#Warning: Discussion of SA

[silentmoonlightgoddess]

Warning: Discussion of SA in literature.

I made a post last January, essentially mourning the downfall of one of my favourite authors, rotXinXpieces aka Rotty and compared it to the grief I felt when I lost my respect for JK Rowling when I found out she was a TERF.

I have spent the last year distancing myself from his fandom, while slowly slipping into the role of a silent reader, reading the books in hopes that they would improve over time and in hindsight of the stir and chaos my post caused in said fandom. I want to point that the post garnered a fair bit of attention as well as a fair bit of abuse, both because I dared to criticize the books, and the author's literary choices, but also, because I made the grave error of badly wording the comparison of my grief over losing respect for JK Rowling to losing my respect for Rotty. I have since edited it to read better and included an apology to Rotty and my trans siblings, because I truly never meant to compare a trans author to a TERF of all people, that is unimaginable to me.

With that said, I would like to point out that my criticisms were shoved aside and to the back while this poor choice of wording on my part took center stage in this arena of hatred that was being hurled at me by the fandom. I found that certain fans manipulated this particular mistake to draw attention away from the majority of the criticisms I made. I stand by my post and I have not deleted it, because it is the truth. It has been over a year since then and I find this happening all over again, and I don't think people realise what has actually happened in the last week, or the last month if we really want to go back.

There was a post made on Rotty's message board once again by a fan, I will not name them here, but the post and subsequent supportive comments criticised Rotty, and basically called him out for the gross overuse of SA in the books, the lack of resolution, the lack of repercussions for the r*pists and justice for the victims.They pointed out that the overuse of SA was starting to look like a sick fetish on the author's part, where the author was vicariously living out a fantasy via their books and the readers were their unsuspecting victims. Rotty acknowledged the post and promised to do better, citing his own traumas and how he was drawing from them.

He did not do better, Recently, he posted another chapter in his book Broken, whose protagonist Three’s love interest Tricho began toeing the line into SA territory, which then immediately led to another post being made on the message board by a reader, asking if we could please not have any more SA and that it was getting really exhausting. They further stated that they loved the books but that they were disappointed that the series was declining rapidly. They mirrored the previous post, saying that the blatant overuse of SA was starting to look like a fetish and that they felt that they were being forced to engage in it without their consent, with some commenters supporting them with similar messages and a few comments with unsavory language.

(Screenshot of the post below:)

Another post was made immediately after, stating that if people thought the SA in the series was *not so bad* that they should check out the following list. The list consisted of the books named in chronological order with the names of the characters that were SA’ed to some degree or the other or in some way adjacent.

(Screenshot of the list below:)

Rotty reacted to this by saying that he would take down the books and fix this. Following which, he did so without so much as warning the fans, which then led to a weekend long of hatred, anger and bullying.

The whiteknights defending Rotty attacked a server from which a few members had commented on the post, and the person that posted the list. But this post is not about a war between two rival servers of the same fandom. This post is about how once again, the criticisms were being brushed aside in favour of the few comments with unsavory language. This post is about how an author needs to take social accountability for the books he writes and publishes. If you look at that list, and you see 22 out of 30 books have SA in them, of which the 30th was still ongoing, and you feel offended for any other reason than how appalling that is, how jarring it is to see and know this is the series you have been following and loved for so long, then you need to look within yourself and think about why that list offends you.

Over this last week I've heard people say that SA is prevalent throughout Greek mythology, that they've forgiven their assaulter, that people have to face their assaulters on a regular basis, and to this I say:

(Screenshot of the two comments below:)

Yes, SA has been common throughout history and mythology, when such abusers were often in a position of power and the victims had little to no way of fighting back and / or seeking justice, if this series is set in a modern universe, which relatively it is, then this should imply that these characters should be held to modern standards of justice and equality, it may not be same in terms of punishment, but it should be in terms of accountability. If a politician or priest is or should be held responsible and punished, then so should these characters.

Granting one's abuser forgiveness is a personal choice, but the implication that forgiveness is perfectly normal or expected is a gross invalidation of a victim's experiences, especially when such experiences often leave behind continuous and deeply painful trauma.

On another note, yes, some people do have to face their assaulters on a regular basis, but that should not be the case and it definitely should not be expected of victims, especially when–

1) The victim has stated or displayed in the past the refusal or inability to be in the vicinity or presence of their assaulter, especially if the contact is unnecessary and avoidable. Sunday lunches for pleasure are not necessary and completely avoidable.

2) Familial relations do not mean a victim owes their assaulter anything, not lunch on sundays, not forgiveness, nor kindness in the face of centuries long of abuse and humiliation, simply because the author decided to give the assaulter a redemption arc, and I use the term redemption arc very loosely here, sarcastically even.

Now, before you hit me with the “An author can write whatever he wants to” and “If you don't like it, just don't read it” or “SA is normal, he's (Rotty's) drawing from his own experiences”, I would like to point out that yes, an author can write whatever he wants, but you cannot say this about works published online for free, on a website like Wattpad, where the books are not being regulated as well as you think and hope they are, and are available to readers as young 12 and 14, whereas when books are published through a publisher, they go through a set of checks and balances in the form of editors and beta readers. This is their social responsibility.

The “don't like, don't read” argument works for fanfiction on Ao3, where there are warning tags, or a book genre where the readers know what they are getting into, like Horror or Dark Fantasy, albeit which come with content and trigger warnings. You cannot say this to fans that love and have loved this book series for a decade, maybe longer, despite everything, when they only hate the gross overuse of SA and how inconsequential and poorly addressed it is, if at all.

SA is a real life issue and an unfortunate fact of life. It deeply saddens me that many people go through this trauma on a daily basis and it breaks my heart that Rotty has gone through this. However, SA should not be normalised, even if the author is drawing from his own experiences, when it is being portrayed to the extent that it is, with little to no justice for the characters, or accountability for the assaulters. SA is not a plot device, or a trope to be used in place as an excuse for lazy writing.

Young minds are susceptible to repeated exposure to such sensitive and graphic topics. These books are being read by pre- teen and teenagers, this will potentially lead to them normalising or even romanticising SA and not even realising it is wrong or bad, these young minds could grow into people that may fall victim to SA, because it has been normalised, or worse, become predators themselves. While victims of SA may read these books as a way to cope with their trauma, others might find it traumatizing or even be angered by the lack of justice for victims and the lack of repercussions for assaulters. And no, the slap on the wrist does not count, not while the character lives seemingly happy ever after with the one of most powerful characters of that world as their lover.

We need to stop sending messages that normalise marrying your abuser, or that dating your best friend's lover's assaulter is alright. We do not need to further fester the wound on society that is SA, by normalising them in books to the extent that they have been. This is why social accountability is important.

Yes, these books are fictional, the characters in them are not real, but their experiences are drawn from a lived reality for many. We live in a world where the SA of women is treated with outrage and demands of justice, where SA is SA whether you are a man, woman or child, whether you are straight, gay, or trans. Would these books be distasteful if the characters that have been repeatedly and brutally assaulted were women instead of men? Or would it just be normal?

As readers, we need to hold our authors to account, but that is useless if the criticisms of the art are treated like an attack upon the artist. When the author shields himself behind accusations of cyberbullying to hide his behaviour and lack of social accountability, it is those handful fans that stand up to him and his massive fanbase that are treated like lambs for slaughter, knowing full well that they are walking into a colosseum of hatred, like the gladiators of ancient Rome.

[tls12lessthan3]

thinking about orvs metatextual engagement with its genre and specifically how that interacts with its women again. kim dokja is a self insert for the reader - what he thinks is largely meant to represent what we think, especially in the beginning before sing shong really fleshes out his character. kim dokja sees the world through tropes, directly acknowledging the genre around him and the cliches we expect e.g. the overpowered mc, the scheming villain, the beautiful heroine.

but a major part of his arc is deconstructing this reductionist view of the world in a way that parallels the author's deconstruction of the genre, and that plays really well with the way orv writes women. yoo sangah is perhaps the best exanple - shes introduced as the heroine, a one-dimensional pretty girl who in any other novel would become kim dokja's love interest. but the authors allow her to be her own character, directly challenging the stereotype of the heroine and calling attention to the genre's typical lack of depth for such a character. i think this undercurrent plays in the background often but really comes to the forefront when yoo sangah reminds kim dokja of her putting pepper in their bosses' coffee, a memory kim dokja had supressed because it didn't fit with the pretty girl persona he made for her.

i interpret that moment as yoo sangah pushing her way out of the mold of heroine often found in these stories, demanding a depth be added to her character, asking kim dokja - and thus the reader - to see her in her entirety, to see the heroine archetype for what she could be. orv is at all times in conversation with its genre, and its simultaneous writing of female characters with agency and depth and acknowledgement of the tropes these women are expected to fulfill is undeniably a part of that. and its a part i enjoy. most of the time.

[thecalciumcollector]

I NEED YOY GUYS TO UNDERSTAND SOOO BADLY. In the scene where Polle is talking to Jimmy near the end of the game, Polle is not a direct stand in for Anya. Let me explain, I believe that Polle is directly representing her child, because of the dialogue where Polle refers to Jimmy as his “old man”, obviously Jimmy doesn’t see Anya as a person, therefore he doesn’t see Anya’s child as a person either. Polle, the direct stand in for Anya’s child, is standing up for Anya because even when she was alive she never got to have a voice. Not in the creation of her child, not in the ability to protect herself from her attacker. Her child had to speak for her because she was never given a chance to speak. ALSO, I really like the reuse of the dead pixel screen not only to represent the terrible acts inflicted upon Anya but also to represent the pixel being shown to Jimmy. In a way that pixel becomes something that haunts him as well, something he will never unsee or be able to take back.

[cyanide-sippy-cup]

Okay now that Anissa is in the show, I have to talk about THAT storyline. There's not much particularly new I can say that hasn't already been discussed but I need to gather my thoughts on what the show has to do to be successful in this regard. With that being said,

Spoilers for things the show has not covered yet

And massive Trigger Warning for discussions of sexual assault and post-assault trauma.

So first things out of the way, I do not believe they should cut it. The changes the show has made are ultimately pretty minor. A character change, order of events swapped. With them sticking as close as they are to the comic, I think it would be a massive problem to skip over it from a story telling standpoint.

From a real world standpoint, it's even more important. Male sexual assault is something that rarely gets depicted properly. It's usually a joke or a moment of triumph and that very much has had an effect on the way we look at it in the real world. And since Invincible is now a show pretty much everybody has their eyes on, choosing not to talk about it would be missing an opportunity to have a very real, very important conversation that very well could educate men on how to navigate and survive what they are going through.

I'm also worried that they'll be too afraid to actually say the word "rape". Lots of modern adaptations delete important discussions like Sokka's sexism or the gender discussions from Cowboy Bebop in order to avoid properly handling them and usually replace them with something worse in a sort of "all bark and no bite" liberalism. Directly saying it as it is is incredibly important to showing that talking about it is not only NOT shameful, but also necessary in getting the help you need and the healing that is necessary to survive.

And from a storytelling standpoint, saying it is important too. The moment where Mark tells Eve what happened is not only great in showing that telling someone is important but is also the moment where Mark is forced to admit the truth to himself. "She raped me." Those three words are a massive turning point for the whole story. Character dynamics change, this becomes a focus for most of Mark's loved ones, and it fundamentally changes his life.

Markus. This is a piece of the puzzle I don't see many talk about. While the rest is a showcase of what to do, Markus as a character is a showcase of what not to. It is so, so rare that a child conceived of a rape is properly depicted, nevermind discussed. From Mark's POV, he holds no ill will towards his son. He simply wants him to live a life on Earth with his family like he did and just can't be with him because he is needed in space. But to Markus, his dad hates him. He thinks his father keeps him on Earth so that he doesn't have to think about him. And this idea of his father's disgust contorts his image of himself. He begins to feel self-hatred, hatred towards his mother for making him this way, and hatred towards his father for abandoning him and leaving him to despise what he sees in the mirror. "You made Terra with love. I was made with hate."

Whether Mark meant it or not, his neglect of Markus ruined his early life. No matter how many friends he made, what groups he joined, they could never fill that hole. He idolized his father. I mean, how could he not? His father was, IS a great hero. A man who was out at that very moment leading the movement for universal peace. But because Mark barely visited him, he only had an idea of what his father was like. A man who sacrificed so much to help the world, who fought in space and yet still managed to save the Earth dozens of times. A man who had the time to help everyone and yet couldn't make time for him.

(Important edit: in no way do I mean to say Mark is obligated to be a part of his son's life, I meant that Mark chooses to be there but ultimately fails to do so and that causes issues)

And don't get me wrong, this story has some pretty glaring flaws. For example I think they tried a little too hard to teach Mark that the person who hurt him is human too and has positively affected the lives of many. Like absolutely there is a conversation to be had there but because they had to move on with the plot they kinda just went "HEY MARK DON'T BE SAD SHE'S COOL NOW AND ALSO SHE'S DEAD SO THERE'S NO POINT IN LINGERING OKAY BYYEEEEE". But I think instead of these flaws scaring the show away they should invite the show forward. It's an opportunity to improve on the story and discussions rather than shy away from it.

Oh and also harking back to my previous point in paragraph 2, there's another aspect that makes it stand out in an important discussion. If I'm remembering correctly, the comic makes it pretty clear that Mark could have overpowered Anissa but didn't for a couple of reasons, namely not wanting to hurt her. And that is SO important and SO rare. A discussion surrounding an assault victim who could have fought back but didn't where the victim is NOT portrayed as in the wrong and in fact just as worthy to be traumatized as any other victim is SO DAMN IMPORTANT and could legit change a lot in the way we look at these topics.

So yeah, I think the series should adapt it. Also I think it would be great if they brought on actual victims and experts and whatnot so their depiction could be just that much more focused around what needs to be said. Sorry if all this read as klunky, I have a lot of thoughts bouncing around up here that I kinda just spewed onto the page with no particular order. I'm also obviously not the most educated on the topic. My personal experiences with this were relatively minor and not something I've ever felt comfortable addressing. And yeah I know it's important no matter how "small" or "minor" it seems and I'm not trying to downplay any of that but I just don't really have the words to phrase that differently. Which is exactly why I think we NEED education and discussions about this stuff so that we DO know the words to navigate the topic.

[chorus-the-mutate]

2025 is the year of fuck it, we ball and in the spirit of that I'm dropping my most nuclear SCP opinion: I don't like the idea of any fanon interpretation of SCP 231 trying to water down the horrors of 110 Montauk, the treatment of SCP 231-1 through 7 or the Scarlet King becoming canon. The entire point of SCP 231 is the horrific, unfair consequences these girls endure because of the Scarlet King and his cult and the moral ramifications that the foundation faces because of the horrific acts of violence they have to inflict on these girls they sympathize with in order to keep the world at large safe. It is the definitive moral quandary of the foundation and stripping away the immoral aspects of SCP 231 removes the moral nuances that give the story of SCP 231-1 through 7 any weight.

With that being said I will say that I like and respect Fear Alone as an alternative interpretation of SCP 231's story because it subverts the initial expectations of horror you'd expect with SCP 231 and shifts the moral quandary to how fucked up it is to gaslight foundation staff into truly believing that they are harming a child. And I especially like how Katherine (SCP 231-7) is humanized and is turned into a character instead of a number. I just don't believe it should be canon because it strips away the immorality that makes SCP 231 a real moral quandary for the foundation.

If anything I think there are ways to humanize SCP 231-1 through 7 while still facing the full horror of SCP 231 as a story, even if you don't want to directly write about 110 Montauk. While I don't personally know how long SCP 231-7 endures 110 Montauk someone could interpret that there are breaks between each ritual and spin the administering of class a amnestics as a mercy when in reality it is a tool to inflict more suffering. And by focusing on the times between each ritual you have time to characterize SCP 231-7 and the staff around her, to show that SCP 231-7 has a life outside of these rituals, even if that life is scary or confusing for her. Then between the transitions of time someone would want to put in this hypothetical story they could imply the horror of what SCP 231-7 goes through without showing it and instead focusing on the medical assistance she'd need afterwards. Even if someone wouldn't want to go that route because it doesn't provide any real closure they could write about SCP 231-6's escape attempt and how she almost got away, or even how her death was faked. Or they could even write about SCP 231-7's escape or escape attempt and all of the ramifications that come along with her escape or demise.

