#Vinny Golia

[jazzdailyblog]

The Musical Journey of Bobby Bradford: A Legacy in Jazz

Introduction: Bobby Bradford, born ninety years ago today on July 19, 1934, in Cleveland, Mississippi, is a revered figure in the jazz world, known for his distinctive trumpet style and his significant contributions as a composer and educator. His journey in jazz, marked by collaborations with some of the genre’s most innovative musicians, has solidified his reputation as a versatile and…

[projazznet]

Vinny Golia Quartet – Sfumato

The Allmusic review by Steve Loewy awarded the album 4½ stars and stated “Each piece on the album shines, without a weak link anywhere, and the broad range of timbre, syncopation, and contrasting lines, with astonishing solo performances and versatility, ensures the staying power of an outstanding emblem of radical jazz.”

[leopoldainter]

Crazy Face: the look I am making

Then it's all of a sudden 30 seconds if the Revenge if Nute Gunray?note8sicßAktsis

Viceroy.G:What have I done.rainboTraidee

I was once punished by a pair of strangers who broke into my house and told me to kneel down against the wall and that my nose needed to touch it. Anyways nowadays you got your, it was already like that when I got there[Trump] and are you really talking to me or is this one about me but not me but my fans like to think so[k.Harris]

Touchin Edna Krabopoly rhijnopalastyesyefursxT

https://youtu.be/1GZMF1zEhck?si=wpehiM_uy2niSQ8G

んNorse向alくleグ;フォワEasterードfun出るfフίη;後Southward方untimely反るrather than;又West亦

https://youtu.be/s6b33PTbGxk?si=XqIcHQ6gHI2WWUTZ

Snow Castle and Igloo.

I did that. Then I dropped my booty to my ankles. Down.

AVALANCHE

Now here, on this page I supplied myself, I have墜 impressed with the words shapes that tested out.

Till we goad.uan

So if theres only the one

Snowy days of winter.and GoBismuthHystericalor calendar app update failed. Again it wantsdpassw

TKAMB In Chaparish, assuaged.bk Under yesjeez Dedication I suppose.bk Self-z-conscious yeahen thank you Shonda find a わこー主 ゔでりろ.bokfip

Has to point

Everything

Out, ladies.

Mighty might be in Angel moAim Bbbax主drilt

President it would be helpful to recall that Biden did not resign...he wants to Run against Kamala, and so she has stepped down so he will run HOT against coach. Duh! It wouldn't hurt to keep IN H mind that we knew Hillary conceded making HOT Trump the immediate preいちeminent being in the United States of America. This mattered HOT when Hillary tried to explain telepathically from a park bench that Trump isn't as important as her so she was allowed to say words over electronic waves that were basically fart. She farted! From her mouth, why was that so hard to HOTMESS understand...meanwhile Joe's crying to himself the last week because whichever of Kris Jenner's many potentially pregnant and currently actually pregnant hasn't gotten to time hem offer resolute speaking...oh the life LOOFAjenaniston. So...still he thinks because he sent 'quietly ' jYnX I tricked RO booth hero! So... yeah he thinks you peopleTM dont know this isn't between him and I but rather I am smudging my love for birthday cake manHO wall.. romaCappoia V for vaginal penetration. Did it. Hot Messajenanisstin ohm isle nuissance!HOT uncensored Melt. Tuna mostly...with capers and garlic.4ITьιίNationalityWreakon Goal Post,clawed foot

Like for baths and the like but also like monsters

All mar

BAL そ

ロPressure

サーち,リーい,

ナファイichセーラー11Xi9

Moorehouse剣; goliaやあいォゲHotMessHostin

Pasta? Patty?

Schlong!Nokia me wop!

In the interest of preserving pair Mental authority we forget for this household the using of the word down for written prodikellar.rikkrts

Debra's always like, as if he knows how to behave.

Voilá, worried that meant something my "guests" 'bought me' I'm not sure they worked or earned money so it meant all the more: MISTY'S TENTACRUEL Deck! ERIKA'S VILEPLUME Deck! I wanted battle for Naboo for N64 because the time I installed it on the PC Vinny Jones realized we have a PC and the computers running windows 98. Give it abit heat the he tough touch!Bloodhound Gangam Style. Why not tell him about hiw we woke him up to see the Northern Lights but I was too tired to remember WWF N64, taken from my Audior Carriage. Sent it in. Now they see, look there's pregnant then there's obese.

Oooo, obsessive, shapely, wearing a leai - Target... fights other wo.en Ma ga

Thank the bleeding heart wit Portuguese who signed onto the Schengen Zone. All airports will have an EU Passport yabba holders only lane. Ma ga! Ye ha! Dew ga

This is hoe ii Swisst

Well not that part that part is up your knees touch....the carpet...

DGiovani saw one of these once. She and the actress who played Princess in SPACEBALLS shared aun.Shanon to visit. She saw them try ask me to kneel down by the fire place on my eighth birthday. To this day anyone looking at that fire poitscomplety un fazed by the Brick Wall with chimney outcropping.

Someone guided by fire place with pure gold. No one notices, the things either too hot to touch, or its dusty.pinky

But in her case, a email is a really big deal. It started coming to her as Puzo handled the door handlevwhile ivworked the frame. I was the receptor of this "email" that I foretold to mom. It of course evoked itself in the form of two separate books for starters.

One was of Tyler, Adam and Scruffy visiting Santa at the North Pole. The other was of Tyler, and his stuffed dipper Diploid throwing a forest tea party where no animated character appeared shot in the stead of camera Angel's. Thats why people stopped "dying" and there was like a huge population thing over the last century.

Empire State Fire and squirelots

See, Pearl Harbor was so the Russians, of the time, they were the Barbarians or mongoloidion.

Smile!

Take a seat.

Red SAYS that she wants to look fierce...

Hi, I heard this song on the radio and felt you should know I'm fine. I am doing fine. A pet fire pit. Moby does remixes to my favorite hits. How about you? Ford, president walkie sloppy Shrek 2

Then she added me to her mailing list.

Hey my Yankee Doodle buddy boy. How are you. I just bought the album by The Fray. Do you watch Grey's Anatomy? My house is on the news for being on fire so I'll have to get back to you.

Love,

Yoleii

I am Faiza! Otherwise the 'best piece' a of evidence of my sanity is the message$ that contains a therapist falsely!moral! sessions stating that it was not colluse being recorded recorded as it were he, a idiot, say doing what he is told at many times throughout the well I'm just sorta excited I'm going to Leave The Office to meet my one time patient early, outside, where he might be, if he was waiting by heir there ok let's do you want to start Welfare early we are all waiting inside. Here, this place ODSP OW. Grants and for informateshuciticals and job postings to ow glasses plus and diabetic sup'ort'piv

-betcha it's a cat. They're notoriously recognized to not explode under these 'psych2t8tions,'

Comin at ya like an electron microscope waiting ting ting oh yea. *FART* You're self on me too rough Lass? What who said that. HENbledシcklre

You are doing important Leveling Action. Ever get stranded on a river with only a friend and about a canoe. Imagine that only your paddle's unwanted and there's isn't and its just to late to do anything a bod ite🤯🥸

咄チャット

Foolish Talk: this is a convertsation;tsa missing in basic English productions. Hello M.Jenner and Meg the one we one two three and fay egg must be ikea monkey fans on the line out again

I'm horny to ideas like flat plates ok. It's my unsanded inner skull, trust me if I got around tog san den mine own skullunit we'd all Wonderbra Wednesday is todd. Or rabbit gf. We'll thats just creepy. No, I said as many

fritocasseroles I don't care how long she's been out of the hospital dammit. I have a plant to pot all of a sudden Dammit!

forward >EAST フォワード;出る!でる

Phallic combines standard Motion to destined Appraisals. Fortunate Resolver. An Easter Story familiar as they all are. Egg trails rabbit something.

toward ^NORTH に対して;向く!むく

AnguishtTogether!

backward vSOUTH 後方;反る!そる

Suffocate gas is a fluid.

otherwise <WEST そうでなければ;又;亦!またまる

Wack! We have ducks at out Easter. Yeah!

