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one-little-nerd-stayed-home · 3 months ago
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aH.
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velvees-archive · 2 months ago
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Some post-SOJ DLC case thoughts about Edgeworth, his opinion on marriage, and by extension, love.
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…and how, at the very center of this discussion is one Phoenix Wright.
Contains spoilers from 3-5, 6-5 and 6-DLC
As if the subtext wasn’t enough.
I wanted to share some thoughts about the DLC case and Edgeworth's insistence on remaining unwed, which, from what I've seen, is a commonly employed gotcha moment against NaruMitsu (because all relationships must end in marriage, right? /lh). Don’t get me wrong, I don’t really mind. I just…didn’t find the dialogue exchange very damning.
Coming off 6-5, where Edgeworth says this,
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I saw the DLC as an extension of Edgeworth's sentimentality, this time directed at Phoenix’s romantic prospects.
To make my stance clear, I don’t think Edgeworth is blind to romantic overtures; he just doesn’t care about them very much. As in, Edgeworth is largely unaffected by and uninterested in matters of the heart (with a concession that he is obtuse when it comes to people expressing interest in him, unless they're Wendy Oldbag over the top about it). But even if you feel he's terrible at sensing romantic tension, my argument still stands. Edgeworth doesn’t care about romance, and we never really see him prying into anyone’s romantic relationships…
…with the exception to this being Phoenix Wright’s.
From Bridge to the Turnabout:
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Sorry for the janky screenshots. I didn't didn't take 3-5 pics on my Switch so I had to search for YouTube clips. Let the record show I actually really enjoy Feenris PLUS I love angst, so this interaction was…chef’s kiss.
Assuming Edgeworth doesn't care about romance but he can understand romantic signaling, this is already pretty condemning. Why are you poking around Phoenix's business if you're so uninterested in love? Surely, there are bigger fish to fry, like investigating the Inner Temple Garden because the clues found could be vital to catching the victim's murderer?
Assuming Edgeworth sucks at detecting any romantic undertones, the implications are even worse. You're telling me the guy who doesn't know the first thing about romance somehow clocked Phoenix and Iris's chemistry this quickly? How? For what reason were you able to catch it? How attuned are you to Phoenix's personal affairs?
Now, shifting back to the DLC case, we have this lovely interaction when you show Miles the wedding chapel pamphlet:
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Something to note with Phoenix’s “W-Wait. You’re not thinking about finally settling down and getting married, are you?” is that the screen flashes and we hear the damage sound after the “W-Wait."
Once again, Miles inquires about Phoenix's love life, this time after Phoenix asks about his. I've analyzed my fair share of Miles Edgeworth dialogue, and I don't think he pingpongs questions just to make conversation (see: “Say something, Wright. I’m not good at small talk.”). This leads me to believe he was genuinely curious and (subtly) trying to fish for information. And why would that be the case?
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My overarching point is this: Edgeworth isn’t as obtuse about romance as everyone makes him out to be (both in-universe and from a fandom perspective), which makes his mentioning marriage plans around Phoenix even more suspicious. The way the scene reads to me is that Edgeworth, in Phoenix’s company and swept away by the intimate atmosphere, lets his interest in Phoenix Wright slip through the cracks once Phoenix shows him the pamphlet. It's sentimental of him and it surfaces—once again—while he's investigating a case. At risk of sounding repetitive, there are bigger fish to fry.
It'd be less suspicious if Phoenix had similar conversations with other cast members he shows the pamphlet to, but it never gets to be this personal, even when he presents it to Maya, his best friend.
Good news if you feel otherwise about my “Edgeworth isn’t that obtuse” headcanon though, because should you believe he is actually just that clueless, you now have to contend with this:
If Miles can’t pick up on all things love, why is he so attuned to Wright’s (and to my knowledge, only Wright’s) romantic prospects in particular?
So yeah. Checkmate, I guess. Edgeworth might not be interested in marriage or love, but he’s definitely interested in Phoenix’s partners, or lack thereof. Take that how you will.
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deerspherestudios · 1 year ago
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Hey! I just recently met and went through the demo of "Mushroom Oasis", and I already have so many questions! I hope I won't be too intrusive. You may not answer some questions if the answers contain spoilers.
Questions about the game: 1.Will it be possible to choose the MC gender? Is it possible to choose the gender of the cat in the same way? It's just that when I started the game, I named the cat after my cat and it was a little funny to me when the pronoun of the cat was "she" when my cat is male.
Will we be able to choose some kind of "style" for the MC, according to the type of clothing, at the beginning of the game?
Questions about Michael:
Does he see the world like an ordinary person? I mean he has 2 pairs of eyes and 3 pairs of pupils. And it baffles me.
If the MC suddenly goes out alone and doesn't come back by midnight, will Mychael worry about the MC and will he go looking for the MC?
How does Mychael feel about piercings and tattoos? Does he know about it? If so, would he like a piercing/tattoo?
I wonder where Mychael gets things for the house. That is, I saw that he had a broom, thread and knitting needles. Where did he get them???
If Mychael saw me (I'm 164 cm tall and I have red hair), would he think I'm some kind of witch, because of the color of my hair, or something like that? How would he react if he saw me?
And sorry for the mistakes, I used google translator. English is not my native language :( I also want to say that I am your fan from Latvia (I don’t know why I’m saying this, I just want to please you with the fact that you have a fan from the Baltic countries)
Oop!! Ty for the questions!! Let me try and answer em under the cut, since it might end up as a pretty long post hahaha. But hi hello!!! I'm always happy to know where my fans come from, it's always a surprise for me to see people around the globe enjoy my silly little game ;v;
Questions about the game:
1. Will it be possible to choose the MC gender? Is it possible to choose the gender of the cat in the same way?
Being nonbinary, I just choose not to mention pronouns when writing for the game, so anyone can fit in their shoes. Unless it comes to a point where I have to use it, I'll probably code in a pronoun tool but for now it doesn't seem necessary! As for the cat, that's a good suggestion. Perhaps I'll try coding it in for the next update so the cat can be male or female, according to player preference!
2. Will we be able to choose some kind of "style" for the MC, according to the type of clothing, at the beginning of the game?
Probably not, as I'm not really good at setting that up in Ren'Py. I did make an MC design though! But what they look like is entirely up to you. I've drawn a POV shot of them wearing jeans and sneakers but that's about it. They can look however you like!
Questions about Mychael:
1. Does he see the world like an ordinary person?
He does! Trigger warning for unsettling iris images if you wanna look this up, but his bottom pair is kinda what people with polycoria has. Except it's normal for him, and not really a condition. His vision is normal, he just has lotsa peepers.
2. If the MC suddenly goes out alone and doesn't come back by midnight, will Mychael worry about the MC and will he go looking for the MC?
Yes? He didn't save you just to have you running off into danger again. He'd absolutely track you down and find you.
3. How does Mychael feel about piercings and tattoos? Does he know about it? If so, would he like a piercing/tattoo?
He knows about it, but not enough to really understand how it works! He finds it fascinating humans decorate their bodies with shiny beads and jewels, and turn their skin into tapestries for art. He'd probably assume you can take them off any time and that the tattoos are drawn onto the skin.
I don't imagine he'd want a piercing, but he'd probably try a tattoo! (Until he realizes it's ink going under the skin, in which case he might change his mind haha)
4. I wonder where Mychael gets things for the house. Where did he get them???
He has his ways ::-)
5. How would he react if he saw me?
He wouldn't be reacting much to how you look. You're not the first human he's seen! He's been around plenty of them, but you'd be one of the few he's interacted with the longest. And that's what makes you stand out more than anything else.
Phew that was a big ask!! But thank you for the interest :-D!! Hope everything's good in Latvia!
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pharawee · 1 year ago
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Gather around, fellow BL aficionados, it's time for part four of my Pit Babe novel commentary.
(And if you want to catch up, here are parts 1, 2 and 3.)
A word of warning: since I'm pretty far into the novel now (every post summarises five chapters) expect heavy spoilers, plot twists and revelations.
Oh, and omegaverse shenanigans. So many omegaverse shenanigans. You've been warned.
Also, a small warning for talk about and the aftermath of SA. As usual, please take care. 💜
Now, where were we? Oh, yeah: Way is the big bad enigma and he's been hypnotising Babe all this time - but gently (tm) because, you see, Way really, really loves Babe so that makes it all right...
Yeah, no. Get fucked, Way.
Currently, Way is still passed out on the floor, but as soon as Babe has come to terms with whatever the hell just happened, Charlie (who came to Babe's rescue just in time, remember?) offers to wake him up.
How? Oh, that's easy. He can put people to sleep at will. It's one of the many powers he absorbed from other powered alphas. That's his whole thing: he steals powers and just keeps them - like Rogue in X-Men but without any of the downsides. And as long as he's alive, the powers stay with him, never to return to their previous owner. Unless they die, in which case Charlie loses that particular power forever. Which in turn means that if Charlie dies... but keep that in mind for later.
Oh, and another one of Charlie's powers: changing his scent at will. Goddammit, Charlie.
As for how he knew that Babe was in danger? Jeff told him because he can see into the future. X-Men omegaverse, here we go.
But anyway, when Way wakes up he's confused because the last thing he remembers is SAing his supposed best friend. Now there's Charlie staring daggers at him, and one very angry Babe. Since Way is pathetic (but not the good kind) he attempts to explain: yes, he's actually Babe and Charlie's adoptive brother. Their father sent him to lure Babe back home and, well, get him pregnant. That was ten (10) years ago.
But, you see, Way is such a nice guy (tm), he didn't want to force Babe! Instead, he set out to ruin him for everyone else, thereby making it impossible for him to grow or heal or trust or love. Whenever Babe met someone he connected with, Way swooped in to poison his mind. And whenever Babe recoiled from that new connection, he turned to Way - the only person he could 100% trust. Or so he was made to believe.
So the Babe we meet at the beginning of the novel (and series) isn't really Babe at all. It's the version of Babe Way wants him to be - and for what? For ten years of pining and mindfuckery? What the hell kind of plan is this?
Oh yeah, the kind that gets you punched in the face. Thank you, Babe, you're really speaking my mind here.
And this is the part where the novel really shines because it doesn't just gloss over the implications of abuse. It doesn't leave Way's many empty apologies uncommented:
"I know what I did was unforgivable. I—" "Did you just realize this? Are you like this because I found out just in time?" Babe's voice boomed as anger flared in his heart. No matter how hard he tried to suppress it, he couldn't. "When I'm unconscious, you can assume it's okay to do it, right?" "I didn't want to do it at all…" "I don't care!" Babe shouted. "The point is, I don't want it! And you have no right to do this to me!"
But when Way's attempts to nice-guy himself out of his predicament don't work, he tries to shift the blame onto Charlie. Because Charlie lied too and, after all, didn't Way warn Babe about him?
Yeahhh, he's still trying to manipulate Babe. Way isn't sorry at all, he's only sorry he's been caught. Or, as the novel aptly puts it:
For Way, this might be like a love confession. But for Babe, it was no different from admitting his crimes.
But the novel doesn't leave it at that.
"So what's next?" Babe asked in a calm voice. "Should I thank you?" "What…" "I asked if I should thank you because you didn't rape me?" [...] "Should I thank you for not forcing me to bear your child?" "Babe…" “Even for my life, my body, and everything about me, I still have to wait for your mercy?”
And that's that. Ten years of (false) friendship have been erased just like that.
Really, I'm sorry for adding so many quotes but this whole chapter is just perfect in its blunt directness. It excels in giving Babe back his autonomy - the very thing Way has taken from him.
We'll return to our regularly scheduled omegaverse shenanigans after this bit:
"Did you know that every time you said that [there was never anyone suitable for me], it made me feel like I didn't deserve anyone's love?" [...] "And it's as if the only love I can receive is love from you…" Babe's sobs were so loud that his voice trailed off, but he took a deep breath and continued talking: "…but you never asked me what I really want." [...] "You only care about your own desires. You want to have me. You want to have children. You tried to make me love you and then agree to have children with you. Even though you always knew that I never wanted to have children." "I know you don't want to have children. And I know why," Way replied with a look that seemed to understand. But Babe knew that he didn't understand anything, not at all. "But because I know. That's why I want to change your mind." "It's not your job to change me."
And then, when Way has the audacity to try and hug him, Babe throws him over his shoulder and slams him right onto the floor, and even Charlie is like, damn, guess for a moment there I forgot how amazing Pit Babe is.
Damn right he is!
Later that night, things are winding down and Charlie insists on staying with Babe - just to make sure he's all right. Because unlike some people (!) he actually knows when to give Babe some space, and so he settles down on the couch in the living room while Babe stays in his bedroom.