With the more positive stuff out of the way I will say that I genuinely dislike the fanon interpretation of SCP 231's story that casts SCP 682 and SCP 999 as children of SCP 231-4 and SCP 231-7. And yes I am saying fanon interpretation because while SCP files are under a creative commons license this interpretation of SCP 231's story or Fear Alone were, to my knowledge, not made by SCP 231's original author. Even with all of the redacted information on SCP 231's file I don't think any of it is supposed to be legible even if it was put through a block text translator to maintain a sense of mystery. (Trust me I tried putting the SCP numbers through a block text translator and I couldn't find anything legible.) Plus SCP 999 isn't mentioned in the document at all and the document isn't written in a way that would intentionally misdirect readers about SCP 231-7's fate while implying she gave birth. The document is solely about SCP 231-7 and the moral implications of what she's going through. And that's how it should be.

Making SCP 682 a child of SCP 231-4 strips away SCP 682's agency as a character and ties him in with a story that flattens the nuances of his character. If SCP 682 is a child of the Scarlet King his hatred for humanity just becomes this inherent evil within him instead of leaving room for interpretation about why SCP 682 hates humanity even though he has the capacity to befriend SCP 053 and SCP 079. Using a familial tie to the Scarlet King as an explanation for why SCP 682 hates humanity strips away any humanity SCP 682 has as a character and that will always be an inherent disservice to his character.

But the worst offender of this fanon interpretation by far is SCP 999. Don't get me wrong, I like SCP 999, I really do. But I don't think SCP 999 is supposed to be a character, I think he's supposed to be an embodiment of good in its purest form. He doesn't need to be some big hero in someone else's story because saving the world isn't what being good is about. Hell, the SCP foundation itself, especially in this case, shows that being good and saving the world are very much not the same thing sometimes. Being good is as simple as showing a genuine love for the people around you and putting in a genuine effort to make things better for those people. And that's all SCP 999 ever needed to show. Throwing him into the lore of SCP 231 and the Scarlet King as SCP 231-7's child ditches the point SCP 999 originally made about being good and flattens the moral nuances involved with SCP 231's lore in general by providing a cop out solution to the moral quandary SCP 231 was built on to begin with. Plus I think implying that the torture SCP 231-7 has endured was not only for nothing but that her violation directly produced a messianic figure that could save the world from her abuser is infinitely crueler than SCP 231 as a story canonically is now. SCP 231 isn't an incel fantasy like Redo of Healer or hedonistic torture porn for the sake of it like Marquis de Sade's works, it is a piece of horror. And the horror is the fact that these girls are victims that cannot be saved, no matter how much anyone in the foundation sympathizes with them. The girls are not to blame for anything that happened to them but they cannot be humanized by the foundation or else the foundation will not have the resolve to keep the world safe. SCP 231-1 through 7's treatment is supposed to be the blight on the foundation they can never wash away. And at this point I would rather have this incredibly bleak story about these girls than a happy ending where SCP 999 saves the day and erases these girls from their own story, their own suffering.

If anyone reading this doesn't like the grave moral implications of SCP 231 that is perfectly fine, but I would rather you spend time reading or making content about SCPs you do like than stripping away the moral complexities of this SCP to make it more palatable.

[lilacandladybugs]

i LOVE women and im a christian and sometimes reading commentaries on the Bible makes me feel fucking crazy stay safe out there girls

[pynkhues]

Poor Lestat laying in fetal position, looking so small and having dead eyes :( Armand saying he's come home was so creepy, wtf was he thinking. You know, this scene just doesn't make any sense to me, why would Lestat go out of his own will to a place that's the biggest ptsd trigger you can imagine. To punish himself I guess? Sometimes it feels like Rolin wants Lestat to have so much agency that he never allows him to be a victim. Kinda worried how they'll handle s3 wrt this. I hope they won't victim blame him for every bad thing that happened to him because 'he deserved it'.

Oh, anon, I'm sorry because this is probably not what you want to hear, but I love that Armand said that Lestat's come home by going back to the place he was turned and assaulted, because it feels really emotionally honest and true to these characters.

Claudia, Armand and Lestat are all victim-survivors, and I think the show's demonstrated that it's really curious as to what that means.

There's a school of thought that's currently becoming more understood in feminist circles that victim-survivors can often not believe each other, or diminish each other's experiences. The nature of the sort of abuse that Claudia, Armand and Lestat have all experienced is that they've had to process it to a point where they feel they are the expert of their story. They know what happeend to them, they've gone through a lot to know what happened to them, and it's a way for them to take control back of their own stories. An unfortunate side effect is that it can lead to these victim-survivors feeling they know more about your story than you.

They've survived it, so they feel they can tell who's the liar and who's the truthteller, who got off easy, who had it worse, who's stories are more than or less than, and that idea itself is a trauma response manifesting as something ugly, right? Abuse and assault are felt in so many different ways and manifest in so many diffferent forms, but this idea can take hold in victim-survivors as a means of taking control over what happened to them. If they can use - which Lestat does when he weaponises Claudia's rape against her in the train to force her to come home - undermine - which Claudia does against Lestat when she tells Louis not to take Lestat's truth as fact - or diminish - as Armand does against Lestat when he shrugs off Daniel's question about Magnus in 2.03 and talks about Lestat coming home in 2.08 - this subset of people will.

Armand is a character who has endured unimaginable sexual abuse. To divorce that from his understanding of Lestat's own trauma does both characters a huge disservice. How they navigate each other as two survivors of (very different!) forms of sexual violence is interesting, and it's unsurprising that Armand, having been groomed and assaulted by Marius, would view a maker's home as - - well, home.

And frankly regardless of that, if the show stays true to the book, Lestat will live there for a while after Magnus' death because he has no money, no one to call on, and no idea who he is now that he's been turned. Gabrielle lives with him for a while there! Magnus' tower is, in the books, a very complicated place for Lestat.

[stuckonpageone]

That one author situation

I have a lot of thoughts on this and they are very jumbled.

I haven't read the article yet that goes in detail about the abuses *that* author has done because it's behind a paywall, but it doesn't take much to think just how bad it actually is, based on what I've heard about him already.

I've heard some troubling discourse though about art and what it would imply of the person creating it, based on the subject matter. I have some thoughts about that.

First, let me say right away:

it is absolutely okay to be disgusted by these revelations and want to get rid of all your books/merch from this person. that is your right - do what makes you comfortable.

It is *also* okay to still enjoy those works, completely separating them from the person who made them. This is normal and probably should be expected, but again, if you default to the first option, there is nothing wrong with that.

It is also okay to be sad and upset that you once liked this author/person. It is normal. What he did is heinous.

However, I have seen some people say things like "well, I read Ocean at the end of the Lane and was deeply disturbed, therefore I suspected he was doing these shitty things all along!"

or, "Have you seen the subject matter in Sandman Chronicles? Of course he's an abuser!"

That, to me, is dangerous. Just because someone writes disturbing, dark things doesn't make them a criminal in real life. That's what art is for: to disturb you. And also, there are plenty of people who have written or created wholesome artwork that ended up being pieces of shit in real life. So you can't really base it on that.

Again, I see what is trying to be said here -- if Mr G's work was full of non-con stuff that was treated lightly or dismissed at hand, then I might be also inclined to think that way. But I read Ocean at the End of the Lane and it made me cry. Because I saw how awful a father could be to their child.

Yes, what happened to Muse in Sandman Chronicles is disgusting and awful, but the narrative definitely pushes that idea as well. The creator/writer is protrayed as a horrible person with little to zero redeeming factors. It's not glorified.

Am I shocked now by what's coming out about this man? Absolutely. I am horrified. Will it make me look at the work he made differently? Sure, definitely. Now that I know all this background stuff. Does that make me hate Sandman Chronicles? No. It is still a masterpiece. Will I want to support Mr G after this? No, I will not. He is a piece of shit. Full stop.

But, art is art. It's fiction. It's not real. It's a place to learn, grow, explore and create freely. It is not an indicator of who the artist is in real life. I mean, yeah, there's nuances to it. But to equate one with the other is dangerous and leads towards censorship.

Still, this especially is hard hitting for me, because up until now he was my favorite living author, and it will be hard for me to separate the art and the artist now.

Seriously, how hard is it for people to not be giant pieces of shit? God.

[deancrowleycas]

have been watching this video about drama and things way worse behind the scenes on WB and later on CW shows and there's a follow-up for Supernatural coming so... I'm keeping an eye on this channel because OP seems to have great connections 👀

[fortheammonites]

Falling for scams does hurt people, actually

TW: Human trafficking, SA, torture, discussion of scam farms

I see a whole bunch of people arguing that they would rather risk giving to a scammer than ignore someone's gofundme. I also see people saying things like "I can't believe some sick people are profiteering off genocide" and like, me neither, but I feel like you guys really don't understand who actually runs these kinds of scams and what they are.

Scams of noticeable scale-- like scam asks being sent from hundreds of accounts to every user on Tumblr!-- are typically related to organised crime in poor countries, not Susan from Milwaukee who wants a new coat and has no scruples. People get trafficked by gangs to scam farms in Asia and Africa where they're worked to the bone and tortured trying to get idiots in wealthy countries to part with their money. Genocide profiteering is pretty much the least evil thing these people do.

Here's a UN article on it. Obvious warnings for content related to human trafficking and SA.

When you donate to a scammer, you fund these organisations and give them a reason to exist. It's possible some of the fundraisers are legit. I honestly find it unlikely given I'm not seeing any from any other countries where urgent fundraisers would seem to have great reason to exist but which haven't captured the same level of attention on Tumblr-- the number of Sudanese, Congolese, Ukrainian, Burmese or Uyghur fundraisers in my DMs is a fat 0. In any case, there are safer ways to help.

If you want to help (which is great!) you don't have to take the risk of paying for human trafficking. Donate to legitimate charities which have the resources to safely and effectively ensure the money and help is getting to the right people. Funding human trafficking rings in Myanmar is not a good risk to be taking while trying to help.

[watermelonbugs]

Just want to make a statement on this, normally I try to stay out of discourse when possible but honestly xenophobia is never ok, and I kind of expected better from the QSMP community of all places. The whole server is supposed to be about bringing people together. This is, frankly, unacceptable. And to all Brazilian fans, I’m so so so sorry about all of the awful statements being made. You all deserve better. Xenophobia will *NEVER* be okay. Please remember to be kind, especially to the Brazilians in the community, and especially to Cellbit.

IMPORTANT QSMP DISC0RSE PLEASE READ ‼️‼️‼️‼️

Okay, for those who don't know, the last two days (even tho we have been complain for months) have been absolute hell for the Brazilian community, to the point that a lot of us are agreeing to drop the community as a whole, saying we will only watch our favorite Brazilian streams and that's it; we no longer want to interact or be a part of this server

The Brazilian QSMP Twitter community has been complaining about the fact that the Carnaval event, something that's ours and our creators were excited to share with the rest of the world, wouldn't have our creators be a part of it because of the time. We were complaining because we absolutely have the right to, since, as I said before, it's our culture, the most significant event in our country.

Because of that, a lot of international fans, and it hurts to say this, Latino ones, decided to make mass hate xenophobic tweets about us and our creators. Tweets that vary from saying we should be thankful Quackity invited us because no one knew about the Brazilian streamers (when actually the reality is we have about 8 Brazilian streamers as the most-watched streamers in LATAM) to saying Cellbit, Mike, or Pac should kill themselves, and finally, to bringing back the past relationship Cellbit had with his ex-girlfriend.

Because people who had no idea of the story caused a massive hate towards Cellbit and his girlfriend. So his ex-girlfriend used this opportunity to accuse him of a crime and later deleted the tweet, but the damage had already been done.

So international fans decided to use that as a way to be xenophobic towards us, calling us monkeys and many other racist things, plus mass reporting Cellbit to the point where he had to issue a response. I'll leave the English and Spanish translations here because it's something you all need to read, and beware because of the trigger warning.

The point is, we Brazilians are tired of this community. It no longer feels safe for us. It no longer feels fun for us, and it's absolutely ridiculous that a server that was created upon meeting and embracing new cultures would be so hurtful to us. And it hurts us a lot more, seeing as most of the hate is coming from Latinos themselves (especially toxic fans from quackity's community). French people have been the ones to defend us constantly, when our own neighbors have been nothing but racists to us.

I hope Quackity does something about this because we have been complaining for months, but he continues to be quiet about it, doesn't call out his fans, and pretends nothing is happening we will drop out of this server, even cc's commented how exhausting it is for us. This project was supposed to bring people together, but so far, we have been dealing with a lot of xenophobia, and we are tired.

I know this is more of a Twitter problem since everyone here is chill (even tho i have already seen some xenophobia in here), but I just wanted to fill you guys in on the news. And for those who watch Cellbit, we don't know when the next stream will be since he was just forced to talk about his sexuality and abuse. Please shower him with a lot of love and positive messages. For you guys to have any idea, he's trending #1 in Brazil, and even though the entire country used to hate him because of his ex-girlfriend's lies, everyone is apologizing and saying he's an incredible person.

[joemama-2]

velvet lies

pairing: gojo x fem reader synopsis: crippling debt and possible evictions have ruined you. working two jobs with no downtime, and a five-year-old son, you really don't know the meaning of taking a break. after continuous questions about his father, you have decided to finally let your son meet his dad. only thing is, he has no idea said son exists. and to top it off, you have not a single clue about what kinds of things will transpire from this sudden revelation. wc: 12.7k (huhhhhh?) tags/warnings: 18+ MDNI, smut, fluff, romance, alcohol, classism, mom! reader, lying, abuse, MAJOR angst, slow burn, exes to lovers, (mentions of) cheating, scandals, death, blood, drugs, drama, family drama, miscommunication, blackmail, unhealthy coping mechanisms , depression, manipulation, mentions of miscarriage a/n: smidge more angst, delves more into yns internal thoughts & feelings series masterlist < previous chapter < next chapter

“Sa…” you can’t even find it in yourself to finish that sentence, to utter his complete name. As if afraid that when you do, it’ll be like summoning some sort of demon. Only this time, it’s the father of your child—same thing.

He looks as shocked as you, if not more so. His eyes widen and then narrow in a rhythmic movement that makes you scared, anticipating whatever utterance will fall from his pretty lips. If only you could go back in time and deny even the thought of going on this whatever with Mr. Ito. Maybe then you could’ve been spared, at least given some time to mentally prepare yourself for seeing the face of the man who has been practically haunting you for five years. Maybe then, he wouldn’t look so…different. 

“Ms. Y/N?” Mr. Ito’s confused voice snaps you both simultaneously out of the small staring contest you were just in. When Satoru finally acknowledges the other man, you can see a small tick on his eyebrows. Mr. Ito—well he’s not dumb. Every feature of Satoru reminding him of a small, much younger someone who happens to be in his kindergarten class. “O-oh…is this…do you two…know each other?”

What do you even say to that? Yes? No? Maybe so? It’s all so fucking confusing and complicated, but Satoru seems to save you. “And who are you?” he asks, voice flat and calculating. His eyes dart between you and Mr. Ito, like he’s trying to silently gauge what’s going on between you two. His analytical skills always seem to put you off, so you look away. 

“Um…well, I’m Ms. Y/N’s son’s teacher. Nice to meet you.” Mr. Ito slowly explains, putting on a timid smile, outstretching his tan hand towards Satoru.

To no surprise, Satoru doesn’t reciprocate the welcome gesture. He is instead, clenching his fists by his side. You can see his jaw tick from your peripheral, as if he’s doing his damned hardest not to blow the hell up right now. “Are you now?”

Mr. Ito, caught in the middle of something he has no business in, glances around awkwardly. A weird chuckle leaving his mouth, lowering his hand back down to his side. “Um, yes, sir.”

“Funny,” Satoru laughs, though there’s no humor laced in it. He looks back down at you. “Very funny,” Satoru adds, his voice light, almost conversational. His sharp blue eyes flick from Mr. Ito to you, then back again, but there’s a glint in them you recognize all too well—calm, composed, and dangerous.  

Mr. Ito doesn’t seem fazed, meeting Satoru’s gaze with polite confidence. “Yes, we were just discussing some things regarding her son,” he says, his tone smooth and professional. There’s a flicker of curiosity in his expression, though, as he glances between the two of you, clearly piecing things together.  

“Were you now?” Satoru’s lips twitch into a faint smile, but it doesn’t reach his eyes. He then casually pulls out a chair from the table and sits, resting one arm on top of it as if he has all the time in the world. “And what kind of things are we talking about?”  

With every second that passes, you feel yourself grow closer and closer to pissing your pants. You know exactly what he’s doing, it’s the calm before the storm. Satoru is great at saving face, but after knowing him so intimately, you know his true intentions and feelings. But still, you’re too frozen in place to stop it all before it gets out of hand. 

“Well,” Mr. Ito replies, still composed but he spares a look at you before continuing. “Just a few concerns regarding his talkativeness.”  Mr. Ito keeps it vague, still a little on edge by this sudden change of events. 

