#WHY GOOD OMENS FANDOM WHY WHAT DID I DO
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weirdly-specific-but-ok · 1 year ago
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a lot of you beautiful but cruel fuckers are like "11. thanks for asking OP we're not ok" yeah see i was a kinder man back then. now i blame you all for the fact that it is nearing the morning and i havent got up from my chair. you better not be okay. sit with me. cry. you cry over good omens, i will cry over the psychological confusion you have caused me. this is my villain arc, you get the privilege of watching it in real time.
good omens but i've never watched it
i've never seen good omens but it's all over my tumblr dash so this is what I've gathered can someone please confirm if i've got it right
there's a demon named crowley
there's a biblically inaccurate angel named aziraphale but like it's very sexy when the demon calls him 'angel'
the demon and angel have been married for 6000 years and they still keep looking at each other all sappily
Neil Gaiman is somehow involved, I think he's the writer but also he's on tumblr (uh, @neil-gaiman) and people keep questioning if he's real
is neil gaiman like a fandom inside joke why is everyone asking if he's real
there actors are called michael and david and amazon prime thought they were the same
there is a bookstore and crowley is sad
they kiss and it is very nice and desperate and crowley says we could have been us. i have no context for this. someone is going to heaven i think.
there is a god, i'm not sure if they're good or evil though
the demon wears sunglasses
it's a comedy but for some reason everyone's crying after whatever the last season was, are you guys okay
things are on fire
they are very gay
there was a book and at one point they switch bodies
more fire and crowley screaming
they are called ineffable husbands i dont know what that means
they fight crime or they do crime or they fight crime by doing crime i really cannot remember which
gay
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beastsovrevelation · 8 months ago
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The Hell now, I'm drooling over the Good Omens version of Archangel Michael, too?..
The tag's about Lady Crowley, not myself, but still...
I mean..
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She does seem like she'd take and rail you.
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libraearthtravelco · 1 year ago
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I just found this randomly and need to share with folks who might also appreciate MICHEAL SHEEN SHARING SOME ICE CREAM!
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i-really-like-phrogs · 1 year ago
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I’ve just finished Good Omens season 2… and I’d like to say…
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*agonizing sounds*
I’m not crying… YOU’RE CRYING
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rimqueen · 2 months ago
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SOFTER, SOFTEST !
ft. curly x fem!reader
tags. piv, body worship sort of, rimming, big dick, tit job for like 2 seconds, creampie, size kink, scent kink, balls…
note. hai.. will get back to leon soon and I think mw fandom is lacking noncon and incest fics severely.. so i will get on that with jimmy. don’t know how to characterise him yet so ooc .. just infatuated with his breasts tbh i don’t know anything works in this universe LMFAO like idk just take this with a grain of salt.. for miss @pupwashing please ignore typos !! unedited :3
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You miss Curly.
You miss him more than you did yesterday, more than an idiot misses the point, like a dick misses a wet pussy–You just miss him.
It has been four months. Twenty-one weeks. One-hundred and forty days. Three-thousand, five-hundred and twenty hours. Too many minutes, a hell of a lot more seconds, the closer he gets the further he seems to be.
Big numbers make it feel like you’re getting nowhere so you cut those twenty-fours into one day. One day and he’ll be home. One day and you’ll be in bed with his stomach crushed against yours, the warmth of his flesh searing yours, fucking him into next year, until he loses his halo.
Videos aren’t enough, photos don’t do him justice, toys don’t live up to the feel of a real dick. You miss that face he makes when he cums - it’s a block away from his crying face. You miss him face down, ass up, punching holes into his dignity one thrust at a time. God, you miss that dick, how he goes red all over, him in nothing but that stupid fucking smile.
One day, you tell yourself in the mirror that morning. One day, you tell yourself when you take your lunch break. One day, one more microwaved meal for one, one more lonely night.
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It used to be a big deal, you think. The whole going to space thing. Curly says it’s no big deal, but you’re pretty sure that in your great-grandpa’s heyday it was impressive. You’ve seen videos of hoards gathering to watch a ship take off, to greet crews when they landed. Today, it’s you and a plump, older woman in her bathrobe waiting in the cold.
You could spot him in any crowd, glowing like a ray of light, mostly because he’s tall, partly because everything fades into abstraction when you notice how tight his uniform is. Good god. Did he get bigger? You’re starting to sweat, it’s hard to focus when your boyfriend is making a long-sleeved jumpsuit look naughty.
Curly’s hair is a little longer, blond curls licking the nape of his neck, falling onto his forehead, his eyes are so bright and his smile is white. He looks like a policeman’s emotional support dog. A really busty support dog. He scans the sad scattering of friends, family and drivers. You’re so taken off guard by the sight of his buttons popping you almost forget to wave at him.
He beams when you spot him, suitcase dragging behind him as he jogs over. Everything is in slow motion. Like that old movie - Baywatch. He’s so excited to see you, taking you into his big arms, shoving your face in his chest like he knows just where you’d like to be. You’re disappointed in your lungs when they beg for air, lifting your head and placing it on his shoulder instead. He smells like sweat, hotel shampoo and something metallic.
“Oh.” You open your eyes and spot Jimmy skulking behind him, an unlit cigarette between his lips. You narrow your eyes at him, and Jimmy does the same. Real shady guy, the type you’d cross the street to avoid. He’s always trailing after Curly like a bad omen. “He can’t come home with us, honey,” you tell him gently, not wanting to sound like a bitch.
Which you are.
You don’t want him smoking in your car, you don’t want Curly to invite him over for takeout because that means it’ll go on for hours and you won’t get your mouth on his big, stupid dick for another day.
“Hm? Why not?” Curly asks, pressing a kiss into your hairline, the tip of his nose bumping yours tenderly.
“I don’t have space in my car for both of you and the luggage, she’s small. What if she tips over? You’re heavy enough as it is.” You smile at him, cheekily, giving his newfound hips a squeeze. They’ve always been there, but now they’re like wow. It’s only been four months, is he on steroids? Did he get pregnant? He is glowing… God knows what’s up there in the atmosphere, some cosmic horror waiting to knock up your poor boyfriend.
Curly shrugs, offering an apologetic smile to his friend. “You heard the lady.”
Jimmy’s permanent scowl seems to deepen, cementing itself in his dermal layer. “Whatever, man.” He shoves his hands into his pockets, shoulders slumped as he makes a beeline for the phonebox.
He lifts his suitcase and loads it into your car and you watch his biceps flex. You see through his clothes, you remember every freckle on his back, mapping them out like stars, leading to those dimples low on his back, the perfect resting spot for your thumbs when you grab his ass. His body is so convenient. Like he was made to be fucked every which way.
“I missed you, I thought about you everyday,” he says against your lips, leaning in to kiss you over the gearshift. “I put your picture in the cockpit actually, Jim didn’t like it, but it kept me going.”
Always so earnest. You almost feel bad for missing his body more than him.
“Aww, Curly, honey,” you coo, pinching his cheek and cupping the other, “I missed you even more.” He nuzzles into your hand, eyes closed as you comb your fingers through his messy hair.
As much as you would like to indulge his sentimentality, you have no patience to spare. If you sit here any longer, you’re going to soak through your jeans and onto your leather seat.
You put the car in drive—
“Captain? Open up!” There’s a younger man knocking on the window, leaving his grubby handprints behind. “I wanted you to meet my mom!” His voice is muffled through the glass.
You lock the windows.
“Did you lock the windows?” Curly asks, lips downturned like he’s about to pout.
You unlock the windows.
“Of course not, baby.” You pat his head and grit your teeth.
They talk for fifteen whole minutes.
