#We still have an entire final season for them to work through all this
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skruttet · 21 hours ago
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Jarmo's Facebook Post:
✨Greetings from the wonderland of Tove ✨ 💚 Eight years crop is now reaped and our album has been published! 💚 MOOMINVALLEY - Original Score Music Samuli Kosminen • Pekka Kuusisto • Jarmo Saari
Suomenlinna became to me like a second home during this long and dear job. I joined Samuli in Pekka's big boots to continue composing and playing the music for the TV series from the second season in 2019. A huge investment was made in the music of Moominvalley from the beginning, and the musical language, musical vision, and virtuoso playing that Pekka and Samuli created for the series in the first season had created a strong foundation and identity for the music.
We have a prolific musical history with Samuli, but this job required unprecedented intensity. Brainstorming, composing, arranging, playing, recording, editing, encouraging and mixing seemed to be done simultaneously by him, while still staying on schedule!
Tove's fascinating characters, the series' insightful scripts, and the creative team really inspired and challenged us. Everything was learned and a lot of new things were put to use. With the routines we create to respect and listen to each other, almost anything is bound to happen in the future, when one's resources often start where the other's end.
There were hours of exciting and beloved material to choose from for this album. It felt natural to divide the 107-minute, 44-track album we created into four parts and themes: The Moomin Family, Adventures, Moominvalley and Special Moments.
The album features our trio working on dozens of exciting side instruments in our pursuit of unique sound aesthetics. A big thank you also to the wonderful guest musicians: Jusu Berghäll, Johanna Iivanainen, Tuuli Lindeberg, Atte Kilpeläinen, Jouko Kyhälä, Saima Saari, Verneri Pohjola and Joonas Saartamo.
Composers: Samuli Kosminen, Pekka Kuusisto & Jarmo Saari Additional recordings: Miikka Huttunen, Johanna Iivanainen, Jouko Kyhälä ja Jarmo Saari Mastering: Jarno Alho Photography: Tommi Kinnunen Cover: Valtteri Heinonen Thanks: Marika Makaroff💚, Nigel Davies & everyone at Gutsy, Moominvalley, Moomin, Sami Rikala and all at Sony Music Finland, Virpi Immonen, Mikael Hakkarainen, Cafe Silo, Boosey & Hawkes, Lottaliina Pokkinen and many more!
Artistic producer Marika Makaroff: “Moominvalley has been produced by exceptionally talented artists from all over the world. It was especially important to me that the music for the series was created in Finland by top artists. I am incredibly happy that this wonderful music, which runs through the entire series, is finally getting the attention it deserves with the album release.”
Samuli: “It has been a great privilege to be able to make music for the series with such exceptional talents and experts as Pekka and Jarmo. I couldn’t find an instrument in my studio that I couldn’t shove into their hands without warning, turn on the recording and ask them to play. The end result was always just as amazing. Composing and arranging this album together with Jarmo has been an incredible journey through these Moominvalley memories and beloved music.”
Pekka: “The music for the Moominvalley series was composed to be played with instruments you would imagine you would find in the moominhouse. A harmonica, a soft-sounding old upright piano, a violin and a mandolin were included from the beginning, as was Samuli’s imaginative arsenal of percussion instruments from pots to a suitcase. When composing for animation, the responsibility of music as an illuminator of the characters’ emotions is great. The work was intense, at times hard, and sleepless nights were inevitable, but the opportunity to play in the world created by Tove Jansson outweighed the challenges.”
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mentioned this before (esp on reddit). If you have time (and maybe you're slightly more unhinged than typical to think this up), watch the show separately from Crowley's perspective and from Aziraphales.
Meaning, for Aziraphale, watch only scenes he is in (this includes with Crowley), and then vice versa. Skip all others (third party scenes on ones only the other is in).
There is SO MUCH neither of them know about the other. S2 especially is like watching two different shows. Aziraphale is more so in a romcom, Crowley is in a thriller/suspense. The lighting is different. The soundtracks are even different.
We as an audience also do not know what exactly they have and haven't told each other. There are holes in the story, and I have too much faith in Neil Gaiman to believe these are unintentional.
i think a lot of people in the fandom have a bad habit of acting as if aziraphale should know everything we, the audience, know about crowley, and that he should therefore be more sympathetic to feelings that aziraphale literally doesn't even know crowley has, because crowley hasn't told him.
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tenwhiteandalusians · 15 days ago
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pertaining to the idea of tenax’s band of strays i do think it’s touching that the kids are the ones who saved him and waited outside the door to make sure he’s okay. for all tenax claims to be harsh and cruel it’s a fine indicator of his character that the kids won’t rest without him and are there every time he’s in danger.
#AND I CAN’T FUCKING BELIEVE I HAD THEM STEALING THEIR WAY OMTO#THE PLATFORMS WHAT DO YOU MEANNNNNNN oh i love being right#also that all the kids are there watching when he kills the guy whose name i forget because i simply cannot hold names in my brain but the#evil one. who i was like oh thank GOD he died i was so sick of this plot he kept killing everyone & i screeched when he almost got claudia#something something calla saying ‘you’re not a child anymore’ about tenax’s cruelty to the brothers (which in my twisted narratives. sorry.#there’s only one scorpus who KNEW the child tenax was. the child he’s still healing and caring for. all of the children whose eyes he looks#into and sees a hurt that’s just like his? the children tenax saved whether he’ll admit it or not? scorpus saved him. and that’s all)#(also this is a terrible thing to say i knew it about but like. oh i knew it about the master of the house. tenax making sure NO ONE#touches the kids or does anything with them really but Claudia and him—the people he trusts which also now includes calla but he makes sure#it’s someone he knows. also do we have a claudia backstory??? or would i just get to invent a reason why she’s there and what she’s doing#and why she’s so loyal to tenax. did she also see the child he was and that’s why she’s so protective of him but also why she gets along#with calla so well because the two of them see how he’s festered in that. like calla fully has the rights here i think she should rip him a#new one for his lack of decency and good qualities he can be corrupt without being cruel y’know. and he should be called out on his#peter pan ass behavior you’re not a child!! there are such consequences!!! dream a little bigger a little kinder!!! change the dream you#made up with scorpus when you were a young angry teenager and make it fit who you are NOW. the life you want NOW not the life you thought#you should have & deserved. what did you learn from growing up. what changed. what do you need now & what do you want. not the same things#and i too wish that this was 30k and covered their entire backstory#BUT IN THE OPPOSITE DIRECTION of i also need it to be 100k canon-divergent (presumably. i’m only through episode eight. but i can’t imagine#that they will follow the plot EYE would write because they need to have a second season & you can’t have that without conflict which means#titus overthrown scorpus is gonna die metaphorically or literally etc etc the gold faction in shambles but technically triumphant with#domitian on the throne and tenax in a position of patrician power accepted into their society but still not equal and happy. whereas lmao#domitian you’re getting shipped off to some other city because your plot to overthrow titus failed and yet he is merciful enough he won’t#kill you he just sends you and hermes together (at which point over the months long journey you forgive and re-learn each other bc titus#didn’t know of the betrayal he thought it would be kind to send your (ex-)lover with you. do we see how this works perfectly) & tenax falls#back into the underworld where he now knows he belongs because blood is everything except when it isn’t. when he realizes what he has is#worth more. no matter if the blood he has is tainted or patrician the blood oath he swore with scorpus iron on their tongues means more.#calla’s split lip defending him and their winnings. kwaame’s blood on the hard packed sand of the arena fighting to stay alive and to come#home to them. the fire in aura’s cheeks when she laughs at ivy. SURPRISEEEE EVERY NARRATIVE IS A FOUND FAMILY I GUESS IT SPRUNG ON ME TOO.#and tenax doesn’t mind a little dirt and bribery every now and then. doesn’t aspire to former heights and shining brilliant out of shadows.#the gaudiness of gold &flash of fools’ dreams. YES CAN I FINALLY PLS GET MY BLACK FACTION TO REPLACE THE ILL-FATED GOLD THATLL COLLAPSE W/D
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fanfictionismyaddiction · 1 month ago
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A Dream Realized
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Word count: 730
Pairing: lando Norris x reader
Summary: Lando Norris wins the Abu Dhabi GP and the Constructors’ Championship, celebrating with family
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The air in Abu Dhabi was electric as the final race of the season reached its dramatic conclusion. Under the floodlights of the Yas Marina Circuit, Lando Norris crossed the finish line first, securing the victory—and clinching the Constructors’ Championship for his team.
The McLaren garage erupted with cheers and tears as the reality of the achievement sank in. The entire team jumped and hugged, their months of hard work finally paying off. But in the midst of the celebration, Y/n, Lando’s girlfriend, could only focus on one thing—him.
As soon as Lando brought his car to a stop in parc fermé, the cameras zoomed in on the triumphant driver climbing out of his car. Y/n didn’t wait for permission; she bolted from the McLaren garage, weaving through the sea of orange, straight towards him.
Lando pulled off his helmet, his face flushed with emotion, and just as he was turning toward his team, Y/n reached him. “Lando!” she called out, her voice breaking.
He spun around, his face lighting up the moment he saw her. Dropping everything in his hands, he opened his arms, and she threw herself into them. Lando lifted her off the ground, spinning her in a circle as tears streamed down both their faces.
“You did it!” she sobbed, holding his face in her hands as he set her down.
He grinned, brushing her hair back with trembling fingers. “We did it. I wouldn’t be here without you.”
The Sky Sports cameras caught every second, with David Croft exclaiming, “What a moment! Lando Norris is not just a winner for the constructors championship tonight but a winner in every sense of the word. His girlfriend, Y/n, clearly just as overjoyed as he is.”
Martin Brundle added warmly, “It’s always wonderful to see the people behind the driver—the ones who support them through the highs and lows. That embrace says it all.”
As Y/n stepped aside to let Lando celebrate with his team, she made her way to his parents, who were waiting by the podium steps. Adam and Cisca Norris beamed with pride, their son now a Grand Prix winner and McLaren a Constructors’ Champion.
When the trophy ceremony began, Y/n stood below the podium alongside his parents, watching Lando soak in the moment. The national anthem played, and Lando stood tall, afterwards gripping the trophy tightly with both hands as the crowd roared.
From below, Y/n’s eyes filled with tears again as she watched him raise the trophy high above his head. She could feel the pride radiating from his family. Cisca, noticing Y/n’s overwhelmed expression, pulled her into a warm embrace.
“He’s done it,” Cisca whispered, her voice thick with emotion.
Y/n nodded, clinging to her. “He deserves this so much. I’m so proud of him.”
“So are we, love. And we’re proud of you too,” Cisca said, pulling back to look at her with a smile. “You’ve been such a wonderful support for him. He’s lucky to have you.”
Y/n flushed, humbled by the kind words, and hugged Cisca again. Adam patted Y/n on the back, nodding in agreement, his eyes never leaving the podium.
As Lando came down from the podium, champagne-soaked and grinning ear to ear, he spotted his family and Y/n waiting for him. He jogged over, trophy still in hand, and immediately wrapped Y/n in another hug, lifting her off the ground once more.
“You looked amazing up there,” she said, laughing as he set her down.
“I could see you,” he replied, brushing a strand of hair from her face. “I kept looking at you and thinking, ‘We really did it.’”
Cisca and Adam joined the moment, pulling Lando into a family embrace with Y/n squeezed between them. Sky Sports, still filming the celebration, captured the Norris family and Y/n in a heartwarming tableau, prompting Crofty to comment, “This is what it’s all about. Racing is a team sport, yes, but it’s also a family sport. And what a family moment this is for Lando Norris.”
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formula-ghost · 1 month ago
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Read Your Diary (FC43 x fem!reader)
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Chapter 1: Honey, Are U Coming?
SERIES SUMMARY: You’re Franco Colapinto’s best friend in the entire world, and you’ve agreed to accompany him along for the ride in his races with Williams. He finds it endearing how, per your therapist’s recommendation, you’ve started always bringing your diary everywhere you go, even the paddock. But when he crosses the line and turns the page, he never expected what’s inside… (Based on the song Read Your Diary by Måneskin).
WORD COUNT: 3.8k
WARNINGS: therapy heavily mentioned, reader is emotionally constipated, use of YN, reader is a lil FREAK in later chapters (affectionate because we don’t kink shame here), eventual angst and smut
Chapter 2 | Chapter 3 | Chapter 4 | Chapter 5
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Meet me there where it never closes
Meet me there where it’s never hopeless
All is fair in love, oh
Honey, are you coming?
If you had to blame anyone for this whole ordeal, it would be your therapist. After all, she was the one who had given you the idea to start journaling in the first place.
The session had, frustratingly, gone like all of the others; you’d tell her about something you thought was innocuous and she’d ask you how that made you feel, and you wouldn’t be able to answer. You could feel your feelings all day long, but when asked to explain them, the words never came out.
Maybe it was a fear of being misunderstood or judged for your feelings. Maybe it was the fact that no one had ever taught you what to do with that bundle of emotions that rested in your stomach like a ball of yarn to be unraveled, except to avoid it altogether and stuff it down. Or maybe you just know how you actually felt, deep down, and this was your mind’s way of making it known.
Whatever the case was, your therapist suggested, in addition to your usual sessions, of course, that you start a journal. “It’ll be for your eyes only,” she assured, “you don’t have to tell me a single word of what’s in it. Just write whatever comes to mind, no matter what that is, as long as you get it out.”
So you took her advice. Worst case scenario, you thought, you’d just stop after a week or two if it didn’t make it better. But you couldn’t help feeling a little immature, like a little girl hiding a diary, when you went to the airport shop and bought a small, unassuming leather journal at a heavily marked up price and stuffed it into the bottom of your carry on.
