#V-131-R

[lonestarflight]

X-38 Ship #2 in Free Flight

"The X-38, a research vehicle built to help develop technology for an emergency Crew Return Vehicle (CRV), descends under its steerable parachute during a July 1999 test flight at the Dryden Flight Research Center, Edwards, California. It was the fourth free flight of the test vehicles in the X-38 program, and the second free flight test of Vehicle 132 or Ship 2. The goal of this flight was to release the vehicle from a higher altitude -- 31,500 feet -- and to fly the vehicle longer -- 31 seconds -- than any previous X-38 vehicle had yet flown. The project team also conducted aerodynamic verification maneuvers and checked improvements made to the drogue parachute."

Date: July 9, 1999

NASA ID: EC99-45080-21

[my-rewrite-academia]

Entrance Exam Points

Rank. Name: Hero (H), Villain (V), Rescue (R), Support (S), Total

Midoriya Izuku: H - 99, V - 38, R - 63, S - 59, Total: 259 Points

Uraraka Ochako: H - 48, V - 42, R - 99, S - 51, Total: 240 Points

Monoma Neitou: H - 70, V - 82, R - 31, S - 46, Total: 229 Points

Shiozaki Ibara: H - 43, V - 61, R - 59, S - 43, Total: 206 Points

Kirishima Eijirou: H - 51, V - 58, R - 43, S - 39, Total: 191 Points

Kodai Yui: H - 48, V - 83, R - 39, S - 18, Total: 188 Points

Kaminari Denki: H - 46, V - 99, R - 12, S - 28, Total: 185 Points

Kendou Itsuka: H - 49, V - 63, R - 37, S- 34,Total: 183 Points

Iida Tenya: H - 43, V - 61, R - 43, S - 31, Total: 178 Points

Tokoyami Fumikage: H - 52, V - 82, R - 28, S - 14, Total: 176 Points

Shouji Mezou: H - 32, V - 54, R - 53, S - 28, Total: 172 Points

Tetsutetsu Tetsutetsu: H - 40, V - 56, R - 48, S - 27, Total: 171 Points

Yosetsu Awase: H - 39, V - 52, R - 37, S - 39, Total: 167 Points

Kamakiri Togeru: H - 32, V - 63, R - 35, S - 34, Total: 164 Points

Aoyama Yuuga: H - 46, V - 48, R - 32, S - 35, Total: 161 Points

Ashido Mina: H - 47, V - 61, R - 31, S - 21, Total: 160 Points

Asui Tsuyu: H - 39, V - 48, R - 39, S - 33, Total: 159 Points

Nirengeki Shouda: H - 35, V - 41, R - 44, S - 34, Total: 154 Points

Tsunotori Poni: H - 48, V - 42, R - 28, S - 32, Total: 150 Points

Mineta Minoru: H - 29, V - 40, R - 39, S - 41, Total: 149 Points

Hagakura Tooru: H - 29, V - 49, R - 41, S - 29, Total: 148 Points

Tsubaraba Kousei: H - 27, V - 41, R - 39, S - 37, Total: 144 Points

Ojirou Mashirao: H - 53, V - 48, R - 39, S - 22, Total: 142 Points

Kouda Kouji: H - 40, V - 31, R - 34, S - 36, Total: 141 Points

Fukudashi Manga: H - 23, V - 42, R - 40, S - 34, Total: 139 Points

Shishida Jurota: H - 34, V - 51, R - 30, S - 23, Total: 138 Points

Hiryu Rin: H - 31, V - 49, R - 23, S - 33, Total: 136 Points

Sero Hanta: H - 39, V - 42, R - 34, S - 20, Total: 135 Points

Kaibara Sen: H - 21, V - 45, R - 32, S - 37, Total: 132 Points

Yanagi Rei: H - 33, V - 31, R - 37, S - 30, Total: 131 Points

Bondo Kojirou: H - 38, V - 41, R - 24, S - 27, Total: 130 Points

Jirou Kyouka: H - 31, V - 42, R - 29, S - 26, Total: 128 Points

Satou Rikidou: H - 30, V - 46, R - 27, S - 23, Total: 126 Points

Komori Kinoko: H - 33, V - 23, R - 22, S - 47, Total: 125 Points

Kuroi Shihai: H - 23, V - 42, R - 31, S - 26, Total: 122 Points

Bakugou Katsuki: H - 00, V - 99, R - 00, S - 00, Total: 99 Points

[todaysdocument]

Discharge Petition for H.R. 7152, the Civil Rights Act of 1964

Record Group 233: Records of the U.S. House of RepresentativesSeries: General Records

This item, H.R. 7152, the Civil Rights Act of 1964, faced strong opposition in the House Rules Committee. Howard Smith, Chairman of the committee, refused to schedule hearings for the bill. Emanuel Celler, Chairman of the Judiciary Committee, attempted to use this discharge petition to move the bill out of committee without holding hearings. The petition failed to gain the required majority of Congress (218 signatures), but forced Chairman Smith to schedule hearings.

88th CONGRESS. House of Representatives No. 5 Motion to Discharge a Committee from the Consideration of a RESOLUTION (State whether bill, joint resolution, or resolution) December 9, 1963 To the Clerk of the House of Representatives: Pursuant to Clause 4 of Rule XXVII (see rule on page 7), I EMANUEL CELLER (Name of Member), move to discharge to the Commitee on RULES (Committee) from the consideration of the RESOLUTION; H. Res. 574 entitled, a RESOLUTION PROVIDING FOR THE CONSIDERATION OF THE BILL (H. R. 7152) which was referred to said committee November 27, 1963 in support of which motion the undersigned Members of the House of Representatives affix their signatures, to wit: 1. Emanuel Celler 2. John J. Rooney 3. Seymour Halpern 4. James G Fulton 5. Thomas W Pelly 6. Robt N. C. Nix 7. Jeffery Cohelan 8. W A Barrett 9. William S. Mailiard 10. 11. Augustus F. Hawkins 12. Otis G. Pike 13. Benjamin S Rosenthal 14. Spark M Matsunaga 15. Frank M. Clark 16. William L Dawson 17. Melvin Price 18. John C. Kluczynski 19. Barratt O'Hara 20. George E. Shipley 21. Dan Rostenkowski 22. Ralph J. Rivers[page] 2 23. Everett G. Burkhalter 24. Robert L. Leggett 25. William L St Onge 26. Edward P. Boland 27. Winfield K. Denton 28. David J. Flood 29. 30. Lucian N. Nedzi 31. James Roosevelt 32. Henry C Reuss 33. Charles S. Joelson 34. Samuel N. Friedel 35. George M. Rhodes 36. William F. Ryan 37. Clarence D. Long 38. Charles C. Diggs Jr 39. Morris K. Udall 40. Wm J. Randall 41. 42. Donald M. Fraser 43. Joseph G. Minish 44. Edith Green 45. Neil Staebler 46. 47. Ralph R. Harding 48. Frank M. Karsten 49. 50. John H. Dent 51. John Brademas 52. John E. Moss 53. Jacob H. Gilbert 54. Leonor K. Sullivan 55. John F. Shelley 56. 57. Lionel Van Deerlin 58. Carlton R. Sickles 59. 60. Edward R. Finnegan 61. Julia Butler Hansen 62. Richard Bolling 63. Ken Heckler 64. Herman Toll 65. Ray J Madden 66. J Edward Roush 67. James A. Burke 68. Frank C. Osmers Jr 69. Adam Powell 70. 71. Fred Schwengel 72. Philip J. Philiben 73. Byron G. Rogers 74. John F. Baldwin 75. Joseph Karth 76. 77. Roland V. Libonati 78. John V. Lindsay 79. Stanley R. Tupper 80. Joseph M. McDade 81. Wm Broomfield 82. 83. 84. Robert J Corbett 85. 86. Craig Hosmer87. Robert N. Giaimo 88. Claude Pepper 89. William T Murphy 90. George H. Fallon 91. Hugh L. Carey 92. Robert T. Secrest 93. Harley O. Staggers 94. Thor C. Tollefson 95. Edward J. Patten 96. 97. Al Ullman 98. Bernard F. Grabowski 99. John A. Blatnik 100. 101. Florence P. Dwyer 102. Thomas L. ? 103. 104. Peter W. Rodino 105. Milton W. Glenn 106. Harlan Hagen 107. James A. Byrne 108. John M. Murphy 109. Henry B. Gonzalez 110. Arnold Olson 111. Harold D Donahue 112. Kenneth J. Gray 113. James C. Healey 114. Michael A Feighan 115. Thomas R. O'Neill 116. Alphonzo Bell 117. George M. Wallhauser 118. Richard S. Schweiker 119. 120. Albert Thomas 121. 122. Graham Purcell 123. Homer Thornberry 124. 125. Leo W. O'Brien 126. Thomas E. Morgan 127. Joseph M. Montoya 128. Leonard Farbstein 129. John S. Monagan 130. Brad Morse 131. Neil Smith 132. Harry R. Sheppard 133. Don Edwards 134. James G. O'Hara 135. 136. Fred B. Rooney 137. George E. Brown Jr. 138. 139. Edward R. Roybal 140. Harris. B McDowell jr. 141. Torbert H. McDonall 142. Edward A. Garmatz 143. Richard E. Lankford 144. Richard Fulton 145. Elizabeth Kee 146. James J. Delaney 147. Frank Thompson Jr 148. 149. Lester R. Johnson 150. Charles A. Buckley4 151. Richard T. Hanna 152. James Corman 153. Paul A Fino 154. Harold M. Ryan 155. Martha W. Griffiths 156. Adam E. Konski 157. Chas W. Wilson 158. Michael J. Kewan 160. Alex Brooks 161. Clark W. Thompson 162. John D. Gringell [?] 163. Thomas P. Gill 164. Edna F. Kelly 165. Eugene J. Keogh 166 John. B. Duncan 167. Elmer J. Dolland 168. Joe Caul 169. Arnold Olsen 170. Monte B. Fascell [?] 171. [not deciphered] 172. J. Dulek 173. Joe W. [undeciphered] 174. J. J. Pickle [Numbers 175 through 214 are blank]

