#Type display books

[uwmspeccoll]

Typography Tuesday

More De Vinne Initials

This week we present a few more initials from Types of the De Vinne Press, published in New York by the De Vinne Press in 1907. The press was founded in 1883 by Theodore Low De Vinne (1828-1914), a co-founder of the prestigious Grolier Club and one of the leading commercial printers of his day, whose enterprise had a profound influence on American printing and typography.

De Vinne defines the initial as:

A large or ornamented letter at the beginning of a chapter or paragraph, as high as many lines of the text type by its side, and lining neatly with its first and last lines . . . .

He further states that "A proper initial at the beginning of a first paragraph always gives attractiveness to the composition. It is the feature that first catches the eye." These initials certainly do.

View more posts from Types of the De Vinne Press.

View more posts with initials.

View more Typography Tuesday posts.

[ragsy]

anyway i swept the leaves out of my garage and built a shelf and those two actions were enough to leave me too tired to do anything about the fact that now there are two shelves in my room that only has room for one of them

[fionnaskyborn]

People like this have made me terrified that I am mischaracterizing my favorite character by playing into his strengths and emphasizing them so much... That I'm making things "too anime", "too over-the-top", and by doing that straying away from the groundedness that made the character compelling in the first place... But I think it's better to be a fan who loves someone so much they're willing to step into goofy over-the-top showcases of strength and morals out of love than being a fake fan who only ever rags on what they proclaim is so dear to them. I dunno. I don't think I'm wrong in saying that. I'm hella insecure when it comes to my own writing, especially with this guy because I want to do him as much justice as I possibly can as a writer. But I have to convince myself that it's not too much.

[fontriver]

Amoria font designed by Guna Studio

[executeness]

In my defense, I was left unsupervised.

Shout-out to

@words-writ-in-starlight and @tanoraqui (Have you heard the good news about Temeraire?!?! Have you heard the good news about Ann Leckie?!?!)

@the-knights-who-say-book (Have you heard the good news about Scholomance?!?!)

and

@batmanisagatewaydrug (Have you heard the good news about placing holds at your friendly neighborhood library?!?!)

Your propaganda has succeeded

p.s... pspsps my newest pocket pal came along

[invinciblerodent]

oh sometimes i'm overcome with the realization of just how sentimental a bitch i am

like i really am straight up just playing make-believe with these characters like they're digital barbies

okay so in Iona's inventory, i've had this necklace

since very early in act 1.

it was in Aradin's chest at the Grove, and it was the first thing "we" managed to get with the "I distract them with conversation/busking and you steal everything that isn't nailed down" act/trick I had thought up for her and Astarion. I thought it'd be kinda cute for him to, at the end of this test run, present it with a ~theatrical flourish~ once just out of earshot of its original owner, and for her to ~graciously allow~ him to drape it around her neck, as a hamfisted and silly act of mock-courtship they both know is false. (it was kind of a... "we both know what this is all about and where it's headed, but wouldn't it be fun to play make-believe and pretend it's something entirely different" type of thing.)

I thought it'd be cute, if a touch bittersweet for her to keep it, just slotted away in her little "sentimental items" pouch, like.... next to the dog toy, her old wedding band, and the other useless junk she couldn't bring herself to throw away or sell.

and then today, i found this as I was selling stuff in the Glittering Gala.

it's the same design. and i like to describe Iona's eyes as "amber" when I write about them (they're kind of a reddish/yellowish, pretty medium brown). and she looks much better in golds and reds than she does in blues and silvers.

so. um.

guess who got this bloody thing "sneaked" into her inventory at the long rest.

if you think i won't 1.) exit a trading screen abruptly, 2.) switch controlled characters, 4.) buy a silly and utterly useless junk item AS that character (thought about just picking her pocket but.... we have 35k gold. why would i.), and 4.) keep it in that character's inventory until it "seems like" the PC isn't "paying attention", and then 5.) drop it into their inventory "unnoticed", all for LITERALLY NO GOOD REASON other than just to act out a silly little gesture and support the little fanfic in my head, well.

you'd be very wrong.

((and i was grinning and giggling downright embarrassingly the whole time too))

[mariocki]

"We should stop thinking in terms of 'compensatory education' but consider, instead, most seriously and systematically the conditions and contexts of the educational environment.

