#UEF

[basicallyanotherwitchesthing]

A Pictorial Tour of Unarius - Unarius Education Foundation - 1982

[arts-publisher]

⚽️🇩🇪 #EURO2024 is here!

Dive into the 10 iconic stadiums across Germany that will host unforgettable football moments.

Discover where history will be made! 🏟️✨

Follow @Game_Arenas for exclusive insights! 🌟🔥 #Football #Stadiums #ViralTweet

https://youtu.be/Vghmzf4PTI0

[uefunderneatharchive]

The Underneath Exploration Federation

Tristan here! I figured it would be a good idea to explain a little bit about the UEF.

The Underneath Exploration Federation is an internationally-funded organization tasked with the daunting feat of... well, exploring the Underneath. We do more than that, of course; besides cataloging the various levels, creatures, and cultures found in the Underneath, we're also tasked with maintaining good relations with the friendly denizens of the Underneath, such as the willos and artifactlings.

According to the custodians and friendly denizens we've been able to establish contact with, our world both isn't the first to come in contact with the Underneath, and is welcome to try and "tame" the chaos; according to them, "worse cultures have tried" and if we're at least civil and not exploitative of the Underneath and its people, we're allowed to try and make friends.

We've found remains of those cultures that weren't so civil.

So! You'll have seen references to LT Orchard as well as my own MAJ rank. Because of the unique circumstances of the organization, international law does require us to be labeled as a military organization in order to get the funding and resources required. Unfortunately, research grants don't account for armaments, so they kinda stuck a military organization around a research team, gave that research team the funding for actually researching, and gave the military around it the funding for the weapons and armor.

Hey, if it works, it works. Even if we're labeled as a military organization, we're not actually expected to be waging wars. That's kind of the opposite idea of what we're trying to do, anyway. And, because it's a federation, there's multiple smaller groups within the UEF, such as the research teams (also known as the Underneath Research Foundation) and the teams that scout for people who slipped accidentally into the Underneath (the Recovery Technical Team, aka the "Retroactive Traction Team" since they're anti-slip after the slip happens).

The UEF is... strange. Like, eccentric to a fault. I certainly don't help, but there's a lot of stuff that you wouldn't ever see in a military organization like this. For example, the standard armors here might be made of military-grade aramids, but they're all made in the style of "adventurely" tunics and robes like it's something out of a fantasy story. Hell, LT Orchard wears a full-ass set of plate armor, and some of the explorers opt to go for brigandine-style armor and jack-of-plates with metal plates too. It's, of course, all a response to the Underneath itself; you aren't likely to find monsters that fire bullets at you, so the safety of steel is just as good if not better against rending claws than combat vests and fatigues.

We've also been going back to melee weaponry! It's a weird feeling: after decades of guns, artillery, tanks and planes, and military-grade ritual casting, we're picking up swords and spears again and fighting small-scale. We still have some people using guns, but it's way easier to enchant melee weapons... guns are too complicated to carry enchantments, you have to do things like mass bless a box of bullets, and that gets expensive. The magic that we have access to is so good too, like, not only do we get some choice samples of spells from every manufacturer that donates to us, but the Underneath straight-up spawns new spells, basically. That's all I can describe it as, Lordedge discs and Gravitas tapes will just appear in dungeons and contain the weirdest and coolest bootleg spells that no one's ever heard of.

Anyway, I'm rambling on a bit too much. You've got a good slice of what the UEF is and how it works, so if you're interested in more, there's that shiny ask button to click on. I think. Did Mal set that up right? I think he did.

Well, this has been Tristan, signing off!

[phongtro123com]

Phòng trọ Nguyễn Gia Trí, Bình Thạnh, DT 28m2, giá 5,5 triệu/tháng

Cho thuê phòng trọ Nguyễn Gia Trí - Bình Thạnh, diện tích 28m², giá chỉ 5,5 triệu/tháng

Chào bạn! Bạn đang tìm kiếm một không gian sống lý tưởng, tiện nghi và giá cả phải chăng tại khu vực quận Bình Thạnh? Phòng trọ Nguyễn Gia Trí chính là lựa chọn tuyệt vời dành cho bạn. Với diện tích rộng rãi 28m², mức giá thuê chỉ 5,5 triệu/tháng, đây chắc chắn sẽ là một môi trường sống lý tưởng cho các bạn sinh viên hoặc người đi làm, đặc biệt là những ai cần sự tiện nghi và gần gũi với trung tâm thành phố.

Điểm nổi bật của phòng trọ:

Diện tích thoải mái 28m²: Phòng có không gian rộng rãi, thiết kế thông minh với gác lửng, giúp bạn có thêm không gian sinh hoạt và lưu trữ đồ đạc, tạo cảm giác thoáng đãng và thoải mái.

Nội thất cơ bản đầy đủ: Phòng đã được trang bị nội thất cơ bản như giường, tủ quần áo, bàn làm việc, kệ để đồ, mang lại sự tiện nghi ngay khi bạn chuyển vào ở.

Vị trí thuận lợi: Phòng tọa lạc tại khu vực đường Nguyễn Gia Trí, gần các trường đại học lớn như HUTECH, UEF, là lựa chọn lý tưởng cho các bạn sinh viên. Ngoài ra, với vị trí gần ngã tư Hàng Xanh, bạn dễ dàng di chuyển tới các quận trung tâm, tiết kiệm thời gian và công sức mỗi ngày.

Tiện ích vượt trội: Tòa nhà có thang máy giúp bạn dễ dàng di chuyển giữa các tầng. Hệ thống hẻm rộng, ô tô ra vào thoải mái, rất thuận tiện cho việc di chuyển và đậu xe.

Cửa sổ thoáng mát: Phòng được thiết kế với cửa sổ lớn, đón ánh sáng tự nhiên và không khí trong lành, giúp không gian luôn thoáng đãng, dễ chịu.

An ninh 24/7: Với hệ thống an ninh đảm bảo, bạn sẽ hoàn toàn yên tâm khi sống tại đây. Bảo vệ và camera giám sát hoạt động 24/7, mang đến sự an toàn tuyệt đối cho bạn và tài sản của bạn.

Dịch vụ chăm sóc khách hàng: Chúng tôi luôn sẵn sàng hỗ trợ bạn trong suốt quá trình thuê phòng, giúp bạn giải quyết mọi vấn đề nhanh chóng và dễ dàng.