まるMarrow Opening

We had to invent TikTok thats how best these momentous time ounces are in fact.l!nut

Buffy clip @ Sailor Mercury quote: keep scrolling

The Game Switch: stage1

CRASH

help me I'm soapy and whatever...a promise is a promise, less its kept sewn

We are going to the chaptoile and we're gonna try something scary

譚/;美少女戦士/セーラームーン

主 Bane of Marilyn[START]

十/どのもーどで あそびますか？

into parts: Olden(left)based in stonework High[right] justified against.

天 おとこのこ

Heavenly Boy;Righteously gendered

万 おんなのこ

Ten thousand girls;Go Around

#a lost clip. A sad boy, a Dave jobs The patchy Squirell.

Guy Mondoux, scuds certified, has a space for a dishwasher, for no reason. Call him at (613) 443-0174 any time he's home at 163 Otter St. Cambridge Forest Estates.

助けてhelp, rescue, assist助け手*AIDイhand

ジョ, たす.ける, たす.かる, すけ//シュ, て, た

R戦chatMark;Act moment north eastward and Act moment North]e,n,gN

以r:IS Here; entrance to activation 向く

単譚ア向く:Final game surface act

美譚以くく亦入向く first jewel[Config file]

LeftHomeTriggerChat::Jewelry shoppeくく亦

くく亦BigMac palace

Locker Room Raid courtesy of Sam Simmonds

いらっしゃい うさぎちゃん

おこづかいで かっていってね

. Ю

Welcome, Usagi!

.. юギ

Going to buy

something with

.. юヤ

your allowance,

eh?

.. юヴ

うさぎたやん へんよ まちに

てきのエナジーをかんじるわ

. Ю

Usagi

it's strange.

.. юヌテ

I feel the

energy of an

.. ю

enemy in this

town.

.. юサ

どうしたの うさぎちゃん

おきにいりは みつかって？

. Ю

She's wondering if your interested in getting heat stroke, or mascara.

What's wrong,

Usagi?

.. юカ

Find anything

that you like?

.. юge?ゲヲ

GAME SWITCH:Ra visit Intersex;Luna return.

いらっしゃい うさぎちゃん

おこづかいで かっていってね

"

Come on, Usagi-chan, take care of your pocket money.

Take your pocket money and tell me

%

Welcome, Usagi-chan

'

Welcome

Rabbit

.

Take care of your pocket

Let's say that

うさぎたやん へんよ まちに

てきのエナジーをかんじるわ

"

It's not strange, I feel the energy of the town

%

It's not strange in town

'

It's a rabbit

It's not strange

,It's not strange here.

In town

,How about this place in town?

.

I feel the energy

,What energy I feel

どうしたの うさぎちゃん

おきにいりは みつかって？

"

What's wrong, Usagi-chan, did you find your favorite?

%

What's wrong, Usagi-chan

Did you find your favorite?

'

what happened

Rabbit

.

Okiniiriha

Did you find it?

なにかへんよ

"

Something is wrong

%

'

みんな

げんきが なくなってるわ！

"

Everyone's in good health!

%

Everyone

I'm out of health!

'

EveryoneHow's everyone here?

.

I'm fine

It's gone!

なにをいっているんだい

"

What are you talking about?

%

'

おなた

なるちゃんのママじゃないわ！

"

You're not Naru-chan's mom!

%

you

I'm not Naru-chan's mom!

'

youHow about you here?

.

I'm not Naru-chan's mom!

なんだ おまえは！

"

What are you!

%

'

What is itWhat is this place?

You are

うさぎちゃん

サーラームーンに へんしんよ！

"

Rabbit-chan, I'm sorry for Sala Moon!

%

Rabbit

I'm sorry for Sala Moon!

'

Rabbit

.

To Sala Moon

It's strange!

ムーン プリズムパワー

"

Moon Prism Power

%

'

MoonIt's a moon here.

Prism power

メイクアップ

"

Makeup

%

'

おいと せいぎの せんし！

セーラームーン きんじょう！

"

Ooi and Seigi no Senshi! Sailor Moon Kinjou!

%

Ooi and Seigi no Senshi!

Sailor Moon Kinjou!

'

OistoHow about this place?

The work

That's right!What do you think of this place?

sailor moon

Kinjou!

セーラームーンだと！？

めざめよ ようまども！！

"

It's Sailor Moon! ? Awaken Yomadomo! !

%

It's Sailor Moon! ?

Awaken Yomadomo! !

'

It's Sailor Moon! ?

.

Awake

Yomadomo! !

Erika's Gym: My makup

Without cut

LASS

Chirp taint

You're too

BEAUTY

JR.TRAINER"F.

BULBASUAR LINE

BULBASAUR:美以女戦仕

Crash Deck: interAction

Stage1

LASS

なるゃんの ママがやつている

ほうせきなバーゲンへ いったの

/てっ

とっても やすかったから

ひとつ かっちゃったわ

/;;

Naru-chan's mom is the one, so it was very easy to go to the hoseki bargain, so I got one.

Molly

うさぎちゃん きてくれたのね

なかにはいって みていって

/のて

Usagi-chan, you've come, so go inside and take a look

Luna

うさぎちゃん へんよ まちに

てきのエナジーをかんじるわ

/ちわ

Rabbit-chan, it's strange, I feel the energy of the town

Stage2

Molly

うさきちゃん きょうも

いっしょに おひるたべようね

/;う

Let's have lunch together today, Usaki-chan

Melvin

うさきさん テストどうでした

おもしろい てんすうてすーね

/しね

おっ おひるだ おべんとうよ

/う;

Usaki-san, how was the test?

It's interesting, isn't it?

Oh, it's lunch

Olivia[lye:oliveOilhui]噺via

Mercury

うさぎちゃん こんど えいご

おしえてあげるね

/い

Rabbit-chan, I'll tell you your English next time

兎;兔;菟/卯年;うさぎどし

<噺via はなし に対して 向く 10ばん ちゅうがく> [008000x5]

Reveals familiarity codex.

ゃんの

ヤングyoung

ヤンキーYankee (northerner;Charlatan educated)

LASSなるゃんの

For LASS: ヤンマ(n) lamenting (German Jammer); マ(exp) (abbreviation) (slang) for real;LASS & Usagi(User:cursed) use ママcarrying technique.

生る 卯Seed年 兎Real;兔radii;菟Plant

€{Last Imitation of E2:おしおきよ！ 占いハウスは妖魔の館Punishment Awaits: The House of Fortune is the Monster Mansion

Hostess

ほうそうちゅうは

ぶがいしゅ たちいりきんしよ！

/;し

しごとのじゃまを

しないでちょうだい

/;;

Hosochu is a good time!

Melvin

うさぎさん みましたか？

ほうそうしつに ボディコンの

/;ン

おんなのひとが いましたよ

/よ;

Have you seen the rabbit? Well, there was a bodycon girl.

Luna

どうしたの ルナ？

かっこうのなかまで はいってきて

/;っ

うさぎちゃん がっこうのなかから

へんなしゅうはすうの おんがくがおさ

/なん

ながされているようなの

しらべてみてつ！

/;;

What's wrong, Luna? It's like you've got inside the puff and it looks like the rabbit is being hung from the middle of the school, check it out!

Stage3

Option

いらっしゃいませ

とうスポーツジムへ ようこそ

/;こ

さいしんの せつびと

せんもんの インストラクターが

/;タ

あなたのいらない ぜいにくを

すっきり おとしてみさますよ

/くす

たいけんコースが あるって

きいてきたんですけど

/て;

どうぞ ごじ��うに

あせを おながしください

/;;

うさぎちゃん

きがえにいってくるねっ！

/;;

あっ！ なるちゃんまってよ

/よ;

うさぎちゃん おそいおそい！

はやく きがえにいこうよ！

/い！

All it'd

Welcome to the gym, welcome to the sports gym, and the instructor of the senmon senmon. I've heard it, but please, please give me a heat rash. Ah! Naru-chan, wait, Usagi-chan, it's slow! Hurry up and go to change!

