#WHICH I WANT TO BELIEVE SHE DOES

[notbecauseofvictories]

I'm rewatching leverage out of nostalgia and some other emotion I haven't figured out yet, and I do think there's a story in "Maggie Ford Collins deals with having the most unhinged ex in her suburban book group, learns to hotwire a car, and gets her groove back, not in that particular order."

[a-dumb-sarcastic-bisexual]

Nimona headcanons I wrote instead of sleeping

Sometimes the boys forget that Nimona isn’t human 

Like they’re used to the shifting into animals aspect of Nimona because she does it as often as she breathes

But sometimes she’ll do some really creepy shit like make her arms longer to reach something when she’s too lazy to get up

One time they shifted just their neck to be like an owl so they could turn their head 180 degrees instead of just turning around cause that was “too boring” 

Or he’ll mimic people’s voices without realizing it 

Sometimes he’ll tell a story and suddenly he’s using Bal’s voice 

The first time she did this Bal searched the whole house cause he was convinced that Todd has snuck in

Or she’ll grow an extra arm to hold more shit and they take a moment to realize “oh yeah we adopted a little weirdo” 

They get used to it after a while and the arguments surrounding it are always funny because both the boys will complain and say “I don’t sound like that” and they have to be told “No love you do you really do” 

You know those videos of babies reacting to their parents shaving their facial hair or putting on glasses 

That’s Nimona's reaction every single time the boys change their appearance even the smallest bit they cant shave or wear their reading glasses because if they do he freaks out 

Talking some “help me Nemesis I heard bosses voice but I can’t find him” while Bal was standing right in front of them 

It was the first time he shaved his face in years and he’s never doing it again 

Mostly cause Ambrosius kept telling him he looked like a teenager and it was freaking him out 

I feel like Bal and Ambrosius are those kinds of people who will tell people about the little injuries but neglect the big ones 

Like Bal mentioned that he thinks he sprained his ankle during the fight at the institute but he won’t mention that he’s pretty sure he got a concussion 

(BECAUSE THIS MAN HEAD-BUTTED TWO PEOPLE WHEN HE HAS A METAL ARM) 

(I’m bout to wrap this man in bubble wrap and give him a helmet because wtf) 

Ambrosius will complain the whole day about the fact that he has a paper cut

But will completely neglect to inform his doctors “Oh yeah I can’t move my left arm higher than my waist without pain and I can’t see that well out of my left eye or hear that well out of my left ear do you think that’ll be a problem?” 

It isn’t until Nimona makes an off handed comment about how this super weird that the laser did basically nothing to him that he told both of them

They literally dragged him to the ER because “Who thinks those symptoms are normal Nemesis what is wrong in that pretty little head of yours!!” 

When Bal tells Nimona she’s being a bit of a hypocrite (cause who refers to an arrow as a splinter?) she turns to him and says “I know you’re not saying something Mr. Human battering ram” 

It took literally everything in Ambrosius not to break down laughing

After that she forces them to have frequent checkups with the doctor because these dorks wouldn’t go otherwise

Honestly I'm fully convinced that some people in the kingdom don't know who Nimona is and are constantly confused why they let this little weirdo follow them around 

And finally the curiosity will eat away at them and they’ll finally ask 

Sometimes the boys will give some “normal” answers like “Oh that’s Nimona” and they won’t elaborate at all

Sometimes they’ll give funnier answers like “Oh that’s a raccoon we found in the garage who turned into a person one day” “I don’t know they just showed up in our living room” and their personal best “You see her too?” 

And their favorite that they only started using a couple of years down the line “Oh that’s our kid”

[vi-is-badass]

Arcane Season 2 - The Base Violence Necessary for Change

I think this shot is the most interesting part of the trailer. We see a shot of Jinx as a painting on a wall. A symbol. A leader. Her actions stand for revolution in Zaun and I think this could be an interesting expansion of Arcane’s exploration of violence and the idea that there is a base violence necessary for change.

Silco is framed as an antagonist in season 1 because of his actions against the undercity people specifically.