Liên hệ ngay để không bỏ lỡ cơ hội thuê phòng tuyệt vời này!

Nếu bạn đang tìm kiếm một không gian sống an toàn, tiện nghi và gần các trung tâm, đừng bỏ qua phòng trọ Nguyễn Gia Trí. Liên hệ với chị Thùy ngay hôm nay để được tư vấn chi tiết và sắp xếp lịch xem phòng.

Hãy đến và trải nghiệm không gian sống tuyệt vời tại Nguyễn Gia Trí – Bình Thạnh, nơi bạn có thể tận hưởng cuộc sống tiện nghi, an toàn và thoải mái!

Liên hệ: Chị Thùy – SĐT: https://phongtro123.com/phong-tro-co-gac-ntcb-gan-hutech-uef-nga-tu-hang-xanh-pr671736.html.

Chúng tôi luôn sẵn sàng chào đón bạn!

[beperoncin]

i Love he r

[kleyversonrodrigues]

CENA FINAL | "JUÍZO FINAL", direção de Geovane Mascarenhas. Espetáculo apresentado pela turma da "Oficina de Aprofundamento em Teatro: Montagem de Espetáculo I" do Teatro Oficina do Cuca (Toca/Cuca/UEFS) em 12/06/2023 no Teatro Universitário do CUCA.

[justveeing]

Captains' Gambit UEF Captain James Kirk and Captain Spock of the Sh'Rel have been working together for months to take down the Romulans. The culminating mission could mean incredible things for Vulcan-Human relations. My K/S Spring Fever 2024 entry! Originally posted to AO3, to the Spring Fever Collection. Don't forget to check out the amazing works produced this year!!!!

[riaaanna]

Innuendo - Back to the Tapes (2017)

On Saturday 30th September 2017, an event called Innuendo: Back to the Tapes was held at Metropolis Studios. Noel Haris and Justin Shirley-Smith, two of the engineers from the original production team, hosted a masterclass to deconstruct tracks from the album. Tickets were priced at £350 (proceeds to Mercury Phoenix Trust).

So why am I posting this today? Absolutely no reason other than my obsession with Queen session tracks and how much it hurts that I wasn't in the fandom living in the UK with enough money by the time this was held. I expect a total of zero audience for this post, this is mostly for myself but if you'd like to know what gems were there you can give this a read!

Due to recording restrictions (they confiscated phones!) there were no recordings of this event, hence here is my attempt to collate various reports and images from those who went there, and most importantly, recollections of what was played there. Some highlights include Innuendo and These Are the Days of Our Lives with Roger's vocals and The Show Must Go On with Brian's vocals. Oh what I'd give to hear those just once. Long post warning!

These publicly available accounts are collected from the following people on multiple platforms, thank you to them for sharing: UEF/Dan Thomas, Sunshine, anato, Ivan Petracchi, Ploughman and Jean Paul Vaudenay (for photos and video). By the time of event, unfortunately David Richards (engineer) has passed away, but one account noted that he was still heard through the takes.

THE EVENT

Sunshine: We were received with special “Freddie” Moët & Chandon champagne, bottled in a bottle with his picture. A word of welcome by the CEO of Metropolis (Richard Connell) and host, a DJ on UK radio (Matt Everitt of BBC 6 Music). The studio itself is such a special place to be. You walk around in the setting where the Headlong video was recorded.

UEF: Metropolis Studios IS the Headlong video. Everything is there and looks like it did in 1991. The Art Deco exterior (that head the spotlights on it in the video) is the entrance /wall to the studio. The bookshelf the band lay on is there.

We enter and go up the flight of stairs to the bar, the same stairs that Brian is playing his guitar on in the video. The studio looks the same as it did in 91, very much a creation of the early 90s with purples, blues and shiny steel. Only small things like speakers and computer monitors have changed.

We’re shown the drum recording room, which is a fairly small concrete room of about 2.5 meters on each side. The larger recording room has a piano in the corner, regularly said to be Freddie’s but actually not the case. Still a lot of people recording there have claimed (or been told) that it’s his. The story goes that they didn’t like the sound of the house piano when recording and had Freddie’s Steinway brought in instead. This now lives in Brian’s house.

We had our phones taken off us for the session so as not to record, and these were placed in the drum room.

The group is treated to a champagne reception, Moet et Chandon is served from a pretty bucket, and finger foods are served by waiting staff. After the session the group is treated to a free bar in the ‘Mercury Bar’ upstairs. Justin, Noel, Greg Brookes and other members of the Queen team laugh, joke and drink with the fans. Atmosphere is very informal and jocular.

anato: We had to hand our phones in. No devices in the room. Justin mentioned that's why Brian gave him free reign to play what he wanted. Nick (Weymouth) from QOL was recording with one of those fancy journalist digital recorders. Suspect this was a copy for QPL to listen to should they need to.

Ivan: 3 pm the doors open and we are received with a special bottle of Moet champagne with a Freddie logo on it. Nice detail. Lots of conversations between fans, and what we can expect today. At 3:45 pm the head of Metropolis Studios introduces the event and explains there will be no phones or cameras allowed into the studio room. Understood. We all hand in our phones and cameras at the door.

Once inside Studio A (we all recognize this place, right?), the host Matt Everitt introduces Justin and Noel, to a deafening applause. They both talk about their work with Queen and how they met them for the first time. You can tell they both have an incredible respect for the band and lots of vivid recollections.

TRACK: INNUENDO

UEF: Working title for the song - “Bolero” (as written on tape box) (note: tape box on the right handwritten by Noel Haris).

The first song we listened to. We spent about 2 hours on this song alone. Listened to various takes at various parts of the recording process. It (and a lot of the album apparently) was very much a creation of the studio; they’d sit there playing riffs and chords and mumbling until something took fruition.

Early takes consisted of Freddie playing the keyboard opening chords and mumbling a basic version of the verse melody. No real lyric at this stage. Lots of discussion between Freddie and Brian on which chords to use… “and that brings it back nicely to the E”, says Brian. Freddie calls out for a C# chord at one point.

We move to later takes in the recording process. By now, the song is sounding a lot more together. The verse is pretty much there, about half of the Spanish guitar bit and some of the ‘You can be everything you want to be’ section, not all of it.

A later take. By this point Roger has written 95% of the verse and chorus lyrics (minus mid sections) and has made a guide vocal for the song. The Roger version of Innuendo would make a great ‘demo’ to go in a deluxe album set. It’s reasonably complete.

