#Ugaritic texts

[nerdy-grrl79]

The Ugaritic texts, found in Ugarit (modern Ras Shamra, Syria), date back to the late Bronze Age. They offer insights into the religion of the Canaanites, who lived at the same time as early Israelites. These texts include myths & rituals similar to those in the Bible, mentioning gods like El & Baal Hadad. For instance, Baal's story as a storm god parallels Yahweh in the Psalms, & Baal's battle with the sea god Yam is like Yahweh defeating chaotic waters. These similarities suggest biblical writers were influenced by Canaanite mythology.

[i-love-comparative-religion]

“The Origins of Biblical Monotheism: Israel's Polytheistic Background and the Ugaritic Texts” by Mark S. Smith is in my wish list.

[ultrachoppedpenguinbouquet]

Melchizedek

[menlove]

academic writing is starting out w one thesis and landing somewhere totally different

[for-the-folk]

So, You Wanna Know About?: The Evil Eye

The concept of the “evil eye” exists in virtually every culture worldwide, as do amulets such as the nazar and hamsa. It's a fundamental part of most folk groups' magic and culture, which is why we use it as a symbol for our server. But what do we know about this concept and the symbols and practices surrounding it? Let’s take a second and explore.

What Exactly Is The Evil Eye?

In simplest terms, the evil eye is “a curse transmitted through a malicious glare, usually one inspired by envy.” [1] It's believed that this glare can cause misfortune, illness, injury, death, and general misery. [3] Pregnant women, infants, young children, and animals are thought to be especially susceptible. [4]

The Evil Eye’s First Appearance

Historians are unsure of the exact date the evil eye and amulets used to ward them off were invented, however, we can find examples going as far back as ancient Mesopotamia. Texts have been found in Ugarit (located in modern-day Syria) attesting to the concept until roughly 1180 BC. [2]  According to Dr Nese Yildiran, “The earliest version of eye amulets goes back to 3,300 BC … The amulets had been excavated in Tell Brak, one of the oldest cities of Mesopotamia – modern-day Syria. They were in the form of some abstract alabaster idols made with incised eyes.” [1]

The Evil Eye Travels

Various things across history such as trade, travel, colonization, and immigration have caused the evil eye to travel the world. It spread through the SWANA region at first, but soon traveled to all continents worldwide: “[The evil eye has] occurred in ancient Greece and Rome, in Jewish, Islamic, Buddhist, and Hindu traditions ... [and in] Indigenous, peasant, and other folk societies.” [4] Historians have found it difficult to trace exact lines of transmission of the idea, but it notably seemed to spread rapidly among the common folk or working class. [5] It wasn't long before its presence became known across all continents, though it has always varied across time and space. For example “In Roman times, not only were individuals considered to possess the power of the evil eye but whole tribes…were believed to be transmitters of the evil eye.” [6] This is very different from how the evil eye exists in the current regions of the previous Roman Empire, as these tribes no longer exist.

It Came With The Amulets!

One of the earliest amulets associated with the evil eye is the nazar. Its name comes from the Arabic “‏نَظَر‎” (naðˤar) meaning “sight,” with many other languages adopting this term or creating their own. [7] The blue eye-shaped bead most commonly associated with this particular amulet is “made of a mixture of molten glass, iron, copper, water, and salt, ingredients that are thought to shield people from evil.” [8] Its blue color may be because “blue eyes are relatively rare [in the SWANA region], so the ancients believed that people with light eyes, particularly blue eyes, could curse you with just one look. This belief is so ancient, even the Assyrians had turquoise and blue-eye amulets.” [9] A similar amulet adopted from the nazar is the hamsa, similarly originating in the SWANA region. [10] The two have become perhaps the most widespread and well-known amulets, though they are certainly not the only ones.

Evil Eye Across Cultures & Religions

NOTE: this is not an exhaustive list, but a jumping off point. 

Judaism: The evil eye can be found across various Jewish literature, from the Tanakh to the Talmud, and even books like Pikeri Avot. [11] It’s known best as the “ayin hara” which is Hebrew for the evil eye, though it may have different names across diaspora (for example, in Jewish-Spanish languages like Ladino it might be known as “Mal de Ojo”) [12] There are various customs to protect one from the evil eye across the Jewish diaspora, such as neckbands worn by boys for their brit milah, in the regions of Alsace, Southern Germany, and Switzerland just to name one. [13] One of our Jewish server members, Yosef, says “I'm Jewish and have been all my life ... my family is eastern European and we have gone to orthodox shul and (no) evil eye and other related symbols are prevalent in my family's practice along with the practice of my synagogues ... as such I constantly carry around the symbol”

Islam: The evil eye as a concept in Islam, known as the “al-ʽayn” is common. It's believed to destroy one's good fortune or cause illness. [14] Various phrases including “Mashallah” (God has willed it) are used to ward off the evil eye – “The imperativeness of warding this all too evident evil eye off is common among local communities. Not only did the absence of a “mashallah” tempt fate but it is also believed certain individuals have the power to conjure up the dark forces of the evil eye.” [15]

Italy: The evil eye in Italian is known as the “mal’occhio.” [16] In some regions, the cornicello ("little horn") is an amulet used to ward off the evil eye. It comes from Naples and it’s usually made of red coral and pepper shaped. [17] According to Antonio Pagliarulo, “some families, depending on the region of Italy from which they come, will pin the amulet to a baby's clothing either immediately before or immediately after his or her baptism.” [18]

