#WHICH ISNT A PART OF THE ORIGINAL POST

[dazedpainter]

the perspective's goofy but that's okay

turned red cross and deadloop from @in1-nutshell 's blog!! they finally reunited and i felt like celebrating

expect some more from me 🤕 they consume my thoughts chronically

[tytoalbatross]

god damn i do not post often but can i talk about intentionality for a second?? one second please

i'm gonna be talking about bg3 but this really applies to any fandom space. people will, surface-level, agree that a Black character is not getting enough content compared to their white counterparts because it's. obvious . take wyll, who is several hours behind on voiced lines compared to other origins despite being one of the original five (before they added karlach and whiteified her too but that's another post). it's hard to deny cold hard facts

but then instead of engaging in content that uplifts Black characters and creators, they'll go right back to pumping out more and more content of just their white faves. on its own, it's not actively harmful, but here's what the implication is, whether they acknowledge it or not: yes wyll has less in-game content, yes his writing didn't get the attention it deserved, therefore i don't like him as much. it only perpetuates wyll's lack of content by contributing to his sidelining in fandom spaces

what i would love for fans who claim to be allies to do is to step out of the comfort zone of their initial favorites (which can, in fact, be biased!) and start pursuing content centering Black characters with intentionality. like all things, anti-racism (actively pushing back against racism rather than simply "Not Being Racist") takes practice and effort. you can't really agree with us that wyll needs more content, then in the same breath say that it's because of that that he's not interesting to you . the point was right in front of you doing a jig and you still missed it

[themyscirah]

Reading shit comics kind of sucks but at least I get the satisfaction of proving my own point w this

[moonstandardtime]

i want to put link in isat. im sure hed do fine. the heros spirit endures

[ms-all-sunday]

personal experience time for prosperity, so i've mentioned that one piece is the reason I'm okay with the fact I'm bisexual now, which i thought it was self evident why that was but I'll explain because i feel like it gives perspective on why im so pro-sexualized/the narrative seeing this character as attractive (when appropriate obviously and i think op does a good job of doing that for the most part) for nami/robin (mainly talking about my experience with nami)

so previously ive had issues with never being attracted to female fictional characters, (I've been attracted to real human women very briefly throughout my life. i just dont hang out with a lot of people and the majority of them arent girls) and that was a problem even though i knew I was able to be attracted to girls I didn't feel like i was able to identify with that part of myself, (as a trans man, I've always felt very pushed into wlw spaces which I think isn't good and even though I have alters that identify as women we've never as a whole ever thought we were wlw) the problem was, when youre asked to be attracted to fictional women 99% of that is either objectification or look this character is hot! and then her actual character is nonexistent. which is a problem for me, because in my experience strong attraction comes from both how much i relate to someone and how much I admire them, so if I'm at large completely unable to relate to female characters, it puts me in a really fucking tough spot and i end up never being able to explore attraction like that in a fictional space. you see, you could point out to me that there's wlw characters and experiences that could've helped me? which, I'll point you to the fact I'm a man and secondly, I tried that. but I'm a man and unfortunately while I can appreciate gay girls in fiction i don't connect with them like that.

where this changed for me was a year ago when I watched one piece and then immediately was blasted by girls who were very obviously seen as attractive but were some of the best written female characters i had ever fucking seen since having that crush on that original character,

and there were men in the context of the fiction that were attracted to nami for the exact same reasons I was ??? (sanji/zoro in arlong park) and these men were being defined by having a crush on or being attracted to nami, and she was the one in control (another reason I couldnt connect with m/f couples: i wanted to be held by a girl and taken care of by a girl not the other way around)

and she struggled with mental health like i did so of course i could relate to her! and i was being encouraged by nami herself to see her as attractive so i didn't feel creepy like i did all of the other times (being a man and being attracted to women and inherently feeling creepy was a huge issue for me) and she was seen as a whole person, a whole entire beautiful person. the fact she was so complicated and detailed made her more attractive, and the fact i could connect and relate to her and have loving her mean that I love aspects of myself i couldnt expect?? I just loved her and i was attracted to her and I couldn't control it so it had me let go of my fear without me even realizing it was happening.

i literally havent felt creepy expressing my attraction to women since.

i simply needed to figure out how to be attracted to women- nami- because i was attracted to her so immediately and so intensely that being attracted to her meant i immediately became more articulate about it because i loved her so much it burst out of me.

the fact people saw nami as attractive was both good for me, someone who finds her attractive and struggled with expressing my attraction to women and was only attracted to fictional women who were entire people!, but also allowed me to feel loved myself as a person with mental health issues similar to hers.

basically, TLDR, i think viewing female fictional characters as attractive is fine as long as they're entire people who aren't reduced to their relationship to men, and is really fucking good actually both on the level that people get to see themselves as attractive and that it rightfully sends the message that women are more attractive when they are understood as whole people with lives and flaws (that can exist outside of traditional heterosexuality).

