#WHY HAS THIS BEEN IN MY DRAFTS?!?!?!?

[bibimbinge]

oh .. my .. gawd.... he heard us talk @nagumoshoma

DIDNT WE JUST SAY HES GOTTA COME BACK AND DO THE THING???

HE DID THE THING!!!!!

[hamletthedane]

I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.

What I thought that meant: telling us about unique sculpture materials and paint mixtures.

What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.

What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.

The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.

And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.

But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.

I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.

[pancakemolybdenum]

worlds smuggest tween owning noobs on wizard101

[nohr-selphias]

"I love you, Zevran. I hope you know that."

"Yes... Yes, I know that."

— commission art by @sinizade, posted with permission

[loz-the-noob]

Guess it’s a byproduct of playing the AJ trilogy instead of the original games, but I did NOT know we had official art of the WAA lockers from SoJ??

[chitsangenthusiast]

sokka is notorious for not finishing his tea, especially when in the middle of working

so he never gets to see the bottom of the cup, where zuko likes to give him one of iroh's special sets where 'love' is etched there

[lilybug-02]

Wow. That could not have turned out worse.

Part 23 || First || Previous || Next

--Full Series--

This comic will be on Holiday Hiatus this December and January! While on a cliffhanger? What a scam! >:/

[flickering-nightfall]

Wiggles! Feel free to use them. -Drive link- has alternate versions.

The rest of the slugcats + an alt Moon are under the cut.

[hobermallowed]

[bixels]

The idea that uni protesters are "elitist ivy-league rich kids larping as revolutionaries" on Twitter and Reddit and even here is so fucking funny to me if you actually know anything about the student bodies at these unis. Take it from someone who's going to one of the biggest private unis in the US, 80% of the peers I know are either from the suburbs or an apartment somewhere in America, children of immigrants, or here on a student visa. I've heard about one-percenter students, but I've never met one in person. Like, don't get me wrong, the institution as a whole is still very privileged and white. I've talked with friends and classmates about feeling weird or dissonant being here and coming from such a different background. But in my art program, I see BIPOC, disabled, queer, lower-income students and faculty trying to deconstruct and tear that down and make space every day. So to take a cursory glance at a crowd of student protesters in coalitions that are led by BIPOC & 1st/2nd-gen immigrant students and HQ'd in ethnic housings and student organizations and say, "ah. children of the elite." Get real.

[buglizard]

don't feel sad for him he keeps gnawing on the furniture

[hiros-fr]

son

[manny-jacinto]

DIN DJARIN + 🤨

[luthqrs]

"She's just a kid... what is she trying to prove here?" JENNIFER 'JJ' JAREAU in CRIMINAL MINDS 3x04 | 'Children of the Dark'

[crybaby-bkg]

“I thought I was supposed to be the one worshipping you today,” you say in a gasp, eyes fluttering close as you grip the sink counter tight in front of you. Bakugou only huffs a little laugh, his nails digging into the fat of your ass before he taps his palm against the flesh hard, eliciting a little hiccup from you.

“‘S my birthday, so what I say goes.” he tells you muffled, the vibration of his words making your knees quake. he has to hold you up, but he doesn’t care, finds the weight of you pressing back into him something he can get drunk off of.

he woke up nearly right after you did, trying to squeeze you close to him in bed but you scrambled out of his hold, promising to make him breakfast instead. you hadn’t expected him to follow you, to press you against the sink, to nip at your neck and kiss his way down to where your underwear rested on your hips. hadn’t expected him to drop to his knees, to worship, to kiss, to taste you. hadn’t expected him to lick you so sweetly with such a rough tongue through the fabric, for your arousal to bleed through onto his waiting tongue.

“Better than breakfast,” he mutters against you, thick fingers spreading you wide to get a good look at your winking hole, how it drools down the inside of your legs. he spits on it, diving back in to follow the trail, his lips puckering as if kissing you in such an intimate way, you think your vision goes black for a moment.

“Make me cum,” you whimper to him, his lapping pushing you up onto your toes, your hips digging into the sink counter. you reach a hand back to hold his face still with a grip on ash blond locks, grinding yourself against him until his face becomes sticky, but he grins all the while. rolls his tongue from his mouth, lets you use him because there’s no better present than being able to please you.

it comes out as a gush, your pleasure. sprays all over his mouth and chin and neck, your cries stuttered and high, your eyes clenched shut, your entire body shaking from the stimulation that overtakes you.

“Even better than birthday breakfast.” Bakugou grins, nose slightly scrunching at the tug to his hair when he slurps at your hole that still drips for him, spitting back the contents once more. he doesn’t catch it this time, just watches the thickness of his spit mingle with your pearlescent stained cum, thumbing open your cheeks to watch your hole clench and unclench from the scrutiny, the wetness slipping down your thighs.

he kisses you once more, a smacking sound, humiliating, before letting your cheeks go. not without another smack on the roundness of them, nipping at the red and warmed mark of his palm that he branded on you just moments before.

“A lot fucking better.” he tacks on once more about the stupid breakfast. you glare at him over your shoulder, even though he’s the one who’s keeping you held up right now with his firm grip around your still twitching hips.

“You’re gonna stop shading my cooking, asshole.” you bite at him, unable to hold back a shudder when you catch his devious grin, the bottom half of his face and neck still wet from your squirting.

“You caught that?” he asks with an innocent cock of his head, pressing another innocuous kiss to your warmed flesh. you tug at his hair a little harder this time, knowing it’s something that the birthday boy loves, especially by the way he’s damn near leaked through his white boxers.

“Shit head.” you mumble, but he only grins wider, his eyes flickering with the promise of devouring you whole today. just as a little birthday treat, he supposes.

[zoirohs]

I'm fine. I'm just being dramatic. It’s what I do.

Lauren Graham as Lorelai Gilmore in Gilmore Girls (2000 - 2007)