Ireland: In Ireland, the evil eye is known as “Droch-shúil.” [19] There are a few various Irish folktales about the presence of the evil eye that warn of its dangers. One example is the tale of King Balor. The tale goes that “Balor was a king of the Formorians, the ancient inhabitants of Ireland (before the coming of the Tuatha Dé Danann). He is often described as a giant with a huge eye in the middle of his forehead. This eye brought death and destruction [onto] anyone he cast his gaze upon. He had gained this power from peering into a cauldron that contained a powerful spell that was being created by some druids. The vapors from the cauldron got into his eye when he looked inside which gave him the power of his deathly gaze. The most memorable instance of Balor using his eye is the story of his death at the battle of Maigh Tuireadh. In this famous battle between the Formorians and the Tuatha Dé Danann, Balor fell in battle at the hands of his own grandson, the pan-Celtic god Lugh, when he thrust his spear (or sling depending on the telling) through the eye of the giant. His eye was blown out the back of his head, turning his deadly gaze on his own men, destroying the forces of the Formorians. A piece of Dindseanchas (meaning lore of places) tells us that the place where his head fell and burned a hole in the ground, later filled with water and became known as “Lough na Suil” or “The Lake of the Eye”. Interestingly, this lake disappears every few years when it drains into a sinkhole. Local mythology says that this happens to ensure that the atrocities of the battle may never be forgotten.”  [20]

Germany: In German, the evil eye is known as the “Bölser Blick”, something that is cured by a variety of methods such as red string, prayer, salt, iron, and incense. [21]

Poland: In Poland the evil eye is called "złe oko" or "złe spojrzenie." [23] In some regions, they use amulets known as "czarownica" which are charms often made from herbs, metals, or stones, or specific gestures believed to ward off the evil eye. In many Polish homes, you might find them hanging on the walls. A ‘czarownica’ might also be a necklace with a pendant crafted from amber, which is believed to ward off negative energy. [22] There are also folk tales about the evil eye, such as “an archaic Polish folk tale that tells of a man whose gaze was such a potent carrier of the curse that he resorted to cutting out his own eyes rather than continuing to spread misfortune to his loved ones” [1]

Russia: In Russian the evil eye is called "дурной глаз" or just "сглаз." [23] Some Russians ward off the evil eye by bathing in running water, which carries the negativity away. Fire is also used, with young people jumping over a campfire to remove bad energy. Carrying salt or pinning the fabric of your clothing are also other simple ways to ward off the evil eye. [24]

Mexico: In Mexican culture, the evil eye (el ojo) is thought to be especially prevalent during November around the time of Dia de los Muertos, with children being particularly susceptible. There are various ways a child may get the evil eye such as from a stare of a drunk or angry person, or a person who is "caloroso," or overheated from working out in a hot environment such as under the sun or cooking over a hot stove. [25] Some may use an ojo de venado, or “eye of the deer” as a protective charm, which is only effective if “worn as an amulet around the neck at all times.” [26] As a quote from one of our staff members, Ezekiel: “I was raised in a very Hispanic area so we all wore evil eye bracelets most of the time woven from the flea market… In Mexico or some parts of Latin America, it is called El mal de ojo and it is believed that different colored evil eyes do different things.”

Rroma: The concept of the evil eye also exists amongst the Rromani people. For Rroma in Slovakia, the belief in jakhendar is prevalent, often being diagnosed and cured with jagalo paňi, or ‘coal water’ [27] Rroma in places like Brno are also thought to be particularly susceptible to the evil eye, leading to communities to find members to help protect themselves. According to scholar Eva Figurová, “This role, instead, is appointed to the village shepherd, blacksmith, or other person perceived by the community as gifted with the ability to heal, cure, and ward off the effects of negative forces, whether intentionally or not. Nowadays, among the Roma in Brno, the chanting of the zoči is a common ritual that does not require the presence of a specialist.” [28]

India: In many parts of India, people use a nazar battu to ward off the evil eye, or the buri nazar. [29] Other methods of warding off the evil eye include hanging a drishti bommai [30], mothers spitting on their children [31], or marking them with a black mark on the cheek. [32]

Ethiopia: In Ethiopian culture, the evil eye is known as the "buda." [33] It is thought to be wielded by certain people (i.e. metalworkers) and warded off by amulets created by a debtera, or unordained priest. [34]

Conclusion

This blog post only begins to touch the surface when it comes to the evil eye. The history across time and space is so expensive one can truly dedicate their entire lives to studying and still not know everything there is to know. We sincerely hope that we have provided some perspective and gave some jumping off points for further exploration.

Sources & Further Reading:

Hargitai, Quinn (2018). “The strange power of the ‘evil eye’”. BBC. https://www.bbc.com/culture/article/20180216-the-strange-power-of-the-evil-eye. Accessed 1 Nov. 2024. 

Pardee, Dennis (2002). "VIII. INCANTATIONS: RS 22.225: The Attack of the Evil Eye and a Counterattack". Writings from the Ancient World: Ritual and Cult at Ugarit (vol. 10). Atlanta: Society of Biblical Literature. pp. 161–166. 

Ross, C (2010). "Hypothesis:The Electrophysiological Basis of the Evil Eye Belief". Anthropology of Consciousness. 21: 47–57. 

Britannica, The Editors of Encyclopaedia. "evil eye". Encyclopedia Britannica, 28 Oct. 2024, https://www.britannica.com/topic/evil-eye. Accessed 3 November 2024.

Gershman, Boris (2014). The Economic Origins of the Evil Eye Belief. American University (Washington, D.C.). Online resource. https://doi.org/10.57912/23845272.v1

Elworthy, Frederick Thomas (1895). The Evil Eye: An Account of this Ancient and Widespread Superstition. J. Murray.

WICC Authors, (2023). Nazar (amulet). https://wicc2023.org/nazar-amulet/. Accessed 1 Nov. 2024.

Williams, Victoria (2016). Celebrating Life Customs Around the World: From Baby Showers to Funerlan, p.344.

Lynn, Heather (2019). Evil Archaeology, p.167

Bernasek, Lisa. (2008) “Artistry of the Everyday: Beauty and Craftsmanship in Berber Art” Volume 2 of Peabody Museum collections. Harvard University Press. pg 12. ISBN 978-0-87365-405-0

Ulmer, Rivka (1994). KTAV Publishing House, Inc. (ed.). The evil eye in the Bible and in rabbinic literature. KTAV Publishing House. p. 176. ISBN 978-0-88125-463-1.