The very form our research takes tends to confirm the beliefs underlying the organization, transmission and evaluation of knowledge by the school. Research proceeds by assessing the criteria of attainment that schools hold, and then measures the competence of different social groups in reaching these criteria. We take one group of children, whom we know beforehand possess attributes favourable to school achievement; and a second group of children, whom we know beforehand lack these attributes. Then we evaluate one group in terms of what it lacks when compared with another. In this way research unwittingly underscores the notion of deficit and confirms the status quo of a given organization, transmission and, in particular, evaluation of knowledge. Research very rarely challenges or exposes the social assumptions underlying what counts as valid knowledge, or what counts as a valid realization of that knowledge."

- Basil Bernstein, Education Cannot Compensate for Society, in Education for Democracy (2nd ed., 1972)

[pagesofkenna]

I just want to be able to search for books using the same complex tagging system i use to look for fanfic

[aerithisms]

i own a physical copy of this is how you lose the time war and have owned it for years but after the whole bigolas dickolas twitter blow-up i saw a recommendation for the audiobook so i started it while making dinner and dude it's so good i highly endorse this method of experiencing the book

[uwmspeccoll]

Typography Tuesday

Last month we presented some printer's flowers and electrotype cuts from from Printing from Metal and Wood, handprinted in 1985 by English type and printing enthusiast Mark Arman at his Workshop Press in Thaxted, Essex, in an edition of 145 copies signed by the author/printer. Today we display some of the diverse type specimens from this book.

The subtitle of the book is, Using Hand Presses and 18th & 19th Century Types, Blocks, Electors, and Decorations; The Story of an Obsession with Printing. The content of the book is clearly idiosyncratic to Arman's approach to printing. He writes:

In Paragraphs on Printing, Bruce Rogers said 'The best printing follows traditional lines because printing is a conservative as well as a preservative art.' By making this modest collection of types and blocks, and illustrating them here, I have accepted this principle. Some biographical details, and a few personal anecdotes have been included, for they help explain how printing became an obsession, and why this book had to be printed. It is hoped it will give some pleasure.

Our copy, another donation from the estate of our late friend Dennis Bayuzick, once belonged to the printing historian Richard E. Huss and bears his bookplate.

View other books from the estate of Dennis Bayuzick.

View other posts on work by Mark Arman.

View other posts on type specimen books.

View more Typography Tuesday posts.

[novella-november]

Do you have the Libby library app?

If not, download it to your phone, and under "Add library card" select the button to search for a library and start typing in "queer"...

Sign up with an email, no actual address required, and you are good to go 🏳️‍🌈

[ID: A screenshot of the Queer Liberation Library Libby main page, showing 6 titles, one of which is an audio book. The titles displayed are the Trans Teen Survival Guide; Mutual Aid: Building Solidarity During This Crisis (and the next); We Will Be Shelter: Poems for Survival; Tomboy Survival Guide; A Burst of Light and Other Essays; and Saving Our Own Lives: A Liberatory Practice of Harm Reduction. End ID]

(thank you @teddypoi-qd for the ID!]

EDIT: Here is the Queer Liberation Library's donation page!

[mostlysignssomeportents]

Happy Public Domain Day 2025 to all who celebrate

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/12/17/dastar-dly-deeds/#roast-in-piss-sonny-bono

In 1976, Congress set fire to the country's libraries; in 1998, they did it again. Today, in 2024, the flames have died down, and out of the ashes a new public domain is growing. Happy Public Domain Day 2025 to all who celebrate!

For most of US history, copyright was something you had to ask for. To copyright a work, you'd send a copy to the Library of Congress and they'd issue you a copyright. Not only did that let you display a copyright mark on your work – so people would know they weren't allowed to copy it without your permission – but if anyone wanted to figure out who to ask in order to get permission to copy or adapt a work, they could just go look up the paperwork at the LoC.

In 1976, Congress amended the Copyright Act to eliminate the "formality" of copyright registration. Now, all creative works of human authorship were copyrighted "at the moment of fixation" – the instant you drew, typed, wrote, filmed, or recorded them. From a toddler's nursery-school finger-painting to a graffiti mural on a subway car, every creative act suddenly became an article of property.

But whose property? That was on you to figure out, before you could copy, publish, perform, or preserve the work, because without registration, permissions had to start with a scavenger hunt for the person who could grant it. Congress simultaneously enacted a massive expansion of property rights, while abolishing the title registry that spelled out who owned what. As though this wasn't enough, Congress reached back in time and plopped an extra 20 years' onto the copyrights of existing works, even ones whose authors were unknown and unlocatable.

