#WHAT it's true

[felinelord-bowbeforemepeasant]

REREADING TIME

I have some funfact

I don't know if anyone remember this but I was rereading some of the chapter and I see this note

And yup like the note say is was quite ironic for them to be like this

I think other than the two fukus they really should put fukufuku too but it a note so meh

[tawnysoup]

Finally now that the comic is fully public on comicfury, I get to share it with all of you here, too <3

If you enjoyed, please consider supporting by buying a PDF of the comic on itch.io: https://tawnysoup.itch.io/home-in-the-woods

[musashi]

i want more nuance to be entered into the discussion of the green girl sorority and how differently cynthia plays elphaba in comparison to those who came before her because while a lot of people are rightfully like "why was elphaba not black from the beginning" and celebrating that she is now being played by a black woman, i think we need to be careful in just writing off all the elphabas of the past as Random White Girls when the role was championed (and often followed/succeeded) by a jewish woman

the pop culture archetype of the Wicked Witch has deep roots in antisemitism stretching faaaar far back. there is a level of reclamation happening in casting idina menzel, a jewish woman, to play the Misunderstood and Maligned young girl who is branded as exactly that. and stage!Elphaba is also written and acted with jewish stereotypes in mind--she is loud, aggressive, no-nonsense, blunt. she is quick to advocate for herself and shut down the discrimination she faces. all of this is very intentional! her personality is abrasive from years of abuse, and that makes propagandizing her easy. this is literally the thesis statement of the musical--it's not about aptitude, it's the way you're viewed.

cynthia's performance of elphaba is fucking INSPIRED despite going in a completely different direction. she's much more reserved, analytical, one of her key character traits is how well she can read people (see her calling out Galinda as insecure/putting on airs in their first scene together, clocking that Fiyero is using his party guy persona as a shield for his own depression) elphaba's attempts to blend in and make herself smaller all fail simply because of her existence, if not that then because she feels empathy so strongly she often struggles to hold back from acting, protecting.

personality wise, though, cynthia's elphaba is very quiet and closed-off, not at all the bullet-to-the-face that she is in the stage show, and... she still gets propagandized and maligned. though this seems to contradict the other interpretation, it tells of the other end of the spectrum of propaganda, one that black women watching (and many, MANY other marginalized folks) are sure to identify with--it does not matter how "nice," how reserved, how small a black woman makes herself. a racist society will still scrutinize her every action for a way to parse ill intent from it, brand her as an angry black woman who is dangerous and wicked, and write off any humanity she has in the process.

these two very different interpretations tell of the lie of assimilation. the fact of the matter is, when you are marginalized, there is no way to sand down your edges enough to make the people oppressing you "accept" you. that is why wicked is a tragedy at its core. whether loud and aggressive or quiet and unimposing, there is nothing elphaba could have done to make the people of Oz see her as anything other than a scapegoat to blame all their problems on.

so while i definitely appreciate that people are excited for black girl era elphaba, i would encourage us all to still show appreciation for what came before--that was not white girl era elphaba. that was jewish girl era elphaba. two houses, both alike in dignity, two stories both worth being told.

[poorly-drawn-mdzs]

License to Kitty.

[wasabi-gumdrop]

local ladies man’s signature move totally useless against autistic monster enthusiast. more on Kabru’s fumble era at 6

[majoringinsarcasm]

DONT BE AFRAID TO COMMENT ON OLD FICS DONT BE AFRAID TO COMMENT ON FICS IN A FANDOM THE AUTHOR MAY NO LONGER BE ACTIVE IN. IF THE STORY IS STILL UP LET THEM KNOW YOUR THOUGHTS IT MIGHT JUST BE THE REMINDER THAT MAKES THEIR DAY.

SINCERELY SOMEONE WHO JUST GOT A REPLY THAT MADE ME WANNA MAKE THIS POST

[dairyofateenagegirl]

black women as vampires

[dangeroustaintedflawed]

[bamsara]

The Time Travel Trope aka each side of the ship travel back in time somehow to the counterpart's past self but in TROD AU

I wrote a mini-draft for this idea that might turn into an actual one-shot but just these for now. Second half is more shitpost than serious cause I really think Narinder would have to navigate a distrustful Lamb very carefully, and Lamb would mess with Bishop Narinder

[zuzu-draws]

[The Strongest "Hear Me Out"]

+ bonus Yuuji POV:

Apparently this boy ain't traumatized enough!!!🗣️🗣️

[marciaillust]

almost blown out bsky / twt / ig

[texaschainsawmascara]

Mini vampire hunting kit

[namespara]

"However, your partner -- JV -- is against the removal, citing public support for conservation"

My guy liked a political and poetical statement so much he utilised the law to keep it up

I never paint bgs EVER idk how this worked out but anything for secret lover boy angry french pissant!!! This tiny little info abt him had me by the throat goddamn

[unfortunately-a-fangirl]

[vamplire]

good evening to everyone deranged over a piece of vampire media