#V30

[yamacaps]

[pickingupspacetrash]

[maheshtelecom]

Vivo V30e review!

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[themesnulled]

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[benevolentgodloki]

It seemed the young man was yelling sufficiently for both of them. Loki was disoriented enough about his jarring relocation. Normally when he teleported he was at least aware of where he was going and that hadn't been teleportation. Despite the pool being drained, he scrambled out of it for self-preservation's sake and stood for a moment, dripping, gathering his wits while he was berated.

"I assure you," he managed, his tone grating, "I am as oblivious as you are to what just happened. I assumed you did whatever that was. What kind of ship even is this?"

He shook moisture from his hands for dramatic effect a split-second before magic rippled over him and dried him off.

Multiverse has been set free. Expressive brows lowered, and Theta was already begging to ask what from as his own learned experience warred with the concepts at hand, but the chance never came. No sooner had he opened his mouth, the young time lord glanced upwards briefly at the ominous sound only to be greeted with the startling tableaux of the stranger…doing whatever that was.

Theta cleared a good three feet backwards in the time it took Loki to disappear, blurting an expletive to already empty air before the ship shuddered. The TARDIS' next disgruntled bong was followed by a shower of sparks and an atmosphere of something like static electricity. Theta flipped another switch or two to try and calm her down, cursed, and shoved his thumb in his mouth to alleviate a burn from the console. His free hand pulled the display closer, lapsing into momentary silence.

It didn’t take too long to figure it out: with the TARDIS still upset, it was evident that the man was still aboard and only took a few moments more to locate him. Unable to fully remove the shrill from his voice, the baffled and shaken Gallifreyan opened comms and shouted. “The fuck was that!? the fuck are you doing in my pool?!" A button press was set to drain it, as yet uncertain if it was wise to run there in person. "Don’t make me come get you out of there!”

[worldunbent]

chapter notes - matoba seiji

a compilation of all of midorikawa's chapter notes concerning matoba (as of volume 29)

all are from the official viz releases, translated by lillian olsen.

Chapters 23 - 26 - Inhuman Thing I didn't have a chance to write a story about Matoba until now due to page constraints or manga cycling issues in the magazine. I had fun when I finally got around to it. Matoba's appearance means Natori's hardships become more obvious. Natori settled upon his current philosophy after a lot of reflection. But then he sees Natsume wrestling with the same choices and slogging through the same place he used to be, and it's both amusing and frustrating at the same time for him. Natsume might realize this and not be able to presume so much on his kindness. Natsume and Natori are left with a problem, so l hope to take my time drawing them dealing with it.

Volume 9 (General afterword) I enjoyed drawing a bit about Matoba. He has several titles. He’s the organizer of the assembly of exorcists, so he’s called “Chairman” during the meetings. He’s the young head of the family from a regular human perspective, and known as the leader of his clan to yokai. Natsume has been more relaxed lately, so it’s very fun to draw something tense like this once in a while. I’d like to write thoroughly about exorcists some time when I have the opportunity. Seeing Matoba and Natori side by side here, they’re clearly eccentrics. I’m relieved that Natsume seems normal by comparison.

Chapters 52 - 54 - Behind the Chains Natsume is now able to face a variety of things. But I also feel that the distance between him and Natori grows each time they encounter one another. They see the same things and hope for the same outcome, but because their paths are a little different, it's hard for them to take action when they're together. It's a strange feeling. I'm sure Natori wants to remain Natsume's ally, and Natsume wants the same with Natori. I'm happy I got to draw more about Matoba, too. Whereas Natori tries to do what's right and is afraid of making a mistake, I think Matoba is the kind of person who doesn't fear making mistakes.

Chapter 77 - The Two Rings This was another story I had always wanted to do, but the timing never worked out, so I was very happy to get to it now. When I'm drawing Natsume, I always agonize over his dialogue and pick his words carefully. But when I'm drawing the Matoba clan, I don't have to think about the impression they're making, and I just use words that pop up in my head. Mr. Natori is somewhere in between. It's always a bit refreshing to draw the exorcists. I hope people form their opinions of Mr. Matoba based on what's on the page. In good ways and bad, he's a character who lies but is also uninhibited.

Special Episode 17 - A Hand Extended They let me do another episode of Natori as a high school student. There was another anecdote I wanted to include, but it wouldn't fit, no matter how hard I tried to rearrange things. Still, I'm happy I could depict more of Natori and Matoba's relationship. Sometimes you can't come to an understanding with a person, but once you become aware of your own feelings, you can often begin to be more objective. Then you start to see aspects of the person that change your mind, which is natural. But unlike Natsume, Natori can be stubborn and won't allow his feelings to change. It was interesting to see how Natori would feel about the aloof and unwavering Matoba.

Special Episode 19 - An Abandoned Station in the Rain With 16 pages, the plot could have felt too similar to other Special Episodes, so I decided to do a simple story just about running into someone unexpected. It was fun showing Matoba being himself. Mr. Matoba knows yokai who live in a slightly different world from the one Natsume knows, and Nyanko Sensei knows both worlds. I'd like to do more stories about the two of them.

