#Vincenzo Irolli

[eirene]

Reverie Vincenzo Irolli

[oldpaintings]

The Severed Braid by Vincenzo Irolli (Italian, 1860-1945)

[random-brushstrokes]

Vincenzo Irolli (Italian, 1860 - 1949) - The silver veil

[tratadista]

Vincenzo Irolli, Sonho

[holespoles]

Vincenzo Irolli - (Italian, 1860 - 1949)

[diasdesol05]

Vincenzo Irolli

[psikonauti]

Vincenzo Irolli (Italian, 1860-1949)

Primavera

Oil on canvas

[aitan]

Vincenzo Irolli (1860-1949), "Donna alla finestra"

[mienai-me]

[mann-walter]

"Meriggio" by Vincenzo Irolli

[plastycznyonline]

Vincenzo Irolli, włoski malarz z Neapolu, znany jest z mistrzowskiego zastosowania światła i koloru. Jego twórczość, wykraczająca poza standardy akademickiego malarstwa, obfituje w emocjonalne portrety i sceny rodzajowe, które tętnią życiem codziennym XIX-wiecznych Włoch. Irolli potrafił uchwycić istotę swoich modeli, tworząc obrazy pełne ciepła i subtelności, co czyni jego dzieła niezwykle wciągającymi i nasyconymi emocjami. Jego malarstwo, inspirowane szkołą neapolitańską, przyciąga dzisiaj kolekcjonerów i miłośników sztuki z całego świata.

[eirene]

A Toast, 1945 Vincenzo Irolli

[timotey]

Ath the Window, art by Vincenzo Irolli

[random-brushstrokes]

Vincenzo Irolli (Italian, 1860-1949) - The lit dining room

[tratadista]

Vincenzo Irolli, Num Leito de Flores

[imkeepinit]

Donna alla finestra (1900) by Vincenzo Irolli

Vincenzo Irolli (Naples, 30 September 1860 – 27 November 1949) studied at the Institute of Fine Arts in Naples and began his career achieving good success with paintings on historical subjects and portraits worthy of note for  certain particularities of bold colouring. He immediately stood out for his casual and moving painting, fluid and material. Adhering to realism, he achieved success by dedicating himself above all to domestic genre painting, with a popular meaning. Irolli describes the tenderness of young new mothers while they are busy cradling their newborn baby, or while supervising the first games. A genre that was certainly successful were children portrayed holding small animals or toys in their arms, in a gesture that captures cheerfulness and the desire for domination. Dreamy girls, with a popular beauty in their features but refined in their clothing, are posing winkingly on the doorstep of the house or in the kitchen. On the sides of the streets cluttered with goods as colorful as their shawls, sellers stand petting their child, who sleeps in a simple crate. In private living rooms with oriental screens, bourgeois women while away the time thinking about a future romantic encounter. His realist style, somewhat affected, could count on a pictorial technique that alternated miniaturistic effects of Flemish origin with free areas of material colour, with a dazzling variety of colors lit up by highly studied chromatic contrasts. (Casarotto)