#WITH A KIND OF OUTLINE?

[greenbergwrites]

How do you get motivation to write 😭 you’ve have so many amazing bodies of work while I struggle to finish one idea 💀

oh, babe. I have random ideas that I do not develop AT ALL and just write some choice emotional/porn bits for, that's not the same thing as having numerous bodies of work.

And I'm cool with that, because that is literally 100% of the reason I started this blog. I needed to try and teach myself how to write without editing it to death, which was downright fucking terrifying when I first started doing it and only mildly frightens me now.

That's what everything on this blog is, literally unfiltered stream of consciousness, but it's what I needed to learn how to do because I have a well-documented and pathological tendency to just rewrite the same thing over and over again because it's never good enough in my eyes

When it comes to actual finished works, I have very few. FAC is the first big project I took on since I was a teenager and look at it now, absolutely fucking unfinished. The project that will haunt me to the end of time.

But I'm trying to get better. At the beginning of January, I told Ked I wanted to have a writing schedule and because she is an unstoppable force of nature and also a goddamn angel, she agreed to take up the task of herding me.

Most nights at 6:30, I get a message from her that simply says "it's time," and that's my cue to stop whatever I'm doing and try to write something. It was really fucking hard at first, but here we are 7 months in and it's finally getting easier.

The goal we somehow came to is 400 words, which was apparently Terry Pratchett's daily goal. Sometimes it's hard to get there and sometimes it's really easy, but it's doable and that's the important bit.

But sometimes, even though it's doable, I don't get there. Sometimes I've had the shittiest day and even though I want to, my brain just isn't in it. Sometimes I'm so goddamn tired because my anxiety meds fuck with my ability to sleep and sleep aids only help so much.

I hate myself for not being able to commit in those times, because dumbly, I feel like I'm letting Ked down. But Ked never makes me feel like I'm letting her down. She'll just commiserate with me, or if she feels I've gone too long without writing, she'll say, "Just think about the story for 15 minutes and then you've done what you need to for the day."

I think the BIGGEST thing--the thing that honestly has fucking helped more than anything--is through this whole process, Ked has taught me to be kind to myself.

It's not the end of the world if I don't write every day, as long as I don't make it a habit of not writing, and whatever the fuck I manage to do, whether it's a hundred words or a thousand, it's something to celebrate because it's better than continually writing nothing at all

So, like. Just be kind to yourself. If you're not writing, it's for a reason. And if that reason is simply only "I'm out of practice," well then find you a friend like Ked and let them herd you.

That only really works if you're willing to submit to someone else's authority, though, and luckily for everyone involved in my life, I might be a brat, but I'm a people-pleasing brat so I allow myself to be herded most days.

I just, you know. Complain about it loudly, too.

[vaguely-concerned]

can you even imagine what a fucking horror show the early game is from spite's perspective, though. not only is this funky forcibly severed little slip of the fade having to deal with the reverse cosmic horror of physical reality as perceived by a spirit and being trapped in it against its will -- existentially confused and disoriented and hurting and nothing makes any kind of sense, at the mercy of human cruelty at its most deliberately sadistic. and then the one source of comfort and compassion and some kind of safety and clarity that lucanis surely must have been to him in the ossuary despite everything just goes and shuts himself in his room inside with a seemingly passive aggressive number of locks between them and no explanation and won't speak to him and they're STILL in the fucking ossuary. rook came and found them and they could be free now (rook is here!) and still lucanis keeps them in the ossuary even though he PROMISED he promised they'd get out of there together!!! what the fuck DO you think at that point? like did he trick me that whole time??? he wasn't like zara before, so why is he doing this to me now? why isn't he saying anything? 'he won't move. I can't reach him'. at least in the ossuary they had a deal, a goal, a hope -- each other. at least he wasn't entirely alone, before.

