#Victoria Goren
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Dancers attending P21 Intensive
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Olivia Elise Victoria Nikolovva
AM Dance
Aurora Monroe
Ale Mancillas Dance Studio
Balbina Cueva
Allegro Performing Arts Academy
Arina Bryzgunova Bella Verbera-Hernandez
Aspirations Dance Company
Lola Nelms
Avanti Dance Company
Hayden Goren Eva Graziano Mia Menji Kaylee Randeniya Rosie Zahoul Sans Blair Tennant
Capitol Dance Company
Malia ?
Center Stage Performing Arts
Tommie Milazzo
Club Dance Studio
Brooklyn Besch Emma Kleve Claire Pistor
Dance Alliance of Camarillo
Shiloh Lark Farrah ?
Dance Dimensions Performic Arts Center
Victoria Safahi Serena Wilcox
DanceDynamicsLV
Lyla Haider
Dance Collective DC
Janelle Liu
Dance Edge Studios
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Dance Makers of Atlanta
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Danceology
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Maria Sofia Rodríguez Mia Sofia Covarrubias Tinoco
Essence of Dance
Ava Killam Makena Killam Briar ?
Eternal Dance Company
Maddie Kronenberg
Evoke Dance Movement
Emmy Claire
Evolution Dance
Scarlett O'Neil
Evolve Dance Center
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Evolve Dance Centre
Izabella Modarresi
Excel Performing Arts
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Gigi Murray
Glass House Dance
Eden Cui
Groove Studios WA
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Hart Academy of Dance
Lydon Thach
Havilah Dance Company
Caitlyn Marie Malea Jade Moore
Inferno Dance Co
Maizie Smith
Instyle Dance Company
Jacilynn Mar
Janet Dunstans Dance Academy
Adeline Glenn
K2 Studios
Neriah Karmann Lennon Reign Jessica Sutton
Larkin Dance Studio
Matinly Conrad Palmer Petier
Legacy Dance Productions
Sophie Boonstra Paisley Clarke
Legacy Studio of Performing Arts
Brynne Smith
McKinley School of Dance
Teodora Narancic
Murrieta Dance Project
Khloe Cabrera Gracie Gilroy
N10 Dance Studio
Claire Avonne Kingston Madison Ng
No Limits Dance Academy
Ayanna Voulgaris
Nor Cal Dance Arts
Aria Davi Aubrey Paz Olyvia Reza
North Calgary Dance Centre
Ellie Blakley Georgia Blakley
OCPAA
Libby Haye
Onstage Dance Center - Los Alamitos
Adalyn Nicole
Pave San Diego
Eleanor Bullock Aryanna La Fontaine Cooper
Pave School of the Arts
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Perception Dance
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Ellie Anbarden Olivia Armstrong Lilly Barajas Sienna Carlston Kami Couch Katie Couch Kenzie Couch Airi Dela Cruz Stella Eberts Gracyn French Regan Gerena Richie Granese Mady Kim Brooklyn Ladia Leilani Lawlor Chloe Mirabel Savanna Musman Madelyn Nasu Avery Reyes Berkeley Scifres Bristyn Scifres Sara Von Rotz Leighton Werner
Project 520 Dance Studio
Adelynn ? Karli Heim Sasha Muratalieva
Queen City Dance
Annabel Speck
Seattle Storm Dance Troupe
Claire Clark
Shooting Stars Dance Studio
Karsyn Hernandez Malani Maliya
Stars Dance Studio
Hannah Burak Catherine Clayton Fabiana Pierleoni Elie Rabin
Starstruck Performing Arts Center KS
Kinley Winn
Steps Dance Center
Emmie Pitt
Studio Fusion
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The Collaborative