We then listen to Brian and Steve (Howe) recording the Spanish section. Brian has a go at doing the flamenco leads and they’re panned for comparison; Brian in the left channel and Steve in the right. Brian’s sounds pretty good! There’s a section of Steve’s line where Brian had to drop in a correction after he’d gone.

Also heard is the lower of the guitar harmonies playing the ‘All through my sorrow, through my splendour’ guitar motif Brian has a few attempts at getting the end guitar run right. A band member suggests ‘we could change this, we could change that’. Brian replies ‘…or I could just get it right”. A long feedback section is recorded for the end.

At some point there’s some discussion on what to do next while an impatient Roger in the background shouts ‘COME ON’ from the drum recording room.

Handclaps seemed to extend longer in the song than they do on the record.

Sunshine: Innuendo was definitely the highlight as we got insight how the track was written by the band. It started as a fairly standard rock n roll jam, kind of Aerosmith alike and developed into this epic beautiful song. I’m sure we can debate a long time about what we heard and it was just amazing. We spent 1.5 hours on unledding Innuendo. Also a Roger sang version of Innuendo was heard.

Innuendo’s keyboards are from Freddie. Lyrics are from Roger.

Innuendo started as the first track in early november 1989.

anato: Brian was nervous to do another take in case he made a mistake. Freddie and John said let's do another!

Ivan: Amazing. Indescribable. We spent 2 hours with only this song. It seems the song was written and developed in three separate sections:

First, the main part of the song, which was a jam session with all four playing together. Freddie ad-libbing some melody here and there. We heard a couple of takes of this section.

Second, there was the Spanish (guitar) section, mainly developed by Brian it seems. There was even a line sung by him singing, ”Let my heart go, where the wind blows, don’t take offence at my innuendo…”, so different lyrics there. We then heard the main Spanish guitars, with some runs by Brian and Steve.

And third, the "you can be anything you want to be..." section, which Freddie developed by taking a drum loop section of the Spanish motif heavy guitar section, and on which on top he played piano, with a very Spanish feel, singing the melody which was finally used with a Montserrat falsetto flavour style. Later on, the piano and drums were taken out and they orchestrated it. I asked and Justin said maybe Freddie and David (Richards) were in charge of the orchestration.

We also heard a Roger sung version of Innuendo, with his self-written lyrics, which make the final cut, and noticeably one line was reversed, in which he sang:

“Till the mountains crumble into the plain – boy

While there's a wind and the stars and the rain”

Then this line was reversed, and included rainbow, instead of rain, and took out the word “boy”.

Hearing Roger sing this song was very nice, and he did a great job, but one of the main things I personally felt after hearing these 4 songs, is how much magic Freddie gave to the final versions. Roger sang great, and it is the same song, but Freddie singing elevates the song somewhere else, and makes it magical.

So, The Show Must Go On, Days Of Our Lives and Slightly Mad had to be slightly pushed to get to a reasonable 8 pm time end for the event. Versions with Brian and Roger singing different arrangements of the songs and much more was played.

TRACK: I'M GOING SLIGHTLY MAD

UEF: Freddie works this one out in the studio too. There are a lot of other “I’m not…” analogies tried before he settles on the final lyric.

Brian plays a different slide solo, some of the notes make it into the final version. It’s altogether not as good as on the record.

An ‘absolutely mental’ mix is played towards the end of the whole song. It’s utterly cacophonous and full of samples of screaming and random sound effects. Perhaps to be destined for a 12” mix or maybe dialed down to go on the record.

Sunshine: Alternative version (of this song) was interesting. I'm Going Slightly mad started on December 4th 1989.

Ivan: I think we heard an extended version of the Mad Mix version with lots of strange noises going on. Not much to say here to what has already been said.

TRACK: THESE ARE THE DAYS OF OUR LIVES

UEF: Like Innuendo, a Roger version of this is heard where he sings the full song (in much the same manner as he does for the current Queen + Adam Lambert tour). Brian plays different trills in the verses. Guitar solo is only half as long - the louder/faster section isn’t in the earlier take.

Some takes of the song feature Deacon playing a descending motif in the chorus on his bass, ‘These-are-the-days-of-our-‘ - that matches the vocal melody.

In another take the same idea is tried on the chorus but using a Deacy Amp guitar harmony. Again matching the ‘These-are-the-days-of-our-lives’ melody. It sounds quite out of place. Sonically similar in timbre and pitch to the ‘You’re My Best Friend’ outro guitars. It was removed for the record, possibly (recalls Justin) because it sounded too linear.

Backing vocals are supplied by Brian and Roger at least on the takes we listen to. Guitar solo is revealed to have been played on the Zoom 9002, for the delay sounds.

Sunshine: This was a Roger song and they also played the Roger version which had a different melody in the verses and sounded quite different from the version he sings live these days.

The song started with the sampled congas and same format of the song. Different guitar solos, Justin played I think 3 different guitar solos. Lyrics were more or less the same as the end product.

anato: In a funny way another request for the bass line from These Are the Days of Our Lives stole the show. So subtle. What musicians they were / are.

Ivan: Again, we heard Roger singing the song. And it was very similar to the final arrangement, but the chorus felt a bit awkward, some different chords in the “these are the days of our lives” line, and the backing vocals, possibly by Brian, felt like it was too much singing there. Difficult to explain, but the music in the chorus was a bit different, and the way it was sung changed the feeling of the song a bit. The solo was only half of what we hear today, only the first part was there.

TRACK: THE SHOW MUST GO ON

UEF: Mostly a Brian solo record in its demo form. Brian has the intro keyboards from the off and sings the whole song. There’s a particularly high part (I take it with a grin, I’m never giving in, on with the show) where Brian audibly struggles to sing with full voice (it’s sung instead in a very thin head/falsetto voice) - the same part he’s said in interviews that Freddie hated him for writing. Apparently this was checked over with Brian beforehand as to whether he wanted it listened to by us or not.

Different guitar solos are played and there is some experimentation with harmonies in parts that aren’t quite right and would be further improved for the record.

Sunshine: Afterwards we also got insight in the other tracks with The Show Must Go On being very poignant. The Show Must Go On and this one were songs that Brian and Roger brought themselves nearly finished. Especially The Show Must Go On was 90% finished. Justin played spectacular Red Special sounds on that track.