In act 3 he’s not the revolutionary he positioned himself as and is instead hurting the people of Zaun through his leadership. He’s doing as much to hurt topside as Vander was in act 1 (meaning nothing at all). He’s even got the sheriff working with him just like Vander, but, unlike Vander, Silco is hurting his own people to facilitate power and he’s not even fighting for that freedom he claimed to want so much.

We see the damage his actions have wrought. We see the shimmer addicts, forgotten and exploited. We see that he's created a hierarchy rather than a community.

And it’s contrasted with the firelights. People considered terrorists to Piltover, who do use violence to fight back against Silco and topside, and yet offer the biggest glimmer of hope. They aren’t villainized. The act of fighting back isn’t villainized and it shouldn’t be.

Because it’s not the violence in and of itself that’s the issue. It’s what that violence is used for.

The series hammers this idea home through Vander. 

Vander’s staunch stance against violence is flawed as well. It comes from a good place. A desire to protect what he loves rather than destroy what he hates and it did create a time free of the death revolution brings, but it’s made it so no ground could be made to free Zaun and create a better world for the people in it. It created stagnation. 

The people of the undercity are still stuck in a cycle of crushing poverty, growing up without parents, dying young due to pollution or violence wrought by desperate people or oppressive enforcers.

It didn’t move the needle because Piltover and the system in place wasn’t going to change just because the people of the undercity were playing nice.

The unrest and anger felt towards Vander for his ideal was understandable. His views on the cyclical nature of violence and the fact that if you fight you will lose people (“What are you willing to lose”) is correct, but that doesn’t make this option the ideal one.

Which brings me back to that shot in the trailer of that painting of Jinx.

Season 2 looks like it’s going to be a season of opposites and rediscovery where it flips what we expect of Jinx and Vi on its head and further explores these ideas of violence, oppression, and revolution.

And I think this season might possibly do that by reversing how Vi and Jinx reflect Vander and Silco.

In the first season the siblings were direct reflections of their respective father figures, but now they’re inversions. Jinx can become the good to be found in Silco’s ideals and Vi the pitfalls of Vander’s.

Jinx’s actions in season 1 weren’t those of a revolutionary. Her actions weren’t meant to free the people of the undercity or improve their lives. She didn’t steal the hexcrystal to bring hextech to the undercity and improve their lives and she didn’t kill the enforcers on the bridge to get rid of dirty cops. She didn’t kidnap Caitlyn for a greater cause.

But we know that Jinx isn’t only the violence she enacted. That she is “the monster they (the system and people around her) created”. Her actions weren’t heroic in the first season, but they were driven by the life that was forced upon her. Her hurt and anger are justified.

Now that she’s away from Silco, no longer a part of his machine and actively participating in his actions that were hurting the undercity, her actions and anger can take on a new light. She can rediscover herself away from his manipulations (this isn’t to say he didn’t love her but what he did and said isolated her and allowed her issues to fester) and become that symbol we see on the wall.

Jinx could be in a way what Silco could have been if he didn’t let his own self interest get in the way of his ideals. Not quite as forward thinking as Ekko or as idealistic, but still a symbol for resistance that fights for Zaun.

Whereas Vi is sort of on a path to becoming a darker reflection of Vander’s ideals.

Vi becomes a part of the system she used to rage against.

 Based on the season 2 teaser that was released in 2021– 

“Nobody else needs to get hurt.”

–I think it’s likely that Vi believes she can prevent more death or can stop Piltover’s violence against the undercity if she takes Jinx in.

Vi sees herself as a protector who has failed at every turn to protect those she cares about. She lost her parents, Powder, Vander, Mylo, Claggor, etc. and she is constantly desperate to try and save what she loves and that will likely drive her decision to become an enforcer.

Vi, like Vander, wants to save what she loves and as a result isn’t going to fight back against topside. This is a much more extreme version of Vander’s ideals. Where she “compromises” in an attempt to prevent bloodshed but as a result enables (or in her case helps) the system in place.

This decision will have negative consequences (and deservedly so!) because no matter what thoughts or feelings are the driving factor in it she is still siding with her oppressors and ultimately helping the system that is the root cause of that loss and pain in the first place. 

