#Walter Smith

[azertyrobaz]

"Wait, "Wild Wild West" has its own line dance?"

[heatherchasesyou]

A buncha silent hill sketches with some song lyrics

[red-pencil]

Walter describes his #AniMonday

This was an early pencil test for Spies In Disguise before we cast Tom Holland, visualizing how well his design worked with the voice. I kinda' liked the funky hairdo of the old design, especially in profile.

[angel-princess-anna]

Tributes to Maggie from the Downton Cast and Crew (Part 2):

Part 1

Hugh Bonneville (in addition to his previous comment):

Elizabeth McGovern:

Joanne Froggatt: "Today we lost a true legend. It’s hard to find the words to pay tribute to the iconic Dame Maggie Smith. I shared a screen with her on very few occasions but was fortunate enough to be in her company on many. She truly was a trailblazer, with the sharpest wit, the greatest talent, the naughtiest sense of humour, she was a force to be reckoned with. She had a charisma that you felt would live for ever (in many ways it will) and underneath all of that a huge heart. Thank you Maggie, for always being supportive and kind to me, for putting many a smile on my face with that sharp wit that no one could match, and for showing the rest of us just how it’s done.

Rest in peace Dame Maggie, my thoughts are with your beautiful family. 🖤"

Lily James:

Tom Cullen: "I remember a very specific part of the conversation Maggie and I were having when this photo was taken. Maggie had been doing a big and challenging scene where she is reunited with her old flame played by Rade Serbedzija. I was stood at the back, out of frame and able to observe these incredible actors at their work. But for whatever reason Maggie felt like she wasn’t getting the scene right. Maggie took the smallest moment, came back and next take, simply, effortlessly, delivered a masterclass. She was extraordinary. The director called “cut” and we moved on. I was spellbound. During our conversation at the window, I asked Maggie what she did in order for her to so swiftly and precisely produce such an elevated performance. I remember her looking me in the eye and saying “Oh darling! I was just holding in a fart!”. I remember us both bursting out laughing. I really wished that she had been just holding in a fart but of course that wasn’t the real truth, the real truth was that she worked tirelessly her entire career to make that scene look easy.

I only worked with her for a short while, but I feel so blessed to have had that experience. She was tough, demanded the best but making Maggie laugh felt like winning the lottery.

My heart goes out to her family, friends, her Downton family and all those she touched with her sharp, agile and acerbic brilliance.

We lost an absolute giant today 💔"

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A post shared by Tom Cullen (@tom_cullen)

Lesley Nicol: "It's a very close group of people so we're all devastated to think she's not around any more.' [...] "I'd never worked with someone of that calibre, and I thought, I don't know what I'll say to her, it will be really tricky, God she'll probably be really grand. She was not looking for anyone to be scared of her, or in awe of her, she just wanted to be in the gang [...] she was in with the crowd, and just very happy to be part of it all."

Jeremy Swift: "An honour to serve you Maggie."

Lady Carnarvon: "I never saw her on set with a little script, she knew it before she got here [to Highclere]. She worked so hard, to get up at silly o' clock... and to wear corsets for hours on end." [Highclere Castle's post]

Harriet Walter: "She was a true comedian, but also I've seen her playing some incredibly heartfelt, deep, sad roles, which is the huge range of an actress like her. If she was merely funny or merely tragic, she wouldn't quite have made that sort of impression."

Anna Mary Scott Robbins: "I C O N 🤍 Oh Maggie you will be missed 💔"

(special thanks to @lovelikewildness for helping to compile)

[deadscell]

[blodhundrr]

apex + text posts pt. 1/?

[miryel89]

Day 27. Pigeon

[beetlejuce]

nine years of WHAT WENT DOWN — released August 28th, 2015 | insp

[demifiendrsa]

Inside Out 2 | Official Trailer

Poster

Synopsis

Disney and Pixar’s “Inside Out 2” returns to the mind of newly minted teenager Riley just as headquarters is undergoing a sudden demolition to make room for something entirely unexpected: new Emotions! Joy, Sadness, Anger, Fear and Disgust, who’ve long been running a successful operation by all accounts, aren’t sure how to feel when Anxiety shows up. And it looks like she’s not alone.

[artystyczny-nieporzadek]

Art Details Series: Afternoon Tea

|| George Dunlop Leslie, Walter Granville-Smith, David Emile Joseph de Noter, John Bagnold Burgess, Valentine Cameron Prinsep, Charles Bittinger, Henry Salem Hubbell, Joseph Caraud, Edward Portielje ||

[haythamkawaii]

old walter/vincent doodles <3 <3

[boonesfarmsangria]

FOALS in Iceland via Jack Bevan

Band Holiday ‘24. Iceland: Reykjavik and Akureyri. Shot on 120, 35mm and phone.

[heatherchasesyou]

i know i'm 2 days late and all that but idc, here's my faves enjoying halloween 💞

BTW shout out to @thecoffeerat for letting me use their vampire Vincent design as ref for him on this piece he looks so fucking cute like this <333

[balladofthe101st]

The Night of the Bayonet

The night was filled with dark and cold

When Sergeant Talbert, the story’s told

Pulled on his poncho and headed out

To check the lines dressed like a Kraut.

