#Utagawa Kunisada II

[arthistoryanimalia]

More for #ILoveHorsesDay ❤️🐴:

Horses, a New Publication (Shimpan uma zukushi)

Color woodblock prints

c.1847-8 by Utagawa Hiroshige II (Japan, 1826–1869), 377x257mm

1874 by Utagawa Kunisada III (Japan, 1848–1920), 337x225mm

Legion of Honor Museum 1963.30.1472, 1963.30.5519

[nishiki-e]

Actors Bandô Shûka and Sawamura Tanosuke in the role of Hanaregoma Chôkichi by Utagawa Kunisada and Utagawa Kunisada II respectively.

[love1kimono]

Estampe japonaise sur papier crêpe (Musée du Luxembourg, Paris)

Genji moderne. Visite du jardin

Ces estampes tirées sur papier crêpe étaient collectionnées par Léon Monet qui était amateur d'art japonais comme son frère Claude. Au Japon, ces papiers imprimés servaient aux emballages.

Oeuvre de Utagawa Kunisada II

Gravure sur bois, tirage sur papier crêpe

Éditeur : Isetatsu

Collection particulière

Ancienne collection Léon Monet

[paskuda-lynx]

i still can't believe that my brain's capable of comprehending and building so many complicated concepts and yet my latest idea of ATLA fanfic plot is a fucking EPIC DRAGON FIGHT.

i watched Avatar for the first time when I was like. Eight. Somehow certain things in the show continue to cause the exact same enthusiasm as if my age is Still Eight.

Here I am. It doesn't matter if I can identify the age and general wellbeing of a bird by a single flight feather. It doesn't matter what can I say about habitus of an animal on a clinical examination.

It doesn't matter, because yes but WHAT IF Azula purposely curses herself to be DRAGON AT DAYLIGHT but the curse affects her brother too?! What then?!

I can already see Sokka going "Well, no biggie, if you're human only while the sun is sat, why don't you relocate to the Poles? We have polar nights like, for half of the year! And! When the night is over on one pole, you can just fly to another, so you would See No Sun Ever! ...Alright, I'll admit, in my head the idea sounded a lot better."

i'm ashamed. i feel eight years old. i wanna a dragon story anyway.

[sheltiechicago]

Tenjiku Tokubei riding a giant toad.

Amazing Vintage Illustrations Of Japanese Anthropomorphic Frogs and Toads

The Japanese term “kimo-kawaii” means “cute and ugly,” often describing anthropomorphic frogs and toads in art.

Tenjiku Tokubei (1612-1692) inspired kabuki and literature, portraying him as a spell-caster transforming stones into giant toads. This influenced Kanwatei Onitake, creating Jiraiya, a ninja conjuring phantom frogs. Jiraiya starred in the folk tale Katakiuchi Kidan Jiraiya Monogatari, adapted into kabuki and various media. Matsumoto Hoji, a 19th-century artist, created notable frog woodblocks.

Actor Onoe Tamizô II as Tenjiku Tokubei Artist Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864), Publisher Kawaguchiya Uhei (Fukusendô) (Japanese) 1841 (Tenpô 12), 7th month.

Actor Onoe Eizaburo I as a Magician with a Giant Toad Woodblock print.

Sumō wrestling toads by Ohara Hōson 1930.

[japaneseaesthetics]

Actors Onoe Kikujirô II as Konoshitagawa Kôsuke (R) and Ôtani Tomomatsu I as Hanyûya Sukeshirô (L), by Utagawa Kunisada I (Toyokuni III)

[pmikos]

Utagawa Kunisada II (1823–1880)

Hell Courtesan (Jigoku Dayu)

[joseandrestabarnia]

Título: La belleza crepuscular (Capítulo 4), de la serie Naipes de Genji de Murasaki Shikibu

1857

Artista: Utagawa Kunisada II (Japón, 1823 – 1880)

Detalles

Otro título: Capítulo 4 Rostros vespertinos

Lugar donde se realizó la obra: Japón

Período: Período Edo (Tokugawa) 1615 - 1868 → Japón

Fecha: 1857

Categoría de medios: Imprimir

Materiales usados: grabado en madera; tinta y color sobre papel

Dimensiones: imagen de 32,9 x 23,2 cm; hoja de 33,5 x 23,4 cm

Fecha de firma: Firmado ll, en japonés, tinta negra "[Baichôrô Kunisada ga]".Sin fecha.

Crédito: Donación de GF Williams 1995

Información e imagen de la web de la Art Gallery NSW.

[japonesices]

sundayjump:

”投扇興当姿絵　しらゐや　五郎　光義　牛若伝次”

二代歌川国貞

”Jiraiya, Goro, Mitsuyoshi and Ushiwaka Denji, 

Hair styles of actor for Fan-throwing game”

by  Kunisada II Utagawa

Found here

[dumbbitchhour]

Utagawa Kunisada, Portrait of Iwai Kumesaburō II, 1827-1829 x

[stephiapw]

Utagawa Kunisada II (1823-1880) - Estampe Utsusemi, 1857

[love1kimono]

"Trois femmes décorant des raquettes de jeu" d'Utagawa Kunisada II (Maison de la culture du Japon, Paris)

Trois femmes décorant des raquettes / Splendeur des quatre ordres sociaux

Les trois femmes fabriquent, décorent et peignent des raquettes de jeu de volant pour le nouvel an.

Un chat semble écouter leur conversation.

Oeuvre d'Utagawa Kunisada II (1823 - 1880)

fr.wikipedia.org/wiki/Utagawa_Kunisada_II

Vers 1847-1852 (Kyôka - Kaei)

Estampe

[lionofchaeronea]

The Dragon (from the series Modern Illustrations of Buddhist Precepts), Kunisada II, 1860

[jareckiworld]

Utagawa Kunisada II (歌川国定) — The Nun Cat (the actor Segawa Kikunojo V) [woodblock print, 1852]

[japaneseaesthetics]

Actor Nakamura Shikan II, from Kamigata, formerly Tsurusuke, as Satô Tsuginobu, by Utagawa Kunisada I (Toyokuni III), 1827. Japan

[heaveninawildflower]

Wrappers for the book ‘Sekai mo awase chôchô komon’ (parts 1-3) by Utagawa Kunisada II  (Japanese, 1823–1880).

Published 1859 by Tsutaya Kichizô.

Woodblock prints.