[lockedtombmemesandreferences]

A highly unthorough and lacking compilation of memes and references in Gideon the Ninth

I've seen plenty of compilations of memes and references in HTN, but very few compilations for GTN. And so, behold! I hath created this. Enjoy! (All page numbers are from my paperback copy. I shall include citations for people who found various things when applicable).

Act One

p. 53: "Oh, nonsense!" said Harrow languorously. "She’s a genius. With the proper motivation, Griddle could wield two swords in each hand and one in her mouth. While we were developing common sense, she studied the blade. Am I right, Griddle?"

This is a reference to a meme dating from 2016, "I studied the blade." https://knowyourmeme.com/memes/i-studied-the-blade

p. 69 (nice!): Gideon realised that Harrow was trembling; little licks of hole-black hair were pasted to her pale-grey forehead with sweat, threatening to dissolve the paint. Gideon realised with a start that she was trembling and sweating in concert. They looked at each other with a wild surmise, and then started dabbing at their faces with the insides of their sleeves.

This is a reference to John Keats' poem, "On First Looking into Chapman’s Homer," from 1816.

"...He star'd at the Pacific—and all his men Look'd at each other with a wild surmise— Silent, upon a peak in Darien..." (https://www.poetryfoundation.org/poems/44481/on-first-looking-into-chapmans-homer)

Special thanks to Locked Tomb References, who found this one! (https://lockedtombreferences.tumblr.com/post/616309681665736704/embed)

Also p.69: Gideon winked at her increasingly agitated companion. She said, sotto voce: “But then you couldn’t have admired … these,” and whipped on the glasses she’d unearthed back home. They were ancient smoked-glass sunglasses, with thin black frames and big mirrored lenses, and they greyed out Harrow’s expression of incredulous horror as she adjusted them on her nose.

Badasses wearing sunglasses is a common staple in fiction, but I have a source as reliable as Herodotus's (which is to say I saw a guy say they read somewhere that Muir said that) these sunglasses are a reference to Dave Strider's sunglasses from Homestuck. (https://mspaintadventures.fandom.com/wiki/Sunglasses)

Act Two:

p. 94: “Nooo Magnus! Don’t say we’re overcome!” moaned the nasty girl, sotto voce.

This is also a bit of a stretch, similar to the one above, but the speaking patterns of Jeannemary and Isaac may be a reference to the eponymous character in Charlie the Unicorn's speaking patterns. (https://www.youtube.com/watch?v=bKd_2vqPrmU&pp=ygUUY2hhcmxpZSB0aGUgdW5pZmNvcm4%3D)

p. 131: "Fiat lux!" If you want to talk about being improbable, let's talk about this"--a scrape of stone on stone--"being three thousand and some years older than this." A heavy clunk.

"Fiat lux" is Latin for "Let there be light," and is a reference to Genesis 1:3. (https://www.drbo.org/chapter/01001.htm)

Act Three:

p. 222 “Let me make my business plain. I have no interest in Septimus’s woes,” Harrow said. “The Seventh House is not our friend. You’re making yourself an utter fool over Dulcinea. And I dislike her cavalier even more—” (“Massive slam on Protesilaus out of nowhere,” said Gideon.)

This is a reference to Mystery Science Theatre 3000's viewing of the trashy 1983 SF film, Overdrawn at the Memory Bank. (https://www.youtube.com/watch?v=qIBBbI-55fQ)

Special thanks to u/Leoriste, who found this one! (https://www.reddit.com/r/TheNinthHouse/comments/14vsoxp/meme_reference/)

p.230 Gideon mumbled, "Harrow, you can't just ask someone why they want to be a Lyctor," but was roundly ignored.

This is a reference to the Mean Girls quote, "Oh my god Karen, you can’t just ask people why they’re white." (https://www.youtube.com/watch?v=z8wrqe72YG4)

Act Four:

p. 318: Silas took an infuriatingly long drink of water. The pallid column of his throat moved. “They died on the way back to their home planet,” he said, wiping his mouth. “Their shuttle exploded. Curious, considering it was a perfectly good Cohort shuttle with an experienced pilot. This was the shuttle you had intended to commandeer, was it not?”

This might be a stretch, but could also be a reference to The Simpsons season 8, episode 14, "The Itchy & Scratchy & Poochie Show," which includes the line, "Poochie died on the way back to his home planet."

Special thanks to u/CowgirlSmut for finding this one! (https://www.reddit.com/r/TheNinthHouse/comments/14vsoxp/meme_reference/)

p. 412: Half a dozen tendrils came after her. They would have given her an interesting array of new airholes for speed, but a skeleton staggered out of the darkness and took most of the blows, jawbone crushed into powder as a tendril lashed open its skull.

This is a reference to The Simpsons, season 6 episode 15, "Homie the Clown," in which someone tries selling Homer a car with bulletholes, "for speed." (https://www.youtube.com/watch?v=whnms4CLJys)

Special thanks to u/altacc2020 for finding this one! (https://www.reddit.com/r/TheNinthHouse/comments/lodjro/comment/go6ac2u/?utm_source=share&utm_medium=web2x&context=3)

Act Five:

"The land that shall receive thee dying, in the same will I die: and there will I be buried. The Lord do so and so to me, and add more also, if aught but death part me and thee," said Gideon.

This is a direct quotation from Ruth 1:17. (https://www.drbo.org/chapter/08001.htm)

And that's everything I've got so far! If you've got references to suggest or I snagged something you think you found first without due credit, let me know! Thanks, everyone!

[compneuropapers]

Interesting Papers for Week 30, 2024

A hippocampus-accumbens code guides goal-directed appetitive behavior. Barnstedt, O., Mocellin, P., & Remy, S. (2024). Nature Communications, 15, 3196.

Tuned geometries of hippocampal representations meet the computational demands of social memory. Boyle, L. M., Posani, L., Irfan, S., Siegelbaum, S. A., & Fusi, S. (2024). Neuron, 112(8), 1358-1371.e9.