Thank you for taking care of him, he can be such a handful—Oh no, not at all, he was a joy to have—I’m glad he came back in one piece—He’s a good kid—Oh, I don’t know about that—Mooom—I’d be happy to have him back for our next long haul—Seriously, Captain?—
You squirm in place, shifting from side to side, thighs pressed together as your panties stick to your core. When Curly introduces you to his crew mate, you offer a strained smile and nothing more.
The window whirs shut. You make it home in record breaking time with four tickets and only a few points taken off your license. It doesn’t matter. You’re home, inside with the curtains drawn and Curly still has clothes on.
That’s not right.
“Take it off.”
“Huh?” Curly pushes his luggage into the corner, the top few buttons of his jumpsuit have come undone and you see the tuft of blond hair on his chest.
“Take it off, please?”
“My clothes?”
“No, your wig, baby.”
He laughs, good-natured, mild-mannered, and so fucking hot.
If he won’t do it then you will.
“I haven’t even showered—“ He starts, but you shush him with a kiss, murmuring a ‘good’ against his pink mouth.
When you part, spit keeps your lips connected, the string of fate or whatever. You go in for another, hands fisting the fabric of his collar, forcing him down towards you. Curly lets out a keening noise somewhere in the back of his throat like a dog scratching at the bathroom door.
“I know, my baby, I’ll give it to you.” You pout at him, thumbing his kiss-swollen lips and watching his eyes droop. “Oh no…” The buttons on his uniform when you try to open them.
“It’s okay,” he mumbles through a mouthful of his own spit, “cheap stuff.”
“I know, but you looked so good in it.” It’s a shame, but you need to see him bare, sweat as his only accessory.
“You think?” He near bats his lashes at you, stepping out of his uniform, and you swoon.
“God, yeah.” You push him down on the couch, Curly falls back with a soft grunt. It’s not very big, especially for a man of his size, but it’ll do for now.
His cock swells in his boxers, you feel it beneath you as you sit atop him, admiring the view below. The wide expanse of his chest, the sweat pooling in his collarbones, those tits. You don’t know what else they could be.
“Wow.” You take a handful of his chest, plucking his puffy pink nipple. “Look at these, I might have some competition.”
“Shut it,” he huffs out a laugh through his nose, and the tips of ears redden.
“I’m serious, baby, you’re, like, huge.” You can’t tear your eyes away from his soft flesh, moulding beneath your fingertips like dough, you could fuck them if you really wanted. “What happened out there?”
“Had a lot of spare time, I guess.” Curly smiles sheepishly, expression contorting when you bend your neck to suck his nipple into your mouth with a wet pop! His jaw slackens, and his cock jumps like it’s been given quite the fright.
You only have one complaint. His tan lines have faded. Floating through the galaxy for months on end can do that to you. You miss them, but you missed Curly more, so you’ll make do with what you have.
And you have more than enough. More than you can handle really. You can’t even get a grasp on his bicep, he’s stupidly big and your hand is on the smaller side.
You shift backwards, wet cunt dragging over his impossibly big bulge where only his underwear keeps you from him - you kind of admire your pussy for being able to take it. Your mouth moves on, hands still groping as much as you can of his chest as you lick the ridges of his stomach, it’s like he’s forged out of marble.
Softly, Curly rubs the back of your head, trying his very best to keep his eyes on you and not let them fall shut. You feel his stomach muscles rippling under your tongue. They contract when you trace around his navel, placing a sloppy kiss just below it, where a patch of curly hair leads to his wet cock.
His cock is drooling through the white fabric of his boxers, they’re soaked enough to be see-through, you spot the fat, pink head that has been missing your kisses. “You’re so wet, baby, is it all for me?”
With a pitiful noise, he tosses his head back and nods sadly. It’s funny to hear a man of his stature whine, but it suits Curly so well.
Your fingers hook in the waistband, tugging his underwear downwards until his fat cock springs out, it’s so fucking fat it weighs itself down. The leaky head twitches, pre dripping down his thick shaft, leaving a moonlit trail to his heavy balls. So full of seed they might burst.
“Oh… Poor baby.” You give them a gentle squeeze, and Curly’s eyes roll back into his skull, hips jolting upwards.
The urge to take it into your mouth right then and there is tempting, you hold back, you want to take your time with him. Make him feel special. You seat yourself between his thighs, one leg thrown over your shoulder so it’s easier to fit on the sofa. Your thumb runs along his pink slit, dribbling out pearly strands of pre that web between your fingers. Curly whimpers, biting down on his fist.
“These are cute.” You take note of his meaty thighs, how they’ve only gotten bigger, a comfier place to sit. The stretch marks don’t go unnoticed, streaking purple and pink along the milky flesh of his inner thighs like faded brushstrokes.
“Mmmph.” He blinks at you, pouty, lashes wet with impatient tears.
“Yeah, mmmph, I know, baby, be patient.” You’re a big, fat hypocrite.
His scent is stronger down here, clean and soapy, but the tang of sweat prospers, and the underlying smell of him. The smell of his pillow, the smell of his few-days old clothes, the smell of his towel after he works out.
A few more kisses here and there, using the flat of your tongue to lave over strips of his sinewy skin, leaving him spit-slicked and breathless and flushed. You hoist his other leg over your shoulder, he’s heavy, but you’re horny and it’s given you a sudden burst of vitality.
“Fuck,” he gasps out, gripping the top of the couch, one arm over his face as you lick up the seam of his balls, mouth latching to the swollen underside, where they feel heaviest.
Curly’s cock leaks into your hair, the weight brings it down to rest on your face, tip pressed into your hairline, dripping down the bridge of your nose like sweat while you make a mess of his balls. Stuffing them into your mouth one at a time, using your hand to give the lonelier one a squeeze when your lips are kissing up on another.
The kiss to his perineum is enough to make him moan. Curly knows what’s coming. You go lower, nose nestled into his balls, breathing him while your hands spread his ass cheeks apart to get to the spot you love most.
Curly’s hole is darker than the rest of him, not quite pink like his cock, ruddier. He’s tight and he smells good. So good. You’ve never minded the hair, you think it’s pretty cute. Curtains match the drapes.
Affectionately, you kiss his puffy rim, and it throbs.
He lets out a groan that is half mortified and half ready-to-blow-his-load.
“Sure,” Curly says, voice breaking as you circle his hole with the tip of your tongue. He tastes like him, musky and sweet and coppery. Curly is home and your tongue is in his ass where it belongs, wriggling its way past his pulsing rim, hopefully all the way up into his heart.
Your thumb and middle finger stretch to meet around the girth of his cock, stroking him slowly as you work open his asshole, tongue pushing back in when he pushes you out. Once you deem him wet enough, you push a single finger knuckle-deep and he cries out, hips bucking up off the couch.
Much to his dismay, which he shows in the form of a pained whimper, your hand leaves his cock to splay over his stomach and hold him down to the best of your abilities. “You have to stay still, honey.”
You feed a second finger into him, his hole squelching as you curl them inside of him. Curly clenches tight enough to cut off your blood circulation, sucking you back in when you ultimately pull them out with a lewd noise. He opens his mouth on instinct, pupils so blown out his light eyes seem dark, you push your fingers down his throat and he sucks.
“You’re so cute,” you mumble, watching him intently, he’s like a pin-up model of some sort. An X-rated action figure. “Taste good?”
“Not really,” Curly says. He’s so honest it makes you laugh. He shuffles back to rest his head on the arm of the couch, cock bobbing, still leaking like nobody’s business, leaving little droplets of wet in its wake.