I especially loved the drum sounds. Roger is really a fantastic player and also without clicks. Very very impressing stuff. His drum sound sounded SO good. Fat and aggressive and natural on this song. Brian played extremely complicated parts for that song.

The Show Must Go On started on March 22nd 1990, last sessions were in September 1990.

anato: They gave us the opportunity to ask for what we would like to hear. I asked for the drum-only track from The Show Must Go On at loud volume. The jaws of the room dropped including Justin and Noel when this was played. Then when finished Noel said no click tracks for Roger. Astonishing.

They played an 8 second guitar motif for this song that Brian had done 16 takes for. It never made the final mix. Noel used it as an example of what a workaholic Brian was.

Ivan: Another highlight of the afternoon. First thing we heard started with a drum machine, and everything on top of that, with Freddie singing.

Then we heard a complete Brian sung version. He sings it exactly as the final version, but again, like I said before, then Freddie comes in and does his job, and wow!

We were shown some guitar overdubs which were nothing short of amazing. A LOT of guitars in there. Lots of things going on in the background.

Ploughman: We heard Brian’s demo during [this session]. So the main song was done with drum computer already before Roger joined. But the drums are real. Again that bass drum and snare drum sample on top of them. That roomy sound comes from Metropolis Studios drum cavern, which is a closed tiled room with a very high roof.

They showed the evolving stages of The Show Must Go On for example. The first version had a simple drum machine and Brian playing the synth motif with a clean guitar. Then next version had the synth but still that drum machine. And later Roger added the live drums, that were recorded in the tiled drum booth at Metropolis. The sound is really reverbly there.

OTHER TRACKS (NOT PLAYED)

UEF (on Headlong): A band member’s (Brian’s?) handwritten chords on paper passed around. Song simply broken up into bars with a chord symbol in each.

Recording setup for the song revealed to be 2 Zoom 9002 units in stereo, to the desk. No AC30 for the effect sounds. (AC30s would still be used for the rhythms, just not for the parts where the guitar sounds swooshy). On Zoom: they seemed to think it was used on more than those two, just couldn’t remember which songs.

UEF (on Delilah): When recording Delilah - there was an argument over whether to use the lyric ‘you silly goose’. It was put to vote and the camp was split roughly down the middle as to whether to include it or not. Noel Haris was given the deciding vote. He asked Freddie, ‘Would you say that to your cat?’. Freddie said no. So Noel replied, ‘Well don’t say it then, it sounds silly.' Freddie apparently told him ‘Well what the fuck do you know, you’re sacked!’. Not sure how jokingly Freddie meant this, but Noel said he apologized later that day. The phrase later used on a mix of Slightly Mad.

RECORDING DETAILS

Ivan: I seem to recall the Innuendo sessions were Split in four:

Session 1 in Montreux approx. Nov-Dec 1989

Session 2 in London approx. Jan-March 1990

Session 3 in Montreux approx. May-Jun 1990

Session 4 in London approx. Aug-Nov 1990

I actually asked Justin about first or last song to be recorded for this album and he said he didn't know/remember.

UEF: Brian: Shure SM57s for the guitar amp, with one (possibly Neumann) facing into the sweet spot, one further back in the room (not 100% on details). Brian played Pete Cornish TB83 booster in the control room, with a longer cable that would go to a single AC30 in another room. Brian never in the room with the amp unless for specific feedback purposes e.g. noise at the end of Innuendo. Some Deacy Amp recording, presumably using TB83 as well. Zoom 9002 into desk for solos on Headlong and Days of Our Lives, possibly others. Brian would find the sweet spot on the amp himself by listening to treble booster noise on headphones and repositioning mic.

Freddie didn’t like wearing headphones to record vocals. Instead, they set microphone up on a stand in the studio approximately in the area where we were sitting. By his feet he had two monitors out of phase with each other to reduce spill into the vocal track. When listening to Freddie’s vocals solo, occasional band mix comes over from the monitors. This is an indelible part of the vocal track. Freddie used a Shure 85 (not 58!) for vocals.

Oh yes – John was a mix of Hi Watt amp and a direct feed into the desk for his tone.

anato: There was a lot of technical questions surrounding placing the drums, microphones used, reverb, offshoots, mixing techniques etc. However one of the fans insisted the technical stuff was beginning to swallow the discussions at the expense of listening to the precious music.

Sunshine: Another thing is to hear how the tracks we recorded live through these gigantic studio speakers. So incredible good quality and it is as if they perform right next to you. All kind of studio chatter. Very good mood from all members.

OTHER STORIES

Sunshine: What I also thought was very interesting is to get insight in true band dynamic. There was obviously some tension about musical differences and Noel told he always went to get coffee until they cooled down again. Funny stories from him. He was in awe to hear Freddie sing his heart out right one meter next to him. And he was totally baffled by Freddie’s performance and Freddie would say: discard it, I’ll try again. But Noel didn't discard anything. He kept everything.

Also, Brian and Roger were opposites in many ways and were quibbling quite a lot. Freddie was the meditator and glued everybody with his witty humor. Freddie was funny all the time. Despite his illness he didn’t lose his humor. He was also never tired when “on duty”, he never complained and gave his all.

John’s role is underestimated. He didn’t say a lot but if he did, everybody listed and he was always spot on. John didn’t contribute with any song of his own, only contributed with additions to songs. All members played their keyboards on their own songs.

Note: Justin Shirley-Smith himself posted a response to this:

Hello. I just want to clarify one point. Sunshine has written above: “John didn’t contribute with any song of his own”. I believe this is paraphrasing an answer I gave last night. I don’t believe I said that. If I did, it came out wrong and I apologise. I only saw what happened at Mountain but most of the Innuendo sessions were at Metropolis so how could I know this? What I meant is: I do not remember if any of the songs on the album originated from John. I think it's highly unlikely that John did not bring song ideas to the sessions as he always did.

Noel also mentioned Brian was really always there while the rest let Dave, Justin and Noel doing their job. Dave was the fifth band member at the time, he contributed with creative ideas but is not credited for it. Also, they went always out for dinner at the local Chinese or Indian restaurant at the corner. When Freddie got more ill, they stopped doing that. Also interesting, no one from the production team had to sign a contract of secrecy about Freddie’s health despite they knew it. That shows there was a lot of trust and these 3 guys were really close to the band.