Mars

うさぎ きをつけて

このスポーツジムには

/;;

ただならぬ ようきをかんじるわ

ちゅういしたほうがいいわよ

/じよ

Rabbits, I feel like I'm not in the middle of this sports gym.

LASS

Who me? I'm just guarding the change rooms

She's wondering if your there to get heat stroke, or mascara

Erika's Gym: Jr.Trainer Female

Ss

わからないことがあったら

なんでも ごしどうしますよ

/;よ

If there's something you don't understand, what will you do with it?

Ss

ここからは たちいりきんしです

はいらないでくださいね

/し;

From here on out, it's a little bit, so please don't need it.

Luna

うさぎちゃん！

/;;

ルナ！ どうたの？

/;;

こっそり ついてきてたの

このゼルなにかひみつがあるわ！

/;る

そのドア あけて

なかを のぞいてみましょう

/;う

Rabbit! Luna! How was it? I've been secretly following this Zell, there's something secret! Let's open the door and take a peek inside

Naru-chan's mom is the one who's done with a hoseki bargain, so it was very easy, so I got one, the rabbit came.

SPLICE

I feel the energy of a lot, Usaki-chan, let's have lunch together today,

Mr. Usaki, how was the test?

FAMILIARITY

Rabbit-chan, I'll tell you about this next time. Please don't get in the way of your work, Usagi-san, have you seen it? Well, there was a bodycon girl, what's wrong, Luna? I've come in to the middle of the day, and I'll try to find out if the rabbit is hanging out from the inside of the rabbit! Welcome to the gym, welcome to the sports gym, and the instructor of the senmon senmon, you don't need you. I've come to ask, but please, please give me a heat rash. Ah! Naru-chan, wait, Usagi-chan, it's slow! Hurry up and go to change! Rabbits, you'll feel like you're not at all in this gym. It's getting worse... If there's something you don't understand, I'll do whatever it takes. Luna! How was it? I've been secretly following this Zell, there's something secret! Let's open the door and take a peek inside

Stage1 Lass Naru-chan's mom is the one who's gone to the hose bargain, it was so easy, so I got one. Let's take a look at it / LUNA Usagi-chan, it's not strange. /; Melvin Usaki How was the test? I'll tell you / I'll be hostess. /; Don't get in the way of your work /;; Melvin Rabbit-san, have you seen it? There was a body-consult /; girl / yo; Luna, what's up, Luna? I've come into the middle of the day /; Usagi-chan, I'm going to have a good time, so I'll try to find out what's going on! /;; Stage3 Option Welcome to the gym. I've heard that there's a course for me to take a break / te; Please give me a heat rash /;; Rabbit-chan is going to change! /;; Ah! Naru-chan, wait a minute! Hurry up and go to change! / Yes! All It'd Mars Rabbit, I'll feel like I'm in this gym /;; SS From here, it's a little bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit /;; Luna! How was it? /;; I've been secretly following this Zel. /;

[catsynth-express]

Vinny Golia on contrabass clarinet! (at Berkeley Finnish Hall) https://www.instagram.com/p/Cpbt_asOn8e/?igshid=NGJjMDIxMWI=

[doomandgloomfromthetomb]

A Love Supreme Electric: A Love Supreme and Meditations

We checked out a live outing of Henry Kaiser’s Love Supreme Electric project a little while back — but here’s a very nice studio recording of the loosely organized ensemble. A very fun listen; reverent but adventurous, familiar but brand new. Mike Watt and John Hanrahan are an especially strong rhythm section, really getting inside the tunes and allowing the lead players to stretch out and explore. Maybe because it’s the less iconic piece, Meditations feels a little more successful than A Love Supreme ... but it’s all fantastic nonetheless. 

[diyeipetea]

JazzX5#253. A Love Supreme Electric: "Psalm" [A Love Supreme & Meditations (Cuneiform Records, 2020)] [Minipodcast] Por Pachi Tapiz

JazzX5#253. A Love Supreme Electric: “Psalm” [A Love Supreme & Meditations (Cuneiform Records, 2020)] [Minipodcast] Por Pachi Tapiz

“Psalm” A Love Supreme Electric: A Love Supreme & Meditations: A Salvo Inspired by John Coltrane (Cuneiform Records, 2020) John Hanrahan, Wayne Peet, Vinny Golia, Mike Watt, Henry Kayser. El tema es obra de John Coltrane. © Pachi Tapiz, 2021 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de…

[asianamsmakingmusic]

PATRICK SHIROISHI - saxophones VINNY GOLIA - saxophones DYLAN FUJIOKA - drums ALEX CLINE - drums & percussion Recorded on the 7th of October, 2018 by Samur Khouja at Seahorse Sound Studios, Los Angeles, CA Mixed and Mastered by Felix Salazar

[dustedmagazine]

Dust Volume 5, Number 3

Photo by Rene Block, Courtesy of the John Cage Trust

In like a lion, that’s how we’ll do March at Dusted, which is to say in a gigantic leap, with blood and innards trailing from a toothy predator’s mouth. Well, that’s the hope, but actually, we’ll probably just listen to some music and write some reviews. Case in point: this edition’s Dust candidates, which include sci-fi techno, a blissed out dub version of “Love Will Tear Us Apart,” a Portuguese guitar duel, some churning stomach fluids and a percussive interpretation of koan-like John Cage. This time, the team was limited—just Bill Meyer, Jennifer Kelly, Jonathan Shaw and Peter Taber—but mostly enthusiastic. We hope you’ll find something to like, too.

CMD — Obscure Worlds (Several Reasons)

Obscure Worlds by CMD

On the face of it, CMD’s Obscure Worlds is a sci fi-themed techno album, which doesn’t do much to separate it from the broader genre. Scratch the surface, and you find an album of detailed techno vignettes that refuse to stand still. In less than three minutes, “Uneven Landing” layers crushed static onto knocking digital debris, with a rapid-fire kick added to the mix two minutes in. On “Obscure Manifestation” a foundation of pulsing static sets the stage for otherworldly peals of feedback. “Death of a Galaxy” reaches toward the undulating bass engineering of an Yves de Mey track. “Through the Wormhole” hints at industrial fuzz a la AnD while maintaining a bit more restraint, with a switch-up in the kick pattern four minutes in that isn’t exactly characteristic for techno. Given the density of musical ideas, many of the tracks could have been extended, but they last long enough to satisfy. If the album’s concept was intended to prompt a creative, concise set of techno variations, it did the trick. Obscure Worlds feels like getting a glimpse into a techno sound-design obsessive’s sketchbook, in the best possible way.

Peter Taber

 Julien Desprez / Luís Lopes—Boa Tarde (Shhpuma)

The title translates from Portuguese as Good Afternoon, and from the sound of this record it was. Both Julien Desprez and Luís Lopes are known for bringing the electricity to jazz ensembles, but when you put a couple of guitarists together it’s possible that they will connect around the instrument, not any particular genre. So it is here, but just what instrument are we talking about? The electric guitar? The amplifier? The pedals? Or all of the above? Let’s go with the latter, because this music is more about the interplay of timbres, textures, contours and sound waves than melodies, harmonies or beats. Imagine the jousting of train sounds issuing from converging valleys, the shudder of twin flexing suspension bridges or maybe just the shared sweet spots of a couple guys who probably wore out more than one CD player spinning Thurston Moore and Nels Cline’s Pillow Wand. Or don’t imagine at all, just listen to this artifact of one good afternoon in Lisbon.

Bill Meyer

  Carol Genetti / Gwyneth Zeleny Anderson — Chyme (Suppedeneum)

Carol Genetti’s vocals operate beyond the boundaries of language. On Chyme, which is named after that gurgling stuff that sloshes around in your stomach after you eat, she electronically manipulates and juxtaposes sounds that humans have been making since before they thought up the first words. You might get disoriented trying to make sense of her pre-lingual exhalations and utterances, so visual artist Gwyneth Zeleny Anderson has prepared a listening score for each of the CD’s four tracks. Each score is a vibrantly colored, circuitously shaped paper cutout, the handling of which will put you (back?) in touch with the experience of pre-GPS, map-based navigation. Anderson’s combination of vibrant colors and text cues prod you out of passive listening and into a vocal / visual interaction with the sounds, which are by turns eerily beautiful and absolutely hackle raising. You will not encounter another record like Chyme.