It’s ready to burst, but you’re not done with him yet. You haven’t had your fill. When you spend half your time with your head between his thighs, you miss out on all the faces he pulls. So you spit on your tits to get them wet, his cock is slick enough, nothing should chafe when you squeeze his cock between them.
“Christ,” Curly grits out, brows knitting together, the second coming and he hasn’t even had his first.
“You wanna cum like this?” You ask, kneading your tits on either side of his cock, each time the tip pops up past your cleavage, it bumps your chin and leaves it slick.
“No…” He shakes his head, curls bouncing, sticking to his forehead, the hair near his nose is curlier with the added sweat. “Inside.”
“I can do that for you, babe.” You smile at him, acting like that wasn’t your plan in the first place, like you haven’t been dying for a warm creampie since he landed back on earth. You give the fat head of his dick one sloppy kiss, making sure to tongue his slit before you clamber on top of him.
It should be an easy task to get him inside, you’ve been wet for the last twenty-four hours, your pussy is throbbing like it’s got a heartbeat. Slick dries on your inner thighs and your clit is buzzing, a rush of arousal passes over you like a cold wave when you lift your hips to guide his dick into you.
Oh. Wow. That’s a stretch. 
In theory, you know big Curly’s dick is. It’s a fucking horsecock, and you have eyes bigger than your stomach. You always overestimate yourself. You think you’re gonna be just fine, then his fat tip breaches your little hole, no matter how wet, and you lose it, scrambling to grasp his shoulders as your body is racked with shivers.
Curly’s kind enough to steady you, big hands finding purchase on your hips. His needy noises get through to you, and you push on, sliding down and taking him to the hilt. His dick curves upwards into your cervix, rubbing the fleshy opening as you adjust to his dick after four whole months of nothing worthwhile.
He’s so big. You’re so wet, slippery pussy slicking up his cock, and making things easier for the both of you.
“I love you.” Curly shudders, looking right into your eyes like he’s afraid to blink and miss a single thing.
“I love you too,” you tell him, eyes on his tits.
He’s so deep, feet planted on the couch as he fucks into you, unable to help himself. You get it. You’re tight, warm, and wet. Better than his fist. Your pussy is noisy, squelching each time you bottom you, grinding your clit into his pelvis, feeling his cock twitch each time you tighten around him. The plap of his balls hitting your ass when enough momentum is built up.
Curly’s helpful, when he sees you tense up, throwing your head back and rolling your hips over and over, you want him deeper and deeper, he wets his fingers with your slick and rubs figure eights into your clit.
It’s just enough to make your toes curl—Oh, who are you kidding? You near blackout when you cum, moaning so loud you scare yourself. You see black. Like someone’s drawn the curtains in your mind, ending the show. Your nails dig into his skin, but he’s always put up with that like a champ.
“Holy fuck.” Shaking still, you blink to clear your vision, you’ve wet his navel and his tummy and the couch might be ruined. You don’t even remember when he came inside you. What a shame. Feels good though, still warm. Sighing, you lay against his chest, Curly’s soft cock slips out of your hole, resting on his thigh. “Welcome home, Captain.”
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gentlemanjuniper · 3 months ago
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If I could inject just a little positivity to the news...
Season 2 has a lot of filler and stretches out a pretty simple mystery to six episodes. That's the appeal to some, I get it. But tightness and focus was not its strong suit. I remember feeling like it wasted a ton of time on side characters and it's possible shaving the story down to 90 minutes will skim things down to its most essential beats and be stronger for it. Basically, S2 got a lot of time given to it, and this is obviously my personal opinion but I don't think it used all of it well. I think S2 itself could have been half the length simply by employing more efficient storytelling and we'd not mourn too much.
A lot of S2's weaker plotlines feel built around people that Neil wanted to work with again, with so many recurring actors (I'm thinking of the zombies specifically, when that minisode could have easily been tighter without them). A lot of s2 to me feels like Neil just making work for the people he likes and wants to work with and a movie has to be more accountable to things like that.
Lots of entire fandoms exist around single movies. 90 minutes is not nothing. It's enough for many, many films to tell a complete story with cute character interactions and satisfying emotional arcs, especially when A&C are the only real significant connecting threads between both seasons thus far.
I don't think there are as many loose threads that absolutely need resolving as people may be thinking. Would I like to know why Aziraphale did the '40s apology dance? Would I like to see his bookshop gun? Sure. Are either of those necessarily essential to closing out the story? I don't think so. Really, what needs resolving is the second coming and, directly connected to that, Aziraphale and Crowley's rift. To me, not knowing the story obviously, that seems super reasonable to do in 90 minutes?
I don't think anyone involved in the final season can possibly be blind to the appeal of the show being Aziraphale and Crowley over anything else. That's certainly the reason why their roles were expanded to begin with from the book and why the second season was, nominally, all about them. They also now have to pay MS and DT for appearing in a movie rather than an ensemble show, there's no way they won't be front and center. Amazon wants a show that will make money and market itself; there's a reason why all the promo material for S2 was of Crowley and Aziraphale, because people engage with that stuff, reblog it, make art that promotes the show, etc. It makes no artistic or financial sense to make a movie that sidelines them.
GO is at its best when it has Terry's voice most strongly in it. That's why to me, S2 was a weaker, more meandering season overall (that, and I think the minisodes, while fun, just make the season feel comprised of different voices not always working in tandem towards a common goal). If I was a writer hired to condense a season into a film, and one of the authors had been rightfully disgraced, I would go out of my way to ensure the clearly Terry stuff is most significantly emphasized. It's telling to me that the Pratchett estate is producing and it's possible that the end result will result in more Terry, less Neil.
Think of it this way: everything we've gotten after S1 has always been extra. Imagine telling a fan of the book in the 90s that not only will you get a six episode adaptation, you also get a totally new second season, AND a movie?
Basically: I know this is disappointing but I think a lot of the pleasure of the Good Omens fandom was ALWAYS people picking up on and expanding on details, and y'all managed to do that just fine when A&C were only ensemble members in S1. You can and will do that with a movie too. And this solution both a) ensures first and foremost that Neil won't be involved or the allegations swept under the rug, and b) gives an opportunity for the heart of the story to be emphasized with greater focus, clarity and less filler.
Will we lose good stuff? Probably. But it's also possible we will get a tighter, more condensed, focused version of the best bits, the Terry Pratchett-est bits. I can easily see a 90 minute movie that, knowing they HAVE to focus on the important stuff now, is more Crowley and Aziraphale centric than ever.
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neil-gaiman · 9 months ago
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Hi Neil.
I know you are flooded with asks and this somehow became extremely long. Too long. “Why am I suddenly telling this poor man my life story?” too long. “I think I’d rather he work on the GO3 script than read this wild beast” too long. “He’s going to think you’re criminally dangerously insane” too long. If you never get to it, I’m good with never seeing a response from you. Maybe it’s better that way? Maybe an anon would have been nice here. But, it’s 2024, so I say “we ball.” It’s a privilege to be able to send this to you at all. You get a lot to this effect and I hope they give you good feels, so maybe what’s the harm, yeah? Because this is not an ask. This is a thank you letter.
First, thanks for reblogging my therapist post, I hope it amused you. I nearly sent you “How am i supposed to explain this to my therapist?!” But refrained. At that time.
So, therapy. What is therapy really? Well…
Things have been really rotten for as long as I can remember. Bad health, bad doctors, bad relationships, bad coping mechanisms, bad all kinds of things. (Yeah, bad is a weak and unhelpful word, my therapist reminds me, but we’re doing this.)
Well, things got even more really really rotten and BAD these last few years. Health declined further, coping mechanisms declined further and more intensely, packed up my life, applied for disability, moved back in with my parents across the country.