Your therapist had suggested customizing the journal as you write your way through it—making it a safe place for your feelings and words. But for now, this would have to do. Traveling this much recently had been difficult, and you didn’t want to add the journal into the mix of your already chaotic life for the past few weeks.
Of course, you wouldn’t have had it any other way. The recent chaos and jet setting around the world was all due to the hard work and incredible luck of your best friend, Franco. He had finally made it to Formula 1, even if just for the remainder of the season, and when he had excitedly run over to your apartment to tell you the news, you had practically crushed him to death with the enormous hug you gave him. Despite his rookie status, he had somehow managed to get you paddock passes, flights, and accommodations all arranged for each of the races so you could spend your next few months flying around the world and waltzing around the Williams paddock with your best friend in the entire world.
You and Franco had met when you were younger and he had just moved to Italy to pursue his racing career. He had moved in right next to your family, and it felt like you were instantly connected. You introduced him to the country and he introduced you to the world of racing, and your friendship was a match made in Heaven. When he went to Spain, you followed, and now with his entry into Formula 1, you were still tagging along for the ride.
Of course, Franco wanted you there just as much as you wanted to be there. At first you had been hesitant to do it. You didn’t want to impose, and to this day Franco refused to tell you what strings he had to pull to get you access to the paddock, let alone flights and accommodations. “Cmon, come with me,” he had pleaded. “Think of the stories we’ll be able to tell one day! Besides, I wouldn’t want to do this with anyone else by my side.”
“Franco, you sound like the protagonist of a cheesy rom com,” you laughed. “Don’t you think this is all… too much?”
“The tickets or my audition for the next Hallmark movie?” he teased, eliciting a small laugh from you. “No, I’m serious, YN. This is a once in a lifetime opportunity. I want you there with me, for every part of it.” He paused and looked down at his shoes, as if choosing his next words carefully. It was unusual of him, to be so worried about saying the right thing instead of just saying something. The grid had caught on soon that Franco was a talker. He continued, “I understand if you can’t come to all of them. But at least come to a few. It won’t be the same without you.”
There was a heaviness to his words that made you the slightest bit uncomfortable. Like his request was something deeper than just wanting the support of a friend. “Since when have you gotten so sentimental?” you teased, cracking a smile to lighting the tension.
He smiled back, “Since I achieved my dreams.”
Your slight smile stretched ear to ear at the reminder of how monumental a moment this was for him, and you enveloped him in another hug. “Oh Franco, I’m so happy for you!” you exclaimed.
“Happy enough to come with me?” He asked as you all broke the hug.
You lightheartedly exhaled at his instance. “I’ll see what I can do.”
The smile on his face was electric. You just couldn’t say no to him, so that’s how you ended up here, unable to say no to the steep markup on your airport shop journal, waiting for your unfortunately delayed flight from Azerbaijan to Singapore.
Even at only 4 races in, you had gotten used to doing your remote work in airports, but trying to open this journal and pour your heart out onto the pages right next to traveling strangers was… difficult, to say the least. It couldn’t have been more than 10 minutes that you stared at the blank page, but it felt like an eternity. You didn’t know what to write.
So you just began by writing how you felt physically. Tired. Nervous. Excited for Franco. Very excited for Franco.
This was supposed to be your journal, but as you got into the rhythm of filling page after page, the words were all about your best friend, the newest Formula 1 driver. You used to think that words couldn’t even describe how proud you were of him. You’d seen his hard work pay off with just a little bit of luck, and your heart seemed to swell into your chest when you thought of him in his Williams race suit ready to show the world what he could do. He’d gotten points in Baku, and you remembered your frantic heartbeat as you watched from the Williams garage and cheered in excitement at his performance. After the race he ran to you and you all practically crashed into each other going for a bear hug.
You had squeezed him with all your strength. “Franco, I’m so proud of you!”
He released you and smiled. It was a rare moment, seeing you this vulnerable. You were so happy that tears had formed at the edges of your eyes, and for a split second he looked at you and knew the true depth of those words. “So proud that you’re crying tears of joy?” he joked.
He had ruined the moment. You were so caught up in your raw emotion that you didn’t even notice the tears until he pointed them out, and your defenses kicked it as you replied, “I wasn’t crying.” Franco saw your walls go up again and cursed himself internally for talking without thinking, as he almost always did.
As you penned this memory, you felt all the emotions rushing back to you. That feeling of pride in your chest, the chaos of the garage, and Franco’s hands wrapped around you in a celebratory embrace—no, that made it sound weird. You looked down at the page. Why did that sound so… weird?
Once again, the moment had been ruined. Your flight was about to board anyway, so you exhaled and put the journal back in your bag, telling yourself you’d deal with that later. For now, you had a race to get to.
Singapore was humid and buzzing with life. Practices had gone well. On Saturday, you  hoped that the usual chaos of the paddock would distract you from your thoughts, but it was the opposite. The drone of noise—reporters talking, mechanics laughing, the purr of the car—all faded away, just background noise to your painful confusion.
Something was just…off. Before your flight you had written about your best friend and his first few races in F1. That was it. Then why did you feel like your skin was crawling every time you glanced at him on the other side of the garage? He had his headset on, talking to some race engineer about something you couldn’t even begin to understand. His gaze was so focused, his attention fully captured by the screen in front of him. He raised his hand to his mouth, thinking, before turning to the engineer and saying something.
You were enraptured by him. His passion was infectious, his determination admirable. Clad in his white race suit, he looked like he belonged here, like he had always belonged here. His hair gently curled over the top bar of his headset. His race engineer said something and Franco laughed, and again you noticed those little details that had become so usual to you; the way his eyes crinkled when he truly smiled, the scrunch of his nose, the blush that danced across his cheeks—whether from the warmth of the garage or the words of his engineer, you couldn’t tell.
Your observation (or, rather, staring) was interrupted by Franco’s gaze shifting from his engineer to you. He sent you a soft smile, and you gave him a weak one in return. You felt sick to your stomach as he politely excused himself from the conversation and made his way over to you.
“Hey YN, you good? You’ve been staring off into space for, like, five whole minutes.”
You brought your hands to rub your face, trying to bring some life into you. “Have I?”
“Yeah, thought you were checking me out or something.”
“Huh?” You felt a pang of anxiety at his insinuation.
“Well, I can’t help it that I’m so irresistible,” he replied with a smirk.
“Oh, Lord,” you laughed, exhaling in relief at his usual banter. “I just feel weird, but I’ll be okay.” You weren’t exactly lying.
The brow furrowed with concern. “You’re not feeling well? You want to go lay down for a bit?”
As much as you wanted to protest that you really were fine, the opportunity to get away for a few minutes felt like a godsend. You answered, “That’s sounds nice, actually.”
“Here, come with me,” he said as he gestured for you to follow him through the back of the garage and into the Williams motorhome.
You ended up in his driver’s room, a quiet haven away from the overwhelming chaos of the paddock. As you stepped inside it hit you just how awful you truly felt: your head was pounding, your stomach turning in flips, and your heart beating outside your chest. You practically slumped down onto the small couch, hunched over, covering your eyes with your arm to shield away the harsh fluorescent light.
You felt Franco settle beside you, breaking the silence with a soft, “You alright?” You just hummed in response, until you felt his hand meet your upper back, gently rubbing your shoulder blades as if his touch could smooth away your discomfort. But all it did was make it worse; you didn’t think your heart could beat any faster, and the turning of your stomach threatened to bring up your breakfast.
A knock at the door interrupted the moment. “Franco, need you at the media tent in five!”
Franco grumbled a reply that he’d be right there. Then he turned back to you, “You want to go back to the hotel? I can have someone take you.”
“No, I’ll be okay. I don’t want to miss qualifying.”
“YN, you look horrible.”
You laughed. “Thanks for the confidence boost.”
“No, I just… you don’t have to be there if you’re not feeling well, it’s okay.” Franco knew how stubborn you were. Never the type to admit any weakness, you could be on your death bed and still make it to the paddock to watch him race.
“No, really, I’m fine. Just give me a few minutes…”
He huffed, knowing it was no use arguing with you. He kneeled down to where you head was laid against the small table next to the couch, looking in your eyes. “Shit, YN, you’re
shivering—I’ve got a hoodie around here somewhere…” he began rummaging through his locker when another knock came at the door.
“Franco, media tent, NOW,” said the clearly agitated voice behind the door.
“Yeah, coming!” he replied.
He looked back nervous scratched the back of his neck, unsure of how far to push.
“I’ve got to go. Grab a hoodie and warm up, and if you feel any worse you come straight back here or I’ll end you,” he said, in an attempt to lighten the concern he felt for his best friend who sat before him, looking like a zombie.
“Understood,” you said, giving him a weak thumbs up.
He left the room and you sat there alone, taking deep breaths in an attempt to bring yourself back down to earth. You had truly believed it when you told Franco that you thought a few minutes in the quiet would fix you up, but your thoughts just kept racing, and your body reacted with it. The gentle comforting touch of his hand on your back left you spinning. It didn’t make sense—you two had been friends so long, the touch was nothing unusual. Just a friendly gesture. Then why did it feel like your skin was on fire?
Franco had been right, you were shivering, and to distract yourself from your thoughts you heeded his advice to find a hoodie to wear. You stepped over to the locker and found the one he brought—one purchased for him by one of his ex girlfriends, some blonde model who was nice enough but clearly wanted nothing to do with you. You didn’t blame her; you were nothing special, and your company paled in comparison to the excitements of dating a race car driver. Or at least, you assumed. It’s not like you’d ever date Franco.
Wait, what were you thinking? Dating Franco. The thought should bring disgust to your mouth. It did. Sort of. You weren’t shivering any more.
You put the hoodie back in the closet and took a deep breath. You decided to take the time between now and qualifying to see if writing in the journal could make you feel a little better. But when you opened the pages again, you just found what you had written last time and your feelings stuck.
You remembered a tactic your therapist taught you: sometimes your feelings can manifest physically. To calm down, ground yourself in your surroundings. Five things you can see, four things you can touch, three things you can hear, two things you can smell, one thing you can taste. You brought your pen to paper.
I can see: The hoodie that Franco’s ex gave him. It’s crumpled in the corner of his locker. He wears it a lot, and it makes me wonder if he misses her. I don’t ask him stuff like that. That would be weird.
I can touch: The smooth plastic of the VIP pass around my neck. Franco refuses to tell me how he got it. I can’t believe he’d go through all this for me.
I can hear: The quiet silence of the room. Feet shuffling outside the door. Does anyone know I’m in here, hidden away like a secret? Did Franco tell anyone about me—about us? What even is us—why would he tell the paddock about a friend?
I can smell: Franco’s cologne, everywhere. It smells familiar, like home and a warm hug.
I can taste: the bitter taste of the maté I had this morning. Franco put me on to it when we were younger.
You went back and read through everything you’d written, seeing how many times his name came up—Franco, Franco, Franco.
And so you wrote it again. Franco, Franco, Franco. God, I feel like a little girl having a crush on the boy who sits next to her in class.
Wait. A crush? No, you were too old for that. That’s ridiculous. But reading the words you had written over and over and over again—what else could it be?
Of course I love Franco. He’s my best friend.
Reading and writing seemed to blur. Yes, you loved Franco. So you wrote it again.
I love Franco Colapinto.
Finally, you stopped. Your headache, stomach pain, and that stubborn heartbeat had all faded to calmness. You read it, no, wrote it, no—did it even matter anymore?
I love Franco Colapinto.
No. You scribbled it out and closed the diary. No, no, no no no no no.
You checked your phone. It was almost time for quali. You threw the journal to the bottom of your bag, took a deep breath, and made your way back out to the Williams garage.
On the way there you ran into a familiar face—Franco’s mother. You had heard she would be here for the weekend, but you hadn’t run into her yet, with everything going on. Upon seeing you her face lit up in a smile. “YN! Franquito just sent me to check on you, said you were feeling well?”
You cringed a bit internally at her knowing your situation, but smiled anyway. “Oh, I was, but I’m doing okay now. Ready for quali.”
So the two of you made your way back to the garage, making idle chat about your lives back at your respective homes outside of Franco. The more you all talked, though, the more it became apparent that both of your lives seemed to revolve around him; but it made sense for his mother, of course, even if he didn’t live in Argentina anymore. But you? You couldn’t shake the feeling that your connection to Franco was deeper and more problematic than ever now. His mother’s voice faded into the background sounds of the garage as your mind returned again to again to the words you had written: I love Franco Colapinto. It felt so childish, like it belonged in a pink diary, written in a glittering gel pen, surrounded by little hearts. It made you sick to your stomach.
“You know, YN,” his mother said, breaking you from your spiraling thoughts, “I’m so glad he has you. I was so worried when he left home, but when you all met it helped me sleep better at night knowing someone was looking out for him. And look where we are now! Oh, I’m so proud of him.”
“I am too,” you smiled, somewhat pained but still genuine.
She laughed, “Now I just keep telling him he needs to find a girl like you! Stay away from all those actresses and models, they’re always trouble.”
You laughed in response, though your heart skipped a beat. “Oh, I’m sure he’ll find a good one. But I think he’s more focused on the racing.”
“Well, I hope so,” she replied, a hint of lighthearted criticism in her voice.
The conversation came to a natural end with qualifying about to start any second. Franco, suited up and putting on his helmet, glanced to you and his mother behind the barriers, throwing you a wink before stepping in the car. You rolled your eyes. Everyone who had ever met Franco knew how much of a flirt he was, it was just part of his personality. It had never bothered you before. But to be the girl he was flirting with? To have it mean something? That was something else entirely, something you’d stuffed deep down. You told yourself it meant nothing, because it didn’t. Franco was just…like that. He was just your friend. Nothing more.
Franco had a respectable qualifying—P12—and the rest of the day went by as usual before your dinner plans with him, his mother, and the rest of the Williams team. It was awkward at first. You were sat by Franco and his mother on one side, who were talking to each other in Spanish, far away mentally from the dinner; and on the other was Alex Albon's girlfriend, Lily. Thankfully, Lily seemed very kind and made conversation.