Recurrent Neural Circuits Overcome Partial Inactivation by Compensation and Re-learning. Bredenberg, C., Savin, C., & Kiani, R. (2024). Journal of Neuroscience, 44(16), e1635232024.

Encoding surprise by retinal ganglion cells. Despotović, D., Joffrois, C., Marre, O., & Chalk, M. (2024). PLOS Computational Biology, 20(4), e1011965.

Neural and behavioural state switching during hippocampal dentate spikes. Farrell, J. S., Hwaun, E., Dudok, B., & Soltesz, I. (2024). Nature, 628(8008), 590–595.

Motor neurons generate pose-targeted movements via proprioceptive sculpting. Gorko, B., Siwanowicz, I., Close, K., Christoforou, C., Hibbard, K. L., Kabra, M., … Huston, S. J. (2024). Nature, 628(8008), 596–603.

Multisensory perception depends on the reliability of the type of judgment. Kayser, C., & Heuer, H. (2024). Journal of Neurophysiology, 131(4), 723–737.

Neuronal Ensembles in the Amygdala Allow Social Information to Motivate Later Decisions. Kietzman, H. W., Trinoskey-Rice, G., Seo, E. H., Guo, J., & Gourley, S. L. (2024). Journal of Neuroscience, 44(16), e1848232024.

A discrete component in visual working memory encoding. Park, H.-B., & Zhang, W. (2024). Journal of Experimental Psychology: Human Perception and Performance, 50(5), 464–478.

Directed and acyclic synaptic connectivity in the human layer 2-3 cortical microcircuit. Peng, Y., Bjelde, A., Aceituno, P. V., Mittermaier, F. X., Planert, H., Grosser, S., … Geiger, J. R. P. (2024). Science, 384(6693), 338–343.

Stimulus encoding by specific inactivation of cortical neurons. Pérez-Ortega, J., Akrouh, A., & Yuste, R. (2024). Nature Communications, 15, 3192.

Cortical cellular encoding of thermotactile integration. Schnepel, P., Paricio-Montesinos, R., Ezquerra-Romano, I., Haggard, P., & Poulet, J. F. A. (2024). Current Biology, 34(8), 1718-1730.e3.

Effects of reward and effort history on decision making and movement vigor during foraging. Sukumar, S., Shadmehr, R., & Ahmed, A. A. (2024). Journal of Neurophysiology, 131(4), 638–651.

On the timing of overt attention deployment: Eye-movement evidence for the priority accumulation framework. Toledano, D., Sasi, M., Yuval-Greenberg, S., & Lamy, D. (2024). Journal of Experimental Psychology: Human Perception and Performance, 50(5), 431–450.

Multiplicative joint coding in preparatory activity for reaching sequence in macaque motor cortex. Wang, T., Chen, Y., Zhang, Y., & Cui, H. (2024). Nature Communications, 15, 3153.

Encoding of Visual Objects in the Human Medial Temporal Lobe. Wang, Yue, Cao, R., & Wang, S. (2024). Journal of Neuroscience, 44(16), e2135232024.

Dopamine encoding of novelty facilitates efficient uncertainty-driven exploration. Wang, Yuhao, Lak, A., Manohar, S. G., & Bogacz, R. (2024). PLOS Computational Biology, 20(4), e1011516.

A primary sensory cortical interareal feedforward inhibitory circuit for tacto-visual integration. Weiler, S., Rahmati, V., Isstas, M., Wutke, J., Stark, A. W., Franke, C., … Teichert, M. (2024). Nature Communications, 15, 3081.

Oblique warping: A general distortion of spatial perception. Yousif, S. R., & McDougle, S. D. (2024). Cognition, 247, 105762.

Irreducibility of sensory experiences: Dual representations lead to dual context biases. Zheng, Y., Cooke, A. D. J., & Janiszewski, C. (2024). Cognition, 247, 105761.

[videli-jste-tento-film]

Seriály #7: září

Boha jeho, už bude říjen... No každopádně, v srpnu jsme hlasovali o 18 seriálech (celkově jde o 131 seriálů), o 6 seriálech se aktuálně hlasuje a 7 seriálů netrpělivě čeká ve frontě.

Viděli jsme 20 seriálů a toto je top 3:

Maxipes Fík (1976–1977) : vidělo 76,3 %

Vydrýsek (2003) : vidělo 76,3 %

Krkonošské pohádky (1974–1986) N : vidělo 74,7 %

Z top 3 vypadlo Pojďte pane, budeme si hrát.

Nejméně viděné jsou: Doktoři z Počátků N, Tátové na tahu, Dáma a Král, Cirkus Bukowsky, Kapitán Exner, Přístav a Stopy života (všechny 0 %).

Částečně jste viděli 6 seriálů:

Pan Tau (1971–1978) : vidělo 35,9 %, částečně 58,8 %

Kubula a Kuba Kubikula (1986) : vidělo 35,2 %, částečně 46,5 %

O skřítku Racochejlovi (1997–2015) : vidělo 42,7 %, částečně 45,3 %

Četnické humoresky (2001–2007) : vidělo 32,9 %, částečně 37 %

Vyprávěj (2009–2013) : vidělo 27,9 %, částečně 34,9 %

Žížaláci (2009) : vidělo 24,5 %, částečně 32,1 %

Od srpna nedošlo k žádné změně.

Jde o seriály, kdy možnost částečně zvítězila a zároveň seriál více lidí úplně vidělo, než vůbec nevidělo.

Neviděli jsme 55 seriálů a toto je top 3:

Sestřičky Modrý kód (2020–2021) : nevidělo 73,4 %

Doktoři z Počátků (2013–2016) N : nevidělo 69,8 %

Modrý kód (2017–2020) : nevidělo 65,5 %

Z top 3 vypadl Gympl s (r)učením omezeným.

Nejméně neviděné jsou (odspodu): Bob a Bobek – Králíci z klobouku N (1,4 %), Maxipes Fík (1, 7 %) a Mach a Šebestová N (2,6 %).

Částečně jste neviděli 5 seriálů:

Malý pitaval z velkého města (1982–1986) : nevidělo 40,7 %, částečně 45,8 %

Sanitka (1984) : neviděli 37 %, částečně 44,4 %

Cirkus Humberto (1988–1989) : nevidělo 28,1 %, částečně 42,1 %

Zdivočelá země (1997–2012) : nevidělo 36,8 %, částečně 38,6 %

Ošklivka Katka (2008–2009) : nevidělo 30,3 %, částečně 30,3 %

Od srpna nedošlo k žádné změně.

Jde o seriály, kdy možnost částečně zvítězila a zároveň seriál více lidí vůbec nevidělo, než úplně vidělo.

Vůbec neznáme 45 seriálů a toto je bottom 3:

Žrouti (2016) : vidělo 1,9 %, nezná 86,5 %

Vaříme s Mírou (2016) : vidělo 1,8 %, nezná 84,2 %

Čechovi (2019) N : vidělo 1,8 %, nezná 83,9 %

Ze spodní trojice vypadl Semestr.

Nejméně neznámé seriály jsou tyto: Arabela (0 %), Četnické humoresky (0 %) a Mach a Šebestová N (1,3 %).

V každé anketě hlasovalo v průměru 65,1 člověka (v srpnu to bylo 65,8). Nejvíce hlasů stále drží Pat a Mat (160).

Přeju vám snesitelný říjen, milovníkům hnusného počasí gratuluju k dosažení zenu. Zdar ♥.