Bill Meyer  

 Golden Daze—Simpatico (Autumn Tone)

Simpatico by Golden Daze

Hold up, you don’t need musical difficulty all of the time. No, there are hours and days and (occasionally) weeks when you don’t want propulsion or tension or contradictory impulses in your tunes. Life itself is full of that shit. You want something easy. You want something like Golden Daze’s Simpatico, an edgeless, frictionless, limpid pool of baroque pop, with soft whispery vocals and sumptuous clouds of guitar flurries and bright bars of electronic keyboards, unending prettiness, unconflicted lemon-y wistfulness.  “Blue Bell,” the single, is like the Clientele with the bones picked out, an enveloping haze of pastel colored sound. There’s a bit of drumming in a song called “Drift,” but it only seems to heightened the disembodied floating-ness of the song’s breathy sway. “Simpatico,” at the end, emerges out of haze and fog, with warm, brushes of guitar and soft, dreaming verses, then slips out of sight. Golden Daze indeed.

Jennifer Kelly

 Golia, Kaiser, Moses, Smith, Walter — Astral Plane Crash (Balance Point Acoustics)

BPA 18 Astral Plane Crash by Golia / Kaiser / Moses / Smith / Walter

p>Henry Kaiser, Damon Smith and Weasel Walter are Plane Crash, a guitar-bass-drums trio tough enough that it doesn’t have to act tough. The musicians’ common bonds are an appreciation for the atomized activity of vintage English free improvisation and a shared determination to communicate intensity through intent and focus, not bluster. Things get cosmic when you bring in West coast woodwind veteran Vinny Golia and drummer Ra Kalam Bob Moses, who played with Rahsaan Roland Kirk at an age when most kids are first trying to cadge their parents’ car keys. Moses and Golia had never played together, but they roomed in the 1960s, and their presence complicates Astral Plane Crash’s prevailing MO of quick micro-interaction in interesting ways. The flutes and saxophones run thick and slow under APC’s dust devil swirl. And Moses and Walter sound like their having a blast making like converging storm clouds, each pelting hail stones from a different direction so there’s no way you won’t get a chill down your neck. At two tracks and a hair under 80 minutes, this is all-in stuff, but when the changes come as quick and compelling as they do here that’s a feature, not a bug.

Bill Meyer

Matt Hannafin / John Cage—Four Realizations For Solo Percussion (Notice Recordings)

Four Realizations for Solo Percussion by John Cage & Matt Hannafin

In a life of ideas that spans 79 years, a guy might change his mind. John Cage famously expressed disregard for jazz, the most notable American manifestation of musical improvisation in the 20th century. But his problem was more with corrosive expressions of the self and human prejudice than it was with improvisation per se, thus his preference for chance operations. You can’t impose your personal bullshit when you submit to the random. Near the end of his life he dropped his opposition enough to write compositions that invited improvisation, which was distinct from chance operations. If that sounds like a convoluted process, consider the name of this tape’s first piece. “c Ȼomposed Improvisation for One-Sided Drums with or without Jangles” reads like a koan, which makes some sense given Cage’s engagement with Buddhist teachings. That’s just one of the four pieces that Oregonian percussionist Matt Hannafin recorded for this tape (or download, which is probably a more Buddhist format than a tape). In his hands, Cage’s music becomes a vehicle for feeling both the presence of a healthy blow and the unoccupied presence of the variably proportioned spaces where Hannafin isn’t hitting anything.

Bill Meyer

 Gerrit Hatcher — Parables for the Tenor (Astral Spirits)

Parables For The Tenor by Gerrit Hatcher

One listener’s marvelously wigged-out sound is another’s torture. An audience member’s transformative listening experience might be in response to a sound producer’s moment of hollow display. You might hate a person’s most sincere expression or be deeply moved by something they do with their fingers and lungs while they try to remember where they left their bottle opener. Chicago-based tenor saxophonist Gerrit Hatcher had these existential quandaries in mind as he recorded the six solo tracks on this tape, and who’s to say if that’s why this music has such bite? Maybe it’s better to note that he makes sounds that feel linked to the work of certain Sun Ra associates and Archie Shepp into statements that don’t sound irrelevant at the tail end of the second decade of the 21st century. Hang with him while he blows and you might be changed, either because he’s ripping transformative shapes in the air or because that’s already where you’re taking yourself. Either way, what do you have to lose?

Bill Meyer

  Hübsch Martel Zoubek — Otherwise (Insub)

Otherwise by Hübsch, Martel, Zoubek

There’s a world of improvised music that never crosses that precious Yankee border, and this is group is part of that world. Take one German tuba player, one Canadian viola da gamba player and another German on piano, throw in some pitch pipes and a synthesizer and what do you have? You have the raw material for a session of highly refined interaction. On the spectrum from process-oriented to outcome-oriented improvisation, these musicians tend more to the latter pole. The piano has been prepared to render gamelan-in-a-box sonorities, the tuba’s tones consistently gravitate towards ground-liquifying depths and the strings buzz in splintered contrast. The music unfolds patiently, never lapsing into clutter or confusion, and yet it never telegraphs the next move.   

Bill Meyer

  Jäh Division—Dub Will Tear Us Apart…Again (Ernest Jenning)

Dub Will Tear Us Apart...Again by Jäh Division

A jokey side hustle with an aughts all-star psychedelic pedigree, Jäh Division grooved hard, if obscurely, joining a love of dub, a reverence for Joy Division and a clutch of old keyboard gear. The line-up well exceeded solid with Brad Truax on booming, reverb drenched dub bass, Barry London manning a garage sales’ worth of vintage electronics (Roland RS-09, Realistic Concertmate MG-1, a Moog) and Kid Millions busting up organic and synthetic drums. This disc collects songs from a 2004 12-inch, plus bonus material including covers of Desmond Dekker’s “Fu Manchu” and Jackie Mittoo’s “Champion of the Arena.” These two are trippily wonderful, but the heart of this goofy fever dream is a nodding, pulsing, synth wreathed version of “Love Will Tear Us Apart.” It’s a jam that could go on for days or last only a second (technically it goes ong a bit over four minutes), as it distills post-punk and reggae and experimental art rock into an unending now.

Jennifer Kelly

 Miscarriage — Imminent Horror (Sentient Ruin Laboratories)

Imminent Horror by Miscarriage

Much alike Stormy Daniels’ description of the Chief Executive’s fungoid phallic member, the world didn’t really need this tape from international doom metal crew Miscarriage (who hail from Sweden and the United States) — but now that Imminent Horror is here, it’s sort of hard to ignore. And once you’ve heard it, you’ll have a hard time removing it from your memory, much as you might like to. Lots of metal bands like to talk about how “disgusting” and “putrid” their music is. Miscarriage do more than talk. The noises they make sound and feel like a huge bubble of noxious gas painfully working its way through a diseased intestinal track. It’s slow. It’s gross. It doesn’t create any sort of pleasure. It’s only minimally more coherent than listening to the aforementioned Chief Executive attempt to speak in complete sentences. In all those ways, Miscarriage have made music for our times. Good luck to us all.  

Jonathan Shaw  

 Shady Bug—Lemon Lime (Exploding in Sound)

Lemon Lime by Shady Bug

Shady Bug, out of St. Louis, makes a mathy pop so stretchy and bendable that you expect a bo-oi-oi-ing when its wandering melodies snap back into place. Under the guidance of classically trained Hannah Rainey, the band sets up intricate, jerry-rigged machinations that work by their own logic. Yet though complicated, these tunes have a vulnerable sweetness to them, mainly due to Raines’ hiccupy sincere delivery, which tips and lists as the wind blows. “Make It Up,” the single floods the sonic plane with power-washing blasts of amplified guitar, then cuts to a jittery next-to-nothing of angling, cross-cutting guitar lines. It’ll remind you of Pavement and, more recently, Speedy Ortiz, except in a fetching, kid-sibling-ish way that tugs at your sleeve and your heart.