“Oh hi, YN isn’t it? I’ve been meaning to say hello! I’m Lily, it’s nice to meet you, welcome to the wag club,” she joked.
“The wag club?” You were confused, was this some motorsports term you’d never heard of?
“Oh, you know, wives and girlfriends. The fans just call us wags,” she smiled. You were grateful that at least one person's girlfriend was kind to you. But her assumption brought a blush to your cheeks.
“Oh, I’m not—“
Lily wasn’t quite paying attention, or maybe you were too quiet compared to the busy atmosphere of the restaurant. “You know, it’s really great to have you here, you and Franco are so cute! It’s a shame what happened with Logan, but on the bright side so get to make new friends. I can introduce you to the rest of the girls too, it’s hard being in a garage full of guys so we have to stick together, you know.”
You cut her off, unable to handle her mistake any longer. “Oh, uh, I’m not… Franco’s girlfriend. We’re just friends.” 
Lily paused for a moment. “Oh! Um… sorry about that.” She nervously laughed. “I just thought, you know, since you’ve been at all his races so far…”
“Oh yeah, I’m not sure how, but he got me paddock passes for the rest of the season. I mean, once in a lifetime opportunity, right?”
“Yeah, that’s… I mean, wow. Alex can’t even get me that many passes.” Lily left the implication of her comment unsaid. Franco had gone above and beyond—he wanted you here more than anything. “Well, anyway, I’m sure the girls would still love to meet you!” she smiled. 
It was nice to have a friend other than Franco in the paddock. You passed the dinner telling funny stories back and forth about Franco and Alex’s embarrassing karting moments. The Williams team was beginning to feel like family.
Back in your hotel room, the chaos of the day faded away into a calm silence. You opened your journal and wrote about everything that had happened since you had left his drivers room. Again and again you returned to that sentence, now scratched out, but finally, you had to accept what you had so long avoided, what everyone around you could see plainly.
So you took your pen and wrote one last sentence of the night:
I am in love with my best friend, Franco Colapinto. 
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itgetzweird08 · 6 months ago
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can i have this dance? k. bakugo x gn!reader
one two three
“Mmm I like the black jacket more”
Katsuki hums softly at your answer as he holds the suit jacket up to his chest. He scoffs, tossing it haphazardly on the bed before flopping down on top of it. He held his phone above his face at arm's length, staring at your face through the screen as you ate your cereal. “This is fucking stupid” he complains softly and you giggle as he moans and groans, chewing your breakfast.
“It’s not stupid Kats, it’s a dance! And technically, it's your first high school dance. If you ask me it’s long overdue.”
That part was true. It was the first formal UA has hosted in the past three years. Usually, there was a dance twice a year: one during the Christmas festival and the other during the spring semester. It was exclusive to students and staff as everyone dressed to the nines and had a good time celebrating the holiday season and the loveliness of spring. Katsuki grew up hearing about it, and sort of looked forward to them. But due to the League and AFO, class 3-A never got to experience one. Until now.
Japan was slowly returning to normal after the events of the war a year prior, and to celebrate the students after all of their hard work and sacrifices, Nezu had finally cleared the spring formal to take place just a few months before graduation. When the class got the news, they were thrilled and even Katsuki had to admit that he was the tiniest bit excited. That was until Mina mentioned that they were all gonna have to find dates- then his balloon popped. He only wanted one person to be his date at any event, and that was you. Unfortunately, you were halfway across the world. This is why as you sat at your breakfast nook munching on Frosted Flakes, Bakugo laid on his comforter in his pajamas in preparation for bed. You called each other almost every day and when one of the first things he told you was the news about the dance, you begged to see his suit options. That’s what led you here, keeping him up two hours past his bedtime as he gave you a little fashion show. But he didn’t mind. He would explode the planet to make you smile, and he valued your opinion. He just wished you were there to give it in person.
“Yeah I guess,” he huffed and sat up, putting his suit back in his closet, turning off his ceiling light, and getting beneath his comforter. “I just don’t see the fucking point in going.” You raised an eyebrow at him and frowned. You knew he was excited, you could tell because of how fast he told you the news when you called. But now he seemed disappointed. “Why not?” You pried softly, trying to get to the root of the problem as he pouted. His room was dark, so you couldn’t see his entire face, but you could hear in the way he spoke that his bottom lip was slightly jutted out in disappointment. “Raccoon eyes was talking about everyone getting dates and shit…and you aren’t here.”
Your heart broke a little and your eyes stung a bit. He wasn’t upset that he had to go to the dance..he was upset that you wouldn’t be there to accompany him. “Oh baby…I’m so sorry” you whispered. All he did was shrug and grumble to himself, which is what he did when he didn’t want to outright tell you he was sad. “You know I would love to be your date Katsuki…I wouldn’t want to be anything more. But I can’t..we both know that.”
While Japan was making leaps and bounds in its recovery, its reputation in the eyes of other countries was still extremely damaged. After the death of Star and Stripe, all travel to Japan was halted indefinitely in your country. Not to mention, due to the aftermath of America’s number one’s death, as a hero student, you had to fight against the villains that tried to take advantage of the gap she left behind. Between the travel ban and your responsibilities, not to mention general travel costs, there was no possible chance you would be able to accompany Katsuki.
“Yeah, I know…just wish I could dance with you, that’s all. Wanna see you all dressed up and shit.”
All you could do was smile sadly at the camera and muster as much hope as you could for the both of you. “Maybe one day…especially since we’re both graduating soon.”
It was silent for a moment, both of you sitting in your own disappointment. You glanced at the clock, seeing the time and knowing that it was way past the time Katsuki usually slept, so he must be exhausted. But before you let him go, you just had to ask.
"Kats...can you even dance?"
His face filled the screen, eyebrows pulled together in offense. "HUH? What the fuck are you talking about?" You couldn't help but smile at him, and the heaviness of the prior conversation lifted off both of your shoulders. "I'm just asking!" " Of course I can dance! The fuck do you take me for??" "Okay prove it!"
Before he could respond, Katsuki yawned and you took that as your cue. You gave him a warm smile, depsite the fact that he was still glaring at you. " You can show me your moves tommorrow-" " m'not showing you shit-' "Tomorrow! I want to see what you got! Now go to bed, I'll text you later. Love you!"
He scoffed, rolling his eyes. But seeing how goofy and happy you were made him smile slightly. " Love you too. Talk later."
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wellcollapse · 6 months ago
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buddie is canonically romantic. to Me.
eddie was introduced to buck slow-motion style. buck tried to battle his inner bisexual rage for an entire episode but couldn’t stay angry at eddie’s pretty face for longer than twenty minutes — my guy folded the minute eddie extended that first olive branch. buck wistfully watched eddie and the little boy he would come to love as a son through a glass-paneled window not knowing that he’d eventually belong on the other side of that glass door. buck provided the solution to eddie’s very first on-screen struggle and wormed his way into eddie’s heart and home all in the span of one episode. without eddie asking him for any of it. buck called eddie attractive at least three times in season two alone. and then an elf called them gay and buck skipped away after hearing it. eddie gave buck the most precious thing in his life to cheer him up. and buck lost him. but eddie came back to him anyway and then gave him the second most precious thing — something he couldn’t even give his own wife — his trust. they had a lover’s spat in a grocery store. buck was treated like a grieving widow when eddie was buried underground. eddie’s memories of buck and chris were enough to pull him back from death’s cold embrace. eddie nearly bit buck's head off at the train derailment because he couldn’t stand the idea of buck risking his own life for abby. when eddie was shot, he spent the moment he thought would be his very last reaching out for his best friend. buck saved him. of course he did. eddie was planning to stick it out with a woman he knew he could never love and would never love until buck reminded him that he deserved better. buck got pistol-whipped after nearly going off on someone who threatened their eddie's child. eddie left the 118 and buck made out with his replacement. buck was in the room. buck's girlfriend talked to the woman he cheated on her with and buck never once bothered to intervene because he was too busy spending time with eddie. buck helped eddie patch up the holes in his wall. buck spent an entire season looking for the right couch to rest on and then passed out within seconds on eddie's couch. the right couch. buck was struck by lightning and eddie's hands brought him back to life. eddie couldn't look at buck while he was in a coma because it reminded him a little too much of losing his wife. but he brought christopher in anyway. of course he did. they went on a date where eddie stared at buck like he wanted to consume him. a little part of eddie died in that cemetery. eddie asked buck to perform Official Coparenting Duties with his son. buck uttered eddie's name eleven times in the episode where he discovered his bisexuality. buck was left at the curb on his first date with a man and his first priority was still the fact that he lied to his best friend. both of them actively looked like they wanted to die at the idea of nothing changing between them. eddie suggested matching couple's costumes. they sang what i like about you. buck ripped off eddie's shirt. eddie poured beer in his mouth. buck was the one to pull eddie out of the world that he tried to imagine with kim. their final scene of the season was the two of them. alone. together.
...who the hell is that? you can have my back any day. there's nobody in this world i trust with my son more than you. are you hurt? three minutes and seventeen seconds. comes in handy when you have a bunch of holes in your walls. you don’t have to tell me how great eddie is, i’ve known that since the first day i worked with him. what you always do. talk to him. you know how much christopher misses you? how could you. you're not around. i forgive you. you didn't end up like you. you act like you're expendable, but you're wrong. you were missed. thank you. for not giving up. he got the help he needed and that started with you. two cut lines. you don't have to be anything for anybody. can't you both be good cops? no. isn't that what we all want in a partner? knowing that they have your back? he’ll love you like we all do. i love you, i love you, i love you.
buck and eddie’s story is already a romance. regardless of their current relationship status in canon, their story is already a love story. and i wouldn't have it any other way.
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jimblejamblewritings · 8 months ago
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love letters and second sons | part 1.
Summary: The princess is finally ready to debut in society. But before she does, she decides to disguise herself and see the true faces of the ton.
Author's Note: Hello! Yes, I'm here with a wip before finishing my other stuff. The Bridgerton girlies have got me. Congratulations to you all. So before you read this, please read: I Hate Accidents by @i-hate-accidents AND Over The Garden Wall by @homeofthepeculiar AND The Ultimate Deception by @maximoff-pan. These stories are some of my favorites and really inspired this fic.
Warnings for the Series: light sexism in line with the times, light classism in line with the times, mental health stigma, shitty doctor care, smut, suicide attempt (will get it's own warning when the time comes),
Pairing: Benedict Bridgerton x princess!reader
Word Count: 5.4k
Author's Note: To those who have read my other works, you'll notice that the author Mercutio's stories are something special
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My Dearest Ton and Wonderful United Kingdom, 
I am pleased to welcome you all to the start of another social season. Of course, people love and look for love all year round but each year the season just seems to invite love to blossom. I hope all of you find the match to your souls. Marriage is a business but can it not have love as well? A business built with love surely must be a business that tries to last. I ask our respectful citizens and subjects of the United Kingdom to make love a part of their search. 
I would also like to ask about businesses that do not involve marriage or love. How are you? In the business of health, is everyone safe from all sickness? In the business of finance, does everyone have enough to eat and clothe themselves without falling into poverty? Are businesses afloat even if only by a small margin? How are you? Truly, I want to know. If you would like to write to me, please do so. The royal mailboxes should still be in perfect condition. 
Of course, if you have something urgent then I am sorry but you must come to the palace and request an audience. My valets hold all letters for a day or a few out of safety for everyone. But rest assured, I read every letter once received. 
I would also like to say that I can feel the winds of the ton calling me to grace their presence and to stop being rude by ignoring them. Naturally, the wind is very rude to say this and then cut through my dress and chill my bones even when it is snowing. But I digress, the wind is right. The time for introduction must be soon. And a lovely time that will be. I cannot wait to meet you all. 
Yours truly, 
A Not So Young Anymore Youngest Princess Y/N Hanover (Truly, I need a proper surname and not just the name of my father’s house)
My Dearest Ton and Wonderful United Kingdom, 
Would you like to know what I have learned yesterday? I know the Americas are still a touchy subject for some but I hope you don’t mind me talking about it, just to share my studies. Philadelphia is the center of American debate. So many great men (and women that have probably gone unnamed but aided their counterparts in their quest of education) have lived and are currently still living there. 
Going to America simply for a debate sounds terribly dreadful. But what if we had one here that wasn’t relegated to just the universities. An entire city becoming a center of debate seems incredibly foolish, not to mention disruptive to its current residents, but buildings of debate do not seem like a bad idea. 
Even if some feel like they aren’t smart enough, they should participate. Ideas are nurtured by sharing them. May some debates lead to great compromise and understanding and maybe even propositions for laws. 
I, for one, debate with my father every day on which science is the most important to teach to young children and which science can wait until university should they like to pursue that path. He believes all of it. I believe that medicinal science is too much for a young mind and they only need to be taught how to mind their health until they can understand better. What do you think? I am delighted to hear your opinions. Maybe mine will be swayed. 
Yours Truly,
Youngest Princess Y/N Buckingham (I am trying out new surnames until one I like sticks)
My Dearest Ton and Wonderful United Kingdom, 
I apologize if my stance may be radical but nothing in society ever got done if the start wasn’t a little radical. I believe that young women should be properly taught about relations… let me just say it, sex. Not when they are children, no, but when they are about to debut. Consider it. You all know that as a royal, despite being a woman, I have been taught all things. Everyone is aware that I know what sex is. But if I and my sisters were taught sex so that we may be aware of malicious advances and be able to protect our virtue first rather than waiting for our virtues to be saved by someone and risk them being too late, then others should as well. Therefore, I implore all mothers and governesses to teach their young ladies about to debut what sex is. And to fathers who may be without wives, please find any woman to teach your daughters.