Upon a trooper, our hero came

Fast asleep, he called his name

Smith! Oh, Smith! Get up! It’s time

To take your place out on the line.

And Private Smith, so very weary

Cracked an eye all read and bleary

Then grabbed his gun, he did not tarry

Hearing Floyd but seeing Jerry.

Don't! cried Tab, It's me! and yet,

Smith charged, tout suite with bayonet.

He lunged, he thrust, both high and low

And skewered the boy from Kokomo.

[cantsayidont]

August 1984. This won't change anyone's feelings about cult movie perennial THE ADVENTURES OF BUCKAROO BANZAI: ACROSS THE EIGHTH DIMENSION one way or the other, but if you're wondering what the hell the deal is supposed to be with Buckaroo Banzai and his team, the answer is, "It's an obvious pastiche of the pulp hero Doc Savage."

Launched in 1933, Doc Savage was one of the leading adventure heroes of the pulp magazines. Doc (whose full name was Clark Savage Jr.) was scientifically trained from childhood to the peak of human perfection, singularly adept in everything from mechanical engineering to medicine to martial arts. He had a secret headquarters called the Fortress of Solitude and a whole array of specially designed vehicles and equipment, but he was also a public figure, with offices in the Empire State Building. Doc had a team of eccentric, highly specialized aides — Monk Mayfair, Ham Brooks, Renny Renwick, Long Tom Roberts, and Johnny Littlejohn — who each had a particular skill and a couple of distinctive personality traits (for instance, Monk was a skilled industrial chemist, but also an "ape-like" brute with a ferocious temper). They were sometimes aided by Doc's cousin, Pat Savage, who was almost as capable as Doc, although he tried to keep her out of the fray because she was (gasp) a girl.

This was a fairly common pattern for pulp heroes. For instance, the pulp version of the Shadow (who was distinctly different from the radio incarnation) relied on a whole network of agents, some appearing only once or twice, some recurring across many of his published adventures. From a narrative standpoint, the agents and assistants had two principal purposes: The first was to offset the rather overpowered heroes — pulp heroes didn't necessarily have superhuman powers, but even those who didn't tended to be preternaturally skilled at nearly everything, so it was convenient to limit their direct involvement in an adventure to crucial moments, and let the assistants (who could be much more fallible) do much of the legwork. The second object was to beef up the characterization. Doc Savage was morally irreproachable as well as absurdly multi-talented, so there wasn't a lot to be done with him character-wise, while maintaining the mystique of a character like the Shadow required him to remain a fairly closed book.

Although the pulp heroes were a huge influence on early comic book superheroes like Superman and Batman, some of these conventions didn't translate well to other media: In a 13-page comic book story or half-hour radio episode, having too many characters was cumbersome (and expensive, where it meant hiring extra actors), and comic book readers normally expected to follow their four-color heroes quite closely, even before the breathless internal monologue became a genre staple. So, Superman inherited Doc Savage's Fortress of Solitude, but not his "Fabulous Five" assistants, while heroes like Batman and Captain America generally stuck with a single sidekick rather than a team of aides. Even the late Doc Savage pulp adventures (which ended in 1949) de-emphasized the assistants to keep the focus more on Doc himself. Ultimately, the pulp heroes didn't really have the right narrative center of gravity for visual media, which is why they've become relatively obscure, despite repeated revival attempts. The 1975 Doc Savage movie with Ron Ely, for instance, was a notorious commercial flop, and elements like Doc's childishly bickering assistants seemed odd and dated, even taking into account the film's nostalgia-bait '30s period setting.

What BUCKAROO BANZAI tried to do was to bring that old pulp hero formula into the modern era with a big infusion of '80s style and humor. Like Doc Savage, Buckaroo is a wildly gifted polymath (in the opening scenes, he rushes from performing brain surgery to test-driving his Jet Car through a mountain), so famous and important a personage that he puts the president of the United States on hold, and he surrounds himself with an array of brilliant, eccentric aides with silly nicknames who play in his rock band when they're not fighting crime or doing advanced scientific experiments.

Alas, judging by the poor box office returns, general audiences were no more amenable to the '80s version of this formula than they had been to DOC SAVAGE: MAN OF BRONZE nine years earlier, even with the 1984 film's extraordinary cast and memorably witty dialogue. Granted, even many of the movie's most diehard fans are baffled by the convoluted plot — a crucial expository scene where the leader of the Black Lectroids (Rosalind Cash) explains much of what's going on is nigh-incomprehensible without subtitles or closed captioning ��� but beyond that, THE ADVENTURES OF BUCKAROO BANZAI is essentially an extended riff on a particular slice of pop culture that had long since dropped out of the public consciousness, which is both part of its charm and also its commercial undoing, at least as mainstream entertainment.

(Also, if you're wondering, yes, the TOM STRONG series by Alan Moore and Chris Sprouse is also an obvious Doc Savage pastiche, although at least some of its plot and character concepts were probably retoolings of unused ideas from Moore's earlier Maximum Press/Awesome Comics SUPREME series, which was an extended pastiche of the pre-Crisis Superman.)

[deadscell]