Satoru lets out a low hum, nodding slightly. “Oh, he talks a lot, does he?” he says, his tone almost too soft, too soothing. His eyes slide to you, lingering just long enough to make you squirm. “And that’s become a problem?”  

Mr. Ito nods. 

Satoru smiles, arms crossing and one leg crossing over the other. “Must be a little troublemaker, he seems to take after his mom.”

The subtle barb stings, but you force yourself to keep your expression neutral. Mr. Ito, seemingly oblivious, smiles warmly. “Hah, well, I’m not sure who he takes after.”

“Correct.” Satoru simply responds. 

Mr. Ito pauses then continues. “But, She’s an excellent parent,” he says, glancing your way. “We’ve had a few chats during pick-up. It’s always nice to see someone so involved in their child’s education.”  

Satoru’s smile tightens ever so slightly, the corners of his mouth twitching as he leans forward just a fraction. “It is nice, isn’t it?” he says smoothly, his voice calm but edged with something you can’t quite name. “I mean, a teacher like you must see all kinds of parents. You’ve really taken the time to notice Y/N, haven’t you?”  

Mr. Ito hesitates for the first time, sensing the subtle shift in Satoru’s tone. “Well, I try to be passionate about connecting with all the parents of my students,” he replies, still polite but less certain now.  

Satoru’s smile doesn’t falter. If anything, it widens slightly, though his eyes remain cold. “Of course,” he says, leaning back as if completely at ease. “You’re just doing your job. Going above and beyond, I see.”  

You can feel the tension radiating off Satoru, even if he’s doing his best to appear calm. It’s in the way his fingers tap against the table in a measured rhythm, the way his gaze sharpens with every word.  

“Satoru,” you interject quickly, trying to defuse the situation before it escalates. “Can we ta—”  

“Oh, just a second,” he holds up a long finger, regarding you with such simplicity in a way that makes you feel inferior. Eyes not moving from Mr. Ito’s. “I mean, I should probably be involved in this conversation too, no? Considering I’m the—what do you call it?—Oh, right, father.” 

You gulp hard. Mr. Ito once again shifts his position, hands awkwardly clasping together. 

“Anywho,” Satoru switches back to the subject at hand. “Passion’s a good thing. As long as it’s directed where it belongs, of course.”  

The remark hangs in the air, heavy with implication. Mr. Ito moves uncomfortably but keeps his polite demeanor, clearing his throat. “Well, I should probably get back home, I have some things to grade,” he says, glancing at his watch. “It was nice meeting you, Mr.…”  

“Gojo,” Satoru finishes for him, his smile razor-sharp. “The pleasure’s all mine.”  

Mr. Ito nods, grabbing his jacket he put on the back of his chair. “Goodbye, Ms. Y/N. I'll see you on Monday.” He still has the audacity to give you a warm smile before leaving the cafe, the bell dinging following his departure. 

After a second or two, Satoru’s calm facade finally cracks, his jaw clenching as he exhales slowly through his nose. You brace yourself, knowing that the real conversation is about to begin. The way his eyes scan you up and down in an analytical way makes you feel naked. “And look at you,” he huffs, head tilting in a patronizing way. “Silent and jittery like a little mouse. If I didn’t have other things to say, I’d say you look quite pathetic.”

Blow number 1, there he goes already. Though, you can’t find it in you to rebuttal that. Scared to say anything, honestly. There’s a pause as Satoru picks apart every little thing about you inside his head. You might have felt better hearing it out loud instead of being stuck on the silent end of the stick. Eventually, you find your small amount of courage. “Satoru…”

“Oh, look. You do my name. Thought you would have forgotten it after all the sneaky shit you seem to have been doing these past few years.”

“Can we please talk?” You ask, voice laced with desperation. 

“Hm?” His eyebrow raises. “We’re talking right now, right? Why don’t you sit down?”

Hell no. You bite your lip, hands trembling by your sides. “Please, somewhere private.”

“What makes you think you deserve anything right now?”

He’s right, really right. You probably deserve shit with the lies and deceitful nature you’ve been harboring these years. But, can’t he have at least a little bit of sympathy for you? He has no idea about the shit you’ve been going through all this time by yourself. And while yes, you do feel guilty, he should be still trying to address the situation in an adult-ish manner. “Satoru…please. We shouldn’t talk here, let’s just…go somewhere more quiet.”

Satoru mulls over your words, a part of him wanting to drag this out even longer and make you more uncomfortable. You deserve it. But, you’re also right. So, he takes in a deep breath, stands up, and motions his head towards the door in a silent command. Without wasting a second, you turn around and walk out of the cafe with him hot on your tail. Intending to lead him to the secluded park that you and Koji frequently visit because there’s not a lot of foot traffic. Although your ideal spot would be indoors, you can’t exactly lead him to your apartment right now—not that you want to, anyway.

It’s only a few minutes of walking, but the entire time feels horrible. He stares at the back of your head, eyes roaming down to your back, legs, and then ass. In that specific order. Satoru’s always saved the best for last, and while checking you out should be the last thing on his mind, staring at your ass will at least somewhat calm him down. You’re not stupid either, it’s like you can feel his eyes shamelessly darting about. However, that’s the least of your worries right now.

You see the familiar bench in the distance, taking a seat. He sits beside you, leaving a considerable distance between your bodies. There’s another silence, this one feeling more suffocating. It suddenly hits you that you’re about to do this—about to have this conversation with him, own up to all your bad deeds. You have to, no more hiding. You gulp down the lump in your throat before speaking, “I know this is all probably…really bad. I know you’re mad at me, you have every right to be.”

Satoru doesn’t respond right away, leaning back on the bench with an air of nonchalance that contrasts starkly with the storm brewing in his eyes. He tilts his head slightly, his gaze fixed on the horizon, as if giving you the floor—but the weight of his silence feels heavier than any words he could’ve said. “Mad?” he finally repeats, his voice low and deceptively calm. He turns to you, a bitter smile tugging at the corner of his lips. “Mad doesn’t even begin to cover it.”

You wince, his words cutting deeper than you expected. Your hands grip the edge of the bench, knuckles turning white as you scramble for the right thing to say, the perfect way to explain yourself—but nothing feels sufficient. Nothing ever will. “I know,” you whisper, forcing yourself to look at him even as shame threatens to make you shrink away. “I know I should’ve told you—about Koji, about everything. I was just… scared. I didn’t know how to handle it, and—”

“Don’t,” he interrupts, his tone sharp enough to slice through your excuses. His gaze pins you in place, icy and unrelenting. “Don’t you dare try to justify it. You made the choice to keep my son from me. For five years.”

The raw anger in his voice makes your chest tighten, guilt clawing at your insides. “I didn’t do it to hurt you,” you plead, voice trembling. “I swear, Satoru, I thought I was doing what was best—”

“For who?” he snaps, his calm facade slipping for a brief moment, revealing the frustration bubbling underneath. “For me? For Koji? Or just for you?”

You flinch at his words, tears pricking the corners of your eyes. “For Koji,” you choke out. “I wanted to protect him. There’s—there are reasons why I didn’t…..” your voice trails off, unable to get the remaining part of your excuse out. But it’s true. You had—have—your reasons. And while most people still might not consider it good enough or justifiable, you truly believed what you did was for good. 

Satoru lets out a bitter laugh, running a hand through his hair as he looks away, shaking his head. “Reasons?” he mutters, almost to himself. “And what, you think keeping my son a secret all because of ‘reasons’ makes this situation any better? Are you that fucking stupid?”

“No, no, I…know it won’t make anything better,” you whisper, voice barely audible. “I know that. But back then, I just… I just thought that…he wasn’t ready for your world, like I’m not.” By world, you mean quite literally that. Satoru grew up spoiled, his inner elite circle is all he’s ever known. Responsibilities at such a young age, responsibilities no child should face. Expectations, public display, people constantly butting their heads in your business, you have absolutely zero privacy. Satoru would vent to you about that, and you knew—just knew—you couldn’t put your innocent baby boy through that. There’s a class divide between you and Satoru, the main reason as to why you two broke up in the first place. 

His jaw tightens, and for a moment, you think he’s going to lash out again—but instead, he exhales sharply, leaning forward to rest his elbows on his knees. “You didn’t even give me a choice,” he says quietly, his voice laced with hurt. “You decided for both of us. For him.”

The weight of his words crushes you, the reality of your actions settling in your chest like a stone. “I’m sorry,” you whisper, tears finally spilling over. “I’m so, so sorry, Satoru. I just… I didn’t know how to face you.”

He doesn’t respond immediately, his head bowed as if he’s trying to gather his thoughts. When he finally looks up, his gaze is softer, but no less intense. “Do you have any idea what it’s like,” he murmurs, “to find out you have a son—your son—after all this time? To realize you’ve missed everything?”

Your heart breaks at the pain in his voice, and you reach out instinctively, your hand hovering over his before pulling back, unsure if he’ll accept your touch. “I know I can’t fix this,” you say, voice shaking. “But I want to try. I want to make things right. For you. For Koji.”

Satoru studies you for a long moment, his piercing gaze searching your face for something—truth, regret, maybe even hope. “Making things right?” he echoes softly. “You can’t make this right. Because you did something so fucked up, I think I’m starting to hate you.”

“I don’t expect you not to,” you say, sniffling as you wipe your eyes. Now’s the time to be transparent.

“Tell me,” he commands, looking at you with an unrecognizable face. “Tell me every single fucking reason why you thought what you did was okay. Then maybe—only maybe—I’ll decide how we should move forward from this.”

You nod, swallowing the lump in your throat. “I thought I was doing what was best for Koji,” you repeat softly, though the words feel hollow even to your ears. “Your world, Satoru—it’s suffocating. The spotlight, the responsibilities, the pressure... I didn’t want him to grow up with that. I didn’t want him to be molded by something he never asked for. I–I just wanted him to have a normal childhood growing up, something you weren’t able to have…”

He stares at you, unblinking, his expression unreadable but his jaw visibly tightening.

“And then... there was us,” you continue, your voice faltering slightly. “We had just broken up, and I—I didn’t think you’d want to settle down with a kid so soon after everything. I didn’t think you were…ready.”

His eyes narrow, sharp, and cold. “So you assumed I wasn’t ready, just like you assumed it would be better to keep him from me?”

“It wasn’t just that,” you say quickly, the tremor in your voice betraying your desperation. You let out a shaky exhale, willing yourself to continue, even though it’s getting harder to breathe. “After the miscarriage... I couldn’t handle the idea of telling you I was pregnant again. I was terrified, Satoru. Terrified of losing him too, and what that would do to both of us. I thought... if I kept it to myself, maybe I could protect him, protect us from that pain.” The words of your past are extremely hard to get out. You vowed to yourself to never even utter or think of the word miscarriage ever again, though that’s hard to do when you’re explaining yourself. It was hard, so fucking hard for you. No words or exercises can prepare you for the pain of having a child, just like nothing can prepare you for the pain of losing one. It happened two years into your relationship, and although it was completely unexpected and accidental, you felt something in your bones that told you to keep it.

Satoru tried, as hard as he could, though you’re not sure that means a lot. You could see the exhaustion and fatigue in his face, feeling guilter by the day for wanting to keep it. While he never explicitly voiced out getting rid of it, you knew he wouldn’t be upset if you did. That alone was the start of your relationship’s downfall. Maybe it was your own version of stress, anxiety, and whatever else you were going through back then, but you lost it. Your body wasn’t strong enough to house and grow a production of your love, which you hated yourself for. Maybe even a small part of you started hating Satoru, thinking about how happy he must have been behind his soothing words and even more soothing hugs. You thought how ecstatic he must be, lying straight to your face after crying with you. Of course, you never voiced these malicious feelings out either. The memories you’ve locked away for years now come crashing through your defenses, spilling out into the open where they can’t be ignored.

You remembered the nights spent curled up on the bathroom floor. The heavy blood clots, mixed with strong abdominal pain. Sobbing silently so Satoru wouldn’t hear you, your hands pressed to your stomach like you could keep your child safe just by willing it. But it hadn’t been enough. Nothing you did was enough.

The moment you’d lost your first child, a part of you had shattered beyond repair. The guilt was unbearable, the self-loathing even worse. A horrible thing for a twenty-one year old to experience; for any woman to experience. Every reassuring word from Satoru felt like a lie, no matter how sincerely he meant them. It’s almost like you could see the shadow of relief in his eyes when he thought you weren’t looking, the slight easing of tension in his shoulders that felt like a betrayal even though you couldn’t blame him for it. 

It had eaten away at you, little by little, until the mere thought of being pregnant again felt like a cruel joke. You’d failed once—what if you failed again? When you saw the test, you didn’t cry out of happiness. You cried out of fear, choking on your sobs as the weight of the decision pressed down on you. Keeping Koji meant risking everything again—your heart, your sanity, your relationship with Satoru, already frayed and stretched thin. Could you go through that pain again? Could he?

You didn’t think you could, and that thought was what finally broke you. Because if you couldn’t handle it, how could you expect Satoru to? You’d already seen the exhaustion in his eyes, the way he’d tried so hard to comfort you when he was barely holding himself together. And the truth that you never said out loud, the truth you could barely admit to yourself, was that you didn’t believe he’d want to try again.

You were terrified he’d ask you to get rid of it this time. Or worse—he’d do what he did last time: try to be there, try to support you, while secretly wishing for a way out. You couldn’t handle the idea of hearing him say it. You couldn’t bear the thought of watching his love for you chip away under the strain of something neither of you was ready for.

So you decided. Alone. After the break-up. That is when you found out, after all; three weeks later.

You told yourself it was for Koji. That keeping him away from Satoru’s world—the world of power, expectations, and relentless spotlight—was what was best for him. You told yourself it was for Satoru, too, because he deserved to live his life without being shackled to a family he might not have wanted. But deep down, you knew it was also about you. About your own cowardice, your fear of rejection, your inability to face the possibility of losing everything again.

Sitting here now, with Satoru’s eyes burning into you, the weight of your decisions feels unbearable. The excuses you clung to for so long sound hollow, even to you. But they were your truths at the time, however twisted and fragile they might have been. “I thought I was protecting all of us,” you whisper, your voice cracking under the strain of holding back tears. The words hang in the air, raw and exposed, as you finally let yourself feel the full weight of the choices you made and the people they hurt.

Satoru feels his world pause when you mention the traumatic event you both went through. His stomach twisting in a disgusting feeling, a hint of bile rising in his throat. Memories, painful memories playing on repeat in his mind. He even feels the familiar tickle at his eyes, blinking rapidly to avoid any pour out.

Then, for a moment, his gaze softens, just a flicker of something raw and unguarded crossing his face—but it’s gone as quickly as it came. “So…by protecting, you decide to hide it, him, everything from me. You decided I didn’t deserve to know him,” he says bitterly. “That I didn’t deserve to be there for him—or for you. Did you just think that I wouldn’t be the man I was supposed to be towards my children? You didn’t give me a second chance, to—to prove to you we could’ve done this, together. You…You didn’t even give me a chance, Y/N.”

“It wasn’t just about you,” you snap, the frustration bubbling up despite your guilt. “I was scared, Satoru. Scared of rejection, of what your family would think, of how we’d even make it work with everything stacked against us. I didn’t have your money, your power, your family name. I was just... me. And I didn’t think that would ever be enough.”

His brows furrow, and you can see him processing your words, his fists clenching at his sides. “You think I care about any of that?” he asks, his voice low and dangerous. “You think I’d let a class divide or family politics get in the way of being there for my son?”

“I didn’t know what you’d do,” you admit, your voice cracking under the weight of your emotions. “You were so far out of reach, Satoru. And after we lost... after everything we went through, I didn’t think you’d want to try again. I thought it’d be easier for you—easier for both of us—if I just disappeared.”

“Easier?” he repeats, his voice rising slightly, his calm facade threatening to crumble. “Do you have any idea how much I’ve hated myself for the last five years? For losing you? For wondering what could’ve been?”

You blink at him, startled by the crack in his voice, the sheer vulnerability in his words.

“You didn’t,” you whisper. “It wasn’t you, Satoru. It was me. I was scared, and I made the wrong choice. I know that now. I know I can’t fix this, but I want to try. For Koji’s sake. For your sake.”

He leans back slightly, exhaling sharply as he runs a hand through his hair. The silence between you is deafening, the weight of everything you’ve said hanging heavily in the air. “Do you know what I’m feeling right now?” he says finally, his voice quieter but no less intense, “How it feels like to find out you have a son you’ve never even met, to know you missed his first steps, his first words, his entire life so far? And why? Because you took that from me.”

Tears spill down your cheeks, but you don’t wipe them away. “I know,” you whisper. “I know, and I’m sorry. I was selfish. I thought I was protecting him, but I was just protecting myself.” 