this poor poor poor little spite spirit really was ferried into the real world like 'hey welcome to reality! as your first introduction to it you're first getting horrifically tortured and then getting to vicariously experience one of THE most distressing and harrowing psychological conditions the human brain can cook up for itself (a fully fledged and deeply entrenched freeze response flaring up with catastrophic severity due to an unbroken ongoing and unlikely to let up any time soon chain of Unfortunately... Recent Events). I think spite is being extremely reasonable and patient about the whole thing, when you put it into perspective. I'm not saying let him eat the self-lighting candles or anything, but he's got some extremely valid points along the way lol. spite is not only child-like, the metaphor work going on is a lot more pleasingly flexible and complex than that, but he is also helplessly existentially dependent on lucanis in a way that, if anything, is a heightened version of the way a child (or child part) has to depend on a parent to navigate the world and survive.

tl;dr: we truly don't give enough sympathy to spite for having to live in the head of lucanis dellamorte. a place even lucanis dellamorte would prefer not to be. to be fair to him I think lucanis would be the first person to agree with this lol

[sforzesco]

AKHENATEN

uhhh let's see. I combined some sketches I did of Nefertiti and Akhenaten and ended up somewhere here for an Akhenaten design. in my heart, it's for a comic but there's so much visual research I'd have to do before I could even think about approaching a comic. oof.

anyway moving on: Akhenaten was a childhood obsession! and then I moved onto other things, as one does, but then a couple months ago I decided to check out some books and now I have a headache.

Akhenaten, Ronald T. Ridley

[katabay]

bayek, doing some exploring :)

[causticflower]

the wild life!desert duo race/species(?)swap situation that @mambodork pointed out and who's post has inspired this. madness

'sugar plum fairy'/vex grian & parrot/avian scar

(thought of adding their 'lives' on their wings but ehhh idk. too many colors for me)

[soybean-official]

The parts of you that support me

[volivolition]

she's so normal he swears.

[chappellrroan]

save me free now bridge...free now bridge save me...save me

[mizuribbons]

yeah i love wonderlands x show signs of autism 👍👍👍

(yes i know half of them (tsukasa and nene) have a noticeably different art style from the other half (emu and rui), see my tags for explanation)

[bandaidfingers]

Happy Star Wars Day!

I went insane with this Metal Bikini Han Solo collage last month >:o) I’ve doodled him in the infamous metal bikini in the past, but decided it was time I dedicate myself to a real quality illustration of it. Enjoy! Lol

nine bazillion process pics under the cut

[sk3tch404]

Welcome home.

So guys, I used graphic pencils for the first time on one of my art assignments and now....

Just know that ur girl got it 💪🔥

Also dont mind his fuck ass shoes okay

[weisbrot]

the patron saint of the lost causes —

A lil 4am enjoltaire drama for the soul 🙏🏻😌

[thatkoiboi]

//hi hi. just before we embark on this journey, there is a song that just adds a whole new element when i read the comic while listening. it's called "Je te laisserai des mots" by Patrick Watson, if you want! i put links at the bottom of the post O_o//

Same phrase, different contextual meaning... nothing but LOVE

[erinwantstowrite]

Dude, you good, man?

(Though, maybe I should also run off in the woods, so no more college finals)

i was having a bit of a spiral and thinking about my childhood urge to run off into the forest forever but then. my cat screamed at me. and it dawned on me that he would not survive in the forest and we can't be separated so maybe i shouldn't crash out just yet

[puppppppppy]

my brother as a beast

[quadrantadvisor]

Multiverse, Reverse Robins au, 2,514 words

-

Jason (Red Hood)

The imposters are good, Jason will give them that.

They need to work on their looks, unfortunately, because each one of them is a little off. Their Nightwing is too bulky, and his costume isn't made with Dick's flexibility in mind. Besides that, he's got an undercut that doesn't match the shaggy way Dick has his hair now, and his blue is too dark. And the swords. Those are different.

Their little Robin looks more like Dick, actually, Dick as he was before Jason's time, with his happy grin and his bright yellow cape. He doesn't match Damian's style at all, and Jason wonders if their intel was out of date. He tucks away his anger (the way he's used to doing, now) at these bastards roping some little kid into whatever con they're trying to pull. They can help the kid after they subdue him, and he stops trying to flip-kick people in the face.