For the next 20 years, creative workers, archivists, educators and fans struggled in the face of this regime of unknowable property rights. After decades of well-documented problems, Congress acted again: they made it worse.

In 1998, Congress passed the Sonny Bono Copyright Act, AKA the Mickey Mouse Preservation Act, AKA the Copyright Term Extension Act. The 1998 Act tacked another 20 years onto copyright terms, but not just for works that were still in copyright. At the insistence of Disney, Congress actually yanked works out of the public domain – works that had been anthologized, adapted and re-issued – and put them back into copyright for two more decades. Copyright stretched to the century-plus "life plus 70 years" term. Nothing entered the public domain for the next 20 years.

So many of my comrades in the fight for the public domain were certain that this would happen again in 2018. In 2010, e-book inventor and Project Gutenberg founder Michael S Hart and I got into a friendly email argument because he was positive that in 2018, Congress would set fire to the public domain again. When I insisted that there was no way this could happen given the public bitterness over the 1998 Act, he told me I was being naive, but said he hoped that I was right.

Michael didn't live to see it, but in 2019, the public domain opened again. It was an incredible day:

https://archive.org/details/ClosingKeynoteForGrandReopeningOfThePublicDomainCoryDoctorowAtInternetArchive

No one has done a better job of chronicling the fortunes of our fragile, beautiful, bounteous public domain than Jennifer Jenkins and James Boyle of Duke University's Center for the Study of the Public Domain. Every year from 2010-2019, Boyle and Jenkins chronicled the works that weren't entering the public domain because of the 1998 Act, making sure we knew what had been stolen from our cultural commons. In so many cases, these works disappeared before their copyrights expired, for example, the majority of silent films are lost forever.

Then, in 2019, Jenkins and Boyle got to start cataloging the works that were entering the public domain, most of them from 1923 (copyright is complicated, so not everything that entered the public domain in 2019 was from that year):

https://web.law.duke.edu/cspd/publicdomainday/2019/

Every year since, they've celebrated a new bumper crop. Last year, we got Mickey Mouse!

https://pluralistic.net/2023/12/15/mouse-liberation-front/#free-mickey

In addition to numerous other works – by Woolf, Hemingway, Doyle, Christie, Proust, Hesse, Milne, DuBois, Frost, Chaplin, Escher, and more:

https://pluralistic.net/2023/12/20/em-oh-you-ess-ee/#sexytimes

Now, 2024 was a fantastic year for the public domain, but – as you'll see in the 2025 edition of the Public Domain Day post – 2025 is even better:

https://web.law.duke.edu/cspd/publicdomainday/2025/

So what's entering the public domain this year? Well, for one thing, there's more of the stuff from last year, which makes sense: if Hemingway's first books entered the PD last year, then this year, we'll the books he wrote next (and this will continue every year until we catch up with Hemingway's tragic death).

There are some big hits from our returning champions, like Woolf's To the Lighthouse and A Farewell to Arms from Hemingway. Jenkins and Boyle call particular attention to one book: Faulkner's The Sound and the Fury, its title taken from a public domain work by Shakespeare. As they write, Faulkner spoke eloquently about the nature of posterity and culture:

[Humanity] is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance…The poet’s voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.

The main attraction on last year's Public Domain Day was the entry of Steamboat Willie – the first Mickey Mouse cartoon – into the public domain. This year, we're getting a dozen new Mickey cartoons, including the first Mickey talkie:

https://en.wikipedia.org/wiki/Mickey_Mouse_(film_series)#1929

Those 12 shorts represent a kind of creative explosion for the Disney Studios. Those early Mickey cartoons were, each and every one, a hybrid of new copyrighted works and the public domain. The backbone of each Mickey short was a beloved, public domain song, with Mickey's motion synched to the beat (animators came to call this "mickey mousing"). In 1929, there was a huge crop of public domain music that anyone could use this way:

Blue Danube, Pop Goes the Weasel, Yankee Doodle, Here We Go Round the Mulberry Bush, Ach Du Lieber Augustin, Listen to the Mocking Bird, A-Hunting We Will Go, Dixie, The Girl I Left Behind Me, a tune known as the snake charmer song, Coming Thru the Rye, Mary Had a Little Lamb, Auld Lang Syne, Aloha ‘Oe, Turkey in the Straw, My Bonnie Lies Over the Ocean, Habanera and Toreador Song from Carmen, Lizst’s Hungarian Rhapsody No. 2, and Goodnight, Ladies.