[sanchoyoscribbles]

Redesigned all of my (main) tmm ocs weapons! + little blurbs about them :)

[snowshinobi]

microdosing on cannibalizing my own flesh by reading Richard Silken poems. and falling in love

[caramel-mousse]

This is completely brought on by the last post but it really bugs me when people are so insistent that a story needs Monsters or Extra Terrestrial Beings to be scary.

The two examples used were Infinite Ikea and the Backrooms but like. At very least to me the addition of monsters just makes the story go from really good to fucking boring so quickly.

The horror is being stuck in an overly familiar place that you would expect to have an exit and being unable to find one. It's being seemingly infinitely lost in a place you would normally be able to traverse with no issues. It's like... weaponizing the familiarity of places you know and making what was once thought to be safe, possibly dangerous.

You put a monster in it and you just turn that whole idea into just "What if you were in the Minotaurs labyrinth would that be fucked up or what"

[seafoam-taide]

did you know? does it matter? did you know? does it matter?

[soulesplinters]

No more slacking! I'm on the job! Yes, I know that everyone has to play their part -Come on! Rev the engines of this beast!

[ID: Disheveled doodle of Cel from TFJ's bad end in chromatic aberration, meant to give off an abstract horror effect. Their entire appearance is nearly glitched out and overshadowed. The main trait emphasized being their wide eyed cyan stare in front of their completely wrapped face, and a long purple tear streak dripping down. Bits of binary code are crowding Cel's eye. /End ID]

(cw for scophopho.bia, tee.th, and ne.edles in the song linked!)

[cutemeat]

@nightcrawlerzincorporated Exactly the point i was making with this post thank u 🥹💛

Season 6 // Season 16

[snapcracklepop-myjoints]

i wrote this in the notes of another post originally and am copy + pasting it here because im right but "tell the cops nothing, tell the doctors everything" is such a stupid ass fucking abled take. doctors engage in policing idk how to explain to yall that some people cannot in fact just tell doctors everything without it putting them at risk

like im not gonna go into the myriad of ways this is bs but like a quick example is i cant tell my doctors about my substance use issues because if i get that listed on my medical records it will actively endanger me. It will impact how I'm treated in emergency situations and will get me labeled as "drug seeking" when i try to get other issues dealt with.

i dont say this to scare people but because this is actually important information for people to have. if a medical professional claims this isnt an issue, they are NOT "one of the good ones". they are either straight up lying or theyre utterly unaware, which is frankly not better. doctors are cops. never forget it

like YES tell ur doctor abt being sexually active but stop saying "tell the cops nothing and the doctor everything" before i start killing in cold blood

I KNOW THE ORIGINAL QUOTE. This is about how people misquote it, as well as how they view the phrase as meaning "all medical professionals". ALSO! emts are not the neutral figures you think they are. please stop spewing your lack of understanding on the topic all over my tags, its embarrassing. Paramedics kill people and engage in policing stop fucking shilling for them indiscriminately

finally, THIS POST IS ABOUT DRUGS. FIRST AND FOREMOST IT IS ABOUT DRUGS. THIS WAS WRITTEN BY AN ADDICT. the way yall are talking about addicts and drugs users in the tags is so fucking dehumanising. you are part of the problem. Id suggest non addicts shut their traps please and thank you.

similarly, before you comment, ask youself: am i an addict ? do i have an understanding of how addicts, particularly otherwise disabled addicts, have to navigate healthcare systems ? if not, consider SHUTTING THE FUCK UP. hope this helps !

read the notes before you leave a comment im so fucking serious. reblogs are off because none of you know how to act and i have zero patience at this point. if you think im being bitchy pls consider the fact that your stupid comment does not exist in a vacuum and i have received and deleted countless stupid notes and abusive asks on and about this post and your stupid comment exists within that context and i am fucking tired.

[haootia]

goals for june are to reread/watch media that makes me Feel Something and hopefully by july i will be able to synthesize that into meaningful artistic output

[badgertracksart]

Portfolio advice, from a lead who hires Concept Artists

(This was originally a twitter thread I wrote before the site self imolated, hense it's strange structure.) I wrote this after a weekend of portfolio reviews - 1. Like a maths exam, please please show your working. I want to see thumbs options, mid options and of course a final design.

2. Arrange your portfolio, I don't want to bounce about between subject matter and pipeline. Your portfolio's narrative should be as strong as your work... 3. Please make worlds that excite the viewer, make them want to go in and explore them, explain to them the interesting parts of the town, or the way the character's hat unfolds. How will this draw the viewer in? 4. As I've said before the majority of your project work is explanatory not mood, make sure your portfolio contains explanatory work. Explained here -

5. A lot of beautiful post apocolyptic paintings, , but 80% of realistic games and film, we just give the environment artists photo ref, they are capable artists in their own right. Different work in stylised where you do need to create rules for how things can be translated. 6. Production art contains call out sheets, material references and flat graphics. This doesn't have to be your final image, but it should support it.