The Red Robin outfit isn't bad, but the guy playing him is way too tall to be Tim. He doesn't use a bo staff, either, clearly preferring the armory of sharp little implements he keeps tucked away in his utility belt, including a wicked looking combat knife.

Which brings Jason to the current pain in his ass, the idiot trying to pass himself off as the Red Hood.

Yeah, they'd split off into pairs to fight. First off, for practicality's sake. Less risk of friendly fire if the only guy you're trying to punch is the one who isn't you. And secondly, it's just what you do, isn't it? Somebody gives you a set up like this, you go along with the poetic justice. No bat is immune to drama.

Jason is regretting that a bit, now. Fake Hood had taken him for a ride, leading him, he now realizes, far away from the warehouse where Nightwing and Robin had initially called in the disturbance. This other guy isn't the powerhouse that Jason is, but that doesn’t matter if Jason can't ever get in a hit. His movements are precise, deadly, and familiar in a way that makes Jason suspect League training. Jason is keeping up, but barely, and that's with the advantage of his guns. The other guy hasn't touched his, still gleaming red in his holsters, and Jason has a sneaking suspicion that they aren't filled with rubber bullets.

They're at a bit of a stalemate, standing on opposite sides of a dark rooftop, and Jason's trying to catch his breath but he can't relax, not when his gaze is locked onto his opponent, waiting for the minute twitch of muscle that will indicate his next move. He's wondering if he could get a shot off, wondering where to aim, when his comm crackles to life.

“Stand down!” Tim snaps in his ear. “Hood, Wing, the alternates aren't currently a threat. Deescalate however you can, and get back to the warehouse. We can explain this whole mess there.”

“Really?” Nightwing asks. He goes on to say something else, something about his doppleganger being incredibly threatening, thank you very much, but Jason stops listening, because there's something going on across the roof.

A mechanically distorted voice says, “What? No, I'd be able to tell. This guy isn't-” The imposter(?) cuts off suddenly, presumably listening to a response.

And then he… giggles.

“That isn't funny, Red,” he says, in contrast to the little peals of laughter making him subtly shake. “You- you get how fucked up that would be, don't you?”

Jason can't figure out what to do. Tim's intel is almost always good, but he can't get himself to stand down, not when, for some reason, that laughter is setting his teeth on fucking edge.

(He knows the reason. He'd know that cadence anywhere, he hears it in his fucking nightmares, but it isnt possible. He's in Arkham, right now, because Batman won't kill him and Jason isn't allowed to kill him and that uncomfortable truce is what got him his family back. Jason would know if he'd broken out, they wouldn't have kept that from him. They wouldn't.)

“Oh shit,” Tim says, and it makes Jason wonder how he knows, “Hood, is your alternate having some kind of fit right now?”

The sound escalates, from breathy little giggles to screeching laughter, and even with the hood's distortion, it's unmistakable.

It's the Joker's laugh.

It's the Joker.

And isn't this exactly some shit that Joker would pull, making a mockery of Jason's family, a twisted parody that fucks with his head? Tim's lying, he's trying to get Jason out of this situation, and Jason gets why, he does, but obviously the rest of them can't (won't) protect him from this, so if he has to take fate into his own hands, he will.

The green is creeping up, but Jason doesn't let it haze over his vision because he has to be in his right mind while he does this, not for them, for himself. As he stalks across the roof, he empties the clip from one of his guns and pulls out the live rounds, loads them into place.

He thinks Tim is calling for him, maybe the others, too, but the chatter over the comm is getting further away the closer he gets to his target. He should be smart, should take the shot, but maybe he's got more pit in his head than he wants to admit, because Joker, still laughing, pulls a knife, and Jason steps into his range to disarm him.

The strike is fast, but compared to the careful movements of before, he's practically telegraphing his actions. Jason sidesteps, and if the blade knicks him when he twists Joker's arm, he doesn't feel it. He's got the clown in a hold, now, and forces him to his knees with the gun against his temple.