But, understandably, Babe can't sleep. There's too much on his mind, none of it particularly good. He misses Charlie and, really, he's in dire need of an emergency hug.
It's Babe who approaches Charlie (only of course Charlie knew all along because he has super hearing now and he heard Babe's tossing and turning. Goddammit Charlie). They reconcile and it's really sweet because, in stark contrast to Way, Charlie's apology is heartfelt and reassuring and full of compassion. He also knows that Babe has been through a lot, so when Babe engages in their usual ritual of make-up sex, Charlie is hesitant:
Babe is so strong that he can lift bigger people and throw them to the ground. But believe me, no one is mentally strong enough to not be hurt by dirty things like that.
I just love how clear and concise the novel is on this part.
Anyway, they talk it out and Babe says that he wants to try anyway. What follows is a really sweet sex scene (but don't worry, Babe's still getting railed by his daddy to his heart's content - some things just don't change). There's talk about wild horses. I don't know why and honestly I'd rather not dwell on it.
Meanwhile, Way is being chewed out by Khun Tony (aka everyone's least favourite adoptive father). He's quite a bit upset but, honestly, what did he expect? He's the one with the stupid plan in the first place. Why did he even agree to let Way pine into Babe's general direction FOR TEN YEARS until he maybe catches feelings? The dude can hypnotise people! Just order him to do his evil immoral job!
But anyway, it's too late now. Babe's powers are already gone so breeding him (whyyy...) is pointless. Tony has a new target now: Charlie.
To my immense relief even Way is like, ew.
But it matters little because daddy dearest has contigency plans in place (and where were these plans TEN YEARS AGO - worst evil alpha breeder ever!). He orders Way to leave X-Hunter and return home immediately - and who knows, once Charlie is out of the picture Babe might end up as leftovers for him. Okay then.
In happier news, Charlie wakes up the next day with Babe's hand on his, well, little Charlie. I'm not being a prude here, that's what Babe calls it. It's a whole conversation, followed by - you guessed it - more sex.
Something is different this time, however. Without hesitation, Babe tells Charlie that he loves him, and then he asks him to be his boyfriend - to which Charlie eventually agrees. More sex happens. Actually, all of this happened during a blowjob which is very on brand for Babe. Things get disgustingly cute when Babe realises that this is the first time they're ~making love~ as boyfriend and boyfriend. This leaves him incredibly shy. Thanks to Way's meddling, he never had a boyfriend, after all. This is his first time being in love, and it's exactly as adorable as it sounds. Only with more mindblowing sex.
This includes sex in Charlie's supercar after a training session right on the racetrack (again I ask, have you even seen the interior of a racecar? How? Where? And who's cleaning this up? The mechanics??) as Jeff and Alan watch from afar.
"Why don't the two of them get out of the car?", Jeff said quietly as he looked at Charlie's car which had been parked near the finish line for a while and he saw no signs of it coming down.
Oh, my sweet summer child.
But yes, I'm happy to report that Jeff and Alan are probably going to be a thing in the novel too. This Jeff isn't a mechanic though. He doesn't even study engineering but oceanography (because he likes the ocean even though he's never seen it - live your dreams, my dude!).
As they sit and bicker, Jeff is suddenly struck by what seems to be another vision of the future. Whatever it is, it can't be good because it makes Jeff cry. Uh-oh.
He asks Charlie to meet him at his condo, and Charlie immediately notices that something's wrong. Only this time it's not Babe he needs to worry about. It's all of them.
I'm worried too but mostly for my own sanity.
Remember when I first explained about Tony's evil breeding program? Ah, those were easier, more pleasant times. Because now Tony figures that if he can't get an enigma to impregnate Charlie, he'll just get Charlie to impregnate an omega (because apparently there's a 50% chance that the baby will be an alpha with special traits - why is this novel explaining Mendel's laws of omegaverse inheritance to me?) .
Jeff is an omega.
And this is what Jeff saw: if they don't act now, at some point in the future Tony will have Charlie and Jeff brought back "home" and use aphrodisiacs on them (one up for the trope counter!). Jeff will get pregnant and as soon as their baby is born Tony will dispose of both Jeff and Charlie. This will cause Babe to seek revenge and get killed in the process.
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What did I just read?
The novel keeps this from us for a while, and just casually mentions that Charlie isn't overly worried. He even finds the time to be jealous when one of Babe's old acquaintances shows up to Charlie's next race. They argue. The race starts without them reconciling, so naturally that means Charlie has an accident during the race.
It's bad enough that he's transported to the ER. But as the whole team anxiously awaits any kind of news, Babe realises in dawning horror that his heightened senses are slowly returning to him. He can hear Charlie's slowing heartbeat and the doctors fighting to reanimate him.
He listens as Charlie is pronounced dead.
The novel then cuts to Charlie's funeral which is only attended by a handful of people, mostly members of Team X-Hunter. Babe does not cope well at all but at least he's got Alan and Jeff to take care of organisational things.
Speaking of Alan and Jeff. These two have grown quite a bit closer. Close enough that Jeff asks Alan to let him take a look at Charlie's crashed car. The police are already investigating but Jeff wants to see for himself. Hm.
Meanwhile, Babe is alone at his condo, going through several stages of grief all at once (really, it's heartbreaking but so is the length of this post so I'm trying to keep things short). He's interrupted during the bargaining stage by someone knocking at the door. It's Way and he's come to offer his help. Babe might be grieving but he's not stupid, and so they meet up at a coffee shop nearby.
Way all but confirms that Charlie's accident was Tony's doing. What he meant to do was incapacitate Charlie but unfortunately Charlie died. OOPS. What a brilliant plan, really.
Seems like even Way has had enough of Tony's evil schemes so he's banded together with another enigma in order to bring Tony down. Said enigma is actually Tony's eldest "son" who seems to have escaped from his control to do his own (financially very successful) thing and bide his time until Tony eventually slips up.
That enigma is none other than Pete.
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That's right. Pete and Way have teamed up to bring down Tony, and they're asking Babe to help them. Babe tentatively agrees.
While this is going down, Jeff visits some random uncle's secluded house. He's greeted by none other than Charlie (now somewhat worse for wear but very much still alive) who's faked his own death with the help of a man named Reval. Charlie feels guilty for lying to Babe again but they can't involve him in this: once hypnotised, he's still under Way's influence (uh-oh...) and could risk all of their careful planning.
Their plan? Getting rid of Charlie's powers before Tony can get to them.
This is where Reval comes in. He also has powers: he can somehow disconnect an alpha (or omega or enigma, I suppose) from their powers - which is apparently a very difficult and time-consuming process (and would otherwise kill the alpha), especially with someone with as many powers as Charlie.
Why does Reval do this? Oh, he's Babe's real father who's been in hiding until now out of shame and guilt (and some memory loss). Surprise!
Also, very convenient. 🤡
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five-hxrgreeves · 2 years ago
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im dYIIIINGGGG with the adam warlock x quill sister! when he calls her 'little quill'??? with that accent of his??? so soft and husky??? im screaming at my phone dude aaaaaaaaaaaaaaaa i need part iii right freaking now!!!
PAIRING: adam warlock & fem! quill’s sister!reader
POWERS: adapted from D.C.'s Stargirl, although in this instance, the powers are a part of you and the staff just helps you use them.
WC: 1.9k (woo a shorter one this time!) 
SUMMARY: your first meeting with Adam wasn't one that indicated that you'd become friends anytime soon. Your second meeting. . . wasn't great either. But, somewhere along the line, you would develop a soft spot for the curious man-child.
WARNINGS: slight gotg three spoilers, badly written original fight scene, possibly ooc canon!guardians.
AUTHOR’S NOTE: OMG!!! This is my first-ever inbox message- thank you, anon! You made my day with this <3 I love Adam's/Will's accent; I definitely hope that we get to see (and hear) more of him in other Marvel movies. As requested, here's part three (even if it's technically part zero, lol.) I do take requests if anyone wants to send me stuff! (I just won't write smut, sorry!)
I hope you guys enjoy this part, although I'm not very confident about it since I'm terrible at writing fight scenes. It's hard enough for me to imagine original content (like the other two parts) but scenes where people move around a lot without the movie itself to rely on are very difficult for me because my mind doesn't think in pictures, but in words and I don't know how to describe fighting. I'm sorry if this isn't as good as the other parts. 😭
And on a side note, the 'no shit, Captain Sherlock' is another reference to space people messing up Terran lingo :)
Part 1 , Part 2
You were admittedly not in the best mood when you first (officially) met Adam. Peter and Mantis had left only days ago, leaving you to sort out your feelings alone. You were currently in the training room, fueling your sadness into anger at their abandonment. You often used your powers to aid you while you were fighting, but they weren’t much use during everyday life— unless you wanted to fly. Now, however, they were very useful.
Brilliant blasts of golden light shot out from the staff that your hands gripped tightly. While your powers could be used without aid, the staff helped you control them; Ego had made it for you when you’d become old enough to serve as his protector. Although you were disgusted with the weapon’s origins, you couldn’t help but agree that it made your fighting much more effective.
Each of your blasts hit the targets squarely in the middle as you turned deftly to conquer the row. A scowl was prominent on your face as you pictured each of your targets as Peter’s or Mantis’ face. (While you would never really want to hurt them, of course, the sting of their desertion fueled your thoughts.) You were listening to a playlist by the Rage Against the Machine— which you had chosen solely because of the band’s name as it mirrored your feelings. The music that was blasting in your ears was so loud that, if someone had been standing next to you, they could have heard the lyrics as if they were wearing your headphones themselves.
As you moved up and down the line of targets, you were unaware of the audience of three that had entered the room. Groot, Rocket and Adam stopped by the entrance to watch you unleash your fury against whatever enemy you were envisioning. The new leader of the Guardians gestured to you. “There. See? I told you she’s nice.”
Adam hesitated, clearly uncertain. “She looks mad.”
“I am Groot,” Groot agreed.
“Shut up,” Rocket retorted, glaring slightly at the tree who was supposed to be helping his case. “She won’t hurt goldie. You’ve already seen her bad side, haven’t you? This is nuthin’.”
The golden boy had to admit that Rocket was right; he remembered only too well his first encounter with you as you’d jumped in to help your friends fight off his unexpected attack.
--
He’d just defeated the stupid tree-like thing and as it scuttled away like a demented spider, the faint sound of a whistle pierced through the air. An arrow shot out of nowhere, harmlessly bouncing off his skin and only annoying him more than anything else. He looked around sharply, but there didn’t seem to be anyone brave enough to fight him in the vicinity. “Hey! Who threw that?”
He scoffed when there was no answer, stalking towards where he’d last seen his target. But before he could get very far, a force came out of nowhere— this time much stronger than an errant arrow. It knocked him off his feet like a bullet and together they were sent flying through the town, which elicited more cries of fear from the citizens.
He landed harshly against a building that got in the way and debris fell on top of him from the force of the collision. Adam grunted irritably; this was the second time during this fight that his enemy thought that throwing him into a building would be enough to deter his attack— didn’t they ever learn? He stood and shook the dust off his clothes before he strode back out to the street to face this new opponent. Except— it wasn’t the same blue person from before.
The golden boy stared at the other person with disbelief, the only thing that he could come up with was: “you’re a girl!”
She scoffed. “Yeah, no shit, Captain Sherlock.” She twirled the staff in her hands expertly between her fingers before she set the butt down on the ground. It glowed softly as it lit up with her power, her face set. “Let’s do this thing.”
Adam had no qualms about fighting a girl, so they charged at each other without hesitation. He thought she’d be as easy to take down as her teammates but when they collided, she merely used her staff as a shield against his attack. They paced across the open space as they exchanged blows, the girl using her staff offensively and defensively interchangeably. As she flipped neatly out of the way of one of his advances, he began to see how evenly matched they were.
“You are stalling,” he realized. “If you just hand over your friend, we would not have to fight.”
The girl paused, flicking some of her hair out of her eyes. “Oh. Well, in that case—”
She charged at him again, her staff catching on his uniform. She followed him into the air and her swift kick to his stomach sent him tumbling away from her. It was then that he realized that she could fly— just like him— and that was what had powered her initial attack. In the time it took for him to recover from the spin, a blast of golden light was sent his way. Because of his more durable skin, though, the light only felt like volts of electricity rather than something that could do actual damage. The most effective part of her power was the blast itself, which he had to fight through to get closer to her.
Now that he knew where her power came from, he made to attack her staff in order to knock it out of her hands. She seemed to sense his plan— Adam figured most people she fought went this route— and she countered this by trying to fly above him to push him towards the ground. He responded by grabbing the staff in her hands directly while she was mid-swing. The girl was tiring slightly, her breath becoming shorter as the fight went on and she was now on the defensive.
