#Valeria Pivato

[folditdouble]

Women in Film Challenge 2024: [33/52] The Desert Bride, dir. Cecilia Atán & Valeria Pivato (Argentina/Chile, 2017)

You don't get tired of staying still?

[fuckyeahwomenfilmdirectors]

May 2018 U.S. Theatrical Film Releases Directed By Women

May 4 Altered Perception dir. Kate Rees Davies (LIMITED) Angels Where White dir. Vivian Qu (LIMITED) The Desert Bride dir. Cecilia Atán & Valeria Pivato (LIMITED) RBG dir. Betsy West & Julie Cohen (LIMITED)

May 11 Mountain dir. Jennifer Peedom (LIMITED) Revenge dir. Coralie Fargeat  (LIMITED)

May 25 Mary Shelley dir. Haifaa Al-Mansour (LIMITED) Summer 1993 dir. Carla Simón  (LIMITED)

[imagememovimento]

A NOIVA DO DESERTO | ★ ★ ★ ½ #135 | Cecilia Atán, Valeria Pivato, 2017

"A história de Teresa, uma mulher de 54 anos que trabalha como empregada doméstica em uma casa de família em Buenos Aires. Por décadas ele se refugiou na rotina de suas tarefas, mas agora que a família decidiu vender a casa, sua vida começa a florescer."

Visto no Cinema da Fundação em 21 de abril. // I saw in the Cinema da Fundação on Apr 21, 2018.

[junghwwwa]

Le titre du premier long métrage de Cecilia Atan et Valeria Pivato est onirique - La fiancée du désert - avec ce désert qui évoque tant le désert géographique qui sépare l’Argentine du chili que celui plus métaphorique de la vie de Teresa à qui on demande de rendre son tablier après plus de 30 ans de bons et loyaux services. Teresa est chilienne et depuis ses 20 ans, elle vivait dans l’ombre de ses employeurs, une gentille famille aisée argentine qui n’a plus besoin d’elle. Teresa n’a jamais rien vécu pour elle. Sa vie privée: un véritable désert. Les circonstances - une tempête, la perte d’un bagage (toute sa vie!) - vont la mener sur les routes aux côtés d’un homme, El gringo (!). Le film raconte cette rencontre improbable au milieu du désert sur le mode d’un road movie un brin contemplatif qui peine à démarrer à l’image de son héroïne pourtant touchante. L’intrigue est un peu cousue d’avance et le film n’apporte pas grand chose dans le paysage du cinéma actuel malgré ses deux magnifiques interprètes Paulina Garcia (Gloria; Brooklyn village) et Claudio Rissi. 

[deprotagonisten]

Onze #recensie van La Novia del Desierto **** @CineartNL #review #bioscoop #film De Argentijnse dramafilm La Novia del Desierto gaat over de 54-jarige Teresa. Als ze van de ene op de andere dag haar baan en inwoning kwijtraakt, moet ze naar San Juan vertrekken.

[thelowdownunder]

Cine Latino FF Review: The Desert Bride

Argentine film The Desert Bride recalls the 1998’s Central Station. Both are melancholic road movies with a grand dame of South American acting at their hearts. In the case of Bride, it’s the always fascinating Paulina García (who Australian audiences may know from Gloria and Narcos) who enthralls right from the first scene.

García plays Teresa, a 50-something woman who has been the maid to a…

[nocheamericanaweb]

San Sebastián 2017: 'En cuerpo y alma', 'La novia del desierto' y 'Tres anuncios en las afueras de Ebbing, Misuri'

San Sebastián 2017: 'En cuerpo y alma', 'La novia del desierto' y 'Tres anuncios en las afueras de Ebbing, Misuri'

http://lanocheamericana.net/reportajes/san-sebastian-2017-en-cuerpo-y-alma-la-novia-del-desierto-y-tres-anuncios-en-las-afueras-de-ebbing-misuri.html

[chasingmadeleine]

La Novia del Desierto (Cecilia Atán, Valeria Pivato, 2017)

[noticianorte]

