#Ueli Steiger

[nine-frames]

"This is not good. This is not good."

Godzilla, 1998.

Dir. Roland Emmerich | Writ. Dean Devlin & Roland Emmerich | DOP Ueli Steiger

[ulkaralakbarova]

A wannabe rock star who fronts a Pennsylvania-based tribute band is devastated when his kick him out of the group he founded. Things begin to look up for Izzy when he is asked to join Steel Dragon, the heavy metal rockers he had been imitating for so long. This film is loosely based on the true story of the band Judas Priest. Credits: TheMovieDb. Film Cast: Chris ‘Izzy’ Cole: Mark Wahlberg Emily Poule: Jennifer Aniston Kirk Cuddy: Dominic West A.C.: Jason Bonham Jorgen: Jeff Pilson Ghode: Zakk Wylde Mats, Steel Dragon Road Manager: Timothy Spall Donny Johnson: Blas Elias Xander Cummins: Nick Catanese Ricki Bell: Brian Vander Ark Rob Malcolm: Timothy Olyphant Tania Asher, Steel Dragon PR: Dagmara Domińczyk Joe Cole: Matthew Glave Mr. Cole: Michael Shamus Wiles Mrs. Cole: Beth Grant Bobby Beers: Jason Flemyng Nina: Carey Lessard Samantha: Kristin Richardson Mason Bell: Jamie Williams Roadie #1: Keith Loneker Amber: Sami Reed Marci: Kara Zediker Bradley: Stephan Jenkins Guitarist in Crowd Outside Mansion: Vitamin C Cream Reporter: Kevin Ryder Melody-Maker Reporter: Gene Baxter Bouncer: Gregory Hinton Nurse: Sonya Stephens Photographer: Neil Zlozower Fan #1: Kirk Enochs Thor: Myles Kennedy A.C.’s Wife: Rachel Hunter Kirk’s Wife: Heidi Mark Ghode’s Wife: Carrie Stevens Jorgen’s Wife: Amy Miller Office Worker: William Martin Brennan Mrs. Andrews: Lorna Scott Auditioning Singer: Ralph Saenz Topless Cutie #1: Jennifer Rovero Topless Cutie #2: Natalie Raynes Scalper: Jamal Weathers Two-Year Old Girl: Hailie Brennand Roadie #2: Eric Weinstein MTV Veejay: Jamie White Metal Head: Jeffrey Wetzel Guitar Tech: Frederick E. Kowalo Girl with P-Pass: Jennifer Uilani Warren Roxy Dancer: Chad Azadan Roxy Dancer: Linda Cevallos Roxy Dancer: Jennifer Edmond Roxy Dancer: Brian Friedman Roxy Dancer: Cynthia Fuhrer Roxy Dancer: Cati Jean Roxy Dancer: Edward Jenkins Roxy Dancer: Kelly Knox Roxy Dancer: Tabbatha Mays Roxy Dancer: Udee McGeoy Roxy Dancer: Ted Napolitano Roxy Dancer: Tomasina Parrott Roxy Dancer: Gabriel Ramírez Roxy Dancer: Ursula Whittaker Roxy Dancer: Zachary Woodlee Concert Rocker: Andrew Wayne Bar Patron (uncredited): Gia Franzia Film Crew: Production Design: Mayne Berke Executive Producer: Steven Reuther Original Music Composer: Trevor Rabin Executive Producer: George Clooney Second Unit Director: David R. Ellis Director of Photography: Ueli Steiger Casting: Sharon Bialy Actor’s Assistant: Eric Weinstein Co-Producer: Michael Fottrell Costume Design: Aggie Guerard Rodgers Screenplay: John Stockwell Stunts: Chad Stahelski Director: Stephen Herek Stunts: Chris Palermo Stunts: Joe Bucaro III Producer: Toby Jaffe Editor: Trudy Ship Stunts: Julie Michaels Stunts: Keith Woulard Stunts: T.J. White Executive Producer: Mike Ockrent Choreographer: Peggy Holmes Music Supervisor: Budd Carr Set Decoration: Casey Hallenbeck Unit Production Manager: Paul Moen Swing: P. Scott Bailey Stunts: Laura Albert Stunts: Mike Gunther Supervising Art Director: Caty Maxey Stunt Coordinator: Brad Martin Stunts: Jeff Imada Still Photographer: Claudette Barius First Assistant Director: Jeffrey Wetzel Actor’s Assistant: Ozzie Areu Production Accountant: Ravi D. Mehta Art Department Coordinator: Joe Walser Leadman: Mark Woods Stunts: Tim Rigby Camera Operator: Thomas Yatsko Stunts: Sean Graham Set Designer: Harry E. Otto Makeup Artist: Donald Mowat Special Effects Coordinator: Paul J. Lombardi Makeup Artist: Jean Ann Black Boom Operator: Carl Fischer Stunts: Damon Caro Stunts: Chris O’Hara First Assistant Camera: Gary L. Camp Script Supervisor: Adrienne Hamalian-Mangine Special Effects: Scott Blackwell Video Assist Operator: David Katz Stunts: Steve Holladay Hairstylist: Johnny Villanueva Set Costumer: Lisa A. Doyle Hairstylist: Kerry Mendenhall Music Editor: Brent Brooks Steadicam Operator: Dan Kneece Location Manager: Curtis Collins Hairstylist: Shari Perry Key Makeup Artist: Michael Mills Key Costumer: Sabrina Calley Stunts: Brandon Sebek Producer: Robert Lawrence Art Direction: Richard Schreiber Costume Supervisor: Bruce Erickse...