Satoru looks at you for a long moment, his piercing gaze searching your face for something—truth, regret, maybe even hope. Finally, he exhales, his shoulders sagging slightly. “You’ve done a lot of damage, Y/N,” he says quietly. “And it’s going to take more than an apology to fix it.”

You nod, wiping your tears away. “I’m not asking for forgiveness, Satoru. I’m just asking for…a chance to make things right.” Your head lowers, vision blurry as you focus on your trembling hands in your lap. 

He doesn’t respond immediately, his gaze shifting to the horizon. “This isn’t about you and me anymore,” he says after a long pause. “It’s about Koji. And I’m not going to let you shut me out of his life again.”

“I wouldn’t,” you say quickly, shaking your head. “I–I swear, Satoru. I’ll do whatever it takes to make this work. For him.”

Satoru lets out a slow breath, standing up and shoving his hands into his pockets. “Then let’s start now,” he says, his tone firm. “Take me to him.”

Your heart skips a beat at his words, the reality of the situation sinking in. This is only the beginning—and there’s no turning back. “H-he’s at home.”

“So take me there.”

You stand, fumbling with your words. “I���I can’t just have you two meet out of nowhere, I have to tell him in advance.”

His lips purse, and downturn into another frown, a look that lets you know he’s this close to stop being lenient with you. However, he concedes. “Tomorrow. Here.” 

“Whe–”

“Ten in the morning, I’ll leave my meeting early.” he glances at the pristine, gold watch on his right wrist. “Give me your number, in case you try to run and lie again.”

A pang of hurt flies through you, though you can’t blame him for being cautious. Even if that cautiousness is riddled with snide remarks and insults. He gives you his phone, to which you go to contacts and place your new number in, marked by your name. Without another word, he pockets his phone. When he looks at you for one last time, it looks like it hurts, like he’s forcing himself to. After a second, he turns around and walks away, leaving you to your own devices. 

Letting out a breath you didn’t even know you were holding, you sit back on the bench, head in your hands and lightly tugging at your strands of hair. Things still don’t feel right. You know you two still have a lot more to say to one another, unspoken words being your enemy. It’s far from over, actually. 

But at least you two have come to a small conclusion, for now. However, you don’t know how tomorrow will go. You can only hope you don’t cry too much, and that Koji and him will get along well.

Still, you can’t help that lingering sense of anxiousness. Is it okay for you to feel this way? To be wary? Or are you stretching your already little luck?

The walk back home feels boneless and empty. Taking your time, going through small detours, and whatnot. You get back home after a few hours, it’s already twelve in the afternoon. Regarding Sana with a muttered greeting and haphazardly giving her her money. When she leaves, you’re left alone. Koji’s surprisingly down for a nap. Usually, you would question why he’s sleeping this early in the day, but you could honestly use the peace and quiet right now. You could use it every day, actually. 

You sit on the small, worn-out couch. Letting your body sink into the thin material, head leaning back against the cushions. You’re in your mind again. It seems like every day is more exhausting than the last. As the saying goes, you learn something new every day. And today, one of the things that surprised you most was how Satoru said he’s been miserable in these past five years. He missed you? He hated himself for losing you? Then why didn’t he fight for you? Why’d he just stand there and take everything? If he really wanted you, he would’ve begged you to stay, he would’ve come up with some solution to your deteriorating relationship. Unless he said all that now just to make you feel even more shitty. You don’t know what’s right anymore.

 The thoughts spiral like a storm in your mind, each one crashing into the next without pause. The quiet apartment, usually your refuge, feels stifling now. The weight of everything Satoru said—and everything he didn’t—presses down on you like a heavy fog. You pull your knees to your chest, wrapping your arms around them as if it could keep the memories and doubts at bay. It doesn’t. His words replay in your mind, over and over.

"You think I’d let a class divide or family politics get in the way of being there for my son?"

"Do you have any idea what it feels like to find out you have a son you’ve never even met?"

It’s not just his anger that haunts you; it’s the pain you saw flickering behind his icy facade. You knew it would be there, but experiencing it firsthand feels nauseating. Satoru Gojo wasn’t the type to wear his emotions on his sleeve, but in those fleeting moments, his vulnerability was almost unbearable to witness.

Still, you start to wonder. Why didn’t he fight for you? That thought burns the most. It’s a question that’s lingered in the shadows of your mind for years, one you tried to bury under the weight of your choices and responsibilities. The truth is, you don’t have an answer. Maybe you never will.

You glance at the small coffee table, littered with Koji’s coloring books and the half-empty mug of coffee you didn’t finish this morning. It feels like a snapshot of a life you’ve tried so hard to hold together, but now the cracks are impossible to ignore. You think of Koji, sleeping soundly in the other room, blissfully unaware of the storm brewing in your chest. He’s your anchor, the one thing that’s kept you grounded all these years. But now, with Satoru back in the picture, everything feels uncertain. 

A part of you wants to believe he meant what he said—that he missed you, that he hated himself for losing you. But another part of you wonders if it’s just anger talking, a need to lash out and make you feel as miserable as he does. The exhaustion pulls at you like a tide, and you let your head fall into your hands, groaning softly. You want to scream, cry, or maybe just disappear for a while. But none of that will solve anything. You can’t rewrite the past.

The soft hum of the refrigerator fills the silence, a dull reminder of the life you’ve built here, brick by fragile brick. And now, in just a single morning, Satoru has shaken the foundation of everything you thought you knew.

You sigh heavily, forcing yourself to stand. There’s no use drowning in your thoughts. You glance at the closed door to Koji’s room, then at the kitchen. Maybe you should prepare something for lunch. Maybe you should sit down and write out everything you’ve been feeling, like the therapist you saw briefly after Koji’s birth suggested.

But instead, you just stand there, frozen in place, as the weight of your choices and the uncertainty of what comes next presses down on you. He’s gonna meet his dad. Koji’s finally getting what he’s wanted after so long, after so many curious questions. You think about how happy he might be, a little shy at first, but he’ll grow to become best friends with his dad. Bitterly smiling, you walk to the kitchen, forcing open a locked cabinet. You pour an unknowing amount of small white pills in your palm, dry swallowing them to quell your monstrous cluster migraine. The pills burn slightly as they go down, a sharp reminder of how raw your nerves are. You grip the edge of the sink, your fingers curling into the cold metal. The thought of Koji meeting Satoru feels like a knife with two edges—one gleaming with hope and the other with fear. 

Once Koji wakes up, you’ll need to have a talk with him. Koji’s been asking about his dad for as long as he could form the words. His innocent curiosity, his longing, had always been a reminder of the choices you made, and now…now, you’ll have to confront what those choices mean for him.

He’ll most likely be jumping off the walls, but…you start hoping he doesn’t. You imagine his face lighting up when he sees Satoru—those wide, curious eyes sparkling with excitement and the kind of joy you could never quite give him on your own. That should make you happy, shouldn’t it? He deserves to have both parents in his life. But the thought of him bonding with Satoru, looking up to him, and maybe even loving him more than you…that thought digs into your chest like a splinter. You hate how petty and small it makes you feel. 

You’ve done your best, haven’t you? You’ve given everything you could, sacrificed so much, and tried to shield him from the harshness of the world. But Satoru has something you can’t give—a life free of constant worries, opportunities Koji can only dream of, and a charisma that pulls people in like gravity. It’s stupid, you know it is. But you start worrying that Koji will begin to prefer Satoru over you. That he’ll find more comfort and happiness in a parent he just met than the one who’s done everything she could. 

But that’s the thing. 

Maybe your everything, your all, it just wasn’t enough. It still isn’t enough. Because while you’re giving Koji the bare minimum, you can’t do the littler things. Vacations, buying him toys he loves that he constantly sees on TV, newer clothes and not the thrifted kind, going out to eat dinner. None of that, and more. 

You glance at the clock. Koji will hopefully wake up soon. There’s no more time to wallow in your thoughts. You rinse your hands under the cold water, hoping it’ll steady the tremor in them. "This isn’t about you," you remind yourself firmly, staring at your reflection in the window above the sink. The woman staring back looks older than her years, her eyes heavy with exhaustion and worry. But beneath all of that, there’s still love—a fierce, unrelenting love for the boy who’s about to have his world turned upside down. You can’t control how Koji feels about Satoru, just like you couldn’t control how things fell apart between you and him. But you can control how you navigate this moment, for Koji’s sake.

You take a deep breath, forcing a smile that feels like it might crack your face. When Koji wakes up, you’ll talk to him. You’ll answer his questions, help him prepare, and do your best to hide your own fears. Because this isn’t about you.

"It’s about him," you whisper, as if saying it out loud will make the truth easier to accept.

“What I say, baby, I want you to listen well, okay? Can you do that for me?”

The young boy nods and grins. “I can listen, Mama,” he admits proudly. 

You should also probably bring up the issue Mr. Ito expressed to you, but that’s for another time. Also, you feel as if you weren’t getting the full story there. Whatever, that’s for another time. You steel yourself, choosing the correct words to say. “So, you know how Papa is always busy?”

He nods.

“Well,” you continue, taking his much smaller hand into yours, presenting a warm smile. “Papa won’t be busy tomorrow.”

He gasps, already seeing the twinkle form in his eyes, and you feel a tad jealous at how happy he’s already getting. “He is?!”

“Mhm,” you nod back. “Do you want to see Pa—”

“I wanna see Papa!”

He cuts you off, causing your jealousy to momentarily skyrocket. You catch yourself before the feeling twists any further, biting down the sharp edge of jealousy threatening to creep into your tone. This isn’t about you—it’s about Koji. It’s always been about Koji. “That’s great,” you say, forcing your smile to stay steady, even as a part of you aches at how easily he lights up for someone who’s been a ghost in his life until now. “But, Koji, baby, you need to listen to me first, okay? Seeing Papa is a big thing, and we need to talk about what that means.”

He tilts his head, the excitement in his eyes dimming just a little as he picks up on the seriousness in your voice. “Is it gonna be like when we see Uncle Ren?” 

Your heart twists at the innocent comparison. Ren, for all his faults, has been one of the only constants in Koji’s life outside of you. But no—this isn’t like Ren. This is his father. Ren’s the nicer, older man who runs the sweet shop down the corner. He always greets you two with such warmness, even giving Koji a free lollipop most of the time. 

“Not exactly,” you say carefully. “Papa is... someone very important. He’s not like Uncle Ren. He’s your family, Koji. Your real family.”

He blinks, trying to process your words. His little brows knit together in confusion. “So... he’s gonna stay with us?”

You feel your stomach drop at the question. You hadn’t prepared for this. You hadn’t thought about how to explain that Satoru isn’t coming into Koji’s life as a permanent fixture—not yet, at least. How do you tell a child something so complicated when it’s barely something you’ve figured out yourself? “Not right now,” you say gently, squeezing his hand. “But he’s going to start spending time with you. He’s been waiting a long time to meet you, Koji.”

“Really?” His face lights up again, his tiny frame vibrating with excitement.

“Really,” you confirm, though your voice feels thick. You clear your throat, forcing the emotion back down where it belongs. “But when you meet him, you have to be on your best behavior, okay? No running around like crazy or talking over people.”

“I’ll be good!” he promises, practically bouncing in his seat. You hope so. More than anything, you hope this meeting is what Koji dreams it’ll be. That he gets to see the man who is half of him and feel nothing but joy.

But as you watch his wide, excited smile, your stomach churns with doubt. Will Satoru disappoint him? Will Koji’s expectations crash under the weight of Satoru’s complexities? Or worse, will Koji grow to love him so much that he stops looking at you the same way?

You push the thought away, leaning forward to kiss Koji’s forehead. “I’m proud of you, baby,” you murmur, even as the ache in your chest refuses to subside. “And I’m so excited for you to meet Papa.”

Koji giggles, his little arms wrapping around your waist in a hug so pure it threatens to undo you entirely. You hold him close, pressing your cheek to his soft hair, and try to anchor yourself in this moment—this fleeting, fragile peace—before tomorrow comes and changes everything. As Koji pulls back, his eyes are gleaming with uncontainable joy. “Do you think Papa likes dinosaurs?” he asks suddenly, his voice pitched with excitement. “I can show him my dino book! And my drawings too!”

Your lips twitch into a soft smile despite the heaviness sitting in your chest. “I think he’ll love them, Koji,” you say gently. “But remember, it’s okay if Papa doesn’t know everything about dinosaurs. You can teach him, right?”

Koji nods eagerly, his little hands fidgeting as if he’s already planning how he’ll show off his collection. “I can teach him all the big words, like pachy... pachycephalosaurus!” he declares proudly.

Your laugh is small but genuine, breaking through the weight of your thoughts. “That’s a big word, alright,” you say, ruffling his hair. Koji’s excitement is infectious, and for a moment, you let yourself bask in his enthusiasm. It’s easier to pretend that everything will go smoothly, that tomorrow won’t bring possible complications you can’t predict or control. But as he bounds off to his room, presumably to organize his dinosaur books and drawings for tomorrow, the silence that settles over the apartment again feels excruciating. You glance toward the kitchen, where the locked cabinet hides the pills you’ve been relying on far too often these days. For a moment, the thought crosses your mind, unbidden: Would it even matter if I wasn’t enough anymore?

You shake your head sharply, disgusted with yourself for even entertaining it. No. You have to be enough—for Koji, if nothing else.

Sighing, you push yourself off the couch and move toward his room. You lean against the doorframe, watching as he carefully stacks his books into a neat pile, his little hands moving with purpose. “Koji,” you call softly, and he looks up at you, his face lit with the same pure joy it’s always had.

“Yeah, Mama?”

“I just...” You hesitate, the words catching in your throat. I just love you so much. It feels too simple, too heavy all at once. Instead, you force a smile. “I think Papa’s really lucky to have you.”

Koji beams, his smile wide and toothy. “And you, Mama!” he says, matter-of-factly, before returning to his project.

You linger for a moment longer, letting his words wrap around your heart like a fragile thread. You don’t know what tomorrow will bring—if it’ll heal or shatter you further—but for now, you let yourself hold on to the hope in his voice. Because like always, Koji is your guiding light in a world so dark, he’s the hand that pulls you out when you’re sinking too deep. If you begin to question your love for even yourself, your love for him is enough to keep you going. 

Today’s a little more warm than usual, though that doesn’t say a lot considering it’s winter and the air feels crispy; still sunny. You hold your son’s hand, guiding him along the sidewalk and to the inevitable meeting spot between father and son. You left a little early; it being 9:30. It feels slightly calmer within your mind, probably because Satoru isn’t here yet. 

You sit with Koji on the bench, letting him find placement on your lap. Adjusting his red beanie and gloves. “Are you excited, Koji?”

“I’m really excited, Mama. do you think Papa will like me?”

You coo. “Of course he will. Papa already loves you.”

“Really? Even though he’s never seen me?”

“Koji beams at your words, his small hands tugging at the ends of his gloves as if to keep himself busy. “Do you think he’ll play with me? Maybe dinosaurs or tag?” His little backpack is full of things he wishes to show his father, most of them being either dinosaur or car-related. 

You smile softly, stroking his cheek. “I think he’ll play whatever you want. Papa will want to get to know you, Koji. You’re very special to him.”

His grin widens, and he leans into your touch, the warmth of his trust settling heavily on your chest. You wish you could bottle this moment—his innocence, his excitement, his unshakable belief that everything will turn out fine.

The minutes pass as you and Koji wait for Satoru, the latter being more excited than the other. Finally, the sound of footsteps crunching in the frosty grass pulls your attention, and your heart skips. You glance up and see Satoru approaching, his tall frame unmistakable even from a distance. His coat flutters slightly in the breeze, his pace steady yet reluctant, as if he’s as nervous as you are. He’s wearing sunglasses, per usual. A voice in the back of your mind berates him for that fashion choice. “There he is,” you murmur, nudging Koji gently.

Koji hops off your lap, his tiny hand still clutching yours tightly. He squints toward the approaching figure, his expression a mix of curiosity and awe. “Is that Papa?”

You nod, your throat tightening. “That’s him, sweetheart.”

As Satoru comes closer, his steps slow, his gaze fixed on the little boy beside you. His expression is unreadable—somewhere between wonder and hesitation, like he’s trying to process the reality of seeing his son for the first time.

“Koji,” you say softly, giving his hand a reassuring squeeze. “Say hello.”

Koji looks up at Satoru, his shyness momentarily overtaking his excitement. “Hi, Papa,” he says, his voice small but filled with hope.