Then 4 years ago last week I watched my fiance die of a sudden heart attack. I was 29. Two years later my best friend died. Then last summer I sauntered vaguely into a cancer scare. Not long before an operation my cat who has been my companion through so much garbage died as well. I’m not entirely in the clear on the cancer scare front. All my attempts at going back to work, volunteering, going to grad school - they collapsed on me because I couldn’t get through this STUFF.
(Sometimes when I talk about this, when I tell people, I think “they are going to think you are a raging pathological liar.” Because I’m not sure I would believe someone if they told me all of this happened to them. In such a short time period. All before they were 35. And hell if that hasn’t been isolating. You know how it sounds? Lonely. And it is.)
I did the hypervigilant and sensation/experience chasing stage of PTSD. It got me in a lot of trouble in all kinds of ways. I had to do a lot of medical and psych advocating because things kept getting worse. That was exhausting. Then that peaked. I went into the thick of the “I feel absolutely nothing” stage for a long time. I didn’t feel fatigue or hunger or thirst. Not people, feelings, a reason. Not hope.
But of course, like seems be for a lot of us, I somehow found Good Omens at just the right time. I was a very “I’m so cool and intellectual I mostly consume non-fiction media” person for too long. Like, what? How is that even a real thing? And it wasn’t real. It was just part of this curated autism mask that I don’t think anyone really bought anyway.
I think I got to a point where I’d just had too much reality. I needed fantasy. I didn’t realize I always needed it. But I denied myself for too many odd and painful reasons. Maybe I thought it was an escape I didn’t deserve.
But as it turns out, it wasn’t an escape. I watched both seasons last fall, and then this light came on. I watched it again and again.
I came to tumblr because I needed more. I found this fandom. I stepped into this beautiful world of fanart and fanfiction and brain flexing meta writing and a sense of community and wonder that you and Terry created - that everyone involved in the show inflated - exploded in the right way - like fireworks if fireworks were some kind of autocatalytic reaction - a self perpetuating force.
It’s not a “saved my life” feeling. Not a “getting my life back” feeling. It’s been a “maybe it’s time for you to have the life you’ve always been denied - that you’ve denied yourself” feeling.
I’m creating. I’m not “great” yet. Not terribly “good” at all. Maybe “behind” as far as the “proper” timeline for starting. I know there isn’t one, not really, but boy does that society machine make ya feel like there is. And sure, I started and stopped a lot in the past. But the second it got hard I always gave up. I felt like if I didn’t get it “right” to begin with, then I just didn’t have it in me at all. But for once I’m really in it. I’m writing and trying to draw things that look less like fever dream five year old drawings. (Not that there’s anything wrong with those, is there? 🙃) I’m eating better. I’m sleeping better. I reach out to old friends more. I’ve made new friends who share this love of Good Omens.
My therapist has been floored by the change in me. After that first funny mini flop, he has been so encouraging about it. I saw him this week and I said “Maybe this is helping me get prepared to start living again. Maybe it’s a springboard.” And he honest to god said “But You ARE living. This is YOU LIVING. Why does it have to be a springboard? Why do you have to turn this into ‘work?’ Just let yourself have this for once in your life.”
But there were two more added elements that made it all work. And I can’t help but think this whole brainrot thing wouldn’t have happened without them. So many things just happened all at just the right time - a proper coincidence.
In all of the madness of the last few years I finally got the memo that I'm autistic. i figured I was for a while. But it finally sunk in for me and my docs and my people. So I’d been working on unpacking that. Grieving the life that could have been entirely different, shedding the mask. I let myself hyperfixate openly instead of hiding it and hating myself for “spiralling” or “obsessing” like others -!like ‘I’ always punished myself for before we knew that it was a trait and not a personality flaw.
Then over the last few months my therapist and I started trying this new exercise. One session he stopped me and said “in the last 20 minutes you have responded to what I’ve said with 9 ‘I knows.’” My response to that? “Ugh, I know.” So we started this “I know” swear jar type situation. Really, I’ve been afraid of not knowing. I couldn’t let myself “not know.” Because it meant I was “dumb.” I was just drowning for so long in guilt and self loathing for the “I knew better and screwed up anyway.” Or “I should’ve known better - I should know that by now.”
As it turns out, there’s a lot of things I don’t know. That I didn’t know. Things I will never know. And refusing to admit all of that kept me from learning a damn thing. Kept me from asking questions. Kept me from trying new things because it was scary to do something new - something unknown - and I "knew" how it would all turn out anyway. Kept me from connecting with people because it was painful or embarrassing when they knew things I didn’t and it seemed like I already should have. Kept me from getting better at making art, music, writing. Kept me from forgiving myself. Kept me from growing. And kept me from moving forward. Maybe not on. I don’t know if we ever “move on” from things. But we can move forward as we carry them. And as we do, the weight gets less. We’re able to carry it better. But only if we can admit that we don’t know how. Only if we don’t treat ourselves like this is something we do know or should know and we’re just failing because we’re less than. Not good enough. Not strong enough. Not deserving. We have to be able to say “I don’t know how to do this.” And then we can start looking for the answers. We can ask. We can learn.
I thought about the apple. Being able to tell the difference between good and evil. Aziraphale’s years and years of watching what he “knows” to be true be proven wrong. Crowley’s need to ask questions…
The simple and enormous gift of “Knowledge.” The “Knowledge” of the difference between Good and Evil. The “Knowledge” that can only be gained by realizing, accepting, admitting that there are things we don’t know. Asking the questions. Sometimes we get answers we don’t like. Sometimes the consequences of asking hurt us. And unless you want to stay in that painful place that painful knowledge got you, well, you’ve got to let yourself learn how to get out.
So all of this good? I never expected this. I never thought I deserved it. Joy and belonging and this sense that “Yeah, maybe things can get better. Maybe things can be good.” Because I said those things, not truly believing them, to the people I thought needed to hear it. But it couldn’t save them. It was hollow. The proof for us wasn’t really in our orbit or on our radar at the time. And now they’re gone.
People always say “it’s never too late.”
One of the people I lost said “it’s later than you think.”
I jokingly would respond “it’s already too late.”
It was for him in the end. For them. For some people I guess it really is. But maybe a lot of the “too late” people are there because they think “they know” that things will never be good for them. So they stop looking, they stop asking, stop finding. And eventually they just stop.
Then there came Crowley’s “It’s always too late.” The first time I heard it I thought “For sure, Crowley-cakes, I KNOW.”
But then…I just needed to rewatch the whole thing. And lines like that…familiar things…familiar themes…I was suddenly identifying with these characters. I suddenly saw myself. And the realization hit - I connected with something! Something new. And I FELT THAT. And that tiny little crack that made in the wall was just enough to start breaking it down. Yeah, when you start letting yourself feel after not feeling for so long, opening up to the good feelings means opening up to feelings and then the bad ones come out too. But when there IS good … it helps you balance. You can deal with the bad a little better because you’ve got the good thing to lean against when it gets too much. And now you’ve got feelings. You’ve got good and bad. You’ve got sticky foggy grey. You’ve got life.
Whew.
So, TLDR, thank you. From the bottom of my slowly healing heart, thank you.
And to sign off with some shits and giggles… I couldn’t find this in existence as a sticker so I had to custom order. Perhaps this will spread misery and panic among the humans of my city - or at least a malignant and creepy sense of unease.
Or maybe they’ll say “wtf” and go home and google it and they’ll fall into the Good Omens hole they never knew they needed too.
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Thank you for this. I never quite know what to say to messages like this apart from I am really glad that it helps. (It becomes the weird extra piece that I worry about when writing season 3 -- hoping that it will be that thing again. Not just a story, but something that helps people feel and helps with healing and helps with love.)