Jennifer Kelly

[mosaicrecords]

Bobby Bradford Quartet: Sidesteps 2014

This swinging, Ornettish piece Sidesteps is by Bobby Bradford, one of the most underrated trumpeters in jazz. His quartet with Vinnie Golia is caught in performance at the 2014 Angel City Jazz Festival in LA.

-Michael Cuscuna

Follow: Mosaic Records Facebook Tumblr Twitter

[don-lichterman]

To Live and Breathe… album review @ All About Jazz

To Live and Breathe… album review @ All About Jazz

Vinny Golia / Bernard Santacruz / Cristiano Calcagnile: To Live and Breathe… album review @ All About Jazz Home » Jazz Articles » Vinny Golia / Bernard Santacruz / Cristiano Calcagnile: To Live an… Album Review By Mark Corroto July 8, 2022 Sign in to view read count None of the three musicians heard on To Live and Breathe… had ever performed together before this set of live music recorded in…

[jgthirlwell]

2019 year in review

This year I also invited some friends and colleagues to reflect on 2019

JG Thirlwell

Composer Foetus Xordox Manorexia Steroid Maximus Venture Bros Archer

www.foetus.org

30 Albums of 2019 (although not all of them came out in 2019) Damon Locks & Black Monument Ensemble Where Future Unfolds (International Anthem) Le Grand Sbam Vaisseau Monde (Dur et Doux Caravaggio Caravaggio 2 & Turn Up (La Buissonne) Swans Leaving Meaning (Young God Records) 13 Million Year Old Ghost (Chaykin) Ben Frost Dark Cycles 1 & 2 (Invada) Sote Parallel Persia / Sacred Horror In Design (Diagonal) 33EMYBW Arthropods (SVBKVLT) Anna Meredith Fibs (Moshi Moshi) Kelly Moran Ultraviolet (Warp) Thom Yorke Anima  (XL) Hildur Guðnadóttir Joker Soundtrack (Water Tower Music) Lingua Ignota Caligula (Profound Lore) Igorr Savage Synusoid (Metal Blade) Oli XL  Rogue intruder Soul Enhancer (Blo-onm) Red Fang Murder The Mountains (Relapse) Michael Kiwanuka Kiwanuka (Polydor) Richard Dawson 2020 (Weird World) Idiot Flesh Fancy / The Nothing Show / Tales Of Instant Knowledge and Sure Death (YouTube) Ikarus Echo / Mosaiasmic (Ronin Rhythm Records) Poil Sus / Mula Poil (Dur et Doux) Orange Goblin A Eulogy For The Damned (Candlelight) Nivhek After its own death / Walking in a spiral towards the house (Yellow Electric) Ni Pantophobie (Due et Doux) Andrew WK You’re Not Alone (Sony) Rustin Man Drift Code (Domino) Kishi Bashi Omoiyari (Joful Noise) Liturgy HAQQ (YLYLCYN) Croatian Amor Isa (Posh Isolation) Schnellertollermeier Rights / X /  Zorn einen ehmer üttert stem!! (Cuneiform) Scandinavian Star Solas (Posh Isolation) Synth Sisters Euphoria (EM records) JPEGMAFIA Veteran + All My Heroes Are Cornballs (EQT)

Notable Concerts I went to dozens of concerts and events in 2019. Here are some of the most notable. All in NYC except where noted.

Jan 8  Matt Marks Tribute at  Protoype Festival. Roulette Jan 19  Lemon Twigs MHOW Jan 26  Julia Wolfe /  NY Philharmonic Fire In My Mouth Lincoln Center Feb 16  Lucretia Dalt Issue Project Room Feb 23  Willliam Basinski  Ambient Church Mar 13  Lou Reed Drones St John The Divine Mar 18  This Heat LPR + July 31 at Elsewhere Mar 20  Oran Ambarchi  Fridman Gallery Mar 28  Fire! at Zurcher April 11  Aphex Twin Avant Gardner May 4  Zombi El Cortez May 11  Lawrence English Knockdown Center May 13  The Who + Orchestra Madison Square Garedn May 15  Alva Noto Metropolitan Museum June 11  Andrew Cyrille Marathon Roulette June 13  Christeene / Nastie Band Brooklyn Bazaar June 26  Simon Hanes National Sawdust July 27  Nick Zinner 41 Strings Rockefeller Center July 30  Flaming Lips / Lennon Claypool Delirium Capitol Theater Portchester Aug 2-4  Bang On  A Can LOUD Festival Mass MOCA Notth Adams Aug 27  Pharmakon St Vitus Sep 5  JD Emmanuel Issue / First Unitarian Church Sep 18  Lingua Ignota St Vitus Set 21  King Crimson  Radio City Oct 10�� Melvins Warsaw Oct 19  Helm Cafe Oto Nov 1  Marc Almond Brooklyn Bazaar Nov 6  JPEGMAFIA Bowery Ballroom Nov 23  Caterina Barbieri Unsound Fest, Knockdown Center Nov 30  Knower Bowery Ballroom

Film & TV These films were flawed but resonated with me.

Chernobyl Ozark Once Upon A Time In Hollywood Joker Midsommar The Irishman Uncut Gems

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Matt Johnson

The The https://www.thethe.com/

Looking back on 2019 I decided to list a handful of political / alternative news websites rather than films, albums or books. In the UK the corporate media stooped to shocking new lows during our recent General Election campaign. Such dirty tactics are to be expected of conglomerates owned by the likes of Rupert Murdoch and his fellow right wing billionaires but this time around, previously ‘liberal’ outlets such as the BBC and Guardian also fully participated in the outrageous lies, smears and character assassination against the leader of the opposition Labour Party. The British population were now being forced fed the Establishment’s propaganda du jour from every possible direction. Personally I try to gather my information from as many alternative outlets as possible to contrast with the 24 hour corporate brainwashing we’re subjected to these days. I’ve listed just five sites from the dozens I regularly visit and although I certainly don’t agree with everything expressed on these sites I do feel that it essential that in supposed free and democratic societies we are at least exposed to a variety of viewpoints and opinions - rather than being trapped inside social media echo chambers in an Internet that is increasingly controlled and censored by sophisticated algorithms and where politically correct digital lynch mobs accuse anyone with an opinion that contradicts the official narrative of being a Russian agent! Anyway, a Happy New Year to you all and here’s hoping 2020 sets the new decade off in roaring style!

https://www.medialens.org/

https://www.truthdig.com/author/chris_hedges/

https://www.corbettreport.com/

https://thesaker.is/

https://thoughtmaybe.com/about/

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Tristan Perich

Composer www.tristanperich.com

Here is a rather random selection of 10 of my favorite tracks of 2019, mostly courtesy Spotify recommendations over the year...

Full playlist: https://open.spotify.com/playlist/6OUSFLqLsAwhRQRF44yxWN?si=r33XRUuGR_iIOZHg4thuyA

Lechuga Zafiro: Para Abajo feat Matmos & Seba TC https://open.spotify.com/track/2xMnSTIBNZ8AT6w6TdZyU9

Kelpe: A Year and a Day https://open.spotify.com/track/4ANoLzEjtGOBl5qCvEiLov

Shida Shahabi: All In Circles https://open.spotify.com/track/5qMnq88JPMJQ81x5szpN3t

The Vernon Spring: Strength of a Young Man https://open.spotify.com/track/0zQUqR1UcXoPRSrTt0WuPs

Dessert: Thunderbird https://open.spotify.com/track/5rAguSvXxyo5zBq9a5RQWd

Yves V w/ Icona Pop: We Got That Cool (Robert Falcon & Jordan Jay Remix) https://open.spotify.com/track/1lEtudJvZNiibWzXc5m4mh

Selena Gomez: Look At Her Now https://open.spotify.com/track/4yI3HpbSFSgFZtJP2kDe5m

Masahiro Sugaya: Umi No Sunatsubu https://open.spotify.com/track/43egCanD1UNNvoCo2K4veC