If the hood is anything like his own, the bullet won't do it, not even at point blank range. Jason would like to get it off him, would like to see the life leave his eyes, but he doesn't have to. Jason moves the barrel beneath his chin, right where the armor ends. The pit rages inside of him, says this is too easy, says to make him suffer. Jason pushes it down. This is the compromise he'll make, this is what he'll do to try to maintain both his humanity and his peace of mind. The bullet will ricochet off the hood from the inside, will tear through Joker's brain at least twice, and he'll never come back from that, and Jason will finally be free.

It'll be easy.

This is too easy.

“Nothing to fucking say?” Jason growls, jostling the clown in his grip, because there's always some joke, some shitty twist.

The Joker just laughs.

“Unhand him this instant!” someone snaps, and Jason's finger twitches but somehow the trigger stays still. And now what's he supposed to do, because of course fucking Nightwing- but wait, that isn't- but it is, he's right there- it's both of them, two Nightwings. Fucking fantastic. Twice the guilt trip.

“Come on, Jay,” the Nightwing who's actually Dick pleads, and hey, what the fuck, codenames? In front of the fucking Joker, Dick? “Let him go, we can explain everything.”

“I'm not doing this again!” rips itself from Jason's throat, and he'll think later about just how wrecked he sounds. “I'm not just standing here and letting him go, Wing, not when one bullet can put a stop to all this, not when I can end him.”

“Jason,” Dick says, slow with forced calm, “that's not the Joker.”

“Don't you fucking lie to me!” Jason seethes.

His hand is wrenched to the side, the barrel facing open air, and before he can make a move the unfortunately familiar feeling of a high voltage shock courses through him.

By the time he's stopped seizing, Dick is at his back, supporting him with his own body and with arms under his pits and around his chest in a weird reverse hug. Technically, Jason's hands are free, but they're empty, the gun skidded to somewhere else across the roof.

Dick is murmuring into his ear, “Sorry, Little Wing, I'm so sorry,” and, “You're okay, you're okay, you're okay,” mantras meant to soothe his brother as much as himself. Jason wants to be angry, wants to snap at him to let go and fucking cut it out, but he's feeling strangely disoriented. He only has enough brainspace to pay attention to one thing, and that's the scene playing out in front of him.

Dick had clearly hauled them back a few steps, but Jason is still uncomfortably close to the bastard version of Nightwing (who, Jason realizes in hindsight, had tazed him while he'd been distracted by his brother, not cool) and the laughing maniac he should've killed. Nightwing is holding onto Joker's shoulders, his hands bouncing as the gasping, shrieking laughter continues.

“I'm going to remove your helmet now,” Nightwing says. He has a slight accent that Jason knows he's heard before, and his tone is professional, almost clipped. And yet, somehow, Jason can tell that this is a gentled version of the man's voice, the sharpest edges sanded away. His hands move from Joker's shoulders to the back of his head, carefully inputting whatever sequence allows for safe removal of the hood. Jason hears a hydraulic hiss when some sort of catch releases, and as Nightwing starts pulling the red metal up and away Jason can't help holding his breath.

At first, he sees what he expected to see. It's the Joker's expression, after all, his laughing face pulled into a rictus grin.

But the grin isn't right, somehow. The man is pale, but his face is unpainted, and the smile stretches wide, too wide, wider than even the Joker ever managed, and after a moment Jason recognizes the red, raised scar tissue on either side of his mouth for what it is.

Then, Jason takes in the actual features of the person in front of him. Dark hair, pale blue eyes, the cheeks, the jaw, the nose.

It doesn't make any fucking sense.

The Red Hood, collapsed on his knees in front of him, scarred face bare with no hood or domino to protect him as he struggles under the weight of his own laughter, is Tim Drake.

He's crying.

Jason is suddenly glad that Dick's holding him, because he's certain that he'd be on the ground, otherwise. Then, he realizes that he can't breathe.