Based on the clip released at Annecy and what people have said the writers explained about Vi’s arc in season 2 it seems like Vi will be ostracized for this decision and deservedly so. She won’t belong anywhere. To the undercity she’s a traitor and to Piltover she’s nothing more than an undercity rat.

She will have lost everything. She will have no one to protect. And who is Vi if she’s not a protector?

Vi will be forced to re-evaluate who she is and what she wants. Just like Jinx, Vi will have to redefine herself when she loses everything.

I can’t wait for season 2 and what the team at Fortiche has in store for us. The way the show tackles complex themes and ideas is incredible and Vi and Jinx are some of the most compelling and complicated characters I’ve seen on tv. I’m looking forward to November.

[cripplepunkbarbarian]

I am so glad that the kid spectrals have such normal and caring spirits who will definitely not physically endanger and/or cruelly betray them in the midst of their lives already being destroyed by cults, monsters, and interpersonal drama. It’s so cool and nice 👍

[vaguely-concerned]

lucanis truly has a near terminal case of burned out golden child syndrome. caterina fucked both of these kids over so incredibly bad with the dynamic she enforced there, with illario being labled the perpetual fuckup kid where lucanis 'could do no (would never be allowed to do) wrong'. the way he admits in the first coffee date scene that the only thing that happened when he showed he could carry the weight of expectation was that more weight was added makes me so sad. you can hear it in caterina's voice in his intro mission that she's incredibly proud of him, but this is clearly a leandra and hawke situation where that pride never translates into relief or resolution or unconditional warmth or understanding or anything that really helps.

[irisbaggins]

This episode validated me so much. I left a comment on one of the shorts on YouTube, and I fucking clocked it. I was right. K and Evan worked together on helping people after Magic Broke, and after Evan left K felt like they had to do everything on their own. I'm just gonna attach my original comment below (everything bolded is to emphasise what I feel very validated on due to the new episode):

YES. Exactly! K and Evan are, fundamentally, very similar in their complexes around others vs the self, aka how they view themselves and how their value is tied to their usefulness. I don't know why they broke up, but my money's on the fact that both Evan and K were drowning in guilt for their actions relating to the breaking of magic, and that put a strain on their relationship. Especially as both K and Evan started to become self-destructive (or, even more in Evan's case) in their attempt to "fix" their mistake. I have an inkling that their breakup was more due to them drifting apart because of their Atlas Complexes (taking the world/their family on their shoulders) rather than an explicit Wrong having happened.

But yeah, Evan is fully in the right about his bodily autonomy and K having ignored that. However, what this clip doesn't include is K's actual reasoning and mindset around this. They wanted to "fix" Evan the same way they've been "fixing" magic as Itsy, and they thought they could do it all on their own; do a massive task that should have been done by a community all by themselves. K attempting to heal Evan and then proceeding to royally screw it up was just the natural progression of K's spiral; they were going to create an explosion at some point if they continued to act as they were. It was just, unfortunately, Evan's arm that got blown up, and not their van.

I am just. I called it. In a YouTube short's comment. I called that the reason for K's erratic behaviour was due to their guilt and sense of responsibility, and K nearly spelled it out when talking to Jammer. And with this confirmation, I feel even more bolstered in saying that I genuinely think that K didn't think through their actions when attempting to heal Evan; they saw that Evan had been hurt and scarred after their breakup, and most likely felt guilt over that. They weren't there for him, which led to him being hurt and having an injury heal wrong. K's a healer at heart, someone who tries to help and fix things, and here's living proof that they weren't enough. That they weren't there for Evan because of their own complexes. They just...hadn't considered what it means to heal an already healed bone, especially when magic is less "whimsical" and a lot more realistic right now.