Addison Cullather
The Company Space
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Scarlett Blu Chloe Rose
The Vision Dance Alliance
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Utah Ballet Festival
Ruby Taylor
West Coast Dance Complex
Mila Barnett
Xtreme Dance Studio
Jocelyn Longroy
YYC Dance Project
Kinsley Oykhman
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Stav Coral Gete | Stav Kimhi | Steven Makrachenko | Sudthisak Rinthalak | Suheyb abu Amar al-Razm | Sujith Nissanka | Sumchai Sayang | Svetlana Lisuboy | Sylvia Mirenski | Sylvia Ohayon | Tahel Bira | Tair Bira | Tair Davis | Tal Bartik (Klein) | Tal Bira | Tal Daniely | Tal Haimi | Tal Katz | Tal Keren | Tal Shalev | Tal Siton | Taleb AlKaran | Tamar Goldenberg | Tamar Guttman | Tamar Haya Torpiashvilli | Tamar Kedem Siman Tov | Tamar Samet | Tamar Suchman | Tamir Adar | Tammy Peleg Ziv | Tatiana Schnitman | Tawachi Saytu | Tawatchai Sieto | Tchelet Fishbein | Tchelet Zohar | Tehila Katabi | Thanakrit Prakotwong | Theerapong Klangsuwan | Tianchai Yodtongdi | Tiferet Lapidot | Tom Godot | Tomer Eliaz Arava | Tomer Segev | Tomer Shpirer | Tomer Strosta | Tou Cae Lee | Tova Goren | Tzur Saidi | Tzvi Shlomo Ron | Uri Arad | Uri Moyal | Uriel Baruch | Uzan Aviad Halevy | Valery Freidman | Varda Haramati | Victoria Gorlov | Vitali Logvinchenko | Vitaly Trobanov | Vivian Silver | Vladimir Popov | Vladimir Zhukov | Wolderaphael (Tiger) Hagos Berhe | Ya’akov Mortov | Ya’akov Solomon | Ya’akov Yinon | Yaakov (Kobi) Shmaiya | Yael Rozman | Yagev Buchshtab | Yahav Viner | Yahel Sharabi | Yair Yaakov | Yanai Hezroni | Yaniv Sarudi | Yaniv Zohar | Yarden Buskila | Yarin Moshe Efraim | Yaroslav Giller | Yasmin Bira | Yasmin Zohar | Yazan Zecharia Abu Jama | Yehezkel (Hezi) Razilov | Yehezkel Hezi Hanum | Yehezkel Hezi Hanum | Yehonatan Eliyahu | Yehonatan Hajbi | Yehonatan Rom | Yehonatan Siman Tov | Yehoshua Hatav | Yehuda Bachar | Yehudit Weiss | Yehudit Yitzhaki | Yiftach Dan Tweg | Yiftah Kutz | Yiftah Twig | Yiftah Yahengilov | Yigal Flash | Yirmiyahu (Yirmi) Shafir | Yitzhak Cozin | Yitzhak Itzik Dahan | Yitzhak Siton | Yitzhak Zeiger | Yizhar Hajbi | Ylena Kostizin | Yoad Pe’er | Yochai Azulai | Yohai Ben Zecharia | Yona Cohen | Yona Friker | Yonah Or | Yonatan Hai Azulai | Yonatan Kutz | Yonatan Rapaport | Yonatan Richter | Yonatan Samerano | Yonatan Zahavi | Yonatan Zeidman | Yoram Bar Sinai | Yoram Metzger | Yossef (Yussinio) Gross | Yossef Wahab | Yossi (Zigi) Appleton | Yossi Sharabi | Yossi Silberman | Yotam Haim | Yulia Chaban | Yulia Lamai | Yuliya Didenko Lamai | Yuri Lisuboy | Yuri Yedgarov | Yuval Bar | Yuval Bar On | Yuval Ben Yehuda | Yuval Buyum | Yuval Doron Kastleman | Yuval Rabia | Yuval Solomon | Yvonne Eden Patricia Rubio Vargas | Za’arur Ben Fishman | Zaher Bashara | Ze’ev Hacker | Zehava Hacker | Zelta Kosovski | Zinaida Beilin | Zion Levi | Zishom Wohn | Zishon Won | Ziv Frenkel | Ziv Hajbi | Ziv Pepe Shapira | Ziv Shopen | Ziva Ovitz | Zohar Meiri | Zoya Zemkov
These are the names of just a few of the victims of October 7, those murdered by the horde of Nazi savages from Gaza, or those kidnapped and imprisoned within that moral sewer.