Chapters 92 - 94 - The House of Promises I have a memory of some boys climbing the gate of the town hall to pick some loquats at the end of spring and getting scolded. I made it seem like spring when the chapter appeared in the magazine, but then I heard that loquats ripen in early summer, so my older sister helped me race to redraw the clothing into something more summery before the graphic novel release. I enjoyed drawing the exorcists. Mr. Natori just can't catch a break and Mr. Matoba has many things going for him, but he often gets shut out. They don't really get along, and they're skeptical of each other even when real empathy is extended. Natsume is always at least trying to listen, so conversations are easier with him present. No matter what, Mr. Natori is older, and Mr. Matoba is younger. End of story. When I include the exorcists, there are all these dilemmas and convolutions that make things complicated and fun to draw. It feels fresh to me. I get nostalgic for the first time Natsume and Mr. Natori met when they're together. Their bond is getting deeper, but it was easier before for Mr. Natori to casually invite Natsume on outings. When you know someone a long time, there are more things to say, but sometimes, just as many things remain unsaid.

Chapters 103 - 104 - Where Vessels Lie in Slumber* I was so happy to work on a longer story for once. My head starts filling up with what to do next while I'm still working on the current episode. when I'm in one-shot mode. But being able to linger on a story arc reminded me of the excitement I felt back when I first wanted to be a manga artist. I still have a lot of storylines I'd prefer not to cut short, so I hope I get more opportunities like this. I've wanted to do this particular story for a long time, but. I feel like it could only be done now because of how Natsume's currently feeling. I hope you can pick up on how Natori and Matoba's relationship changes subtly depending on the situation, and that you get a feel for their solidarity as exorcist peers. It was so fun drawing everything I wanted to include: Natsume's faith in his friends; Natori's belief that he can still offer help even as an exorcist; Matoba, who's sometimes prevented from action because he knows and sees too much; Tanuma, who's surely able to help, but is unable to accompany Natsume; the cats protecting their secret; Nyanko Sensei. And of course there were even more things I wanted to expand on, so I'll take my time working them out.

*The first three chapters of this arc are in the previous volume and there's not enough in the other note for me to include.

[herringstrait]

11.22.2024

V20 cover prediction: Kindaka

V21 cover prediction: Atari

V22 cover prediction: Tenkyu

[melodyplucked]

quite verse specific but: what are ricky's thoughts the morning he wakes up next to nini in the skaterprincess verse, only to find that she's not the princess anymore and their universe switch has resolved itself once skater nini has realized sharing her true feelings with her world's version of ricky won't destroy her the way it once had? skaterprincess are so 0-100 and get so comfortable, so quickly, but what are his thoughts when things are normal again? fears, hopes, that kind of thing.

so... i think it's definitely complicated. because yeah- he and the princess kinda ... get deep into things together with the time they spend together. she LOVES HIM- even if largely because she sees her husband in him and he's ALLOWED to love her... and she's both her own person, and she's NINI- so with the fact he has fallen in love with the princess, and let himself be so comfortable in that relationship with her where they're talking about the future... seeing what that could look like for them... while he doesn't want to give up on his nini, nor does he want the princess to miss out on her life and her own relationship with her husband she loves so much... he's accepted this could be their life... and he's grown to really love it. love her.

this obviously teaches him a lot about his own feelings and insecurities and everything else. and shows him a lot about skater!nini and their situation on her side of things too. the two of them learn a lot about themselves and about each other while separated, even if it's complicated by the separate dynamics of their separate universes/versions of each other...

when ricky wakes up with nini in his arms again, finding he's not in fact with the princess any longer... it's like wow... it's you... i've missed you... because while he loves the princess... seeing her again, it's actually a really good feeling, especially when nini fairly quickly goes to kiss him and tell him she really is happy to be back with him... and they share their feelings fully openly. he's hopeful that this can be real, that this can become a real relationship between them, like the one he's developed with the princess, but their own. that they can keep skating together, and love each other, and actually be together like they're supposed to.

but he's also definitely afraid she's going to get scared and take it back and want to run away. he's got abandonment issues your honor, and that's not nini's fault in the slightest, but while he's grown more comfortable through the princess, he's scared that nini's not ready to actually live this, even if she's maybe finally accepted her feelings and told him she wants him and likes him and even loves him. that she likes it in his arms. he's scared of losing her. because it's going to be 100 times worse to lose her after getting a taste of what this can be. of what it feels like to be with her. to tell her he loves her and for her to say she feels the same way and know that they both want to be together. because they can have a relationship... but to try and fail would really, really crush him, for sure. he's trying to be optimistic though, and how can he not be, after his time with the princess. the princess who says i love you and thinks that her other self, his skater, must absolutely love him too.

[echthr0s]

#VEILGUARD30 | dragon

What is a dragon? What does it mean to be dragon?