Satoru stops a few steps away, his hands shoved in his coat pockets. His usual cocky demeanor is gone, replaced by something softer, almost vulnerable. His blue eyes flicker to you briefly before settling on Koji. “Hey there, little buddy,” he says, his voice quiet. He crouches slightly to Koji’s level, offering a tentative smile. “You must be Koji. I’m Satoru.”

Koji nods, gripping your hand tighter. “That’s me. Are you really my Papa?”

Satoru chuckles, though there’s a faint crack in the sound. “Yeah, kid. I am.”

Koji’s face lights up, and he lets go of your hand to take a step toward Satoru. “Mama said you love me already. Is that true?”

For a moment, Satoru seems at a loss for words. His gaze softens, and he nods, his voice rough with emotion. “Yeah, Koji. I do. I’ve always loved you.” The boy beams, closing the remaining distance to hug Satoru’s waist, his little arms barely wrapping around it. Satoru freezes for a second before carefully putting his hand down, his large palm resting gently on Koji’s back.

Your chest tightens at the sight, and you quickly look away, blinking back the tears threatening to spill. This is their moment, you tell yourself. A moment you’ve waited so long for, no matter how bittersweet it feels.

Koji pulls his head back, a wide and toothy smile as he regards his father. His head tilts, staring at his own reflection within the tinted shades of the glasses before Satoru reaches and pulls them over his head. It’s like a mirror, almost uncanny how similar the two look; you seem like an outsider. There’s an unspoken moment as the two continue to look at each other, as if finally saying this is really him. Their eyes are like when you place two mirrors in front of one another.

Satoru’s lips twitch upward into a faint smile as he holds the glasses out, letting Koji’s small fingers curl around the frame. “Here, try them on,” he says, his tone light but carrying a hint of something deeper—an unspoken acknowledgment of their connection.

Koji’s eyes widen with delight, and he eagerly slips the oversized glasses onto his face. They sit crookedly on his nose, far too large for his small frame, but his grin stretches even wider. “Do I look cool, Papa?” He asks as the glasses slide down his nose.

Satoru laughs softly, a sound that feels warmer than you expected. “Cooler than me, for sure. Guess I have to step up my game now.”

The boy giggles, and you watch the interaction with a bittersweet ache in your chest. This is what you’d imagined all those nights when you wondered how the two of them would get along. The way Koji lights up under Satoru’s attention is both heartwarming and a painful reminder of what’s been missing. Koji pulls the glasses off and holds them out to Satoru. “Here, you can have them back. Mama says sharing is nice.”

Satoru takes them, sliding them back over his forehead. His gaze briefly flicks to you, a flicker of something unreadable crossing his face before he looks back at Koji. “Your mama’s right. Sharing is pretty nice.”

You clear your throat, feeling like an intruder in their growing bond. “Koji,” you say softly, “how about we sit down for a bit?”

Koji nods eagerly, pulling Satoru’s hand as he moves toward the bench. Satoru lets him lead, his expression softening as he glances down at the boy. It’s a strange sight—Satoru, who’s always seemed larger than life, brought down to such an intimate moment. As they sit, Koji climbs onto the space beside him which is in between you two, his legs swinging with restless energy. “Papa, do you like dinosaurs? Mama says I know a lot about them!”

Satoru leans back, crossing his arms as he smirks. “Dinosaurs, huh? Bet you’re smarter than me already. You’ll have to teach me everything.”

“I can do that!” Koji declares proudly, bouncing slightly in his seat. Satoru hums, his gaze shifting to you again momentarily. There’s an unspoken question in his eyes, as if silently acknowledging the effort it must have taken to bring this moment to life. It’s gone before you know it. 

You offer a small, shaky smile, unsure if it’s enough. But for now, it seems to be all you can give. Koji digs into his backpack, pulling out his dinosaur drawings and books. Koji’s small hands fumble with the zipper of his backpack, his excitement palpable as he pulls it open and begins rifling through its contents. “Wait, Papa! I gotta show you something!” he exclaims, his voice bubbling with enthusiasm.

Satoru leans forward slightly, resting his elbows on his knees, curiosity piqued. “Oh yeah? What’ve you got in there, buddy?”

Koji triumphantly pulls out a stack of slightly crumpled drawings, held together by a paperclip, and a well-worn dinosaur book with a cracked spine. “These are my favorite! Look!” He spreads the drawings out on Satoru’s lap, pointing at each one with his little finger. “This is a T-Rex—it’s the king of dinosaurs. And this one’s a Triceratops! It has three horns, see?”

Satoru’s gaze moves over the colorful scribbles, a mix of crayons and markers. He chuckles, tapping the corner of a particularly fierce-looking dinosaur. “This T-Rex looks like it’s about to eat someone. You’re a pretty good artist, Koji.”

Koji beams, his chest puffing out with pride. “Mama helped me with some of the colors!”

You can’t help but smile at the way he gives you credit, even as you hover a few inches away. “He did most of it himself,” you say, your voice softer than you intended.

Satoru glances at you, his expression unreadable, before turning back to Koji. “You’re really into dinosaurs, huh? You know, I think I might need some lessons. I don’t know much about them.”

Koji’s eyes widen. “You don’t? Oh, Papa, I know so much! I can tell you all about the Velociraptor! They were super smart and super fast, like this!” He hops off the bench and runs a small circle in front of them, his arms tucked close like claws.

Satoru laughs, leaning back and watching his son’s animated movements. “Fast, huh? Guess I’ve got a lot to catch up on. You think you can teach me everything in one day?”

Koji stops, his hands on his hips as he considers the question. “Maybe two days,” he says with a solemn nod, as though he’s made a grand concession.

“Deal.” Satoru holds out his pinky, and Koji eagerly hooks his smaller one around it.

You watch the scene unfold, a lump forming in your throat. It’s a simple, tender moment—a glimpse of what could have been all these years. The sight of Satoru interacting so effortlessly with Koji stirs something deep within you: a mixture of relief, regret, and longing. For now, though, you let it play out, quietly holding onto the hope that maybe—just maybe—this is the start of something better.

Watching Satoru and his little carbon copy switch from topic to topic so animatedly, laughing practically in the same tone, hopping up from the bench and making their way over to the playground a few feet away where they play tag and other parently things, it’s bittersweet. Their voices overlapping with excitement, is nothing short of surreal. They laugh at the same things, sounding so bright, carefree, and unrestrained. It’s uncanny how similar they are, from the sparkle in their eyes to the animated gestures they make when they’re especially engrossed in a story.

Satoru follows Koji without hesitation. His long legs make exaggerated strides as he pretends to struggle to keep up with Koji’s smaller but determined ones. They dart toward the playground a few feet away, the father pretending to stumble dramatically as Koji tags him with a triumphant giggle. “Gotcha, Papa!” Koji exclaims, hands on his hips in victory.

Satoru clutches his chest, feigning defeat. “Oh no! You’re too fast for me! How am I ever gonna catch you now?” Koji’s laughter fills the air, high-pitched and unbridled, and Satoru’s laughter follows—louder, but just as genuine. They move seamlessly into other "parent-y" things: Satoru helps Koji up onto the monkey bars, playfully pretends to lose at rock-paper-scissors, and even kneels in the dirt to “help” Koji build a small castle from wood chips and fallen leaves.

It’s poignant.

On one hand, this is what you always wanted for Koji: the joy of having his father present, the sense of belonging that comes with it. Seeing them together, it’s clear they’re already forming a bond—one you never doubted they’d have. But on the other hand, it’s a painful reminder of what could have been. Of all the moments you and Koji missed out on, of the milestones, Satoru wasn’t there to witness. It feels like watching a puzzle finally fall into place, except you’re the piece that doesn’t quite fit.

You sit on the edge of the bench, arms crossed tightly over your chest, trying to focus on the joy radiating from Koji rather than the ache in your heart. The past five years feel heavier than ever as you watch them, your mind flipping through memories of bedtime stories, scraped knees, and birthdays spent alone. You did your best, but sitting here now, it feels like it was never adequate.

Satoru glances over his shoulder at one point, catching your eye. There’s something obscure in his expression—maybe it’s a touch of hesitation, or something softer. For a moment, you hold his gaze, unsure of what to say or do. Then, Koji calls his name again, and he’s pulled back into the moment, grinning as he lets the boy climb onto his back for a piggyback ride.

You smile faintly, blinking back the sting in your eyes. This is for Koji, you remind yourself. This is for him. Even if it hurts, even if it feels like you’re standing on the outside looking in, it’s worth it for him. Always for him. Because at the end of the day, no matter what his parents are going through, he needs Satoru just as much as you, and vice versa.

What if he starts needing Satoru more? Fathers and sons always have that special bond that can’t be replicated by mother and son, it’s like how daughters and mothers have a relationship like no other. Fathers and sons, they always seem to share a unique connection, one that feels effortless and almost predestined. The kind of connection you can never quite replicate, no matter how hard you try; and daughters naturally gravitate toward their mothers, a coalition that feels like it was written into their DNA.

But Koji’s all you have.

What if he starts asking for Satoru more? What if this new relationship between them becomes so strong, so unshakable, that you’re left standing on the sidelines? A shadow of the parent you’ve always tried to be. The thought sends a jolt of panic straight through your chest, cold and unrelenting.

What will you do then? No, you think, that can’t happen. It won’t. 

You shake your head, trying to banish the thought as quickly as it came. That can’t happen. It just can’t happen. You’ve been there for every scraped knee, every bedtime story, every nightmare that needed soothing. You’ve carried the weight of being both parents for five long years. There’s no way Satoru can just step in now and take your place, no matter how effortlessly he seems to connect with Koji. But that was because you chose that, a voice in your head reminds you.

Still, is it bad to hold your son this close to you? Fearing that he’ll be ripped away from you before you can even blink? Is that co-dependence? To want to shield him from a world that feels like it’s constantly trying to take him away from you? Is it selfish to want to keep him tethered to you, even as you know he deserves the freedom to explore this new relationship with his father?

You swallow hard, your hands fidgeting in your lap. Maybe it is selfish. Maybe it is in fact co-dependence, this need to keep him as close as possible, as if letting go even a little might mean losing him completely. But how could it not be? He’s been your everything for so long, the only light in a world that’s often felt impossibly dark. You glance at the playground again, watching as Satoru spins Koji around in his arms, both of them laughing like they’ve known each other forever. And maybe they have, in a way. Maybe some part of Koji has always been waiting for this, for his father to finally show up and fill the space you couldn’t. Wait, you know he’s been waiting for this. 

Your chest tightens, and you force yourself to take a steadying breath. This isn’t about you. It never was. Koji deserves this, and you owe it to him to put aside your fears and let him have it.

Even if it feels like it’s breaking you apart in the process.

It’s been a few hours and if possible, it’s like Koji and Satoru are best friends. That’s good, right? Satoru has always been a charming person, one you could easily find comfort in. You’ve lived that. Koji’s sweating by the time he comes over to you. “Drink water,” you gently instruct, handing him his small Spiderman water bottle, and wiping at his sweaty face and neck with the sleeve of your coat.

“Energetic little boy,” Satoru sighs in mild exhaustion as he comes over. He seems to be sweating too, cheeks flushed a nice red, chest heaving up and down. He undoes another button on his casual button-down, giving you a view of his Adam’s apple bobbing up and down. You catch yourself staring too intently and look away before he can say anything. 

He notices.

“Mama, Papa is so fast. I wanna be fast like him.” Koji breathes out, smiling at you, his cheeks red in similarity to his dad. 

With a light chuckle, you take his water bottle back once he’s done. “You’re already fast, Koji. But when you grow up into a bigger boy, you’ll be really fast, maybe even faster than Papa.”

“Hey,” Satoru cuts in, giving you a frown that teeters on the line of a playful pout. “He’s not there yet, let’s cross that bridge when we get there.” 

The word let’s makes your stomach twist a bit. A reminder that he does want this, he does want Koji, he does want to be a father. You entertain the idea of him wanting you, before quickly shuffling that away. 

“Papa, are you coming home with us?” Koji innocently asks, unaware of the way his two parents simultaneously stiffen. The question hangs in the air like a weight, heavy and unrelenting. Koji’s wide-eyed innocence is almost cruel in its purity, completely unaware of the way his words have sliced through the fragile peace you and Satoru have been clinging to.

Satoru’s eyes dart to yours, his expression unreadable, though the slight twitch of his jaw betrays his tension. You can feel his gaze searching for some kind of answer, some indication of how you want him to handle this. But how could you possibly guide him when you don’t even know what to say yourself?

You force a smile, though it feels more like a grimace, and gently brush Koji’s hair back under his red beanie. “Papa has his own home, sweetheart,” you say carefully, your voice soft but firm. “He’s not coming home with us today.”

Koji’s face falls just slightly, but he doesn’t argue. Instead, he looks back at Satoru, his small hands clutching the hem of his sweater. “Can I see Papa again?”

Satoru crouches down to Koji’s level, his long fingers lightly ruffling the boy’s hair. “Of course, you can,” he says, his voice warm and reassuring. “I’m not going anywhere, buddy. You’ll see me again real soon.”

The promise is sincere, and it makes something in your chest ache. For Koji’s sake, you want to believe him. You want to believe that Satoru will keep his word, that he won’t somehow put his work over his own son. But a small, bitter part of you—the part that remembers how he let you go so easily all those years ago—can’t quite let go of its doubts.

Koji seems satisfied with the answer, his smile returning as he hugs Satoru tightly. “Okay! I’ll see you soon, Papa!”

As Satoru hugs him back, his eyes flicker to you over Koji’s shoulder. There’s something there, something unspoken but heavy. Guilt? Hope? Regret? You can’t tell, and you’re not sure you want to. When they finally pull apart, Satoru stands, his hands slipping into his pockets as he looks down at you. “I’ll walk you both back,” he offers.

You hesitate, your first instinct to decline, but Koji’s excited cheer cuts you off. “Yes! Papa can come with us!”

And just like that, you’re outnumbered. You force another tight smile, nodding as you gather Koji’s things. “Alright,” you say quietly.

The three of you set off together, Koji happily chatting away as he skips in front of you, completely unaware of the tension simmering just beneath the surface. Satoru walks close enough that his shoulder occasionally brushes against yours, each touch sending an unwelcome jolt through you. 

It’s a painfully wistful image, the three of you walking together like some semblance of a family. But deep down, you know it’s just that—an image. A fleeting moment in time that doesn’t change the years of distance and pain that still stretch between you and Satoru. And yet, for Koji’s sake, you try to hold onto it just a little longer. Even if it hurts.

The closer you get to your apartment, the more the houses look a little run down. Trash on the streets, beat-up cars, the way the number of people slowly dwindles down as if they know not to cross an unspoken line of the city. You suddenly feel extremely self-conscious; you know Satoru is having internal questions. 

You live here?

Is this even a safe neighborhood?

You’re raising my son in some place like this?

He stays quiet, but you know he wants to say something. He has to want to. Because Satoru was given everything growing up, all in pristine condition. He’s never had to worry about whether those were fireworks or not, he’s used to the kind of neighborhood where your neighbors are mowing their lawns at seven in the morning, greeting everyone in a happy way. 

The tension is stifling, stretched thin by the unspoken judgment you feel radiating off Satoru. You don’t dare look at him, your eyes fixed on Koji’s little form skipping ahead, blissfully unaware of the tension simmering behind him. Your cheeks burn with shame, and you hate yourself for it. This is your reality, your life. You’ve done everything you could to provide for Koji, and while it may not be perfect—or anywhere close—you’ve kept him safe, fed, and loved. But under Satoru’s unspoken scrutiny, it suddenly feels like none of that is enough.

He’s used to opulence, to security, to the kind of life where struggle is nothing more than an abstract concept. What could he possibly know about living paycheck to paycheck, about stretching every dollar, about the fear of your son asking for something you just can’t afford?

Still, his silence grates on your nerves, each step you take toward your apartment building making the tension in your chest tighten like a vice. When he finally speaks, his voice is calm, measured—but you can hear the edge in it, the careful restraint. “You’ve been here the whole time?”

You stop walking, Koji a few feet ahead now as he fiddles with a crack in the sidewalk. Turning to Satoru, you feel your stomach churn at the unreadable look on his face. His hands are still stuffed in his pockets, his posture casual, but his piercing blue eyes burn with an intensity that makes you feel exposed.

“Yes,” you answer, lifting your chin slightly as if that could shield you from the vulnerability creeping up your spine.

“And this is where you’ve been raising Koji?” There it is. The question you knew was coming, coated in a thin veil of curiosity but laced with something deeper—concern, maybe even disappointment.

“Yes,” you say again, your voice firmer this time. “This is where we’ve been.”

Satoru lets out a slow breath, his gaze sweeping over the street, the cracked pavement, and the graffiti-stained walls. “It’s not exactly... ideal,” he says carefully, though the criticism in his tone is unmistakable.