Jewitches Blog. “The Evil Eye.” Jewitches, 18 Apr. 2023, jewitches.com/blogs/blog/the-evil-eye. Accessed 1 Nov. 2024.

Birth Culture. Jewish Testimonies from Rural Switzerland and Environs (in German and English). Basel: Naomi Lubrich. 2022. pp. 35–37. 

Evil Eye - Oxford Islamic Studies Online.” Archive.org, 2018, web.archive.org/web/20180825110529/www.oxfordislamicstudies.com/article/opr/t125/e597. Accessed 1 Nov. 2024.

“Mashallah: What It Means, When to Say It and Why You Should.” The National, 22 May 2013, www.thenationalnews.com/lifestyle/mashallah-what-it-means-when-to-say-it-and-why-you-should-1.264001. Accessed 1 Nov. 2024.

“Mal’occhio | a brief understanding (and offering).” Radici Siciliane, 17 Nov. 2020, www.radicisiciliane.com/blog/malocchio-a-brief-understanding-and-offering. Accessed 1 Nov. 2024.

Melissi, Paolo. The Cornicello: A Traditional Lucky Charm from Naples. 18 June 2021, italian-traditions.com/cornicello-traditional-lucky-charm-from-naples/.  Accessed 1 Nov. 2024.

Pagliarulo, Antonio. The Evil Eye. Red Wheel/Weiser, 2023. ISBN 978-1-63341-294-1

“Irish Superstitions: The Evil Eye, Fairy Forts, and Lucky Charms.” IrishHistory.com, 14 May 2023, www.irishhistory.com/myths-legends/folk-tales-superstitions/irish-superstitions-the-evil-eye-fairy-forts-and-lucky-charms/. Accessed 1 Nov. 2024.

“The Evil Eye.” Ireland’s Folklore and Traditions, 12 July 2017, irishfolklore.wordpress.com/2017/07/12/the-evil-eye/. Accessed 1 Nov. 2024.

Katharina, Anneke. “Boser Blick: Evil Eye in German Folk Magic.” Instagram.com, 2024, www.instagram.com/p/CrO8IIeLMgu/?utm_source=ig_web_copy_link&img_index=1. Accessed 3 Nov. 2024.

Tobey, Julie. “The Meaning of the Evil Eye in Polish Culture.” Polish Culture NYC -, 7 June 2024, www.polishculture-nyc.org/the-meaning-of-the-evil-eye-in-polish-culture/. Accessed 1 Nov. 2024.

Haroush, Alissa. “42 Names for the Evil Eye and Where Did the Evil Eye Amulet Originate.” Alef Bet by Paula, Mar. 2021, www.alefbet.com/blogs/blog/42-names-for-the-evil-eye-and-where-did-the-evil-eye-amulet-originate. Accessed 1 Nov. 2024.

Sorokina, Anna. “How Russians Protect Themselves from Evil Spirits.” Russia Beyond, 3 Nov. 2024, www.rbth.com/lifestyle/331213-protect-from-evil-russia. Accessed 1 Nov. 2024.

Mexico, Na’atik. “El Mal de Ojo, the Evil Eye.” Na’atik Language & Culture Institute, 26 May 2023, naatikmexico.org/blog/el-mal-de-ojo-the-evil-eye. Accessed 1 Nov. 2024.

“The Evil Eye.” The Atlantic, 1 Oct. 1965, www.theatlantic.com/magazine/archive/1965/10/the-evil-eye/659833/. Accessed 1 Nov. 2024.

Hajská, Markéta. “The evil eye – Jakhendar” Factsheets on Romani Culture. https://rm.coe.int/factsheets-on-romani-culture-2-3-the-evil-eye-jakhendar/1680aac373 

FIGUROVÁ, Eva. Contemporary signs of magic in the everyday life of Roma minority in the selected areas of Brno, focusing on magical acts like “pokerování” and evil eye. In Individual and Society [Človek a spoločnosť], 2022, Vol. 25, Iss. 3. https://doi.org/10.31577/cas.2022.03.609 

Stanley A. Wolpert, Encyclopedia of India, Volume 1, Charles Scribner & Sons, 2005, ISBN 9780684313498

Kannan, Shalini. “Surprises and Superstitions in Rural Tamil Nadu.” Milaap.org, Milaap, 15 Apr. 2016, milaap.org/stories/surprises-and-superstitions-in-rural-tamil-nadu. Accessed 1 Nov. 2024.

John Abbott, Indian ritual and belief: the keys of power, Usha, 1984

George Vensus A. (2008). Paths to The Divine: Ancient and Indian (Volume 12 of Indian philosophical studies). Council for Research in Values and Philosophy, USA. ISBN 1565182480. pp. 399.

Turner, John W. "Ethiopian Orthodox Christianity: Faith and practices". A Country Study: Ethiopia Archived 2012-09-10 at the Wayback Machine. Thomas P. Ofcansky and LaVerle Berry, eds. Washington: Library of Congress Federal Research Division, 1991.

Finneran, Niall. "Ethiopian Evil Eye Belief and the Magical Symbolism of Iron Working. Archived 2012-07-12 at the Wayback Machine" Folklore, Vol. 114, 2003.

[whencyclopedia]

Nehushtan

According to the Bible, Nehushtan was a metal serpent mounted on a staff that Moses had made, by God's command, to cure the Israelites of snake bites while wandering in the desert. The symbol of snakes on a staff or pole is a motif that is widespread in both the ancient Near East and the Mediterranean. This symbol held such cultural power that it is still around today in our modern world, like other ancient symbols we encounter almost daily, often without even realizing it. Humanity has a way of collecting images and holding onto them, subtly changing their context to fit the contemporary cultural system.

