dubaicarpetwashing-blog

[lucytherandomfurry]

leaving the island

these last sonic the nicheling au post our old believe they are from December or last month which I believe was January

[tyttetardis]

Finally managed to record a bit of David at curtain call 😍

Brilliant seeing this incredible production once again - and getting to see what's different and what isn't 🥹🥰

(Please don't repost ☺️)

[petramoth]

What’s up everyone, I’m rewatching the Justice League animated series (I will not be normal about this)

I know I won’t be the first to say it but

This is THE SuperBat scene of all time

The excitement, the chest to chest hug, the loving look on Clark’s face, the knowing looks exchanged between the rest of the team GOD I AM INSANE ABOUT THEM

Even my Mom, who knows basically nothing about these characters, walked by during this scene and said “Oh my god, they’re in love! Does no one else see that?”

Don’t worry, Mom, many of us do indeed see that

[minnieokok]

oh my fucking god! he arrived!

and he has a little heart-shaped spot on his chest, too. he's so precious x>

and even wally seems excited that his boyfriend has gotten here two.

[raytorosaurus]

ok things i Don't miss much about the early shows

having to find every single fucking ray image myself

having to scroll past one hundred "THEY ARE NOT BEATING THE ALLEGATIONS 💀" "IM GOING TO DIE" "I KNOW WHAT YOU ARE" posts every time gerard stood close to frank for every one post about ray hugging, nuzzling, and/or kissing one of the others that night (as he did at least once literally almost every single night)

[mokutone]

i tried to document the process of making the watercolor piece, + i figured i'd share it bc i love talking about process :D

[hugsohugs]

discovered last night that in smash if you tilt the joystick at just the right angle you ca n make olimar do a funny lil scuttle

[usertoxicyaoi]

HIGUCHI KOUHEI x MASHIKO ATSUKI. Behind The Scenes.

[local-lover-boy]

Vibey recording of me playing K. By cigarettes after sex by the side of the road

[the-meme-monarch]

the welcome home website almost bricked my phone i think

[milkbreadtoast]

belated xmas drawing🥺 baby jungs...!!! (i imagine theyre around 5, 14, 17 here...) 🎄❤️💚✨

[bilbao-song]

okay at long last (i wanted to do this at least a little sooner but by the end of last night i was so sleep deprived my brain was not functional): jeffrey in boston on the 23rd!!! (really in-depth PARAGRAPHS of rambling below the cut so you only have to look at it if u want to, otherwise just enjoy the photos lmao)

so. hmmmm what to say about this lmao (the first two paragraphs are probably least important here if u don't want to read All Of That)

all of this was like.....................a dream. like i know talking about this makes me sound like Insane Person Whose Life Revolves Around Concertgoing (although that's kind of just the truth tbh) but being THIS close was like...THE dream to me. or at least the most realistically attainable dream we got there a liiiittle after the opening band had started (they are pretty great btw? i approve. like i'm genuinely excited to see them lol) and i'm not sure what the problem was tbh!! we arrived at a perfectly reasonable time but then everyone got corralled into a giant line that like, looped around itself and wrapped around the block. so that took like ~25 minutes to get through. anywayyy i got one of the ???people who work there (there's a word for this that is escaping me atm) to help me find my seat bc things were of course a bit chaotic by that point and well...........that was a positively magical little jaunt as we got closer and closer and i just kind of lost my mind. my seat was in the third row riiiiiiiiiiiiiiiiiight in the middle. like, perfectly in the middle. it could hardly have been any better :'))))

so! i sat there by myself which felt a little strange bc although i do like doing things on my own i have just never done this before. the only other concert i have been to where i sat basically by myself was like, a thing i got to go to bc someone gave me their extra ticket (air supply! which was fun but like, i only went bc it just came up. no disrespect to air supply lmao) and even then the person next to me was like, super nice and also clearly entertained by my dedication to older music (always exquisite to encounter someone who genuinely wants to hear about ur interests. like once you manage to convince me you're asking out of genuine interest the floodgates are OPEN) but anyway!!! the strangers in the elo mosh pit did not talk to me. this was fine but i was a tiny bit surprised bc everyone has been pretty chatty at the other ones i have been to...as an aside i was repeatedly given the impression that the people directly behind me were kind of mean (consistently not shutting up during the opening act, loudly making rude comments about them, just kind......whining a lot lmao) so i'm 100000% good with not talking to them lol