I shall return with more radical ideas for a better and more prosperous United Kingdom. 
Yours truly, 
Youngest Princes Y/N Kew 
The printed letters delivered to London, had everyone enthralled in the early morning. Some people that lived close enough to the central town square didn’t bother with the prints and went straight to the wooden pin board there to look at the princess’ handwriting on the original letters. Whenever the Young Princess or the author Mercutio Quick wrote, people stopped and paid attention. 
Princess Y/N was the people’s princess. The one who listened to their complaints and wasn’t cheap on her charitable acts. She was so much like her father, Farmer George. Even with his illness he still ran a good country… when he was in charge. So much better than her eldest brother, George IV. Then again, any royal sibling was better than their eldest brother, even if only by a very small percentage. Everyday the public hoped another child would challenge George the Younger. They would rally their support behind them. 
They were hoping that any day George IV’s daughter, Charlotte, would have an heir. If she was pregnant then it would be so easy for the public to support her and convince either George IV to step down or convince Parliament to present a motion to King George. They would have a ruler and an heir. Charlotte the Younger would be the easiest transition for George IV to understand.
But neither her father nor husband seemed to care about the lack of heir. But the thought of succession and coups and duels was forgotten for a moment to read the Young Princess’ letters welcoming them to the new social season with new balls, debutantes, and drama. 
In the Bridgerton house, the family ran around like chickens with their heads cut off. They were trying to get ready to present Daphne to the Queen while also trying to read the Young Princess’ letters. Benedict laughed as he slapped his copy of the letters. 
“Mother would have a fit if she had to speak with Daphne about sex.” 
“I’m surprised she would even suggest such a thing,” Colin said as he returned to reading the first letter, thinking he might actually write to the Young Princess about his familial concerns and wanting to travel desperately but being unsure about leaving them. 
Eloise finally smiled as she came downstairs with the rest of her siblings. “I for one think it’s rather refreshing. She is right. Our mamas should be teaching us more than just how to meet the Queen… Daphne! You must make haste! Do you think she heard me?” 
Colin rolled his eyes. “She most certainly did. But on the matter of the princess, what is wrong with a woman’s husband teaching her about sex?” 
“Everything is wrong with that.” 
“Hmm.” 
He looked down to reread the paper, wondering if he could understand what the princess actually meant. Even though the letters were left at home, talk of the princess never ceased. How could it? The monarchy’s youngest princess might actually be joining them. Everyone wanted to know what she would look like, not in the face of course. Even her fourth brother didn’t take off his mask until after five months of being introduced to society and he was the shortest time it took to see the royal children’s face. 
“Do you think she will be tall like her eldest sister or short? Plump?” Eloise asked as their carriages started their way towards the palace. “I’d imagine I’d be very lovely and plump if I could be stuck in a palace all day with the most wonderful food imaginable. Not that anyone should ever value a woman based on her body but Penelope has stated that her sisters are terribly upset because all the dress makers have started saying that plump is going to be in fashion once again in only a few years time and by the time they become plump it’ll be out of fashion again.” 
Daphne looked out the window. “I wonder if she’ll look like the Queen or the King. Oh, what makeup do you think she’ll wear? What mask did she have created for herself? When do you think we’ll actually see her face?” 
Violet touched the knees of all her girls. “Whatever she is like, do not be rude and gawk. The poor thing will already have the vultures’ eyes on her all night. If she even comes out tonight. Perhaps it will be at a ball this week. That would be quite a fantastic introduction. I do hope she at least meets us this season.” 
Francesca smiled. “I imagine her dance card would be quite full.” 
“She’d have bracelets of dance cards going up to her arm,” Daphne agreed.  
“But she isn’t coming into society yet. She’s just introducing herself to us,” Eloise said. 
“She’s still a princess royal. A very well-known one at that. There’s no way the men would pass on an opportunity to dance with her. They’d want to start making their intentions known now, get ahead of everyone else.” 
The boys’ carriage was speaking of a different matter entirely. The princess and Mercutio had written to the ton at the same time. With the presentation to the Queen taking up so much of the day, most people wouldn’t be able to read his work until later that evening. Colin and Benedict simply couldn’t wait. Colin sat with his brother as he drove the carriage and read the story out loud: 
“Arsehole,” Cecilia muttered. 
Ignoring the sharp stinging of her backside, she hopped off the bed to find something to put on. All she needed to accomplish was getting back to her room, clothed. She knew there must have been some spare clothes in their dressers. It was just a matter of sorting through which garments were hers and which belonged to the others. She had been sorely mistaken to ignore the three members of nobility behind her, thinking they hadn’t heard her. 
Lovell scrunched up his face, resembling a rat. “Is receiving another punishment something you really care for? Because this attitude you’ve acquired is going to earn you one.” 
“Piss off.” 
“Is that any way to talk to your dominants?” Madison asked, adjusting herself in Tommy’s arms. 
Cecilia scoffed as she walked towards the door, placing one hand on the doorknob. “Lavender.” 
The other three faces fell at the use of that forbidden word. Cecilia’s hand reached up ever so gently and wiped away tears. She wondered if the tears were for her former lovers or for finally realizing her mind was deluded to think she would be with anyone above her station such as Lovell. 
“I don’t want this anymore.” 
“Cecilia.” 
“You never believe that I don’t enjoy breaking our established rules. You only listen to Madison.” 
“Cecilia.” 
“It is clear you both like her more than you desire me. I am down.” 
“Cecilia.” 
“You shall see me around this manor, doing my job as I always have. But that is the extent of our relationship.” 
“Please, just give u—” 
“Good day, Lord Parham. Lord Newall, Lady Wilcher.” 
“Riveting,” Colin said as he finished reading. “Mr. Mercutio has done it again.” 
Benedict nodded. “Indeed he has. I was a bit worried when he announced that he wanted to dabble in the themes of erotic pleasures in his stories but this was just as enjoyable as all the others.”
“Agree… Oh, it says here that they have earned a publishing deal. The penny stories will still come out once a week, chapter by chapter but readers can also purchase a book if they would like to keep the story properly or are in a rush to read it. I for one will be buying the books.” 
“I second that.” 
“I wonder what his next story will be about. Actually, no, I wonder what our dear sisters and mothers can be talking about.” 
“The princess, no doubt.”
”Do you think any of our brothers will approach?” Eloise asked in the women’s carriage, more to herself than anything. 
That made Hyacinth’s face light up. “If one of them marries the princess does that mean we get to be princesses too?” 
“As if any of our brothers even could or want to.” Francesca pulled her face away from the window.
“If anyone is going to bring them to the marriage mart,” Daphne started as she fanned herself. “It would be the princess. Anthony would be a good match for her.” 
Violet laughed, thinking of the idea. “A viscount and a princess are a perfect match.” 
All talk of the princess stopped as they approached. The worst thing that could happen could be a footman overhearing them and mistaking their speech for malicious gossip rather than light-natured and report it to the princess or the queen or even worse, King George himself. They would forever be ostracized from society. 
From upstairs, you watched from a window where you knew no one could see you even if they looked up. How you desperately wanted to be down there. All the men were dressed up and looking like penguins. Handsome they were but still penguin-like in silhouette. And the women’s dresses. Some, while upper class, were of a lower social standing and wore older dresses that looked just as gorgeous as the empire and rather shapeless dresses of today. 
But today was not your day. You actually weren’t sure when your day would be. Your mother and father let their children choose when they would be introduced to society. Of course you all had to wait for a certain age and it had to be a date at the start of the social season but you could pick the day. And unlike your last sibling, you wanted it to be at a ball instead of the selection of the Diamonds. You didn’t even care which ball it would be. Perhaps it was selfish but you did want a day all to yourself or at least a day with you as the main focus. But that wasn’t this year. Or any year perhaps. 
You were excited to finally leave the walls of the palace if you were allowed, having proven yourself capable of not causing an incident. Unfortunately, you couldn’t say you had proven yourself without illness. You weren’t that lucky. You and all your siblings were locked inside until the royal physicians could observe and confirm that you weren’t sick with whatever madness your father had. They didn’t have to observe you. That was also why you picked a ball instead of today. You wanted to prove you didn’t need a chaperone literally holding your elbow. You wanted freedom like your siblings. Freedom to explore that you weren’t sure would get because of your illness. 
After a nearly fatal drowning in the lake — an event your siblings still get chewed out for at least once a month — you started showing symptoms like George did. For you it wasn’t about if you would be as sick like your father. It was about how bad and how quickly the illness would get. 
You didn’t get to see George as often as the others. The doctors thought you shouldn’t be around him for prolonged periods of time unless it was after an episode. They thought that too much exposure would make you more like him instead of better. They wanted to send him to Kew but you promised that you wouldn’t go to his quarters as long as he got to stay at Buckingham. 
Charlotte, silly as it may have been, had hope. They caught your sickness early. Nine was a very young age to almost go mad. Maybe you could be saved from a cruel fate unlike George. They were too late for him but not for you. Of course this only brought jealousy from your siblings who didn’t feel like they got as much affection anymore. Every time you even twitched, it became about you. They could never hate you. It wasn’t like you asked to be sick. But it was hard to be around you. Everyday visits became once a week. Still, you cherished those visits. Like the one yesterday. They expressed their sympathies and hopefulness that you would get to introduce yourself and maybe it could even be this year or maybe this month. 
You could have scoffed. After what you did just two days ago, you were unsure. The daylight came into your room before you were prepared for it and you had been convinced that Buckingham was on fire. You couldn’t be calmed down until you jumped into the water fully clothed. Immediately, you pulled yourself out of the trance but no one really cared. The royal physician had been called anyway and you had ruined all chances of attending the presentation to the Queen. 
“Your Highness!” a voice disturbed your thoughts and your eyes from looking at your siblings’ carriages leave in the morning. Your lady-in-waiting approached you with a paper, an entire pamphlet. “It’s already spread through the ton like a fire. We haven’t read it yet. We figured new literature would be a treat for you.” 
“Thank you, Pandora. Shall we read it in the kitchens this morning when we return home?” 
“Not your room?” 
“I’m so terribly sick of my room and the washroom and the balcony and the bedroom.” 
“You are getting restless.” 
“It’s only a matter of time. Maybe even tomorrow it’ll happen. And soon it will only be a couple of years at most before the mask is gone. By the way,” you said as the two started to leave. “Did you hear about the Feather girl that fainted? Is she alright?” 
“Oh yes, she’s fine.” 
“Good. Have someone send flowers to her tomorrow with an inquiry about her wellbeing after taking such a tumble. Oh and no flowers to the Diamond. I want to meet her myself one day. Now, let’s read about this… Lady Whistledown. She already sounds like an interesting woman.” 
Interesting it was indeed. The maids and kitchen staff hung onto your every word as you read the pamphlet. You weren’t exactly sure how you felt about the pamphlet yet but Pandora was right about one thing. It was literature. Lady Whistledown seemed bold enough to list subjects by name. By their entire name as if she wasn’t afraid of any repercussions. You supposed she wouldn’t be since Whistledown was obviously not her real name. 
It wasn’t the subject of what she published that bothered you. A lot of it was standard gossip that goes around during the social season but it was her personal opinion. She almost seemed to want the ladies she wrote about to have miserable ends like inquiring about Daphne Bridergton’s flame burning out quickly. The lady must know that what she published could ruin a reputation. Gossip is no longer gossip when publicly written down. It has the potential to become fact. 
You slapped the pamphlet against your hand. “Well, I suppose Mercutio Quick from York will no longer be the entertainment of the ton. Sad, and right as I earned a publishing deal too. Perhaps, I should take up a different art. Like making dresses for all my days or learning to play the harp and cello properly so it sounds better than a dying whale according to my brothers.” 
The cook shook his head. “Your stories are very entertaining. Even Lady Whistledown couldn’t stop that.” 
“Thank you for saying that. I am rather jealous that she is penning under a woman.” 
“But you have chosen a name based on your favorite characters, have you not?” 
“I have but maybe I should’ve chosen better. This Lady Whistledown might be making more change for women then I hope to accomplish.” 
At this, the staff scoffed. Pandora cleaned up your dishes from the kitchen island in front of you. 
“Your Highness, with the utmost respect, you are the one who is going to do more for women than this Whistledown. Everybody already wants someone other than your kind brother on the throne. They’re all praying your niece gives them any child so they may protest for her with the added benefit of an heir. They love her and what you write about in your letters make her seem even better. Hell, they love you and they don’t even know you. They listen to you. And with your words, Princess Charlotte the Younger will be on the throne and you will prove women are more than capable of whatever and we might have real change. Is she still on board?” 
“Yes. She hates her father as much as anyone else does. George is nice once you get to know him… sort of. But Lettie approves as long as I agree to be in her court. I said yes of course.” 
“Then it is settled. Thank God we might actually get change in our wretched lives. Now you must wash up and oversee the Bridgerton gowns before they are sent off. Shall we pick certain ones from your wardrobe?” 
“Give the Diamond the one with lace and her family’s colors. Pick whatever you want for the rest of them. Oh and patterns must be on the Feather mother’s dress. I noticed she wears the most ill-favored ornamented dresses but she seems to like them. And put in an order with the modiste, I should like to do this often if this first gesture goes well and the gift wardrobe will need more clothes than it has at present. Clothes for the lower classes as well, nothing that could get them attacked and the clothes stolen off their bodies.” 
“Yes, Your Highness.”  
“And, by the way, I already washed up.” 
“Yes, but now you’ve been sitting amongst smoke and smells.” 
You gave up your fight and nodded as you jumped down from your stool and began the walk to your room. No one was around today. They wouldn’t be for most of the social season as they had other duties, including watching your siblings. Despite your madness, you weren’t the biggest concern at all. It was your rakish brothers in brothels, your sisters constantly leaving their husbands or suitors, and all of them sneaking away. You paused for a moment before walking quicker until you reached your room. 
