#Vanessa Ursula Sea Witch

[dommnics]

"My dear, I'll look divine!"

I love drawing Ursula. What a great villain and design! But her as Vanessa was my faaaavourite when I was little haha

--

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[princess-ibri]

Ok! I honestly thought the mermaid look was alright so I didnt really touch it, but wanted to give her land costumes more flair/call back to the animated movie more. There would definitely be a wedding in my version. You can't see it great but I tried to pull in a seaweed motif in a lot of the floral designs in Ariel's outfits

Also wanted to perk up Vanessa's outfit. Decided to give her a butterfly motif since Ursula uses a Vanessa butterfly to create her disguise--also did an alternate color version inspired by the colors of said butterfly

Changes I'd make overall in the film? Eh, honestly hard to say cuz my main thing is that apart from Ariel and Eric's scenes everything just kinda feels flat/duller then the animated version :/ It feels cheap to say "just make it more like the real movie"

I would definitely get rid of that bit of Ursula making her forget the time limit that was just dumb. If they wanted to give Ariel some sort of conflict or whatever around the whole thing like, have Ursula frame giving up her voice as a way to determine if Eric really likes her or is just drawn to her singing? Since they have her have a siren call and all that.

That way Ariel has a reason to feel even more gutted when Eric seemingly picks another girl.

If they don't want a whole wedding scene then they could pull from the musical's plot. Maybe he's set up a singing contest before Ariel shows up, and Vanessa comes and sings, and before the hypnosis factor is revelaed Ariel thinks that Eric really did only care about her voice and not her or something idk.

[ninetiesfairydust]

The Little Mermaid (1989)

[frie-ice]

This Disney Villains crossover collage is of Maleficent, Ursula and the Evil Queen Grimhilde, as part of my crossover collage series of Disney Villains, to mark the countdown to Halloween. The time of year when Disney gives their villains control of the rains.

Although the Once Upon A time series has Cruella in a trio group with Maleficent and Ursula, those who prefer the classic animated versions of Disney's villains think that the Evil Queen should take Cruella's place in the Queens of Darkness. Thinking that she has more in common with Maleficent and Ursula than Cruella does.

At first I was going to use images from three of the common franchises they appeared in, like Kingdom Hearts, Mirrorverse and either the House of Mouse or even OUAT, but then I remembered that all three of them have a second form. One that they take to either trick the heroes of their stories or in an attempt to ensure that they don't lose to them.

[deathcandylove]

Gala Vanessa! I'm mad at myself. She was supposed to come after Ursula's design and I totally spaced it off! Oh well here she is.

Personally I'm starting to like dark skinned Ursula/Vanessa like in Once Upon A Time. Though I'm not much of a fan of the series. But I totally support Sea Witch Whoopie Goldberg for the win! But that's cause I love Whoopie Goldberg. I know she only did a brief moment in Descendants 2, but all you saw was a tentacle and heard her voice. Give us Sea Witch Whoopie Goldberg in person!!

Anyways, for this series I have her with slightly tan skin tone from the movies and books. Cause this is meant to be based on the original designs.

But I also have Vanessa with darker skin tone. I used the eye dropper on Uma's emoji from Disney's Emoji Blitz game to get the skin tone, so it'd look close. Just an FYI: It's my daughter who is a Disney Descendants fan. I like it, but it's not my thing.

[costumedump]

Costume For Jessica Alexander As Vanessa

The Little Mermaid (2023)

Designed By Colleen Atwood

Art Of Motion Picture Costume Design (2024)

ASU FIDM

[dyinggirldied]

[khaleesi-rose]

Vanessa aesthetic 🖤🫧💜

[darkest--hearts]

Ursula Starter Call 🐙

[jasposeyblog]

My acquisition of Ursula the Sea Witch and her boys, Flotsam and Jetsam vs Aquaman the King of the Seven Seas sketch cover by Jamie Warner

[marlenakitten]

typed Disney villain into my Pinterest & got Vanessa of course 🐚

[whitneyavalon]

GLORIOUS ALL NEW LITTLE MERMAID SONG with Garrett Clayton as a perfect Prince Eric!