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avoicebehindthestars · 6 months ago
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About bootlegging Good Omens...
I don't have the ranges to reach a lot of people, but I'm going to say this nonetheless.
If you feel like you can't bare anything that NG has ever created, you don't want to hear about Good Omens, Sandman, Coraline etc. ever again, that's perfectly fine and a decision to be respected. Quite frankly, I've found myself feeling uneasy while I tried to read Sandman recently because I can't stop perceiving it through what I found out about the author. Hell, even the sex scene in Stardust doesn't sit right with me anymore...
BUT
If you are still a fan of any of Neil's ongoing franchise (GO, Sandman, DBD, Anansi Boys) and choosing to bootleg them just to "punish" him - think again. Neil's current net worth is $18M. Even if he doesn't ever earn another penny, he can spend up to $0.5M a year and live to be nearly a hundred without a care in the world.
What you'll actually be doing is informing the streaming networks (Prime and Netflix) that Neil's franchise isn't worth investing in anymore. And, as a result, you guessed it - the shows you still love WILL get CANCELLED. Make no mistake, just because Prime has greenlit Good Omens s3 doesn't mean that can't pull out on a whim.
Neil hates showrunning, he said as much himself. He's only persevering on Good Omens because he'd made a promise to Pratchett. So let me say it again: by bootlegging, you won't be punishing Neil. You'll be punishing YOURSELVES by literally telling the networks to cancel the show, because they won't get any money out of it. Or, if not cancel - limit the investment, as they did with GO s2, which will result in shorter episodes (in case of GO right now we're looking at 6x45m... would you rather get 6x30m instead?), fewer extras, lower budget on CGI and sets, and overall poorer quality.
In other words - you'll be cutting multiple artists' income. I'm not talking about top-tier actors like MS or DT - they'll do all right either way (although MS will mostly likely be heartbroken, as we know how much he loves Good Omens). I'm talking about all the extras and less known actors who perform minor roles! I'm talking about everyone involved in the production - in making of the sets, in creating the special effects, hell, in carrying equipment and pouring coffee! Those are the people you'll be punishing.
Seriously, aside from his promise to Terry, I'm convinced Neil couldn't care less. Otherwise why would he be so adamant about wrapping it up in just 3 seasons when it's winning distinction after distinction?
Last but not least, watching Good Omens legally and buying franchise doesn't harm the victims. If Neil really committed the atrocities he's accussed of, he'll be punished by the court! Punishing Neil isn't your responsibility!
So before you make a decision, please remember:
if the show you bootleg is cancelled as a result, you will have punished: yourself, the fandom, all the artists and people involved in the production
punishing Neil is NOT your responsibility
wanting the networks to continue the franchise you like doesn't harm the victims
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ilomilodailystuff · 6 months ago
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Okay. I see the fandom panicking and even starting to destroy itself...
For the ones who still love GO and would continue to love it as they always did but is judged because of ONE☝️ person's actions that might or might not be true, know you're safe here and I wouldn't judge you for loving GO despite Neil's accusations.
Because you gotta keep in mind that this show AND book are also Terry's. And you have to keep in mind that Neil wasn't alone in that project. Think about all the people that worked on the show, whether it's the crew or the actors. They're absolutely innocent, so why would you spit on their work as if they were guilty too ? Of course none of them would support Neil's actions if it's true, that doesn't mean we have to throw every poster or book or drawing or delete every fanfic or even stop writing fanfic because of this as if everyone were in the same boat.
These accusations are about Neil and Neil only and I would find it kinda sad that this story would be thrown away despite Terry had worked on it too, despite it also was in his memory. Ofc, if it's true, it's obvious Terry wouldn't be okay with it either but does that mean a story fully achieved and their characters have to be condemned with Gaiman ? Mostly when now, a lot of illustrators, writers and animators made it their own ? Mostly when it somehow saved many people's lives ? Mostly when this book or show had made people laugh and cry ?
This fandom is stronger than that.
Let's not mix everything.
Would you find it appropriate to talk about GO to the victims ? Obviously, no. For the sole reason that it's not. the same. thing. We have to put things back in their places. GO is GO, harassment and s*xual aggression are what they are. And it would be incredibly disrespectful to mix both.
So, my point is. Don't be ashamed to love GO despite what's happening. Don't feel guilty for supporting a show while you don't support the author. Don't let the fandom die because of one person's actions when there's so many people who worked on it almost just as much. I understand you're upset, I understand you'd think it might be hypocritical to love a show with the creator being accused of horrible things. But make the difference.
And I can assure you, if Neil is not guilty (and if he is, I hope the victims will get justice and Neil will have what he deserves) I'm pretty sure that he's not thinking about Good Omens at all right now, but just thinking about sorting this out and clearing his name as every innocent person would need to do so.
So, whether the truth is hurtful or a relief, let's keep the GO fandom going. For if it's hurtful, we will make Terry's story alive for his and many people's sake, and if it's a relief, we would have been doing things right by not jumping into conclusions.
Either way, you're welcome here and you're safe with me. Keep loving. Spread some joy. Don't let Neil's possible actions stain a wonderful story that is not only his own ❤️
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variousqueerthings · 1 year ago
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okay I watched good omens s2 yesterday with my partner, and I was genuinely very surprised -- I think if you've grown up through superwholock/merlin/the 100/teen wolf type shows where (with the exception periodically of doctor who) you kind of had to make up the good show that something could have been in your head, that colours a lot of your viewing, and to be honest I thought season 1 of good omens was a fine little piece, honoured the book while modernising it somewhat, it was a nice, fun, low stakes time, with a couple of things I might have wanted a tad different but nothing overall awful.
so I was seeing all this meta and gifsets and discussion, while I was waiting to give s2 a watch with my partner and thought "ah, people have made up the good show in their heads again" not that I assumed s2 was going to be a bad show, but that people were taking extra deep plunges into possibilities, the way fandom does, and that was fine. I knew there was a big ol kiss, I had a sense of some kind of argument at the end, and that it was setting up a s3
I also knew that mainstream reviews were calling it (politely) self-indulgent and dependent on whether or not you enjoy david tennant and michael sheen having a good time for just under 6 hours
all in all, expectations of a somewhat mainstream show without too much to think about, a nice, fun low stakes time, moving on...
(EDIT: AND THEN I WROTE A LOT OF WORDS SO YOU CAN IMAGINE THAT MY REACTION WAS QUITE DIFFERENT)
as it turns out it seems these things that were being written on tumblr were discussing the actual text of the show and not things you could extrapolate if you squinted and tilted your head a little to the left as I'm so used to doing, so in fact there is much to think about!
and my first thought was "this is like when you read early discworld books that ask a question like a joke, only to find that over time the answer to that question becomes very serious (and also can be funny at times of course)." how terry pratchett would pick and pick at tropes and notions and social ideas and go "oh now hold on, this seems strange..." starting way back when he thought it was odd that women warriors always seemed to be dressed in metal bikinis and then realising he hadn't done a good enough job of subverting the trope, simply by depicting it and calling it a bit silly
why do goblins always get treated as the villains? what's with this divine succession of kings business? where are the female dwarfs? who do we treat as disposable?
good omens season one went: "haha what if heaven and hell were intensely incapable, bureaucratic, corrupt, and uncaring of the work they did, and we took an angel and a demon and had them actually care? wouldn't that be... a bit silly?" (and it was)
good omens season two went: "what are the consequences for caring when the people who have power over you are incapable, bureaucratic, corrupt, and uncaring? what are the forces that supersede systems built on fear, ignorance, and violent conformity? can people change and break out of/challenge/break down these structures by caring?"