Why couldn’t you sneak out? Now would be the perfect opportunity. And no one was looking for you. It would be so easy to scale the vines up the garden wall and just have fun for a moment. You washed up quickly and put on a very simple dress — one more like the style of today rather than your father’s time. Grabbing a cloak and your mask, you put them down on the bed before sitting down at your writing desk to pen a letter. The slam of the door nearly made you jump out of your skin. You calmed as you realized it was just Pandora. 
“Oh, good. It is just you.” 
“I have the Bridgerton and Featherington dresses but what do you mean it is just me, Y/N?” 
You stood up, abandoning the letter now that someone was around. “I am going out to see the ton.” 
“What?” 
“It is still dark. I have a map, my cloak, and the mask. And I have a very clear destination with vehicles that will get me back in the most discreet of ways should I need to use them.” 
“Your Highness.” 
“Pandora. I am nearing my introduction to society. You will all have to let me go at some point. I know everyone cares for my wellbeing but my happiness is gone. I am seen as nothing but my illness. Before I have an episode in public like the king, let me meet the ton. Let me not be Farmer Y/N for a brief moment of my life before I am a farmer forever, before I stay in that garden just like Father.” 
Pandora’s mouth shut. She simply locked the door and unlocked the window. “You must return before your midmorning promenade and snack. Since you ate downstairs, I can convince them to overlook your absence of a breakfast request. And don’t take your mask. It’s better if they don’t know who you are at all.” 
She gasped as you hugged her. 
“Thank you, Pandora! Thank you! You are truly the bestest friend a woman could have.” 
“Just go so you can come back quickly and I can have my sanity back.” 
You closed the window, shocking Pandora as you pulled a picture frame off the wall to reveal a staircase that led outside. The door was hidden behind the trellis covered in vines and flowers. You pulled the hood over the cloak over you. The last thing you did was check for your bracelet and if your papers were inside. Until you were introduced to society, all the royal children had bracelets that couldn’t come off unless cut off. There were just in case measures with the eldest two but became necessary after so many nights sneaking out. The bracelet wasn’t going anywhere but you didn’t want to lose your birth certificate. It was your first safety measure. Even if you were kidnapped or harmed, you’d be returned to the palace for a pretty penny. You did pull your sleeves down so your bracelet wouldn’t be noticed.  
You couldn’t contain your smile at the excitement of being out. London was so different without all the noise. The brothels and pubs were starting to close down for their few hours of rest and relaxation. You stuck to streets where you could see all the action but wouldn’t be easily spotted. No one bothered you until you arrived at your destination. 
The footman stood to attention. “May I help you?” 
“Yes, hello. I bring a package from Buckingham House for the Bridgertons, courtesy of Princess Y/N.” You handed him a letter with your official stamp at the end of it. 
The footman’s eyes went wide as he handed you back the letter and ran inside. The Bridgertons looked up at the frantic knocking, pulling slips over Hyacinth and Daphne before telling the footman he could enter. The Bridgerton boys came upstairs after hearing the heavy pounding of their employee’s footsteps running up the multiple stairs. 
“Is there a problem, Marshall?” 
He panted before taking in a deep breath. “The Young Princess’ lady-in-waiting is here, bearing gifts.” 
“WHAT?!” 
The Bridgertons collectively yelled before the scramble happened. You tilted your head when you saw the windows open and a maid shake out some bedsheets. She squeaked when she looked down to see you. You laughed as she ran back inside. It couldn’t have been more than five minutes before you were escorted into the house by a very out of breath footman. The Bridgertons stood on the steps at the end of their entrance hall in chronological order with their mother starting the line at the very bottom step. Nervous smiles graced their faces when you finally reached them. You curtsied to which they curtsied or bowed back. 
You gave them a second to assess you before speaking. Even though it wasn’t true in the slightest, everyone thought the ladies-in-waiting and manservants were reflections of the royals themselves. Not in character or value but in appearance. They figured they could form some sort of picture as to what the young masked royals looked like. If you were ugly then surely the princess was too. You hoped they at least found you to be average looking in appearance. 
Anthony Bridgerton — the new head of house from what you remembered of your studies — stepped from behind his mother to greet you formally. He bowed once again, deeper, before offering up his hand. You settled yours in it to receive a chaste kiss. 
“To what do we owe this sudden pleasure, Mrs…” 
“Beckett,” you lied, just using Pandora’s last name. 
“Mrs. Beckett?” He didn’t recognize the name as one belonging to an upper class member of the ton. He wasn’t sure he recognized the name at all. 
“Apologies, I should explain. The princess doesn’t distinguish in her court, we are all there to work. All women are ladies-in-waitings, all men are valets. Regardless of station, regardless of marriage.” 
“So, I am to take it that my earlier statement was incorrect.” 
You nodded. “Simply Miss Beckett.” 
“Well that sounds like very forward thinking actually. All the same, it is our pleasure to meet anyone in her highness’ court.” 
Violet smiled as she watched the interaction. If her son was close to anyone in the princess’ court, especially someone that seemed so close to the princess as to be sent here, then he would be able to meet the princess with good graces. He’d be ahead of any man by leagues. 
“Princess Y/N has sent me on her behalf. She extends warm greetings to the Bridgertons and the Featheringtons whom I will meet after our encounter. The princess congratulates Miss Daphne Bridgerton for earning Diamond of the Season as well as congratulations to the Dowager Viscountess for raising such a fine woman and to Viscount Bridgerton for chaperoning and keeping the family together therefore allowing his sister to shine.” 
He cleared his throat and started to smile. “Please give the princess all of our thanks for the most kind of compliments.” 
“And she would like to assure Miss Bridgerton that I have not been sent on behalf of any princes. Her brothers will not be bothering you today.” 
They all chuckled when you laughed. 
You set the first box down on the table next to you and opened it. “The princess has brought new dresses for the ball. The Diamond and the rest of her family should have the opportunity to shine with the utmost and wholehearted respect and support of the Crown. Please, enjoy them.” 
The family ran to the table, picking out dresses and suits and matching them to the person’s name on the paper pinned to each garment. They kept singing praises and admiring the outfits. Violet turned back to you. 
“When are you planning on visiting the Featheringtons?” 
“In an hour or so, I must be back before the princess’ morning promenade. She has a very busy day afterwards.” 
“Will the princess be introducing herself this season?” 
“Hyacinth!” Anthony and Violet yelled at the same time. 
You laughed. “It is no trouble. I’m at liberty to answer as the princess’ head valet.” 
“Valet? I thought you said they were all men. They are usually all men.” 
“If the princess should become heir to the throne then she will receive a male valet alongside me. For now, it is just me. The Crown believes someone of the same gender should always be with her should she need to confide in someone about very personal matters.” You took a breath before testing the waters. “Such as affections of the heart.” 
It had dawned on you in that moment that you could spy on the ton. When the time came, you would still have to dance with all the bachelors of the United Kingdom but you at least you would have a better picture of them. You’d have to apologize to Pandora for the countless strokes she was about to earn from you but you couldn’t make this your only time sneaking out.  
Violet smiled, knowing she was right. “Well, would you like to stay for breakfast?” 
“Oh, I wouldn’t want to impose.” 
“It would be no trouble at all. We have more than enough room. Eloise, dear, if Penelope is to come over please request that she do so now.”
(part 2)
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thesiltverses · 6 months ago
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A very big thank you
I posted this on Patreon, but really wanted to share it here as well:
Post-show life begins
For a long while now I’ve been getting up at 4.30 or 5am, grabbing myself the first coffee of four, and then coming to sit at my desk.
I open up the assembly cut of the newest TSV episode.
I listen to it, I try and pin down which scenes I need to be going back over today. I try and push through the entire morning without a break because when the momentum stalls, that’s what kills your release schedule. (I also worry endlessly about just how much of my hair is falling out, and how spending 12 hours a day wearing headphones could be contributing to that.)
Today was different. I still woke up early - it’s a hard habit to shake off, and probably a useful one going forward. But I didn’t go to my desk, and I didn’t put my headphones on.
I went to the rocking chair we bought for our son when he comes, and I sat there - gently swaying and trying not to spill my coffee all over it, because for some reason it’s fucking beige - and looked out over the city skyline. 
I slugged back my coffee surrounded by all the stuff we’ve panic-bought for the baby, and I got to take all of it in - washcloths and the changing table and romper suits - with a sudden focus and a clarity and a rising excitement that I really hadn’t allowed myself to feel until today, because until today the work was still unfinished and there was still much left to be done.
All at once I felt very free, and fully sated, and happy and proud for everything that’s coming next.
There’s so much to feel grateful for from the past three years of working on this show. But what’s probably going to sit with me the most is being able to arrive at that moment and those feelings today, - and we have all of you incredible people to thank for that.
Not just in terms of listenership or financial support, although that’s been truly invaluable and a lifeline for us that’s enabled us to actually make the show - but also your enthusiasm, your passion, your jokes and comments and everything that’s helped to keep us motivated and working on it.
So - with as much feeling as words can convey, thank you so, so much for everything.
What’s coming next, in rough order
#1: Parentdom is going to take over our lives for a while! I also want to write the final Patreon episode commentaries in the next few days, while I have the time and the clear memories. #2: The next thing we’ll organise will be the post-season Q&A (we’d also like to do some kind of off-camera cast party if we can make schedules work, just to say thank you to our amazing VAs and celebrate with them). Please do ask us questions! #3: We have long-unfinished commitments to the Patreon which I need to complete: the last two episodes of So Long, Good Luck, and rounding off Sid Wright’s story. As ever, huge thank-yous for your patience with these; they’ve just been impossible to polish off while also working on the main show so much. #4: Something I’ve been thinking about for a long time is the possibility of going back to Season 1 and redesigning it from scratch to try and bring it closer in style to S2 and S3. We have the raw audio files - some of the mic quality will just be rough no matter what, but we can certainly try.  This is something I want to be conscientious and careful about; I very much want to respect the sound design work that’s already taken place, and ensure we’re not overriding anything. But I do know that the initial quality still sometimes puts new listeners off; we were learning a lot about direction and mastering from scratch, and our designers were working with limited budget and a total lack of plugins, so there’s simply a lot more we can achieve now. (This would also be a good opportunity for me to finally rework the transcripts, another fallen hurdle). #5: A few months back, we were contacted by a literary agent in NYC who was interested in us adapting the show into a series of novels. There’s a long road ahead to actually get published, but I'm thrilled to say that I have signed with them and I’m really excited to hopefully start work on the first book once I’ve settled into dad-dom. I’ll need to check what’s possible, but if it doesn’t interfere with any contract condition I’d obviously love to share excerpts on here as it’s written. #6: Then there’ll also be another larger audiodrama project - we’ve spoken about the different possibilities before! Excited to get started on our final choice.
Just one last word about endings
God, endings are scary. Because endings are impossible.
How many serialised stories actually end in a way that’s received unequivocally well?  People yelled at The Sopranos for its ambiguity and open-endedness. People criticised Breaking Bad for treating Walt too sympathetically at the end and relying on a generic mob of snarling Nazis to act as his final foe.
Endings are either too pat and neat, or too inconclusive to be satisfying, or too surreal and dreamlike, or they simply make what feels like the wrong choices for the characters we care about. We’re all caught in that barbed wire, creators and audience alike, weighed down by the baggage of what’s come before and we've already spent so much time anticipating the infinite possibilities of how it could all turn out - it’s like we can’t get free of the story that’s trying to end. 
And the beautiful thing about these longform, iterative works is that they insist upon becoming completely ungovernable. No matter how much of a planner the creator claims to be, how much prepwork they carry out - they were never really in control. There’s spontaneity and surprises and dead ends and beautiful distractions that come spilling out along the way (I was baffled and delighted to learn that people really - at the end of the show, with such limited time to spare - wanted to find out what had happened to Eddie*). 
So they can’t end. Not really. There’s too much wonderful mess in them to ever be reasonably disentangled.
And, of course, for every ending people remember with frustration or dissatisfaction, there’s another hundred endings that nobody remembers at all, because we lost our enthusiasm along the way and it feels better to keep going back to the start and avoiding the slow decline. (Who the fuck remembers how the umpteenth X-Files reboot ended? What increasingly tired post-modern antics was Alan Moore getting up to in the final League of Extraordinary Gentlemen books?). I really just didn’t want the show to end up in that latter category.
All of that probably sounds like I’m warding off criticism about the show's ending, but for me it’s actually been the opposite. 
For an ending which is all about narrative dissatisfaction, and failed potential and missed opportunities, and how we need to come to terms with the lack of existential fairness and certainty and narrative control in our lives and keep ploughing forward all the same for as long as we possibly can, I’m massively stunned at just how positive the reception has been on here and elsewhere, and that’s something I’m actively having to process, because I think I was fearfully anticipating much more pushback.
But, look - the Eskew finale was originally quite poorly-received and then people came back around to it over time. So I’m not going to pat myself on the back too hard, because maybe it’ll ultimately be the opposite with this show, and that’s OK. For 200 years everyone was convinced King Lear was improved by having everyone survive at the end and get married. Endings take time to settle into their final condition.
For now, I am incredibly relieved that the ending we chose seems to have landed for most people, and I’m incredibly grateful for the lovely messages we’ve got about it and for the trust in us that you’ve all shown throughout the story.
So, yeah, let’s end with another thank you, because that’s what I feel so deeply and so forcefully at this point.
Thank you so much again, and speak soon.
Jon
*My take? We’ve established that the guy is in some kind of blue-collar job and has been pushed into constant overtime due to the reduced workforce. We’ve seen that the so-called ‘national holiday’ doesn’t actually rescue workers from their commitments. So I personally imagine that Eddie was working during the parade somewhere on the city outskirts, and is alive and well.