Nueva programación de la plataforma Lumiton

Nueva programación de la plataforma Lumiton

Ya se pueden disfrutar títulos como “Dirigido por mujeres”, “Con nombre de flor”, “Canela”, “Alptraum”, “La novia del desierto”, “La casa de Arguello”, “La memoria y después”. Además, hoy jueves 25 desde las 20 horas habrá una charla entre Ana Piterbarg y Valeria Pivato sobre “El cine en equipo”: una perspectiva diferente a la jerarquía de roles patriarcales, esquema de trabajo colaborativo,…

[calendariofoto]

25 JUNIO · 2, 9 JULIO

Ciclo de Cine NUEVO CINE MUJERES LATINOAMERICANA Cine UDD

Inscripciones AQUÍ

El Ciclo Nuevo Cine Mujeres Latinoamericanas, organizado por Cine UDD, contará con grandes exponentes del séptimo arte: la cineasta peruana Claudia Llosa, directora de “La Teta Asustada” (18 de junio); las cineastas argentinas Cecilia Atán y Valeria Pivato, directoras de “La Novia del Desierto” (25 de junio); la cineasta mexicana Natalia Beristain, directora de “No quiero dormir sola” (2 de julio); y la también cineasta argentina Lucía Puenzo, directora de “XXY”, “Wakolda” y otras aclamadas cintas (9 de julio). Todas las charlas serán a las 12 horas, vía Zoom.

[cineclubetorres]

Cineclube Torres volta em março no Möva com filmes Ibero-americanos! Abre o ciclo na próxima terça-feira, dia 10 às 20:30, o sensível filme argentino “A Noiva do Deserto”, de Cecilia Atán e Valeria Pivato, com mais uma extraordinária interpretação da atriz chilena Paulina García, numa fábula moderna de uma empregada doméstica viajando em busca não só de um trabalho digno para seu sustento, mas também de uma felicidade há muito negada. As exibições serão todas com entrada franca no Möva - Espaço Integrado, localizado na Silva, 1313, perto das Quatro Praças, às 20:30. Tanto o Cineclube Torres como o Möva integram o Circuito das Artes do Território das Torres, uma recente agremiação de espaços e movimentos culturais da cidade de Torres para fomentar e divulgar a cultura na cidade. (em Möva - Espaço Integrado) https://www.instagram.com/p/B9Ur-oigAZX/?igshid=1ut46w7up9yps

[awardseason]