On October 6, all of these people were alive and minding their own business. They were living their own lives. Islamic terrorists from Gaza took that all away from them, leaving a permanent scar on their communities and the entire nation of Israel.
NEVER FORGET THEM.
#israel#october 7#remember them#gaza#palestinian terrorists#evil#never forget#stand with israel#hamas is isis#bring them home now
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“Longhouse”, Daylesford, Victoria, Australia,
By Partners Hill Architects,
Pictures by Rory Gardiner
#art#design#interior design#Architecture#longhouse#farm#shed#greenhouse#partners hill#victoria#australia#daylesford#rory gardiner#ronnen goren#trace streeter#studio ongarato#nature
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Inaugura #Secultura "100 Artistas/100 Portadas de Milenio"
New Post has been published on https://www.efectoespejo.com/archivos/1164604
Inaugura #Secultura "100 Artistas/100 Portadas de Milenio"
] ACAPULCO, Gro. * 6 de junio de 2018. Secultura Del 8 de junio al 2 de septiembre se presentará en el Museo de las Siete Regiones la exposición “100 Artistas 100 Portadas de Milenio Diario”, la cual retrata la visión de los expositores del arte y la relación con los hechos que acontecen diariamente, así lo dio a conocer en conferencia de prensa el secretario de Cultura, Mauricio Leyva Castrejón.
“Son cien portadas, son cien artistas, estamos en Guerrero “, dijo la directora de la Colección Milenio Arte y curadora de la exposición, Avelina Lésper, quien dijo que esto es el reflejo de una dinámica ininterrumpida de noticias, que plasma toda la naturaleza humana, en donde a través de la intervención de las diversas portadas, se muestra la realidad vista desde la perspectiva de los artistas.
Leyva Castrejón dijo sentirse honrado con la participación de la artista guerrerense Julia López, quien forma parte de esta colección y que refleja el arte local, plasmado a partir de una arista distinta.
Reconoció el trabajo de Fundación Milenio, la cual a través de su labor, se ha convertido en el referente, orgullo y compromiso.
“Estoy convencido que el arte es una de las expresiones que nos ayudan a contar la verdad”, al referirse a todo el trabajo que se desarrolla a través de esta colección.
La exposición estará abierta al público de junio a septiembre, en un horario de 10 a 17 horas, de martes a domingo, en el Museo de las Siete Regiones.
Y en ella se pueden apreciar temáticas como autorretratos, naturaleza, animales fantásticos, efímero, abstracción y tiempo, en las técnicas de acrílico, pastel, crayon, carbón y óleo.
Entre los artistas que exponen su trabajo están Sergio Garval, Gonzalo García, Benjamín Domínguez, Flor Minor, Roberto Cortázar, Ariosto Otero, Esteban Lechuga, Sergio Guzmán, Gabriel Macotela, Diego Narváez, Victoria Goren, Roger Von Gunten, Luis Selem, Diana Salazar, por mencionar algunos.
#100 Artistas 100 Portadas de Milenio#Ariosto Otero#Benjamín Domínguez#Diana Salazar#Diego Narváez#Esteban Lechuga#Flor Minor#Fundación Milenio#Gabriel Macotela#Gonzalo García#Julia López#Luis Selem#Roberto Cortázar#Roger Von Gunten#Secultura#Sergio Garval#Sergio Guzmán#Victoria Goren
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Longhouse by Partners Hill spans 110 metres across Australian bushland
Architecture practice Partners Hill has designed this lengthy shed-style home in the Australian town of Daylesford, Victoria to incorporate living, cooking and agricultural facilities.
Described by Partners Hill as "a study in inclusion", Longhouse contains a farm, restaurant-cum-cookery school, guest rooms and living quarters for its owners, Ronnen Goren and Trace Streeter.
The practice worked alongside Goren and Streeter over a period of 10 years to design the multifunctional property.
"The Longhouse recalls a Palladian tradition of including living, working, storing, making in a single suite rather than referring to the Australian habit of casual dispersal," said the practice's founding partner, Timothy Hill.