Brian agreed to this event under the condition that nothing would be recorded. Justin stated that Brian gave carte blanche, Justin could play anything and both Justin and Noel were speaking openly, also how they experienced the sessions with the good (amazing musical performances and very cheerful Freddie), bad (the neurotic perfection of Brian May that caused very long days) and ugly (the quibbling and Freddie's deterioration)

UEF: Noel said that his tactic for avoiding band conflict was to go and make coffee to remove himself from the room.

Brian came into the studios one day and heard drums int he distance. “Ah, Roger’s already here then” - he could tell from the sound which amazed the engineers.

Brian messing around on guitar a lot between takes. At one point mixture of shredding and playing things like Johnny B Goode to other band members annoyance!

One untitled blues jam in which Brian is very much leading the arrangement. John plays bass as if unsure of the changes or maybe working out something more elaborate.

Freddie had to enter the studio each day via a side entrance, with his bodyguard, to evade paparazzi who would stay at the front gate. The band and staff would eat locally some times in the week, and due to the location a band member would occasionally take a week off to be with their family. Part of the press treatment suggested to be part of the reason for moving to Montreux for the later sessions.

BONUS VIDEO

(by Jean Paul Vaudenay)

That's the end of the compilation! Very interesting insights and I hope some of you found them useful. Thank you for reading!

[materialsscienceandengineering]

New materials could advance OLED display development

An international research collaboration has developed promising new materials that could improve the manufacturing of electronic displays. The study, published in Communications Chemistry, introduces a simpler and more cost-effective approach to producing blue OLED displays used in smartphones, tablets and televisions. The research team, led by Dr. Alexander Romanov at the University of Manchester, included valuable theoretical contributions from Professor Mikko Linnolahti and Doctoral Researcher Nguyen Le Phuoc at the University of Eastern Finland. The UEF team's expertise in computational chemistry helped elucidate the electronic properties and behavior of the newly developed materials.

Read more.

[garrulus]

realno naši su trebali dobit albaniju i bit mirni, a ne ovakva sranja i pičke materine, al više mi je pun kurac i fife i uefe i njihovih sudaca nabijem vas sve na kurac i vaše kartone i nadoknade i vraćanje autova i pregledavanja očite ruke i sviranje prije zadnjeg napada jebite se. dajte trofej već kome hoćete koji kurac se igra uopće više turnir. ne razumijem, imajte svoju europsku super ligu nek budu unutra njih 6, 7 i nas ostale nemojte ni zvat. prodajite dresove i dabogda crkli u parama. mrš!

[bana-ki-art]

Kyu

I watched the cartoon "Koo! Kin-dza-dza " and GOD IT'S BEAUTIFUL. This is the gold of Russian animation, the cartoon was released relatively recently in 2013 and looks very good, I will not describe it, look for yourself, you will not regret it. I drew my favorite characters Bi and Uef, well, of course I liked Bi more (*^^*)

[tecontos]

Contando como dei meu cú pela primeira vez !

By; Regina

Eu me chamo Regina, tenho 24 anos. E vou contar pra vocês, como criei coragem e dei o cuzinho, e posso garantir que é muito bom.

O conto ficou um pouco extenso mas quis relatar tudo de uma vez, leiam tudo e não percam nem um detalhe, garanto que vocês vão se divertir e gozar muito com meu relato de como criei coragem para perder o selinho do cu.

Meu fetiche são homens maduros ou casados. Sempre que noto algum interessante, já começo o jogo de sedução. Não sei explicar tal fascínio.

Talvez porque, as transas com eles foram gratificantes. São amantes acostumados a dar prazer à parceira. Aproveitam o máximo quando conseguem dar uma escapadinha. O sigilo é garantido, além de não ficarem pegando no pé.

Já tentei fazer anal. Doeu tanto que nunca mais deixei. Porém, vendo filmes pornôs, ficou a curiosidade. As atrizes parecem sentir prazer de verdade. Sem contar relatos que li aqui e em outros sites.

Sou Regina, na época 21 anos, baiana, morena, cabelos lisos nos ombros. Tinha acabado de ingressar na UEFS. Aquele verão estava quente demais. Como não temos praias, o jeito é se refrescar em piscinas. Fui com Elza, uma vizinha e Eduardo, irmão dela no Parque Aquático. Pude estrear meu micro biquíni. As tiras mal escondiam os biquinhos dos seios. O fio dental da parte de baixo me dava a sensação de estar quase nua. Nem preciso dizer que por onde eu passava, os homens viravam a cabeça.

O Eduardo então nem se aguentava. Não é de hoje que ele arrasta asa pra mim. Com seus dezesseis anos ele já ficava me comendo com os olhos, todo embasbacado. Talvez um dia, a gente pode fazer alguma coisa. Talvez.

Eu também de olho nos homens. Teve um que chamou minha atenção. Uns 50 anos, barriguinha proeminente, cabelos ralos, alguns fios brancos. Não era bonito. Foi seu jeito carinhoso com as crianças. Filhos ou netos? Estava acompanhado de uma senhora. Fiquei de longe observando aquele pai de família. Teve momento que nossos olhares se cruzaram. Dei um sorriso de cumprimento, no que fui retribuída. A partir daí foi um tal de troca de olhares disfarçados. Com direito a sorrisos marotos de menino travesso, que deixava o coroa mais encantador. Na piscina, Eduardo ficou me abusando, louco, tentando passar a mão. Teve uma hora que me agarrou por trás, encostando o cacete duro na minha bunda.

– Para com isso, Eduardo!

– Puxa vida, Regina, você é gostosa demais!

– Sai fora, Eduardo. Não levo jeito pra babá, tá bom?

Apressada, fui para a rampa e deslizei na água. Acabei entrando de mal jeito, toda estabanada. Quem viu deve ter rido com gosto. Senti duas mãos me segurando pelo tronco, ajudando a me erguer. Na hora pensei:

“Aff! O Eduardo de novo! O danado aproveitando para tirar uma casquinha”.

Me desvencilhei com violência, pronta pra dar um chega pra lá nele. Quando abri bem os olhos, levei um susto. Era o pai de família! Fiquei sem fala, sentindo um leve rubor na face.

– Tudo bem como você?

Foram as primeiras palavras que ouvi dele. Que voz gostosa! Meu corpo tenso relaxou na hora. Sua mão tocava meu corpo e o contato agora era diferente. Que despertava a libido. Meio abobalhada na hora, só fiquei ali zonza, olhando seu rosto. O corpo achegou mais, de forma involuntária.