These were recent compositions, songs that were written and popularized in the lifetimes of the parents and grandparents who took their kids to the movies to see Mickey shorts like "The Barn Dance," "The Opry House" and "The Jazz Fool." The ability to plunder this music at will was key to the success of Mickey Mouse and Disney. Think of all the Mickeys and Disneys we've lost by locking up the public domain for the past half-century!

This year, we're getting some outstanding new old music for our public domain. The complexities of copyright terms mean that compositions from 1929 are entering the public domain, but we're only getting recordings from 1924. 1924's outstanding recordings include:

George Gershwin performing Rhapsody in Blue, Jelly Roll Morton playing Shreveport Stomp, and an early recording from contralto and civil rights icon Marian Anderson, who is famous for her 1939 performance to an integrated audience of over 75,000 people at the Lincoln Memorial. Anderson’s 1924 recording is of the spiritual Nobody Knows the Trouble I’ve Seen.

While the compositions include Singin' in the Rain, Ain't Misbehavin', An American in Paris, Bolero, (What Did I Do to Be So) Black and Blue, Tiptoe Through the Tulips, Happy Days Are Here Again, What Is This Thing Called, Love?, Am I Blue? and many, many more.

On the art front, we're getting Salvador Dali's earliest surrealist masterpieces, like Illumined Pleasures, The Accommodations of Desire, and The Great Masturbator. Dali's contemporaries are not so lucky: after a century, the early history of the works of Magritte are so muddy that it's impossible to say whether they are in or out of copyright.

But there's plenty of art with clearer provenance that we can welcome into the public domain this year, most notably, Popeye and Tintin. As the first Popeye and Tintin comics go PD, so too do those characters.

The idea that a fictional character can have a copyright separate from the stories they appear in is relatively new, and it's weird and very stupid. Courts have found that the Batmobile is a copyrightable character (Batman won't enter the public domain until 2035).

Copyright for characters is such a muddy, gross, weird idea. The clearest example of how stupid this gets comes from Sherlock Holmes, whose canon spans many years. The Doyle estate – a rent-seeking copyright troll – claimed that Holmes wouldn't enter the public domain until every Holmes story was in the public domain (that's this year, incidentally!).

This didn't fly, so their next gambit was to claim copyright over those aspects of Holmes's character that were developed later in the stories. For example, they claimed that Holmes didn't show compassion until the later stories, and, on that basis, sued the creators of the Enola Holmes TV show for depicting a gender-swapped Sherlock who wasn't a total dick:

https://www.theguardian.com/books/2020/dec/22/lawsuit-copyright-warmer-sherlock-holmes-dismissed-enola-holmes

As the Enola lawyers pointed out in their briefs, this was tantamount to a copyright over emotions: "Copyright law does not allow the ownership of generic concepts like warmth, kindness, empathy, or respect, even as expressed by a public domain character – which, of course, belongs to the public, not plaintiff."

When Mickey entered the public domain last year, Jenkins did an excellent deep dive into which aspects of Mickey's character and design emerged when:

https://web.law.duke.edu/cspd/mickey/

Jenkins uses this year's entry of Tintin and Popeye into the public domain to further explore the subject of proprietary characters.

Even though copyright extends to characters, it only covers the "copyrightable" parts of those characters. As the Enola lawyers wrote, the generic character traits (their age, emotional vibe, etc) are not protected. Neither is anything "trivial" or "minuscule" – for example, if a cartoonist makes a minor alteration to the way a character's pupils or eyes are drawn, that's a minor detail, not a copyrightable element.

The biggest impediment to using public domain characters isn't copyright, it's trademark. Trademark is very different from copyright: foundationally, trademark is the right to protect your customers from being deceived by your competitors. Coke can use trademark to stop Pepsi from selling its sugary drinks in Coke cans – not because it owns the word "Coke" or the Coke logo, but because it has been deputized to protect Coke drinkers from being tricked into buying not-Coke, thinking that they're getting the true Black Waters of American Imperialism.

Companies claim trademarks over cartoon characters all the time, and license those trademarks on food, clothing, toys, and more (remember Popeye candy cigarettes?).