Your fists clench at your sides, a rush of defensiveness coursing through you. “I know it’s not ideal,” you snap, your voice low but sharp. “But it’s what I could afford. It’s where we’ve made a life, and Koji is happy here. Isn’t that what matters?”

His jaw tightens, and for a moment, he doesn’t respond. Instead, he looks at Koji, who’s now crouched down and inspecting a dandelion sprouting from a crack in the sidewalk, blithely unaware of the storm brewing between his parents. Satoru then sighs, running a hand through his hair. “I’m not saying you haven’t done your best,” he says, his voice softer now. “But...he deserves better than this.”

The words hit you like a slap, and you take an involuntary step back, your heart sinking into your stomach. “You think I don’t know that?” you hiss, your voice trembling. “You think I don’t hate myself every single day for not being able to give him more? I’m doing everything I can, Satoru. Everything. And if that’s not good enough for you, then maybe you should’ve been here sooner.”

“Then maybe you should’ve told me sooner,” he’s quick to quip back. 

The silence that follows is deafening, and for a moment, the two of you just stare at each other, the weight of years of pain and resentment hanging heavy between you. 

Koji’s voice breaks the tension, cheerful and oblivious. “Mama, look! A flower!”

You force a smile, blinking back the sting of tears as you walk over to crouch down to Koji’s level. “It’s beautiful, honey,” you say, brushing a hand over his soft hair. “Just like you.”

Behind you, Satoru says nothing, but you can feel his eyes on you, heavy with something you can’t quite name. And as you take Koji’s hand and lead him toward your building, you can’t help but wonder what he’s thinking, what he’s feeling, and what this moment means for the three of you.

You three finally get to the poor excuse of an apartment lobby, making your way to the elevator that always makes questionable sounds. Once inside, you press the 3 button, and you’re off. The doors creak shut and the small, dingy light above flickers during the ascent. During this time, you wish Koji would mask the awkwardness with his childish nature. Too bad he’s pretty tired from playing til his heart’s content, leaning his cheek against your arm. 

The elevator hums and groans as it ascends, the sound filling the uncomfortable silence that hangs between you and Satoru. Koji’s small, warm weight against your side is a comfort, but it’s not enough to dispel the tension. You steal a glance at Satoru, who stands a step away, his hands shoved into his pockets as he leans against the elevator wall. His expression is unreadable, his blue eyes fixed on the faintly glowing numbers above the doors.

You wonder what he’s thinking. Does he regret coming? Is he silently judging everything—the elevator, the building, you? You hate how self-conscious you feel, how his presence has peeled back layers of armor you didn’t even realize you had put on. Koji shifts against you, mumbling something incoherent. You brush a hand over his head, smoothing down his messy hair, and whisper, “Almost home, sweetheart.”

Suddenly, there’s a sound of a ding. Followed by another. And then another. And then another. Confused, you glance over at Satoru who subtly pulls his phone out to glance at his home screen, a frown pulling at his lips. You can’t see who’s texting, but it looks and sounds like a lot. You know you have no right asking, but you can’t help but speculate about who’s blowing up his phone, and why he looks so annoyed by it. And why he also looks like he’s trying to hide the phone from your view. 

The elevator jerks slightly as it reaches the third floor, and Koji stirs, blinking up at you sleepily. “We’re here?”

“We’re here,” you confirm with a small smile, gently nudging him upright.

Satoru stuffs his phone away again as the doors creak open, revealing the dimly lit hallway beyond. The carpet is worn and the walls are scuffed. You promptly feel another intense wave of embarrassment. You’ve grown used to this place, its imperfections blending into the background of your daily life, but seeing it through Satoru’s eyes makes you painfully aware of every flaw. “This way,” you say, your voice tight as you step out, leading them down the hall.

Koji perks up a little, his steps are more energetic as he tugs on your hand. “Papa, wait till you see my room! I have dinosaurs everywhere!”

“I can’t wait,” Satoru replies, his tone light and easy, but there’s something in his eyes as he glances around. He’s taking it all in—the peeling paint, the faint smell of dampness, the creak of the floorboards under his expensive shoes. You stop in front of your door, fishing your keys out of your pocket. The chipped paint and tarnished doorknob seem to scream your insecurities aloud.

“This is it,” you say quietly, unlocking the door and pushing it open.

Koji rushes inside, his earlier fatigue forgotten as he kicks off his shoes and heads straight for his room. “Wait here, Papa! I’ll show you my dinos!”

Satoru lingers in the doorway for a moment before stepping in, his gaze sweeping over the small living room. It’s cluttered but clean, with Koji’s toys and drawings scattered here and there. The couch is worn, the coffee table scratched, and the kitchen in the corner is cramped and outdated.

“It’s... cozy,” Satoru says after a moment, his tone careful.

You bristle instinctively, crossing your arms over your chest. “It’s what I can afford.”

“I didn’t mean—” He stops, exhaling softly. “You’ve done a good job, really. Koji’s happy. That’s what matters.”

You study his face, searching for any trace of condescension or pity, but all you see is sincerity. It catches you off guard, and you look away, busying yourself with tidying up. Satoru takes a few steps further into the room, his gaze lingering on one of Koji’s drawings taped to the wall. It’s a crayon depiction of you and Koji holding hands under a smiling sun. Next to you, there’s an empty space, as if waiting for someone to be added.

He doesn’t say anything, but the slight tightening of his jaw tells you he’s noticed.

Koji rushes out with his toy dinosaurs, holding them up for his father to take. The two move to the couch, the weight of Satoru causing it to creak weirdly. Once more, Koji is giving his father a lesson about dinosaurs, their names, and what they were like—even what sounds they made.

“Do you want a drink?” you ask, looking over to the kitchen. “I have water and some juice.”

He looks up momentarily. But just as he’s about to answer, his phone rings, this time a call. The three of you look down at his phone, Koji tilting his head in confusion before focusing on making his dinosaurs fight again. However, you’re a little more focused. Seeing a name, a woman’s name, accompanied with a picture of your ex kissing a woman you’ve never seen before.

You feel your muscles stiffen, a tug at your heartstrings. As if he notices your behavior from his peripheral, he locks his phone and lets it ring, putting it back in his pocket. “Sorry.” is all he mutters before looking at Koji. “Hey, buddy.”

Koji looks up at him. “Mhm?”

“Papa has to go home now, I have work to do,” Satoru responds slowly.

“You work today? But Mama doesn’t.”

The older of the two nods. “I know, but it’s special work.”

“Special?!”

“Special.”

“Okay!” Kojis nods, grin widening. “When will you come again, Papa?”

Satoru hesitates for a moment, his eyes moving to you, then back to Koji. You notice the brief pause, the weight of his words hanging in the air. He doesn’t look at you directly, but you can feel the shift in the space between you both. “I’ll come back soon, buddy,” he says finally, ruffling his hair affectionately. “I’ll see you again. We’ll play more, alright?”

Koji’s eyes light up, and he nods vigorously. “Okay! We’ll play dinosaurs again!” His excitement bubbles over, as if nothing has changed, as if the uncertainty of the last few minutes never existed.

Satoru smiles, ruffling Koji’s hair. “You’re the best, Koji.” He stands, looking over to you now. There’s an awkwardness that lingers, like the space between you two is suddenly filled with things unsaid.

“Thanks for letting me come by and meet him,” he adds quietly, the words sincere but tinged with something you can’t quite place. His gaze flickers down to his phone again, but it’s almost as if he’s avoiding it now, like he knows the reminder of what’s going on in his life is right there.

You nod stiffly. “Of course. Thanks for spending time with him.” Your words feel distant.

Satoru turns towards the door, his steps slow. “I’ll text you about when I can come back,” he says, his voice a little more subdued than before. He opens the door, then stops, his hand resting on the handle. “Take care of him. And yourself.”

You can’t tell if the last part is meant to be comforting or a reminder, but you nod anyway, your own thoughts swirling. With that, Satoru steps out, and the door closes behind him. You hear the faint click of his shoes as he walks down the hall, and then everything goes quiet.

Koji is already back to his dinosaurs, chattering to himself, completely unaware of the complexities unfolding in the space between his parents. You stand in the living room, your gaze lingering on the spot where Satoru had been, a thousand different emotions crashing inside you. The woman’s name on his phone, the kiss, the way he shut down the moment you noticed—it all gnaws at you, but you don’t know how to confront it. How do you even begin to ask? And what would it change, anyway? Why do you even care in the first place?

You take a deep breath and walk over to where Koji is playing, forcing a smile for his sake, trying to push everything else to the back of your mind. For now, it’s just you and him, and that has to be enough.

a/n: can you guys tell i love ominous endings? ^--^

taglist: @celestialforce @theclassbookworm @tbzzluvr @uhenivid @ofkilljoysandslytherins @sadmonke @bunheadusa @shartnart1 @lady-of-blossoms @itsinherited @duooy @ari-sa @dakotali @mew4-ever18 @iv-vee @devils-blackrose @a-girl-with-thoughts @bitchycloudstrawberry @tiffyisme3760 @iheartshopping @chiara-hotel @uriahs-barn @celloccino @roronoazorosbxtchh @pseudophyllus @ratedrrrr @m1gota @tojideckmuncher @yigaclvn @sukunaslve @eiizabeth-torres @cherrythiccums0 @satorustorm @zoeyflower

[gloomwitchwrites]

141 What If....

You ask him to leave the uniform on? 🥵🥵🥵🥵

I am feral over this. FERAL. Literally chewing on my own arm because I need to calm down. Your prompts always get me going. I totally blame you for this. Now, I went with a little variety here. We've got Kyle in formal military dress, John coming home from deployment, Johnny returning on break for a quickie, and Simon playing out a pre discussed fantasy. Enjoy!!!

For the masterlist and how to submit your own request, click HERE

Task Force 141 x Female Reader

Content & Warnings: established relationship, CNC, breeding, restraints, welcome home sex, quickies, formal events, semi-public sex, unprotected piv (wrap it up irl), sex in a car, dirty talk, brief knifeplay, light degradation

Word Count: 3.3k

ao3 // main masterlist // imagines & what if masterlist

John Price

John’s return is delayed.

He was supposed to come home to you a month ago. But it wasn’t him that notified you about his postponed reunion. Someone from SAS contacted you via the post. The envelope held a singular piece of paper. No apology. Just black ink on a white sheet with an official letterhead. John has always been good about making sure you know when he’ll return. It's something you constantly worry about.

While on a mission, you won't hear from him—this you know. But whenever he is able, John makes an effort to let you know when to expect him or if he's okay.

To not hear from him is odd, and it stirs up all sorts of emotions, pushing your brain toward any number of possibilities. Each scenario appears briefly before sliding into another. They worsen—and then you’re sick, stomach twisted into a tight knot.

That piece of paper is on the kitchen counter. Untouched—but not forgotten. It said yesterday. And yesterday, John did not return.

You’re chewing on your fingernails. Pacing. Stressing.

It's the familiar squeak of the doorknob from the front door that finally stalls your racing thoughts. All that mental energy becomes physical. You're sprinting, throwing yourself at John the moment he enters.

He chuckles—the sound is pleasant and soothing to your heart.

“Didn’t think you’d be home,” he says, drawing you close.

Your answer is to wrap your arms around the back of his neck, and seize a kiss from him that says so much. You need John to know how much you’ve missed him—how worried you’ve been.

His hands on your hips tighten, squeezing slightly as he melts under your kisses. Each one is desperate. Needy. You savor him like you’ll never know this again. John's grip on you is firm, and much stronger than you can resist. He draws you away from him—not enough to create a separation—but enough to talk.

“Slow down, love. Let me look at you.” His hands move to your face, cradling your cheeks. "I've missed you."

"I've missed you, too," you reply. You pull him close again. "Need you." Just a murmur, hardly audible, but John hears it.

He does not resist. He gives in, accepting your love, answering every kiss and touch with one of his own. Hands roam, fingers cling, and yet you're not nearly close enough. You need him on his back with you atop him.

John breaks away, breathing heavy, lips slightly puffy from kissing you. "Bedroom."

You shake your head. "Right here,” you reply, going in for another kiss. “Uniform stays on.”

The middle of John's brow scrunches slightly in confusion, but your fingers are already looping in his belt buckles, guiding him into the living room. That brief moment of confusion morphs into a sultry smirk.

John allows you to guide, allows you to push him onto his back on the sofa. His hands never leave your body, they roam constantly even as you undo the front of his pants and shimmy them down to mid-thigh.

You have him in hand instantly, coaxing him to hardness quickly. The need for him is a driving force, positioning yourself above him, ready to impale yourself.

John's hand slips between your legs, fingers finding your center. "Your—fuck." The sound of your slickness greets him and John groans.

Placing your hands on his chest, John palms the base of his cock, lining it up. You don't slowly ease down. You drop, accepting every inch of him in one go. There is a brief flare of pain from the rapid intrusion, and then it's gone, replaced with the fullness of him inside you.

With your palms splayed wide, you're able to rock your hips, moving up and down his length in a steady movement that has both of you groaning.

"I missed you," he murmurs as you come back down on him. "Fuck—I missed you."

Your thighs start to burn with every bounce. John's fingers dig into your hips, dragging downward before ascending again. With the next roll of your hips, John meets you, thrusting up. It cuts a sharp gasp from your lips.

He grips harder, taking control. You cling to the front of his uniform, fisting the fabric as John brings you down just as he thrusts upward. It is not sweet. It is brutal and desperate. Each connection drags more pleasure out of you until your head falls back and you clench around him.

With a deep groan, John sits up, and effortlessly flips you over onto your back. Pinned beneath him, there is nowhere to go. All you can do is take what he gives.

John buries his face against your neck. "Love you so much."

You hook your heels behind his legs, urging him on. "Love you," you manage to gasp.

It is all sweat and heat. John's lips graze the line of your throat and then your chin. You turn toward him, the two of you meeting as he holds his body against yours, his release flooding your pussy.

Kyle "Gaz" Garrick

Kyle drapes his arm over your shoulder, tugging you against him, the noise of the function receding with every step. Usually when the two of you attend a formal function together, Kyle is in a suit, but this attendance was requested by Kyle's superior officer, Captain John Price.

Instead of a suit, Kyle wears his formal military dress. The uniform is freshly steamed and free of wrinkles. His shoes are polished to perfection. Like this, he's incredibly handsome. You've been admiring him all night, resisting the urge to touch him too much around people he works with on a regular basis.

"Can't wait to take this bloody thing off," sighs Kyle, lightly tugging on the neckline of his uniform.

You rest your head against his shoulder, savoring his warmth. "I think you look rather dashing."

"Dashing?" he laughs.

As the two of you enter the parking garage, you snag his hat, placing it on your head. Kyle's smile widens. He leans in for a kiss, greedily accepting what you offer him. Removing the car keys from his pocket, Kyle hits the button to unlock the vehicle. The SUV beeps, headlights coming on.

Kyle takes his hat back, holding it with one hand instead of putting it back on his head. He offers his mouth again and you close the distance.

"Can't wait to get that dress off you, love," he murmurs against your lips. “Been thinking about it all evening.”

You place your hand against his chest. "I think I'd like it if you leave the uniform on."

Kyle nearly chokes. "What?" he draws back slightly.

With a mischievous grin, you tug Kyle around the side of the SUV. The vehicle is in a corner spot, leaving the two of you tucked between it and a cement wall. There is no camera and no light. Both of you are hidden in shadow.

No one will notice the two of you unless they come looking.

You lean in slowly, offering your mouth. Kyle places his hand on the side of your throat, thumb slowly rubbing against the front of your neck. The kiss is honey-sweet, and tinted with seductive need. You seek another, and yet another until the two of you are gasping for air.

"Not here," murmurs Kyle, drawing back slightly.

Your hand slides downward, pausing at his belt. Kyle whispers your name, but there is no fight in it. If anything, it is lustful. Fingers toying with the belt, you kiss him again, loosening the buckle and then the front of his pants.

Reaching your hand inside, you find him hard and wanting.

"Someone will see," he groans, grabbing your wrist.

"Who will see us?" you reply softly. Kyle's gaze shifts outward to the parking garage.

"No one is around." You start to descend, opening his pants further.

Kyle's attention returns to you. His pupils expand as you take him in hand, painting your bottom lip with a pearly bead of cum. You present your glossy mouth to him, and Kyle brushes the pad of his thumb across it.

You lightly nip at that thumb, and then take him into your mouth. Kyle stifles his groan, but it comes out as a muted whimper. He gently cups the back of your head as you suck him down, hollowing your cheeks when you come back up.

This is just a tease. You want his resolve to slip.