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ceilidho · 1 year ago
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prompt: IKEA soap/reader fic. PART 4. (read 1, 2, 3) tags: dubcon; nsfw
-
You only realize after the fact that you may have miscalculated in thinking that this could be a one-time thing between the two of you. 
After listening to Johnny bitch and moan during the Christmas party about having to take time off work to spend the holidays with his very religious family, you delude yourself into thinking you’ll finally be able to have some peace and quiet around the store. Not literally, of course. Working during the holidays is always a recipe for exhaustion—parents coming in at the last minute to demand toys that have long since sold out, fights breaking out in every other aisle as customers fight for the last palatable set of Christmas ornaments and boxed fruit cake. 
You’re not delusional enough to think that work will be a piece of cake, but you are selfishly a little happy that you’ll finally get some time to breathe without Johnny hovering over your shoulder at all hours of your shift. Seasonal shoppers are as exhausting as always, but you get to sit alone in the breakroom with a cup of coffee in the morning right before your shift without someone staring at you or breathing into your personal bubble. 
Johnny spends his entire time off blowing up your phone, sending you pictures of his childhood home, calling you during your breaks, and sending you weird videos that seem to have been filmed entirely in the dark where you can’t see or hear anything apart from some weird squeaks and one loud grunt at the very end of the video that sounds kind of like—you close the video.
You spend the first few days of January dreading his return. The day of is like a shock to your nervous system, the whole morning spent pouring coffee with a trembling hand. 
“Hiya gorgeous,” he purrs when you clock in for your shift. You’re somewhat used to Johnny sneaking up behind you, so you don’t flinch this time when you feel the length of his body press up against you at the time clock. 
“Johnny, it’s seven in the morning,” you mutter out through pursed lips, shoulders stiff when he puts his hands on them and digs his thumbs into the tender points of your back. You bite back a moan.
“Missed ye, kitten. Cannae believe I went a whole week without hearing you purr.”
He could’ve phrased that a thousand other ways, but he just had to choose the one that would make you wince. He digs his thumbs in again, trying to push the moan out of you, but you tamp it down. You hold back a shudder when he plants his nose onto the crown of your head and inhales, drawing your scent into his lungs. 
“Where’ye assigned ta today? Jeff owes me a favour—gonna ask him if I can spend the day with ye so we can catch up.” 
You go still when he drops a firm kiss to the side of your head. “I’m…not sure. I haven’t checked the schedule yet.” It’s a half-lie. You may not have checked the schedule yet, but you know from having briefly chatted with your manager this morning in the parking lot where you’ll be spending most of your day.
Still, it means that you get to shake off Johnny for a bit. “Lemme go check for ye, okay, hen? Stay here, a’right?”
You watch him jog off down the hall to the breakroom before finally leaving. It’ll be better for you if you’re gone before he comes back. 
The first hour of your day is spent on softlines until Priya in jewellery randomly comes down with a chill and gets sent home early, forcing you to cover her section. Usually that wouldn’t be such a bad deal—it means you get to spend your shift helping people try on bracelets and rings, restocking the earring display, and leaning against the counter for hours at a time. It’s not a particularly busy station.  
While you're assigned to the jewellery section though, Johnny pops out of nowhere as you're helping a customer contemplating a birthday ring for his fiancé. With the kind of confidence that you’ve come to expect from Johnny, he uses your hand to model some of the rings, but this time it feels oddly weirdly intense. When he slides the first ring onto your finger, you can feel the way he holds his breath, even shudders a bit. He presses himself right up against you behind the display counter, hardness pressing against your hip. 
It doesn’t take long for your customer to leave. Johnny’s demeanour is off-putting, concerning even. You can’t fault the guy for being rightfully repulsed by the way Johnny crowds up against you like you’re alone together. 
“What are you doing?” you hiss through your teeth.
“Cannae help it, hen. I ken ye wanna wait, but it jus’ makes me a bit emotional seein’ my girl wearing a ring I put on.”
He blinks down at you with big, blue eyes, the picture of innocence. You should’ve anticipated there being a danger in letting Johnny stew over that on his own. Of course he’d come to his own conclusions, even one as deranged as thinking of your hook up as a step towards dating. You can’t help but side eye him. 
“We—we’re not a couple, Johnny.”
He cocks an eyebrow. “Ye just let anybody eat you out in the supply closet then? S’that right?” It’s said rhetorically, like he knows the answer already. You flinch at the slight though.
“That was—” you cut yourself off to take a breath, an ache growing behind your forehead, “—that was a…it was a one-time thing. You can’t just act like we’re dating.”
His lips turn down in a pout, displeasure rippling across his face. You brace yourself for the inevitable argument, for shit to hit the fan, because obviously that’s what’s brewing under the surface. You brace yourself for worse too because when you happen to glance around, you realize how few people are actually milling around in the area. 
Then, instead of losing his temper, Johnny’s eyes grow smoky, heavy-lidded, and the pout lifts into a lazy, playful grin. “A’right, kitty, no’ dating then. That’s fine wi’ me.”
This time it’s you that frowns, staring up at him dubiously. “…Really?” It feels too sudden, quicksilver. Johnny’s fiery by nature, short tempered on his best days and more likely to grit his teeth and bear the displeasure of not getting his way than happily giving into it. His sudden smile is at odds with the version of him that exists in your mind, furious at you for denying him. 
Maybe you’ve got him all wrong. 
The gleam in his eye betrays nothing, however. “I swear.” He leans closer to you then, fingers fiddling with the name tag pinned over your chest on your work vest, straightening it. “Doesnae mean we have ta give the rest up though. Ye liked what we did in the closet, right, hen?”
It feels like he’s sucked the air out of the room, as big as it is. “I thought we weren’t going to talk about that.”
“Och, c’mon, kitty,” Johnny breathes, hunching just a little over and into your space, making the moment feel private, just the two of you. “Had to talk about it eventually. Did ye just expect that everything would go back to normal after ye let me eat ye out? Hey—” he catches you when you try to make a move to step away from him, wrapping a big hand around your wrist and tugging you closer to him, “—listen, kitty—it doesnae have to be anything serious, right? That’s what’s making ye all jumpy and nervous? I’ll lick your pussy, free of charge. Dinnae need any labels. How’s that sound, kitty? Dick on demand?”
It should repulse you. The way he speaks to you is crass, crude. His voice is hushed, haggard, fur stretched taut over stone—and yet, your hands tremble, just a little. It tempts you. Purring Scottish burr, lapis lazuli eyes, bristle cheeks that you still remember scraping up your inner thighs. He’s a package you can’t imagine sending back.
“You won’t get…you promise not to get weird about it?” you ask.
His smile curls up, impish. “Cross my heart, kitten.”
Maybe you’re delusional enough to think that you can have your cake and eat it too. There’s a voice in your head telling you to face the facts, but you disregard it as if you haven’t been working with Johnny for months. As if you aren’t aware of his penchant for saying or doing anything to get his way. It’s maybe naive of you. 
All you know is that he smothers a laugh when you tell him you’ll think about it. Knows he’s got you right where he wants.
You don’t fight when he drags you into the single-stall bathroom towards the end of your shift, letting him position you in front of the mirror before sinking to his knees behind you. Forces you to watch the way you come apart on his tongue, not giving you his fingers until you beg him to, the whispered plea a hairsbreadth away from becoming a scream. 
“Oh, did she miss me?” Johnny breathes, a happy laugh in his voice when he runs the broad side of his tongue over your entrance from the back. “Fuck, look at that. Winked at me ‘n everythin’. Hi darling, missed ye too.”
You don’t think you’ll ever be the same after hearing that come out of his mouth. You go hot all over again when you clench involuntarily, equal parts turned on and horrified. He sniggers before trying to cram his whole tongue up into you. 
There’s a moment of panic when Johnny draws up behind you after making you come and you hear him undo his pants. There’s nowhere for you to go with your pants still looped around your ankles, underwear pulled all the way down as well. You hear yourself hiss a startled Johnny when he slots a fat cock between your thighs, staring dumbly at the reflection of him behind you. At your back, he seems massive, lean and trim but towering over you, broad. 
He shushes you. “Dinnae be selfish, hen—gotta get mine too. Jus’ gonna fuck your thighs, dinnae fret.”
You squeak when he pushes your thighs together forcefully, dragging his cock over your folds to wet himself. Watching Johnny fuck is nothing like staring down at him when he eats you out. He pants harsh and ragged into the side of your head, nips at your ear. The glint in his eyes goes animalistic, vacant. Human desire recedes, subsumed into the animal part of his brain with the single-minded need to fuck. 
The only thing keeping him from driving up into you, accidentally or not, is the way you keep your thighs pressed together. A warm, tight channel for him to push his cock into. Thick fingers dig into your waist, sure to leave bruises. You wince when lean hips pound against your backside, growing frantic as need overtakes him. You flirt at the edge of panic, certain that at any second, he’ll pull your thighs apart and nudge the head of his cock up into you. 
“Jus’ like that, fuck,” he grunts. “Be a good little fuckin’ girl and jus’ let me—”
His tongue lolls out on a particularly rough thrust, hands groping over your belly and up to your chest, slipping his hand under your shirt and bra to pinch your nipple. He twists it mean, nasty, until you have no choice but to grunt through grit teeth, eyes watering. You feel like a doll meant for his pleasure, no choice but to grip the sides of the sink and let Johnny use you until he comes. 
“Fuck,” Johnny groans, eyes going half-lidded. “Love makin’ this pussy come. Love gettin’ her all messy and wet. Lettin’ me between your thighs even when I make ye nervous—fuck, ‘m gonna come, ‘m gonna—fuck, fuck, fuck—”
White come stripes the sink in front of you, thick and viscous. Paints the inside of your thighs as well when he drags his hips back until just the head of his cock sits nestled up against your sex. Hyperconscious of where it tags your inner lips, that there’s no barrier between the two of you, just come and skin. 
The full body shake shocks you, a ripple from your heels to the top of your head. 
His free hand grasps you by the hair when you try to slip away. “Ye gonna clean up your mess, baby?”
You glance back up at his reflection in the mirror, trying to suss him out. Shark-like eyes meet yours. Something you’ve seen in glances before finally staring back at you with full force. You reach for the paper towel dispenser with a shaking hand. 
“Nah,” Johnny scolds, giving you a shake. “With your mouth.”
The command hangs in the air, no joke or laugh to undercut it. His eyes read serious to you, still dark. No leniency present in the blue. 
You stare down at his come on the sink, slack-jawed. “You don’t seriously mean—”
“Jus’ kidding, silly,” he chuckles, giving a teasing bite to your earlobe and tugging. The tension in the air disperses. “Got ye, huh?” 
You force a laugh. “Yeah…got me.”
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shadebloopnik · 8 months ago
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Ever go along your day and suddenly think that actually we need to give more credit to Edalyn Fucking Clawthorne. Like, she was THE Owl Lady. She was THE most POWERFUL witch on the boiling isles even at middle age. And she received a damn CURSE that ate at her powers and limited her skills SINCE SHE WAS A TEEN. Its been burning through her powers since she was a damn CHILD and it seemed to really only take significant effect decades later. And even at the HEIGHT of the curse, even when it was taking over her entire form, even when it was DRAINING EVERY SINGLE BIT OUT OF HER, she was STILL WINNING AGAINST LILITH; AGAINST THE HEAD OF THE EMPEROR'S COVEN WHO COULD ALSO USE ALL THE MAGIC TYPES, ALSO TOWERED ABOVE OTHER WITCHES IN TERMS OF POWER.
There was a reason why Belos didn't go to fight her himself. He was a bitch but he was a smart bitch and he knew that without the safety net of being related to her(like Lilith being her sister) he'd be a damn sludge on the wall 2 seasons early.
Eda was kicking ass, doing crime and looking good even with a curse that everyone expects would pull her down. She took the chains of her curse and made it her necklace. She kicked cops in the face. She powered through every heartbreak and found people who loved her to bits. Even when her power was finally drained, she got her bombass Harpy form by parenting the shit out of the OwlBeast bc she's just that cool. And even without her powers and forms you say? We'll she's a fucking talented GENIUS, she's literally so smart she's smarter than Lilith despite how chaotic she acts. She's an amazing musician. She's one of theee best potion makers. And again, she's a damn GENIUS in both academics and street smarts. And at the end of it all, she opened up a school and worked to break down the foundations of the very system that shunned her and her people. She made people embraxe individuality all the while teaching them to appreciate the love and support of a family/community. She's building a world, a family that she would have loved to had when she was younger and hurt and confused and alone.
She had a disability and she wore it like a fucking QUEEN and idc how much The Owl House fandom dies down in the future, this woman never went down without a fucking fight ESPECIALLY if it was for the people she loves and she DESERVES the never ending praise.
"How pathetic are you, that you can't best me at my WORST."
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mercy-burning · 1 month ago
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Christmas Miracles
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Mercy’s Ficmas 2024 | Main Masterlist
Pairing: Spencer Reid x fem!Reader Summary: Spencer aims to comfort you after a rather explosive breakup with your boyfriend during your Christmas party. Category: Fluff Content: Yelling, sad Reader, drunk Penelope (she's my fav, what can I say), a mistletoe kiss, Spencer is a yearner (he is also my fav, what can I say) Word Count: 2.6k
The first day of Ficmas has arrived! I'm starting you off strong with some short 'n sweet fluffy pining goodness <3 (who am I lmao)
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It's not uncommon for the holidays to be a lonely, depressing time for some. It's covered up in ribbons and bows and sparkling lights, but really, under the surface can lie a lot of darkness.
Spencer can see that in you— Not just this holiday season, though it's apparent now more than ever just how unhappy and exhausted you seem. When you're at work day after day, constantly thinking about and putting away criminals, and even then you seem more happy than you do when you're around your significant other, that's when there's a problem. And surely you must know how your friends have noticed... There's no way you couldn't have; It's practically all of your jobs to notice.