[icymusicdiary]

current driving playlist

…And You Will Know Us By The Trail of Dead --- "Heart in the Hand of the Matter"; "Days of Being Wild"; "Relative Ways"

Afrorack --- "Rev" and "Desert"

Aho Ssan --- "Tetsuo II"

Alberich --- "Chilsong Chamber"

Alice Glass --- "Remains"

Andy Stott --- Luxury Problems

Annabelle Playe --- Geyser

Ansome --- Selections from Hounds of the Harbor

Arvo Part --- Tabula Rasa mvmt 1, Magnificat for Choir, Annum per Annum for Organ

Austra --- Selections from Feel It Break

Autechre --- Selections from Exai

Author & Punisher --- Selections from Krüller

Bach --- Selections from the Sonatas and Partitas for Solo Violin; Selections from the Well-Tempered Clavier

Beethoven --- Kreutzer Sonata mvmt 1; Symphony 9; Grosse Fuge; Selections from String Quartets opp 127, 130, and 131

Blanck Mass --- "Hush Money"

Bolis Pupul --- "Frogs" and "Ma Tau Wai Road"

Candy Claws --- Selections from Ceres and Calypso in the Deep Time

Carter Tutti Void --- Triumvirate

Chastity --- "Sun Poisoning" and "Strife"

Cherry Glazerr --- I Don't Want You Anymore

CHVRCHES --- "Lies"; "Recover"; "Clearest Blue"

Clark --- "Slap Drones"

Closet Witch --- "Personal Machu Picchu"; "Daylilies"; "Dogs Running"

Cloud Rat --- Do Not Let Me Off the Cliff: Deluxe Edition and "Luminescent Cellar"

Coheed and Cambria --- "A Favor House Atlantic"; "The Afterman"; "Welcome Home"; "Key Entity Extration III: Vic the Butcher"; "The Suffering"

Connesson --- Selections from Pour Sortir au Jour

Cremation Lily --- "I Need to Stop Blaming Myself"

Debby Friday --- Good Luck

Debussy --- Prélude à l'après-midi d'un faune

Diana Damrau --- "Der Hölle Rache"

Divide and Dissolve --- "We Are Really Worried About You"

Dobrinka Tabakova --- String Paths

Dolor --- "Pull Me In"

Eduardo Egüez --- Misa Criolla mvmt 2 and 3

Elbow --- "Grounds for Divorce"

Elusin --- Selections from Synfuels

Emma Ruth Rundle & Thou --- "Magickal Cost"; "Out of Existence"; "Orphan Limbs"

Ensemble La Chimera --- "Tonada El Diamante"; "En Aquel Amor"

Fever Ray --- "Kandy"; "Looking for a Ghost"; "Tapping Fingers"; "If I Had A Heart"; "Keep the Streets Empty for Me"

Giles Corey --- "No One Is Ever Going To Want Me"

glass beach --- Selections from plastic death

Gris --- Il était une forêt

HEALTH --- Selections from RAT WARS; "SLAVES OF FEAR"

Holy Fawn --- "Yawning"

IAMX --- "Insomnia"; "Surrender"; "Spit It Out"

Ictus --- Imperivm; Hambrientos De Un Sol Distinto; "Sed de Venganza"

Jai Paul --- "BTSTU (Edit)"; "Jasmine"

Joanna Newsom --- "The Things I Say"

Keygen Church --- Nel Nome Del Codice; "S E V E R K E T O R"

Kite --- "Hills"

KLANGPHONICS --- "Shapes in the Spray"

Lauren Bousfield --- "Another World is Possible - Presented by US Bank"

Lingua Ignota --- Selections from Sinner Get Ready; "Spite Alone Holds Me Aloft"; "All Bitches Die (Bitches All Die Here)"; "May Failure Be Your Noose"

Lone Pilgrim --- The World Is Not My Home

Lorn --- "Chhurch"

Lorn & Dolor --- Zero Bounce

Low --- "More"

LSDXOXO --- "Sick Bitch"

M. Lamar --- Negrogothic and Funeral Doom Spiritual

M.I.A. --- Selections from Kala

Mandy, Indiana --- Selections from i've seen a way

Marina & the Diamonds --- "Numb"

Menace Ruine --- The Die is Cast; Selections from Nekyia, Venus Armata, and Alight in Ashes

mewithoutYou --- Selections from Brother, Sister; "[dormouse sights]"; "Birnam Wood"; "Julia"

Millie & Andrea --- Drop the Vowels

Mitski --- "I Don't Smoke"; "Love Me More"; "Love Me More (Clark Remix)"; "Townie"; "My Body's Made of Crushed Little Stars"

Model/Actriz --- Dogsbody; "Damocles"; "Suntan"; "Amaranth (mmph remix)"

Oneohtrix Point Never --- "No Good"; "Sticky Drama"

Paula Temple --- Edge of Everything and Deathvox EP

Perfume Genius --- "Describe (A. G. Cook Remix)"

Pictureplane --- "Blade Addict (Crimson Mist)"

Powell --- "So We Went Electric"

Queens of the Stone Age --- "My God Is the Sun"; "If I Had a Tail"

R.E.M. --- Selections from Automatic for the People and Murmur

Rameau --- Selections from Hippolyte et Aricie

Renée Fleming --- "Ich ging zu ihm"

Respighi --- Concerto Gregoriano mvmt 3; "Gagliarda" and "Siciliana" from Ancient Airs and Dances; Violin Sonata in B Minor mvmt 2

Reverend Kristin Michael Hayter --- Selections from SAVED!

Rezz --- Selections from CAN YOU SEE ME?; "Let Me In"

Rossini --- Selections from Il Barbiere Di Siviglia

Run The Jewels --- Selections from Run the Jewels 2 and RTJ 4

Sällskapet --- "Die Zeit Vergeht"

Sarasate --- "Navarra"

Schnittke --- Concerto for Choir; "Credo" from the Requiem; Concerto Grosso 2 mvmt 1

Schubert --- Death and the Maiden Movements 1, 2 and 4; Symphony 8 Movement 1

Scriabin --- Piano Sonatas 5, 6, 7, and 9

seventh stitch --- Selections from murmuring chasms of nostalgia

Sharon Van Etten --- "Hands"

Sia --- "Chandelier"

Simon & Garfunkel --- "My Little Town"

Slowdive --- "Shanty"; "Prayer Remembered"; "The Slab"

Sprain --- Selections from The Lamb as Effigy

Stravinsky --- Selections from The Rake's Progress and Petrushka

The Comet is Coming --- "Angel of Darkness"; "The Hammer"

The Hormones --- "孤���的海"; "航夜"

The Killers --- "Sam's Town"; "Spaceman"

The Knife --- "Silent Shout"; "Marble House"; "Like a Pen"; "Full of Fire"

The Visit --- Through Darkness Into Light

This Thing Called Dying --- "Menneske"; "The Art of Looking the Other Way"

Thou --- Umbilical; Selections from Inconsolable

Torres --- Selections from What an enormous room and Silver Tongue

TR/ST --- "Shoom"

Tzafu --- Selections from Impermanence

Tzusing --- Selections from 東方不敗, A Name Out of Place Collected, and 绿帽 Green Hat

Vampire Weekend --- "Unbelievers"; "Hudson"; "Gen X Cops"; "Capricorn"

Wolf Parade --- Selections from At Mount Zoomer and Apologies to the Queen Mary

Wolves in the Throne Room --- "Initiation at Neudeg Alm"

Yellow Swans --- Left Behind; Out of Practice I; Out of Practice II

Young Galaxy --- "Hard To Tell"; "In Fire"

Ysaye --- Sonata 1 for solo violin mvmt 2, 3, and 4; Sonatas 2, 4, 5, and 6 for solo violin

[kumonomukoue]

TWST: Historia principal – Episodio 7-130 (traducción español)

Libro 7 - El Líder del Abismo (Diasomnia)

Episodio 7-130 ¡Declaración exhaustiva!

[ ♪ ]

COLISEO – ESCENARIO ESPECIAL

¿NEIGE?: R… ¿Por qué…?

¿VIL?: Mi belleza… se está derritiendo…

EPEL: ¡Rook!

ROOK: ¡Aah, mi querida manzanita silvestre! No imaginaba que tú, que posees un veneno para dormir a cualquiera, me despertarías.

EPEL: ¡Uugh, me haces daño!

ROOK: P-perdona… Uuh, manzanita silvestre, te ruego que perdones mi traición.

¡Uguu…no me creo que olvidase nuestra batalla en el VDC y la Isla del Infortunio!

EPEL: No llores. A ver, un pañuelo… uy, no tengo.