[lady-of-ways]

Original Little Mermaid screenshot Vs my redraw with my original characters. I don’t normally do backgrounds but I decided to this time

[cloudofash]

The Ariel / Riku Parallel and the future of Sora and Riku

This is a parallel I see covered a lot of the time but when it's mentioned the comparison usually involves Naminé in place of Ursula.

The parallel typically follows:

Ariel is Riku. They both wanted to see the outside world.

Sora is Prince Eric.

Naminé is/was Ursula (Vanessa).

Naminé (Ursula) used witch like powers to place Sora (Eric) in a trance and blind him from his true light/the one, Riku (Ariel).

It's a direct parallel that needs little analysis or explanation.

I have also seen fellow Sorikus touch on this parallel with the Final World tunnel scene where Sora notices that the Light is Riku much like Eric notices "the one" who sang to him and saved him in the storm is Ariel.

My theory is that this parallel goes beyond just the tunnel scene. In fact, I believe that Nomura is following the KH2 Atlantica storyline for Sora and Riku's eventual romance later in the games. Walk with me here.

-

The KH2 Atlantica story begins with Ariel saving Eric after a storm. She immediately falls in love, and sings to him. He wakes up just enough to hear her singing, she goes back to Atlantica and her father breaks her statue of him, her heart breaks and Ursula makes her contract with her...you know the tale.

In the KH2 version of this tale however, Ariel falls into a deep depression because she knows she can't be with a human up on land as a mermaid. Not to mention her father's hatred of humans casted fear and doubt into her. When Ariel and Eric defeat Ursula, Ariel reveals to Eric that she is actually a mermaid. However in this scene, Ariel hangs her head in shame and tells him "goodbye" anticipating that he would not accept her as she was. To her surprise, he does accept her.

This scene always struck me because at no point in the original film is Ariel ever ashamed of being a mermaid, she simply knew as a mermaid she couldn't live on land with the one she loved. Why would shame and fear of not being accepted for who you are be added to this tale?

And it doesn't stop there. All throughout the Atlantica storyline, we're told that Ariel and Eric's love is a "forbidden love". A love that shouldn't happen between mermaid and human, sea and land. We're told how a "love struck" mermaid in the sea felt she could only love her human soulmate from afar, that they could never be together despite her wanting them to be.

Who, in the entire Kingdom Hearts cast, does this sound like? Who else, if confirmed that he truly is in love with Sora, would have a forbidden love?

There is no one else other than Riku. Kai*ri, as a cishet female, would not have a forbidden love with Sora. Riku, as a demi/gay male, would have the forbidden love.

Riku has spent a good portion of this series loving and protecting Sora from afar, most often than not, without Sora even being aware.

Who would be more likely to be "ashamed" for loving Sora, and fearful of rejection? Kai*ri, or Riku? In fact, just as Ariel was ashamed that she was originally a mermaid and had to transform into a human, Riku was ashamed that he had to borrow the powers of Ansem and transformed into Ansem.

--

Now why do I say this parallel is going to dictate the future of Sora and Riku's relationship? Because KH3 pretty much follows half of this parallel already.

We already know that Sora discovered that Riku was his true light in the tunnel. He then forgets all of this ever happened and forgets that he ever saved Riku.

And not only that, but Riku's light is blocked out and Sora ends up thinking that the light belongs to another character.

That's right. Sora (Prince Eric) has yet another haze over his eyes. And instead of Naminé, this time Kairi is Ursula.

This is an exact parallel of not only Atlantica, but of what happened in Chain of Memories with Naminé.

Naminé describes herself as a witch who controls the memories of Sora and everyone surrounding him.

Naminé is Ka*iri's Nobody, also described as her "alter ego". Vanessa is in a way Ursula's human alter ego, they're one in the same.

Ka*iri, most likely, has a similar power. She may not use it consciously, but whenever Sora turns his focus on Ka*iri, he forgets all about Riku. This has happened since KH1.

Ursula used her power to make Eric forget about Ariel, the girl who saved him and sang to him. Let's also not forget that Ursula made an appearance in Dream Drop Distance when Sora and Riku were building their dream raft.

We're following the Ariel parallel, just a bit out of order. We're past the point of Ariel's (Riku's) depression. We're past the point of Ariel makes a contract with Ursula to transform into a human / Riku making a contract with Ansem to transform into Ansem. We're at the point where Prince Eric is tricked by Ursula / Sora realized who his light is but forgot and is currently under the false impression that Kai*ri is his true light.