She tried to yank her staff loose from his hold but as evenly matched as they were, he was still stronger. The girl then attempted to shake him off by lighting the staff up with her power. If he hadn’t been such a strong opponent, the golden light would have burned through his hands. As it was, the little volts were barely something that he registered. While he could have easily swung the staff to send her flying off the end and into the ground, he held back the true show of his strength as she didn’t seem to be as resilient as the two blue people or the tree.
Instead, he tried once more for the diplomatic route: “you have fought valiantly for your little friend. If you surrender him to me now I will leave your village in peace.”
The girl’s eyes narrowed with fury as she continued to fight to free her weapon. “Go to hell!”
Adam sighed, having partially expected that response. “Very well. Have it your way, then.”
He smoothly jerked the staff from her grasp and carelessly tossed it to send the weapon spiraling towards the ground. He turned back towards the girl to finish her off as he had her teammates, but he paused. She seemed to hang, suspended, in the air as time appeared to freeze around her. Her eyes widened and, for the first time since he’d encountered her, a look of fear appeared on her face.
Then, she dropped like a stone.
They were very high off the ground by this point and the fall would likely kill a normal being. He wasn’t sure if she would survive, so his reflexes kicked in before he could really think about what he was doing.
By now, the shock had worn off and she fell through the air, she reached up to him as he was the only person who could help her. Adam put on a spurt of speed to try and catch her but she was falling faster than he had anticipated. The girl slammed into the ground and lay still just as he landed next to her. He told himself that saving her wasn’t his mission, and her incapacitation only made obtaining his goal easier. His mother’s orders echoed in his mind, so against his instinct he turned away from her in pursuit of the squirrel.
--
You felt a tap on your shoulder, startling you. You whirled around with your staff in a defensive position only to be met with the sight of your teammates. With a sigh, you pulled out one earbud but didn’t pause your music.
“What?” you asked shortly.
“Don’t you take that tone with me, Little Quill. I’m ya superior now,” Rocket replied, unaffected by your attitude. “I wanted you to meet golden boy here.”
You gave Adam a once-over, ignoring how the sight of his. . . attractive features made your stomach curl pleasantly. “Yeah. We’ve met.”
The boy in question shifted uncomfortably, feeling once again ashamed of his previous actions. Before he could say anything, Rocket spoke again, adjusting the straps of his jumpsuit as he did so: “well, I ain’t great with humie ages, but I figured ya’d be about the same. I thought it might boost team morale to see ya two hangin’ out together or whatever humies your age do.”
While your first response was to dismiss the whole endeavor— you didn’t want to get close to someone else just to have them leave you, too— but a small, traitorous part of your mind whispered: he saved your brother. Another part chimed in: he’s not bad to look at.
“Fine,” you grumbled. “He can stay, but he better not get in my way. I’m not stopping my training because of him.”
“That’s the spirit, Little Quill,” your captain said, choosing to not acknowledge your reluctance. “I’ll leave ‘im in your hands. Let’s go, Groot.”
As you shoved the earbud back in your ear, you could faintly hear Adam’s protest: “wait! You’re not leaving me here, are you?”
While Rocket’s reply was drowned out by your music, the boy’s words hit you unexpectedly; it sounded just like your response to Peter’s and Mantis’ disinclination to stay with the Guardians. Some of your anger faded as you glanced at the boy who stood awkwardly in your periphery. Despite all of his strength and power, Adam looked a bit like a lost puppy and his expression made your features soften against your will. Fine. Whatever. It wouldn’t kill you to be nice.
You took out an earbud again. “Well, don’t just stand there. I know you can fight, so let’s see you use those skills.”
At the reminder of your first encounter, he sent you a guilty look. As he stepped up next to you, he said quietly, “I’m sorry about that, by the way. For almost killing you.”
You patted him on the arm companionably. “Hey, no hard feelings. You’re not the first and you certainly won’t be the last, so just add your name to the list.”
All of the Guardians had forgiven him with surprising readiness and it seemed like you were no different— only, you were. His gaze stayed on the spot where your hand had touched him. There was a lingering warmth as if your hand was still there, the sensation sending tingles (not unlike the ones that he felt during your blasts of power) through him.
Taglist:
@repostingmyfavs , @trashpenguin
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kirbybecomesastarwarrior · 2 months ago
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Sir Arthur's Beloved Older Brother~
(Young) Kit Cosmos/Dakonyo
Like I said in the last post about Kit Cosmos, he is KBASW's Sir Kay.
Much like his counterpart (Sir Kay in the original Arthurian lore), Kit pretty much serves as Arthur's steward. But in this case, he manages Arthur, helping him to keep him in check. (serving as his right-hand man...) Along the course of forging a brotherhood where, Arthur ends up being adopted by Kit's entire clan.
I story I'll have to save it for later because I have one very important key element I've got to finish. Sir Ector: I need to finish the character design for... Kit's father and Arthur's father figure.
Connecting him to Sir Arthur gave me a chance to be a more integral part of the story. Not only that, but (spoilers for the anime)...it also gives his return in the final & his role in the final battle more meaning. The man fought so long to see N.M.E end, and they finally did it! <3
Keep reading for more explanation/ bonus content
So, Kit's species are dwarves and weren't very respected. They were seen as uncivilized, uncouth, brash, and rather loud. They're lost, though... they were actually one of the kindest & most welcoming people you'd ever meet. Very much like the dwarves from Lord of the Kings & the Hobbit... This is why they would mainly stay in their lane and would mainly stay on their planet Bremen (a reference to the folk tale "Town Musicians of Bremen").
Bremen is a planet filled with numerous winding mountains and rich with minerals very in tune with nature... And filled with Celtic magic. Bremen Place plays a major role in KBASW, later.
Staying away from the galaxy was their way of saying, "Hey, if you don't respect us... YA GET NONE OF US!" However, they couldn't play that card any longer once the War on Nightmare started up. And Bremen was one of the many planets that got sucked into the war.
However, their skill in mining blacksmithing was unmatched throughout the galaxy. Plus, their mountains contain valuable ores that could be used. But the mountains in which they lay were dangerous and could easily be caved in... that is unless you were an outsider. The people of Bremen knew how to navigate the dangerous mountains easily.
Very much needed their aid, the Ancients very much had to such up to and grovel...
Kit's kind saw each other as equals; four sections of the planet are divided to be managed properly, and they have one clan leader who brought them all together... Sir Ector Cosmos. The Ancients offered Sir Ector a seat on the galactic council.
But unlike King Fisher... Sir Ector knew greedy eyes when he saw them, knowing they were just trying to butter him up. He knew they needed protection from Nightmare, but he wasn't about to let them take advantage of him and his clan.
He would provide them with materials & pay them for their services however... when it came to paying them... he would give them their own brand of fool gold (a counter fit forged with Celtic magic). A forgery that could be easily made on the dot.
It's thanks to Sir Ector that half the gold that was distributed in the gambling galaxy is actually fools' gold. It became an inside joke in Breman, with Sir Ector saying, "To us, it's fool's gold... BUT TO THEM, IT'S JUST GOLD! *Knee slap*
With everyone in the clan just bursting out laughing...
However, of course, the tensions were still high, the ice was thin, and with how proud the dwarves were, they were afraid of upsetting them once... The Ancients suggested maybe one of them joining the GSA army might improve relations.
Kit volunteered... while the majority of his kind didn't mind what people thought of them. Kit thought this would be a chance to issue change in how they were seen. He was young and eager to make a change, this was also out of his desire of, wanting to grow out of his father's shadow.
Sir Ector was strongly against the idea, he didn't like the idea that one of his own was going out to war for the GSA. He heard unsavory rumors of the place... and didn't like his boy was going out into the unknown on his own saying:
"Just because they're willing to include one of us doesn't mean they respect all of us... it doesn't mean squat when they'll still look at ya-... change like this is gonna take a long time, it won't be worth it... I don't want you to see yourself get hurt, Kay... just drop it and stay home, okay, lad. "
But Kit was rather firm on his decision... despite his disapproval, Sir Ector supported his son's decision. However, the Ancients promised that he'd be treated with the utmost respect, and he'd go to one of Sir Uther's very own apprentices, Sir Nonsurat.
~ On Arthur's side
At this point in this timeline, Arthur has accepted Merlyn (Celestine) as his friend. And officially become their secret accomplish, ready and willing to help "right the wrongs Uther has done. And is determined to change for the better...
He has accepted & knows his demons and doesn't want to fall into that pit again... knowing full well his poor decisions & mistakes are fueled by his paranoia and aggroance.
Arthur never had a second in command (a right-hand man, so to speak) and "Not trusting anyone to do the job as good as him..." and he sorely needed a second opinion, but there was a problem.
Due to this status of being Uther top soldier, as well as his reputation of being a ruthless killing machine who didn't have the most pleasant aura... he was gonna end up with a little yes, man... it was gonna be hard to find someone to keep in check & be bluntly honest with him!
However, that was until he saw Kit mouthing off Nonsurat without a care, practically demanding him to put him in the ring. In most battles, he was told to stay in the back of the line or supervise the base, and he was just SO BORED!
In Nonsurat's defense, he was told by the Ancients to "make sure he stayed alive..." And didn't want to inquire about the wrath of Sir Uther if he messed up. And Uther would remind him how important this was for their image & not to dare sour relations with Sir Ector.
When Arthur approached Kit, he (Kit) had basically had enough of being put on the sideline and exploding on Arthur. Not accepting any of this "malarky anymore," along with some accompanying swear words. "Equivalent to how the Scotsman first insulted Jack." from Samurai Jack
They both remained silent... for a while, the two, staring at one another... with Arthurr finally mustering up the question, "Um, do you know who I am"
Kit:" YES, I DO, MISTER GOLDEN BOY, SIR ARTHUR, AND I DONNA CARE WHO YOU ARE AND-
Arthur: *enthusiastically* " YES, YOU'RE PERFECT!"
Kit: "YA DARN RIGHT I AM-uh wait wa- for what!?
Leading to this legendary... (the convo above)
While brash and hotheaded at times... Arthur always appreciated Kit's honesty, knowing very well having a Yes-man around him would only fuel his worse vices. Not only that, but this unfiltered honesty & having Kit not really care for his status... He didn't have to be this grand, domineering figure. It was with this sense of ease that he realized he had gained another friend.
With Kit, he was genuinely valued and respected by Arthur and fearless and stood up for him (a story which I will touch up on another day). And he finally got to bash a few skulls. While Kit sought to make the galaxy a more accepting world for his people... Arthur sought to make the world more accepting. He and Arthur were kindred spirits who both sought change... These were things that bonded them as brothers.
~
And now
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THE ORIGINAL TRIO IS COMPLETE
Similar to how Kirby had his trio, Meta Knight has his trio, Celestine & Kit were Arthur's. And yeah, I know so many LoTR/Hobbit references
The love I have for Kit Cosmos is ridiculous! I'm giving all the anime characters the upgrades they deserve. I was worried that he wasn't gonna look dwarvish enough, but I think I was able to achieve the vision I had for him. I didn't think Kit would turn out this good.
I hope my writing isn't too shaky and I manage to write everything down properly...
