#Udio.com

[seriously-mike]

Don't Fear Your Tears, Binge on Your Cringe

So, there's shitstorm brewing lately that Tears for Fears' new album uses AI-generated imagery for the cover and related promotional purposes, and rightly so because on that level of money and fame not hiring an actual artist to make those for you feels insultingly cheap. Also, just look at this:

This is some ridiculously basic bitch shit cooked with zero effort in Bing Image Creator. Look, if I'm disgusted, you know it sucks shit big time. It's as bad as Saxon's video for "Madame Guillotine".

So, I thought "fight AI with AI" and came up with a chorus that skewered the idea, asked for 80s synthpop with male vocals, got the right vibe in the first batch. Then, it kinda went downhill from there.

"You want Tears for Fears' new single? But we have Tears for Fears' new single at home!"

This is the cheapest kind of Temu knockoff that I could accept, and since it's in English and relevant to current events, I'm expecting a shitton of hits in no time. Hell, if the short teaser clip featuring the chorus exploded right out of the gate, I'm expecting the full version to be a smash on par with the original Chinchilla song.

But, the lyrics:

There was a day I ruled the world, When I made people shout, Girls fell head over heels for me, Then we had a falling out, I laid so low, and tears rolled down, I broke it down again, Then by some kind of God’s mistake Dined with the Kings of Spain I want a spaceman, Standing in the field, Made by an AI, People will be thrilled! I want the limelight, I want to get laid, And I don’t give a shit If the artist gets paid! I want the limelight, I want to get laid, And I don’t give a shit If the artist gets paid! (See!) I rode the wave and I forgot About how much he sucks, And then he just called me one day To help him pay some tax, This happy ending, a fresh start, The crowd will love this crap, We’re going past the tipping point, And numbers spin back up I want a spaceman, Standing in the field, Made by an AI, People will be thrilled I want the limelight, I want to get laid, And I don’t give a shit If the artist gets paid! I want the limelight, I want to get laid, And I don’t give a shit If the artist gets paid! (Say!) The getting’s good, we’re on the road, Touring with some old hacks, We rule the world with our old hits, But we still need new tracks, We’re nervous and we’re getting old, So let’s run a new scheme, The cover of our record will Be designed by machines! I want a spaceman, Standing in the field, Made by an AI, People will be thrilled I want the limelight, I want to get laid, And I don’t give a shit If the artist gets paid! I want the limelight, I want to get laid, And I don’t give a shit If the artist gets paid! (SUCKERS!)

If you look up the history of Tears for Fears on Wikipedia, you'll see an absolute shitton of references to their songs and albums, particularly in the first verse. There are also references to the acrimonious split between Orzabal and Smith and the unusual reason they reunited (basically, Smith moved to the US and after several years asked Orzabal to sort out some bureaucratic issue regarding his UK property).

It wasn't that difficult to write, considering that once I spent almost two months on trying to put together a song based on Minsc's quotes from Baldur's Gate 2. The total creation time for this one was a couple of hours, including the video for Youtube. And please do remember that the lyrics are all-natural, free-range, fair-trade, hand-crafted and GPT free.

[digitally-imagined]

I don't know what possessed me to make this...

[constructbreakdown]

Me & You | Lo-fi | Jazz | Bedroom Pop | Psychedelic | Ethereal [original AI song]

[d-the-designer]

"Neighborhood Watch" (D with Udio.com)

Keep an eye on Joe (what's he got) Comrade status: hot or not Fences white in the cold war fight And everybody's watchin' tonight Danny's got a shed (no one's seen) Susie's lips, talkin' red, the dream Look out for Pete, with his brand new threads Flashing cash 'round like he's newlywed Keep notes in the logs, keep the curtains tight 'Cause freedom's a flame we must shield with might Bill's basement's locked (What's inside?) Jenny's whisperin' 'bout rights, we know where they hide Turn the talk to Jane (What'd she do?) Saw her chatting up the wrong kind of crew Tom’s girl Sarah, she's got a new flame Parents worried he's not from the right vein Every step on the street, gotta tread so light 'Cause eyes are peering from windows at night Keep an eye on Joe (what's he got) Comrade status: hot or not Fences white in the cold war fight And everybody's watchin' tonight

[seriously-mike]

Holy shit, I tried to do unspeakable things to that post and I'm now taking it upon myself to personally write a full song lyrics and keep the Macbeth parody as the chorus.

Unless someone already picked up a guitar and recorded it properly in the last four years this post made rounds on the internet, then this conversation is over and the recording will self-destruct.

Cowboys are witches and horses are their familiars

[suzimiya]

EUERRR WILLE GESCHEHE (HEIM INS RRREICH!) - Suno music https://www.youtube.com/watch?v=iN6pT9n2Jo8

[terminusestfan]

My first song made in Udio. (Udio was similar to Suno, but it has similar AI generated music.