Still, you don't say or change anything about it.
He knows it isn't his place, but Spencer wonders why. His heart breaks for you, each and every time the jet touches down and your eyes darken with the realization that you're one step closer to going home. Home should be an escape from work, and not the other way around. Many times he's even offered to go somewhere with you as a distraction, a silent confession that screams, "I know you're not happy, but it doesn't have to be that way. You don't deserve to feel that way. And I'm here for you." Sometimes you agree and tag along, sometimes you don't. Every time, Spencer wishes you could see yourself the same way he and everyone else does.
And more than anything, he wishes that asshole of a man that calls himself your boyfriend would fall off the face of the Earth. In fact, "asshole" is too tame of a word to describe him, and "man" way too kind.
Much is apparent as the muffled argument rings high and dims the twinkling atmosphere of your apartment. The lights on your Christmas tree flicker in and out like they know that something is inherently wrong, like they're dying out and being suffocated by the thick tension.
Spencer's heartbeat flickers right alongside them, his gut twisting as your hurt and angry words cut through, sharp as a knife.
Finally, Derek's voice offers a bit of distraction, though not a very good one. "So, when are you going to swoop in and save the day?"
He winces. "She doesn't want my help. I already do what I can, but... It's best to let her handle it the way she wants to."
"Seriously? She's having a miserable time at her own Christmas party because of that dickwad, and you and I both know damn well that you're the only one who's gonna be able to help her out of it."
This time, your boyfriend raises his voice, cutting you off and making Spencer jump. He looks at the ground and continues the conversation with Morgan to try and distract himself. "I'll do what I can, but I'm not..."
He can't think of the right words, though Morgan seems to get the sentiment; He playfully nudges him with his elbow. "Why not? It's not exactly a big secret that you're in love with her or anything. And besides, we all know you'd treat her a thousand times better than—"
"It doesn't matter, okay? I'm not going do anything like that; I mean, they haven't even technically broken up, anyway, so... No."
Morgan sighs, and JJ offers a thought— how the last thing a woman wants after a fight with a man is another man to swoop in and try to whisk her away, no matter how good his intentions are. Morgan explains in turn that he's not actually suggesting any flat-out advances, and in a matter of minutes, the entire BAU ends up in a discussion weighing Spencer's options.
And then, the musing amongst the group comes to a close, but only at the screeching sound of your voice.
"You know what? Then you can leave!"
There's a collective gasp, a holding of breaths and clutching of champagne glasses in anticipation of the end, which comes crashing in with a resounding and cathartic, "And don't you ever come back! We're through! I never want to see your stupid face ever again!"
The door slams, and an immediate hushed chorus of cheers is not far behind. Morgan firmly pats Spencer's shoulder, as Rossi raises his glass and muses, "It's a Christmas miracle."
The real miracle, Spencer thinks, is you; even as your spirit waltzes back into the living area in pieces. Easily the most bright and beautiful soul he's ever known, it nearly crushes him to know how awful you probably feel in that moment, for something that isn't even your fault. He sympathizes, but more than anything he wants to reassure you that nothing could ever deter his steadfast belief in the simple fact that you are the only miracle one could ever need.
Penelope rushes to your side and embraces you in a warm hug, to which you drop your gaze to your feet.
"I'm sorry... I ruined your night."
"My dear, you've ruined absolutely nothing," Rossi offers gently.
His words elicit a sniffle from you, and then you're turning your head into Penelope's shoulder, hiding your face and slumping full-force into her arms. JJ and Emily rush over and pile on in a group hug, handing their drinks to Hotch. He's stayed verbally neutral over the situation, but Spencer can see the relief and hope resting in his expression as your grief slowly dissipates. A Christmas miracle, indeed, his smile seems to say.
The lights on the tree seem to brighten at the breath of fresh, unwavering life in the atmosphere that feels very much like love. A proper family. A support system. A warmth.
Spencer feels that warmth vibrantly in his fingertips— Even hours later in the cold, out on your balcony as he mindlessly observes the city below, every sharp breath of December air filling his lungs in slow, steady cycles. New snow isn't falling, but the streets are glittering with what's already there, every speeding headlight making the ground dance below him.
He wishes it were more quiet; something about the eerie silence of winter and the unexplainable feeling that somehow it might heal something within himself. Everything is always so loud, even as he closes his eyes to drift off into sleep. There's always some sort of man-made noise going on, whether it be a fan, or traffic outside his window, or even the quiet rustling of Hotch's paperwork on the way home from a case. For once, he thinks, it might be nice to drift off with nothing but the winter wind carrying him to sleep.
For now, though, he settles for car engines and crunching snow and the muffled bellows of joy beyond your patio door.
The joy crescendos for a moment, and Spencer turns his head to catch your glowing silhouette emerging from the door. The warmth he feels only pulses, hotter and brighter than before.
"There you are," you exclaim softly, stepping outside and closing the door. "Aren't you freezing out here?"
"Not really," he muses.
You take stance beside him, crossing your arms and overlooking the streets just as he'd been doing moments before. A soft smile ghosts over your lips, and on a breath out, your shoulders relax. "Great view, huh?"
"It is," Spencer confirms. "It's certainly better than the buildings I get to look at."
The laugh that escapes you in a cloud of visible air is quite possibly the most beautiful sound to him, especially when it's because of something he said. If he could indulge in the pleasure of making you laugh for the rest of his life, he would take the chance in a heartbeat.
"Well, then you're welcome on my balcony any time."
"Thank you," he says, trying not to give himself away as he feels the butterflies creeping their way in. With a nervous smile, he clutches his scarf. "I'll hold you to it. It's a nice balcony."
He kicks himself for that last part, inwardly cursing his inability to filter out the awkward, unnecessary sentences. He could keep talking and make it worse, but he ultimately decides that scrunching his nose in shame and passing it off as being chilled is the better choice. If you notice, you don't let on.
Taking that as a good sign, Spencer tries to relax. He breathes out, and you turn to him. "Are you... having a good time tonight?"
"Of course I am," he answers, perhaps a little too quickly. "I mean, you throw a great party."
You laugh again. This time the sound huffs out of you with a resounding sadness that cracks his heart once more. "It's not anything, really— just some lights, music, and drinks... But thank you anyway."
Before he has time to think better of it, Spencer calls you out by name, quick to defend you. But then he pauses, unsure of what else to say. He doesn't want to bring up your breakup and make you feel worse, but... what else can he do? The only thing that feels right is the need to remind you how inherently good you are.
So, that's what he does.
"You shouldn't sell yourself short. I... We all love you and we're glad to be with you, regardless of how... grand it is. Just being yourself is grand enough. You don't even need the lights or the drinks, or... him. You're better than all of those things combined."
At first you look pained, the mention of your ex-boyfriend exacting immense pressure on a fresh bruise, and Spencer almost regrets it— almost; Your features soften moments later as his words settle in and seem to melt away the pain, revealing a layer of disbelief and confusion. And then, softness.
Your lip trembles as you struggle to speak. "You don't... have to... say that."
"Yes. I do." As firmly as he possibly can while still being gentle, he reaches out and clutches your hands with his own. He hopes that whatever warmth he has immediately draws itself to you and wakes you up. He wills it to comfort you and make you see—make you feel. His fingers are desperate in their pursuit to love you, their grip unwavering and brimming with hope.
When your eyes meet his, he nearly collapses. There's so much love and relief and bewilderment sparkling in them that he suddenly feels the overwhelming urge to get lost in their depths—to explore and study each emotion until he knows every aspect of you. He almost forgets how to speak for a moment, his mouth dry and the concept of what he wants to tell you being clear as day, reflected in your eyes, as the words themselves slowly become less tangible.
All he can manage to say is the simple, unabashed truth. The love he has for you rests perfectly within those three words, anyway. They ring out and linger in the December air, floating softly around you like a feather, until it lands on your nose and wakes you up from your deep, dark reverie, releasing you into the light once again.
"You're utterly remarkable."
You clutch onto his hands like you've just been pulled from a frozen lake, grasping for any semblance of stability, and he's right there to guide you as you draw yourself closer to him. His heart beats loud and fast as you sigh out and smile, tears welling in your glimmering eyes.
"Thank you, Spencer," you breathe out sincerely in a broken whisper.
He smiles back at you, a weight lifting from his chest as he tells you, "Of course." As if it's the most natural thing in the world to express how wonderful you are.
A sudden burst of energy comes sweeping across the balcony as a loud, bellowing voice makes an expression of their own. It's Penelope, giggling and bubbly as ever.
"Hey! You two! It's present time! Get your pretty faces in here pronto!"
She's gone as quickly as she had appeared, leaving the door open a crack as you laugh and drag Spencer by the hand to follow.
He's grateful for the shift in activity, unsure how much longer he could have been out there alone with you before he said something he regretted. Not that he'd been looking for anything theatrical by any means, but in truth, the entire evening feels like it had been a movie, wrapped up in a neat little bow as the two of you cross the threshold into the rolling credits. The rest of his feelings he could deal with tomorrow, but for now, he's satisfied with this conclusion.
You stop as you approach the door, huffing a short laugh.
"What is it?" Spencer asks as you let go of him and turn around, plucking something from the panel of wood. From your delicate finger hangs a bundle of mistletoe. It sways gently in the wind before you clutch it in the palm of your hand.
"I always come out here after a fight... Guess I figured he might try to make it up to me or something... Like I knew he was going to let me down again..."
The words are sad, but your tone drips with amusement, or something close to it. You feel the plant in your hand, looking down at it and then back at Spencer.
His body freezes under your gaze, the implications sending him into a numbing warmth that both pleases and scares him in equal measure.
"You never let me down," you continue, stepping closer and interlocking his hand with yours, the mistletoe trapped in between. "I want to thank you for that."
Your face leans in, and at this point his heart is beating so loudly he can hear it drowning everything else out. He can barely hear himself stutter out, "It's not a problem, really... And I know you just got out of a relationship, so... You don't have to..."
"Yes. I do."
You kiss his cheek, firmly and quickly, and yet you don't fully retreat. Your lips linger near his jawline, and you squeeze his hand and whisper, "Thank you," against his skin.
He can feel the words worming their way into his pores and leaving trickles of static in their wake, spreading through him like lightning. Their sincerity moves him, and drives home your miraculousness with such force that he can't help but tilt his head down and capture the lips that uttered them in a swift, soft kiss of his own.
You press yourself into him effortlessly, a gesture that makes him wish he had the ability to stop time and keep it trapped in the palm of his hand and yours, like the mistletoe. He could spend forever in this moment if he were granted it.
But alas, time cannot be stopped, and neither can Penelope Garcia.
She bangs on the door and yells impatiently again. "Presents!"
You and Spencer break away in a collective laugh. He feels lightheaded and lovesick, every nerve ending alight with your essence.
"Okay, okay!" you yell over your shoulder, removing yourself from him completely this time and taking the mistletoe with you. You shove it in his coat pocket with an adorable scrunch of the nose and shuffle inside.
The moment you're out of sight, pulled back into the party and leaving him alone on the balcony to follow, he finally breathes out. And the slow inevitable smile that break out over his face feels bright enough to light the entire city.
The mistletoe hums vibrantly in his pocket through the rest of the night—his very own tangible reminder of a miracle; That time, for one brief moment, could stand still.
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ordinaryschmuck · 1 year ago
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I love that The Ghost and Molly McGee's forced cancellation isn't just frustrating to fans of the show but to people in the animation industry as well. They're just as sick as we are about how much studios disrespect animation. They keep looking for the next Spongebob, Simspons, or goodness forbid Family Guy, but instead having faith in the creators and their content, they just...wait. They wait to make a profit and do the bare minimum to market their shows and make them available.
Let's look at Gravity Falls for example. I remember that when Gravity Falls was still airing, you would be able to find out a new episode was coming out based on coming across a commercial by random chance or by the people working the show promoting it online. Add that with the fact that it was on a different channel that required you paying MORE for your cable to get it. It WAS available through Disney Channel, a channel more available at a cheaper price, but the entire of Season Two got moved to the more expensive Disney XD, where Disney shows go to die, because...REASONS. With no warning or announcement. I think I found out about Gravity Falls moving to Disney XD because the trailer played during a commercial break. And that's just the START the show's problems. Mixed in with poor marketing, the show would have a crazy inconsistent schedule, where we'd have four episodes a week, a few months of NOTHING, a few more episodes a week, nothing for a few months, a random episode playing between that nothingness with next to no promotion, and all of that happening to the rest of the show until it finally died a slow death with its series finale where four episodes got stretched out for six months. That...is NOT okay. And it doesn't stop with Gravity Falls.
Steven Universe, OK KO, Ducktales 2017, Amphibia, The Owl House, and now Ghost and Molly McGee are all shows that had similar and sometimes WORSE treatments as Gravity Falls did, where the networks gave next to NO marketing, the creators had to promote their own shows themselves, and the airing schedules were so inconsistent with wildly long hiatuses that only the most dedicated fans were willing to keep watching. General audiences (mainly kids) weren't willing to keep up with shows that had ongoing stories if the episodes stories kept being too spaced apart and never had reruns as frequent as other shows like Teen Titans Go or Big City Greens (Or whatever's constantly on network TV nowadays. I don't know. I mostly watch shit on streaming).