Jason knows, logically, that his hood has sensors and filters that keep him safer than he could ever be without it. It is only every once in a while, when something stupid happens, that he regrets that he, a man with claustrophobia, decided to stick his head into a metal bucket.

Dick can probably tell that he's hyperventilating, and doesn't fight him as Jason gets his hands on the back of his neck and pulls off his hood.

Jason gasps in polluted Gotham air, and Tim's eyes snap onto him. Nightwing says, “I'm administering the emergency dose of your medication,” and then stalls, like he's waiting for a response, but all Tim does is laugh and stare. Jason stares back. He can't look away.

Nightwing retrieves a small tubular device, almost like an epipen, and presses it against Tim's leg. That shouldn't work. Tim's wearing body armor, same as the rest of them, and there's no way a needle could pierce it, but Jason looks as Nightwing draws the device away and there's a small raised circle of hard plastic on Tim's thigh that the head of the device fits into perfectly, like it was designed for that purpose. An injection spot, built into Tim's clothing, specifically for whatever drugs fake Nightwing just pumped into him.

Immediately, there's a difference. He doesn't stop laughing, or smiling that horrible fucking smile, but the manic tension is gone. He doesn't look like he'll shatter at a touch anymore, too brittle to be handled. The curve of his spine gentles, muscles no longer pulling it to the point of snapping. Jason watches as slowly, oh so slowly, Tim gets quieter, leans more into Nightwing's hold on him, starts gasping more than laughing.

Dick is talking behind him, into his comm, it sounds like. If it's important, someone will get his attention.

Finally, Tim breaks eye contact. “T- tell him,” he says to Nightwing, struggling between gasps and giggles, “tell him what you, gave me. Jay doesn't, he doesn't like, needles.”

The strange Nightwing turns his head, and Jason gets the impression of a sharp, searching gaze behind his domino. He's nothing like Dick, not at all, but something niggles the back of Jason's mind, some sense of familiarity regardless. He tosses something, and Jason automatically reaches up to catch it.

It's the empty tube of medication, which does seem a lot like an epipen, up close. “It's a combination,” the man says. “The antidote for Joker venom, an antipsychotic, and a mild sedative.”

“What the fuck?” Jason hears from his own mouth as he looks down at the innocuous little tube.

“It's only used in emergencies,” Nightwing adds, and does not clarify any further.

Jason doesn't know what to say to that. He shakes himself out of Dick's hold and grabs an evidence bag out of his jacket. He watches Nightwing, to see if he'll object, but he doesn't. Jason slips the medicine tube inside the bag and tucks it away.

“There you are!” Dick says in a bright tone, one meant to cover his anxiety and relief.

Jason turns, and finds that their roof has gotten a little crowded. All four Robins have arrived, his brothers mingled in with their copies, copies who don't quite match in ways that are now sticking in his brain. Tim, Jason's Tim, is standing right there, pressing his mask against his face like he'd broken the seal on the adhesive, and it isn't sticking quite right. Other than that, he's normal. He's fine.

The Robin, the one in the classic colors who Jason had thought looked a bit like Dick (oh God, could that be-?) gives a little whistle. “Trust Red Hood to cause drama!” he says in a bright tone that is too too familiar (fuck, fuck he is). “Must be a universal constant.” He grins, cheeky, looking past Jason.

Jason isn't processing fast enough to be offended for his own sake, but he turns and checks on Tim, other Tim, the Tim who apparently also has a claim to the Red Hood name. Tim is propped up on Nightwing's shoulder, looking drowsy and relaxed. He's looking back at Robin, and his lips are pressed tightly closed, but he's smiling, and it reaches his eyes.

Alright, then. This is probably fine.

Jason snorts, to get the kid's attention, and rolls his eyes. “Comes with the job description,” he snarks.

The kid lights up. Jason feels distinctly weird, having that smile directed at him, but it's not… bad.

Yeah. This is fine.

-

I'm planning to add a reblog with more information on this au/fic idea, so if you're interested, watch this space.