#Very interesting connection!

[appropriatelystupid]

[claraoswalds]

#mrs flood who are you: time lord edition

[salamispots]

first 3 rug hooking things I did haha

[smthaboutuss]

Based on the fanfic scenario in my head where Vox is fake-staying in the hotel asjsbdk I just think husk would hate his guts omg (ooc)

[pierogish]

I grew a spine

[poorly-drawn-mdzs]

At rest, your lungs wish to deflate, and your ribcage expands outwards.

[tinderbox210]

Noa and Mae + name etymology

[flowery-king]

[Defanged Philip AU]

omg imagine getting thrown inside the Emperor's mind and discovering he's actually kinda like you wouldn't that be funny haha (Heavily inspired by this scene from Turning red ggghhg)

[nukbody]

Answer to twitter`s "if your tav/durge had to draw their party members, how would they draw them ?"

[thesummerestsolstice]

There's this implication in Tolkien's writing that half-elves are kind-of immortal by default, and that they stop aging unless they choose mortality (though arguably they don't even really age then). See Arwen in the Lord of the Rings, who is several thousand years old and has clearly been living life as an elf, despite never having made the Peredhel choice.

I always wondered why Arwen was given that choice, actually. It seems like the Peredhel choice is mostly given to people who have a mortal parent and an immortal parent (Earendil, since Tuor was definitely mortal when he was born, and arguably Elwing depending on how you see Dior), or at least parents who are undecided (Elrond and Elros are born before Elwing and Earendil make their choices). Arwen is a fair bit more than half-elven, and has two immortal parents. And there's not really any evidence Elros's children got the choice. Why does she get to choose whether she wants to be mortal or immortal?

Now, this could just be some minor world building weirdness, but it raises another very interesting possibility. That Elrond, by the time his children were born, had not committed to being immortal, and was instead undecided. I feel like there's so much to explore in that idea. Maybe Elrond truly wasn't sure about his choice to stay immortal forever until much, much later in his life. Maybe he held off choosing specifically so his children would be able to. Maybe he didn't choose because he didn't want to have to pick between being an elf or a man, and just wanted to be a half-elf in peace.

There's also something very compelling to me about the idea of an Elrond who could have, at any point during the Second or Third Ages, decided to be mortal. Who could have left the grief and struggle of Middle-Earth behind forever, and who, nonetheless, always chose to stay; picking immortality, not once, but a thousand times over the course of his long life, no matter what difficulties he was faced with.

It would also be interesting to explore the idea that most of the people in Elrond's life assume he decided to be fully elven long ago, only to realize that that isn't actually true. I imagine it could be disconcerting, maybe even really anxiety-provoking to realize that someone you were certain would be around forever might not be. I also think it would be really hard for a lot of elves to understand why Elrond might not want to make that choice.

[thefriendoforatioisdead]

I truly admire how much Pin has been fighting back the rule of her aunt. She's a very obedient person, so her rebellion is not as firery as Anin's, but I found the scene of her bowing down to beg her aunt extremely powerful. I felt it very strongly. Even if it's not anger, or bold, upfront resistance, it's not passive or weak either. She IS standing up for their relationship, by showing the extent of her devotion not to her aunt but to Anin and their love. She is showing what she's ready to do. I am honestly not familiar with the weight of such a deep bow culturally, but I would assume that it means A LOT since we've never seen any character of this social status doing it before in the show (except her aunt when she met her sadly dead girlfriend, but it was to indicate subordination since she was going to work for her. And frankly, the parallel is parallelling). This moment of confrontation between them might be my favorite of the episode frankly, except Anin's declaration at the end OF COURSE

Pin resisted as much as she could in all the ways she could, and I'm not blaming her for breaking in the next episode and accepting the mariage. She does respect and love her aunt, and she is also very aware of her social status. She will do her duty because she's been raised to know her place and I would never blame her for that. It's just heartbreaking and unfair, but it's also very understandable.

[twentyfivemiceinatrenchcoat]

one thing i really wish people wouldn’t forget when it comes to suguru’s character is that his core desire is just to have a family. not in a nuclear family way, but in a “i want a place where i belong / i want to protect the ones i love” way…… literally everything else is just an extension of that desire. a means to meet that end. he broke down after being forced to realize that staying with his family meant having to watch them die, so he left and made a new one. and he got stronger. and his core wish was always, always always to create a world where he’d finally be able to protect them :(((((((((

[carsickcrow]

drawing of mandible NgLj-2:226 in my sketchbook in honor of the James Fitzjames remains identification. i’ve never drawn a jaw bone before but i liked how the lettering of his name turned out

[gingermintpepper]

Tbh, I'm kind of obsessed with the almost tragedy of Eiland and Caldarus in Fields of Mistria. Eiland's dedicated his life to uncovering the secrets and stories hidden in Mistria's archeology - he's single-mindedly devoted to it, so much so that even his side hobbies are influenced by his love of history and desire to know more about Mistria's but it's that devotion that makes him so blind to the magic right in front of him.