Memory of Melody aside, KH3 is the most recent major title in the series. KH2 happened way back in 2005 and Nomura is STILL referencing it. This tells me this parallel is not concluded nor going away, rather, it's building up. Which means, we will eventually reach the conclusion of this parallel.

Prince Eric finding the one. Sora finding his light.

Every Disney parallel thus far has either reached a conclusion, or is still ongoing (such as the Riku / Hercules and self sacrifice for love). I highly doubt this parallel will be dropped before its conclusion, unless Disney or some Square execs drop the hammer on it and either force Prince Sora to be with Kai*ri instead of Riku or force Sora into some "power of friendship" spiel. Or if Nomura's hands get sweaty and he remembers the pressures of homophobia in society and ends up fearing the anger of the fanbase for pushing an LGBTQ romance. So although I genuinely believe it's Nomura's intention to pair Sora and Riku given the buildup of their relationship over the longevity of this series, and the Disney couple parallels between the two, he may end up cracking and decide against pursuing it.

Given that Riku in the Novels all but confirmed Sora is his light and love and Nomura approved it, I'm hoping that he has the confidence in his tale to propel this love into the mainline titles. Nomura DID say that the series has taken a directional shift, this may be the shift he's referring to all along.

----

So what would a Soriku love look like in future titles? Well let's look at the portion of the Atlantica parallel not explored yet.

Ariel returned Prince Eric's pendant. The Crown Necklace theory and Shooting Star Memory has yet to be addressed. Perhaps at some point in Quadratum Sora loses his crown necklace, Riku finds it and returns it to him triggering the both of them to finally address the Crown Necklace with Sora remembering that Riku is the one who gave it to him in the first place. Sora remembering that Riku was the light in the darkness and not Kai*ri is now a new plot point needing to be addressed. Just as Eric realized Ariel was the one he was looking for all along, he declared his love for her. Sora will eventually realize Riku was the one he's been searching for all his life and will probably apologize for not realizing it sooner.

Not to mention the Hercules parallel of self sacrifice for true love has also yet to be addressed on Sora's end. He's still figuring out what love is and what love means. Both the Ariel-Eric and Hercules-Meg parallels end with a confession of love. That confession may just be how Kingdom Hearts ends.

Additional Note: Do I think there will be a Soriku kiss? Maybe, but it most likely won't happen in-game.

I instead believe that Soriku will be confirmed with a koibito tsunagi - an interlocking hand hold that roughly translates to "lover's connection". Nomura and other Square Enix devs have used this before, especially in FF7 Remake when Aerith takes Cloud's hand and interlocks his fingers with hers (on their date towards the end of the game), further confirming her feelings for him. It's a subtle way of showing a character's affection and I think it will be fitting for both Sora and Riku.

[frie-ice]

This Disney Villains crossover collage is of Vanessa (aka Ursula) and Gaston, as part of my crossover collage series of Disney Villains, to mark the countdown to Halloween. The time of year when Disney gives their villains control of the rains.

If someone were to ask Gaston to go on a blind date with Ursula, he would laugh in your face and probably say something that would have the Sea Witch add him to her garden. That's why I focused on her Vanessa persona, as her beauty makes her the kind of woman Gaston wouldn't mind having dinner with.

[dwellordream]

Best Reads of 2024

this year i read 300 books. which i think is impressive but not as impressive as it sounds bc many of these books were very short, easy reads meant to be like, stuff you read at the airport or sitting by the pool on vacation. so it's not like i was tackling the harvard classics. i also read extremely fast; it only takes me about an hour to do 300 pages unless it's a super dense complex text. that said, here is a list of all the books i read this year that i would rate 4 stars or higher, separated by genre: Fantasy/Magical Realism: The Tainted Cup by Robert Jackson Bennett Highfire by Eoin Colfer Tehanu by Ursula K. Le Guin Gifts by Ursula K. Le Guin The Last Tale of the Flower Bride by Roshani Chokshi Chlorine by Jade Song The Passion by Jeanette Winterson The Magic Toyshop by Angela Carter Realistic Fiction: We Are Not Like Them by Christine Pride & Jo Piazza Young Jane Young by Gabrielle Zevin My Absolute Darling by Gabriel Tallent Only Child by Rhiannon Navin Movie Star by Lizzie Pepper Prima Facie by Suzie Miller Acts of Desperation by Megan Nolan Marjorie Morningstar by Herman Wouk The Subtweet by Vivek Shraya All Grown Up by Jami Attenberg Piglet by Lottie Hazell The List by Yomi Adegoke A Winter's Rime by Carol Dunbar The Resurrection of Joan Ashby by Cherise Wolas