In our modern world, a staff with a snake wrapped around it is used as a symbol for medicine, a remnant of Greek and Roman mythology. It is the staff of an ancient healer god, known as Asklepios in Greece and Aesculapius in Rome. Another symbol from ancient Greece and Rome is the staff of Hermes/Mercury (respectively) which is seen on the back of ambulances. This symbol is a pole with two snakes wrapped around it and wings at the top. While both are often called a caduceus, technically only the staff of Hermes/Mercury is a caduceus. Additionally, both are often assumed to be medicinal in nature, but Hermes/Mercury was a messenger god known for speed and escorting the dead to the afterlife. One can easily see the connection between our modern use of these symbols with their sources from ancient Greece and Rome.

Moses & the Snake

The story of the biblical snake on a staff is first introduced in a brief couple of verses in Numbers 21, during the Exodus story. This passage is believed to have been written by the E source, in approximately 850 BCE. (For an explanation of biblical sources, see “Torah”.) The Israelites, while traveling to the Promised Land from Egypt, complained about the lack of food and water and, as punishment, God sent fiery serpents to bite and kill many of them. The people then pleaded with God for mercy and, deciding to grant it, God instructed Moses to create a serpent and put it on a pole. When people would look at it, it would cure them of their poison. Moses complied and made the serpent out of nechôsheth, which means bronze, brass, or copper in Hebrew. From here on, this text will use “copper” as the translation.

This narrative is reminiscent of ancient Canaanite sorcerers who would fight alongside serpents to protect people from snakes and scorpions, as described in texts found from Ugarit. These texts also included a large portion of spells which were used to cure snake bites. This incident in the exodus story is quickly passed over in the Bible, and this snake is not heard of again until 2 Kings 18 when King Hezekiah of Judah (who reigned from either 727-698 or 715-687 BCE) destroys it because it had by that time become a pagan cult object. It is also in this passage that it is given the name Nehushtan. Hezekiah destroyed many cult objects and places in an effort to reform the Israelites back to monotheism as they were slipping into idolatry and paganism. It is unknown how the object came to have a proper name.

Continue reading...

[yamayuandadu]

I found the mention of a creature named “ʕAtika” in the article “A Study of KTU2 1.82 and Ugaritic Mythology”. However, I couldn’t find information about this figure in any other text, and I’m starting to wonder if it was a mistranslation. Do you have any clues on where else I could look or anymore information on this figure? Thank you so much for the time and help!

You’re not finding any results because no other paper romanizes the name this way; virtually every single treatment of this passage will have something slightly different - Atak, Atik, Atiku etc. and even the occasional translation (“Binder”, “Rebel”, etc., none really universally accepted). There is no consistent romanization in the first place because ‘tk is a one off irrelevant monster from an enumeration of defeated monsters and nothing more. However, I see no particularly strong indication anyone else views it as an aquatic creature like Miglio does in the article you're asking about. Especially considering the same passage also involves an entity named "Fire".

The passage is commonly discussed in literature, I’d probably risk saying it’s one of the most recognizable Baal Cycle scenes which don’t involve Baal himself. You probably should've started with an annotated edition of the Baal Cycle and not papers about speculative interpetation of incantations, tbh. 

In any case:

Wayne T. Pitard, Just How Many Monsters Did Anat Fight ( KTU 1.3 III 38–47)?, p. 84-85

Mark S. Smith and Wayne T. Pitard, The Ugaritic Baal cycle. Volume II. Introduction with Text, Translations and Commentary of KTU 1.3-1.4., p. 53-55

Aicha Rahmouni, Divine Epithets in the Ugaritic Alphabetic Texts, p. 256-257

Madadh Richey, Ugaritic monsters I: The ˁatūku “Bound One” and its Sumerian parallels

[israaverse]

Hi! I came across your beautiful art of Canaanite gods, and I wondered if you are making art solely based on the mythology or if you have some story/universe of your own. I hope this question makes sense. Have a nice day.

Hi!!

Most of my art on the Baal Cycle is based directly on the texts that we have access to. HOWEVER! The texts we have access to such as the Baal Cycle and the Epic of Aqhat are fragmentary with large parts missing and unfortunately do not go into much detail in the intact parts. To make it more frustrating there is an academic discourse on different translations of the Ugaritic texts (example: Anat has an epithet that translates to 'virgin', but different translations equate 'virgin' to either 'unmarried' or 'prepubescent/young girl') and depending on which translation you heed you can come away with different ideas (irt previous example: Anat is either an unmarried adult woman connected with sexual fertility or a prepubescent child associated with sexual fertility, which can get real gross (you can guess which translation/iteration i prefer)).

So, long way for me to say: ... kind of both!

It's all very HEAVILY based on the texts, BUT I do have to make up quite a lot as I go, especially physical attributes of various characters, the locations of their palaces/thrones (I made up Mot's palace being a salt pillar in the Dead Sea because it makes thematic sense), relationships between characters (It's debated who exactly Baal's wife is, if he has one wife, if the wife is Astarte or Anat, who Anat's mother is, how many wives El has), etc. etc. etc.

The bones and overarching narrative are taken directly from the mythology, but because of whatever myriad of circumstances the oral traditions and written mythologies haven't survived enough to create a framework for me to actually stick to without skipping over VERY important things, like: How did Baal die? Which is incredibly central. Also, irt the Baal Cycle and the tablets that its written on, we Don't Know which tablets go in which order so I kinda gotta play it by ear with which events go before which.

Sorry for the long explanation! I try my best to note which aspects of the Canaanite myth stuff I do is entirely my own creative liberty or conjecture, mostly because 1. I don't want to misrepresent the texts, and 2. I highly encourage people to read translations of the texts themselves, if they are able (unfortunately it's written in very stilted language, so I completely get why it'd be eye roll inducing for many).