Quando ele percebeu que a esposa nos olhava, me soltou rapidinho. Afastou indo em direção dela e das crianças. Ela devia estar perguntando de mim, já que enquanto falava, olhava em minha direção. Sei lá que explicação ele deu.

Fui ao bar e pedi emprestado uma caneta. Num pedaço de papel que estava no chão, escrevi meu nome, zap e pedi para me contatar. Quando deu uma chance, passei o papel sem que a mulher dele visse. No vestiário, ao pegar o celular, já tinha um recado. Dizia que chamava Rubens e queria conversar comigo. Porém, a esposa era ciumenta e teria que ser num outro dia. Perguntei quando estaria livre para me encontrar. Queria marcar para o dia seguinte, porém eu tinha plantão.

Três dias depois, na minha folga, nos encontramos no terminal central. Em pleno dia de semana, ele deveria estar gazeteando serviço. Me deu um beijo apressado e sem dizer nada, já foi para a Avenida Contorno, rodovia 324, região de motéis. Eu pensando que iríamos para um shopping.

Por mim, solteira livre e desimpedida, tudo bem. Ele que por ser casado, não poderia ser visto em local público. Assim, me deixei ser levada, apesar de achar que estava indo rápido demais.

Pouco sabia do Rubens. Seu jeito seguro de quem sabia o que estava fazendo, era um tanto intimidador. Devia ter certeza que iríamos transar, já que quem tomara a iniciativa tinha sido eu.

Quando desligou o carro na garagem da suíte do motel, ele se transformou. Veio me agarrando, dizendo que estava louco por mim desde que me viu. Logo estávamos trocando beijos e amassos, com as mãos passeando pelo corpo do outro.

Entramos no quarto como dois malucos, tirando as roupas. Nem fechamos a porta. Enquanto me beijava, ele me prensou na parede. Seu mastro duro já roçava a xana, tentando me penetrar. Eu também queria, porém, tenho muitas amigas que estragaram suas vidas com gravidez na hora errada. A dura penas, enquanto continha seus arroubos, pedi que usasse preservativo. Nessa hora, se a mulher não se precaver, bau bau. A cabeça de baixo do homem não pensa.

Camisinha colocada, deixei que entrasse em mim. Ali mesmo, de pé. Descobri que essa posição é bem prazerosa, trocando beijos. O pau movendo de baixo para cima, toca partes mais sensíveis da bocetinha. Tive o primeiro orgasmo. Nem assim, o fogo apagou. Rubens continuou estocando, dizendo o quão gostoso estava a transa. Que eu era linda, gostosa. Um monte de elogios. Não demorou para avisar que ia gozar.

Depois de uma carcada mais funda, parou. Ficamos nos beijando com ele dentro de mim.

Banho tomado, pediu um lanche pelo interfone. Comemos acompanhado de uma bebida gasosa, que continha álcool. Parecia uma espécie de cidra com sabor de pêssego, muito gostosa. Como não sou acostumada, logo senti um calor tomar conta de mim.

Conversamos bastante, podendo então nos conhecer melhor. Ele era bem casado, porém, gostava de ter aventuras fora. Tranquilizou quando eu disse que entre nós seria apenas uma amizade colorida, sem maiores consequências.

Deitamos na cama, continuando a conversa, entre beijos e amassos. Ele tomou a iniciativa de me chupar, retribui num delicioso 69. Acabei tendo outro orgasmo.

Foi quando ele perguntou:

– Você já fez anal?

– Não.

– Quer dizer que você é virgem no cu?

– É isso.

– Quer tentar fazer?

– Acho que não. Dói muito.

– Bom, isso depende de quem faz e como faz. Se for com cuidado e carinho, nem dói tanto assim.

Deu vontade de perguntar como ele sabia disso. Por um momento passou pela minha cabeça uma coisa engraçada. Quase perguntei se ele já tinha feito anal pra saber. Rsrs. Mas, não disse nada. Rubens insistindo:

– Olha, vamos só tentar, está bem? Se você não quiser ir adiante, a gente para. Tá?

Olhei para seu pau duro e inchado. Aff… Aquilo não iria entrar fácil no meu cuzinho. Enquanto isso, ele já tinha encapado com outro camisinha e passava um óleo lubrificante. Ficou deitado de barriga para cima e me tomando pelos braços, fez eu ir por cima.

Ainda cheia de dúvidas se faria ou não, me deixei conduzir. Se um tinha curiosidade, o medo era angustiante. De cócoras fui abaixando o quadril até a ponta tocar na entrada. O contato fez o anelzinho piscar de forma involuntária. Abaixei um pouco mais com o pau escorregando pelo rego. Rubens segurou nele e tentei outra vez.

Confesso que estava com as pernas trêmulas de apreensão. Quando senti a cabeça firmemente encostada na borda do buraquinho, desci um pouco mais e… uiuiui, entrou um pouco. Nossa! Nem sei se doeu mesmo ou o susto. Pulei como picada por uma cobra, me afastando.

Deitei a seu lado e disse que não queria continuar. Ele ficou me beijando, acariciando e insistindo. Quando dei por mim, estava de bruços com um travesseiro sob a barriga. De bunda empinada e ele passando lubrificante nas preguinhas. Enfiou um dedo no buraquinho. Aff… que sensação mais esquisita. Humm… pareceu gostoso e deixei ele continuar a manipulação.

Agora eram dois dedos melados de gel que se afastavam um do outro, alargando, lubrificando as entranhas do meu cuzinho virgem. Causava certo desconforto, mas, era agradável. Ele subiu em mim, praticamente me montou. A ponta da vara tocou no rego.

Naquele momento, todo temor voltou. Estava presa entre ele e a cama, o travesseiro embaixo da minha barriga, sem rota de fuga. Pensei em sair debaixo, mas algo me dominava e fui me entregando. A coisa dura já estava forçando a entrada, pedindo passagem. Timidamente tentei negar, pensando num jeito de adiar, deixando para uma outra vez. Rubens me seduzia com palavras, dizendo que eu não sabia o que estava perdendo, que eu ia gostar. Aqueles clássicos chavões que agora sei, tipo de só colocar um pouquinho, a promessa de se doer eu tiro… Foi quando entrou.

Ó pai! não…nossa! Doeu sim. Doeu a ponto de eu contrair os músculos anais, tentando expulsar o invasor. Não tinha para onde escapar, com ele pesando em mim. Enterrei a cara na cama, mordendo o lençol. Gritei.