7. Design characters on a swatch(es) of the environment they will be viewed in. Not on white. I make swatch backgrounds from screenshots, it avoids assumptions that damage readability. 8. Reverse of this, put people in your environments, show me the scale.

9. It's not a deal breaker for a review, but if you intend to get a job, please show me your work on a screen larger than a smartphone (print outs probably the cheapest option with the best battery life). 10. Please have your contact details clearly visible, and by that I mean email address, I will not pass your social media contact on, I cannot input your form into my tracking system. EMAIL ADDRESS emblazoned and bake it in, sometimes recruiters do funky stuff to pdfs

11. Your portfolio will never feel done, not to you anyway. You will have learnt from your latest pieces and want to apply it to older work. But we know art is a journey. Send your portfolio anyway. I've been in the industry 10+ years and my portfolio is still not 'finished'. 12. If you are applying to an environment centric Concept Art position then please vary your times of day! Golden hour is cool but show me some happy sunny days, looming overcast days, what about at night? Vary your weather too! Sunny snowy day? Rainy Spring day? Stormy night?

13. If you are applying for a character centric Concept Art role then please ensure your portfolio shows a variety of body types and ethnicities. 14. Designing characters for games? Please show back views and feet (!) Many potfolios contain only front views. This is a problem because:

You haven't shown you are considering the design from all angles.

In many games rear view is the main view.

Stop cropping feet.

15. If you are entry / graduating and looking at Portfolios to compare content and standard of yr own work too, look at hired grad/junior artists as opposed to seniors Seniors and leads often have old or personal work in their portfolio which isnt representative of the day job. 16a. Show clearly the intended use case for your Concept Art. Mention the game type in the description. Are these player character designs for a 3rd person adventure game? Then more back views please. Bonus points for diagetic ways of showing health / equipment / role etc.

16b. Are these designs for an FPS? Then really the player view of the gun needs to sell the player style/ choices, in an FPS your weapons are almost your character. Are these world designs? What's the view distance? For an RTS your shapes need to read from above & a distance. 16c. The lack of clarification means I am judging the design in isolation, which both harms the design (you might be considering the backview of a char as the main adventure character.) Or an NPC, their waist up expressions may be important for conveying exposition and mechanics.

16d. Concept art is not separate from gameplay, great concept art serves the game team before it is a good illustration.

17. Play games. A variety of games. Think about them. IMO to be a good concept artist you need to understand the common language & references used by your peers. Also understand the principles and common language your audience are used to. FPS design rules are v.diff from RTS.

18. There are many skills that are needed in concept art, please show them. For example: Graphic design - logos, liveries, typographic use etc. VFX concepts - Abilities, Ambience, motion concepts. Architectural knowledge - How buildings are built! & more but I'm out of space :O

[chisatowo]

I feel so bad for not rly strongly liking. Literally a single morfonica song. I'm so sorry guys </3

[pastorfutureletthembe]

I actually started this blog for one post only. The theory is that the story we are following is currently the 5th timeline.

I would need to watch the donghua again to find hints in the show itself but for now this post is exclusively about the content we keep getting served as fanservice. Now, people nowadays see this word as negative but in this particular case, we are evidently caught in an ARG (Alternative Reality Game), which is AWESOME.

For those who aren't familiar with the concept, it is basically a treasure hunt outside of the original media. For example, if you gather enough clues during your playthroughs of OXENFREE, you'll find the coordinates of an actual place where a real object, a gift FOR FANS was hidden. In the context of Link Click, I believe the rules and answers regarding the worldbuilding are hidden in plainsight for us to discover!

I will make different posts on the clues in lyrics, but for now we're gonna have a talk about VISUALS only. And boy, do we have THINGS to talk about

First things first, let's start with

>>>>> Promotional posters.

I'm opening this analysis with this particular one because it is the most relevant to current events. Black circles are V and white ones are IV. The huge clock is the background isn't supposed to be oriented this way for starters. One V is where XII should be, which could mean our journey starts here. The other V is between Cheng Xiaoshi and Li Tianxi, on the light side, while both VI are on the dark side. Every other VI on this artwork is a broken piece taken out of a quadrant except for the one on the right near Qiao Ling which is still part of the biggest piece.

It is interesting that we don't see any clockhands here, only the quadrant, and the only whole number is 5, ONLY on CXS's introduction.

Not so subtil, the mirror or "painting" is labeled 'V'. Lu Guang is also looking directly at US, viewers.