Mystery/Thriller: Queenpin by Megan Abbott Bury Me Deep by Megan Abbott Beware the Woman by Megan Abbott Firekeeper's Daughter by Angeline Boulley The Guest by Emma Cline Advika and the Hollywood Wives by Kirthana Ramisetti Kala by Colin Walsh Descent by Tim Johnston Wahala by Nikki May When We Were Bright and Beautiful by Jillian Medoff We Could Be Beautiful by Swan Huntley Bright Young Women by Jessica Knoll Nothing Can Hurt You by Nicola Maye Goldberg Fruit of the Dead by Rachel Lyon The Lagos Wife by Vanessa Walters Grown by Tiffany D. Jackson Yes, Daddy by Jonathan Parks-Ramage Cape Fear by John D. MacDonald Sea Wife by Amity Gaige Last Seen Wearing by Hilary Waugh The Black Cabinet by Patricia Wentworth Historical Fiction: Everyone Knows Your Mother is a Witch by Rivka Galchen Gilded Mountain by Kate Manning All You Have to Do is Call by Kerri Maher Cruel Beautiful World by Caroline Leavitt Payback by Mary Gordon A Dangerous Business by Jane Smiley The Affairs of the Falcons by Melissa Rivero Longbourn by Jo Baker The Hazelbourne Ladies Motorcycle and Flying Club by Helen Simonson Go to Hell Ole Miss by Jeff Barry The Divorcees by Rowan Beaird Consequences by Penelope Lively Iron Curtain: A Love Story by Vesna Goldsworthy Homestead by Melinda Moustakis Not Our Kind by Kitty Zeldis Hamnet by Maggie O’Farrell Teddy by Emily Dunlay Science Fiction: Prophet Song by Paul Lynch Aesthetica by Allie Rowbottom Fever by Deon Meyer The Salt Line by Holly Goddard Jones Land of Milk and Honey by C. Pam Zhang Gold Fame Citrus by Claire Vaye Watkins A Children’s Bible by Lydia Millet Briefly Very Beautiful by Roz Dineen

Romance: Everything’s Fine by Cecilia Rabess Adelaide by Genevieve Wheeler Meant to Be Mine by Hannah Orenstein When Katie Met Cassidy by Camille Perri Major Pettigrew’s Last Stand by Helen Simonson American Royalty by Tracey Livesay The One by Julie Argy The Mountain Between Us by Charles Martin Queen of Urban Prophecy by Aya de Léon That Dangerous Energy by Aya de Léon The Dove in the Belly by Jim Grimsley Fatima Tate Takes the Cake by Khadija VanBrakle Faro’s Daughter by Georgette Heyer Horror: Red Rabbit by Alex Grecian The Parliament by Aimee Pokwatka Cujo by Stephen King Night Watching by Tracy Sierra The Garden by Clare Beams The House of Ashes by Stuart Neville The Suicide Motor Club by Christopher Buehlman True Crime: In Cold Blood by Truman Capote Columbine by Dave Cullen Kent State: Four Dead in Ohio by Derf Backderf Bad Blood: Secrets and Lies in a Silicon Valley Startup by John Carreyrou While Idaho Slept: The Hunt for Answers in the Murders of Four College Students by J. Reuben Appelman The Bishop and the Butterfly: Murder, Politics, and the End of the Jazz Age by Michael Wolraich Fatal Vision by Joe McGinniss Billion Dollar Whale: The Man Who Fooled Wall Street, Hollywood, and the World by Tom Wright and Bradley Hope

