you sound like."

Sun hums, but you see that small twitch in his eye that makes you grin. 

"You're better at this than I'd thought you be." He examines. 

You huff. "I take it back. Now you're losing severely."

"That's not up to you to decide." He thinks for a moment. "But if it was, are you say, open to bribery?"

You laugh outright, and shake your head. Maybe Moon was on to something when he said you should just let go when you dance. Let it take your worries away for a while and just enjoy the moment. 

Because wow, if it isn't something when you do.

❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️

And to think, we still have four more chapters :D Just you wait, it gets so much worse. (for you. me personally? having the time of my life)

Well, thanks for reading!

Tag list (if you would like added, see this post for more info, you can also dm me!):

@scarletcowboy @beemyhuneybee @fishm0ther @deviouscrackers @elsajoyagent8 @luckyyyduckyyy @zenkaiankoku @jogimote @local-shrub @milosmantis @robinette-green @everlightreader @sinister-sincerely @starredeclipse @dangerva @juukai @crystalmagpie447 @mothgutz236 @lizyxml @divinit3a @amarynthian-chronicles @crystalfay

Bonus:

I left it up to fate that Sun would spend the night, like deadass (proof below)

So you can thank the wheel for that.

Buuuuttt I have another thing I'm debating (not nearly as intimate don't get getting ideas on me now) So,

What this was for will be revealed in the next chapter, and your implicit biases WILL be shown and i WILL tease you all for it /j

[helly-watermelonsmellinfellon]

There's something I don't see talked about enough in the SVSSS fandom.

The System.

I just received a comment on one of my fics - which has post-canon SQQ and SQH able to still use social media - suggesting that it would be very easy for people in the real world to point out that these characters using fake accounts to post on real life social media sites would easily be doxxed and the System would have no ability to do anything about that.

Something I have noticed among a lot of people who read this particular book is that not a lot of consideration is given to the very thing orchestrating everything. We often think of the system as a ridiculous guide or rule book that exists solely to give the protagonist what he wants/deserves. We don't really approach it for what it is.

This was my reply to that comment:

Doubt it. The System is able to kidnap people from their worlds and place them in other worlds and bodies in those worlds as punishment. And if you don't do as it wants, to the specification it doesn't directly detail, it can send your soul to an alternate version of the present world to be tortured in another body. I sincerely doubt an abstract, otherworldly being like that, which never receives consequences for anything it does because there is apparently nothing that can canonically challenge it, is going to be threatened by doxxing. If it can create things, link universes together, steal souls, and can be anywhere at any time, I wouldn't expect it to be incapable of manipulating people's perception. I even mentioned how in this fic, it WILL erase SQQ's sister's memories if he chooses to reveal his identity to her, but it becomes too much for her to handle. This suggests it has power anywhere and can do whatever it wants. So, in my mind, if someone actually tried to doxx their accounts, it's either going to lead nowhere, lead to somewhere fake, or the info will be stripped from their lives entirely the moment they find anything/nothing.

It was a very nitpicky kind of comment in my opinion, which warranted this response, but my response just made me realize that the System is effectively an amortal, omnipresent, and omnipotent Entity. It literally doesn't go away. We even think it's over and the Extras tell us, via SQH, that it's still there and still in control.

Think about it.

Think about every single thing that happened because of the System's actions or demands. It literally never faces consequences because there is nothing that could hope to punish it. I've only read 1 fic where higher beings step in to punish the System for kidnapping, coercing, and torturing innocent people for its amusement.

Because that IS something it can do. With ease. And seems all too happy to do.

The System is very dangerous and it's weird how this is something people forget when reading fanfics. SVSSS is the kind of book where crack ideas can work in the frame of the canon story because a character like SQH exists. Because he wrote PIDW with every single plothole and contrived story beat for the sake of money and survival, we can have the weirdest shit happen and blame it on his lack of imagination when writing PIDW. It doesn't need in-depth nitpicking to make it make sense. MXTX gave us a very large and generous sandbox to play in.

You don't need to rationalize a crack plot. And you should always keep in mind that canonically, the System is a terrifying Entity capable of outrageous things. It shouldn't be the deal-breaker that the Entity that kidnaps, gaslights, coerces, tortures, and manipulates people is capable of fantastical feats in a fanfic.

[jasmine326]

I wrote a crappy little story but I wanted to share.

it's inspired by the comic linked universe by

Four had just returned home from a forging competition in Castletown, in which he was the youngest (and shortest) smith. He had won, of course, but not before every other smith had taken a shot at him and his skill. They could insult his age and his height all they wanted and he wouldn't really care, but doubt his talent and you're in for a fight. He would have fought them all too, but he would have been disqualified, and he wanted more than anything to see the looks on their faces when he won.

After the winners were announced, there actually was a fight. The judges were the first who were targeted. When the hero had stood between them and the assailants, he was the next object of their violence. He got off with a few nicks and bruises but nothing more than he really cared about. The same could not be said for the other fighters. He smirked at the thought of humiliating all those men, but the other smiths didn't take him seriously and he really couldn't expect them to either. Ever since he had laid the Four Sword to rest and Zelda had become a busy queen, he had had no one to talk to. The silence was nice at first, peaceful even, but it grew lonely pretty quickly.

He opened the door to his home and set his pack of tools on the floor by the door to his forge. He would have gone to put them all in their proper places on a normal day, instead he put ointment on his bruises. After rinsing off all the sweat from the hot sun with a nice bath, he went to his fireplace and lit a blaze with his fire rod. The flames reminded him of times when he was with those who understood him, who cared for him. Those nights around a campfire after days of dark blooded monsters were always welcomed by the nine heroes, it was a time to recover and unwind and form a new family to compensate for the ones they were taken from. Four had never had any siblings, being that he lost his parents at such a young age, so having the sailor to look after and the older heroes to look after himself was something new to him, but he never wanted to give it up. And just like that, he had to. He didn't know how long they were all together but it wasn't long enough. All the others had friends and family to go home to that would greet them with hugs and loving tackles upon their arrival. What did Four go home to? An empty forge, a quadripartite mind, and a never ending job to keep a roof over his head. Of course, the mind issue was mostly fixed when he gave up his sword. He would still argue with himself occasionally and he would find himself thinking out loud as though talking to someone else. The shelves mounted on the wall held many little trinkets and gizmos from his travels, one of which was his trusty old ocarina, that he hadn't played since that night around the fire that his questing brothers decided was a musical night. The night he realized that Warriors didn't know how an ocarina works, he remembered as he chuckled under his breath. He reached for the ceramic instrument and fumbled his fingers over the tones. There was a song that the old man had taught him and the sailor to play, a short tune that was repetitive and easy to remember. He played quietly and slowly at first, getting used to the rhythm, but eventually he stood confidently and played at the tempo he remembered. After a few verses, he was startled by a heavy drop of water hitting the roof, but he dismissed it and kept playing. The drop turned into drops and eventually a torrent. As the rain began to grow louder, Four ceased his melody and listened to the rain's own song. The downpour continued and he smiled as he eased into his chair by the fire. Just for the moment, it was no longer too quiet, and it was the best moment the lonely hero had had in a while.