It is a song about Leona West being gay and he is the only male idol in Pripara.

[duckyreads]

Blorbo is Eddie. Different generation engine then before. Lyrical nonsense is still me, though.

View from a Tabletop

[verse 1] he's got nothing to prove, he knows he's been through this before, it shows he sells contraband, and it's in demand and he knows better than to show his hand a mastermind with his battles planned

[pre-chorus] if there's a song that's in his head he drags it out and learns to play it if he's got a story and it must be told he finds it natural to say it

[chorus] he's been standing on tables and acting the fool keeps laughing at kings who believe that they rule and he's gathering sheep while he's stuck in this school

[verse 2] and because he knows what it's like to fear he draws others in and keeps them near mice and sheep alike who travel by bike keep those demons away when they strike for those seeking shelter he's hard to dislike

[chorus] he's been standing on tables and acting the fool keeps laughing at kings who believe that they rule and he's gathering sheep while he's stuck in this school

[verse 3] but now some things are beyond his fixing and now the shadows and his life are mixing he's unprepared for the upside down running through the town with a king un-crowned and he's wishing for a little less renown

╚═.·:·.✧ ✦ ✧.·:·.═╝

This was generated with Udio rather than Suno, which seems to create things that sound less formulaic overall.

[adventuresofakb]

New AKB48 Album just dropped!!!

[seriously-mike]

Stealing is so old hat.

Go counterfeit some music with the new tech that the music industry is crying like a little bitch about!

Everyone can produce a silly song about cute animals now!

and now to "steal" some music

[seriously-mike]

Żenujący Przebój Dziko-Polo

"TOĆ-KAAAA!" "Czego się drzesz, ja tu serial oglądam!" "Może pani poprosić Toćkę?!" "Toćka! Jakiś wariat z bałałajką na dole! Cię woła!" "Maurycy?! Co ty tu robisz?!" "Piosenkę ci napisałem!" 😅

No więc na podstawie zdjęć z zamierzchłych dziejów z @jurian-is-cinnamon-roll i piosenek Percivala przyszedł mi do głowy pomysł na piosenkę. Tym razem w stylu dziko-polo, jako że Percival i tak dalej. Panie i panowie: zespół Perversival i "Ballada o Hajdamackiej Dziewce"!

Sama zainteresowana na okładce jako Hajduczek, Hajdamaczek czy coś. W ogóle jestem zaskoczony, bo większość tekstu weszła w algorytm gładko jak pal w Azję Tuhajbejowicza, i dopiero pod koniec zaczęło się trochę pruć - a spodziewałem się, że lekkopółśredniowieczny słowia��ski folk to dla Udio taka sama niewiadoma jak melodic death metal, z którym były gigantyczne problemy.

Oczywiście, tekst:

Nanizali dziewkę na sośninę Bo hajdamackim się parała czynem, Karym koniem w Dzikie Pola gnała, I kupieckie wozy rabowała… Nie płacz Toćko, samaś tego chciała, Będziesz teraz na palu cierpiała, Nie płacz Toćko, samaś tego chciała, Jak żeś żyła, tak będziesz konała! Pod pręgierzem dziewkę obnażyli, Batem na rozstaje pogonili, Za nogi do konia uwiązali, I powoli na pal nawlekali… Nie płacz Toćko, samaś tego chciała, Będziesz teraz na palu cierpiała, Nie płacz Toćko, samaś tego chciała, Jak żeś żyła, tak będziesz konała! Oj wy ludzie, co wy tu robicie, Co wam z tego, że mnie tak hańbicie, Mało wam bym za to jakem żyła Głowę pod toporem położyła… Nie płacz Toćko, samaś tego chciała, Będziesz teraz na palu cierpiała, Nie płacz Toćko, samaś tego chciała, Jak żeś żyła, tak będziesz konała! Szlocha dziewka, wyje w niebogłosy, Już na zgubę ciągną ją powrozy, I tak hajdamackiej białogłowy Dziś kochankiem będzie pal sosnowy… Nie płacz Toćko, samaś tego chciała, Będziesz teraz na palu cierpiała, Nie płacz Toćko, samaś tego chciała, Jak żeś żyła, tak będziesz konała! Oj dziewczyno, łaski byś ty chciała, Za to jak żeś chłopców zabijała, Oj będziesz ty za to długo konać, Na rozstajach na pal nawleczona… Nie płacz Toćko, samaś tego chciała, Będziesz teraz na palu cierpiała, Nie płacz Toćko, samaś tego chciała, Jak żeś żyła, tak będziesz konała! Błyszczy księżyc na Dnieprowej toni, Za dziewczyną łzy nikt nie uroni, Gdy na palu na rozstajach kona, Na przestrogę wszystkim wystawiona… Nie płacz Toćko, samaś tego chciała, Gdyś kupieckie łupy śmiało brała, Nie płacz Toćko, samaś tego chciała, Hajdamacką śmiercią żeś skonała... (HEJ!)