I really hope you guys enjoyed this, and stay tuned for more~
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moonlightcanyon · 13 days ago
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sits down. I love analyzing and dissecting media and characters I like and this is a post for just that. it's several rambles in one
(spoilers for inanimate insanity / ii18. mostly talking about knife and suitcase)
'I can't protect you anymore' 'I never needed your protection' but she did. there was a time suitcase couldn't stand up for herself, where she didn't know how to defend herself, and knife showed her how. or at the very least, he gave her tips on how to do it, and was there for her in a way nobody else was. (really, what knife calls 'protection' is more like 'guidance' in a lot of cases. but that's a tangent for another time because I could genuinely spend hours talking about knife)
the first moment that comes to mind is suitcase immediately folding when trophy yells at her, but it comes up in most of her interactions with nickel and baseball prior to the conversation on the dock between her and knife. if you only know how to be one thing (the 'pushover' thing in this case), you do need someone to show you how to be something else sometimes. and knife was the guy, because he very much knows how to handle himself and, ultimately, doesn't want others to deal with the same stuff he's used to
I think about the scene where lightbulb stuck the invisibow on suitcase very often, and how it was knife who took it off her and broke it. he didn't know about the hallucinations yet, but he's seen the way she's gotten upset, knows how she sounds when she is, and fast, deep breaths usually aren't a good thing in general. while it was triggered by something, it's still one of the worst moments suitcase has in relation to hallucinations/seeing things that aren't there. despite her being more than capable of handling herself, in the moment I sincerely doubt her ability to have gotten out of that one without outside help
on top of that knife's seen the 'floating bowties' before and so it checks out that he has a good idea of why it's unsettling, plus the fact that in the exact same scene, knife also reacts to the thing- first with shock, then glancing off, and finally glancing around a bit. his realizing 'oh. it's not just me who saw.' is pretty huge and is one of the few times we see knife displaying some semblance of guilt. tbh I think he was genuinely considering admitting to seeing taco before the invisibow was put on suitcase and the energy in the group shifted; his 'no more distractions' after breaking it is also partially to himself. don't focus on what's in the past, it's already done. moving forward is all you can do.
there's definitely some element of protecting/guiding when it isn't needed, sure, but suitcase did need it before she grew into her own. and on knife's end, that's how he shows he cares. he protects because it ensures safety and consistency, two things which are very important to him
knife guides suitcase and helps her become able to stand up for herself and still remain the kind-hearted, empathetic person that she is. suitcase, in turn, teaches knife that it's okay for him to not have his walls up 24/7 and that he can afford to be genuine with others and still retain his "kill or be killed" worldview
seeing knife and suitcase talk to each other is so. raugh.
knife can cut deep into others verbally but I don't think he ever does with suitcase unless the circumstances are dire, and even then he holds back; he could go for the throat but he never does with her (primarily thinking of ep7, where he tells her to mind her own business but says nothing else, then has an interaction with balloon shortly after where he gives a comment so scathing balloon literally deflates over it). suitcase responds well to his blunt way of speaking because it's very 'this is what's up', but it still allows her room to add input and she knows he'll listen. she also knows him well enough to pick out what he's really saying, not what others think he's saying.
suitcase on the other hand grows to be able to not only take what knife dishes out but throw it right back at him without any fear of losing him/the bond they have for doing so, and she's also not afraid of him attempting to hurt her either. she says a lot of words and knife listens to every single one she says, because he recognizes that each word she says is important to her and thus it's important to him; suitcase knows this in turn despite it never being stated aloud. she's the only one who doesn't lie once in ep15, and she sticks to what she wants to say regardless of how it might affect others
I think the only time they both REALLY fling hard-hitting insults at each other/have a serious argument is at the end of ep17… which is something they're doing to stall for time, and to make it seem genuine they literally have to, otherwise the whole plan falls apart. they both know it's an act, though, and thus they know that neither of them would say those things to the other normally. ironically that probably was really healthy for them both to do bc they're getting it out to the intended recipient in a way that won't come back to bite either of them, and I don't know where to even BEGIN with regard to just how much trust you'd have to have with someone to AGREE to hit each other where it hurts
[punching the wall] the extent to which suitcase just shatters the lines of what she was made to be. multiple times over.
the first thing is suitcase's voice starting to drop in pitch. the second is her standing up for herself and what she believes in. what matters. and it goes on from there- she starts speaking her mind, making her own choices, taking control of her life. she sticks to her guns even after finding out everything's fake because it's real to her no matter what anyone else says.
her not leaving any time for questions and taking charge for everyone else's lives? coming up with the plan to kill cobs and mouthing 'don't move' at the others who go to get the egg back? telling everyone that they're not helpless? it's in the name of kindness, and doing what's right, and facing the core issue, and a bunch of other things
this one was meant to be typed out to a friend first but eh, I can stick it here. another scene I think about is the very end, where suitcase starts hallucinating and knife reaches out to comfort/help her
and his hand goes right through her
and yet that's enough to pull her out of it.
I've seen it described elsewhere as knife waving at her to calm her down and like, okay, but I really don't think that's what it is. this is partially due to the whole possession thing the ghosts can do and the fact that they, like- still have a presence? in ep11 I think, bow goes to hug marshmallow and while part of her body phases through marshmallow, her arms/hands don't. this is probably due to the limitations at the time, or it might've just looked confusing to viewers if the arms looked randomly cut off. point is that bow's arms don't go through marshmallow
knife is very new to being a ghost. he figures out throwing stuff pretty easily, but he doesn't seem to have 'holding' things down yet, meanwhile bow and dough are both seen with a cell phone and a tape recorder respectively. they may just be 'holding' those items in the correct spot but they still Do It. and I mean- you'd have to have enough of a presence in order to do that, right
the show is FULL of micro-expressions. you can go back to just about any scene and replay it several times, and you'll likely catch a new micro-expression on someone's face that you missed before. if knife was unable to do anything to help suitcase, I'm pretty sure the directors and writers would've made the decision to cut back to him and show knife's horror upon realizing that this part of suitcase's life is also her own too. that he's helpless to do anything but watch as she struggles to and eventually pulls herself out of it
but he isn't. he occupies enough presence that even his hand phasing through her briefly can help her. her resulting smile is a sad one, I think, but one that's still full of gratitude
knife is, in fact, still here. suitcase is, too. it's different than what it was, but it's okay.
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gillyweedgrl · 1 year ago
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You should be watching Pit Babe! - A Brief Review
Saddens me to think how many people are missing out on a great show because they think it’s not worth more than a trash watch, if that.
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I mean, realistically, is it the most amazing cinematic work of all time? No, not unless pretty-boy power bottoms with daddy issues are your thing, which in my case they are, so let's talk about Pit Babe!
Note: I've tried to keep the spoilers to a minimum, they're mainly in the tags and links so follow them at your own risk, you've been warned.
Honestly, Pit Babe is a pretty damn good show, especially if you A) pretend the Omegaverse factor doesn’t exist and take the show for what it is and B) you don't mind not knowing what's going on half the time, just sit back, relax and enjoy the ride.
Overall, Pit Babe has got a good production value, a slightly absurd yet entertaining plot, a great choice of cast with amazing chemistry and pretty decent acting skills amongst the mix of seasoned actors and newbies.
For a totally biased fair and balanced review: There are some details that are left vague instead of being explained in depth or at all (yet), but that’s to be expected when you adapt a novel into a movie or series. It would get boring for the audience if the pace was interrupted to explain all those little details that we’re likely to find out along the way anyways (shout out to those who've watched the latest episode; finally!).
There are also some scenes that feel like they’re not as necessary and some background/plot devices that made a little more sense in the novel but I personally don’t feel like they detract too much from my viewing experience.
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Babe (played by Pavel) and Charlie (played by Pooh) as the main leads do a really good job at shouldering a large percentage of screen time. Charlie comes across as happy-go-lucky, a bit clumsy/goofy, entirely fearless and a little naive, which is mostly true, but there's clearly more to him than that. Right from the start Babe is clearly someone guarded, detirmined and skilled at what he does (racing cars and having sex) and he has a very tight cirlce of people he trusts. There's a winning combo right there, quite tsundere/sunshine from the outside but definitely more breath the surface that gets exploded as they go.
Way (played by Nut) is Babe's best friend and racing companion, they've been racing together at Team X-Hunter for years but there's clearly more than friendship on the mind for Way, though the feelings appear to be one sided.
Alan (played by Sailub) is the owner of Team X-Hunter and an all-round cool Uncle (which the whole team call's him (despite barely being in his mid 30's). He's kind but firm, he cares for his team like they’re his family and it does seem as though they’re his only family.
And the rest of the cast consists primarily of:
Team X-Hunter:
Dean (played by Lee); a junior racer with slight douche vibes
North and Sonic (played by Michael and TopTen); everyone’s babies, they’re junior racers and content creators
Jeff (played by Pon); the newest member of the team, he’s a part time mechanic and full time conspicuous
Pete (played by Ping); the money guy Alan brings on board to sponsor the team
Team Red Racing (the rival team):
Winner (played by Pop); the guy who never seems to win against Babe
Kim (played by Benz); the new racer they hired to beat Babe
Tony (played by S Vorarit); Red Racing's newest benefactor and *shock horror* Babe's former foster father (try saying that ten times fast)
Kenta (played by Garfield); Tony's right hand man
Then, there’s the 🌶🔥🤯
I, personally, enjoy a little spice/heat in my shows. It’s not necessary for every show, of course, but I do think that when it serves a purpose to the story and it’s done well then it can be quite enjoyable and this cast/production team is doing it really well.
As I said, the chemistry between the cast really is amazing (both on and off the screen, if you're interested in that kind of thing) and although the spicy scenes aren’t nearly as abundant as they are in the novel, there are some really good ones. I decided to bite the bullet and binge read the novel over the past couple of weeks, I blame @pharawee’s breakdown posts for those sleepless nights, and it was worth it for me but not necessary for watching the series.
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Lastly (as if this post isn't long winded enough as it is) there are a handful of things in this series that we don't see too often in BL's and make it worth watching even more:
It's got race cars, murder attempts, mafia influence and supernatural powers (at least half the characters have one).
There's no evil ex-lover out to get revenge or get back together with one of the mains (thank the BL gods).
It's got a Soft Top/Dominant Bottom dynamic where the title character is both super masc and a pretty princess.
And we can't forget, it is technically an Omegaverse series (or rather, it's Omegaverse-lite) which none of us saw coming!
Anywho, to conclude; yes, you should be watching Pit Babe. No, you don't have to read the novel to understand what's going on because none of us understand what the hell is going on at any given time. Charlie and Babe are fucking around and finding out, the rest of us are just long for the ride, Alan and Jeff are having a whole ass rom-com-drama in the corner, the babies are making their content and having a blast and the others aren't quite on the map yet (or are they? *wink, wink*), but I sure hope they will be soon!
If you made it this far, thank you and are you okay? Do you need to have your brain checked?
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heylavellan · 12 days ago
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Happy Friday! For DADWC, I took a prompt from one of your lists, for a pairing of your choice:
⇴ person a and person b are partnered up together in some context, and they try their bests to act as normal as possible (hint: it fails hilariously)
Have fun!
thinking about tarquin and ashur for this. so veilguard spoilers abound! written as a part of @dadrunkwriting.
business as usual
rating: e
words: 709
additional notes: e for i am describing sex but not in graphic detail. tarquin is my favourite whiny bitch
Ashur was lucky he wore a damn costume, because after last night Tarquin's not sure he could look him in the eye. Not because he was embarrassed or wanted to break things off. No, his mind would simply drift to last night, which meant he would cease to function and would try to steal the Viper for himself.
And if he had him? They could recreate the events of the previous night. Ashur's face between his legs, until they shook so hard they gave out. Fucking Ashur's stoicism out of him, until he was babbling and whining. For his own sanity, the templar needed to hold himself together until there was a good time to talk about... whatever was going on between them.
Never that easy though. If it was, he certainly wouldn't trust it. Mae needed backup today, and even if he trusted Ashur to keep her safe, he didn't trust Ashur to keep himself safe. Leave it to a singular guy to protect two important Shadow Dragons.
"Good to have my two favourite men with me," Mae purred, leading them to the Shambles. Officially, it was liberati housing. But everyone knew that liberati barely scraped by in Minrathous. They'd be lucky to land a job with the templars, and a military salary wasn't enough to support a family here. Often the kids were working and so were the parents. And most missing people cases originated from here.
"I don't trust the two of you on your own," Tarquin complained. "I take my eyes off either of you for a minute and then you're playing in the rafters." To accentuate his point, the Viper dropped down from a roof beside him.
Mae laughed, drawing Tarquin close beneath her arms. "You two have gotten quite close since I last visited," she remarked with a wink. Tarquin knew he was blushing bright red. Ashur was a bastard for wearing a mask. "I have someone to talk to in their shop. Be a dear and don't let anyone in for me," she instructed, planting a kiss on the Viper's cheek before ducking into the building.
The pair leaned against the door frame, blocking the door. A small awkward gap was between them, while they waited. The silence wasn't comfortable, at least for Tarquin. He could scarcely look at the Viper, much less think about what being this close meant. Or what it reminded him of. Maker, he needed Ashur back in bed after this.
"You can talk to me, you know," the Viper commented. Asshole. Bet he was looking down at him wearing that ridiculous hat. Talking would make him want other things, and a safe place for that was far away.
He shook his head. "You know better," he replied curtly. Short. Succinct. Hopefully he'd get the hint.
The small rumble of laughter beside him suggested no. He had not gotten the hint. "She just likes ruffling your feathers. Her way of saying she appreciates you," Ashur explained, a smile in his voice.
"We have a job, unless you forgot," he stated, imbuing his words with all the vitriol he could muster. It wasn't much, and if the sparkle in Ashur's eyes were any indication, it came out more petulant and whiny.
"Was it the kiss?" Ashur teased.
"Stop it."
"It was, wasn't it."
Right. The Viper needed to shut up. He plunged his hand into Ashur's shirt and pulled him closer. He closed the gap between them and pressed his lips against where he hoped Ashur's were. That ugly mask made it impossible for the templar to find his lips, but that was more Ashur's problem than his.