Kyle doesn't break eye contact. He is completely focused on watching you. His dick twitches in your mouth, and Kyle grunts.

"Fuck, love. Come here."

With gentle tenderness, Kyle grasps the back of your neck, easing you off him. You extended your legs, leaning into him.

His voice is slightly husky. "I can't wait until we're home."

Kyle opens the rear passenger door and helps you up into the seat. You slide backward to the other end, Kyle following. With a hand on your throat, he pushes you onto your back. These next kisses are rough and possessive. Hungry. Claiming. You open for him, wanting to consume.

His free hand is gripping your dress, shoving it upward where it collects at your hips. Your tongue meets his the moment his fingers slip between skin and underwear. It is brief, and then he's drawing back only to bury his face between your legs.

Digging your heels into Kyle's back to stabilize yourself, you give in, moaning loudly as his tongue swirls a path up and down your sex. He teases just like you teased him. But it is short-lived.

Kyle is desperate for you. He finds your clit and stays put, tongue working quickly to send you over the edge. Your body shudders, a breathy groan escaping you as the orgasm hits. Still on your back, Kyle ascends, one hand pressed to the inside of your thigh while the other finds leverage against the car door just above your head. You lift your hips slightly, presenting your pussy to him.

He takes the hint, thrusting deep.

He does not go slowly. It is skin slapping against skin. It is all low groans and desperate fingers. His body weight keeps you pinned, and if anyone were to open door they'd have a clear view of his bare ass.

"Don't stop," you beg. "Please."

Kyle's answer is to seize your mouth, to force his air into your lungs, to firmly press his body to yours and swivel his hips, pelvis grinding against clit. Your hands fall on his ass, and then he's transformed. An animal. Rutting.

Surely, the car is shaking, but you hardly care. You only want him to finish. To give you every drop of his release.

You feel his muscles tighten under your hands, and then your bodies are sealed.

There is a small pause between then and the moment he kisses you, this time tenderly.

"So much for waiting," you tease.

Kyle’s exhalation is a pleased one. "Just wait until we get home."

John "Soap" MacTavish

"What are you doing here? Shouldn't you be at work?"

Johnny's smile is devilish. "Came to see you."

"Me?" you laugh. "You just saw me this morning."

"And it wasn't nearly enough," coos Johnny, grabbing hip and waist, tugging you against him. "Missed you the whole time. Couldn't stay away."

Before you can form a reply, Johnny is lifting you up and onto the kitchen counter. He pushes everything up and out of the way, revealing your pussy to him.

"Johnny!" you exclaim.

With one hand on your thigh, Johnny uses his other hand to remove his belt and undo the front of his pants.

"I came home to fuck my wife." You instantly feel your cheeks grow hot. With a sultry smile, Johnny leans in but doesn't close the distance. "Would you like that?"

You nod. "Yes," you reply, voice nearly a whisper. "But—"

"But what?" he asks. You gesture at him. "The uniform? That stays on, love."

Guiding you wider, Johnny circles your clit with the pad of his thumb. The touch is electric, making you shiver as he toys with your sensitivity.

"Look at that," he purrs. "Look how wet and ready you are for me."

You whimper as Johnny tests your pussy with a finger.

"I think this deserves something bigger. What do you think, love?" He inserts a second and you whimper again. "Use your words."

"I want you inside me."

"I am inside you," he teases, pumping both fingers.

You shake your head, gasping as his thumb toys with your clit. "Your dick, Johnny."

"That I can do." His fingers are gone instantly, replaced with the head of his cock. He holds himself just inside, inching slowly until you've taken him to the base. "We'll have to make this quick. Can't be late and disappoint Price."

Johnny lightly swivels his hips, and then he's holding you in place, thrusting steadily. He kisses your lips, then your cheek. Resting his forehead against your temple, Johnny boxes you in, using your pussy for himself.

"You take me so well," he says softly. "Watch. Want you to watch."

Your gaze shifts downward, locking on to where your bodies meet. Keeping one hand on the countertop to stabilize yourself, you bring the other between your legs, fingers lightly playing with your clit.

"That's it," purrs Johnny. "Come for me."

A brief swirl and you're gone, squeezing hard around Johnny. He fucks you through it, grunting as he increases his pace. With a moan that claws up his throat, Johnny seals your bodies together, and his warmth floods your pussy. He thrusts lightly and stills.

A beat of silence, and then you both burst out into laughter.

"Fucking hell," he mutters, shaking his head.

"You came all this way on a break just to have sex with me?" you laugh.

Johnny leans back, grinning sheepishly. He glances down at his watch, smile fading. "Shit."

He pulls out and steps back, fumbling with his pants.

"Are you going to be late?" you ask teasingly.

Johnny tightens his belt and then helps you off the counter. With a quick kiss to the cheek, he heads out the door.

Simon "Ghost" Riley

Every light in the house is off. The blinds are closed and it's completely dark except in one particular room.

The deep red glow calls out to you like a siren song. You stride toward it, moving through the hall silently like a shadow. The bedroom door stands open, revealing the blood-tinged space. From your point of view, nothing is out of place. All is calm and as it should be.

But Simon is here somewhere. Lurking. Watching.

This is what you wanted after all. An idea you passed off to Simon with the hope that he'd indulge your fantasy. Clearly, he took it to heart.

Adrenaline spikes in your blood as your gaze focuses on the bed. Attached to each corner are wrist and ankle cuffs. To be immobile and bred at Simon's pleasure is all you asked for, and here it is.

As you step forward, a large gloved hand slides over the front of your throat, squeezing. Simon is right behind you, and you feel every inch of him. Without even having to look, you know Simon is in full tactical gear. Parts of it dig into your back.

The leather of his gloves squeak as his fingers adjust against your throat. With a little pressure, he tilts your head back and you meet his whiskey-brown eyes. It's all you can see of his face. The rest is shrouded behind a balaclava.

"Do as I say," he growls. "Or you'll make this harder on yourself."

His command sends a bolt of need straight to your clit. Already, you feel a growing slickness between your thighs.

"Answer me if you understand."

"I understand," you murmur.

Simon makes a pleased sound deep in his throat. His thumb rubs a gentle line back and forth over the same spot.

His head tilts, lips pressing against your ear through the balaclava. "Then be a good little slut and get on your back."

Using his leverage on your throat, Simon lightly shoves you toward the bed. This time you turn around, facing him completely for the first time. He's dressed in all black tactical gear. Every inch of him is covered except his eyes, and his large frame fills the doorway.

When you take a step back, he takes a step forward. The backs of your thighs hit the bed, and you push yourself up and on, reclining until you're nearly horizontal. Simon saunters, gaze predatory and observing. His gloved hands hover just above your legs, pausing there before he bends slightly, reaching for an ankle cuff.

Simon glances between it and you languidly. You're not sure what his intentions are, not until he grabs your ankle with his other hand and tugs hard. You yelp, surprised, and then you kick out, attempting but failing to free yourself as Simon attaches the cuff into place.

"You said you understood," he growls, as you sit up to swing on him.

Simon snatches your wrist right out of the air. He hops onto the bed, kneeling as he grabs one of the cuffs for your wrists. Still, you fight and still you fail as he latches it in place.

You're not immobile but you're more restrained than before, movement restricted enough that you can't fight back like you want to. Not that you want to escape.

With a fluidity that surprises, Simon removes a knife from his boot and hooks it under the hem of your shirt. A sharp tug and the fabric surrenders to the blade. Simon tears it further, removing the garment completely.

As you use your one free arm to lash out, Simon is already prepared, blocking the blow and forcing it back to the bed. He attaches the cuff and returns the knife to your clothes, splitting your pants and tossing the remains aside.

You're on your back, completely naked and cuffed to the bed.

Simon's hand wraps around your throat, the knife tip dangerously close to your face. "I was going to worship your pretty pussy," he murmurs. "But I think I'll just take what I want."

It's all a game—a scene. You want Simon to use you, to fuck you ceaselessly, to do whatever the fuck he wants because he can.

Simon flips the knife and imbeds it into the bed above your head. Slowly, he removes his belt, tossing it aside. When he opens the front of his pants and eases them down a fraction, you nearly groan at the sight of his hardness. Simon palms the base of his cock.

"I won't be gentle," he says, gloved fingers pressing against your pussy.

He rubs back and forth, easing a little more from your body before grabbing your hips and slamming home. There is a brief flare of pain from the intrusion and then nothing at all except excitement.

"Your body is mine," he growls as he fucks you. "And for the next twenty-four hours, I'm going to breed this pussy until I'm satisfied."

You are unable to move, unable to do much but take it. Simon is situated between your spread legs, and you have a clear view of his cock sliding in and out of you. If you want an orgasm, Simon will have to grant it. Begging for it won't get you anywhere. You need to be good, and then he'll reward you.

Simon grunts as he thrusts, pace increasing as he nears his end. Watching him is lovely. His groan is lust-drenched, his orgasm sending a little shudder through him that you feel in your core.

Simon's gaze shifts to between your legs where he slowly pulls out. "What a fucking sweet sight," he murmurs, more to himself than to you.

His cum pools at your entrance, threatening to drip out. Soon you'll be overly full, a mess between your legs and on the bed.

Already Simon is stroking himself back to hardness. "Think that cunt of yours needs a bit more.

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[beneathashadytree]

YOU’RE ANXIOUS TO HAVE SEX BECAUSE YOU’RE CHUBBY - TEXTING THE LOVE AND DEEPSPACE MEN

Warnings : chubby!reader, slight suggestiveness, body image issues & insecurities, autistic!Zayne, mentions of sex, reader is AFAB!

Genre : hurt/comfort n lots of fluff <3

Additional notes : This was commissioned by one of my lovely mutuals, and I’m so thankful for the opportunity to discuss self-love and portray more diverse body types. Writing this was like therapy to me, seeing as—even when I was heavily muscular—I was a lot bigger than everyone around me. I always worried whether I’d be found as attractive as my thinner friends, but I know my worries would be unfounded with the LaDS men 💗

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[pathologicalreid]

hiii I love ur fics <3 I am OBSESSED with the prompt “can you come get me?” bc h/c makes me 💥💥💥 so I was thinking:

reader has been kidnapped by the latest unsub and the team is trying their hardest to find her but all the leads keep coming up empty until one day Spencer gets a call from her and the first thing she says is “can you come get me?” she sounds extremely upset and afraid so Spencer and Hotch leave to go find her. when they get there, she looks like she’s been through hell so they rush her to the hospital to be checked out, all the while they can’t seem to get any info out of her about what happened.

Spencer & reader could be platonic or romantic, whichever you like. (also I was thinking maybe hotchner!reader ? if that wouldn’t be too many things to ask for lol)

I love how you do angst and h/c, so keep up the good work and have a wonderful day <3

can you come get me? | S.R.

who? spencer reid x fem!reader category: angst content warnings: kidnapping, hospitals, stitches, blood draws, catatonia, disassociation, brief mention of sa, ohio mentioned, general cm violence (let me know if i missed any) word count: 4.56k a/n: i have no idea how this got so long but i love the plot of it so much that i couldn't cut any of it! i'm such a slut for the "you came"/"you called" trope that i couldn't help myself! i wrote this with the idea that it would be in place of the m*eve storyline (which means our lord and savior blake is here)!! anyways anon i hope you enjoy this - i love you!

Any external sound was completely ignored as Spencer flipped through the same file for the eighteenth time that day. In his periphery, he saw JJ and Rossi nod at each other before Rossi split away, walking up the ramp to where Hotch’s office was.

It took him a moment to realize JJ had made herself comfortable by sitting on the edge of his desk. She had her jacket neatly folded in her arms as she eyed the file he had, grief filling her eyes as she registered what he was looking at. “What are you doing tonight?” She asked, trying to keep her voice as light as possible.

The question was entirely pointless, she knew exactly what he was doing tonight, but in an attempt to get her to leave him alone, Spencer humored her, “I’m working late tonight,” he answered simply.

JJ’s smile faltered ever so slightly before she shook her head, “You’ve been working late all week, what if you come over tonight? Will’s making dinner. Garcia’s coming after she finishes her system update,” the attempt to get him out of the office didn’t go over his head, but it wasn’t going to work. “Henry would love to see you – maybe you could teach him a new magic trick.”

Peeling his eyes off of the paperwork, he looked up at the blonde, “You know I can’t.” He felt so close to an answer, he couldn’t possibly leave.

“Look, Reid, I get it, but you’ve been working crazy hours for the past month. Maybe taking a night off would be good. You can start fresh in the morning,” she tried to coax him into leaving the case be.

It hadn’t been a full month; it had been twenty-seven days. Almost four full weeks since you were taken. It had been one week since Section Chief Cruz had told Hotch that the BAU needed to start taking new cases, as the trail to you had run cold.

Considering you were Hotch’s daughter, that discussion had gone rather poorly. Cruz had been able to give the team leeway. Both Spencer and Hotch had fully intended on taking advantage of that leeway, and the rest of the team helped when they had the capacity.

Turning back to your file, Spencer shook his head, “I’ll go if Hotch goes.” He knew there was no way Hotch would be leaving the office tonight, the only reason Hotch went home anymore was for Jack, and he was at a sleepover tonight.

JJ’s shoulders slumped in abject disappointment as her eyes followed Dave as he exited Hotch’s office, the slamming of the door enough to make the lingering BAU agents flinch. “I’ll see you tomorrow,” she said, defeated.

Rossi wagged a finger at Spencer, “Go home at some point tonight, kid,” he instructed.

Waving a quick goodbye, Spencer resumed making notes in the margins of the papers that were making a permanent home on his desk. He looked up when Hotch exited his office, eyes following him as he brewed a pot of coffee in the kitchenette. The two of them acknowledged each other with a nod before continuing on with the hunt.

Both of them knew the odds, that you had been gone this long and there was a good chance that they’d never see you again. Despite that, Spencer would head up to Hotch’s office in about an hour, and the two of them would confer.

Eventually, the sun set, and a thunderstorm rolled in, the flashes of light coming in through the windows as he began to consider going for another cup of coffee.

Wiping a hand down his face, he inwardly groaned as his phone started to ring. Half expecting it to be JJ, he was surprised to find that it was an unknown caller. Clicking the answer button, he lifted the phone to his ear, “Hello, this is Dr. Reid.”

There was an eerie silence on the other end of the call, if he strained his ears, he could hear the pattering of rain. He tried to greet the other person again, but when there was no answer, he started to lower the phone to hang up.

“Can you come get me?” Your quiet voice came through the receiver, effectively knocking the wind out of Spencer’s lungs.

Fiddling with his belongings, Spencer gripped your file, “Where are you?” He asked urgently.

You sniffled, “I don’t know. A payphone off of twenty-eight.” If he strained his ears, he could listen to the rain. Spencer wondered if he could calculate how far away you were by the sound of the thunder where you were compared to where he was.

His chest ached at the exhaustion in your tone, imagining you had gotten approximately as much sleep as he had recently. That is to say, little to none. Pulling the phone slightly away from his face, he called out for Hotch, getting his attention and waving him over. “Y/N, can you see any mile markers or exit signs anywhere?” Spencer asked, bringing the phone back up to his ear.

“I can’t see much of anything,” you admitted. That made sense, your glasses had been recovered at your abduction scene. Spencer kept them in his bag with the rest of your belongings that had been released from evidence. “I feel lucky enough that I was able to find a pay phone,” you said, and for the first time, he noticed that you were whispering.

Glancing at the inside of his wrist, Spencer checked the time. JJ had mentioned something about Garcia staying in her office for a system update – what were the odds the tech analyst was still there? Stalking out of the bullpen, he made his way to her office, Hotch hot on his heels.

After knocking on the door, her voice rang out, “Enter, mere mortal.” Once she had recognized who it was, she greeted Spencer directly, “Ah, Dr. Reid, did you need a ride to JJ’s?”

“Can you locate a payphone based on the phone number?” He asked hurriedly, the longer you stood out there in the rain, the more danger you might be in.

A confused look was plastered on her face, but she turned back to her screens and started click-clacking away. “Most def, boy genius. Run me the digits,” she responded, pulling up some sort of database that Spencer didn’t recognize – probably for the best.

She typed the phone number just as quickly as he recited it, turning around and telling him that the pay phone in question was approximately thirty minutes away. You had only been thirty minutes away this entire time. “Send the coordinates to Hotch’s phone,” Spencer instructed, stepping toward the door. “Tell the rest of the team to come in,” he continued, “it’s Y/N.”

Each stage of grief flashed across Penelope’s face as she nodded assuredly, scrambling for her phone as she took care of notifications.

Impatiently, Hotch held the elevator door open as Spencer entered, keeping the phone up to his ear, “Stay on the phone,” he told you.