The people of the animation industry is catching onto all of these tricks, and they're getting sick of it. They're getting sick of inconsistent schedules. They're getting sick of trying to bend over backwards in every possible way to make the show they wanted. By either making serialized content as episodic as possible so the network could air it more or by condensing their stories as much as they can, already expecting that forced cancellation to happen sooner than later. And in some cases, they don't even get the luxury of being told their show is ending. Did you know that Inside Job and Paranormal Park both had seasons that were already in development before Netflix pulled the plug shortly after releasing new episodes of their shows? Did you know that The Ghost and Molly McGee was already working on a Season Three before Disney shut that down so they had to force out a series finale that would still be good despite the cancellation? Because it's true. It's ALWAYS true. Creators want to make MORE, but the studios won't let them because they didn't profit off of it. Except they WOULD HAVE if they treated it better.
I want kids to grow up with characters that stick around through their childhood, just like I did with mine. I want kids to have their own Ed, Edd n Eddy, Codename: Kids Next Door, Phineas and Ferb, or Kim Possible. I want kids to watch shows that last more than two-three seasons, stick around for years, and leave an impact as if they have all the time in the world because to them, it feels like they do. I want kids to have a show that ends on a high note because the creators wanted it and not because the networks demanded it. But the unfortunate thing is that it doesn't seem possible nowadays. Because if a mostly episodic show like The Ghost and Molly McGee fails, despite being charming and inoffensive and something most kids will love, the what hope IS left.
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catsvrsdogscatswin · 1 year ago
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I've had this thought swirling in the back of my head for a while, but it's finally congealed enough that I think I can make a coherent pitch, which is: I think RWBY's problems with the more vitriolic part of its fanbase partially stems from the fact that RWBY is a deconstruction that doesn't advertise it's a deconstruction.
RWBY's status as a deconstruction is pretty textbook. It takes apart standard fantasy, shounen, and anime tropes in order to analyze them and their deeper meaning and then reassembles them in new and interesting ways for the plot/characters/series. Thing is, it never says that outright in promotional material, which can lead to later outrage in fans.
See, unless their way of discovering new shows is to close their eyes and stab their finger at random, most people tend to choose series to watch/read based on expectations. Maybe a friend said they'll like it because it has [insert thing], maybe they read the summary and were intrigued, maybe they thought the poster/cover art was cool, whatever. These small pieces of information are generally enough for people to make a snap-judgment of the style and genre of the series, which they can then gauge against their personal tastes and decide whether or not they want to try.
Most of the time, this works just fine. Well-written deconstructions also generally give the viewers some warning/buildup before they take a hard swerve. See Madoka Magica: the magical girl paradigm is shaded by the possibility of death as soon as we're introduced to it, then there's an onscreen death with blood, and then a few episodes later we eventually realize the Faustian bargain of it all. Even innocent viewers who stumbled into watching it, unaware of the show's reputation, would go "Oh, wait, this is not going in the direction magical girl shows usually go" by a third of the way through.
The thing is, with RWBY, this does not happen unless you're paying a lot of attention and/or looking for it. And neither the cover art nor the summary nor, I believe, the fanbase gives a lot of warning about the swerves ahead.
In fact, RWBY initially bills itself as a pretty standard shounen anime. The main protagonist is hinted to have Special Powers and gets into the Magic Monster-Hunting School in the first episode, and the first two-and-a-half seasons are taken up by her and her friends' superhero-esque slice-of-life shenanigans as they thwart robberies and terrorist attacks and gear up for a tournament arc against the looming background of a larger conspiracy.
Then in the last half of the third season the villains' entire Rube Goldberg machine of a scheme snaps into completion and the plot twists so hard the entire genre takes a hard right. If you're used to character analysis and common anime tropes, this is not completely a surprise -up until this point, RWBY's character arcs and plot have been subtly traveling in non-traditional directions that hint of greater flexibility in genre treatment ahead- but if you're not... well.
Thing is, people watching RWBY up until this point have signed up for pretty standard shounen and they've been getting it, but the third season's ending smashes that all to bits. From then on out in RWBY, it's like they ordered fries and suddenly got a hamburger. It might be delicious; but it's not what they asked for, what they wanted, or what they paid for, and they are, justifiably, displeased.
So when the reasonable people either adjusted their expectations or sighed, shook their heads, and clicked back out (perhaps with a grumble and a scowl), the unreasonable people dug their heels in and began insisting that everybody was Getting The Show/Character Wrong and that CRWBY is ruining it, because the fact that RWBY's method of deconstruction is to put standard tropes in a blender and then arrange what's left in deceptive patterns means that said unreasonable viewers can scan the bare surface and argue that all the stereotypical stuff is clearly still under there, somewhere.
So they're continually trying to drag RWBY back to the tracks of a typical shounen anime series (it's closest relative), which creates a dissonance between the show they're watching and the show they think they're watching. They're trying to turn the hamburger back into fries, basically, except that doesn't work and just frustrates everyone involved, because you're trying to make RWBY into something that it's not. Hence, this attitude probably starting/fueling some of the more contentious statements in the fandom, i.e.:
"Ironwood was right the whole time" (in most action movies and shounen anime, allied military leaders are trustworthy beyond reproach)
"Adam's character was wasted" (we all know how much shounen loves their powerful warrior antiheroes)
"Ruby and the others are in the wrong about [insert thing]/or for doing [insert thing], and this is bad writing!" (shounen protagonists don't usually make more than One Very Big Mistake over the course of their entire careers, which is usually fixed/overcome/redeemed via an appropriately rigorous training arc)
And to be clear, there's nothing wrong with shounen tropes or shounen anime. They're wonderful storytelling devices in their own way and their own time: but if you want standard by-the-book shounen without any new and interesting concoctions, then RWBY is definitely not the show for you. And most people don't find that out until it's too late.
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genericpuff · 6 months ago
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no stop this article is too funny
this is from 2020 and while it talks about webtoons in general as a platform and medium, there's an excerpt from Rachel that's ironically and hilariously telling on herself when it comes to her priorities as a creator and how her work has aged incredibly poorly in the past 4 years:
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She may as well just be saying, "I like Webtoon because they don't have any quality control" and "the trad publishing market had standards that I couldn't live up to, so instead of actually trying to live up to them, I went with a platform that has zero standards and was willing to make me into the standard regardless of my own qualifications and lack thereof."
Like y'all, take this as advice from someone who's had their fair share of rejection letters... the print industry dumping your unsolicited portfolio in the bin isn't gatekeeping, it's the nature of the business. The way Rachel describes it here - albeit I'm sure it's simplified for the sake of being an interview answer, but still - makes it sound like she was just expecting to walk right into the trad publishing market without an agent, without a completed manuscript or pitch, without any professional representation, and just slam her portfolio of mid-2000's art on the desk expecting them to hire her on the spot.
Don't get me wrong, there are a lot of barriers that prevent people from getting into the trad market, hurdles that can often be outright unfair (lacking the funds, lacking the connections, etc.) but... there's also a reason many of those barriers are there in practice.
First of all, fun fact: the reason why many publishers don't take unsolicited manuscripts isn't just to help them filter out the spam and low-effort submissions and prevent an overload of submissions (because if they took submissions from anyone and everyone, the overviewing system would break entirely), but it's also for legal purposes so that they don't get sued. Because if Joe Chucklefuck sends in an unsolicited manuscript that just so happens to include a plot point about the multiverse, and then a new book series or movie comes out that is about the multiverse, Joe Chucklefuck might get the sense they're being stolen from and attempt to sue them for plagiarism. This is why it's stressed so much by publishers that any unsolicited manuscripts will not just go unread, but will be thrown straight into the bin.
But second, many publishers simply don't want to take the financial risks on random start-up creators whose only experience is running their own personal projects on Tumblr, much less personal projects like Rachel's, half of which are fetish-content and all of which are unfinished. Of course they weren't gonna take Rachel seriously back then, she hadn't done anything to build up her presence in the industry.
In that sense, yes, self-publishing or pursuing a platform gig like Webtoons probably was Rachel's next best option which would be perfectly acceptable on its own, but it's just so, so telling that she thinks it's a "perk" for Webtoons to lack so much in the way of quality control, and we would ironically see the glaring evidence of that "perk" 3-4 years later in LO's final season when every single element of it as a "professional" piece of work turned to shit. It's no wonder she liked Webtoons in 2020 for letting her do anything she wanted, because what she wanted absolutely would not fly with an actual editor and publishing agency that cared about putting out a polished piece of work. The only way she was able to get "in" with a professional publisher was through Del Rey after Webtoons brokered a deal for her to have LO put into print, and even that level of prestige can't hide the fact that LO sucks ass in print. It's almost like under normal circumstances and without Webtoons carrying her on their shoulders above every other creator on the platform - many of whom actually do have experience in both tradpub and self-publishing - Del Rey wouldn't have paid her any attention. Without Webtoons, no one would take her seriously because she doesn't take what she does seriously, and it shows in her priorities as a creator who simply wants to just do whatever she wants without any sort of reasonable oversight like research or editing which are, again, necessary expectations within the tradpub industry, because it's not just about being a free-thinking self-expressive artist anymore in that industry - it's a business.
Of course, Rachel is probably now laughing from her soapbox over the fact that she now technically helps run an imprint, so haha "poo on the meanie trad market", but considering that imprint has still not launched and has been put on the same "coming soon" track that the LO television show has been on for the past 4+ years on a loop, I'm not holding my breath that it's actually going to amount to anything substantial.
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(gotta love how they asked if Rachel was gonna create any more stories and her answer was RSP, which will help other creators bring their stories to life. so at best she didn't answer the question which is nothing new for her, at worst she gave away the fact that she's gonna be acting as some kind of producer who will be given all the credit and praise for other creator's works and efforts lmao no thankssss)
And god knows what the quality control of this imprint is gonna be like if Rachel's attitude toward the trad market overall is, "Nooo they won't let me do what I wantttt :((((" when she admittedly never even broke into the trad market to begin with and had zero experience working within that industry prior to LO.
And even then, Webtoons still doesn't give her as much freedom of choice as she claims to have. I mean ffs, this is the same person whose moderators stated that the Swarovski crystal dress from the finale was done as a "fuck you" to Webtoons for not letting her draw Persephone nude all the time.
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She's obviously still being prevented from doing what she wants to do, when a lot of what she wants to do is better off not passing the vibe check and making it into the comic.
Quality control exists for a reason, Rachel. And "letting you do what you want" isn't necessarily a "flex" that Webtoons can claim over trad publishing when that "flex" is forgoing the traditional barriers that would usually prevent someone like you from failing upwards into manufactured fame the way that you have.
And that's my big bag of cents on that.
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zeropro · 2 months ago
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What are your thoughts on transformers prime and transformers one?
TL:DR I liked both! TFP was my first Transformers show that I watched all the way through and TF1 was a lot of fun! Opinions on Starscream under the break pfpfpfpfpfpf
Prime was literally my first Transformers experience (Okay that's not true, I did see the first Bay movie when it came out but lets not talk about that). It's really good! My favorite character was Ratchet, I loved that he's just a tired, grumpy, racist old man and he's a doctor. Knock Out was the best thing to come out of TFP and he really should be in more stuff. Really would have loved a fourth season but it wouldn't have been the same without the children around. I liked what we got!
Prime has an excellent Starscream, Steve Blume does an amazing performance with both his deep conniving gravel and his high pitched terrified sputtering. So much character in his animation too, especially in later seasons, and an incredibly compelling character arc. Prime Starscream is not a good person, but I would burn the world for him, and I like the small moments in the show that hint at something in his character that could be turned to good, but circumstance always works against him in that regard. He's just so pathetic, but also competent and dangerous, all the best qualities of a Starscream and a very unique design!
Transformers One was quite good, I was worried because of the trailers but I was surprised by how well executed it all was. None of the characters were annoying, and making Optimus Prime originally one of the oppressed class alongside Megatron was a good move. The scene where Orion gives Dee the sticker is so cute, I simply cannot. The ending felt a bit rushed but what can you do, it wasnt so bad that it's a problem for me.
I would have loved just a little more Starscream in the movie! Like, I knew he wasn't really gonna be in the movie much so i was prepared for it to be little more than a glorified cameo, but I loved a lot of what we did get and I feel like it was missing just a little bit more! Like, the whole High Guard turned rogue backstory he has is great, implies some honor to his character since he didnt keep serving Sentinal when the guy turned Cybertron over to the Quintissance. I think it's hilarious that Starscream is so much older than Megatron. Like, they gave us a lot of food to make headcanons out of, but then the rushed ending kind of left me with no real reason given for him and the rest of the High Guard to go with Megatron without a fight. Like, I think the reason given was that, because Megatron beat him up that one time, and then killed Sentinal, and since the High Guard became a might makes right society and hates Sentinal, I guess thats why they are loyal to him now. And I guess the one line where Starscream is like "all hail megatron" is supposed to indicate he's 100% behind Megatron now and not just a spur of the moment thing. And I guess them following his command to destroy the city is why theyre being banished. But like...idk, every other plot point was well established and properly played out, and the whole decepticons thing just didnt really feel like enough, and i kind of feel like it should have been more clearly communicated considering its an entire one side of a two sided war? I feel like we werent shown the high guard doing anything egregiously bad besides attacking people because megatron told them to.
Like, there's nothing in the movie to suggest that Starscream and the High Guard arent still loyal to the Primes. So when Orion comes back as a prime, like a proper prime, with the matrix and everything, which everyone knows will make the energon flow again, I'm surprised Starscream didnt at least try to make excuses or worm his way into avoiding banishment? My headcanon is he wanted to kill Sentinal as bad as Megatron and so when Megatron finally does what he failed to do for 50 cycles, he's like aite im ride or die for this guy. Maybe 50 cycles of living in the wilderness doing nothing but scout and pit fight all day changes a guy and they dont wanna live in a society anymore. Why dont they accept Optimus as the new prime? They helped him and Elita save their friends, and unlike Sentinal Optimus has the actual Matrix this time. Idk mang. Woulda liked a bit more.
Transformers One, not my favorite design for Starscream. The head vents going wide at the bottom look weird to me, and his legs are so long and flat.
Thems my opinions!
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