Indeed, Hearst Holdings claims a trademark over Popeye in many traditional categories, like cartoons, amusement parks, ads and clothes. They're also in the midst of applying for a Popeye NFT trademark (lol).

Does that mean you can't use Popeye in any of those ways? Nope! All you need to do is prominently mention that your use of Popeye is unofficial, not associated with Hearst, and dispel any chance of confusion. A unanimous Supreme Court decision (in Dastar) affirm your right to do so. You can also use Popeye in the title of your unauthorized Popeye comic, thanks to a case called Rogers v Grimaldi.

This all applies to Tintin, too – a big deal, given that Tintin is managed by a notorious copyright bully who delights in cruelly terrorizing fan artists. Tintin is joined in the public domain by Buck Rogers, another old-timey character whose owners are scumbag rent-seekers.

Congress buried the public domain alive in 1976, and dumped a load of gravel over its grave in 1998, but miraculously, we've managed to exhume the PD, and it has been revived and is showing signs of rude health.

2024 saw the blockbuster film adaptation of Wicked, based on the public domain Oz books. It also saw the publication of James, a celebrated retelling of Twain's Huck Finn from the perspective of Huck's enslaved sidekick.

This is completely normal. It's how art was made since time immemorial. The 40 year experiment in life without a public domain is at an end, and not a minute too soon.

You can piece together a complete-as-possible list of 2025's public domain (including the Marx Brothers' Cocoanuts, Disney's Skeleton Dance, and Del Ruth's Gold Diggers of Broadway) here:

https://onlinebooks.library.upenn.edu/cce/

[fontriver]

Milgnite font designed by Storytype Studio

[nighttimealone]

Cw: Nsfw

You have an important document from your work that needs to be fixed now, but your poor boyfriend König already got worked up the moment you leant down to retrieve your book from a lower shelf moments ago, your ass in full display to him, so you compromise when he look at you with that heavy cock hanging between his thighs, “liebling, please, I won’t interrupt you doing your work.” he says while pulling you onto his lap, your core rest just against his growing erection. How can you say no when he pleads so nicely?

Your arms wrapped around his neck, typing on your phone and dealing with the job, while König humping like a dog in heat against your clothed pussy, groaning and growling just beside your ear as he prods his tip repeatedly at your clit, still cheekily trying to let you lose control and finish whatever you’re doing now. But he needs to be a good boy, he already promised you he’ll hold back until you have time, so he settles with grinding his cock along your pussy for now.

You hum in approval, sparing a glance at him and his dick when he slide it between your pussy lips, your panties’ already a mess after he pulled down the hem of your panties and pumped a load inside, clinging onto your skin and showing the curve of your mound.

“I can’t wait anymore, Süße…bitte bitte…” A grin decorates your lips as you see his face, all flush with the desire burning in his body, can’t even think straight and talk coherently, because sweetie, he just wants to sink his cock inside your drenched cunt and fuck you so good, overwhelm you in pleasure so you can forget about your job.

So you finally set down your phone. Actually, you already finished correcting the mistakes in your documents minutes ago, but the sight of him blabbering and moaning, like all he wants in this world is you and your pussy, is just too entertaining.

“Oh…oh my god…” Your teasing words don’t even have a chance to make their way out of your lips, the moment you put away the phone, he already stands up and flip you onto the mattress, slamming his cock inside you in one swift move, legs pressed back to your breast for mating press, pounding into you with the full force of his hips that you’re practically screaming his name in ecstasy.

Just don’t let him discover that you pretend to be occupied by work for a few more minutes, just to see him eagerly rolling his hips against your slick folds, unless you want to walk side to side the next day, from how he teach you a lesson with his weapon that he calls his cock.

[buckyalpine]

18+ Minors dni. Seriously, it gets feral in a way I didn't anticipate and I'm the pervert who wrote this.

Bucky sleeping naked. We're back to this again cause I'm a pervert and he's a cutie, I can’t help it. Why do I find it adorable. Sexy. So pretty. And the different of versions of this?

Imagine being Bucky’s roommate and having to deal with different types of Buckys. A shy, soft Bucky is always in the softest pj’s, cotton t-shirts and warm sweaters. He is truly the sweetest, more precious thing on the planet, always making you a steaming cup of coffee in the morning and hot chocolate at night.