"It emphasises how much – or how little – you need for a few people to survive and thrive. A handful of animals, enough water and year-round crops."
Nestled amongst a 20-acre plot of land just outside the town of Daylesford, the 110-metre-long building overlooks rolling plains of bushland.
Goren and Streeter were charmed by the site's natural vistas but, after several visits, came to realise that the area was subject to extreme weather conditions including strong winds, erratic downpours of rain and snow during the colder months.
A variety of animals such as kangaroos, wallabies and foxes could also be found roaming the site.
This "beautiful but hostile" environment is what encouraged Partners Hill to design Longhouse as a huge shed-like structure which would be "big enough and protected enough for the landscape to flourish inside".
Translucent panels of glass-reinforced polyester wrap around the exterior of Longhouse, which is punctuated by a series of windows that offer views of the landscape.
"Smart gel-coated cladding provides different levels of UV and infrared resistance," explained the practice.
"Panels with different finishes have also been deployed to optimise solar penetration and shading depending on the orientation of each facade and roof plane."
An algorithm was used to design the home's 1,050-square-metre roof, which has been specifically sized to harvest an optimum amount of rainwater.
Any water collected is stored in a series of tanks around the site – some of which are concealed by grassy banks – and can be used to service different rooms. It can also be used in the event of a bushfire.
The main entrance to Longhouse is at the western end of the building, which plays host to a sizeable garage for storing farm machinery and an enclosure for the cows, pigs and fowl.
A short walkway leads through to the kitchen where cookery workshops are held and meals are rustled up for guests dining at Longhouse. Designed to appear as a "surprisingly lush haven", the space is bordered by leafy trees and plant beds overspilling with foliage.
Vine plants also wind down from the ceiling.
Australian cypress pine has been used to craft a majority of fixtures and furnishings, selected by the practice for its resistance to rot.
The same timber has been combined with red bricks to form a couple of gabled structures that accommodate cosy eating areas.
Some elements, like the kitchen hearth, are built from glazed clay tiles.
A set of stairs leads up to the guest rooms on the first floor, referred to as The Stableman's Quarters. One of them features warm orange walls and is centred by an oversized daybed piled high with plump cushions.
Goren and Streeter's private living quarters, nicknamed The Lodge, are also located on Longhouse's first floor. Surfaces throughout have been painted a pale shade of blue.
"Even in the depths of cold, grey winters – there is an uplifting sense of blue skies and long sunsets every day," added the practice.
In a nod to the owners' passion for 19th and 20th-century interiors, the practice has also included a handful of decor elements that "recall the manors of a bygone era" such as clawfoot bathtubs and ornate ceiling roses.
Partners Hill is led by Timothy Hill, Simon Swain and Domenic Mesiti. Previous projects by the practice include a wooden pavilion for skincare brand Aesop – the structure was specially created for a Tasmanian music festival and was shrouded by shrubbery.
Photography is by Shantanu Starick.
Project credits:
Architecture, interior design and landscaping: Partners Hill Cladding fabricator: Ampelite
The post Longhouse by Partners Hill spans 110 metres across Australian bushland appeared first on Dezeen.
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Are You the One Series
Are You the One?, at times compacted as AYTO?, is an American unscripted TV series on MTV, in which enthusiastic singles attempt to discover love. A social event of people is cryptically joined into couples by makers, by strategies for a matchmaking check. By at that point, while living independently, the contenders try to perceive these "impeccable matches." If they succeed, the whole social event shares a prize of up to $1 million.
Season 4 of Are You the One? is an American unscripted TV game-plan on MTV and follows 20 individuals who are living in a tropical target to locate their ideal match. On the off chance that the 10 men and 10 ladies can effectively pick all of the ten ideal matches in ten weeks, they will win $1 million to part among them.
Finding genuine notion can be hard, yet MTV's "Are You the One?" reality plan endeavors to make impeccable matches utilizing a momentous estimation. It additionally offers the cast the opportunity to win a million dollars on the off chance that they would all have the alternative to comprehend who in the house is their "faultless match."