PS: I have a personal vendetta against Illimilku of Ugarit, who was the scribe that wrote down the only written iterations of the Baal Cycle and Epic of Aqhat, that we know of. Why didn't he make more??? I need to know how the EoA ends!!! Here's a shitty meme I made about my frustration.

[nordseehexe]

🦁🧿🌙 Pre Islamic Goddesses 🌙🕋☀️

Al-Lāt, syrian and arabian goddess of destiny and the city Mecca, Lady of the temple, her Name means „Goddess“ and is the female version of „Allah“, represented by the lion, married to Bel, prototype for the greek goddess of wisdom, Athena, her followers took her figures with them in battles, one of the three goddesses of Mecca, the kaaba 🕋 was build for them, her shrine was a red stone cube

Al-Uzza, syrian and arabian goddess of destiny and the venus, one of the three goddesses of Mecca, the youngest of the them, she got worshipped at the kaaba 🕋 and was the greatest idol of the Qurayash who controlled Mecca, they used to journey to her, offer gifts and sacrifices, her shrine was a white stone cube

Anat, syrian and egyptian goddess of war and protector of wild animals, goddess of love and eternal virgin, mother of all, life and death

Ašera, syrian-canaanite sea goddess

Astarte, semitic goddess of love and fertility

Aštoreth, ugarit goddes, bride of the tyrrhenian sea,

Athirat, ugarit sea and sky goddess, lady of the sea, producer of gods, lady of gods

Ereškigal, sumerian goddess of the underworld and Inannas older sister, she can kill with her eyes, snake goddess, she is naked, with eyes out of stone and black hair, sometimes she wears a lions head and her palace is out of lapislazuli

Han-Ilat, northern arabian big goddess

Inanna, sumerian goddess of war, sex, love and the venus, lady of the sky, lady of all houses, city godess of Uruk, female leader goddess, her symbols are the moon and the star

Išhara, syrian underworld goddess

Ištar, babylonian and mesopotamian goddess of war, sex and the venus, most important diety in the ancient world of middle east, many goddesses are versions of her symbols are lions and the star

Ištar of Arbela, assyrian goddess of war

Kiriša, elamic mother goddess with an aspect of war, Lady of the sky, benefactor of the kings, mother of gods

Kulitta, servant of Ištar/Šauška

Lamaštu, babylonian sky goddess, demon with lion head who eats children and makes people sick, kills innocent people, always around rotten and filthy stuff like feces and dead animals,

Lilithu, sumerian goddess of mischief, misery, the night and the storm who lives in ruins, seduced men and stole children

Manat, arabian goddess of the moon, the venus, destiny, and one of the three big goddesses of Mecca. Her shrine was a black stone cube, pilgrims used to cut their hair at her shrine to conplete their journey to the kaaba 🕋

Nammu, sumerian creator goddess of the primordial sea, created together with her son Enki the first men out of clay

Nanše, sumerian goddess of water sources, and brooks, divination, dream interpretation and the holy order, most important goddess in Lagaš, Mother of her daughters Ninmah and Nunmar

Ninatta, servant of Ištar/Šauška

Ningal, mesopotamian goddess, wige of the moon god Nanna, great queen, high lady, lady, star of the prince, sevenfold light, treasured, goddes of the city Ur, goddess of epiphany, mother of Inanna and the sun god Ut

Ninmah, sumerian goddess of midwivery

Ninsianna, babylonian goddess, rust red lady of the sky, pure and sublime judge, sometimes war goddes with a scimitar and a lion headed club, she is the goddess of venus and she wears a star on hear horned crown

Ninšubur, sumerian goddess and holy servant of Inanna, Lady of the servants, been very popular because she was seen as a messenger between men and gods, seen as personal goddess by some kings, guardian who fights with the weapons of air and the sky

Nisaba, sumerian goddess of corn, goddes of writing texts, science and architecture, sister of Nanše and Ningirsu

Pinikir, elamian, later mesopotamian, hurrian and hittian mother goddess

Šauška, hurrian goddess of love, war, incantations and healing

Tiamat, babylonian goddess of the sea, embodiment of salt water, married to Abzu the embodiment of fresh water

Tunit, punish goddess of fertility and guardian of cartago, virgin mother of Baal, who gives him every year new life, her attributes are pomehrenates, figs, ears of corn and the dove

[abwwia]

Asherah, ancient West Semitic goddess, consort of the supreme god. Her principal epithet was probably “She Who Walks on the Sea.” She was occasionally called Elath (Elat), “the Goddess,” and may have also been called Qudshu, “Holiness.” According to texts from Ugarit (modern Ras Shamra, Syria), Asherah’s consort was El, and by him she was the mother of 70 gods. As mother goddess she was widely worshiped throughout Syria and Palestine, although she was frequently paired with Baal, who often took the place of El; as Baal’s consort, Asherah was usually given the name Baalat. Inscriptions from two locations in southern Palestine seem to indicate that she was also worshiped as the consort of Yahweh. Via Britannica

[baalsblade]

So who is Baal?

Baal or Baʻal, was a title and honorific meaning 'owner', 'lord' in the Northwest Semitic languages spoken in the Levant during antiquity.

Baal is a God of fertility, weather, rain, wind, lightning, seasons, war, sailors and so on.

Baal worship is also called Baalism.

Solid cast bronze of a votive figurine representing the god Baal discovered at Tel Megiddo, dating to the mid-2nd millennium BC.

His holy symbols are bull, ram and thunderbolt.

Baal was worshipped in ancient Syria, especially Halab, near, around and at Ugarit, Canaan, North Africa and Middle Kingdom of Egypt.