You don’t think much of it when you slip into his room to return the hoodie you stole and you all but faint when you see him practically starfish on the bed, soft snores slipping past his lips, the bedside lamp still on along with the book his was reading half open on his chest but that wasn't what you were looking at cause-

You shouldn’t even be here, you should look away, you really should but it’s not your fault that he has the prettiest cock on full display with perfect, heavy balls in between plush thighs. You're not sure how someone so sweet and pure can look this sinful, nearly tearing the hoodie you're clutching onto the longer you wait by the door.

Idk why my mind went here but imagine he's soft but gets hard when he smells you. You're close enough in his room that your shampoo and something so distinctly you fills his senses. It's not his fault his senses are heightened. I mean imagine you see it happen. A cute little groan as all the blood rushes down between his legs, his cock now standing at full attention, stiff and begging. Leaking.

You're frozen on the spot, begging for your feet to move, just drop the hoodie and run, anything but no. He's still asleep, lashes fluttering against his cheeks as his pulse starts to work a little faster, his hand coming down to soothe the ache, his book slipping off his chest.

You should definitely leave now, it's too intimate, you can't be here when he-

"mph" His sleepy movements are barely coordinated as he gives his cock a squeeze, his cheeks getting pinker by the second. He rolls over with his face now buried into the pillow, pressing his hips against the mattress for some relief.

I can't deal.

Innocent Bucky having a wet dream over you.

Innocent Bucky making a mess because of you.

Innocent Bucky acting normal around you the next morning, placing a steaming mug of tea in front of you while you stutter a thank you and he says you're welcome doll, like he always does.

Innocent Bucky still too shy to tell you that he jerks his cock off to you more times than you can count. That he adores you too much, he'd never be so crass to make a move on his roommate. He's still working up the courage to ask you on a date. Till then he's gonna fuck his fist and hump his bed and think of all the ways he wishes you were naked with him, your legs around his waist while he pounds you, filling you up while you scream his name-

-

Fuck boy Bucky shows himself off without a care in the world. You start to wonder if the man owns anything else aside from a few slutty pairs of boxer brief's. He's always manspreading and it's hard to act like it's an inconvenience when he's built like that. That being said, it's not like you've seen all of him. He leaves little to the imagination but it's not like he walked around naked.

You'd never openly admit you were a little curious.

You find out he's put your mug on the highest shelf again and you swear he does it on purpose just to mess with you. You grumble, ready to tell him off, walking right into his bedroom, his full legal name right at the tip of your tongue-

"Fuck-"

His chest rises and falls along with his soft snores, one arm propped under his head while the other is half one his chest. His thighs were spread apart without a care in the world and not a single piece of clothing covered his body, bed sheets also tossed aside.

Apparently the serum made him run hot.

Every single bit of him is on display, the only thing he's wearing are his pretty silver dog tags. You freeze, blinking, your tongue now tied, you were so annoyed with him and now-

"Y'like what you see angel?" His raspy voice makes you yelp as he keeps his eyes closed but the smirk that makes its way to his lips lets you know he's more than awake now. You have no idea when he woke up or realized you were there but you can't get your feet to move, voice caught in your throat.

He doesn't even bother trying to cover up, unbothered at the state you're seeing him in.

Imagine this cocky fuck going as far as giving his cock a lazy tug and he can definitely smell how wet you are. He knows you're getting wetter.

"Need something baby, cause I gotta take care of this or I won't fall asleep" He cocks an eyebrow, nodding down to his hard cock before looking back at you. He's not going to tell you yet that he'd been pining after you with the most desperate crush. That he keeps those mugs up high on purpose so you have to call him to get it for you.

"I-I

"Don't get all shy on me now princess, better lock the door on your way out unless you're gonna stand there and watch?" He gives himself another lazy tug, this one followed by a groan.

Fuckboy Bucky who loves the way you look like a deer caught in headlights.

Fuckboy Bucky who strokes his cock while you watch.

Fuckboy Bucky who lets out a deep, raspy, "Fuck baby, just c'mere" when he hears a desperate whimper slip past your lips.

Fuckboy Bucky who gets you naked with him, not wasting a second to get inside your pussy.

Fuckboy Bucky who runs his mouth too much and mumbles an unconscious "Fuck, i love you" when he starts to cum.

and cum.

and fucking cum.

Fuckboy Bucky who confesses his feelings.

Anyway.

Naked Bucky in bed.