In the fourth time of AYTO, the going with youths were the up-and-comers gotten as yet: Asaf Goren, Cam Bruckman, Cameron Kolbo, Giovanni Rivera, John Humphrey, Morgan St. Pierre, Prosper Muna, Sam Handler, Stephen McHugh, and Tyler Norman. Obviously, following adolescents were the contenders picked: Kaylen Zahara, Julia Rose, Mikala Thomas, Francesca Duncan, Victoria Wyatt, Tori Deal, Emma Sweigard, Alyssa Ortiz, Nicole Brown, and Camille Satterwhite.
The ideal matches are as per the going with:
Asaf Goren and Kaylen Zahara
Cam Bruckman and Julia Rose
Cameron Kolbo and Mikala Thomas
Giovanni Rivera and Francesca Duncan
John Humphrey and Victoria Wyatt
Morgan St. Pierre and Tori Deal
Prosper Muna and Emma Sweigard
Sam Handler and Alyssa Ortiz
Stephen McHugh and Nicole Brown
Tyler Norman and Camille Satterwhite
Beginning late, world strategy flasher Julia Rose is proceeding with her best life and pushing limits during the coronavirus pandemic. She keeps empowering her fans with pictures that stop hardly shy of Instagram's line on introduction. She composed the in every practical sense abominable top with white bottoms, which may have been somewhat of a string swimming outfit or a few undies, that dunked low in the front and highlighted strings on either side that moved high over her hips. The outfit showed Julia's rigid waist, astonishing hips, and dull, sun-kissed skin.
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¿Qué es el amor?
El Amor Visto por el Arte llega al Instituto Cultural Cabañas el 12 de noviembre
El Amor Visto por el Arte es la colección de MILENIO que albergará el Instituto Cultural Cabañas (ICC) a partir del 12 de noviembre, día en que Avelina Lésper, directora de MILENIO Arte realizará un recorrido guiado, dirigido a medios e interesados con previo registro en el correo [email protected]
La lista de las obras y autores que integran esta exposición que se podrá apreciar en el ICC son: Amor robado en primavera de Gerardo Cantú; Amor al saber, de Fernando Garrido; Instancias de una cuestión, de Georgina Gómez; Amordecida, de Susana Salinas; Xipe-Totecno, de Racrufi; A flor de piel, de Darío Salzman; Arca, el amor de los animales, de Mario Martín del Campo; Visión es, de Hazael González; El amor es cosa de dos. El amor y el objeto del amor, de Jordi Boldó.
También habrá obras como El amor que destruye lo que inventa, de Soid Pastrana; Ausencia, de Joel Corrales; Sueño de amor nocturno, de Enrique Gallart; Amor No.1, de Victoria Goren; Egoísmo, conciencia, amor… de Zacarías Páez; El Deseo, de Margarita Morales; Viajando ligero, de Alejandra Villegas; CromoSoma, de Ethel Cook; Petricor, de Enrique Barajas Pro; Tiempo y Eternidad, de Laura Quintanilla; El canto de la conciencia, de Samo; Silogismo 1, de Esteban Lechuga; Amada, de Juan Carlos Villegas; Luz Abisal de Alberto Aragón.
Y piezas como Remanso estoico, de Héctor Morales, quien presenta también un boceto de la misma pieza; Homenaje al Art Nouveau, de Raúl Serralde; Alicia en el jardín de las delicias, de Felipe Cifuentes; Amor destructor, de Francisco Magaña; Amor infinito, de Fernando Fonseca; Los colores de la vida, de Julia López; Volcán amoroso, de Beatriz Sánchez Zurita; Desierto Rojo, de José Ángel Robles y Te veo, de Ermilo Espinosa Torre.
Los asistentes podrán admirar 34 obras de 33 artistas, además de 33 portadas de periódicos intervenidas, un conjunto de fotografías de los autores en sus estudios y un video con las entrevistas elaboradas que ya se han transmitido en MILENIO TV.