2017 Cannes Film Festival Lineup

Opening Night Film

“Ismael’s Ghost” directed by Arnaud Desplechin

Competition

“The Day After” directed by Hong Sangsoo

“Loveless” directed by Andrey Zvyagintsev

“Good Time” directed by Benny Safdie and Josh Safdie

“You Were Never Really Here” directed by Lynne Ramsay

“Jupiter’s Moon” directed by Kornél Mandruczo

“L’amant Double” directed by François Ozon

“The Killing of a Sacred Deer” directed by Yorgos Lanthimos

“A Gentle Creature” directed by Sergei Loznitsa

“Radiance” directed by Naomi Kawase

“Wonderstruck” directed by Todd Haynes

“Happy End” directed by Michael Haneke

“In the Fade” directed by Fatih Akin

“Rodin” directed by Jacques Doillon

“The Beguiled” directed by Sofia Coppola

“Le Redoutable” directed by Michel Hazanavicius

“Okja” directed by Bong Joon-ho

“120 Battements Par Minute” directed by Robin Campillo

“The Meyerowitz Stories” directed by Noah Baumbach

“The Square” directed by Ruben Östlund

Un Certain Regard

“April’s Daughter” directed by Michel Franco

“Lucky” directed by Sergio Castellitto

“Jeune Femme” directed by Léonor Serraille

“Western” directed by Valeska Grisebach

“Wind River” directed by Taylor Sheridan

“Directions” directed by Stephan Komandarev

“After the War” directed by Annarita Zambrano

“Dregs” directed by Mohammad Rasoulof

“Out” by György Kristóf

“The Nature of Time” directed by Karim Moussaoui

“Before We Vanish” directed by Kurosawa Kiyoshi

“L’atelier” by Laurent Cantet

“Beauty and the Dogs” by Kaouther Ben Hania

“Barbara” directed by Mathieu Amalric

“Closeness” directed by Kantemir Balagov

“The Desert Bride” directed by Cecilia Atan and Valeria Pivato

“La Cordillera” directed by Santiago Mitre 

“Walking Past the Future” directed by Li Ruijun

Out of Competition

“Blade of the Immortal” directed by by Takashi Miike

“How to Talk to Girls at Parties” directed by John Cameron Mitchell

“Visages, Villages” directed by Agnès Varda

“D’après une histoire vraie” directed by Roman Polanski

Special Screenings

“12 Jours” directed by Raymond Depardon

“They” directed by Anahita Ghazvinizadeh

“An Inconvenient Sequel” directed by Ronni Cohen and Jon Shenk

“Top of the Lake: China Girl” directed by Jane Campion & Ariel Kleiman

“Promised Land” directed by Eugene Jarecki

“24 Frames” directed by Abbas Kiarostami

“Napalm” directed by Claude Lanzmann

“Come Swim” directed by Kristen Stewart

“Demons in Paradise” directed by Jude Ratman

“Sea Sorrow” directed by Vanessa Redgrave

“Clair’s Camera” directed by Hong Sangsoo

“Twin Peaks” directed by David Lynch

“Le Vénérable W.” directed by Barbet Schroeder 

“Carré 35” directed by Éric Caravaca

Midnight Screenings

“The Villainess” directed by Jung Byung Gil

“The Merciless” directed by Byun Sung-Hyun

“Prayer Before Dawn” directed by Jean Stephane Sauvaire

70th Anniversary Events

“24 Frames” directed by Abbas Kiarostami

“Come Swim”, directed by Kristen Stewart

“Top of the Lake” directed by Jane Campion

“Twin Peaks” directed by David Lynch

Virtual Reality

“Carne y arena” directed by Alejandro González Iñárritu

[01sentencereviews]

Competition

Ismael’s Ghosts – Arnaud Desplechin (opening film)

Loveless – Andrey Zvyagintsev

Good Time – Benny Safdie and Josh Safdie

You Were Never Really Here – Lynne Ramsay

A Gentle Creature – Sergei Loznitsa

Jupiter’s Moon – Kornél Mundruczó

L’Amant Double – François Ozon

The Killing of a Sacred Deer – Yorgos Lanthimos

Radiance – Naomi Kawase

The Day After – Hong Sang-soo

Le Redoutable – Michel Hazanavicius

Wonderstruck – Todd Haynes

Rodin – Jacques Doillon

Happy End – Michael Haneke

The Beguiled – Sofia Coppola

120 Battements Par Minute – Robin Campillo

Okja – Bong Joon-ho

In the Fade – Fatih Akin

The Meyerowitz Stories (New and Selected) – Noah Baumbach

Un Certain Regard

Barbara – Mathieu Amalric

The Desert Bride – Cecilia Atan and Valeria Pivato

Closeness – Kantemir Balagov

Beauty and the Dogs – Kaouther Ben Hania

L’Atelier – Laurent Cantet

Lucky – Sergio Castellitto

April’s Daughter – Michel Franco

Western – Valeska Grisebach

Directions – Stephan Komandarev

Out – Gyorgy Kristof

Before We Vanish – Kiyoshi Kurosawa

The Nature of Time – Karim Moussaoui

Dregs – Mohammad Rasoulof

Juene Femme – Léonor Serraille

Wind River – Taylor Sheridan

After the War – Annarita Zambrano

Out of Competition

Blade of the Immortal – Takashi Miike

How to Talk to Girls at Parties – John Cameron Mitchell

Visages, Villages – Agnès Varda & JR

Midnight Screenings

The Villainess – Jung Byung-Gil

The Merciless – Byun Sung-Hyun

Special Screenings

An Inconvenient Sequel – Bonni Cohen and Jon Shenk

12 Jours – Raymond Depardon

They – Anahita Ghazvinizadeh

Clair’s Camera – Hong Sang-soo

Promised Land – Eugene Jarecki

Napalm – Claude Lanzmann

Demons in Paradise – Jude Ratman

Sea Sorrow – Vanessa Redgrave

Special Screenings -- Events

Twin Peaks – David Lynch (first two episodes)