Konradsen: Baby Hallelujah https://open.spotify.com/track/6TBnYhxTzSiiVmMBjpZ3gH

Slow Magic: Girls (DJ Clap Remix) https://open.spotify.com/track/31Sdj7aF1h4emCJtkxdy1A

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James Ilgenfritz

Composer https://infrequentseams.com/

James Ilgenfritz's favorite witnessed events, by month:

Hilma af Klint: Paintings for the Future (January, Guggenheim) Anaïs Maviel: who is this ritual for and from? (February, Roulette) Roscoe MItchell, SPACE, Wavefield Ensemble (March, Park Avenue Armory) Blank Forms: Nadah El Shazly (April, Brooklyn Music School) Barre Phillips Solo (May, Zurcher Gallery) Heiner Goebbels: Everything That Happened And Would Happen (June, Park Avenue Armory) Zodiac Saxophone Quartet: Charles Waters, Ras Moshe Burnett, Claire Daly, Lee Odom (July, Scholes St) Tie: Judith Berkson: Partial Memories & Juho Laitinen: Robert Ashley's The Wolfman (August, Ostrava Days, Czech Republic) Zeena Parkins / William Winant / Ikue Mori (September, The Stone) Vinnie Golia / Bobby Bradford Quartet (October, Edgefest in Ann Arbor) LA Philharmonic: Wubbels, Macklay, Sabat, Smith, Perich (Los Angeles, November) Art Ensemble Of Chicago (December, Washington, DC)

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Carl Michael Von Hausswolff

Artist / Composer

https://cmvonhausswolff.net/

10 special artists of 2019 in no specific order: • Hildur Guðnadóttir - her film music • sunn o))) - their Life Metal and Pyroclasts albums • Ilpo Väisänen - his concert in Stockholm • Cindy van Acker - her choreographic work • Jónsi & Alex - their old Riceboy Sleeps album and 2019 tour • Swans - their leaving meaning album • Flowers Must Die - their Där Blommor Dör album • Bigert & Bergström - their climate awareness art • Vanessa Sinclair & Carl Abrahamsson - all their work during 2019 • Hans-Joachim Roedelius and Tim Story - their Lunz 3 album

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Ryan Martin

Label Boss, Dais Records

www.daisrecords.com

Richard Youngs & Raül Refree "All Hands Around the Monument" Sarah Davachi "Pale Bloom" James Hoff "HOBO UFO (v. Chernobyl)" Wojciech Rusin ‎"The Funnel" Caterina Barbieri "Ecstatic Computation" Solange "When I Get Home" Kali Malone "The Sacrificial Code" Deathprod "Occulting Disk" Vatican Shadow "Kuwaiti Airforce" Ben Vida "Reducing The Tempo To Zero" JPEGMAFIA "All My Heroes Are Cornballs" Dean Hurley "Anthology Resource Vol. II: Philosophy of Beyond" Sean McCann "Puck" Oren Ambarchi "Simian Angel" Tyler, The Creator "IGOR" Helm "Chemical Flowers" JAB "Erg Herbe" Emptyset "Blossoms" E-Saggila "My World, My Way" Jacob Kirkegaard "Black Metal Square" Boy Harsher "Careful"

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Weasel Walter

Composer/performer / label head https://weaselwalter.bandcamp.com/

2019 was far from my favorite year. Regardless, I managed to release not one, but two new double albums by The Flying Luttenbachers (as well as two European tours with the unit) in addition to the usual slew of improvised music gigs and releases, and co-ordinating and producing an archival release of vintage NYC weirdness (Ozone). I also rocked Mexico City with Lydia Lunch Retrovirus, played a ridiculous gig with Encenathrakh, and disbanded Cellular Chaos (for now, at least).

When I become obsessed (or re-obsessed with something), it usually leads to a ton of proselytizing Facebook status posts. Combing my 2019 posts, it seems that my musical obsessions this year weren't very highbrow. Ha ha ha. Yes, I'm super into Xenakis, Cecil Taylor and whatever else, but dumber music can supply great creature comfort, and I guess I needed that in large amounts, so that's what it was. Sometimes badass modernists have to take time out to stay in bed all day and read comics because it's a hard cold world out there.

Weasel Walter top 10 musical obsessions of 2019 1. Kid Creole and the Coconuts (1980-1985 era) 2. Redd Kross 3. The Saints "I'm Stranded" 4. Jane Aire and the Belvederes 5. Miles Davis 1972-1975 6. Khanate "Things Viral 7. Mandy Zone & Ozone "Live at Max's Kansas City 1981" 8. Mayhem "Grand Declaration of War" 9. Comedy Bang Bang Episode #554 w/ Middleditch, Sanz 10. Weezer "Pinkerton"

Weasel Walter worst thing about 2019

1. Windows 10

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C.Spencer Yeh

Composer / Performer https://twitter.com/cspenceryeh?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor

Ten live music highlights of 2019 - The Brandon Lopez Trio (Lopez/Steve Baczkowski/Gerald Cleaver) at Fridman Gallery, June 18 - DeForrest Brown Jr., Pennies From Heaven series at CONTROL, January 15 - Charmaine Lee, Nothing Changes at Saint Vitus, January 30 - Bloodyminded at Apartment 202, December 14 - Longmont Potion Castle live QnA, Spectacle Theater, March 23 - Joshua Abrams & Natural Information Society, Roulette, July 1 - Helm, Elsewhere, September 21 - Korn, Radiohead, Red Light District, October 26 - Mdou Moctar, Max Fish, September 1 - Mayo Thompson plays "Corky's Debt to His Father," Le Poisson Rouge, December 8

Speed round – five various still on the mind at the end of 2019 - Charlotte Moorman / Nam June Paik long sleeve t-shirt, Boot Boyz - Acacia leaf omelet and shrimp in sour curry, Jitlada, Los Angeles - Lynnée Denise, presentation for Omniaudience (Side Two) presented by Triple Canopy/Nikita Gale/Hammer Museum at Coaxial Arts, May 4 - PARASITE (2019) - ANIARA (2018)

Also, Spectacle Theater turns ten in 2020 and you should really come visit us.

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DJ Food

Artist / composer / DJ / curator

www.djfood.org

Music / podcasts: Pye Corner Audio - Hollow Earth LP (Ghost Box) Various - Corroded Circuits EP 12" (Downfall Recordings) Chris Moss Acid - Heavy Machine 12" (Balkan Vinyl) King Gizzard & The Lizard Wizard - Fishing For Fishes LP (Flightless) Pictogram - Trace Elements cassette (Miracle Pond) Vanishing Twin - The Age of Immunology LP (Fire Records) Big Mouth podcast (various) (Acast) Beans - Triptych LP (Gamma Proforma) Roisin Murphy - Incapable single (Skint) Ebony Steel Band - Pan Machine LP (Om Swagger) People Like Us - The Mirror LP (Discrepant) Coastal County - Coastal County LP (Lomas) Adam Buxton podcast (various) (Acast) Ghost Funk Orchestra - A Song For Paul LP (Karma Chief) Jon Brooks - Emotional Freedom Techniques LP (Cafe Kaput) King Gizzard & The Lizard Wizard - Organ Farmer (from Infest the Rat's Nest LP) (Flightless) Jane Weaver - Fenella LP (Fire Records) Polypores - Brainflowers cassette (Miracle Pond)

Design / packaging: Pepe Deluxé - The Surrealist Woman lathe cut 7" (Catskills) Various - Science & Technology ERR Rec Library Vol.2 (ERR Records) DJ Pierre presents ACID 88 vol. III LP (Afro Acid) Mark Ayres plays Wendy Carlos - Kubrick 7" (Silva Screen) Tomorrow Syndicate - Citizen Input 10" (Polytechnic Youth) The Utopia Strong - S/T LP (Rocket Recordings) Jarvis - Sunday Service LP (ACE records) Andy Votel - Histoire D'Horreur cassette (Hypocrite?) Sculpture - Projected Music 5" zoetrope picture disc (Psyché Tropes) Lapalux - Amnioverse LP (Brainfeeder) Hieroglyphic Being - Synth Expressionism / Rhythmic Cubism LP (On The Corner Records)