En entrevista, Avelina Lésper mencionó: “En MILENIO queremos saber para ti ¿qué es el amor? El 12 de noviembre, al término del recorrido guiado por la muestra entregaremos premios a los mejores textos que recibamos en las categorías de niños (6 a 11 años) adolescentes (12 a 17) jóvenes (18 a 35) adultos (35 a 55) y adultos mayores (56 a 100)”.
Al finalizar el recorrido se entregarán los premios a quienes participaron en la convocatoria para definir “¿qué es el amor?” a las mejores respuestas que se hayan recibido en las categorías de niños (6 a 11 años), adolescentes (12 a 17), jóvenes (18 a 35), adultos (35 a 55) y adultos mayores (56 a 100).
MUSEO DE SITIO. LÍNEA DE TIEMPO DIGITAL
H: Ma-D, de 10:00 a 18:00 h
Inauguración el lunes 12 de noviembre, a las 12:00 horas
Para asistir a la inauguración y recorrido guiado es necesario enviar correo [email protected] (cupo limitado)
INSTITUTO CULTURAL CABAÑAS, Calle Cabañas 8, Plaza Tapatía, Centro Histórico, Guadalajara
T/3668-1645 y 3818-2800, ext. 31642 y 31014
Precios: $70 entrada general; $45 turismo nacional con identificación; $20 estudiantes y maestros con credencial vigente, niños menores de 12 años y adultos mayores con credencial del INSEN. Martes: entrada Gratis
Numeralia
34 Obras
33 Artistas participantes
33 Portadas de periódicos intervenidas
Ocio. No.1104. 091118
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Dean Nehorai Bar | Dikla Arava | Dina Kapshetar | Dipash Raj Bista | Dmitri Sorokin | Dolev Swisa | Dolev Yehud | Dor Avitan | Dor Hanan Shafir | Dor Malka | Dor Rider | Dorin Atias | Dorit Vertheim | Doron Boldas | Doron Meir | Dr. Daniel Levi | Dr. Hagit Refaeli Mishkin | Dr. Lara Tannous | Dr. Lilia Gurevitch | Dr. Marcelle Freulich | Dr. Victoria Gridskol | Dror Bahat | Dror Kaplun | Dror Or | Dudi Sharon | Dudi Turgeman | Dueh Sayan | Duwa Sayan | Dvir Karp | Dvir Rahamim | Eden Abdulayev | Eden Ben Rubi | Eden Gez | Eden Liz Ohayon | Eden Moshe | Eden Naftali | Eden Yerushalmi | Eden Zacharia | Edna Bluestein | Edna Malekmo | Efrat Katz | Einav Elkayam Levy | Einav Hen Burstein | Eitan Kapshetar | Eitan Levy | Eitan Snir | Eitan Ziv | Elad Fingerhut | Elad Katzir | Elazar Samuelov | Eldad Angel Bergman | Eli Refai | Elia Iluz | Elia Shametz | Elia Toledano | Eliad Ohayon | Eliran Mizrahi | Eliyahu (Churchill) Margalit | Eliyahu Orgad | Eliyahu Reichenstein | Eliyahu Uzan | Eliyahu Ya’akov Bernstein | Elizur Tzuriel Hajbi | Ella Hamoy | Elyakim Libman | Emma Poliakov | Eren Goren | Etti Zak | Evgeni Postel | Evgeny Kapshetar | Eviatar Kipnis | Eyal Uzan | Faiza Abu Sabieh | Fatma Altlakat | Frabash Bandari | Freha Ifergan | Gabi Azulai | Gabriel Yishai Barel | Gad Haggai | Gal Abdush | Gal Danguri | Gal Navon | Galit Carbone | Ganesh Kumar Nepali | Gaya Halifa | Geula Bachar | Gideon (Gidi) Hiel | Gideon Babani | Gideon Fauker | Gideon Harel Rivlin | Gidi Hiel | Gil Yosef Avni | Gila Peled | Gilad Ben Yehuda | Gilad Kfir | Gili Adar | Gili Adar | Gina Smiatich | Giora Duvdevani | Glazer Rotem Neiman | Goytum Jabrahiwat | Gracie Cabrera | Guy Azar | Guy Gabriel Levi | Guy Iluz | Hadar Berdichevsky | Hadar Hushan | Hadar Prince | Hagai Efrat | Hai Haim Zfati
These are the names of just a few of the victims of October 7, those murdered by the horde of Nazi savages from Gaza, or those kidnapped and imprisoned within that moral sewer.