Mira que Vil me dijo que siempre llevase un pañuelo bien planchado encima…

ROOK: Jujuju. Ya veo, a mi también me dijo lo mismo cuando me acababa de cambiar de dormitorio a Pomefiore. 

EPEL: Rook, no eres el único que ha olvidado cosas importantes.

Yo mismo, de no ser por todos vosotros, habría seguido en aquel sueño falso.

ROOK: Merci! Merci beaucoup! No puedo dejar de agradeceroslo. 

SEBEK: Hay que ver… No esperaba que aparte de luchar nos tocase bailar y todo.

IDIA: Jjij, que sepas que tengo un vídeo tuyo bailando de cuerpo entero.

SEBEK: ¡Sinvergüenza, bórralo ahora mismo! ¡No consentiré que se lo enseñes a nadie!

ROOK: ¿Esa voz es de Roi de ta Chambre²? ¿Estás ahí?

¡Ooh…! Así que nos has estado guiando como buen delegado.

IDIA: ¿Eh? Nah, para nada. Más que ser un buen delegado…

He estado haciendo de productor o mánager…

ROOK: Idia, ¿qué pasó después de la fiesta de despedida de Lilia? Quiero que me cuentes todos los detalles.

IDIA: V-val… Mejor mira este vídeo¹.

ROOK: ¡Qué me cuentas! Así que habéis estado librando una extrema batalla hasta ahora.

SILVER: Rook senpai, queremos que unas fuerzas con nosotros.

Sería un alivio si tú que tienes un papel importante en Pomefiore pudieses unirte a nosotros. 

ROOK: Soy yo quien tiene que pediros un favor. Por favor, dejadme ayudaros. 

Si os dejo marchar así, nunca seré capaz de levantar la cabeza ante la Reina.

¡Prometo recompensar vuestra ayuda con el espíritu de esfuerzo que arde dentro de mí!

SILVER: Gracias. ¡Contamos contigo!

IDIA: Es increíble que el Srto. Silver pueda adaptarse a la energía del Srto. Rook tan fácilmente.

ORTHO: Por cierto, antes de transportarnos a otro sueño, este es el enlace al campo de batalla final contra Malleus…

Tengo que darle a Rook Hunt su invitación a la fiesta.

ROOK: ¿Conque una fiesta? Jujuju, qué emoción recibir una invitación.

ORTHO: Sin más dilación, vamos al siguiente servidor (sueño). Ah, antes de eso…

Rook, ¿puedes cambiarte de ropa al uniforme de clase?

ROOK: ¡Vaya! Mis disculpas. ¿Qué tal así?

ORTHO: Como es de esperar de un alumno de tercer curso, puedes cambiarte de uniforme así de fácil y rápido. 

SEBEK: Gn, gññññ… Tenemos que ponernos las pilas con la magia de cambio de ropa.

¡A ver si me libro de una vez de ese hechizo tan vergonzoso…!

ORTHO: He finalizado la descarga de datos disuasorios de Rook Hunt desde la sede central. Voy a proyectar el holograma.

ROOK: Oh là là! Qué sensación más extraña da verme a mi mismo desde fuera.

Sin embargo… Parece que el grosor de los tacones de mis zapatos es algo diferente.

Espero que Roi du Dragon ³ no se dé cuenta…

GRIM: ¡Sólo tú te darías cuenta de un detalle tan pequeño!

ROOK: ¡Jajaja! Tengo la costumbre de mirarlo todo al detalle. 

¡Venga, embarquemos en esta aventura!

SILVER: ¿Estáis todos listos? Vamos a cruzar al siguiente sueño. Agarraos bien a mí. 

“A aquellos que conocimos y a los que conoceremos algún día… Meet in a Dream ⁴”

[ ☆ ]

¹ Se refiere a este vídeo que Idia crea unos capítulos atrás. Tiene subtítulos en inglés:

² Roi de ta Chambre: Rey de tu Habitación (Idia)

³ Roi du Dragon: Rey de los Dragones (Malleus)

⁴ La Unique Magic de Silver tiene dos nombres: se pronuncia como “Meet in a Dream” ("nos veremos en un sueño" en inglés) pero se escribe como “Tengamos el Mismo Sueño” (同じ夢を見よう, en japonés)

Siguiente → Episodio 7-131 ¡Navegación de ensueño! ⏰

↪ Lista de capítulos

˚ ༘♡ ⋆｡˚ ༘♡ ⋆｡˚ ༘♡ ⋆｡˚ ༘♡ ⋆｡˚ ༘♡ ⋆｡˚ ༘♡ ⋆｡˚

⚠ Por favor, no resubas mis traducciones sin permiso. Puedes usarlas si me das créditos ⚠

˚ ༘♡ ⋆｡˚ ༘♡ ⋆｡˚ ༘♡ ⋆｡˚ ༘♡ ⋆｡˚ ༘♡ ⋆｡˚ ༘♡ ⋆｡˚

¡Espero que os haya gustado y podéis sugerirme correcciones en los comentarios!

[glacierruler]

Divide Codes

Making the Future masterpost

Consider supporting me on ko-fi!

Taglist: @cutebisexualmess and @duck-in-a-spaceship

General Overarching Code

The equal sign is not a part of the code, it is just a means to simplify things. The first sign is supposed to look like a traditional division symbol.

*/. = divide from the kingdom / a divide is located there

<> = messengers needed / meeting between allies

< = sentries/robotic check in the next few days

> = traitor suspected

+ = check in went fine / traitor is gone

- = this faction of the divide has been caught. RUN

[ = new members, not tested, tread carefully

] = new members, limited testing, tread carefully

[ ] = new members, fully tested and trusted

From Withing the Shadows Codes

/ = guard checks / checkpoint

\ = abandoned spot

| = go to meeting place B or C

x = we’re being watched

% = we’ve been found out HIDE

Letters to Numbers:

A = 113     H = 132    O = 213     V = 311

B = 212     I = 222     P = 333     W = 312

C = 131     J = 332     Q = 123      X = 223

D = 111     K = 122     R = 231     Y = 221

E = 321     L = 331     S = 313     Z = 233

F = 232     M = 323     T = 112

G = 211     N =133     U = 121

[litcest]

Lebor Gabála Érenn

I swear I'm stopping soon! But just when I think I'm done with Ireland, another of these tales pop-up on my radar.

Here are some miscellanea of incest couples that appear in the book Lebor Gabála Érenn ('The Book of the Taking of Ireland'). These names come up in lists of geneology and there's little story for the characters, it's basically 'A is daughter of B and had C with her own father', so it means it's a clean slate for us to imagine whatever dynamic we want between these characters.

I'm using the R. A. Stewart Macalister translation.

Book IV

Delbaeth (also known as Tuireann), King of Tuatha Dé Danann (the gods or fae folk) is the father of Danand (or Mórrígan, 'great queen'), with whom he fathered three children: Brian, Iuchar, and Iucharba, who "were the three gods of Danu, from whom is named the Mountain of the Three Gods" (p. 103);

Fiacha, son (and successor to the throne) of Delbaeth and Ernmas and Danand's brother, had three daughter with his own mother, Ernmas: Banba, Fotla, and Eriu (p. 131);

Basically Delbeath and Ernmas have a bunch of children, then Delbaeth hooks up with his daughter and has triplets with her, while Ernmas hooks up with her own and has triplets. Lots of triplets in this family. And these triplets are basically all important gods, with Eriu herself being almost a personification of the whole Ireland (which was called Ériu at the time).

Book V

Érimón, King of the Milesians (other group of invaders, more human than the Tuatha Dé Danann), married his own mother, Scota, after the death of his father. The unexpected bit is that Scota is said to be the daughter of the Egyptian Pharaoh. Actually, I think that there's no mention of her being mother to Érimón, only that she was married to his father (p. 75);

Anyway, Érimón might not have married his mom, but he certainly married his sister, Odba, with whom he had three children: Maimne, Luigne, and Laigne (again with the triplets!). However, Érimón is a huge dick and abandoned Odba in Spain for a new wife in Ireland, Tea (p. 41);

Meanwhile, Donn, Érimón's brother, was married to their other sister, Díl. They both drowned in their trip to Ireland (p. 57);

So what de we learn from the Lebor Gabála Érenn? If you commit incest, you will end up having triplets who will either de Irish gods or Irish High Kings.