Jak można zauważyć, inspiracja "Narančą" Percivala jest oczywista. Gdyby nie to, że w 30-sekundowy kawałek wchodzi akurat zwrotka i refren, to mógłbym się bawić w ozdobniki, pomagając sobie nowymi suwaczkami Udio pozwalającymi określić, gdzie ma się wokal zaczynać i kończyć (co jest zajebiście pomocne jak wam się zwrotka nie mieści w jednym fragmencie i musicie mieć absolutną pewność że algorytm od razu zacznie śpiewać w kolejnym, a nie wstawi nagle instrumental z dupy). Bo właśnie odkrywam, że to rozwiązanie jest zajebiście potrzebne w kolejnym kawałku nad którym pracuję i mam nadzieję wyrobić się do poniedziałku.

W ogóle, pisanie ludowych przyśpiewek jest całkiem zabawne, z tym całym oj ty, oj wy, żal za dziewczyną i jak to fajnie być zbójnikiem. Przy okazji kawałek po raz kolejny jest catchy as fuck, i to poniekąd znowu dziełem przypadku: chciałem trochę zmienić tekst pierwszej zwrotki, więc użyłem funkcji "Remix" żeby zachować ogólny rytm, zmieniłem cztery słowa, pociągnąłem za wajchę... i stał się ten refren, w którym jedna dziewczyna zawodzi "Nie płacz Toćko", a potem chórek dodaje "Samaś tego chciała".

[digitally-imagined]

Yes, I have Pathologic Demand Avoidance :) Genre: Electropop, Dance, Party, Synth Lyrics by me, imagined through Udio https://www.udio.com/creators/Digitally%20Imagined

Lyrics: Pathologic Demand Avoidance Do you know what that means? It means don't tell me what to do Not even a hint

No implication No obligations No sweet suggestions No smart instructions….

Pathologic! Autonomic! Neurologic! Tautologic!

Pathological Demand Avoidance Do you know what that means? My own desires might trip me up If I don't flow I'll let you know…

Pathologic! Autonomic! Neurologic! Tautologic!

Pathologic! Autonomic! Neurologic! Tautologic!

Come on lets dance! No, no, no…. I wanna dance! No, no, no…. Just watch me dance No, no, no…. Well fine don't dance NO NO NO!

Pathologic! Autonomic! Neurologic! Tautologic! Pathologic! Autonomic! Neurologic! Tautologic! Autonomic! Neurologic! Tautologic!

[d-the-designer]

I told ChatGPT:

write me a page by a corporation, telling employees to take their productivity drugs. Put as much corporate doublespeak in it as possible

I then took what it wrote and fed that into the context window of Udio. Lyrics are auto-generated by Udio

Behold

"Peak Design"

(Just like they planned)

We will chase the peak design

We will boost our stats in graphs

We will break the norm, align

With a formula

[Verse]

And now I'm in the boardroom

Charting graphs and visions high, in their grand design

With supplements for the mind, they say we'll be just fine

In the suits and ties, where ambition thrives

Push the boundaries, live ambitious lives

[Verse]

We're the cogs in the machine, with eyes on the screen

In tailored suits, we find our worth

A modern age, rebirth

Now we take the pills for gains

For the corporate minds, in power games

[Verse]

With a pill for stress, and one for sleep

We're optimizing life, efficiency we keep

In tailored suits, we climb so high

A pill for each task, under fluorescent sky

With a sip of ambition, we're set to perform

Set the metrics high, that's the blueprint, the norm

In the glow of our screens, we're chasing dreams

Synchronize our efforts, like well-oiled machines

(Just like they planned)

We will chase the peak design

We will boost our stats in graphs

We will break the norm, align

With a formula

[christinamac1]

We're Spending 2 Trillion Dollars on Weapons That Must Never Be Used

By Donald A. Smith, PhD. Using my lyrics and Udio.com for the music, I created this military march about the risk and costs of the nuclear modernization program. 14 Oct24 Audio on original  https://progressivememes.org/war/We-are-Spending-Two-Trillion-Dollars-on-Weapons-That-Must-Never-Be-Used.html We are spending two trillion dollars on weapons that must never be used.Nuclear missile…

[suzimiya]

Die Antwort auf die Träume - #Udio Music https://www.youtube.com/watch?v=788gC-mqrK0

Er lächelte. Sie lächelte. 😅 Man kennt das.

#Cover Die Antwort auf die Träume