Even through the fabric, he found Ashur's lips with ease. Tarquin surprised himself when he moaned into that kiss, the brief peck that it was. "Don't try me," he grumbled, looking into Ashur's eyes. Damn him.
"Save that for when you don't have an audience, boys," Mae tutted, walking out of the building. She pressed a piece of paper into the Viper's pocket and shook her head. If he wasn't flushed from kissing the Viper, he certainly was now.
"I hate you," the Viper complained, before wrapping an arm around Tarquin's shoulders and leading the trio back up to Dock Town.
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misc-obeyme · 1 year ago
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fj;adjkl;asdflkjklj;sdafklj; that's how I feel about this lesson I'm losing my mind and while I don't really have time to write a post about it I'm going to anyway - please note I'm very unhinged
Spoilers for Lesson 30 below (including the locked lesson 30-A)
MEPHISTOPHELES.
I am going to END you.
Normally I am totally on board with scheming against Lucifer because even though I don't hate him the way Mephisto does, it's really funny when people try to mess with him.
BUT.
Because of Mephisto's meddling, I had to tell Solomon that his cake tasted bad and he was so sad.
I was yelling at my phone the whole time! I was saying no you have to let me lie to him, I will tell him every day that everything he cooks is delicious and I'll eat it all too even it ends my life because LOOK AT HOW SAD HE IS.
I know I said before that I wasn't sure if Solomon was trolling everybody, but this lesson has made it ABUNDANTLY clear that he ISN'T.
I mean, unless he's really good at acting incredibly sad that is!
Which I don't think is the case!!
Please, please I felt sooooooo bad. I chose the option to lie because I didn't want to hurt his feelings, forget the stupid trial, but it wouldn't even let me!! The game was all nope you can't do that, you'll lose the trial. And I was yelling at my phone then why did you even give me that option!?!?
My poor sweet sorcerer... and then AND THEN I lied for Luke instead which was all well and good because I didn't want to not lie for him either, but he was so upset about it he started crying?! Crying loud enough that Simeon and Solomon could hear him from OUTSIDE!!!!
Please my poor heart can't take this. I was not built for these kinds of shenanigans.
And as if all of that wasn't terrible enough, now Levi thinks I'm only making pacts with all the bros so I can leave them and while that's actually true it also makes me feel terrible?!?!
Augh!
I haven't gotten to the hard lesson yet so I don't know if it gives further insight into any of these circumstances, but I haven't had quite this reaction to a lesson in a long time so I had to write some of it out.
And the way Solomon's just like oh yeah Simeon told me about the trial. Do you want to go back to where we're from? Etc etc like not even mentioning how you crushed his heart not that long ago!! I would have been explaining right then and there all about why I said what I said and that he should never give up on cooking it doesn't matter if it doesn't taste good as long as it makes him happy!!
Okay okay. I'm sorry. I'm sorry for this train wreck of a post. I just had a lot of unexpected feelings.
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rayless-reblogs · 8 months ago
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Goldstone Wood and the Oddness of Christian Fantasy
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Princess Varvare in a kingdom of roses
I want to share some illustrations inspired by the Tales of Goldstone Wood series by Anne Elisabeth Stengl. It's a Christian fantasy series that I really like. Give me a moment to talk about that – unless you absolutely love Christian fantasy, all Christian fantasies, in which case, maybe skip this.
I spent a chunk of the early 2000s defending fantasy as a genre to a variety of Christians I ran across – not the majority, but still a variety of them – both in my head and to their faces. The preacher who said, from the pulpit, that Harry Potter was Satanic. Writers explaining why JRR Tolkien and CS Lewis were (of course) okay, but all other fantasy novels were suspect. Websites that dissected the occult symbolism you never realized was buried in fantasy media. My friend who frowned at me in concern and said she wouldn't want to have to explain to God why she read “that kind of thing” when she met him after death.
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This is Rosie (and her goat Beana, who talks.) I love Rosie utterly, she tries so hard and she feels things so much. The next image is a spoiler, showing her unveiled.
I think that's partially why I'm interested in the genre of Christian fantasy, this attempt to make these two things fit. For me, the fusion often doesn't work. Either writers mix theology and fantasy in a weird confusing way. (Wait, you just had your heroine marry an angel. Do you actually think that happens? Which parts of this actually reflect your belief system?) Or they play things extremely safe and traditional. (Oh boy, another story about a young farm boy who's going to go on a quest and fight the Satan figure and become a hero while his girlfriend does... something peaceful off-screen.) Or they try to be another Lewis in the belief that since Lewis and John Bunyan did it, allegory is an acceptable vehicle for fantasy, and let's be really obvious about the symbolism. (I bet this demon symbolizes evil.) I read Christian fantasy, but it's partially optimistic curiosity, it's partially pessimistic irony, and I haven't found many that I'd recommend.
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Rosie unveiled.
But I do like Tales of Goldstone Wood, at least what I've read so far (still missing a few of the installments). I like it enough that I would recommend it to a Christian who wants to read fantasy, or a fantasy reader who doesn't mind Christian themes. Anne Elisabeth Stengl often approaches the Christian elements indirectly, from less obvious angles, so you don't have all the heavy-handed symbols you see in the Lewis and Tolkien knockoffs. She has many, many interesting female characters and a lot of humor. Her series also builds, adding complexity to the world and characters with each installment, many of the characters showing up in multiple books.
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Varvare and the unicorn. This unnamed unicorn is one of my favorite elements of the third book – beautiful but dangerous and eldritch. Corrupted – but not exactly evil.
Stengl's also not afraid to get weird and fey with her fantasy elements, at times reminding me strongly of things like Labyrinth, The Neverending Story, and no end of Celtic and European folklore. Her magical characters are unpredictable, merry, fearsome, and unabashedly over the top. Her heroes have depth, flaws to go with their heroism, and never become morally perfect even after their conversions – unlike in so much Christian fiction. Much of Christian fantasy bears the thumbprint of CS Lewis; in Stengl's case, though her writing shows clear nods to Lewis (and not just his Narnia books), she isn't trying to replicate him. These aren't books that Lewis would have written.
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Daylily and Lionheart. If the series has a protagonist, it's probably Lionheart there on the right. He seems to be doomed to keep showing up in different story arcs, and he's always interesting.
I recommend you begin with the first one, Heartless. Though Heartless is the least ambitious/unique entry – it's straightforward and, of all of the books, the most directly allegorical. (I bet this guy's the Jesus figure. Yep, yep he is.) But it lays the foundation for the world and establishes many of the central characters, including my favorite Eanrin, the blind cat-shapeshifting bard-knight with the heroism of a knight, the selfishness of a cat, and endless flair. Stengl does explore Christian themes, but at the same time she clearly wants to create beautiful language, memorable characters, and engrossing stories. The stories and characters don't feel secondary to the message.
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Eanrin, I like him a lot. He also shows up in almost every book, at least the main books, sometimes pre-injury, sometimes post-.
My favorite book is Starflower, the fourth, because of its courageous heroine (who grows into the librarian-knight Imraldera we see in other books), its twisted echoes of “Beauty and the Beast” and Till We Have Faces, and its focus on, who else, Eanrin in his younger years, before he's really gotten that whole hero thing worked out.
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Imraldera. (She's looking at Eanrin.) The series is allegedly over, but I feel like there are still some narrative threads hanging, including with Imraldera here. My hope is that the author returns to the series someday.
As with any recommendation, this isn't a blanket recommendation; you may find things in here you don't like. I don't sign off on every element as perfect. But Christian fantasy is a small genre, it's a weird genre, in my opinion it's often a clumsy genre. Goldstone Wood is proof that it can produce interesting, original material – stuff not merely “good for a Christian fantasy”, but just a good series, period.
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sylenth-l · 1 month ago
Note
Hello, I've been a big fan of your work for a while now and I absolutely love your designs for the destiny characters who don't get as much attention as they should.
But I also wanted to ask what made you choose the designs that you did?
Like Timur, Tevis, and Jaren
You don't have to answer if you don't want to. But I'm just curious.
Hey, thank you so much! I'm very glad you like my character designs, since I tend to worry a lot about them ; w ; 💙 I also get so attached to them in the process that I struggle to accept other versions, even when they appear in canon one way or another cough comicAndal COUGH cough Radegast The answer got a bit too lengthy...
Hard to say, usually I just have A Feeling how a certain character should look when I read about them. I rarely immediately imagine them in full detail (unless there's a clear description ofc), but I always have this vague image with maybe 1-2 key features inside of my head. These features may not be even directly connected to appearance - it's really just some impressions from the characters which I later think how to reflect in their looks. I then try to put it on paper and see if the result matches my impression of them or not. Sometimes it works out fast and sometimes it just feels wrong no matter what I do - in this case I usually put the character aside for some time until I come up with something more interesting for them. I also try to vary facial features and color schemes so that different characters don't look the same or way too similar to each other (unless intended). And I think about how they will look together as well - like, if these characters are from one group and will be often seen together, I want them to look good/interesting side by side and be easily distinctive from each other. There are also a lot of other nuances, but in general that's it.
With these three in particular that you've mentioned: Tevis and Jaren stayed pretty much unchanged from how I imagined them. I only tried to give them some more unique facial features, since for Tevis I was worried people will confuse him with Shin, and Jaren really looked like Andal's recolor with a different haircut at first 🤣 I like Andal and Jaren having some similarities, but not THAT much, lmao. I've also seen Jaren drawn by other great artists I'm sure you all know if you're into Palamon story; maybe these influenced me as well, though I honestly imagined him that way even before seeing any Destiny fanart at all. I've read Shin's whole story slowly opening lore books in the game itself before I've engaged with the fandom in any way; this being partly the reason why it blew my mind so much - I had literally 0 spoilers and was absolutely Not Prepared asdifaskdjhf
With Timur it's a very different story, full of pain and suffering 💀 If you've been with me since ancient times, you probably remember how I kept repeating that I have no idea how him and Felwinter are supposed to look and that however I draw them now will probably change later. And the scary revelation is... I'M STILL NOT FULLY SATISFIED ASLKHJDAKJHSA I've been much more happy with Felwinter since I've learned how to paint dark metal and it instantly made him look way better and closer to what I think he should look like (imo). Timur I guess ended up looking like a mix of all Timurs I've ever seen, read and heard about, and while at first I didn't like how he turned out at all, I think now... I've got used to him already. I don't think I can change his appearance drastically anymore. Funnily enough, but I think the turning point for me was his pipe. Somehow it put his whole image together in my eyes, and it became a lot easier for me to get him after doing that first portrait with the pipe.
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mintyxxie · 2 months ago
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I've seen it all - Rating all adaptations of Cherry Magic ✩
☾ ⋆*・゚:⋆*・゚
Okay, so I tried to hunt down every adaptation of Cherry Magic! Thirty Years Of Virginity Can Make You A Wizard?! and watched them all.....like the chronically online loser expert I am.
THIS HAS SOME SPOILERS.
ˏˋ°•*⁀➷ Ratings:
[If I missed any adaptation lmk and I'll watch it and rate it!]
So here are my ratings (in the order in which I watched/read them):
Manga (The original source material, 2018) [6/10]
Thai drama (2023-2024) [9/10]
Japanese drama (2020) [8/10]
Anime (2024) [7/10]
Japanese Movie (2022) [note: this was a sequel to the J-drama]
Chinese Radio Drama (2019) [8/10]
Important note: I'm not sure if the radio drama and the drama CD are the same thing, just in case I'm going to separate the two. I couldn't find the OG Japanese drama CD with English subs anywhere so if any one knows where to find it then lmk. Not paying 20 bucks because I am below the poverty level (fully embodying the college student aesthetic <3).
: ̗̀➛ The Manga (2018)
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My favorite volume cover <3
→ General thoughts:
This might be a little dumb but honestly, I had no idea that this manga was pretty recent. I thought that this was an older 2000's manga. I only found out when I looked up the production year for this blog post LMFAO.
Building on that, the art style is fairly unique and a breath of fresh air from the typical late 2010s manga art style. It definitely gave me nostalgia—but with less secondhand embarrassment. Also my favorite part is MC's emo bangs...when he's an office worker.
I found it fun how they didn't start off the series by glazing the male lead and his achievements (which was done in almost every other version.). This approach made the male lead a lot more approachable in my opinion and lessened the gap between the two.
The manga at the very start is extremely focused on the two main characters. They don't really introduce or highlight other characters until later on. (most notably Fujisaki and with the exception of MC's bestie). Manga is also pretty fast-paced in comparison to the other adaptations in my opinion. This is mainly because doesn't really spend a lot of time building up tension or introducing the characters. If anything it feels like the mangaka was going through every arc/major character interaction as if they were bullet points. You can also argue that the other adaptations are slow-paced in comparison to the manga, but in this household the majority rules.