The story of Book IV would make such a funny sitcom. Specially if Delbeath and Ernmas don't know the other is also in love with one of their children, so they are both going behind each other's back and cheating, meanwhile Danand and Fiacha are just chilling and talking to each other how much they are in love with their parents.

[77jose-ricardo77]

VIERNES DE LA XIII SEMANA DEL TIEMPO ORDINARIO, feria

Leccionario

Primera lectura

Am 8, 4-6. 9-12

“Enviaré hambre al país, no de pan, sino de escuchar las palabras del Señor”

Lectura de la profecía de Amós.

Escuchad esto, los que pisoteáis al pobre y elimináis a los humildes del país, diciendo: «¿Cuándo pasará la luna nueva, para vender el grano, y el sábado, para abrir los sacos de cereal –reduciendo el peso y aumentando el precio, y modificando las balanzas con engaño– para comprar al indigente por plata y al pobre por un par de sandalias, para vender hasta el salvado del grano?». Aquel día –oráculo del Señor Dios– haré que el sol se oculte a mediodía, y oscureceré la tierra en pleno día. Transformaré vuestras fiestas en duelo, y todas vuestras canciones en elegía. Pondré arpillera sobre toda espalda y dejaré rapada toda cabeza. Será como el duelo por un hijo único, y el final como un día de amargura. Vienen días –oráculo del Señor Dios– en que enviaré hambre al país: no hambre de pan, ni sed de agua, sino de escuchar las palabras del Señor. Andarán errantes de mar a mar y de septentrión a oriente deambularán buscando la palabra del Señor, pero no la encontrarán.

Palabra de Dios.

Salmo responsorial

Sal 118, 2. 10. 20. 30. 40. 131 (R.: Mt 4, 4)

R. No solo de pan vive el hombre, sino de toda palabra que sale de la boca de Dios.

V. Dichoso el que, guardando sus preceptos, lo busca de todo corazón.

R. No solo de pan vive el hombre, sino de toda palabra que sale de la boca de Dios.

V. Te busco de todo corazón, no consientas que me desvíe de tus mandamientos.

R. No solo de pan vive el hombre, sino de toda palabra que sale de la boca de Dios.

V. Mi alma se consume, deseando continuamente tus mandamientos.

R. No solo de pan vive el hombre, sino de toda palabra que sale de la boca de Dios.

V. Escogí el camino verdadero, deseé tus mandamientos.

R. No solo de pan vive el hombre, sino de toda palabra que sale de la boca de Dios.

V. Mira cómo ansío tus mandatos: dame vida con tu justicia.

R. No solo de pan vive el hombre, sino de toda palabra que sale de la boca de Dios.

V. Abro la boca y respiro, ansiando tus mandamientos.

R. No solo de pan vive el hombre, sino de toda palabra que sale de la boca de Dios.

Aleluya

Mt 11, 28

R. Aleluya, aleluya, aleluya.

V. Venid a mí todos los que estáis cansados y agobiados —dice el Señor—, y yo os aliviaré.

R. Aleluya, aleluya, aleluya.

Evangelio

Mt 9, 9-13

“No tienen necesidad de médico los sanos; misericordia quiero y no sacrificio”

+Lectura del santo Evangelio según san Mateo.

En aquel tiempo, al pasar vio Jesús a un hombre llamado Mateo sentado al mostrador de los impuestos, y le dijo: «Sígueme». Él se levantó y lo siguió. Y estando en la casa, sentado a la mesa, muchos publicanos y pecadores, que habían acudido, se sentaban con Jesús y sus discípulos. Los fariseos, al verlo, preguntaron a los discípulos: «¿Cómo es que vuestro maestro come con publicanos y pecadores?». Jesús lo oyó y dijo: «No tienen necesidad de médico los sanos, sino los enfermos. Andad, aprended lo que significa “Misericordia quiero y no sacrificio”: que no he venido a llamar a justos sino a pecadores».

Palabra del Señor.

[compneuropapers]

Interesting Papers for Week 26, 2023

Saturation of visual responses explains size tuning in rat collicular neurons. Baranauskas, G., Rysevaite‐Kyguoliene, K., Sabeckis, I., & Pauza, D. H. (2023). European Journal of Neuroscience, 57(2), 285–309.

Reconstruction of sparse recurrent connectivity and inputs from the nonlinear dynamics of neuronal networks. Barranca, V. J. (2023). Journal of Computational Neuroscience, 51(1), 43–58.

Population codes enable learning from few examples by shaping inductive bias. Bordelon, B., & Pehlevan, C. (2022). eLife, 11, e78606.

Cerebro-cerebellar networks facilitate learning through feedback decoupling. Boven, E., Pemberton, J., Chadderton, P., Apps, R., & Costa, R. P. (2023). Nature Communications, 14, 51.

The role of the lateral orbitofrontal cortex in creating cognitive maps. Costa, K. M., Scholz, R., Lloyd, K., Moreno-Castilla, P., Gardner, M. P. H., Dayan, P., & Schoenbaum, G. (2023). Nature Neuroscience, 26, 107–115.

Functional geometry of the cortex encodes dimensions of consciousness. Huang, Z., Mashour, G. A., & Hudetz, A. G. (2023). Nature Communications, 14, 72.

Optimal Control Costs of Brain State Transitions in Linear Stochastic Systems. Kamiya, S., Kawakita, G., Sasai, S., Kitazono, J., & Oizumi, M. (2023). Journal of Neuroscience, 43(2), 270–281.

Do cognitive and physical effort costs affect choice behavior similarly? Lim, L. X., Fansher, M., & Hélie, S. (2023). Journal of Mathematical Psychology, 112, 102727.

Deciphering functional roles of synaptic plasticity and intrinsic neural firing in developing mouse visual cortex layer IV microcircuit. Liu, S., & Li, Y. (2023). Journal of Computational Neuroscience, 51(1), 23–42.

Arithmetic value representation for hierarchical behavior composition. Makino, H. (2023). Nature Neuroscience, 26, 140–149.

Altered integration of excitatory inputs onto the basal dendrites of layer 5 pyramidal neurons in a mouse model of Fragile X syndrome. Mitchell, D. E., Miranda-Rottmann, S., Blanchard, M., & Araya, R. (2023). Proceedings of the National Academy of Sciences, 120(2), e2208963120.

Introducing the Dendrify framework for incorporating dendrites to spiking neural networks. Pagkalos, M., Chavlis, S., & Poirazi, P. (2023). Nature Communications, 14, 131.

A statistical foundation for derived attention. Paskewitz, S., & Jones, M. (2023). Journal of Mathematical Psychology, 112, 102728.

Rapid synaptic and gamma rhythm signature of mouse critical period plasticity. Quast, K. B., Reh, R. K., Caiati, M. D., Kopell, N., McCarthy, M. M., & Hensch, T. K. (2023). Proceedings of the National Academy of Sciences, 120(2), e2123182120.

Lingering Neural Representations of Past Task Features Adversely Affect Future Behavior. Rangel, B. O., Hazeltine, E., & Wessel, J. R. (2023). Journal of Neuroscience, 43(2), 282–292.

Evidence for entropy maximisation in human free choice behaviour. Rens, N., Lancia, G. L., Eluchans, M., Schwartenbeck, P., Cunnington, R., & Pezzulo, G. (2023). Cognition, 232, 105328.

Choice selective inhibition drives stability and competition in decision circuits. Roach, J. P., Churchland, A. K., & Engel, T. A. (2023). Nature Communications, 14, 147.

Information-processing dynamics in neural networks of macaque cerebral cortex reflect cognitive state and behavior. Varley, T. F., Sporns, O., Schaffelhofer, S., Scherberger, H., & Dann, B. (2023). Proceedings of the National Academy of Sciences, 120(2), e2207677120.