[sesiondemadrugada]

The Hot Spot (Dennis Hopper, 1990).

[scenesandscreens]

The Day After Tomorrow (2004)

Director - Roland Emmerich, Cinematography - Ueli Steiger

"Mankind survived the last ice age. We're certainly capable of surviving this one. All depends on whether or not we're able to learn from our mistakes."

[tvln]

the hot spot (us, hopper 90)

[genevieveetguy]

- I say we make a pact. Here and now. We're here for each other, always, no matter what happens in life. If Teeny goes off to Hollywood or I marry a rich doctor, we remember this day and this pact. Whenever we need a friend, we're here for each other. We can count on it. Always. No matter what. - It's a pact. - All for one... - And one for all.

Now and Then, Lesli Linka Glatter (1995)

[rochaviz]

The Day After Tomorrow (2004)

⭐️⭐️⭐️1/2

Story: ⭐️⭐️⭐️

Storytelling: ⭐️⭐️⭐️

Characters: ⭐️⭐️⭐️⭐️

Casting: ⭐️⭐️⭐️⭐️⭐️

Score/Soundtrack: ⭐️⭐️⭐️⭐️

Visually: ⭐️⭐️⭐️

Entertainment: ⭐️⭐️⭐️⭐️

Best: The characters! They draw you in one way or another.

Worst: Vice President

My Collection: Yes

[facesofcinema]

The Day After Tomorrow (2004)

[tvsmovies]

Watch Free Full 10,000 BC

Release Date : 03/05/2008 (US)Category : Adventure, Action, Drama, FantasyProduction : Country : USRate : Cast : Steven Strait,Camilla Belle,Cliff Curtis,Nathanael Baring,Mo Zinal,Affif Ben Badra,Mona Hammond,Marco Khan,Reece Ritchie,A prehistoric epic that follows a young mammoth hunter's journey through uncharted territory to secure the future of his tribe.A prehistoric epic that follows a young mammoth hunter's journey through uncharted territory to secure the future of his tribe.“10,000 BC” does not deserve its bad rap.It is not the worse reviewed film in director Roland Emmerich’s oeuvre (that distinction belongs to “Moon 44”), but it is perhaps his most infamous. “Boring” is a word that I often hear from casual moviegoers who have watched this flick. Indeed, I hear that adjective so frequently that “10,000 BC” has quickly become something even sadder than a guilty pleasure. I am sincerely ashamed of my affinity for this motion picture. If virtually everyone I know regards it as dull, what does it say about my taste that I enjoy it?A quick summary: “10,000 BC” is an action-adventure epic set in the prehistoric era. It centers the story on a tribe of hunter-gatherers known as the Yagahl and a brave warrior, D’Leh (Steven Strait), who seeks the hand of a lovely woman believed to be destined for greatness, Evolet (Camilla Belle). In a plot that twists and turns more than the film’s convoluted geography (more on that in a moment), D’Leh is forced to travel the world so he can rescue Evolet and many other Yagahl from evil horse-raiders. The subsequent journey is packed with the kinds of encounters one would expect in the most riveting B-movie fare, from needing to overthrow the imperial cult of an enigmatic enrobed Atlantean known as The Almighty (Tim Barlow) to attacks by velociraptor-like phorusrhacidae.How can a movie like this be regarded as boring?Stupid, I absolutely agree. Like most of Emmerich’s movies, “!0,000 BC” is an amalgamation of conspiracy theories, from the aforementioned idea that Atlantis was a real continent (it was actually a thought experiment from Plato’s “Critias”) to the belief that a single lost civilization was the progenitor to the known influential ancient ones (Egypt, Greece, Persia, etc.) Its narrative takes the protagonists from the Ural Mountains to the tropics of Southeast Asia to the pre-construction pyramids in Egypt. Nothing about the story makes any sense to any viewer with a passing knowledge of geography, climatology, history or even common sense. Then again, it is worth noting that most of Emmerich’s movies are absurd; this does not diminish one’s ability to enjoy, say, the Area 51-conspiracy theories underpinning “Independence Day.”The difference here, though, is that the