That's all I want.

[okwonyo]

NERVOUS, 或 𓈒𓈒 making them loose it.

SUCC𝑖NCT───────⠀❛ 𝗒𝗈𝗎’𝗏𝖾 𝗀𝗈𝗍 𝗆𝖾 𝗇𝖾𝗋𝗏𝗈𝗎𝗌 𝗍𝗈 𝗌𝗉𝖾𝖺𝗄𓈒 ❜

( R𝑒QUESTED ) 𓈒 ⠀𝒾 ⠀⦂ ⠀ 엔하이픈 ୨୧ f ╱ r! 7OO fluff ── non idol au skinship ⠀ ｡｡ ⠀ ( 𝑜𝑜𝑒𝑢𝑣𝑟𝑒𝑠 )

지아 ⠀⦂ ��dedicated to @jaexiyu my girlfriend 🎀

( ˊᗜˋreblogs&feedbacks · C𝑙𝑖CK )

HEESEUNG&princess treatment : the simple action of your hand reaching his cheek, then cupping his jaw in your palm ever gently before, under his hypnotised gaze, running the finger tip of your thumb on the corner of his lips— sends him into a spiral. the tip of his nose gets red and he is unable to say anything, and before he can even do, the raise of your praise stops him in his tracks. warm creeps all over his body when you pat his cheeks lovingly and says, “good boy.”

“oh my god,” he chokes.

JONGSEONG&public display of affection : listen, if there is one thing about your boyfriend is that he loves to touch you. whenever he can, wherever he can. he has a thing for doing it under the public eye— sliding his strong hand on the back of your lower back, to show everyone you are his. when you do it, it is different. you showing him off makes his heart crave you even more. your thumb rubbing his nape, here in front of all your friends, makes a shiver run down all the way to his spine. 

the world already faded away, “it tickles,” he tells you. 

JAEYUN&tucking his hair behind his ear : he has never planned on keeping his long hair for longer than a month. usually, when he finally had the time to book an appointment at the hairdresser, he would cut it again. his hair habits completely changed when you did that for the first time. he admits that his hair was a mess at that time, but he was too busy talking to you to even notice. when your finger tucked a stray harstrand behind his ear, like in the movie, the air inside of his lungs evaporated. he couldn’t even do anything, and you adding ‘keep on going, baby’ didn’t help much.

“o-okay,” he stuttered out.

SUNGHOON&eye contacts : the hottest part about this, he thinks, is that you have no idea of the true power you have on him. he doesn’t think you even realize what is the reason he stutters or stops breathing when you talk. even during the times whereupon you watch him from afar, he stops completely in his tracks— as if you have mind control—you don’t understand. it’s your eyes, he whines all the time to his friends about. your godforsaken eyes boring in his, alluring him like a siren in the ocean, closing his mouth. 

“i—you—we,” he malfunctions, his stomach aches from all the butterflies in it.

SUNOO&pet names : he remembers, there was a time where he would find any sort of petnames given by romantic partners beyond embarrassing. he was never the type to call any one by those and disliked the idea of someone using one on him. he realized later on that it wasn’t disgust but sheer nervousness. because, yes, he admits that he has a weakness that would fall on his knees for you if you dare to call him ‘babe’ one more time. he especially loves when you say it in a whine— when you groan his petnames.

he hides his face in the crook of your neck before giggling, “what?”

JUNGWON&flirting back : as the annoying and teasing boyfriend that he is, making you so flustered that your face burns and that you trip over the words you are trying to get out of your mouth, is his first mission. and he succeeds most of the time, a quick “don’t hesitate to call me if you need a hand taking that off,” while looking down at your dress. but when you retort with an “don’t start something you can’t finish, handsome,” as you slightly quirk your brow— it’s different. 

“bet?” he says after five minutes of silence, but you are already doing something else. 

RIKI&compliments : never in his life he has found praise and compliments embarrassing to get. in the contrary, he loved them a lot. although it is not embarrassing when it comes from you, it’s totally different— and he can’t really pinpoint why. it is just that you have always been something else, you have always known the exact way to make his emo boy act melt in one single word. his heart completely bursts when you cup his face and coo, “isn’t he so cute?”

he holds your wrist, not to get your hands away, however. he chuckles like an highscool girl amd trailing the word, “stop,”

ㅤ𓈒ㅤㅤ𓈒 taglist open