Film / TV: Sculpture - Meeting Our Associates (Plastic Infinite) This Time with Alan Partridge (BBC) Avengers: Endgame (Disney/Marvel) Imaginary Landscapes - Sam Campbell (Vinyl Factory) What We Do In The Shadows (BBC2) The Mandalorian (Disney+)

Books / Comics / Magazines: Beastie Boys Book - Mike Diamond & Adam Horowitz (Spiegel & Grau) Cosmic Comics - A Kevin O'Neill Miscellany (Hibernia Books) Electronic Sound magazine (Pam Com. Ltd) Moebius - 40 Days In The Desert (expanded edition) (Moebius Productions) Rock Graphic Originals  - Peter Golding w. Barry Miles (Thames & Hudson) 2000AD / Judge Dredd Megazine (Rebellion) Silver Surfer Black - Donny Cates/Tradd Moore (Marvel) Help - Simon Amstell (Square Peg) The Scarfolk Annual - Richard Littler (William Collins) Wrappers Delight - Jonny Trunk (Fuel)

Gigs / Events: Vanishing Twin @ Prince of Wales Pub, Brighton Stereolab @ Concorde 2, Brighton People's Vote March 23rd March, London Wobbly Sounds book launch @ Spiritland, London Confidence Man @ The Electric, Brixton, London Mostly Jazz Funk & Soul Festival, Moseley, Birmingham Bluedot Festival, Jodrell Bank, Manchester HaHa Sounds Collective play David Axelrod's Earth Rot @ Tate Exchange, London School of Hypnosis play In C @ Cafe Oto, London Palace Electrics, Antenna Studios, London The Delaware Road, New Zealand Farm, Salisbury Breaking Convention closing party, Greenwich, London Jonny Trunk & Martin Green's Hidden Library @ Spiritland, Southbank, London Negativland / People Like Us @ Cafe Oto, London HaHa Sound Collective plays the David Axelrod songbook @ The Church of Sound, London, Sculpture, Janek Schaefer, Mariam Rezaei + the 26 turntable ensemble @ The Old Baths, Hackney, London Vanishing Twin & Jane Weaver's Fenella @ Studio 9294, Hackney Wick, London

Exhibitions: Sister Corita Kent @ House of Illustration, London, Augustinbe Kofie @ Stolen Space, London, Victor Vasarely @ Pompidou Centre, Paris, Mary Quant @ V&A Museum, London, Stanley Kubrick @ The Design Museum, London, Tim Hunkin's Novelty Automation Museum, London, Keith Haring retrospective @Tate, Liverpool, Nam June Paik, Tate Modern, London, Takis @ Tate Modern, London, Shepard Fairy @ Stolen Space, London, Damien Hirst 'Mandalas' at the White Cube, London, Bridget Riley @ The Hayward, London, Museum of Neo-liberalism, Lewisham, London.

[orendarecords]

World-Renowned Percussionist Randy Gloss Releases his Second Solo album, "...The Ayes Have It, Vol. II: Self-Portraits in Percussion" on Orenda Records

For decades, percussionist Randy Gloss has been recognized as one of the world’s leading hand percussion virtuosi, with an astounding breadth of knowledge and cultural understanding. An expert in musical traditions from across the globe, he brings a deep and expansive approach to rhythm and percussive sounds as he once again dives into personal exploration. As Gloss’s new solo album’s title suggests, “…The Ayes Have It” Vol. II: Self-Portraits in Percussion is, on one hand, a seamless continuation and companion to Vol. I (released on Orenda Records in 2015), while on the other, a stand-alone narrative, showcasing new directions, different facets, instruments, and ideas not explored on the first. On both, Randy Gloss explores an extensive palette of sonic possibilities through a deeply reflective and personal approach, with the world of percussion and rhythm as brush and canvas, utilizing the double LP vinyl record format as it’s frame.

A protégé of renowned percussion vanguard John Bergamo and longtime student of tabla maestro Pandit Swapan Chaudhuri, Randy Gloss is a percussionist whose background performing several modalities of hand drums, contemporary percussion, and drum set has led to his involvement in many innovative ensembles that fuse world music with new music and jazz.  Most notable for his work with Hands On’Semble, a percussion group devoted to the art of hand drumming created by John Bergamo in 1997 (with Randy Gloss, Andrew Grueschow, and Austin Wrinkle) and multiple recipient of Drum! Magazine Reader’s Poll Award for Best Percussion Ensemble and Best Percussion Album, Gloss has performed and lectured throughout North and South America, Europe, and Asia at many of the world’s premier percussion and world music festivals, music schools and conservatories. Randy has also worked with an extensive array of world renowned artists including: reggae superstar Ziggy Marley, violin icon L. Shankar, pianist Larry Karush, The Lian Ensemble; percussionist Adam Rudolph’s “Go: Organic Orchestra” and world percussion group Vashti; slide veena virtuoso Chitravina Ravikiran, Balkan/Indian maestros Aashish Khan, Swapan Chaudhuri, Miroslav Tadic, Vlatko Stefanovski; Romanian pan flute virtuoso Damian Draghici; overtone singer David Hykes; Turkish musician Latif Bolat; Vinny Golia’s Large Ensemble; pianist Ardeshir Rohani; flautist Nicole Mitchell, pianist Dan Siegel, and South Indian percussionist Poovalur Sriji to name only some.  He has also contributed percussion for film soundtracks by composers Danny Elfman, Harry Gregson-Williams, and Gary Chang, and is on faculty at California Institute of the Arts, where he has taught since the late 90’s

On “…The Ayes Have It” Vol. II: Self-Portraits in Percussion Randy Gloss brings all his experience to bear in an incredible set of solo compositions featuring a dizzying array of percussive instruments, including aFrame (electrorganic frame drum); tabla; frame drums; metal restaurant pot; mason jar; water; double row mark tree; bamboo mark tree; vibraslap; gongs; tuned gongs; cymbals; bells; antique cymbal with jingles; dafs; dhavul/ tappan; handsonic; riq; drumset; pandeiro; cuica; congas; gankogui; dholak; vibraphone; cheng-cheng; reco-reco; bull roars; and wind wands. This gorgeous double LP, mixed by John Baffa and mastered by Stephen Marsh, is presented as a limited-edition double gatefold two LP vinyl album with accompanying booklet and digital download card, original artwork by Eron Rauch, and extensive liner notes by Randy Gloss.

[zhanteimi]

Vinny Golia, Damon Smith & Weasel Walter – Großes Messer

Vinny Golia, Damon Smith & Weasel Walter – Großes Messer

USA, 2009, free jazz When the nest is upended too early, and the chicks have to fly before they’re ready. But they do, they thrive, and their voices deepen with confidence. Wings strengthen, and some take paths to war, others to high holy places.

[jeffkaiser]

Lovely review for the last big Vinny Golia project for pfMENTUM. I got a nice shout out in it as well. “Kaiser’s trumpet and electronics are wonderfully weird…” :-) https://www.instagram.com/p/Ch0Gh1aA4uu/?igshid=NGJjMDIxMWI=

[catsynth-express]

And we’re off! 77 musicians for Vinny Golia 77 🎷🎶 (at Berkeley Finnish Hall) https://www.instagram.com/p/Cpbt4vRO9U8/?igshid=NGJjMDIxMWI=

[pangeanews]

“Nella mia notte interminabile”: il romanzo sulla vita di Emily Dickinson, l’angelo del quotidiano

L’eccentrico, estasiante Luca Merdone, dietro a cui si nasconde un ardito lettore, mi ha fatto conoscere Christian Bobin un tot di anni fa. Fui rincuorato da questo scroscio di farfalle sotto la camicia. Felicemente tradotto in Italia da una miriade di piccoli, delicati editori (provo a non dimenticarli tutti: Gribaudi, Servitium, Quiqajon, San Paolo, AnimaMundi, Camelozampa…), nel 2007, per Gallimard, pubblica il delizioso “La dame blanche”, in omaggio a Emily Dickinson. Abbiamo eletto questo fascicolo, dedicato al poeta irraggiungibile, come nostro, condiviso ‘libro dell’estate’. Dopo i primi assaggi (qui e qui) ecco altre pagine, tradotte da Anna Maria Biondi.