Probably five lines of five x but we only see 3, of which only the first one got 5x. Four diformed shapes can be seen at LG's left, under V/VI, which could be the four previous failed timelines. You might notice that LINK CLICK is written 5times. The clock says 00:05. Oh, familiar, isnt it?

As you can see, the V is a light in the darkess at Lu Guang's feet. it is a broken piece, though. The fact it is the enlighted one could mean two things. 1) It marks the spot, where we're currently at. 2) Hope. I would argue that until then Cheng Xiaoshi always died and now, at the end of season 2, Lu Guang is in the dark because he never went that far.

VI is there too, in complete darkness, blocked from view by a ring. There is something to say about VII being completely obliterated but I honeslty don't know how meaningful that could be.

>>> It is my understanding that if a character change the past, it breaks the timeline. Past changed, present and future cannot be the same ever again. It doesn't create a new timeline like in MARVEL, there is actually no going back from a changing node, it unravels this world. Either it already happened, allegedly because of Lu Guang, or will happen in the next season, we can suppose that Timeline VI is the actual doomed one. The fact Cheng Xiaoshi is trapped is relevant too. Destroying Present and Future would trapped him in the Past, hence Come back from the dive back in time.

>>>>> Dive Back in Time

There are many things to say about this one, but I'll keep it simple since it's already a long post. Let's start with something a bit out of topic: colors. Why? It actually indicates that LG isn't from the same timeline than CXS and QL. And I swear it would be useful at the end of this post.

Blue and Red are on the same plan, no matter if we're talking about RGB or CMYK, but Green and Magenta are not. It's like CXS and QL are anchoring LG in this reality, but Magenta is not supposed to be part of the mix. Primary colors in photography are Red, Blue and Green; not Magenta. Since we're talking about photography and this is not the original timeline, I think it is intended.

I'll leave the count of squares to you (spoiler: either 5 or 3 (I'll explain this one in another post) :D).

>>>>> Overthink

I recommend you read this glorious meta about this ending. I'll just "correct" mimicha on one point:

The way the hands are "cutting a piece" of the clock; just like in the promotional poster for Train Trail. It indicates 5. I'll also add this one:

If you look carefully, you'll see two words: TIME PARADOX. As said above, a paradox should NOT be possible with the rules LC gave us so far, but it could be related to the possible 6th doomed timeline. The "dark side" could try and make it happen. Just food for thoughts.

If you want more meta on OPs/ENDs, I recommend you also watch this glorious analysis. That's all I have to say for this one regarding the number 5.

>>>>> VORTEX

Not much to say, except for this "blink and you'll miss it" screenshot. If I missed anything, feel free to share with the class!

THE TIDES has, sadly, nothing to offer on this current topic!

>>>>> 3rd Anniversary: Surprising Click

Oh boy, do I have THINGS to say. Don't be surprised when I'll make another post about this Link Click monument haha. Note: 5 PVs were prepared for this anniversary. Coincidence? (I think not).

N O W A N D F O R E V E R

The only 5 clue I found is what looks like a clock with one hand going backwards, from X to IV, it appears while the chorus is playing. That might be a bit farfetched but I'd mention it for archives purpose anyway.

B R E A K

I won't be a smartass by pointing out BREAK is a five letters word but- okay that's infuriating of them if it is on purpose.

Most of it is obvious, the same logic applies, except for the cogs and hourglasses, we see four of each falling. Since LG's shadow/light goes from IV to V, it's safe to assume that those symbolize the four failed/achieved timelines. The ones left behind. I'll probably post something about cogs and hourglasses one day.

A last one, for the road:

S U R P R I S I N G C L I C K

You should take a look at this fan's brain! They did a wonderful work. I already had this part prepared so I'm still gonna share the obvious. Five mics ("time is like music"), and five letters (with photographs inside I'm guessing). Magenta and Green are very flashy in this one.

Oh, here are LG's five magenta squares from Dive Back in Time ;D

Four failed timelines/tasks, and... loading the first out of three chances. (Again, I can't address everything in one post, this one will have a long meta on his own, don't worry :D)

T R A I N T R I A L

Two occurances worth mentionning. Once again, V is the only timeline enlighted.

B U R N I N G P A L A C E

Many things are happening in this one but only one regarding our current meta. If you pay attention, you'll see it several times, while the chorus is playing:

x x x x x

Now, if you remember correctly, green is the exact chromatic opposite, the complementary color of magenta. They aren't on the same plan (primary vs secondary)/from the same timeline. Usually, they color Lu Guang but here, there is no magenta and no Lu Guang. With this in mind, could it be the paradox OVERTHINK warned us about? We can only assume Vein is from the same original timeline as LG. Red and Green are primary colors so yeah, we'll see.

That's all for today folks!

I had this brainworm eating at my life for weeks so I'm very happy that it is finally out there.

| Part 2 |