24 Frames – Abbas Kiarostami

Come Swim – Kristen Stewart 

Top of the Lake: China Girl – Jane Campion, Ariel Kleiman

Carne y arena – Alejandro González Iñárritu

[artfilmfan]

Competition

Ismael’s Ghosts – Arnaud Desplechin (opening film) Loveless – Andrey Zvyagintsev Good Time – Benny Safdie and Josh Safdie You Were Never Really Here – Lynne Ramsay A Gentle Creature – Sergei Loznitsa Jupiter’s Moon – Kornél Mundruczó L’Amant Double – François Ozon The Killing of a Sacred Deer – Yorgos Lanthimos Radiance – Naomi Kawase The Day After – Hong Sang-soo Le Redoutable – Michel Hazanavicius Wonderstruck – Todd Haynes Rodin – Jacques Doillon Happy End – Michael Haneke The Beguiled – Sofia Coppola 120 Battements Par Minute – Robin Campillo Okja – Bong Joon-ho In the Fade – Fatih Akin The Meyerowitz Stories – Noah Baumbach

Un Certain Regard

Barbara – Mathieu Amalric The Desert Bride – Cecilia Atan and Valeria Pivato Closeness – Kantemir Balagov Beauty and the Dogs – Kaouther Ben Hania L’Atelier – Laurent Cantet Lucky – Sergio Castellitto April’s Daughter – Michel Franco Western – Valeska Grisebach Directions – Stephan Komandarev Out – Gyorgy Kristof Before We Vanish – Kiyoshi Kurosawa The Nature of Time – Karim Moussaoui Dregs – Mohammad Rasoulof Juene Femme – Léonor Serraille Wind River – Taylor Sheridan After the War – Annarita Zambrano

Out of Competition:

Blade of the Immortal – Takashi Miike How to Talk to Girls at Parties – John Cameron Mitchell Visages, Villages – Agnès Varda & JR

Midnight Screenings

The Villainess – Jung Byung-Gil The Merciless – Byun Sung-Hyun

Special Screenings

An Inconvenient Sequel – Bonni Cohen and Jon Shenk 12 Jours – Raymond Depardon They – Anahita Ghazvinizadeh Clair’s Camera – Hong Sang-soo Promised Land – Eugene Jarecki Napalm – Claude Lanzmann Demons in Paradise – Jude Ratman Sea Sorrow – Vanessa Redgrave

Special Screenings – Events

Twin Peaks – David Lynch (first two episodes) 24 Frames – Abbas Kiarostami Come Swim – Kristen Stewart Top of the Lake: China Girl – Jane Campion, Ariel Kleiman Carne y arena – Alejandro González Iñárritu

[x-fi-blog1]

'La novia del desierto': El resurgimiento del deseo

CRÍTICA Crítica de 'La novia del desierto', ópera prima de Cecilia Atán y Valeria Pivato. Protagonizada por Paulina García y Claudio Rissi. Mostrada en la sección Una Cierta Mirada del 70º Festival de Cannes. 'La novia del desierto': El resurgimiento del deseo from eCartelera https://ift.tt/2PlJKY2 via IFTTT

[andthewinneris23]