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Allo stato attuale delle cose, nel quale più nessuno sente niente, compare, accanto alla notizia sul giornale, un odore di vinaccia e di cane bagnato in cui suo padre ha vissuto e viene interrato.

Dove i corni d’oro di caprifoglio, le rose stupite di calore e stipate davanti Evergreen, e la fortuna indiscussa dei Dickinson, emanano un odore più meritevole, Susan lavora per ampliare il suo mondo. Gli invitati – uomini di legge, politici, scrittori, in giro per conferenze – si accalcano come calabroni sotto la lanterna dell’ingresso, prigionieri degli occhi neri della padrona di casa, soggiogati dalla sua durezza, dai suoi scialli indiani rossi e dai braccialetti d’argento tintinnanti ai suoi polsi. Dalla sua camera, di cui una finestra è rivolta su Evergreen, Emily guarda i grandi salire i gradini di granito.

Gli scrittori che l’epoca acclama – come Emerson, pensatore reputato all’invisibile, che ha appena trascorso una notte presso Austin e Susan – ignorano che essi stanno sbagliano porta e che il più grande poeta del secolo è proprio là, nella casa vicina, dietro una tenda di pizzo tremolante.

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Quando l’eccesso di vanità sale alle labbra di sua cognata, Emily rimette tutto di colpo su di una lettera, con, sopra la gota di carta, uno sfregio improvviso: “i tuoi ricchi mi insegnano la povertà, Susie”.

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Susan insegna ad Emily la soprannaturale insufficienza di ogni amore.

In risposta Emily riporta a Susan la pienezza che dà alla vita il fatto di pensarla e di scriverla. Le mostra i suoi poemi. Uno di questi, evocando i morti nella sala d’attesa della resurrezione – la loro “camera di alabastro” – viene riscritto dopo la critica di Susan. Costei è menzionata nei poemi, Cleopatra, Golia, Vesuvio, Eternità e, in tre poemi erotici, Bambola. Il genio di Susan è di lasciare giungere a sé migliaia di nomi d’amore senza scacciarne uno solo e senza nemmeno veramente rispondere. In questa assenza di eco l’anima di Emily si galvanizza, come un bimbo che, dalla sua camera nera, chiami invano sua madre e finisca per ottenebrarsi con le sue proprie lacrime.

Nel giugno 1852 Emily scrive a Susan, che soggiornava al tempo a Baltimora, una lettera nella quale inserisce delle violette. Il portalettere è il padre di Emily che passa per Baltimora per recarsi all’assemblea del suo partito. Edward immagina di trasmettere una lettera da ragazze, qualcosa di vaporoso e d’inutilmente sofisticato. Il suo puritanesimo lo acceca.

Fra le mani di un maestro di Amherst, qualche foglietto d’oro bruciante, con, sulla busta che lo protegge, queste parole scritte a matita da Emily: “aprimi molto dolcemente”.

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Tre bambini nascono a Susan, suo malgrado. Il primo, Ned, �� epilettico, come se il tremolio di spavento di fronte alla povertà, che la madre aveva sotterrato in fondo alla sua anima, fosse tornato e scuotere la carne del figlio. Austin dà a un cavallo della sua scuderia lo stesso nome del fanciullo: il baio chiaro e flessuoso lo compensa della tristezza di avere generato un bambino tremolante come le foglie secche in cima ai rami in autunno. Questa nascita provoca un primo allontanamento di Emily, appena percettibile – il vapore di un respiro su uno specchio. Le sue lettere continuano a battere le ali davanti alla finestra di Susan – miliardi di parole dotate di una vita imperiosa, imploranti e orgogliose.

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Ogni viaggio di Susan trasmette la febbre alle frasi di Emily. “La prossima volta io ti serberò in una bara, ti interrerò in giardino e domanderò ad un uccello di sorvegliarne l’angolo”.

Certo, questo non servirà a nulla: nessun luogo resta immobile, neppure quello che noi incateniamo coi morti.

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L’amore fra le due donne irresistibilmente si fessura ma il vaso d’oro, anche se sbrecciato, raccoglie l’acqua di una parola limpida.

Apprendendo che un pomeriggio Susan è passata nella sua casa senza chiamarla, Emily esclama: “Io sarei uscita dal paradiso per aprirti, se avessi saputo che tu eri là”.

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Amherst cova i suoi tremila abitanti su di una piana che intrattabili foreste di abeti vegliano: un deserto per Susan che non ama far altro che fuggire a New York per acquistare vestiti neri con lustrini, alla moda intorno al 1860.

In un poema Emily distingue due razze di vincitori. Ci sono quelli che acclamati gioiscono di vestiti scintillanti, di concerti operistici e di viaggi euforizzanti, e coloro che trionfano lasciandosi battere: restano a casa, fieramente vestiti di neve. Nelle grandi città attorno ad Amherst, fioriscono e appassiscono nella stessa serata dei spettacoli di pianoforte o di canto. Ad Emily, proprio come a suo padre, non piacciono queste serate. L’aspetto più stupefacente dello spettacolo sono gli stessi spettatori. Non succede mai nulla ad Amherst e questo nulla è vita allo stato puro. Fra Susan che cerca l’ammirazione mondana ed Emily che cerca il suo nutrimento nel cielo, la distanza aumenta, il freddo cade. Il gelo fa scoppiare il vaso d’oro. Emily ne raccoglie i pezzi dentro il cuore ma non entra più nella casa vicina per sedici anni.

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Amherst, di cui Emily ha fatto la sua città santa, è descritta anche da Susan: “Un luogo desolante, senza speranza, adatto a dare ad un angelo il male del suo paese. Le lugubri vibrazioni della campana della chiesa risuonano ancora nelle mie fantasie d’inverno”. Il tono è amaro. Colei che parla è attempata, è alla fine della rappresentazione, la maggior parte degli attori hanno lasciato la scena e, nelle poltrone di prima fila, non restano che morti stupefatti.

Austin – soprannominato «il gallo» in gioventù – l’ha da anni tradita con una donna più gioiosa di lei. Dei loro tre figli la morte ha afferrato il più tenero. Amherst restituisce a Susan il suo disprezzo e dà una reputazione di ubriacona e di civetta a colei che Emily, malgrado il loro allontanamento, non aveva mai smesso di giudicare “timida e senza macchia”.

Poi la morte cattura Susan e la addormenta nel suo erbario.

Gli anni passano sui nomi di queste persone, cancellando i contorni delle contestazioni, facendo brillare le devozioni.

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La tomba di Emily, da poco ricoperta, diviene un campo di battaglia. Passato l’infalsificabile stupore del dolore, la famiglia legge i poemi, penna alla mano. Il poema «avevo una sorella in casa e un’altra dall’altra parte dell’aia», dedicato a Susan, è radiato da Vinnie, e la dedica cancellata. Un altro, evocante il petto di Susan sul quale Emily sogna di piangere, è attribuito all’insospettabile moglie di un pastore. Ma la voce di Emily, invincibile per la propria purezza, fa uscire la sua amica dagli inferni: nel vialetto di ghiaia bordato di altee, fra le due case dei Dickinson, traversando le censure e la morte, appare una Susan trasfigurata, che si sfrega le mani l’una contro l’altra per fare scomparire una macchia di vino visibile solo a lei stessa.

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“Dovessi errare nella mia notte interminabile, io mormorerò ancora: Sue”.

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Un canto si eleva, che i poemi lasciano filtrare. Cerca di dire il più puro ed il più vero. I libri mantengono il canto vivente dopo la morte della poetessa, ma la poesia non si deposita solo nei libri. A volte passa senza fare rumore, come l’angelo del quotidiano che non vede nulla. Il pane di spezie per i bambini e i guanciali rimessi sotto la testa divagante della madre erano più puri e più veri di tutto.

Christian Bobin

L'articolo “Nella mia notte interminabile”: il romanzo sulla vita di Emily Dickinson, l’angelo del quotidiano proviene da Pangea.

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