It's Eiland's sharp eye that sees Caldarus' statue behind that tree on the farm. It's Eiland who whacks away at the bark with the axe fruitlessly until he's assisted. It's Eiland who coaxes the player to help repair Caldarus' statue and subtly ropes them into joining his History Society. It's Eiland who is devoted to the steles, who gets so excited at the prospect at uncovering a new piece of old Mistria's puzzle that he cuts his outing short to rush to the museum. It's Eiland who realises that all of the different eras of artefacts dug up in Mistria's soil must mean that Mistria itself was once the cradle of civilisation for Aldaria.

And yet, with all of that knowledge, he's still so, so blind to what's right in front of him. He doesn't realise that Juniper is a witch, he merely knows that she is familiar with all manner of the arcane and assumes it's a scholarly pursuit like his instead of what it actually is - Juniper's lifestyle, Juniper's culture. And ultimately, I think that's why he's blind to Caldarus and the magic right in front of him.

Eiland isn't taking the time to stop and really think about what all these artefacts and armaments mean. He isn't considering that remnants of old Mistria still live, he isn't even able to grapple with the question of whether or not it's right for him to dig up the armour at the stele when it's clearly hidden there for a reason. Eiland is completely detached from the history he's searching for and that's why, even with magic and the truth about Mistria right in front of him, he'll remain blind to it.

[creative-robot]

I know The Founders Cut, generally, is the edited scrubbed over version of genloss from Showfall in-universe (as well as a not-8-hour-long-three-stream-binge-night whenever we want to watch it again) but something that struck me as odd and I haven’t seen anyone mention yet, is this warning

It shows up right at the junction where the third act starts, where it appears the Hero is breaking free of Showfall thanks to Hetch. But here’s the thing, while a LOT less than the previous acts the audience still played a significant role in this act, even when really only given two audience interaction choices. Which makes me wonder, how real is this warning, and who is it for? Obviously the audience involved knows what happens past this point, but the audience is also implied to be an integral part of the Social Experiments, which is part of why things start to tweak out when the Founder removes them in the Founder Cut as the Generation Loss generation loses.

My first thought, was that obviously this is another bait and switch, a way to draw the audiences attention, seeing something that’s secret, something that’s not “meant for them”, which is a tactic I could see Showfall using in universe to keep people’s attention and add an air of mystery to their shows.

But

Showfall is doing all their experiments and these shows with a LOT of help from their censors to show it off, displaying a fun silly show that is definitely not uber fucked up and that is 100% just slime don’t worry about it, it’s kid friendly if it’s green! And I don’t think they’d want to bet all their cards on this one experiment doing well enough to their audience to not question the sudden shift in tone that follows this warning. Which makes me wonder.

They did their test, they did their experiment, and the evidence of this last act? I think it was a one time run, they don’t want anyone seeing this, it isn’t for the audience. Act three is specifically to both test and play with their Hero, Hetch’s new lines add a level to this, never once does he call the Hero by their name, just refers to Ranboo as their Role, and he’s not exactly. Nice? About literally any of Ranboos concerns, which wouldn’t really seem conductive to making an audience trust him, especially with his monologue at the end. Ranboo has escaped before, possibly right before act 1 started, they tightened the security on his mask to be unremovably part of them, Hetch doesn’t like the Hero but they’re a fan favorite so he can’t just get rid of them.

Act three is the cumulation of Ranboo being punished for things they don’t remember, for daring to break free from Showfalls control, this is Hetch taking the Hero and essentially majorly fucking and manipulating them to take his frustration out on a fan favorite they can’t otherwise get rid of or give a smaller role like Slimecicle. which is exemplified by the fact that we now know Charlie most likely was never able to actually able to fully snap out of the control, that even in act three in panic and confusion there was at least still a part of him being influenced by Showfall.

So the first two acts are the usual show, they have their posters, they have Squiggles to introduce them, they have goofs and silliness and only a couple slip ups that’re quickly dealt with, the usual rose tinted curtains. Act three?

Do not watch the following material