70e Festival de Cannes - Sélection officielle

Compétition: "NELYUBOV (LOVELESS- Sans amour)" de Andrey ZVYAGINTSEV "GOOD TIME" de Benny SAFDIE & Josh SAFDIE "YOU WERE NEVER REALLY HERE" de Lynne RAMSAY "L'AMANT DOUBLE" de François OZON "JUPITER'S MOON" de Kornél MANDRUCZÓ "A GENTLE CREATURE" de Sergei LOZNITSA "THE KILLING OF A SACRED DEER (MISE À MORT DU CERF SACRÉ)" de Yorgos LANTHIMOS "HIKARI (RADIANCE)" de Naomi Kawase "GEU-HU (THE DAY AFTER)" de HONG Sangsoo "LE REDOUTABLE" de Michel HAZANAVICIUS "WONDERSTRUCK" de Todd HAYNES "HAPPY END" de Michael HANEKE "RODIN" de Jacques DOILLON "THE BEGUILED (les proies)" de Sofia Coppola "120 BATTEMENTS PAR MINUTE" de Robin CAMPILLO "OKJA" de BONG Joon-Ho "AUS DEM NICHTS (IN THE FADE- Dans le noir)" de Fatih AKIN "THE MEYEROWITZ STORIES" de Noah BAUMBACH "THE SQUARE" de Ruben ÖSTLUND Séances spéciales: "AN INCONVENIENT SEQUEL" de Bonni COHEN & Jon SHENK "12 JOURS" de Raymond DEPARDON "THEY" de Anahita GHAZVINIZADEH "KEUL-LE-EO-UI KA-ME-LA (CLAIR'S CAMERA)" de HONG Sangsoo "PROMISED LAND" de Eugene JARECKI "NAPALM" de Claude LANZMANN "DEMONS IN PARADISE" de Jude RATMAN "SEA SORROW" de Vanessa REDGRAVE "24 FRAMES" de Abbas KIAROSTAMI "COME SWIM"(VIENS NAGER) de Kristen STEWART "LE VENERABLE W." de Barbet SCHROEDER "NOS ANNEES FOLLES" de André TÉCHINÉ "TOP OF THE LAKE: CHINA GIRL" de Ariel KLEIMAN, Jane CAMPION "TWIN PEAKS" de David LYNCH "ZOMBILLÉNIUM" de Arthur DE PINS, Alexis DUCORD Hors compétition: "VISAGES, VILLAGES" de Agnès Varda & JR "HOW TO TALK TO GIRLS AT PARTIES" de John Cameron MITCHELL "MUGEN NON JŪNIN (BLADE OF THE IMMORTAL)" de MIIKE Takashi "A PRAYER BEFORE DAWN" de Jean-Stéphane SAUVAIRE "Ak-NYO" de JUNG Byung-Gil "BULHANDANG" de BYUN Sung-Hyun "CARNE Y ARENA" de Alejandro G. IÑÁRRITU "D'APRES UNE HISTOIRE VRAIE" de Roman POLANSKI "LES FANTOMES D'ISMAEL" de Arnaud DESPLECHIN Un certain regard: "BARBARA" de Mathieu Amalric "LA NOVIA DEL DESIERTO (LA FIANCÉE DU DESERT / THE DESERT BRIDE)" de Cecilia ATAN &Valeria PIVATO "TESNOTA (ÉTROITESSE / CLOSENESS)" de Kantemir BALAGOV "AALA KAF IFRIT (LA BELLE ET LA MEUTE / BEAUTY AND THE DOGS)" de Kaouther BEN HANIA "L'ATELIER" de Laurent CANTET "FORTUNATA (LUCKY)" de Sergio CASTELLITTO "LAS HIJAS DE ABRIL (LES FILLES D'AVRIL / APRIL'S DAUGHTER)" de Michel FRANCO "WESTERN" de Valeska GRISEBACH "POSOKI (DIRECTIONS)" de Stephan KOMANDAREV "OUT" de Gyorgy KRISTOF "SANPO SURU SHINRYAKUSHA (Avant que nous disparaissions)" de KUROSAWA Kiyoshi "EN ATTENDANT LES HIRONDELLES (THE NATURE OF TIME)" de Karim MOUSSAOUI "LERD (DREGS)" de Mohammad RASOULOF "JEUNE FEMME" de Léonor SERRAILLE "WIND RIVER" de Taylor SHERIDAN "APRÈS LA GUERRE (AFTER THE WAR)" de Annarita ZAMBRANO "LA CORDILLERA" de Santiago MITRE "LU GUO WEI LAI" de LI Ruijun "OUT" de Gyӧrgy KRISTÓF