I am dragon for untold eons, as long as there have been creatures on two legs with the imagination to paint rudimentary representations of me and my brethren on massive boulders and stone walls, and longer still than that. I am dragon in the sky, then on the land, now under the earth. I am custodian of the world, then I am prisoner of the world. But this is not all. I am here and I am elsewhere. I am dragon in other worlds than this; all dragons are. It is our knowing, the endless multiplicity of worlds. It is our knowing, how to be in many and one, how to be paradox. For this, the small mortal creatures call us < gods / devils >.

What is a god? What does it mean to be god?

I am custodian, but I wish to be creator. I take mortal-stuff and I mix it with dragon-stuff and shape it, and I plant it in the world. Kossith, children of elves, children of dragons. I see them suffer the madness of this heritage. I teach them dragonspeak, to organise their thought, to mask paradox. I see their tongues shape it into the Qun.

My games annoy Dumat. It does not understand. I am Mystery; I know what Dumat does not. I whisper in my priest's mind. I see the Magisters come to where we are, bleed their mortality into our immanence, make something new. I < laugh / grieve > when Dumat turns inside out, when its beautiful chaos is twisted and warped and blighted. It dooms us, we world-wyrms, we things of wild and cosmic magic. I know that we are doomed regardless, and Dumat is only catalyst.

Is it so fated that, being beyond natural death, < gods / dragons > must be killed by those who know death best? Is it so fated that I must embrace and fight inevitability in equal measure, until the fight and the embrace are the same?

I am prisoner now, as we all are, but I am clever thing, cunning thing. I am diffuse thing, one in many. I am being Talan, Qunari who is more than Qunari, who comes to be in more worlds than this. I am being Urthemiel's Architect, who is like me: creator, prisoner, under the earth. I am being Anansi Surana, my Augur made new, who will < break / build > the world, who will < kill us / set us free >. I feel the ardor of seeing gears slip out of alignment, of seeing the order of the world bend and warp. I feel it happening in other worlds in kind, an inexorable hunger chewing through the fabric of creation. < Gods / dragons > must be killed. < Godstuff / dragonstuff >, when released, make worlds anew. The nature of the remade world is up to the small mortal creatures who kill us.

< I am Razikale / I am only Mystery. > Reduce me to essence, drink deep of me. Be remade by me, and see the world remade.

[eric-the-bmo]

Oh god i probably need to make fucking. character sheets for the changelings

[dryotech]

Vivo V30 Pro With Dimensity 8200 Chipset Showcase Elegant Design and Unmatched Performance

Vivo V30 Pro With Dimensity 8200 Chipset Showcase Elegant Design and Unmatched Performance #Vivo #VivoV30 #VivoV30Pro #MediaTek #News #TechNews

Vivo is launching its next-gen phone Vivo V30 lineup including the Vivo V30 Pro which claims to bear incredible performance. The phone comes with the MediaTek Dimensity 8200 Chipset which comes with a 3.1GHz primary core speed that delivers smooth graphics and system stability with the frequency of 3100 MHz. Vivo V30 Pro Curved AMOLED Display Vivo V30 Pro is said to pack with a 6.7 inch, 120Hz…

[manojfail]

Popular Tata Intra V30 Pickup Trucks in India

Tata Intra V30 is a popular pickup truck in India. This model works for the cement, goods, parcel, and fish transportation business etc. The Intra v30 comes in AC and Non AC variants, owners can buy this pickup truck according to their affordability. This Tata Pickup Truck Mileage is efficient and easy to carry heavy loads.

[arungoyal0]

Tata Intra Pickup: Best Models for Cost-Effective Maintenance

The Tata Intra Pickup series offers great models with low maintenance costs, making it a smart choice for businesses. TheTata Intra V20and Intra V30 are designed with higher reliability and economy. Moreover, it prevents its operator from spending much more on maintenance. The vehicles have been designed to handle tough jobs and keep operating costs low. Furthermore, businesses and entrepreneurs must actually find it pretty cost-effective and durable.

Tata Intra V20 

The Tata Intra V20 is a pickup for small businesses and commercials, with a diesel 1.2L, 58/53 horsepower engine attached. Its solid design ensures that it can easily haul heavy loads along with boosting its durability on uneven grounds; the spacious cargo would make it easier to carry commodities. One of its major benefits is that it is fuel efficient. It will save businesses considerable running costs. The comfort cabin added in the Tata Intra V20 ensures more comfort when driving long distances. Its low maintenance and good performance make the V20 more suitable for business usage while performing the function.

Tata Intra V30

Tata Intra V30 gives outstanding results in comparison to bad road conditions. It was designed with a large cargo deck, ideal for crossing far-off places with bulky goods. The key features of this pickup include better fuel efficiency and a highly robust suspension system. It provides comfort in riding and cuts down on operational costs. Moreover, it has an ergonomic cabin that is easily operated by the driver and is very comfortable, with ample space. The third factor of Intra V30 ensures low maintenance and running costs for businesses focusing on durability, reliability, and economy.