A desperate whimper came from your end of the call, “I don’t have any change. I found a few quarters on the ground, but I don’t have anything on me.”

“Stay on as long as you can, angel,” Spencer amended. “We’re on our way.”

The rain was worse than he had initially thought, but Mother Nature was no match for Aaron Hotchner. They were only about five minutes from the coordinates that Garcia had shared, and the phone call had dropped off before they were even on the main highway. The dropped call certainly didn’t help the rising tension in the SUV.

“Did she sound scared?” Hotch had asked for the nth time.

Not taking his eyes off of the map, Spencer nodded, “She sounded like she was stranded in the middle of the woods in Virginia, in a thunderstorm, and was using a pay phone as a lifeline.” His entire body was thrumming with nervous energy as they sped down the road, “but she’s alive.”

He didn’t miss the way Hotch’s knuckles turned white as he gripped the steering wheel. You being alive would have to be enough of a comfort to the both of them for now, but Spencer knew what your life meant to your father.

“There it is,” Spencer said, interrupting his thoughts with the recognition of a phone booth on the side of the road, in front of a seemingly abandoned gas station. In a moment of uncharacteristic recklessness, Spencer clambered out of the vehicle before it came to a full stop, an umbrella and jacket in tow.

Hesitantly, he approached the crumpled heap of limbs underneath the pay phone. It wasn’t a full booth, it had just enough coverage to prevent the payphone from short-circuiting. You had jammed yourself underneath it, trying to keep yourself as dry as possible.

Kneeling in front of you, he swept his sopping-wet hair from his face, “Y/N.” His voice was no more than a breath, he didn’t dare reach out to touch you — lest you not want to be touched. A strike of lightning lit your surroundings enough for him to note the bruise that had bloomed on your cheek.

As his eyes adjusted to the darkness, he watched as your lips parted in recognition, “You came,” you whispered.

He nodded, “You called.” His heart soared as you shuffled yourself closer to him, allowing him to wrap the FBI-issued jacket around your rain-soaked frame. “Let’s get you out of this rain, alright?”

Standing up on shaky legs, Spencer helped you walk to the SUV where your dad was waiting, shining a flashlight to help guide you to the vehicle. Based on how heavily you were leaning on him, he could tell that your left leg was injured. Despite your injury, you stepped away from Spencer to hug your father.

For a moment, Spencer felt like he was intruding on a family moment, but he recalled all of the times he had been invited to join in Hotchner festivities these last few years and allowed his eyes to meet Hotch’s.

The two of them shared an understanding look as Hotch pulled away, “We should get you to a hospital,” he said, cupping your face with parental gentleness.

Spencer helped you into the SUV, unable to put any pressure on your leg, you depended on the handles to pull yourself up. As you maneuvered yourself, he tried to determine what your injuries were. His eyes scanned your body until he made his way back to your face, “Angel, keep your eyes open.” He felt as if he was asking a lot of you, but he didn’t know if you had taken a hit to the head. Falling asleep could do more damage. “Hey, Y/N?” He said, watching as your eyes fell shut and your head slumped forward. “Hotch,” Reid said urgently from the backseat.

Understanding perfectly, Hotch hit the lights on the SUV and turned on the siren. Flashes of red and blue signaled to other drivers that there was an emergency.

You were silent.

As soon as they had gotten you to the emergency room, your entire demeanor had changed. Spencer guessed that you had been in fight or flight when they had picked you up from the phone booth, and now that you were getting the help that you needed, all of the fight had vacated your being.

In the white fluorescence of the hospital, he could see how drained you looked. Once the doctors got their hands on you, you refused to let him or your dad near you.

Hotch was in the hallway, talking on the phone with your Aunt Jessica while he tried to arrange childcare for Jack so he could stay with you - the leader of your care team estimated you’d be in the hospital for at least a few days.

While you had been mobile when they came to get you, your energy had left along with your adrenaline, and eventually, the best course of action was to just let you sleep. That was how Spencer ended up sitting cross-legged in a stiff hospital chair, watching over you as you slept.

Respectful of your wishes, he kept a fair distance from you, but you’d be hard-pressed to convince him to let you out of his sight. There were tubes and wires going every which way from your body, oxygen, an IV, and electrodes monitored your life. Boiling you down to a collection of numbers that showed Spencer just how alive you were.

The doctors suspected you had bacterial pneumonia, but they were still waiting on the results of your chest X-ray to make a formal diagnosis. Your presumed leg injury had turned out to be a bruised hip bone – part of a sickening pattern that reflected that of someone who had been thrown down a flight of stairs.

A knock on the window to your hospital room caught his attention, causing him to turn his head and come face to face with Rossi and Blake. Opening the blinds so that he’d be able to keep an eye on you from the hallway, Spencer stood up and joined his colleagues in the corridor.

“What’s the report?” Rossi asked, nodding in the direction of your room, and placing his hands on his hips.

Spencer rubbed the back of his neck before responding, “The doctor said that all things considered, she’s in good shape, but…” Shaking his head to wake himself up, he crossed his arms in front of his chest, “She’s sick and was beaten. Right now, she’s sleeping. We have no idea she was running in the woods, so it’s not surprising that she’s exhausted.”

He continued on to list other maladies that the doctors had provided, dehydration, malnutrition, one cut on your arm that needed to be stitched, and that was just scratching the surface. Dave nodded understandingly, “but the sooner we get to ask her questions, the better.”

Shrugging, Spencer looked over at your father, and then back to you, “When she wakes up on her own,” he murmured, watching as a nurse checked on your IV. He didn’t want to risk waking you up or asking too much too soon of you. “Can I ask you a quick question?” He lifted a finger inquisitively to the nurse who was walking out of your room, scribbling something on your chart.

The nurse hummed in response, raising her eyebrows as she waited for him to ask.

“Do you think the infection has anything to do with her silence? She might be hurting so she isn’t talking?” He asked, it wasn’t unheard of, when people were in a lot of pain, sometimes they coped with silence.

While the nurse might have an excellent bedside manner, the three profilers took note of the concern in her eyes. “The silence might have more to do with her psychological well-being than her physical well-being,” she responded, it was a healthcare way of trying to appease them. Really, they didn’t know much better than the members of the BAU did.

Blake’s eyebrows shot up in curiosity, “Could it be catatonia?”

“In order to diagnose catatonia, she’d need to display three of twelve symptoms. Those are stupor, catalepsy, waxy flexibility, mutism, negativism, posturing, mannerism, stereotypy, agitation, grimacing, echolalia, and echopraxia. So far, she really only meets one of twelve,” Spencer answered.

Shrugging, the nurse pointed at Spencer with her pen, “What he said.” She looked down at the chart before continuing, “Her care team leader called for a psych consult, but we won’t really know one way or the other until she wakes up.”

Nodding, Rossi nodded in acknowledgment, “What else could it be?”

Pursing her lips, the nurse tilted her head to the side, “Peritraumatic disassociation is another possibility, but again, we won’t know until she wakes up.”

The waiting game began. As luck would have it, an FBI agent being abducted created a lot of paperwork, so Hotch was holed up in a conference room while Rossi and Blake worked on the profile. JJ and Morgan stayed back at Quantico with Garcia to look back at what information Hotch and Spencer had been gathering over the past twenty-seven – now twenty-eight – days.

Spencer stayed with you, tucking your blanket around you when he watched goosebumps sprout along your arms. He paid close attention to everything that the doctors and nurses said about your condition, relaying everything to Hotch via text message. They ran a kit on you, and the only solace was that there was a chance that they could DNA match whoever did this to you.

He left that last part out of his message to your father.

As soon as you started waking up, Spencer had to leave the room, watching from the hallway as medical personnel flurried around your bed. At first, he had assumed your aversion to himself and your dad was an overall aversion to men, but you didn’t flinch when it came to the male doctor who was checking your vitals manually.

A nurse peeked out from the door, “Are you Dave?”

Furrowing his eyebrows, Spencer cocked his head back in confusion, “No? I’m not – why?” He asked, gaze flickering back into your room as you scrawled something on the piece of paper that a nurse had handed you.

“She said she’d talk to Dave,” the inquiring nurse shrugged, turning back into your room, and adjusting your pillow beneath your head.

Still confused, Spencer slipped his phone out of his pocket, nimbly typing a message to Rossi before returning the phone to its home in his slacks. Trying to respect your peace, Spencer remained in the hallway, leaning back against the wall as he heard the familiar sound of Italian leather boots turning the corner. “Are you sure she didn’t mean Aaron?”

Spencer shook his head, mirroring the older man’s confusion, “She physically wrote your name out. She’ll only speak to you,” he answered, trying to hide his own pain for the sake of ridding you of yours. If you wouldn’t talk to your father or himself, it made the most sense that you’d talk to Rossi. You’ve known him the entire time your father worked in the BAU.

Shrugging, Rossi walked into your room and approached you with the care of a man approaching a deer. He remained this way until he made it to your bed, and Spencer watched as he smoothed your hair away from your face affectionately.

You leaned into his touch, and Spencer didn’t miss the cue. When was the last time anyone had touched you with love in their heart?

He had kissed you goodbye before you went on your run, just thirty minutes before your location turned off and your usual Thursday route turned into a hunting ground. With what you did for work, you switched paths frequently, but someone had been watching you, or at least, that was the conclusion the team had drawn.

Watching as Rossi spoke with you, Spencer noticed one anomaly – you weren’t speaking to him. Instead, all of his questions were answered with blinks or scribbling on paper.

The two of you went until a nurse came in, telling the both of you that they needed to run a few more tests. Taking his leave, Rossi told you something that Reid couldn’t quite make out and rejoined him in the hallway.

“What did you say to her? Just now?” Spencer asked, his need for any sort of contact with you becoming so desperate that he’d now accept it secondhand.

Frowning, Rossi placed both of his hands on his hips, “I called her piccolina, I used to call her that all the time when she was just a little thing running around the old BAU bunker.” Taking a moment, Rossi pulled out his little notebook and read through it. “White male, late twenties to early thirties, sometimes gone for days on end citing ‘work,’ but she never figured out what he did for work.”

Spencer’s eyes burned at the realization that you had been working your own case while being victimized, he peered in through the window as a nurse drew your blood.

“She said he drove a dark American sedan, making it either blue or black,” Rossi continued to list off, eyes following Blake as she approached the two of you. “Y/N said the car was filthy like he had been living out of it when he couldn’t get to her in the woods. The car had an Ohio party plate on it with expired tags.”

Blake arched a brow at the new information, “Party plate?” She said quizzically, looking at Spencer for clarification.

Nodding, Spencer looked over at his friend, “That’s the colloquial name for restricted license places. They’re given to people who are convicted of DUIs, which is actually called an OVI in Ohio. In Ohio, they’re yellow with red print, and the only state to have something similar is Minnesota where they call them whiskey plates because they all start with the letter W.”

“Well, he’s confident. Maybe too confident, driving around with expired tags and a license plate that already puts a spotlight on him,” Blake said thoughtfully, adding to the profile in her mind. “We should get this information to Garcia, maybe look for people who recently relocated from Ohio with those plates,” she suggested to Rossi.

Rossi nodded, skillfully flipping the cover back over his notepad and gesturing for Blake to follow him to the conference room, effectively leading Spencer to his own devices. When the nurse left to bring the vials of blood to the lab, he returned to your room, taking his seat on the edge of the room – as far away as he could get while keeping his eyes on you.

He looked up to your bed, catching you staring at him. As soon as you knew you had been caught, you turned your head to the other side, averting your gaze toward the window.

Every thirty minutes or so, Spencer moved the chair approximately five inches closer to you, by four in the morning, he had closed half of the space between you. He kept his eyes on you, watching as you stared thoughtfully at the ceiling. You had that crease between your eyebrows that told him you were thinking too hard, and he had to sit on his hands to stop himself from reaching out and touching it as if he could soothe all of your bad thoughts.

In the doorway, Rossi had appeared, garnering your attention as you propped yourself up on the flat hospital pillows. “We got him,” Rossi announced to the room, a reserved smile on his face.

Spencer watched as you visibly relaxed on the bed, your face softened as your eyebrows relaxed. Rossi explained some next steps, but he was only half listening, he could only focus on you.

Once Dave was gone, Spencer took a leap of faith and shuffled the chair to your bedside, “How are you feeling, angel?” He asked, taking up a muted tone.

You stared at him, blinking at him until, eventually, your face crumpled, and you leaned toward him.

Not missing a beat, Spencer stood up from his chair so that he could sit on the edge of your bed, meeting you in the middle, he gently wrapped his arms around you, rubbing small, soothing circles along your back with the flat of his hand.

In the past twenty-eight days, Spencer thought that being reunited with you could fix all of the hurt in his chest, but this, right here, was a different kind of pain. Tears sept through the fabric of his shirt just as soon as they fell from your eyes, and all of the hurt that he had felt before just morphed into a different kind of suffering.

His heart ached at the sight of you in this much pain, so much emotional turmoil that you had silenced yourself. What was he supposed to say in order to comfort you? ‘You’re okay,’ was wholly false, and ‘it’s alright’ felt like a cruel joke. You very clearly weren’t okay, and none of this was alright.

“I’m here,” he reassured you, his voice no more than a croak as he tried to swallow his own emotions. “I’m right here,” he repeated, continuing his ministrations on your back until you had cried yourself to sleep.

With your body in its weakened state, Spencer carefully adjusted you onto the bed, making sure none of your tubes or wires were kinked before settling back down in his chair and taking your hand in his.

Around the time the sun came up, your care team came through for morning rounds and woke you up to thoroughly inspect your status. Once they left you to your own devices – with the promise of food in half an hour – Spencer focused all of his attention on trying to coax you into speaking to him.

Tenderly, he dragged a finger across your forehead before continuing down the bridge of your nose, “I’d really like to hear your voice, sweetheart.” His voice was gentle, maintaining a subdued tone in the early hours of the morning.

He watched as you sighed, deflating all of the air in your lungs as you tipped your head to the side, interrupting his movements. “I asked him to do it,” you murmured, voice raspy from lack of use.

“To do what?” Spencer asked, heart beating a little faster at the sound of your voice. He watched how you nervously gripped a fistful of sheets and looked at him. Only you weren’t looking at him, it was more like you were looking through him.

You took a deep, shuddering breath before you answered, “To kill me.”

The confession weighed heavy on his shoulders, but it wasn’t regarding anything against you. It was in the realization that you had been in so much physical and emotional turmoil while in captivity that you had asked for your own death. That even for a moment, you sat in front of a killer and asked for him to end your life as an act of mercy.

Noting Spencer’s lack of response, you continued speaking, “That’s why he let me go. I begged him to just end it and that took away any appeal for him.”

Last night. You had pleaded on behalf of your own demise last night. Carefully considering his next words, Spencer met your eyes and replied, “That must’ve taken a lot of courage.”

You faltered for a moment, evidently not having expected those words from him, “What are you talking about?”

It made sense to him now, why you wouldn’t talk to him or your dad. He felt like such a fool. You had been ashamed because you felt like your abductor had diminished your worth by breaking you down. Spencer knew better, “You stood your ground. You faced your own death, and you chose that over further suffering. Dying isn’t an undignified act, no matter how it comes upon you,” he reminded you, smoothing your hair away from your face as he watched your lip quiver.

“Thank you for staying,” you croaked as emotion closed your throat.

Spencer hummed thoughtfully, swiping a rogue tear from your cheek, “You’re not getting rid of me that easily.”

[joelstummy]

Good Neighbors | (joel miller x f!reader) (18+)

Part Three of Four

✧˖°✧˖°✧˖°✧A fic inspired by Fortnight by Taylor Swift✧˖°✧˖°✧˖°✧

Part One | Part Two

summary: your affair with joel heats up with a week of uninterrupted bliss. warnings/tags: [18+ MINORS DNI] no outbreak!au, age gap (joel is 48, reader is 32), joel x ofc (no sexual content), reader x omc (pitiful sexual content), infidelity, daddy!kink, fingering, unprotected PIV, unprotected anal, oral (m! and f!receiving), degradation!kink, praise!kink, brief roleplaying, unashamed sexualization of the term "kiddo", discussions of SA and domestic abuse, marital discussions regarding mismatched desires on having children, reader struggles with body image as a result of her abusive husband, unhealthy/toxic age gap marriage. this chapter is a much needed break from Jack. immersion notes: reader has hair, wears dresses/makeup, and is considered a "trophy wife" type. additionally, reader is specifically implied to be conventionally thin. apologies to anyone for whom this kills immersion for, but it felt very necessary in the context of the story. word count: ~11.6k a/n: wanted to give the lovebirds a little part that's primarily fun times before shit hits the fan <3 So there will be one more chapter!

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