Not a lot of focus on visual elements (unless it's to show emotion). The background is pretty basic and kept to a minimum which helps keep the focus on the relationship between MC and ML.
At the very start, the focus is put more on the awkwardness between the two characters. It's really light-hearted and doesn't particularly hold any strong tension or emotion. I like that because technically speaking the two of them are experiencing something new, I'm TIREDDD of seeing a character fall in love for the first time ever yet miraculously be an expert at it. The awkwardness of a first love and the inexperience that comes with it is a breath of fresh air when put into the context of two adults.
One thing that I really liked about the manga (and the series in general) is how the MC talks about the ethics of his mind-reading ability and actually feels guilty about taking advantage of it. I appreciate how he also comes clean to the ML. The ethics of these abilities, especially mind reading, is so interesting to me, especially considering how it's usually glossed over.
Also...I really appreciate how the MC doesn't look like a 16-year-old twink. He looks his age, a rare sight nowadays.
The perspective of the male lead is shown pretty early on. There isn't a lot of build-up for the alternate perspective. It felt pretty underwhelming when the ML revealed why he fell in love with MC. In my opinion, it failed to draw out strong emotion from the reader. The part where the male lead gets borderline sexually harassed at work also fell flat. I read it and thought "ok...well...that just happened" and quickly moved on.
[The flat delivery of the more emotional and "heavier" scenes is a consistent ick of mine. The manga does an amazing job of communicating the awkward and comedic properties of the series but completely fails at drawing out heavier emotions from the reader. This could just be a me thing though. I blame this fact on the lack of proper build-up and transitions. The switch between emotions happens too quickly, and the manga lacks proper transition panels, making character interactions seem inorganic. The series generally capitalizes on the "out of pocket" aspect of the character's thoughts and emotions. Everything is so random and unexpected which is what makes it funny and interesting, this however makes love confessions and more emotional scenes fall flat because, in the context of the series, these scenes are NOT meant to be comedic. Trying to blend serious and funny is generally difficult and something that a lot of mangakas struggle with. ]
Anyway, the ML's perspective is always a treat. Just a poorly built-up one. My man is also a whole green forest, I'm so happy that he didn't end up forcing himself on MC and instead respected his boundaries.
One thing that I noticed while re-reading the manga is how expressive the characters are, especially the male lead (finally out of cold aloof male lead jail). His awkward wink was so adorable tbh, a funny contrast to his extremely horny thoughts.
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“But Mimi, isn't this contradictory? you *JUST* said that the manga suffers from sung jinwoo syndrome (A severe lack of emotional build-up which leads to extremely flat emotional scenes)!" Before you crucify me allow me to elaborate....
It’s simple, deeper emotions generally require more build-up, especially emotions (and emotional themes) that deviate from the main genre. Shyness, awkwardness, happiness, etc are all naturally a part of the traditional romcom slice-of-life genre. If the main emotion(s) that the reader gets across is light-hearted then the story naturally builds up to it and is something that the reader expects so they come into it prepared to feel said emotions. If you try to introduce an emotion such as sadness in this context then naturally you would need to properly build it up in order for the reader to properly feel and process it since it isn't expected (Even things done for 'shock' value still need appropriate build-up, it would just be done properly.). The characters here are very expressive in terms of emotions, but character expressiveness doesn't necessarily carry along to the reader.
I also love the side couple. Their mutual love for the cat is the highlight of the entire series tbh. ITS SO CUTE.
Anyway, to save you the pain of me ranting about the side couple ima make it short and sweet (look at how nice I am....I might make a separate post just to have a yap fest about them). The build-up towards their relationship was so well-written (dare I say even more than the main couple?). I'm so happy that they got their own happy ending.
→ Rating ✩✩✩✩✩✩
6/10
Honestly, this rating was a tough one for me to give because on one hand, the manga excelled in many ways and this is the original source material so it felt weird to give it a rating lower than its adaptations. However, I have quite a bit of reasons for my ratings, all of which were mentioned throughout the previous section but I'll summarize.
The manga left a lot to be desired when it tried to communicate deeper feelings, the characters felt awkward and the interactions felt really inorganic and flat during the "emotional" scenes. I don't really think it's an issue with the art style itself but rather an issue with the panel handling and management. There weren't a lot of transitional panels that helped strengthen the main emotional panels. I don't know if that makes sense because I don't really know the proper terminology but I hope that gets my point across. This is honestly a big thing because this is a romance slice-of-life manga where the main appeal and point of it is the emotions and the interactions between the characters. It's a very character-focused genre, and in this case where world-building is near nonexistent all the pressure falls on making sure that the two leads have smooth interactions. Which I feel like it didn't meet.
: ̗̀➛ Thai Drama (2023-2024)
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Best Cherry Magic promotional picture in my very humble opinion.
→ General thoughts
This adaptation establishes really quickly the difference between MC's and ML's positions at the company. Not only does it establish this fact pretty early on but it also reinforces it quite a bit.
MC's relationships with those around him are a lot stronger than in any other adaptation. He also seems more well-liked and more socially active in his workplace. The intern is introduced pretty early on which is something that I appreciate. The birthday party was SO CUTE OMG. It was so funny and adorbs to see MC awkwardly giving ML a piece of birthday cake even though they never really interacted much till that point. Also, it helped establish a stronger bond between MC and Fujisaki (since she was a part of this small birthday celebration).
There is also the addition of Mrs. Cupid (I forgot her name so that will be the name that I'll use for her, also I think that this was a cultural addition) was pretty interesting. Her role as a mentor/mother figure to MC helped show that he isn't some reclusive hated loser in his workplace.
There's a LOT of emphasis on the relationships between characters in the workplace, which is a notable change when comparing it to other adaptations. It could be a cultural thing? This is my first Thai drama and delve into Thai media so I could be wrong (please don't beat me up). MC here is way more social. The intern is a lot more relevant here and is the reason why MC had to stay overtime.
The ML here is SO MUCH MORE awkward because the series establishes the difference between their positions pretty early on. It makes the difference between how he acts for the company (super put together and cool) and how he acts in front of MC (eagerly & shyly asking him about getting ice cream after the thank-you dinner) so CUTE. This is also something that differs from other adaptations because in the others they weren't able to choose where to eat.
The personality of Tsuge was so different it gave me whiplash. Like a complete 180. He gives off more playful and childish vibes here, starkly contrasting his quiet and aloof OG persona. He's also a lot more straightforward and bossy LMAO.
This and the rest of the adaptations have an advantage. They can use auditory elements to bring emotion to the scenes which I think is something that helps exaggerate events. For example, when ML was asking MC about the thank-you dinner, MC was listening to his thoughts and was very awkward. The typing heard in the background and the lack of background music help bring the scene to life by 1. making it look even more awkward since both ML and MC stay silent for extended periods of time and 2. Reinforcing the comedic office sitcom feeling (not genre because technically this isn't a sitcom).
There was also this arc of the fake boyfriend trope where MC was egged on to be the fake BF of Fujisaki. Honestly, this adaptation brought more personality and life to Fujisaki as a character and employee. The appearance of her shitty ex was an interesting bonus and helped deepen her character.
Honestly, a lot of scenes here changed, it would take me a lot of time to sit down and break down every scene change individually. I have to say that all the changes changed how the series felt and how the relationship between the characters came across. One thing that I have to mention is that not only have a lot of scenes changed but a lot of things are out of order. I'm not really complaining though because it didn't really stick out to me as nonsensical when watching, it made sense why they made the changes and honestly, I support some of it. I'm mildly upset that the scene where the voucher was expired and this ML had to pay was cut off, but other than that no major complaints.
The misunderstanding also dragged on for a lot longer & the way he dramatically passed out??? hello??? It strays off from the original more and more every episode. It feels like I'm watching a different show.
I'm really happy that they delayed the ML's POV. The build-up here was a lot more intense than the original. I really liked how they portrayed the dismissal of ML's hard work and preferences in favor of his looks, kind of a "stay in your own lane and use your pretty face" thing. The portrayal of the sexual harassment towards ML was also a lot smoother, more emotionally intense, and heavier here, a lot more emotional. These changes made the scene between ML and MC a lot more special in my opinion, and made me feel a lot of sympathy towards the ML. He also actually cried here and the scene was a lot more emotional. This also applies to when ML went into detail on why he fell in love with MC, it was really touching. The problem of the lackluster emotional scenes in the original was fixed here.
The side couple also faced a lot of changes, all of which were welcome in my opinion. The series went into a lot more detail between the two from the start, and the personality of Minato was a lot nicer here too. The side couple felt a lot more dynamic and human.
There were a lot of scenes between Fujisaki and Rokkaku, which was interesting, to say the least. I don't know how I felt about that, it wasn't bad, just weird considering the original.
→ Rating ✩✩✩✩✩✩✩✩✩
9/10
I think that the experience of watching this is extremely different from reading the original material. If we’re accounting for accuracy, this series would lose a lot of points, however if you're just watching this for fun the experience is extremely enjoyable.
I really like how this version communicates the character dynamic between the male lead and the main character. My only ick is that it made the main character a lot more popular than he originally was, thus making the male lead have a crush on him seem less surprising in a way? Also in a way that took away the funny, "I hate my shitty cooperate job and all my co-workers" feeling.
: ̗̀➛ Japanese Drama & Movie (2024)
Bunching them together because the movie is a sequel to the drama
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→ General thoughts
The J-drama shows you more aspects of the MC's life and general personality before he got his power. In a way, it showed how lonely he is (via the fact that only his mom and long-time friend greeted him on his birthday).
The drama introduced a lot of characters at the beginning, and it made MC's friend, Tsuge, extremely relevant early on. This part makes the viewer more invested in the side couple and the side stories involving them a lot sooner.
Honestly, though, my favorite part is the little shop owner. In the other versions the place where he gets his lunch is at a convenience store and the only relevant interaction is when he touches the cashier's hand and she starts tweaking over how gross it is. Seeing the shopkeeper side-eye him for always ordering double mayo was really funny to me, and in a way, it added more personality to the world around him and the interactions that he has outside of the main plot (this is something to note because the J-drama shows a LOT of his time outside of the office, something that stands out when comparing it to other adaptations).
The addition of the asshole co-worker was an interesting addition/change from the original. In the OG, MC was the boss who was being an asshat, which is why he stayed overtime, in the case of the J-drama it was actually his co-worker and it was MC who offered to take over the assignment. This change made MC look like a pushover & it followed regular office comedy plots.
Many micro-interactions were also added, which added more depth to their relationship. My favorite example was how the drama expanded on how the MC was touched by ML giving him the scarf (because during that scene MC heard ML's thoughts about how mistreated MC is and how much he appreciates him :3). I also love how it revealed that ML specifically made a traditional Japanese breakfast because he knew that MC would like it. It showed how much ML really cared about MC and how he kept track of his likes and dislikes even without interacting with him a lot.
I also love how ML defended MC when asshole co-worker berated him for 'being unreliable'. He was so passive-aggressive it was so cool honestly. Also for some reason, Rokkaku was shown to be around ML a lot more often and was shown a lot earlier (though he didn't outwardly have major parts till later). Also here MC was given more overtime work, this time because ML heard about it when MC was first given the task he immediately was able to compile data and help MC from the get-go. I really liked this small change because ML improved MC's work-life quality, which was pretty shit. Also here there was no dinner coupon, instead MC did it of his own free will (went to ML running to ask him to get dinner with him, though he was inspired by his co-worker bringing it up first).
Similar to the Thai drama, their dinner date got interrupted by a company dinner :(. Though they never had a chance to be 1 on 1 here which made me (and the ML) sad.
For some reason here MC never gave Rokkaku medicine? Rather it was Rokkaku who offered to go and get some for MC from the convenience store.
The biggest interactions that changed in my opinion were the interactions between MC and his friend, Tsuge. For example, instead of meeting at Tsuge's house they instead meet at a restaurant. His advice to MC was also different, telling him to ignore ML and that what matters the most is MC's feelings, contrary to the OG where Tsuge suggested that MC take advantage of ML's feelings. I feel like this small change in how Tsuge approached advising MC helped reinforce the idea that MC tends to be a pushover who puts other people's feelings above his own (since he felt the need to specifically tell MC to focus on his own feelings). He was also so iconic for telling MC to not fall in love with someone, instead, MC should just get a cat if he's lonely.
The side couple here was also introduced a lot earlier.
Although small, these additions help add more character depth to the main character which makes the experience more enjoyable IMO.