I could go on and on about K and how their character is amazing, but I'll leave this here for now and bask in the feeling of having my analysis hit true. It's really helping my confidence which I need, oh no I have so much to write for my thesis

[starscr0ss]

im thinking about celestia and the abyss being literal opposites (chaos and order) and im thinking about childe and lumine being sort of embodiments of that, just not in the way we think. after the latest natlan quest its clear to us what the fatui intends and what they want- i think the tsaritsa more than anything loves humanity, which is why she directly opposes celestia who are known for bringing down different civilizations. childe, as Her weapon and Her blade is an extenction of that: he's a blade forged by the abyss, bathed in Her holyness, meant to strike down those who sin. lumine (talking solely about traveler lumine) is the literal sister of the prince of the abyss, she has clear ties to it and at this point in the story still is hesitant about fully opposing him (i love angst). her entire story revolves around chaose and disrupting celestia's (and the fatui's) order. isnt that fun

i think what childe longs for the most is control- control of himself, his life, his powers, his story, his fate. i think what lumine wants the most is freedom, which is just another phacet of chaos

anyways. you see it. the themes are theming

[rearranging-deck-chairs]

if 9&10 were "dont wander off", and 11&12 were "the doctor lies", 13s rule #1 is "dont question me"

"have we not had a good time together" shes pointing yaz to the rule that yaz very well knows is there: we can travel if you dont ask me any difficult questions. yaz knows this is the rule - "because you ask too many questions", "this team structure isnt flat" - but she also was the one to invite the doctor into her home so im pretty sure she also knows shes not gonna kicked out that easily. she has some leeway. which she has been using between revolution and flux, which is why the doctor reminds her of the rules

i dont think she'd kick her out though. she wouldnt. i think it's just that the more you break the rule, the more unpleasant she becomes to be around, and eventually youre gonna walk out on your own. she doesnt want you to, she'd rather you stay and dont ask questions. but if youre gonna try to ask questions anyway, i think thats whats gonna happen

and yaz must think so too. because she does back off. because she doesnt want that to happen either. and it does anyway

[brionysea]

I'm trying really hard not to just be The Complainer because that's an energy I don't want to bring here when I love (present tense; I rewatch it like 5 times a day) arcane season 1 so much but does anyone remember when powder was taken in by silco and being raised by this very utilitarian merciless 'the ends justify the means' type character made jinx turn out violent and merciless as well. and vi was horrified by her and the lanes were terrified of her and piltover was falling over itself trying to scapegoat her as the one bad apple of the undercity to kid themselves into believing that everyone else was perfectly fine with being treated as less than. and that contrasts vi after vander etc. died because she was raised by him and internalised the idea that no one wins in war and fighting back against systemic oppression isn't worth the damage it causes to your own community which is why she ended up working with cait and the council like vander worked with grayson. the people who raised them shaped them into who they are today but then in season 2 jinx has a daughter and she's suddenly completely normal and well adjusted and her attachment style isn't digging her nails in until she draws blood at all. like What. what happened. didn't things used to mean something

[dykedvonte]

I think the most baffling thing about the Tulpar as a vessel to me is the fact that the ship really did only have a one way communication system.

I know it was cheap but even the most basic of vessels regarding major transport would have some way, shape or form for outside communication. Not only that but there was absolutely no form of innate emergency signal to show they may have been offline or in trouble despite clearly having a system to dock credits if they went off course. It's another factor that really shows that bad situations are made to get worse by design. One person who is required to relay all information to the crew and make all the choices without feedback. No way to update or call for help in case of a dire situation. No way to inform of inner personal conflicts and acquire procedures accordingly.

It really is like they are all in some sort of fucked up solitary confinement. They have their own world with strict roles that are meaningless in the end, as long as the cargo makes it, it doesn't matter what happens on that ship to the company. They don't want to hear anything and will come to conclusions on what happened based on how much pay they can withhold from the workers. Even what they do send is short, sterile and corporate to the extent it was likely written and sent out with a command by some random unmanned computer in an office.

There's something to be said about how unfair it is to force absolute power and control onto one person when you as an entity could do so much more to offload it but I've said it many times before so I won't again.