Baʿal is well-attested in surviving inscriptions and was popular in theophoric names throughout the Levant but he is usually mentioned along with other gods, "his own field of action being seldom defined". Nonetheless, Ugaritic records show him as a weather god, with particular power over lightning, wind, rain, and fertility. The dry summers of the area were explained as Baʿal's time in the underworld and his return in autumn was said to cause the storms which revived the land. Thus, the worship of Baʿal in Canaan—where he eventually supplanted El as the leader of the gods and patron of kingship—was connected to the regions' dependence on rainfall for its agriculture, unlike Egypt and Mesopotamia, which focused on irrigation from their major rivers. Anxiety about the availability of water for crops and trees increased the importance of his cult, which focused attention on his role as a rain god. He was also called upon during battle, showing that he was thought to intervene actively in the world of man, unlike the more aloof El. The Lebanese city of Baalbeck was named after Baal.

The Baʿal of Ugarit was the epithet of Hadad but as the time passed, the epithet became the god's name while Hadad became the epithet. Baʿal was usually said to be the son of Dagan, but appears as one of the sons of El in Ugaritic sources. Both Baʿal and El were associated with the bull in Ugaritic texts, as it symbolized both strength and fertility. He held special enmity against snakes, both on their own and as representatives of Yammu (lit. "Sea"), the Canaanite sea god and river god. He fought the Tannin (Tunnanu), the "Twisted Serpent" (Bṭn ʿqltn), "Lotan the Fugitive Serpent" (Ltn Bṭn Brḥ, the biblical Leviathan), and the "Mighty One with Seven Heads" (Šlyṭ D.šbʿt Rašm). Baʿal's conflict with Yammu is now generally regarded as the prototype of the vision recorded in the 7th chapter of the biblicalBook of Daniel. As vanquisher of the sea, Baʿal was regarded by the Canaanites and Phoenicians as the patron of sailors and sea-going merchants. As vanquisher of Mot, the Canaanite death god, he was known as Baʿal Rāpiʾuma (Bʿl Rpu) and regarded as the leader of the Rephaim (Rpum), the ancestral spirits, particularly those of ruling dynasties.

From Canaan, worship of Baʿal spread to Egypt by the Middle Kingdom and throughout the Mediterranean following the waves of Phoenician colonization in the early 1st millennium BCE. He was described with diverse epithets and, before Ugarit was rediscovered, it was supposed that these referred to distinct local gods. However, as explained by Day, the texts at Ugarit revealed that they were considered "local manifestations of this particular deity, analogous to the local manifestations of the Virgin Mary in the Roman Catholic Church". In those inscriptions, he is frequently described as "Victorious Baʿal" (Aliyn or ẢlỈyn Baʿal), "Mightiest one" (Aliy or ʿAly) or "Mightiest of the Heroes" (Aliy Qrdm), "The Powerful One" (Dmrn), and in his role as patron of the city "Baʿal of Ugarit" (Baʿal Ugarit). As Baʿal Zaphon (Baʿal Ṣapunu), he was particularly associated with his palace atop Jebel Aqra (the ancient Mount Ṣapānu and classical Mons Casius). He is also mentioned as "Winged Baʿal" (Bʿl Knp) and "Baʿal of the Arrows" (Bʿl Ḥẓ). Phoenician and Aramaic inscriptions describe "Baʿal of the Mace" (Bʿl Krntryš), "Baʿal of the Lebanon" (Bʿl Lbnn), "Baʿal of Sidon" (Bʿl Ṣdn), Bʿl Ṣmd, "Baʿal of the Heavens" (Baʿal Shamem or Shamayin), Baʿal ʾAddir (Bʿl ʾdr), Baʿal Hammon (Baʿal Ḥamon), Bʿl Mgnm.

The epithet Hammon is obscure. Most often, it is connected with the NW Semitic ḥammān ("brazier") and associated with a role as a sun god. Renan and Gibson linked it to Hammon (modern Umm el-‘Amed between Tyre in Lebanon and Acre in Israel) and Cross and Lipiński to Haman or Khamōn, the classical Mount Amanus and modern Nur Mountains, which separate northern Syria from southeastern Cilicia.

The major source of our direct knowledge of this Canaanite deity comes from the Ras Shamra tablets, discovered in northern Syria in 1958, which record fragments of a mythological story known to scholars as the Baal Cycle. Here, he earns his position as the champion and ruler of the gods. The fragmentary text seems to indicate a feud between him and his father El as background. El chooses the fearsome sea god Yam to reign as king of the gods. Yam rules harshly, and the other deities cry out to Ashera, called Lady of the Sea, to aid. Ashera offers herself as a sacrifice if Yam will ease his grip on her children. He agrees, but Baal opposes such a scheme and boldly declares he will defeat Yam even though El declares that he must subject himself to Yam.

With the aid of magical weapons given to him by the divine craftsman Kothar-wa-Khasis, Baal defeats Yam and is declared victorious. He then builds a house on Mount Saphon, today known as Jebel al-Aqra. (This mountain, 1780 meters high, stands only 15 km north of the site of Ugarit, clearly visible from the city itself.)

Lo, also it is the time of His rain. Baal sets the season, And gives forth His voice from the clouds. He flashes lightning to the earth. As a house of cedars let Him complete it, Or a house of bricks let Him erect it! Let it be told to Aliyan Baal: 'The mountains will bring Thee much silver. The hills, the choicest of gold; The mines will bring Thee precious stones, And build a house of silver and gold. A house of lapis gems!'

However, the god of the underworld, Mot, soon lures Baal to his death, spelling ruin for the land. His sister Anat retrieves his body and begs Mot to revive him. When her pleas are rebuffed, Anat assaults Mot, ripping him to pieces and scattering his remains like fertilizer over the fields.

El, in the meantime, has had a dream in which fertility returned to the land, suggesting that Baal was not indeed dead. Eventually he is restored. However, Mot too has revived and mounts a new attack against him.