Transformation of acoustic information to sensory decision variables in the parietal cortex. Yao, J. D., Zemlianova, K. O., Hocker, D. L., Savin, C., Constantinople, C. M., Chung, S., & Sanes, D. H. (2023). Proceedings of the National Academy of Sciences, 120(2), e2212120120.

Hippocampal spatial representations exhibit a hyperbolic geometry that expands with experience. Zhang, H., Rich, P. D., Lee, A. K., & Sharpee, T. O. (2023). Nature Neuroscience, 26, 131–139.

[prju77]

Hope!

"O Eternal One, my heart is not occupied with proud thoughts; my eyes do not look down on others; I don’t even begin to get involved in matters too big, matters of faith, state, business, or the many things that defy my ability to understand them. Of one thing I am certain: my soul has become calm, quiet, and contented in You. Like a weaned child resting upon his mother, I am quiet. My soul is like this weaned child. O Israel, stake your trust completely in the Eternal—from this very moment and into the vast future!"[Psalm 131:1-3]

In Psalm 131, David writes, "I have calmed and quieted myself" (v. 2). David's words remind me that I have responsibility. Changing habits starts with my choice to be still-even if I must make that choice over and over again. Slowly, though, we experience God's satisfying goodness. Like a little child, we rest in contentment, remembering that He alone offers hope (v. 3)-soul-satisfaction that no smartphone app can touch and no social media site can deliver. -Adam R. Holz

How does technology influence your ability to rest quietly before God? Does your phone contribute to your contentment? Why or why not?

Father, the world is awash in distraction that doesn't satisfy my soul. Please help me trust You to fill me with genuine contentment.

[a-z0-9-i-n-gram-completionist]

1:    0 1 2 3 4 5 6 7 8 9 a b c d e f g h i k l m n o p q r s t u v w x y    34/36    (24/26)    (10/10)

2:    00 04 05 08 10 12 13 15 16 17 21 24 25 28 31 33 35 36 39 41 42 43 44 48 49 50 51 52 53 54 55 56 63 68 69 71 75 77 79 80 82 83 84 87 89 90 92 93 94 98 ac ag ai al an ap ar as at ay ba be bi bo bp bs bu ca ce ch ci cl co ct da de di ds du dv ea eb ec ed ee ei el em en ep er es et ev ex fa fi fo fr ga ge gh gi gl go gs ha he hi ho ic id ig ik im in io ir is it iv ke ki le lf li ll lo ls lu ly ma mb me mi mo mp ms mu my nd ne ng no ns nt ny ob od of og om on oo or os ot ou ow pa pe pl po pp ps pu qu ra rc rd re ri rm ro rr rs rt sb se sh si so sp sq ss st ta te th ti tl to tp ts tu tw ua ub ud ug us ut va vd ve vi wa wh wi wo xc xe xp ye yo yt yw    217/1296    (167/676)    (50/360)

3:    000 056 087 104 105 108 128 131 136 152 179 212 213 256 283 313 315 392 421 433 443 482 483 493 516 550 569 639 680 715 775 824 835 843 900 941 989 ach aga ain alf all als and ant any app are ari ars art asi aso ati bas bee bei bel bin bob bpa bsp bsq but cal cen cha cis clu com cte ded der din div dua dvd eac ear eas ebo ece ect een ein ele elo emi ent epa era erc ere eri erm ese esp esq est ete ets eva exc exe exp fal fir for fro gai geb gep ges get gin gle goo hal har hat hem her hes hin his hit hos hou how ica idu igi ike ime ind ine ing int ion iou irr irs ise ite ith iti itl itp its ive ivi kin les let lev lik lin lit lly low lse lso lud man mbi men mes min moo mpl mut nda nde ndi ned nes nge ngs not nte nts nyw obp obs ogl omb omp ond one ong ons ood oog ord ori orm ose osi ost oth oug ous out pan pea pec per ple pon pos ppe put qua ral rci rde rds reb rec rel rem rep res rig rim rin rio rms rmu rom rre rst sbo sea see shi sic sit son spo squ ssp ssq ste tat ted ter tha the thi tho tim tio tit tiv tle ton tpo tps tsb tss tub two ual uar ube udi ugh uta utu van var ves vid way wha wit wor xcl xer xpe yea you ytp ywa    285/46656    (248/17576)    (37/12960)

4:    1056 1087 2131 2569 3136 3152 4212 4824 4835 6392 agai ally alse also ants anyw appe areb arep ares ario asic ason atio basi been bein belo bine bobp bobs bpan bspo bsqu call cent char cise clud comb comp cted deri ding divi dual each ears easo ebob ecen ecte eing elev elow emin epan eral erci eres erim erin ermu espo esqu este evan excl exer expe fals firs form from gain gebo gepa gesq gets goog half hart here hese hing hitp hits hose houg ical idua igin imen imes inda inde indi ined ines ings inte ions ious irre irst iter ithi itio itiv itle itpo ives ivid kind lete leva like line lite ludi many mbin ment mind mood mple muta nded nder ndiv ngeb ngep nges nter ntsb ntss nywa obpa obsp obsq ogle ombi ompl onde onge oogl orde ords orig orms osit othe ough outu pant pear pect peri perm plet pond pong posi post ppea quar rall rcis rder rebo rece rele remi repa resp rest rigi rime ring riou rmut rrel sbob seas shit sica siti spon squa sspo ssqu sted tati tera tere that them ther thes thin this thos thou time tion titl tive tles tpos tsbo tssp tssq tube uare udin utat utub vant vari vidu what with word xclu xerc xpec xper year yout ytps yway    231/1679616    (221/456976)    (10/466560)

5:    again antsb antss anywa appea arebo arepa aresp ariou asica ation basic being below bined bobpa bobsp bobsq bpant bspon bsqua cally chart cludi combi compl derin divid eason ecent ected eleva emind epant erall ercis erest erime ering ermut espon esqua ested evant exclu exerc expec exper false first forms gebob gepan gesqu googl hings hitpo hough icall idual iment inded indiv inter irrel itera ithin ition itive itles itpos ividu kinda levan lines liter ludin mbine minde mplet mutat nderi ndivi ngebo ngepa ngesq ntere ntsbo ntssp ntssq nyway obpan obspo obsqu ombin omple onder ongeb ongep onges oogle order origi ositi other outub pants pears pecte perim permu plete ponde ponge posit ppear quare rally rcise rderi rebob recen relev remin repan respo reste rigin rimen rious rmuta rrele seaso shitp sical sitio sitiv spong squar sspon ssqua tatio teral teres these thing those thoug times tions title tives tpost tsbob tsspo tssqu uareb uarep uares uding utati utube vario vidua withi words xclud xerci xpect xperi years youtu    172/60466176    (172/11881376)

6:    antsbo antssp antssq anyway appear arebob arepan arespo arious asical ations basica bobpan bobspo bobsqu bpants bspong bsquar cludin combin comple dering dividu elevan eminde epants erally ercise ereste erimen ermuta espong esquar exclud exerci expect experi gepant gesqua google hitpos ically indivi intere irrele iteral itions itives itpost ividua levant litera luding mbined minded mplete mutati nderin ndivid ngebob ngepan ngesqu nteres ntsbob ntsspo ntssqu obpant obspon obsqua ombine omplet onderi ongebo ongepa ongesq orderi origin ositio ositiv outube pantsb pantss pected perime permut ponder pongeb pongep ponges positi ppears quareb quarep quares rderin recent releva remind repant respon rested riment rmutat rrelev season shitpo sicall sition sitive sponge square sspong ssquar tation terall terest things though titles tsspon tssqua uarebo uarepa uaresp utatio variou vidual within xcludi xercis xpecte xperim youtub    133/2176782336    (133/308915776)