and this was set up with a neat little sleight of hand (to reference aziraphale's switch-and-bait in the episode with the nazi zombies), because the majority of season 2 does feel a bit indulgent: hey, remember those two wacky angel-and-demon characters? watch some more wacky things they did through the ages, watch them take a sojourn through 1827 Edinburgh and do a magic show during the Blitz, and... stop the death of Job's and Sitis' children (actually maybe that whole segment ought to have been what they call "A Clue")
see them try to figure out a kooky mystery, all the while setting up a cute little same-gender romance on their street. watch as everything points towards a happy ending that's all about the two of them realising what they've been to one another all these thousands and thousands (and thousands and thousands) of years- but hold on. lest we forget - and the show has made this point over and over - there are powerful people who control them, who hurt them, and who plan on hurting others, throughout the whole season, and as it turns out they know what they've been to one another for far far longer, and know how to pull their strings...
season 2 then, has to show us these things, not because they're indulgent (well, maybe occasionally, but the apology dance is still important), but because in order to make the ending a tragedy, we first need to understand, properly, the impact that they have had on each other. we need to understand that Aziraphale relied heavily on Crowley to be his moral compass and leaned on black-and-white thinking in order to deal with things, because if it's all grey then where does he fit and what has it all meant and heaven has to be the good guys, even as Job's and Sitis' children are ordered to be killed, it's all he ever had...
and Crowley was always an anchor, needed to trust that Aziraphale was different, needed to bend to every whim that Aziraphale has, because otherwise what's his worth in all this? After having been already deemed worthless by the heaven that Aziraphale needs to believe in?
and that, simplistically described, is the narrative that we're seeing in s2, and alongside that the ways that the changes they have upon each other are noticed, and monitored, and placed under suspicion, and finally... broken up, not by the clumsy, brute force that's been attempted over and over again, but by a promise to return into a violent, controlling system and to "make it better from within"
and all of this is wrapped up in two queer relationships + a third queered-within-the-text relationship that creates the inverse of how it ends for Aziraphale and Crowley (so far). queer love -- whatever shape that has -- is explicitly the shape of non-conformity within this narrative, including within the symbolism of angel-and-demon love of Gabriel and Beelzebub, which in the context of the systems created is considered queer (and one can argue till the cats come home about casting cis actors, about angel-and-demon notions of gender/romance/sexuality, but the "queerness" comes from building something non-conforming to the systems they exist in), and enforced by the explicitly our-world-definition-of queer romance that Nina and Maggie have going on (which, while less high stakes, still contains the background controlling relationship that Nina initially is in)
all of this to say, that I disagree that s2 meanders, or that plotlines happen for the sake of showcasing Aziraphale and Crowley without purpose, or that characters get sidelined (I'd say it sets up a whole host of interesting characters to further get into actually), or that it's strictly mainstream easy-access narrative that's just an excuse for the main creators and actors to get back together.
the love is the point, and this show takes its time to show the love (and the unequal boundary-setting, and the fact that one of them has an undiscussed tragic backstory, and the desperation to belong again, and the fear instilled by oppressive systems, and and and), so that we understand why those last 15 minutes happen the way that they do
it's sleight of hand, and like all good magic, you don't notice until it's happened
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weirdly-specific-but-ok · 1 year ago
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pt IV good omens but all i know is i watched three episodes on a stream with you all
Three hours being in a server with good omens fans in the wild *insert random emojis to sound like optimum clickbait youtuber except this ain't clickbait*
Okay I woke up. Before everything just WASHES out of my brain, I'm gonna describe whatever happened last night best as I can, because that's what I do.
Some of you were unable to attend the stream, and were sad. But don't worry I got you guys here's the rundown:
people joined the server. people were confused. i was afraid. i was assured that i should be, which was meant to comfort me.
people introduced themselves. someone said they had worked in a brothel as a bartender, which was cool, they said they had many stories. they did not elaborate for fear of scaring the newcomers. The newcomers, aka, me, were already scared, and it was not of the brothel stories.
I brought an emotional support orange with me. It looked uncomfortable. I thought it would be rotten. It was not, but we would not know that until later.
@thescholarlystrumpet entered fabulously, and started the stream.
i didn't realise the show had started for a good two minutes because there was a random voice over that was telling us about Earth's star sign (Libra) and somehow that didn't compute in my brain as being part of the episode. I thought we were checking audio.
It turned out, the episode had begun, and everyone was acting like this is a completely normal way for a show to start.
We time-jumped from the fall of man to modern day society so fast that I got whiplash.
There were a lot of orgasmic noises. I asked why. I was told in no uncertain terms that those were screams of labour. I'm sorry to everyone who has given birth ever.
There were three babies. I tried to keep track, it was hard. I thought the Antichrist won prizes for tropical fish. I was wrong.
I fell in love with Crowley and his hips and was very gay on the chat. This was heartily applauded.
I didn't realise an hour had passed when the episode ended, which it seemed was to be a common theme. I said nothing happened which everyone found funny for some reason.
I was very concerned about Armageddon. Everyone assured me that it would take place over the course of the season. I asked why we'd speedrun through millennia in five minutes but eight days took several episodes. I was a naive fool. Time is a social construct and this show cares not for social constructs.
They fucked up the mission. This was also to be a common theme.
I begged for a break and had to shake my head to try and get the brain rot out. I did not succeed.
The second episode commenced. The intro concerned me, because the cartoon Aziraphale looked pregnant or like a chicken. I asked if Crowley had impregnated him. He had not.
The pornography scene had to be replayed because I was so lost and had not relished it properly.
There was a lot of crying on the chat. Every few minutes someone would say a normal sentence in English and everyone would respond with crying emojis. Needless to say, I was concerned. This was also to be a common theme.
I asked why we were talking about random children. I was told it was The Them and they were the Antichrist's friends. I liked the hellhound.
I wanted to adopt the Antichrist, and grew more thirsty for Crowley every time he was a casual accessory to murder. I'm relying on this fandom not to use this as evidence with the cops. The chat was not reassuring, they said maybe.
I thirsted for Crowley more. This was also to be a common theme.
Aziraphale was very cute, I realised. That was nice. It was not nice when he had gay panic and said mean things to Crowley and they broke up. This was also to be a common theme.
I got so gay for Crowley that I ate the emotional support orange. It was gaseous. The chat was concerned, and everyone got excited every time oranges were mentioned after.
The third episode was a fucking roller coaster. Crowley and Aziraphale were your average high school couple but biblical for 6000 years.
Both were casual accessories to murder, and sometimes the cause of the murders, before going out for a date. Crowley got horny and he stopped listening every time Aziraphale ate. This was also to be a common theme.
The chat was keeping count of the husband breakups. This was not nice.
The Bentley was silver in many scenes, and people were forced to concede that they saw it. I was smug.
Crowley was sexy. She served gender, or as some people in the chat said, she served cunt. Her hairstyles got better and better. No one liked the 60s one. I did. I like everything she does. I love him.
Things happened. The fandom infected me. Someone mentioned how the book said Crowley felt lonely. I was near tears.
Crowley walked down the aisle for Aziraphale. We all were happy.
The book case, the thermos, the bandstand. I was broken.
Everyone said very emotional goodbyes.
I made a post on tumblr that was absolutely incomprehensible but accurately conveyed my love for Crowley. I fell asleep.
Same time next week, I believe.
I hope this was an adequate summary of the livestream for everyone, I am broken irreparably and if anyone mentions the bandstand I will have to start drinking and not stop till I get a happy ending. I cannot afford alcohol. I will ferment grapes myself if I have to.