They shake each other like Gemar-beasts, Mavet [Mot] is strong, Baal is strong. They gore each other like buffaloes, Mavet is strong, Baal is strong. They bite like serpents, Mavet is strong, Baal is strong. They kick like racing beasts, Mavet is down. Baal is down.

After this titanic battle, neither side has completely prevailed. Knowing that the other gods now support Baal and fearing El's wrath, Mot finally bows before him, leaving him in possession of the land and the undisputed regent of the gods.

Baal is thus the archetypal fertility deity. His death signals drought and his resurrection, and brings both rain and new life. He is also the vanquisher of death. His role as a maker of rain would be particularly important in the relatively arid area of Palestine, where no mighty river such as the Euphrates or the Nile existed.

[cosmic--dandelion]

So how did we get from this

To this?

Let's talk about the history of Beelzebub!

Beelzebub is strongly associated and indeed often conflated with Baal, a Hellenistic era pagan god worshipped everywhere from the Canaanite city of Ekron to Greece (where he was known as Belus) to Egypt as far back as 1400 BCE. He is first mentioned in the Books of Kings (2 Kings 1:2–3, 6, 16) as Ba'al-zəbûb, meaning "Lord of the Flies" in Hebrew, a possible corruption of "Lord of the High Place" meant to denigrate the deity after he was appropriated and repurposed as a false god, then a demon. Baal worship was extremely difficult for the early Christians to stamp out, so they basically stole other people's mythology and used it as a free idea bucket to fill out the Bible's rogues gallery.

While it's true that in some Ugaritic texts, Baal is depicted as expelling flies and causing sickness, he was still held in high esteem in ancient Canaan and Phoenicia as a powerful deity who controlled the sun, storms, and fertility and who defeated Mot, the god of death and the underworld. The ancient world could get pretty scatological at times! After all, one of Beelzebub's contemporaries, the Egyptian sun god Ra, was often depicted as a dung beetle, then a prominent symbol of rebirth.

Some scholars think he might have even been the same god! Beelzebub seems to have been the ancient world's go-to demon because the name has been used interchangeably with everyone from Lucifer, Satan, and even Hades in some gnostic texts.

Unfortunately, we don't have much information about Beelzebub's pre-Christian origins other than some iron age ruins in what is now modern day Israel that suggest his temples were decorated with little golden flies, which is pretty neat.

Interestingly, Jesus himself was accused of being a worshipper of Beelzebub multiple times in the New Testament. Maybe the Pharisees were projecting?

Throughout the Middle Ages, Beelzebub reappeared again in the Lantern of the Light (where he was associated with the sin of envy), De Occulta Philosophia, Princes of Hell, and other demonology texts. 16th-17th Century French Inquisitor Sébastien Michaelis elevated him to the rank of fallen angel in his book The Admirable History of Possession and Conversion of a Penitent Woman: Seduced by a Magician that Made Her to Become a Witch, translated to English in 1613. It was around this time Beelzebub started to become strongly associated with witchcraft. Michaelis should know; he burnt over 14 women accused of being witches!

Unsurprisingly, his name came up repeatedly during the Salem witch trials.

Beelzebub and fellow demons new and old bounced all over different classifications of demons during the 1500s and 1600s. In John Milton's epic poem Paradise Lost, first published in 1667, Beelzebub was part of an unholy trinity consisting of him, Lucifer, and Astaroth. Occultist Johan Weyer decreed that Beelzebub was the Emperor of Hell, having led a successful revolt against the devil. German theologian Peter Binsfield described him as the Prince of Gluttony in his 1589 Treatise on Confessions by Evildoers and Witches. Before that, he was associated with Envy, then Pride.

We even have his personal signature! (At least according to the Grand Grimoir, an anonymous text on black magic of unknown origin)

Beelzebub's physical appearance is even more diverse. He's been depicted as everything from a leopard, a feminine man as tall as a tower, a snake, a calf with a fly's face to...whatever the literal hell this is:

"'dressed like a bee and with two dreadful ears and his hair painted in all colors with a dragon's tail"

Jacques Albin Simon Collin de Plancy (1793 – 1881)'s Dictionnaire infernal was among the first to depict Beelzebub literally as a fly. No duck feet, no lion's mane. Just a fly.

Still better than this.

As Plancy was a skeptic influenced by Voltaire, the book was first intended as a folklore compilation but was later modified to fit with Roman Catholic theology after he converted, much to the consternation of his admirers. Many of his lurid illustrations later appeared in S. L. MacGregor Mathers's edition of The Lesser Key of Solomon...for better or for worse.

Put Adrammelech in Helluva Boss you cowards.

So basically, Beelzebub has been a public domain character since before King Tut was laid in his golden sarcophagus, and people have been just making shit up about him for millennia. What's your favorite depictation of Beelzebub? This is mine:

Nothing beats 2nd Edition Dungeons & Dragons artwork.

[damonblack966]

Baal, the powerful deity of the ancient Near East, has long been associated with the image of the bull. This majestic creature, with its strength and virility, embodies the essence of Baal and serves as a symbol of his divine power.

In the ancient Canaanite religion, Baal was worshipped as the god of storms, fertility, and agriculture. He was believed to control the rain and the growth of crops, making him a vital figure in the lives of the people. As such, the image of the bull became closely linked to Baal, representing his ability to bring abundance and prosperity to the land.

One of the most famous depictions of Baal as a bull can be found in the Ugaritic texts, a collection of ancient clay tablets discovered in modern-day Syria. In these texts, Baal is described as a mighty bull, with thunderbolts in his horns and a voice that shakes the earth. He is often depicted as a fierce warrior, battling against the forces of chaos and ensuring the fertility of the land.

The bull was also a common motif in the temples dedicated to Baal. These magnificent structures, adorned with intricate carvings and paintings, were built to honor the deity and serve as a place for his worshippers to offer sacrifices and prayers. The image of the bull could be found in various forms throughout these temples, from statues and reliefs to decorative motifs on the walls and pillars.