Just like the other adaptations, a lot of the ending scenes were left out, though in this case, they produced a movie to act as a sequel to the drama for the sake of including the left-out material (ML meeting MC's parents, etc). I feel like because of that the movie is a must if you truly want to get the true feel of the ending. Also, a lot of scenes were skipped or smushed together (kind of a 3-in-1 type thing).
They kept edging us with the kiss scene low-key. I'm not even a big fan of them; I just got annoyed by how I felt like a pig on a stick.
→ Rating ✩✩✩✩✩✩✩✩
8/10
Overall, pretty lovely.
I found it pretty interesting how they added things and expanded on pre-existing scenes while simultaneously skipping over and combining original material. I don't really understand why they picked certain scenes over others, well to a certain degree I kind of do but at the same time, there was tons of original material...why add/expand on things unnecessarily when you already have long and expanded upon scenes.
Rokakku's interactions with MC changed a ton here, which is mildly sad.
I like the added mico interactions outside of MC's workplace.
: ̗̀➛ Anime (2024)
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→ General thoughts
Out of every adaptation this stayed the closest to the original material. Honestly writing the analysis for the anime was really hard for me because there really isn't much for me to say. It fixed a big issue that was in the manga, and that is the lack of proper panel transition. The reason why I'm mentioning this point here rather than under any other adaptation is because this stayed the most loyal to the original material.
There really weren't any big changes so there isn't much to comment on. However, I set up a split screen between the anime and manga JUST so I could analyze things piece by piece and this is what I found:
After the conversation with Tsuge, it shows MC's walk home his contemplation about this whole thing, and his reaction to his friend being a virgin too. There are also some micro-interactions between the two (MC & ML) that were added, but nothing too different for me to specifically point out.
The scene with the cake guy was slightly changed here in the anime. The anime added an interaction between MC, Fujisaki, the boss, and other employees who were trying to find out what happened to cause the cake guy to get mad at ML prior to MC officially stepping in, something that didn't really happen in the manga. On that note, there were a lot of added micro-interactions between MC and Fujisaki.
A minor change that could simply be attributed to translation is that in manga MC said that he didn't hate the kiss while in the anime he said that it didn't bother him, just a small detail that made me a little sad TT.
There are some minor setting changes here and there, for example, MC originally gave Rokkaku medicine on the bus because he was car sick, in the anime he gave him medicine during karaoke because he was having stomach problems due to being drunk.
Dare I say that I HATED Rokkaku's voice actor, it's the same sound someone makes when they're nose is stuffy/they're not breathing through their nose. It got on my nerves. On a similar note, I feel like this shows how important voice actors are. I'm used to Rokakku having a younger, playful, and generally softer voice which gave him a carefree "he was the popular easy to get along with guy in high school". In the anime though because of his voice actor, his personality came off as "The really simple-minded comedic relief guy that secretly has lore". So interesting to see how even the smallest changes can completely change the impression of a character!
I kinda wish that the hot springs scene remained intact instead of it getting changed into a sauna because the concept of "Water conducting intense thoughts" is really funny. Though it was changed to steam to better fit the setting, I feel like it was an extremely unnecessary change.
The sexual harassment scene stayed really close to the manga but with greater emotional impact, specifically his facial expressions. Though the background music didn't really match the seriousness of the scene, his facial expressions and the general mood of what he was conveying (Since he was talking about how his character and hard work are reduced to the fact that he is good-looking), it's still a marginal improvement. This made me upset because the anime could've utilized more appropriate background music or just not add it at all. My ick with the background music was quickly resolved with the following scene where MC consoles ML after the whole ordeal. This makes me really happy because it, for the most part, achieved what the manga failed to do. Also, I find it funny here how ML specifically thought that the MC is a pushover because he lacks tact.
Flashback/ML's POV also came later than the Manga, thankfully a running theme between all adaptations. The selfie scene also changed, it was a lot less 'appropriate' here (not in a to the reader way but in a context way) because in the original they took the selfie on a company trip while here they took the picture in a random park.
The side couple comes here a lot later too, I think slightly later than the manga, which is weird but it also makes sense and flowed well here. I don't have much to complain about, I did like their interactions here a lot more though. I should also note that their relationship is slightly faster-paced than other adaptations.
The sound effects and OST were awesome though and really helped reinforce the emotional aspects of scenes. This also helped with the abrupt emotional changes in the scenes.
I do have to say that I had very high hopes for the anime because out of every adaptation, this has the most freedom in terms of properly communicating character dynamics and plot points. It can use a range of effects without looking out of place or weird because this is animated. This did NOT disappoint thankfully.
→ Rating ✩✩✩✩✩✩✩
7/10
Oof, this was a hard one to rate, I saved it for last.
I don't know, out of every adaptation this was easily my favorite, but lets be honest...there are quite a bit of issues. I think that the main one is the background music for the sexual harassment scene.
"Mimi, why do you care so much about it?" Well, it's not necessarily because sexual harassment is a serious topic (which it is, but not the main reason why I'm so bothered), rather it's mainly because the male lead was venting about how all of his hard work is dismissed just because "he's pretty". I feel like this was a perfect example that encapsulated his main complaint about his workplace and the main reason why MC's actions really touched him. It's really important to his character so seeing the scene not be portrayed properly really grinds my nerves.
: ̗̀➛ Chinese Radio Drama (2019)
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→ General thoughts
THIS WAS SO DIFFERENT. Take a seat because a yap fest is about to take place.
To be honest, this is my first time listening to a Radio Drama (yes a lot of first times here, I'm a sad media virgin, all I do is read shitty manhwa, manhua, manga & fanfiction and read the occasional web novel). I didn't know what to expect since the medium is pretty limited since the plot can only be conveyed through voices. This did not disappoint. The voice actors are super expressive and effectively communicate character emotions.
This starts off strong with an appointment with a psychiatrist. MC really thought he was going insane and honestly? I too would shove myself in a psychiatrist's office the second I started hearing people's thoughts. I loved this approach, super realistic. My usual ick of characters randomly manifesting powers in an otherwise non-fantasy setting is how they immediately accept it and adapt to it.
The first change is how he finds out about his ability, by far this is my favorite (touching a co-worker and hearing her cuss out your fellow employees and boss). We unfortunately didn't escape the ML glazing session (yes I get it he's so alpha in the company,,,,I heard the same sentence 10 times already from 10 different sources my brain is FRIED). GOOD NEWS though because MC also got a mini glazing session...ha you thought...the sec mc touched his boss he got brought back to reality (heard a bunch of insults about how dull he is).
The drama CD really REALLY enforces the fact that MC isn't liked by his fellow coworkers, for some reason everyone and their moms take pleasure in insulting him, which is my biggest fear. Imagine you develop the ability to hear people's thoughts only to find out that half of your workplace hates your guts? I'd immediately cease my oxygen dependence.
Also, we're back with the shitty co-worker. Honestly, it's hard for me to tell what is going on because many names changed which would've been fine if the OG plot was completely preserved except it's not. I don't have visual clues so I'm kinda tweaking.
Anyway, now on to the major plot changes:
Rokkaku is now a poor intern getting pulled into random tasks via MC's co-worker friend. For some reason, most adaptations tend to mess around with Rokkaku's character. Also, the elevator scene slightly changed, instead of MC trying to guess ML's crush he immediately reminded himself that he's experiencing a hallucination (which happens quite frequently throughout the radio drama. I think that I can safely attribute this change to the fact that he went to see a psychiatrist the second he noticed his newfound ability. Generally, it takes MC 10 thousand business days to come to terms with his new ability.
MC here is a lot more of a realist, not that he was particularly lacking in the realism department before. It just seems like a more prominent character trait here.
Here MC stays late because of his co-worker friend (maybe I should change his nickname to asshole #2). Also, MC here takes an obvious role in helping teach and instruct Rokkaku. We also get more character background info on Rokkau which I think is pretty interesting. Rokkaku here is a lot more responsible too. Also here instead of simply helping MC finish his work, ML instead offers to do the whole thing himself.
It takes a while for there to be any mention of his 30th birthday. The reason why MC slept over at ML's place also changed. Also I can't get over the scene where ML admits to the fact that he bought a set of PJs JUST BECAUSE HE THOUGHT THAT MC WOULD LOOK GOOD IN THEM???? No matter how many times I watch it I still find it wild LMFAOOO. Also for some reason ML undresses in from of MC and MC points out ML's muscles which is so different from the OG because originally it was because of the hot springs + MC never loudly commented on ML's physique. MC looked like a pervert LMFAO. Also, ML never mentioned that he worked out/kept up with his body for MC, so it made the scene a lot more awkward IMO. ML's house is also different, in here he has an extra bedroom while in the other adaptations, MC slept in the living room.
It was so adorable when ML came over JUST to cover MC with a quilt. Also, my guy was battling demons trying to stay a green flag.
They expanded a lot more on the BBQ scene, which was so nice! I loved seeing the two of them have a normal conversation for once, both gushing over their favorite manga. I feel like this made their relationship progression a lot smoother because in the other adaptations they never really had the opportunity to actually engage in a long and meaningful conversation. Most of the time conversations are very one-sided and awkward since MC is reading all of ML's thoughts thus decreasing the amount of naturally born conversation between the two. Not only do I like it because of their conversation but also their interaction flowed very naturally. This time ML was the one who held on to the vouchers (mildly similar to the Thai ver), thus when it was time to pay it was more so an act of responsibility rather than altruism. They also added a movie date after the BBQ, except MC dipped and ruined the whole moment.
Just like the Thai drama, it would be easier for me to list all the similarities than differences to the manga. I think that in this case, the many changes are easily justifiable because this format (radio dramas or any audio-only mediums) is really limited. Typically creators can rely on visual clues and/or descriptions to enhance character dynamics and interactions. Thus it's natural for the producers of this drama to drag out character interactions and add some to get the same feelings and character dynamics across. You can argue that audio-dependent mediums have an advantage compared to novels but there isn't a novel for cherry magic. You're adapting an audio-only drama from a written-visual medium, which is pretty different. You can easily translate written words to spoken audio but visual cues are lost to translation.
One problem...the sexual harassment scene here was portrayed very similar to the anime. Sighhhhhhhhhhhhhhhhhhhh. The background music wasn't as bad but cmon.....
THIS HAS FIRE OPS AND EDS. I love the songs, honestly just listen to the radio drama for the music.
→ Rating ✩✩✩✩✩✩✩✩
8/10
I really liked this one, again if we're going for accuracy then this would get a low rating, but we're not yahoo!
I really liked how the characters were portrayed, their relationships, etc. I feel like this version really perfected the characters.
I kinda wished that there was more focus on his life outside of the office and that there was more character background info.
ˏˋ°•*⁀➷ Conclusion:
Honestly, my favorite part of doing this whole thing is seeing how culture impacts stories and adaptations. The two that changed the most details were the Thai and Chinese adaptations so it's pretty neat to see how Japanese cultural details were switched out. I think that the office worker environment and interactions between co-workers and the differences between the Japanese version, Chinese version, and Thai version are the most interesting. (yes repetitive but we're not in English class now are we?)
Every version is different, and I loved comparing and seeing how every medium communicates the story a bit differently. There are benefits and negatives to picking a specific medium, looking at Cherry Magic was an interesting case study (I know that I haven't gone into detail on how the specific medium caused changes and instead just talked about the changes but trust I was thinking about it.). I might do an analysis in the future solely focusing on that, but who knows.
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☾ ⋆*・゚:⋆*・゚
THANK YOU @mil0nes FOR EDITING MY GOD AWFUL WRITING. Hmu whenever you need a kidney I WILL give you mine (if we're incompatible then I'll sacrifice someone for you babe..Just don't quote me in a court of law xx)
If you read the whole thing then tysm !!
I'll probably make one for Semantic Error soon. ^^
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blvcklizard · 1 month ago
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I was going to treat this idea as an AU, but while making this post I realised it works out a lot better than I initially thought, so it's a theory now. Unless- disclaimer- it was mentioned that it did in fact happen in canon at some point and I either missed it or completely forgot, in that case it's more like an analysis. While I'm at it, major spoilers for Castti's story and Journey for the Dawn ahead. (Also under cut because it got a little ramble-y and stupidly long, I got carried away I'm sorry.)
Anyway. It would make so much sense if Trousseau encountered a shadow at some point?
The Castti/Ochette crossed path essentially explains that the shadow uses the darkness in your heart (which like, despite his characterisation, he had plenty of), so not only would he be absolutely weak to it (if even Castti almost broke down, someone who's already extremely unstable on that matter isn't holding up for two seconds here), it'd also explain why he lost his mind like that? Like, I can totally see Claude and the Book of Night twisting his idea of salvation, and he clearly wasn't the pinnacle of mental stability before either, but shadow influence playing into his insanity would make so much sense.