ANYWAY...onto the important part. sitting through the little intermission was excruciating and kind of went by too quickly bc i kind of did not want the concert to start bc the sooner it started the sooner it was over </3 but it was fun to be sooo close bc i enjoyed watching the crew set everything up and adjusting things and putting jeffrey's little table directly in front of me and whatnot 🥺 but then it started and it was like..............surreal. it quickly became clear that i really had chosen like the absolute perfect seat bc a) the two people in front of me were really short. thank god (the jackasses behind me were also at least a little taller than me so i'm happy for them and was not sorry for standing in front of them in my huge shoes) b) jeffrey directly in front of me. (!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!) again this was like. SURREAL to me in a way bc it's just!!! the best yet and also 💕🥹💕🥹💕🥹 of course. i have been at least slightly pleasantly surprised by my seats at each one i've been to on this tour but even here i experienced that bc i did think i would be off to the side at least a tiiiiny bit...but no it was actually perfect. exquisite. like, i'm really truly not one of those overly-idolizing/Lose Your Mind Over Proximity To Famous Person types but well. i mean if you have read this far i'm sure you are already well aware of how i feel about him lmao

moving forward......bringing this up makes me feel weird bc it sounds so......well. you know. but ummmmm eye contact was definitely established repeatedly 🥺👉👈 looking at me and smiling adorably...........like, this is no exceptional credit to me or anything bc like...what else is he supposed to look at. i was very directly in his field of vision and significantly taller than the two people in front of me lol so he would have had to go to great lengths not to look at me at all. but ohhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh my god???????? it was also kind of hilarious bc it did very muchly keep triggering my insane reflex to look AWAY from people when they make eye contact with me so i had to keep consciously correcting that bc like ????? HELLO lmao. but it was just!!!!!!!! very sweet!!!!!!!!! he was very smiley and adorable. typical...........i could opine on this further but i shan't at the risk of sounding insane. but like this alone was worth it to me sdjkhsjkhsd. felt Nice!!!!!!!!

anyway hmmm what else. well it was just spectacular but u already knew that. his voice has sounded remarkably perfect at each of these shows and that really stands out to me bc i just love that :') i also just love that he's repeatedly absolutely killing it, most importantly just because like, of course!! yay!! but also bc for awhile there was like, a cluster of very weird naysayers within the general community (which involved some kind of disgusting behavior imo but i won't go into detail about that bc like, why rehash it when it's both negative and profoundly ridiculous) and every single concert is just a really beautiful little I Told You So to those people which is SO satisfying to me bc i love to see that sort of thing getting thoroughly shut down and also slightly in part bc i love when i'm right and rude people who i don't like are wrong but that's as snarky as i will allow myself to be in an otherwise very happy post. <3 but i like. idk i just knew. and everyone else who isnt absolutely bonkers did too but well. etc etc etc

as a final note!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! idk i loved it. and i'm so glad that i get to go to the phoenix one as well bc although i'm already getting a little emo about this (........i was already a slight mess after the one in indianapolis tbh) i do think that's like, the only thing that's keeping me from losing it entirely lmao. i feel super lucky to have done all of this and i am having a very very very very very good time

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[starimusprime]

I like to think my editing is somewhat humorous

[sebin]

🥺💜

[mint-mumbles]

Guys, I have the last 35 minutes of the lost Slimecicle stream!

(Heads up: it's on my alt YouTube account, Androgynous Enby)

I’m also manually adding subtitles to the video (since it’s illegible to the auto generator and I presume a lot of people), but it’s taking a while. The first 3 minutes currently have subtitles and the rest will be out soon!