But the significance of the bull in Baal worship goes beyond its representation in art and architecture. In many ancient rituals, bulls were sacrificed to appease Baal and ensure his favor. The blood of the bull was seen as a powerful offering to the deity, symbolizing the renewal of life and the continuation of the agricultural cycle.

The association between Baal and the bull also extends to other cultures and religions. In Greek mythology, the god Zeus is often depicted as a bull, and some scholars believe that this may have been influenced by the worship of Baal in the ancient Near East. Similarly, the biblical figure of the golden calf, worshipped by the Israelites during their journey in the desert, has been linked to the cult of Baal.

Today, the image of the bull continues to be associated with Baal, serving as a reminder of his enduring power and influence. It is a symbol of fertility, strength, and abundance, representing the divine forces that govern the natural world. And while the worship of Baal may have supposedly faded into history, the image of the bull remains a powerful reminder of the enduring legacy of this ancient deity.

[menlove]

what they don't tell u abt getting into academia is sometimes getting a huge pile of books from amazon about one very niche topic for free can feel like christmas

[renegade-hierophant]

Because Ugaritic is a Semitic Abjad it can be used to write Hebrew, so you can now write Hebrew in a Cuneiform script! (like this)

(Hebrew is written right-to-left, but Ugaritic is left-to-right.)

א : 𐎀 ב : 𐎁 ג : 𐎂 ד : 𐎄 ה : 𐎅 ו : 𐎆 ז : 𐎇 ח : 𐎈 ט : 𐎉 י : 𐎊 ך : 𐎋 כ : 𐎋 ל : 𐎍 ם : 𐎎 מ : 𐎎 ן : 𐎐 נ : 𐎐 ס : 𐎒 ע : 𐎓 ף : 𐎔 פ : 𐎔 ץ : 𐎕 צ : 𐎕 ק : 𐎖 ר : 𐎗 ש : 𐎌 ת : 𐎚 (word separator) : 𐎟

You can transcribe any Hebrew text automatically at this site, just pick Hebrew on the left and Ugaritic on the right.

Exodus 34:1

ויאמר יהוה אל־משה פסל־לך שני־לחת אבנים כראשנים וכתבתי על־הלחת את־הדברים אשר היו על־הלחת הראשנים אשר שברת׃

𐎆𐎊𐎀𐎎𐎗𐎟𐎊𐎅𐎆𐎅𐎟𐎀𐎍𐎎𐎌𐎅𐎟𐎔𐎒𐎍𐎍𐎋𐎟𐎌𐎐𐎊𐎍𐎈𐎚𐎟𐎀𐎁𐎐𐎊𐎎𐎟𐎋𐎗𐎀𐎌𐎐𐎊𐎎𐎟𐎆𐎋𐎚𐎁𐎚𐎊𐎟𐎓𐎍𐎅𐎍𐎈𐎚𐎟𐎀𐎚𐎅𐎄𐎁𐎗𐎊𐎎𐎟𐎀𐎌𐎗𐎟𐎅𐎊𐎆𐎟𐎓𐎍𐎅𐎍𐎈𐎚𐎟𐎅𐎗𐎀𐎌𐎐𐎊𐎎𐎟𐎀𐎌𐎗𐎟𐎌𐎁𐎗𐎚

[whencyclopedia]

Nehushtan

According to the Bible, Nehushtan was a metal serpent mounted on a staff that Moses had made, by God's command, to cure the Israelites of snake bites while wandering in the desert. The symbol of snakes on a staff or pole is a motif that is widespread in both the ancient Near East and the Mediterranean. This symbol held such cultural power that it is still around today in our modern world, like other ancient symbols we encounter almost daily, often without even realizing it. Humanity has a way of collecting images and holding onto them, subtly changing their context to fit the contemporary cultural system.

In our modern world, a staff with a snake wrapped around it is used as a symbol for medicine, a remnant of Greek and Roman mythology. It is the staff of an ancient healer god, known as Asklepios in Greece and Aesculapius in Rome. Another symbol from ancient Greece and Rome is the staff of Hermes/Mercury (respectively) which is seen on the back of ambulances. This symbol is a pole with two snakes wrapped around it and wings at the top. While both are often called a caduceus, technically only the staff of Hermes/Mercury is a caduceus. Additionally, both are often assumed to be medicinal in nature, but Hermes/Mercury was a messenger god known for speed and escorting the dead to the afterlife. One can easily see the connection between our modern use of these symbols with their sources from ancient Greece and Rome.

Moses & the Snake

The story of the biblical snake on a staff is first introduced in a brief couple of verses in Numbers 21, during the Exodus story. This passage is believed to have been written by the E source, in approximately 850 BCE. (For an explanation of biblical sources, see “Torah”.) The Israelites, while traveling to the Promised Land from Egypt, complained about the lack of food and water and, as punishment, God sent fiery serpents to bite and kill many of them. The people then pleaded with God for mercy and, deciding to grant it, God instructed Moses to create a serpent and put it on a pole. When people would look at it, it would cure them of their poison. Moses complied and made the serpent out of nechôsheth, which means bronze, brass, or copper in Hebrew. From here on, this text will use “copper” as the translation.

This narrative is reminiscent of ancient Canaanite sorcerers who would fight alongside serpents to protect people from snakes and scorpions, as described in texts found from Ugarit. These texts also included a large portion of spells which were used to cure snake bites. This incident in the exodus story is quickly passed over in the Bible, and this snake is not heard of again until 2 Kings 18 when King Hezekiah of Judah (who reigned from either 727-698 or 715-687 BCE) destroys it because it had by that time become a pagan cult object. It is also in this passage that it is given the name Nehushtan. Hezekiah destroyed many cult objects and places in an effort to reform the Israelites back to monotheism as they were slipping into idolatry and paganism. It is unknown how the object came to have a proper name.

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