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tenroses07 · 6 months ago
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My final thoughts on the neil gaiman allegations;
Do I believe the women?: Yes. While I do find it still a bit odd that there’s missing context, I think that’s a fault of the podcast and not the fault of the women. I hope that they come forward to more reputable news sources and give their stories fully soon.
Do I think this is a right wing conspiracy: Yes and no. I do not think all of this is one big lie, but I do think the journalism here is clearly biased and I do not think these women’s stories would’ve been aired if they (the journalists) did not believe there would be any political gain. I do believe that it could be possible that tortoise media is trying to slander those who have worked with him. I do not blame the women for this.
Do I still wish to see more proof?: Of course. I think it’s possible to believe victims while also still wishing to see more proof. It’s important to be critical still, but once again this does not mean that it’s okay to say these women are lying because you haven’t seen proof.
Do I think any fandoms for media he created should interact with him again?: No. He clearly has a record of abusing his position of power, and I do not think any fans should interact with him again for the sake of their own safety. This includes on any social media. If he returns to being online, don’t send asks or react to them. Don’t return power to him.
Do I think anyone who was worked with him is obligated to come out with their reactions immediately?: No. It’s entirely possible the news hasn’t made it to them yet. It’s also entirely possible that they could be still processing things after working personally with him. If we as fans are shocked in disgusted, then imagine how those who have worked with him feel. Do not condemn them for speaking out immediately, they have lives too.
Do I think you can still watch his shows?: I feel mixed about this personally. I think it’s a better idea to 🏴‍☠️, but I also understand he is not the only person who worked on these shows. 🏴‍☠️ing affects more than him, so personally I don’t see a problem with watching his shows as long as you condemn him.
Do I think you can still read his books: Yes, but it’s a bit different here. I do not think people should be buying his books now. If you want to own them, buy second hand. If you don’t mind reading online, then 🏴‍☠️. I wouldn’t really recommend checking them out at a library as that still does give him support since the library could decide to purchase more of his books.
Do I think you can enjoy media he’s worked on or created without supporting him as person?: 1000%. His actions and alleged perversions do not translate into any of his work from what I’ve seen. I think it is 100% possible to separate him from his media in this case, especially with Good Omens and his shows.
Do I think you should burn/trash your books or media by him?: I don’t see a point, but I understand why someone may want to do this. Everyone is angry and upset, and if you want nothing to do with his works anymore that’s 100% valid. I just personally don’t see a point since they’ve already been purchased, and unless you bought them recently and can return them, you’re not taking any money away from him. If you don’t want to keep his books anymore, I’d suggest donating them to a thrift store or a library.
Edit: I wanted to add a section here about the relationships he had with these women since I didn’t really mentioned it before, so here (TW FOR SA);
While the relationships themselves were consensual for the most part (besides the two allegations of SA) I still do not think they were right to be had. The power imbalance and age gaps are gross. They’re not illegal, but morally they’re incorrect in my opinion. I know one of these women was a fan of his, and I believe he took advantage of that. And im also pretty sure he was 40 years older than her at the time. That’s gross.
As for neil’s current response as featured in the article, I don’t think he’s telling the truth. He admits to having relationships with those women, which adds to fact that I believe he’s not a good person for having those relationships already where he clearly was the one in power. The false memories claim could have some nuance to it (it’s possible that it could be something that happens to that woman without it being stated on medical records) but I personally believe it’s an excuse on his end, true or not.
Of course, continue to be kind to each other online. Don’t berate those who are upset and confused, and don’t berate the victims either. For those who believe it’s still all a lie, you have no reason to believe he wouldn’t be capable of any of this. You don’t know him. He doesn’t know you. I urge you to rethink everything about this situation and take some time to process it on your own. Denying everything is not the way to go about this.
I believe that’s everything I have to say. If you read all this, I appreciate this. If you think my wording is odd in some places or if it seems I said something I didn’t mean, please let me know. I’m writing this all on a bit of whim so I can put my thoughts out there instead of keeping it all inside. Thanks again, and stay safe
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cottagecore-raccoon · 1 month ago
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Since the Christmas season is upon us, I thought I'd recommend some of my favorite Good Omens fics that put me in the holiday spirit:
What Are You Doing New Year's Eve by theshoparoundthecorner (40k)
“Bit of an odd tradition, if you ask me,” he said, if not to get his mind off the longing that had settled in his chest. Aziraphale shrugged. “I think it’s rather sweet. A kiss for good luck. Seems a nice way to start the year. Very human.” Crowley nodded. “Can’t seem to keep their hands off each other, that lot. Always finding excuses. First it’s mistletoe at Christmas, then it’s luck for the New Year…” “Well there’s no need to be so grouchy about it,” Aziraphale said. “I think it’s lovely.” Crowley’s heart ached a little more as he watched Aziraphale smile up at the glowing numbers on the building above them. Yeah, he thought, lovely. Five times Crowley thought about kissing Aziraphale on New Year's Eve, and one time he did.
Snow Angel by Vagabond (14k)
Human!AU. Aziraphale needs a date to his brother's Christmas party to avoid getting set up with someone. Anathema suggests Crowley, the office bad boy. They go, get snowed in, and have a heart-to-heart that ends in a Happy Christmas. From a prompt: Human!AU: Aziraphale needs a date for family Christmas. He invites the office rebel/bad boy, Crowley.
all i need, darling, is a life in your shape by deadgreeks (14k)
After everything, Aziraphale and Crowley, by unspoken agreement, begin sharing their lives. --- Why? Aziraphale wanted to ask him, why millennia of the way things were, and now this? But while Crowley seemed to have little issue upending every unspoken rule they’d ever written for themselves, Aziraphale was not so flexible, and they had spent thousands of years never quite addressing whatever it was this had stemmed from. Words, Aziraphale had always felt, were for bickering about where to eat for lunch, or hashing out ontological debates, or other trivial nonsense; there was no need to trifle with the imprecision of language, with phrasing and the possibility of being misconstrued, when it came to important matters if the other person simply understood, without needing it said. Six thousand years ago, when Aziraphale had met Crowley on the wall of Eden, watching the first two humans set out to begin the rest of history, something deep within him, more central even than his Grace, had thought, oh, it’s you, and that had been enough for him--for both of them, he assumed--for three millennia. However much he wanted to ask, he didn’t know how. The words simply weren’t there.
Shelter from the Storm by AppleSeeds (13k)
They're coworkers in town for a conference, but a storm has knocked the power out in the hotel where they were supposed to be staying, so Crowley and Aziraphale brave the storm and find their way to a charming little B&B, which has one room available, and it's the honeymoon suite, which only has one bed, and now Aziraphale is injured and needs to be looked after, and oh no now the power's out here too but at least they have the soft flickering glow of the candlelight but OH NO the heating's gone off too and it's getting VERY cold and Newt's the one trying to fix it... whatever will Aziraphale and Crowley do? AKA, what happens when I try to squeeze as many tropes as I possibly can into one story.
The Anon Before Christmas by foolishlovers (67k)
When Crowley’s friend, blogging buddy and business partner Anathema announces her annual Secret Santa Exchange on Tumblr, she is very adamant Crowley should join this year. The old-fashioned (but admittedly compassionate) man he gets assigned to send anonymous messages to every day until Christmas sounds awfully similar to the fussy bookseller that his friends adore, yet Crowley tries to avoid at all costs. But surely his friends would have mentioned if Aziraphale had taken an interest in the Bad Omens fandom as well… right? Or: An Enemies to Lovers Secret Santa Tumblr AU.
I could definitely use some more recs, so reblog with your favorite holiday fics! Self recs more than welcome :)
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craftygobelin · 4 months ago
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I decided not to create fan art or post about Good Omens (Tv Show) anymore.