This could go two ways, either that the effects of the shadow put him under so much stress he just snapped, or that he was actually (partially) taken over by it, as we've seen, I assume, the shadow attempting to do Castti in her second crossed path chapter. I don’t like the idea of treating these two as entirely separate where one would be correct and the other not, realistically it's probably a mix of both, but for the sake of exploring I'll treat them as two different options.
The first one is probably more in line with canon, because it might as well be a side effect to the poison (rather than an actual shadow encounter). It's very heavily implied he experimented with it, so he probably came in contact with it too. There's no actual evidence that it affects the mind iirc (you could argue that Castti's amnesia/hallucinations fall into that category, but personally I don't think so) but if he repeatedly handled shadow energy, I can very well imagine it resonated with all the issues he already had. It would also explain the changes he went through from Castti's chapter 3 to 4. (This is a small detour but he seemed slightly more sane in her chapter 3, mostly regarding the way he acted towards Eir's Apothecaries/Castti. In chapter 3, he obviously still cared about them despite everything since he wanted to keep them out of the picture, and the scene where he leaves Healeaks is called something like "painful goodbye" [loosely translated as I'm not playing the game in English] too. Meanwhile in chapter 4 he's far quicker to see Castti as the enemy and doesn't try to explain his actions anymore.) This is actually relevant for my next point, which is another reason why I think both cases would likely coexist.
(I'm back at defending a part of his characterisation most people don't like, I'm sorry, it's something I actually love for multiple reasons. anyway) As for the "partial possession" approach, it would also explain the duality of his state. We see this a few times, but the most extreme example is the mid-battle dialogue during his boss, where he (rather explicitly) goes from "in a lot of pain and genuiely believes he's doing the only right thing" to "insane mass murderer" within a few lines. And sure, maybe he truly tried to convince Castti and realised it was pointless, but that doesn't seem in line with his previous actions. So I'm not talking about possession in the literal sense, but rather that two states of being coexist in his mind. On the one hand a part influenced by the book and his general instability, that genuinely believes all life is suffering and there's no other way out, and on the other hand the death-obsessed maniac that's influenced by the shadow.
I just think the distinction between his belief system and mental state is interesting, and if we assume it's true, it'd further support the idea that it has different origins. It'd "realistically" make so much sense too, as far as we can speak of such in this context lol. Claude and the book convincing him that murder is the kindest choice makes enough sense, but imagining his insanity as the result of shadow influence adds such an interesting layer to the whole thing, especially in contrast to Castti in light of her second crossed path chapter.
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greatqueenanna · 1 year ago
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So, with this tiny drama with Hans and sociopathy, I decided to ask a friend of mine, who has ASPD, what he thought of this whole situation with Hans. A bit of history - as you all know, I like Helsa, so back in 2014 when it was revealed that Hans was a sociopath, I went into research mode to try and discover more about this. That is where discovered Sociopath World, a website made for sociopaths to discuss how they navigate the world and to give advice to 'empaths'.
This is where I met my friend - we'll call him BG. BG is a clinical psychologist, film buff, and, as said, diagnosed with ASPD. Now, I didn't directly ask him about Hans at the time, I just asked him about the Hans - Elsa dynamic a lot without using their names (cuz, you know - I'm a shipper lol) we've been friends ever since, and I ask him all the time about film characters.
When I started talking about Hans and sociopathy more recently, I got an anon where someone questioned if I should be talking about this, so I decided to finally ask BG about Hans. I shared with him Jennifer Lee's comments, some posts within the Hans/Helsa tags, and of course recommended he watch the movie. To my surprise, he did it fairly quickly and sent me a reply today.
Few things to keep in mind - BG is very blunt, so sorry if you find some things he says a bit offensive or accusatory. Also, keep in mind (something he mentions as well) that he doesn't speak for everyone who has ASPD. Also, don't worry, he knows I'm posting his response here. I did edit a few things for privacy purposes. He knows this too.
Now, I originally wanted to include his response in my Hans and Sociopathy post, but to make sure that the post didn't end up being too long, I decided to place it here instead. His response is under the read more.
Thanks for contacting me, I always like evaluating people’s fascinations with ASPD. This is a unique one, a cartoon character. I’m usually asked to evaluate Elsa (spoiler, she’s not a sociopath) from this movie, so it’s a nice change of pace. Prince Hans is a sociopath. Let’s get into it.
So what we first have to establish about anyone trying to defend those with ASPD are their motivations. No one defends those with ASPD just for kindness's sake, not unless they have a positive experience with someone in their life (which is exceedingly rare with ASPD). Here, we’re talking about a cartoon character that was first established as a ‘good’ and then turns ‘evil’ for a shocking twist.
From what I’ve seen from this character’s fans, is that they focus heavily on the ‘tragic’ backstory of said character and the end-game motivations they have for him. Which in this case is the fact that they want to pair him up with other characters with their morality not being questioned. From what I’ve seen, that’s all they care about. They see an attractive character that they think has the potential to be paired with another, and they are upset that this attractive character has traits and behaviors that they are opposed to. Look, I know it sounds mean, but none of these fans would really care if the character was not attractive, charming, and easily paired with the female leads. That is the main motivation here.
I’m not saying they are not interested based on the character’s own merits and intrigue, they like to speculate about his past and childhood. But given the most popular depiction is him is with the female leads in a romantic sense, it is very obvious where the fans stand and why they are defensive of him. He’s attractive, he’s charming, he was really nice and chivalrous at first. But the reality here is that they are in love with who he is pretending to be. It honestly looks like the cases I deal with every day with real ASPD and Empath couples. The empath in the relationship is always making excuses for the sociopath, and I have indeed had cases where the empath denies the diagnosis. It’s really interesting to see this in behavior in fan spaces as well.  
Now, here’s the thing. I don’t really care about film representation. Most people I know who also have ASPD don’t care either. We don’t really care about the things that empaths place on a pedestal. We don’t care about role models or feeling accepted and represented. Empaths always make us out to be villains or funny anti-heroes because they can’t fathom our behaviors being used for good. It's a reality we face, especially in this day and age when feelings and being empathetic dominate the social world. There is no easy way to showcase a sociopath being a hero within empath standards. Our definition of a sociopath being a hero is getting what they want. Hans would be a great representation if he got what he wanted. Do I speak for everyone? No. But honestly, I question anyone who claims to be a sociopath and actually cares about empath’s feelings towards us, or bases their value on fictional characters like what empaths do. Especially since most people who have ASPD are not even diagnosed, they can’t exactly question a representation of something they don’t know that they have.
Let’s change gears towards the comments the director made. The critique you got was that there isn’t enough evidence to support a diagnosis of ASPD with Hans because the narrative doesn’t explicitly state it and we don’t know a lot about his past; so can’t make a genuine diagnosis. In most cases, that would be correct. However, the director makes it very clear that her intentions for the character was for him to be a sociopath. She wrote him with this intention and made sure to depict him in that way. Thus, we don’t need to see his childhood or even make a diagnosis based on his behavior. He is written and labeled as a sociopath, so he is one. End of story. Sure, we can critique how the depiction was handled, and even the motivations behind making him a sociopath, but it doesn’t change the facts of the character.
I went a little off track here, but I feel this needed to be said first and foremost. Let’s get back to the actual comments. She states that she has a sociopathic mind and that she was writing him based on these traits. She also stated later that Hans being sociopathic was more interesting. You can even see the excitement she has when the person she’s talking to says “he’s a talented Scoiopath” and she says “He’s very talented!” She loves this aspect of him. It's her pride and joy. She obviously thinks sociopaths are interesting and cool, to the point where she thinks she may have some traits. Here, we know her intention behind it was romanticization. Is it a bit weird? Yea. It’s weird. She's romanticizing a disorder so it's always weird. However, the depiction was still fairly accurate. Cartoony and villainized, but accurate.
Which I guess leads us to the actual depiction. He’s a very typical Sociopath. Not much else to say. He has the sociopath stare, he mirrors behavior, he hates that his brothers dared to ignore him, he jumps into danger without a second thought, and smiles when he’s about to commit murder on Elsa. It's kind of funny how accurate he is. It’s like watching a comedy show where they say something relatable and you can’t help but laugh. The director says that her stand-out moment for him was when he questions Anna’s comment of being ‘just her’. For me, it’s when he stands up after being knocked out by the blast, without even acknowledging that he’s in deep shit, and just says ‘but, she froze your heart!” I laughed so hard. Only sociopaths would do this shit. “Anna, how dare you. You should be dead.”
And that’s all I have to say. Thanks for reaching out, it was definitely entertaining and a nice break. Have a great day.
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meraki-yao · 10 months ago
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I wanted to get your point of view on an issue. I've just been reading you, but your answers are always precise and intelligent, so I'll proceed! I'm not someone who likes to compare different works, or who gets stuck in one thing while denying the rest or what a biased part... but let's face it: the TIOY will probably only be saved due to Nicholas' singing performances. The plot is really obvious and banal (and I won't go into comparisons with Harry Styles because it's a real minefield) and honestly I haven't even seen this incredible chemistry with Anne (which was missing from the RWRB trailer immediately outside). I'll get to the point: I noticed that the two times Nicholas talked about the
project (the last one just the other evening) he seemed not totally at ease, contracted, not enthusiastic in short. The narrative of calling on his co-star Annie to show off the chemistry (I remember he didn't answer the famous question promptly, but said "I should probably say her") is obviously a PR move so I expect them to try to make pass it all off as something it isn't. So I think he is aware of the mediocrity of the product. I also found him cold for M&G but in that case it was clear that the matter had involved him anyway. I won't say anything about rwrb because his eyes speak for themselves. What do you think of all this? Thanks for the reply ❤️
Firstly thank you for the compliment, that's very kind of you 💕
I don't think it would be fair to judge TIOY so soon since the trailer's barely been out for a week, but I will say my own opinion on the project first:
I haven't read the book, frankly I don't have access to it, but while I don't hold any really negative thoughts regarding the premise, it isn't ... that exciting to me? Like it sounds fun, but I've read a fair amount of fics across fandoms with the same/similar premise. Plus from my Chinese celebrity experience, it kind of feels like it's feeding into the "dreamgirl" mindset which I feel iffy about
I also don't see the "incredibly chemistry"with Anne, it's better than what I saw in Cinderella with Camila (that was really freaking felt like besties) and it's there, but it's not what I felt with rwrb (then again I'm not sure how objective I am) but then again, we only have the trailer, so we'll have to wait and see to make a fair judgement
I actually got an ask about Nick answering the chemistry question that I haven't gotten around answering (I've gotten a lot, and I mean a lot of asks these couple of days and I'm also a full time student 😅) so I'll probably answer this point in more detail in that ask, but basically while I don't know it's a complete lie and he did have some genuine connection with Anne, it might be slightly exaggerated because of promo/PR reasons.
Forgive me, but I don't really look too much into how they talk about their work unless it's blatantly obvious, so I won't comment on what you said about him being tenser.
As for M&G:
I don't think Nick's acting cold when it comes to M&G, but also please keep in mind that M&G is something VASTLY different to any of his previous projects.
I actually have thoughts on what M&G means to Nick: it was a really, really hard job, arguably his hardest to date, but he's happy with what came out and has a sense of satisfaction from the work done: Nick often describes the process of shooting M&G as "gruelling", and he got hurt a lot, A LOT on that set. Also a lot was demanded from him in that role: (mild spoilers for M&G till *) a complex character who's recognizable from who he was in the first episode, sleeping with a lot of people, fencing, dancing, speaking French, horse riding, falling off a horse and deliberately running into a tree, filming in a flaming forest, etc. It was a lot, and a job like this doesn't come with entirely happy memories. Like I do believe the cast and crew were great, and Nick made really good friends, but just what entailed definitely took a lot out of him. So I think he's happy with the final product, but if you have him summarize the project, I think he'd say something along "learned a lot", "fulfilling" rather than something like "a joy", what he used for rwrb. So Nick might have a little more complicated feelings towards M&G, but I really don't think it's entirely negative.
But rwrb is something entirely different. It arguably gained the most traction and caused one of the biggest positive changes in his career, and there's also a bunch of personal, private connections and emotions there that we don't know about. So while M&G is a roller coaster, RWRB is a mostly happy experience.
Althought disclaimer, all of the above if my observation from what Nick has said, posted or done, and my own understanding of it. I do not or cannot actually speak for Nick.
I hope this helps? I think I might have gone off a tangent (I'm answering this while taking notes in a law lecture, fuck yeah multitasking 😅) so let me know if I missed something
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