oining D’Leh and Evolet on a sweeping melodrama. I am not here to argue that “10,000 BC” should be anyone’s favorite movie. It certainly isn’t mine. (That distinction belongs to “Unbreakable.”) But it is a solidly good movie, a sincere Valentine to the best Stone Age fantasy fiction (Emmerich was inspired largely by his love of Jean-Jacques Annaud’s “Quest for Fire”) and a captivating travelogue. It is the reason why, on a four-star critics’ scale, the three-star review must exist. Watch free movies and tvshows on VidooTv

Watch Free Full 10,000 BC

Watch Free Full 10,000 BC

script seems to turn people off. All of the characters are two-dimensional and the dialogue is purely functional. Most will acknowledge that “10,000 BC” has a moving score (composed by Thomas Wander and Harold Kloser, the latter of whom also co-wrote the film with Emmerich) and lush cinematography (Ueli Steiger) filmed in Namibia, South Africa, Thailand and New Zealand. But how can one care about the pretty visuals when the underlying story is so blah?The key, I believe, is to not go into “10,000 BC” expecting sparkle. This is a somber epic, a tribute to the B-quality sword-and-sandal epics of the mid-20th century. Emmerich believes that this story has meaning, and as such levity is almost entirely scrubbed. (If you look closely, you will notice a brief testicular injury gag.) In a way, he isn’t wrong about that; the rudimentary narrative, told by a diverse cast and based on a number of cultures, is accessible to virtually everyone. The message is a noble one and broadly applicable, preaching the kind of universalist empathy that human beings should never do without. Along the way, the story keeps the action coming — mammoth hunts, navigating treacherous terrain, chucking spears at ominous baddies — and the viewer feels like they are j

[leanpick]

From a South African Slur to a Scathing Drama About Toxic Masculinity

From a South African Slur to a Scathing Drama About Toxic Masculinity

A chance meeting with the director Roland Emmerich and his cinematographer, Ueli Steiger, in a Cape Town restaurant led to a friendship that changed everything. “One day Roland said to me, if you can get in to film school, I’ll give you a scholarship,” Hermanus recounted. “Somehow they saw something in me; it’s a perfect example of what it means to invest in people.” Hermanus went to the London…

[bruboe]

Kameramann Ueli Steiger: «Jennifer Lopez war am eitelsten» Ein Gespräch mit dem Schweizer Kameramann Ueli Steiger über sein Leben in Hollywood, über den in einen Sexskandal verwickelten Filmproduzent Harvey Weinstein und die berührende Komödie «Simpel», die diese Woche in die Kinos kommt.

[audreyhepbuns]

THE DAY AFTER TOMORROW (2004) Cinematographer: Ueli Steiger | Director: Roland Emmerich

[moviesincolor]

Frank Oz Week Bowfinger, 1999 Cinematography: Ueli Steiger

[sesiondemadrugada]

The Hot Spot (Dennis Hopper, 1990).

[centeredonfilm]

[bewollkt]

BOWFINGER

Directed by Frank Oz

Cinematography by Ueli Steiger

(1999)