7:    antsbob antsspo antssqu appears arepant arespon asicall basical bobpant bobspon bobsqua bsponge bsquare cluding combine complet dividua elevant eminded erested eriment ermutat esponge esquare excludi exercis expecte experim gepants gesquar hitpost individ interes irrelev iterall ividual literal mutatio ndering ndividu ngepant ngesqua nterest ntsspon ntssqua obpants obspong obsquar ombined omplete onderin ongebob ongepan ongesqu orderin osition ositive pantsbo pantssp pantssq perimen permuta ponderi pongebo pongepa pongesq positio positiv quarebo quarepa quaresp rdering relevan reminde repants respong rmutati rreleva shitpos sically sitions sitives spongeb spongep sponges squareb squarep squares ssponge ssquare tations terally tereste tsspong tssquar uarebob uarepan uarespo utation various xcludin xercise xpected xperime youtube    105/78364164096    (105/8031810176)

8:    antsspon antssqua arepants arespong asically basicall bobpants bobspong bobsquar combined complete dividual ermutati excludin exercise expected experime gesquare individu interest irreleva iterally literall mutation ndividua ngepants ngesquar ntereste ntsspong ntssquar obsponge obsquare ondering ongepant ongesqua ordering ositions ositives pantsbob pantsspo pantssqu periment permutat ponderin pongebob pongepan pongesqu position positive quarebob quarepan quarespo relevant reminded responge rmutatio rrelevan shitpost spongebo spongepa spongesq squarebo squarepa squaresp terested tssponge tssquare uarepant uarespon utations xcluding xperimen    72/2821109907456    (72/208827064576)

9:    antsspong antssquar aresponge basically bobsponge bobsquare ermutatio excluding experimen individua intereste irrelevan literally mutations ndividual ngesquare nterested ntssponge ntssquare ongepants ongesquar pantsspon pantssqua permutati pondering pongepant pongesqua positions positives quarepant quarespon rmutation rrelevant spongebob spongepan spongesqu squarebob squarepan squarespo uarepants uarespong xperiment    42/101559956668416    (42/5429503678976)

10:    antssponge antssquare ermutation experiment individual interested irrelevant ongesquare pantsspong pantssquar permutatio pongepants pongesquar quarepants quarespong rmutations spongepant spongesqua squarepant squarespon uaresponge    21/3656158440062976    (21/141167095653376)

11:    ermutations pantssponge pantssquare permutation pongesquare quaresponge spongepants spongesquar squarepants squarespong    10/131621703842267136    (10/3670344486987776)

12:    permutations spongesquare squaresponge    3/4738381338321616896    (3/95428956661682176)

anyway that put me in a Mood, and combined with my other recent post it reminded me of an experiment I’ve been pondering for years

google hits for the various permutations of ordering the individual words within ‘Spongebob Squarepants’:

Spongebob Squarepants - 35,900,000 but that one’s kinda expected, not what I’m interested in. Squarepants Spongebob - 843,000 but see below Bobpants Spongesquare - 3,680 Spongepants Squarebob - 2,550 Squarebob Spongepants - 989 Spongesquare Bobpants - 516 Bobsponge Squarepants - 443 Bobsponge Pantssquare - 433 Bobsquare Spongepants - 128 Bobpants Squaresponge - 104 Pantssquare Bobsponge - 83 Squaresponge Bobpants - 55 Pantsbob Squaresponge - 54 Spongepants Bobsquare - 53 Bobsquare Pantssponge - 36 Pantsbob Spongesquare - 33 Spongebob Pantssquare - 10 Spongesquare Pantsbob - 7 Squaresponge Pantsbob - 6 Squarepants Bobsponge - 5 Pantssquare Spongebob - 5 Pantssponge Bobsquare - 3 Squarebob Pantssponge - 1 Pantssponge Squarebob - 1

Squarepants Spongebob gets a ton of false positives from things like The Origin of SpongeBob SquarePants. SpongeBob SquarePants: The Complete First Season (DVD)

also literally like half of these are the titles of YTPs or other forms of youtube shitpost

here’s a chart of all the positions and how many times each word appears in them though (again, excluding those first two lines for being basically irrelevant to this exercise):

1 2 3 4 Sponge 3136 941 4835 283 Bob 4824 1087 715 2569 Square 1056 775 3152 4212 Pants 179 6392 493 2131

[mrshcloset]

Appetite for Distraction

I have calmed and quieted myself, . . . I am content. Psalm 131:2

READ Psalm 131

LISTEN ONLINE

I set my phone down, weary of the constant bombardment of images, ideas and notifications that the little screen broadcasted. Then, I picked it up and turned it on again. Why?

In his book The Shallows, Nicholas Carr describes how the internet has shaped our relationship with stillness: “What the Net seems to be doing is chipping away my capacity for concentration and contemplation. Whether I’m online or not, my mind now expects to take in information the way the Net distributes it: in a swiftly moving stream of particles. Once I was a scuba diver in the sea of words. Now I zip along the surface like a guy on a Jet Ski.”

Living life on a mental jet ski doesn’t sound healthy. But how do we begin to slow down, to dive deeply into still spiritual waters?

In Psalm 131, David writes, “I have calmed and quieted myself” (v. 2). David’s words remind me that I have responsibility. Changing habits starts with my choice to be still—even if I must make that choice over and over again. Slowly, though, we experience God’s satisfying goodness. Like a little child, we rest in contentment, remembering that He alone offers hope (v. 3)—soul-satisfaction that no smartphone app can touch and no social media site can deliver.

By Adam R. Holz

REFLECT & PRAY

How does technology influence your ability to rest quietly before God? Does your phone contribute to your contentment? Why or why not?

Father, the world is awash in distraction that doesn’t satisfy my soul. Help me trust You to fill me with genuine contentment.

SCRIPTURE INSIGHT

The language of Psalm 131 can seem a bit odd. Isn’t the psalmist a little prideful to declare to God that he’s not prideful? But the psalmist isn’t after praise for his humility. Instead, the words of the song communicate great confidence in knowing his station in life and being satisfied with it.

Rather than aspire to things beyond his reach, the psalmist looks to what’s in front of him. He finds contentment in quiet and peace, an idea the NIV brings to the front by translating verse 2—which reads literally, “like a weaned child I am on myself”—as “like a weaned child I am content.”

In the end, the psalmist encourages Israel to hope in Yahweh. Contentment with our lot in life—neither looking higher or lower—comes from our confidence in God, because He is enough.

Jed Ostoich

[entomoblog]

Les effets des insecticides sur la ponte des reines chez deux espèces de fourmis : Myrmica rubra et Lasius niger

See on Scoop.it - EntomoNews

Trois insecticides ont été testés : acétamipride (Mospilan, néonicotinoïde), deltamétrine (Samium, pyréthroïde) et sulfoxaflor (Gondola, sulfilimine). Avec des applications inférieures à celles préconisées en agriculture, cela a des effets néfastes sur la ponte mais aussi sur la mortalité des reines. Les effets sont variables selon les espèces. Vous êtes surpris ? On avait mesuré les effets des phtalates sur la ponte des reines de Lasius niger (Cuvillier et al 2014).

  Les effets des insecticides sur la ponte des reines de Myrmica rubra et Lasius niger (Svoboda et al 2023)

  Dictionnaire amoureux des fourmis - 

Mis à jour le 05-Oct-2023

  Voir Pesticides - Svoboda, J., P. Pech and P. Heneberg (2023). Low concentrations of acetamiprid, deltamethrin, and sulfoxaflor, three commonly used insecticides, adversely affect ant queen survival and egg laying. Scientific Reports 13(1): 14893. 10.1038/s41598-023-42129-7 - Cuvillier-Hot, V., K. Salin, S. Devers, A. Tasiemski, P. Schaffner, R. Boulay, S. Billiard and A. Lenoir (2014). Impact of ecological doses of the most widespread phthalate on a terrestrial species, the ant Lasius niger. Environmental Research 131(0): 104-110. http://dx.doi.org/10.1016/j.envres.2014.03.016. Pdf

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NDÉ

Lien vers l'étude

  Low concentrations of acetamiprid, deltamethrin, and sulfoxaflor, three commonly used insecticides, adversely affect ant queen survival and egg laying | Scientific Reports, 09.09.2023 https://www.nature.com/articles/s41598-023-42129-7

  [Image] Design of experimental arenas to maintain the tested ant queens.