On October 6, all of these people were alive and minding their own business. They were living their own lives. Islamic terrorists from Gaza took that all away from them, leaving a permanent scar on their communities and the entire nation of Israel.
More names will be coming up soon.
#israel#october 7#remember them#gaza#palestinian terrorists#evil#never forget#stand with israel#hamas is isis#bring them home now
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Longhouse by Partners Hill spans 110 metres across Australian bushland
Architecture practice Partners Hill has designed this lengthy shed-style home in the Australian town of Daylesford, Victoria to incorporate living, cooking and agricultural facilities.
Described by Partners Hill as "a study in inclusion", Longhouse contains a farm, restaurant-cum-cookery school, guest rooms and living quarters for its owners, Ronnen Goren and Trace Streeter.
The practice worked alongside Goren and Streeter over a period of 10 years to design the multifunctional property.
"The Longhouse recalls a Palladian tradition of including living, working, storing, making in a single suite rather than referring to the Australian habit of casual dispersal," said the practice's founding partner, Timothy Hill.
"It emphasises how much – or how little – you need for a few people to survive and thrive. A handful of animals, enough water and year-round crops."
Nestled amongst a 20-acre plot of land just outside the town of Daylesford, the 110-metre-long building overlooks rolling plains of bushland.
Goren and Streeter were charmed by the site's natural vistas but, after several visits, came to realise that the area was subject to extreme weather conditions including strong winds, erratic downpours of rain and snow during the colder months.
A variety of animals such as kangaroos, wallabies and foxes could also be found roaming the site.
This "beautiful but hostile" environment is what encouraged Partners Hill to design Longhouse as a huge shed-like structure which would be "big enough and protected enough for the landscape to flourish inside".
Translucent panels of glass-reinforced polyester wrap around the exterior of Longhouse, which is punctuated by a series of windows that offer views of the landscape.
"Smart gel-coated cladding provides different levels of UV and infrared resistance," explained the practice.
"Panels with different finishes have also been deployed to optimise solar penetration and shading depending on the orientation of each facade and roof plane."
An algorithm was used to design the home's 1,050-square-metre roof, which has been specifically sized to harvest an optimum amount of rainwater.
Any water collected is stored in a series of tanks around the site – some of which are concealed by grassy banks – and can be used to service different rooms. It can also be used in the event of a bushfire.
The main entrance to Longhouse is at the western end of the building, which plays host to a sizeable garage for storing farm machinery and an enclosure for the cows, pigs and fowl.
A short walkway leads through to the kitchen where cookery workshops are held and meals are rustled up for guests dining at Longhouse. Designed to appear as a "surprisingly lush haven", the space is bordered by leafy trees and plant beds overspilling with foliage.
Vine plants also wind down from the ceiling.
Australian cypress pine has been used to craft a majority of fixtures and furnishings, selected by the practice for its resistance to rot.
The same timber has been combined with red bricks to form a couple of gabled structures that accommodate cosy eating areas.
Some elements, like the kitchen hearth, are built from glazed clay tiles.
A set of stairs leads up to the guest rooms on the first floor, referred to as The Stableman's Quarters. One of them features warm orange walls and is centred by an oversized daybed piled high with plump cushions.
Goren and Streeter's private living quarters, nicknamed The Lodge, are also located on Longhouse's first floor. Surfaces throughout have been painted a pale shade of blue.
"Even in the depths of cold, grey winters – there is an uplifting sense of blue skies and long sunsets every day," added the practice.
In a nod to the owners' passion for 19th and 20th-century interiors, the practice has also included a handful of decor elements that "recall the manors of a bygone era" such as clawfoot bathtubs and ornate ceiling roses.