Ele então parou. Eu dizia que não queria mais, que já bastava. Que estava doendo. Pedia para tirar, enquanto ele me acalmava, dizendo que a dor já iria passar. Só mais um pouco, só mais um pouquinho, dizia. Pedia para mim relaxar. Aff!… Era grossa a coisa dentro de mim. Parecia brigar com o interior do meu cuzinho, procurando espaço na marra. Devo ter chorado, sei lá.

– Chega! Tira, tira! Está doendo! Para! Não quero mais!

– Só mais um pouco, amor. Eu já tiro, tá bem? Só mais um pouco.

Nesse ¨já tiro¨ e ¨só mais um pouquinho¨, fui sendo levada na conversa. Estranhamente, não era mais dor o que sentia. Era algo diferente e inusitado. De estar com o orifício virgem preenchido. Movi lentamente o quadril empalado para confirmar. Apenas uma leve ardência. Aquilo me deixou mais relaxada. Esse movimento fez com que entrasse mais um pouco.

Nossa, o pequeno avanço me pareceu gostoso. Rebolei de novo um pouco. Apesar de arder um pouco, confirmei que era agradável. Remexi agora com mais intensidade. Rubens aumentou a pressão e o seu pau avançou. Ficamos nesse jogo e a penetração cada vez mais profunda. Doía, porém, uma dor suportável.

Deve ter entrado bastante, tanto que ele puxou o invasor. Ajudar evacuá-lo foi bem prazeroso. Desejei que fizesse tudo de novo. O entra e sai. Cada vez mais forte, mais rápido, mais fundo… Me alargando… Não era eu que estava no controle da situação. Eu apenas recebia as carcadas. Era ele, Rubens quem controlava. Que metia e tirava. Eu rebolava tomada pelo prazer diferente. Deu vontade de masturbar. Consegui enfiar a mão, siriricando o clitóris. Rubens fodia como um garanhão, enquanto dizia:

– Que cu gostoso! Que cu apertado, amor! Gostoso demais! Demais!

Eu rebolava, rebolava e masturbava. Veio o clímax. Algo que nunca havia sentido. Forte, intenso, dolorido. A ponto de provocar piscadelas na xana e cuzinho ao mesmo tempo. As batidas do coração aceleradas e a respiração arfante. Fiquei parada, quieta, deixando que ele concluísse a sodomização.

Passei a sentir ardência maior ao ritmo das metidas. A cada socada forte, eu expulsava todo ar dos pulmões. Na saída da vara, puxava o ar com força. Isso de forma alucinante. Até que ele gozou, me empalando profundamente. Senti todo o peso do seu corpo sobre o meu.

Ficamos assim engatados por um bom tempo, só seu mastro pulsando dentro do meu rabinho, soltando gala e mais gala, enchendo a camisinha estufada. Quando saiu, levou minha virgindade atrás, deixando um vazio paradoxal.

Esse foi meu primeiro anal. Até a dorzinha latente que me acompanhou o resto do dia, foi algo delicioso. Me deixando com vontade de repetir. Nossa, eu gostei de dar o cu! Entendi agora porque dizem que isso vicia, rs…

Já se passaram alguns anos e continuo dando escapadelas com o Rubens, que sempre arruma um jeitinho de da um perdido no trabalho ou na sua esposa pra poder me comer.

Enviado ao Te Contos por Regina

[anretc]

2024 Master List

https://archiveofourown.org/users/anr

Like Bullets on Skin There's a bar, once. Star Wars: The Mandalorian. Din Djarin/Bo-Katan Kryze. Teen And Up Audiences. January 2024.

Where the Light Goes Space feels cold, after. Star Wars: Sequel Trilogy. Rey/Ben Solo | Kylo Ren. Teen And Up Audiences. February 2024.

Building a Reprise "We should go," she says, but she doesn't move, and neither does he. (aka, Five times Tony and Ziva are together at dawn.) NCIS. Ziva David/Anthony DiNozzo. Teen And Up Audiences. February 2024.

A Harbour in the Tempest The baby stirs in her arms as Beru walks forward to take him, and Padme's broken heart splinters again. Star Wars: Prequel Trilogy. Padmé Amidala/Obi-Wan Kenobi. Teen And Up Audiences. March 2024.

Skin to Bone One-two-three and pause. (aka, Five times Elizabeth doesn't escape, and one time she does.) Stargate: Atlantis. John Sheppard/Elizabeth Weir. Teen And Up Audiences. April 2024.

Bonfire Hearts There are worse ways to survive an ice storm than sharing body heat. Star Wars: The Mandalorian. Din Djarin/Bo-Katan Kryze. Explicit. April 2024.

Shatter Into Constellations Sliding his arm around her shoulders, Cassian tugs until she's pressed tight against him, his lips grazing her temple. (aka, Five times Cassian and Jyn kiss.) Star Wars: Rogue One. Cassian Andor/Jyn Erso. Teen And Up Audiences. May 2024.

A Moment of Warmth When Vala makes a break for freedom as soon as everyone's backs are turned, Daniel doesn't hesitate to follow along. Stargate SG1. Daniel Jackson/Vala Mal Doran. Teen And Up Audiences. May 2024.

Miles and Miles of Mountains He's never really done a long distance relationship before but he couldn't bring himself to walk away from her back when the town of Dante's Peak still existed, and that feeling hasn't really changed in the aftermath of it disappearing. Dante's Peak. Harry Dalton/Rachel Wando. Teen And Up Audiences. June 2024.

This Is Our Place "If you don't mind me sayin' so, y'all certainly seem to have some very mature opinions for ones so young," says their realtor, locking the door after them and placing the key back in its little lock box. "Old souls," says Jack, straight-faced. (aka, Mini!OTP go house hunting.) Stargate SG1. Clone Sam Carter/Clone Jack O'Neill, Sam Carter/Jack O'Neill. Teen And Up Audiences. June 2024.

As the Pendulum Swings The last time she left LV-426 she lost fifty-seven years and her daughter. She doesn't want to think about what she'd lose this time. Aliens. Dwayne Hicks/Ellen Ripley. Mature. July 2024.

This Way Forward It's unexpected but not unwelcome. Stargate: Atlantis. Asuran | Replicator John Sheppard/Asuran | Replicator Elizabeth Weir, John Sheppard/Elizabeth Weir. Teen And Up Audiences. July 2024.