[riccissance]

taissa is so so tragic in that she literally can’t trust herself to keep her loved ones safe even though she desperately wants to… like, whenever she realizes things she’s done while sleepwalking, all she wants to do is fix it or keep it from happening again (assuring steve she won’t hurt him like biscuit while knowing she can’t actually do anything about it)… and she tries to fight off the other part of herself to keep them safe but only ever manages to make things worse (simone ending up in the icu)…

[transmascutena]

thinking about how akio sees his younger self in utena and wondering if there's any fondness there. doesn't change the horror of what he does to her obviously but i do wonder

[aelswiths]

*screams into the void*

[allthegothihopgirls]

i spoke to my dad's partner tonight about how my cat makes me feel safer alone. i KNOW he's not going to protect me at all, but i like knowing that noises i'm hearing aren't a cause for concern when he doesn't react to them etc.

tell me why she deemed it sooooo necessary to rip apart my logic to shreds. girrrrrllll i don't CARE that the reasoning i gave you has flaws..... it brings me comfort, does it's practicality rlly matter????

[stergeon]

at some point i will figure out how to write the post-canon, post-empire edelgard autonomy fic of my dreams. it just feels like a very big task and maybe like with playing the dane, i’m simply not old and traumatized enough to manage it yet.

but my vision is thus: it’s set years (realistically, decades) after the end of crimson flower, when everything has gone as right as it can possibly go. fódlan is thriving. the social reforms have taken effect. the nobility system is nearly eliminated, if not entirely so, with titles made merely symbolic. social mobility, welfare, and prosperity are high. there’s an explosion in arts and culture and technology. brigid and duscur have gained independence; relations with sreng and almyra are much improved; heck, maybe they've even figured it out with dagda. in my most idealistic version, leicester and faerghus would eventually be ceded back to become autonomous regions, essentially disbanding the adrestian empire. rule is no longer hereditary, but merit-based. there's a roadmap for the future, and everything is on track—and more than that, people at all points on the power spectrum have already seen it bear fruit. with or without edelgard, it will be pursued. there's buy-in. they believe.

of course, it's not perfect—nothing can be—but edelgard's vision has been fulfilled. the people are empowered. humanity is free. fódlan has healed.

and somehow, she's had enough time to resolve her goals outside of politics, too. those who slither in the dark have been eradicated. edelgard and lysithea's second crests have been successfully removed, allowing them to live if not full lives, then substantially longer ones than they would have with their twin crests intact. who knows—maybe she finally gets around to having that wedding.

point for point, every item listed in edelgard's manifesto has been checked off. the ghosts of her past have been laid to rest. she can finally take off her crown. she can finally pursue the quiet, humble life she's wanted for so long. she can finally breathe.

... but can she?

edelgard is nothing if not driven. her intelligence, vision, and sheer willpower allowed her to plan and execute a revolution against two countries and the most powerful institution on the continent, all while she was still a teenager. as royalty, her life was never truly hers even before she became heir to the adrestian throne, with all the additional baggage of survivor's guilt and the desire for vengeance and her need to ensure nothing that happened to her can ever happen to anyone else, ever again.

so what happens when that drive has no outlet? what happens when someone who has been constantly in motion, constantly working and planning and preparing every spare second of every day since she was fourteen years old, suddenly has to stand still? what happens when someone whose hands have been bound for so long—first literally in the dungeons of enbarr, then by the weight and responsibilities of her crown—is set free?

being edelgard, she would step away from the throne, no matter how hard it was for her to give up control. she's always been focused on the endgame, and she knows that if she doesn't let go, she'll be setting the wrong tone for fódlan's future. she's too devoted to that endgame to cling to power much longer than she needs to, though i could see her making some excuses and trying to iron out just a few more things to buy herself some more time to mentally prepare before she's done for good.

but who would she be then? who is the woman without the crown? what becomes of a machine once it is no longer needed, when it has made itself obsolete? what about when that machine is a person with legs and arms and an innate unwillingness to gather dust on a shelf?

what happens when you get everything you want? what happens when all your wanting has been for others to thrive, and now you have to want only for yourself? how do you discover who you are when you've spent decades being everything for everyone else? how do you find meaning again? how do you find purpose?

after a lifetime of devotion and passion and movement, how do you learn to sit with yourself, and be quiet, and be still?

gosh, i would love to meet her. i would love to pick her brain. but boy, i do not envy the work that girl has to do.

[fisherrprince]

oh so alisaie’s exaggerated bully behavior is 80% fanon. saying this she casually picks up a large rock