Partners Hill is led by Timothy Hill, Simon Swain and Domenic Mesiti. Previous projects by the practice include a wooden pavilion for skincare brand Aesop – the structure was specially created for a Tasmanian music festival and was shrouded by shrubbery.
Photography is by Shantanu Starick.
Project credits:
Architecture, interior design and landscaping: Partners Hill Cladding fabricator: Ampelite
The post Longhouse by Partners Hill spans 110 metres across Australian bushland appeared first on Dezeen.
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Longhouse by Partners Hill spans 110 metres across Australian bushland
Architecture practice Partners Hill has designed this lengthy shed-style home in the Australian town of Daylesford, Victoria to incorporate living, cooking and agricultural facilities.
Described by Partners Hill as "a study in inclusion", Longhouse contains a farm, restaurant-cum-cookery school, guest rooms and living quarters for its owners, Ronnen Goren and Trace Streeter.
The practice worked alongside Goren and Streeter over a period of 10 years to design the multifunctional property.
"The Longhouse recalls a Palladian tradition of including living, working, storing, making in a single suite rather than referring to the Australian habit of casual dispersal," said the practice's founding partner, Timothy Hill.
"It emphasises how much – or how little – you need for a few people to survive and thrive. A handful of animals, enough water and year-round crops."
Nestled amongst a 20-acre plot of land just outside the town of Daylesford, the 110-metre-long building overlooks rolling plains of bushland.
Goren and Streeter were charmed by the site's natural vistas but, after several visits, came to realise that the area was subject to extreme weather conditions including strong winds, erratic downpours of rain and snow during the colder months.
A variety of animals such as kangaroos, wallabies and foxes could also be found roaming the site.
This "beautiful but hostile" environment is what encouraged Partners Hill to design Longhouse as a huge shed-like structure which would be "big enough and protected enough for the landscape to flourish inside".
Translucent panels of glass-reinforced polyester wrap around the exterior of Longhouse, which is punctuated by a series of windows that offer views of the landscape.
"Smart gel-coated cladding provides different levels of UV and infrared resistance," explained the practice.
"Panels with different finishes have also been deployed to optimise solar penetration and shading depending on the orientation of each facade and roof plane."
An algorithm was used to design the home's 1,050-square-metre roof, which has been specifically sized to harvest an optimum amount of rainwater.
Any water collected is stored in a series of tanks around the site – some of which are concealed by grassy banks – and can be used to service different rooms. It can also be used in the event of a bushfire.
The main entrance to Longhouse is at the western end of the building, which plays host to a sizeable garage for storing farm machinery and an enclosure for the cows, pigs and fowl.
A short walkway leads through to the kitchen where cookery workshops are held and meals are rustled up for guests dining at Longhouse. Designed to appear as a "surprisingly lush haven", the space is bordered by leafy trees and plant beds overspilling with foliage.
Vine plants also wind down from the ceiling.
Australian cypress pine has been used to craft a majority of fixtures and furnishings, selected by the practice for its resistance to rot.
The same timber has been combined with red bricks to form a couple of gabled structures that accommodate cosy eating areas.
Some elements, like the kitchen hearth, are built from glazed clay tiles.
A set of stairs leads up to the guest rooms on the first floor, referred to as The Stableman's Quarters. One of them features warm orange walls and is centred by an oversized daybed piled high with plump cushions.
Goren and Streeter's private living quarters, nicknamed The Lodge, are also located on Longhouse's first floor. Surfaces throughout have been painted a pale shade of blue.
"Even in the depths of cold, grey winters – there is an uplifting sense of blue skies and long sunsets every day," added the practice.
In a nod to the owners' passion for 19th and 20th-century interiors, the practice has also included a handful of decor elements that "recall the manors of a bygone era" such as clawfoot bathtubs and ornate ceiling roses.
Partners Hill is led by Timothy Hill, Simon Swain and Domenic Mesiti. Previous projects by the practice include a wooden pavilion for skincare brand Aesop – the structure was specially created for a Tasmanian music festival and was shrouded by shrubbery.
Photography is by Shantanu Starick.
Project credits:
Architecture, interior design and landscaping: Partners Hill Cladding fabricator: Ampelite
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