Born in a Thunderstorm It was late when they got back to the hotel. Star Trek: Strange New Worlds. UEF James T. Kirk/La'an Noonien-Singh. Explicit. August 2024.

Just to Feel You by My Side When his hand slips under the edge of her shirt, his palm flat on her warm skin, she sighs a little and he feels it. Star Wars: Rogue One. Cassian Andor/Jyn Erso. Explicit. September 2024.

Tracing Shadows on Your Back They'd promised each other they wouldn't have to be alone anymore. Star Wars: Sequel Trilogy. Rey/Ben Solo | Kylo Ren. Explicit. September 2024.

How Endlessly You Fall Morgause holds out her hand and begs, "sister," but Arthur has her snared, hands her his sword and a dagger and crown of gold and ruby, "please." She stays. Merlin. Morgana/Arthur Pendragon (Merlin). Teen And Up Audiences. October 2024.

Locked Inside Your Heart-Shaped Box She needs to put an end to this -- them -- now, before it goes any further. (It should probably bother her to know that she won't.) Star Trek: Enterprise. Mirror T'Pol/Mirror Charles "Trip" Tucker III, T'Pol/Charles "Trip" Tucker III. Explicit. October 2024.

Love Is Just a Dream Away She smiles. "One more time then." (aka, Five times John dreams of Elizabeth.) Stargate: Atlantis. John Sheppard/Elizabeth Weir. Teen And Up Audiences. October 2024.

Tonight and the Rest of My Life A thin curl of sweet satisfaction. (aka, Five times Cordelia dreams of Angel.) Buffy: the Vampire Slayer. Angel/Cordelia Chase. Teen And Up Audiences. October 2024.

It Must Be Light Wherever You Are The Doctor touches her cheek. "I'll see you soon." Doctor Who. The Doctor/River Song, Tenth Doctor/River Song, Eleventh Doctor/River Song, Twelfth Doctor/River Song, Fourteenth Doctor/River Song. Teen And Up Audiences. November 2024.

When the Whiskey Burns She's been dreaming on this ever since that first night after Liberty Island when she'd woken up craving a drink and a smoke and the warmth of another body pressed up naked against hers. X-Men. Logan/Rogue (X-Men). Mature. November 2024.

Blue as the Sea She's tempted, she is, but she also knows, deep down, that she still likes him too much and he probably only likes her just enough. Star Trek: Strange New Worlds. James T. Kirk/La'an Noonien-Singh. Teen And Up Audiences. December 2024.

Accretion The growing together of separate parts into a single whole. (aka, Five times Cooper and Brand touch.) Interstellar. Amelia Brand/Joseph Cooper. Mature. December 2024.

It's Here That I Belong "I'm alive," he whispers, his voice raw, "how?" She could ask the same thing about herself. Ready or Not. Daniel Le Domas/Grace Le Domas. Teen And Up Audiences. December 2024.

[grayrazor]

It's an interesting narrative choice how the United Earth Federation are the most "good guy"-coded faction in Supreme Commander--their colors are blue and white and they're the guys most prominently featured in the box art and intro cinematic--but their ending is the most evil.

The other two factions are just like "destroy the stargate network so everybody leaves us alone" and "end the war with a peace treaty (definitely no mind control promise 🤞)" while the UEF's win condition is blowing up everybody else's planets with a really big gun.

[phongtro123com]

Phòng trọ Đinh Bộ Lĩnh, Bình Thạnh, DT 25m2, có gác, gần UEF, giá 4,6 triệu/tháng

CHO THUÊ PHÒNG TRỌ CAO CẤP GẦN ĐẠI HỌC UEF, HỒNG BÀNG, VÒNG XOAY ĐA KAO – VỊ TRÍ ĐẮC ĐỊA, AN NINH, TIỆN NGHI

Bạn đang tìm kiếm một không gian sống thoải mái, đầy đủ tiện nghi ngay trung tâm thành phố? Đừng bỏ lỡ cơ hội thuê phòng trọ lý tưởng này!

1. Đặc điểm nổi bật:

Diện tích rộng rãi 25m²: Không gian thoải mái, phù hợp cho cá nhân hoặc hai người ở, thiết kế hiện đại, dễ dàng bày trí theo phong cách riêng.

Ánh sáng tự nhiên: Cửa sổ lớn đón nắng gió mỗi ngày, giúp căn phòng luôn thoáng đãng, mát mẻ.

Tự do giờ giấc: Không chung chủ, đảm bảo sự riêng tư tuyệt đối, phù hợp cho những người bận rộn với công việc và học tập.

An ninh 24/7: Trang bị hệ thống camera giám sát toàn khu, giúp bạn an tâm tận hưởng cuộc sống.

2. Vị trí đắc địa:

Tọa lạc ngay gần các trường đại học lớn như UEF, Hồng Bàng và vòng xoay Đa Kao, nơi đây là lựa chọn hoàn hảo cho sinh viên và người đi làm.

Thuận tiện di chuyển đến các quận trung tâm như Quận 1, Quận 3, Bình Thạnh, Phú Nhuận chỉ trong vài phút.

Khu vực xung quanh đầy đủ tiện ích: nhiều quán ăn ngon, quán cà phê sang trọng, không gian lý tưởng để học tập và làm việc.

3. Giá thuê hợp lý:

Chỉ 4,6 triệu đồng/tháng cho một không gian sống hiện đại và tiện nghi ngay trung tâm thành phố.

4. Dịch vụ hỗ trợ chuyên nghiệp:

Liên hệ ngay Mrs. Thùy để được tư vấn chi tiết và dẫn xem phòng hoàn toàn miễn phí. Chúng tôi cam kết mang đến cho bạn trải nghiệm thuê phòng hài lòng nhất.

📞 Gọi ngay hôm nay để không bỏ lỡ cơ hội sở hữu không gian sống mơ ước này!

Tham khảo thêm số điện thoại liên hệ chủ nhà tại: https://phongtro123.com/phong-tro-co-gac-25m2-tai-gan-uef-hong-bang-pr671286.html.

[jellykyunnie]

They scream. . .

🔥 motivation 🔥

THE JUMPSCARE???? HELL P[OIZX;JSFEA STOP P;KNZ , MY BOOYYSSSS UEF ,DAIAF. I wasn't feeling the best uwaa qwq, IM RLLY SLEEPY RN BUT I FEEL ALITTLE MORE AWAKE ACK WHY SO GORGEOUS THESE MMMEEEEEEENNNN ISTGGG