This fandom was a great support for a long time for me and the book is still one of my favourites from the time I started reading compulsively everything from Sir Terry Pratchett, but I'm so pissed with the fandom right now.
The fact that the recent allegations against Neil Gaiman (I was a big fan of his work until I discovered that like every white cismen of his era with a bit of fame he is a piece of shit and think he can do what he wants to women) was barely covered is a thing and yes, it's pissing me off too.
But the fact that so many people in the fandom try to find excuses or justification for his action and don't participate to spread the information or just say nothing about it thinking you can be "neutral" is pissing me way more.
I don't judge people who want to separate his work from him or those who consider that a fandom, at the end, is more the propriety of the fans than the artist, I'm totally agreeing with the last one and I think they are ways to consume the work of problematic authors without giving them platform and money if you really cannot do without it.
BUT, and my big point is here, the issue I have with GO fandom right now it's that a big fandom like this has the possibility to spread the information and awareness pretty easily and right now people continue to post their fan art or fanfic without any infos about the allegations like nothing happened, that's bad! And don't start me with those who are more focused on if the last season will be released or not. It shouldn't be, not with him as screenwriter and executive producer at least and with a lot of money sent to SA associations and transparency about the situation.
It's giving him the possibility to keep the whole thing discret and make people forget about it. It's giving him the opportunity to have kind of a come back at some point, even a small discret one, and give him access to more women in the future who might not know what he did and what kind of man he is.
I don't say that people need to speak about it on every post, but at least, please :
- stop tagging Neil Gaiman in your fandom works (Good Omens, Sandman, ...fan art, fanfiction).
- stop posting, blazing, or reposting quotes from him, or giving him a platform by showing off his work.
- don't buy first hand or loan at the library his books or comics. Why the local library too ? When more people ask for a book at the library, they buy more copies, and in most of the countries, writers receive something when people loan ebooks at the library, even physical books sometimes.
If you really cannot live without merch products from your favourite fandom, then by all means buy those who are not licenced on etsy or other platforms by small artists. I usually don't recommend that, though I prefer not to buy merch at all if the original creator of the license can not be rewarded, and here it's a bad thing if he is.
- and speak about it. If you post fanfiction, post a disclaimer about the allegation at some point on every fanctiction you post, adding at least the two links of the two principles podcasts. Same when you post fanart on whatever platform it is.
That's all I have to say for now, I think.
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snek-panini · 4 months ago
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I actually didn't mean to let nearly two weeks go by since my last bookbinding post, but somehow time has just slipped away from me till now. For today we have a pretty simple one, though:
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This is Postcards from Paris, by ghostrat, a story that I asked to bind way back at the beginning of May. It's a Good Omens human au, involving letters received by an unintended recipient and a long sequence of getting to know one another via writing. I love epistolary stories and wish they were more common both in and out of fandom, and this one's really soft. Like the whole last chapter makes me feel all rosy and warm. Go read it if you haven't, it's wonderful.
More photos and such under the cut!
The cover up there is chocolate lineco book cloth with blue metallic htv. Like with many of my small-sized binds, I tried to not buy anything specific to this one and instead make something coherent from what's already on hand, and that philosophy lent itself well here. The story's about getting to know someone with only the verbal impression of them, not even their voice but just the words they choose and their handwriting, and has a lovely feeling of being overwhelmed by their physicality when you finally meet in person, and I think the stripped-down feeling of the bind fits that theme. It's deceptively simple, and you won't realize how deeply you're in love with the story until after you've read it.
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Top view, with blue ribbon bookmark, and slate-blue plain cardstock endpapers. I'm pleasantly surprised by how well all the blues match, considering the htv was bought for another project, the endpapers were bought in a multi-pack for another different project, and the ribbon probably was cut from the shoulder of a fancy shirt. I really would have liked to do custom blue-and-brown end bands, but at barely 80 pages the book's too short for that so it's got premade ones in black and white. The front hinge wouldn't behave when I cased it, so it's got that weird wiggly part and I don't know why. I've used this cardstock for endpapers before and never had that issue, so it's a bit of a mystery.
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Interior photos. The stripped-down, simple philosophy persists. About the only theming I did was to choose a handwriting font for the larger text, which seemed appropriate for a story told in postcards.
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Random interior of typeset. This thing has so many scene breaks, my god. I sincerely thought about picking two handwriting fonts and putting all the postcards in those. They would have been opposing ones so you could tell who was writing without the scene break lines, but it was too difficult to read at this font size and looked kind of messy, so I didn't. I always size down the font a little for quartos, because the full-size one I use for folios looks weird on a half-size page, but this is the only time I've found that decision working against me.
And that's that! As always, I hope I did the story justice with this bind. The designs feel right when I make them, and I hope others agree. I've still got two more books to post from this late spring batch, so those'll be up over the next week or two.
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crowleysgirl56 · 2 months ago
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IT’S FINALLY HERE SQUIRRELS!
OMG I’ve been biting my nails for weeks on how he is going to react. Already from the thumbnail we can guess that he is not happy and has reacted the exact same way as us.
So let’s dive into my highlights of his reactions. As always, under the cut to avoid spoilers. Here we go.
- Already from Danny’s opening monologue he’s guessed exactly how most of this episode will go in terms of plot beat and story structure. But it is clear he doesn’t know about the 90 minute finale.
- Love how Danny’s immediate response to Crowley’s heaven disguise is “You’ve only made him hotter!” Funnily enough he mentions “it looks like he invented whiskey”. Funny considering David Tennant did that add for whiskey…
- Danny is everyone when he heavily sighs when Maggie accidentally invites the demons in.
- Danny finally gets his payoff about the fly being the key.
- About Beelzebub and Gabriel. He so casually says “I kinda want them to fall in love and I’ll murder anyone who disagrees with me”. Yeah, well…at least ONE angel and demon couple got to do that and go off together! I also love how within 6 minutes he is 100% invested in their relationship.
- “David Forgettit. Azirawho”. HOW DARE YOU SIR!
- Good Omens fandom: deep dives into why no one recognises The Metatron when he’s in his corporal form. Danny when the Metatron enters the books shop: Who’s this guy? Is this God? Did they recast God?! (Crowley then says the last time he saw him he was a big floating head) Oh it’s Zordon! Proving that, yep, it is THAT simply to trick everyone, no deep dives necessary.
- Danny points out Muriel is holding the Crow Road, but then doesn’t try to deep dive into why that’s important. And yeah, if you didn’t know what that book is it doesn’t really mean anything, but looking back at that scene, it is framed so deliberately that it HAS to mean something.
- And now we finally get to it. Danny’s ENTIRE journey of reacting to the final fifteen. I could devote an entire post to everything that he says and does. The clutching of his chest and chair, the pleading of David Tennant to stop being such a great actor, his joy and heartbreak and yelling of “THEY KISSING!”, the depths of despair of wanting to start up smoking, to getting really drunk even though it’s 11am, and to becoming addicted to cocaine. WE. ARE. ALL. STILL. THERE. MY FRIEND!
- It’s funny how Danny went from being such an advocate for Aziraphale this entire time to just holding his head in his hands exclaiming “what the fuck I can’t even, I can’t even, why would you do that?” right at the very end.
Danny’s whole reaction is interesting in that it’s such an immediate reaction, he doesn’t have the luxury like us who have spent the last year and a bit overanalysing everything with a fine tooth comb. Because it’s almost like, maybe that is how we should be reacting? Love to hear everyone’s thoughts on this and his reaction.
And that’s the end. Hopefully he will react to the final 90 minutes once it’s released. What a journey. Now, I really feel like I need to rewatch the entire show over again.
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