History: Midnight in Chernobyl: The Untold Story of the World’s Greatest Nuclear Disaster by Adam Higginbotham Capote’s Women: A True Story of Love, Betrayal, and a Swan Song for an Era by Laurence Leamer The Astronaut Wives Club by Lily Koppel The Burning Blue: The Untold Story of Christa McAuliffe and Nasa’s Challenger Disaster by Kevin Cook The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz by Erik Larson Grace and Power: The Private World of the Kennedy White House by Sally Bedell Smith As Long as We Both Shall Love: The White Wedding in Postwar America by Karen M. Dunak Babysitter: An American History by Miriam Forman-Brunell Game Change: Obama and the Clintons, McCain and Palin, and the Race of a Lifetime by John Heilemann and Mark Halperin All She Lost: The Explosion in Lebanon, the Collapse of a Nation and the Women who Survive by Dalal Mawad Psychology: Hidden Valley Road: Inside the Mind of an American Family by Robert Kolker The Anxious Generation: How The Great Rewiring of Childhood is Causing an Epidemic of Mental Illness by Jonathan Haidt Beautiful Boy: A Father’s Journey Through His Son’s Addiction by David Sheff Misdiagnosed: One Woman’s Tour of -And Escape From- Healthcareland by Jody Berger Stolen Child: A Mother’s Journey to Rescue Her Son from Obsessive Compulsive Disorder by Laurie Gough Zig-Zag Boy: A Memoir of Madness and Motherhood by Tanya Frank I’m Glad My Mom Died by Jennette McCurdy Us, After: A Memoir of Love and Suicide by Rachel Zimmerman Everything Is Fine: A Memoir by Vince Granata Juliet the Maniac by Juliet Escoria

Memoir: Upstairs At The White House by J.B. West A Mother’s Reckoning: Living in the Aftermath of Tragedy by Sue Klebold Goodbye, Sweet Girl: A Story of Domestic Violence and Survival by Kelly Sundberg This Boy We Made: A Memoir of Motherhood, Genetics, and Facing the Unknown by Taylor Harris I Am, I Am, I Am: Seventeen Brushes with Death by Maggie O’Farrell

Fragile Beginnings: Discoveries and Triumphs in the Newborn ICU by Adam Wolfberg The Longest Race: Inside the Secret World of Abuse, Doping, and Deception on Nike’s Elite Running Team by Kara Goucher and Mary Pilon Remedies for Sorrow: An Extraordinary Child, a Secret Kept from Pregnant Women, and a Mother’s Pursuit of the Truth by Megan Nix Brazen: My Unorthodox Journey from Long Sleeves to Lingerie by Julia Haart Minding the Manor: The Memoir of a 1930s English Kitchen Maid by Mollie Moran Love in the Blitz: The War Letters of Eileen Alexander to Gershon Ellenbogan by Eileen Alexander Any Given Tuesday: A Political Love Story by Lis Smith

The Apology by Eve Ensler Wild Game: My Mother, Her Secret, and Me by Adrienne Brodeur

One Way Back: A Memoir by Christine Blasey Ford Biography: The Matriarch: Barbara Bush and the Making of an American Dynasty by Susan Page Untold Power: The Fascinating Rise and Complex Legacy of First Lady Edith Wilson by Rebecca Boggs Roberts King: A Life by Jonathan Eig Louisa: The Extraordinary Life of Mrs. Adams by Louisa Thomas

American Girls: One Woman’s Journey into the Islamic State and Her Sister’s Fight to Bring Her Home by Jessica Roy Susan, Linda, Nina, and Cokie: The Extraordinary Story of the Founding Mothers of NPR by Lisa Napoli

Gender: Becoming Nicole: The Transformation of an American Family by Amy Ellis Nutt The Feminine Mystique by Betty Friedan We Were Feminists Once: From Riot Grrrl to CoverGirl®, the Buying and Selling of a Political Movement by Andi Zeisler All the Rage: Mothers, Fathers, and the Myth of Equal Partnership by Darcy Lockman Ain’t I a Woman: Black Women and Feminism by bell hooks Enslaved Women in America: From Colonial Times to Emancipation by Emily West You’ll Do: A History of Marrying for Reasons Other Than Love by Marcia A. Zug The Red Menace: How Lipstick Changed the Face of American History by Ilise S. Carter Odd Girls and Twilight Lovers: A History of Lesbian Life in Twentieth-Century America by Lillian Faderman