#Ty for the interest!

[elias-rights]

Hi! I hope you're having a great day! What are your criteria for a good JonElias fic?

Hi, thank you for asking! For starters, as I mentioned, if it's not really JE but just uses it as an excuse to have Martin rescue Jon, or if it's unrequited (on either side), that's an instant no for me.

I also personally don't enjoy noncon with them as I find that it doesn't engage with the themes of free will and choice that permeate their relationship in canon, same with any dynamics that completely strip Jon of agency—they have a notable power imbalance that I find cool and sexy, but ultimately Jon still has choices and personhood. On the opposite end, I also don't have much interest in fics that focus more on the 'dating' aspects than on the complex bond they have in canon.

I can't get into AUs either unless they take canon as their basis and diverge from that—changing the timeline as opposed to transplanting the characters into a different universe. No Fears AUs, in particular, I find fall under 'cute but not really interesting'. And I do like pre-canon fluff! But there has to be an acknowledgment of what is lurking in the horizon for me to enjoy it.

Basically, what I like best are fics that stick to canon as close as possible while diverging enough from it to acknowledge the special connection they share and that they're in love.

[sopuu]

hey, will you ever be taking commissions? i love your style! :D

ah thank you!! i don’t think i’ll be opening them anytime soon tho bc college is starting soon and life is getting busy again 😔 if i do in the future i’ll post a comm sheet :)

[domirine]

Hey! I was just wondering if your commissions were still open?

hi hi! i'm kind of in-between rn so i haven't opened them yet, so please feel free to shoot me an email!

(domirine[at]gmail.com)

[cyareclones]

How long will you have the Urulocks charms?

until i sell out! there’s only a couple left as a heads up

[dennydraws]

is it alright if people use your art as pfps n icons n shit?

Hello there! :D

My personal art I rather not be used anywhere without credit (not that I can stop anyone from doing that, nor that I'll hunt anyone down but being considered is nice!)

Fan art is absolutely fine to use as pfps n icons but please, don't use it for shit! That sounds very stinky! 😂

[sotc]

Thank you to the absolutely INCREDIBLE @theesteppenwolf for taking on my commission of my warden, Milana Tabris and Zevran!

It's been a while since I've been able to treat myself to a comm and with having finished origins for the first time last month, these two have been on my mind A LOT!! This perfectly captures their little cute and flirty dynamic and I'm so so happy. 😻🫶

[chloesimaginationthings]

HBEBEBEBEBEB UR WILLIAM DESIGN IS SO SILLYYYYY THAT SKRUNKLY OLD MAN IS GETTING THE CHAIR <3333

The worst man ever 💜

[warmfuzzyanimal]

mspaint commissions !!!! all 16 of 'em!!

[demonic0angel]

I've been playing Dredge lately and had a thought:

Danny, a small seaside town's best fisherman, and his babies, Eldritch Dani and Dan, who prefer to live underwater and come up to see their dad, who goes out fishing every day.

His nets are always full, and his boat never encounters any problems. He always steers true, never goes off course, and keeps finding old sunken treasure in his haul.

Everyone in town knows Mr. Nightingale, and his boat sailing by becomes a sort of good omen for the folk of nearby towns. He always leaves on his own, comes back with his hold full, and two small children, which weren't in the boat in the morning, go running into town with their father at their heels. Then they all go to the beach at sunset, the children dive under the last big waves, just before the sun goes down, and twin masses of glowing lights swim into the distance, waiting for their father to go meet them again the next day.

It's good like that. The town prospers, the fish are good and plentiful for just having one or two fishermen go out every day, and the little family gets to live in a community that won't question their origins.

It's when one hero (whichever, Bat, Lantern, Martian or Super, whatever you prefer) in particular gets shot out of the air and washes into Mr. Nightingale's nets that questions start being asked, most importantly, where is the children's mother, and did Mr. Nightingale get intimate with the personification of the sea, like in Ponyo?

Extra: I know the favorite of the fandom is to ship Danny and a Bat, or a Super or Flash, or even Sam and/or Tucker.

But what if, in his late teens, Danny went off to learn from other Ghosts, met the ghostly embodiment of the ocean? They spent a few years being intimate, enough that they hosted Dani and Dan's unstable cores until proper maturity was reached, got two darling little ones out of the deal, and whenever Danny sails into the horizon, he goes to meet his partner in their own element, spends his time with them and comes back with gifts from his spouse, nets full of fresh fish, and gets the children for the rest of the day, so they can grow up in both worlds. They meet up at night at the beach so the little ones can play on the sand while their parents spend a few hours cuddling and watching the sunset.

Ooh, this sounds so interesting! Something about Danny being in love with an oceanic being sounds so ethereal? Like space and the deep sea, y’know? Two mysterious, deep places with hidden depths that humans cannot fully reach.

Not only does this remind me of Ponyo, but it also reminds me of the Pirates of the Caribbean (in a way), where two lovers are separated by sea and land. On that note, we could make Danny marry Davy Jones.

I have nothing to add, but I do think it would be funny if Danny was a hermit with a mysterious past and heroes start coming to his little sea port to ask for old, sage hero advice.

[0booboozefool0]

[mangohcake]

FAKER Fanart of this song - 【FAKER】A Sonic X Shadow Song | Ft. Miku & Teto

[kaiju-krew]

stargazing⭐

[bun-a-day]

all the astrological sign bunnies ! 🌙🌟💫

[jgnico]

Is someone gonna talk about the use of signage in yesterday's episode? Do I have to be the one to talk about the use of signage in yesterday's episode?

I know we all saw the billboard beside Choso displaying the abilities of his technique in tandem with the narrator, but there were so many more great uses of the signs in the background to convey information.

The first sign (and also one of the first shots) that we see in the episode is a Pedestrian Do Not Cross sign overlaid by the sound of Yuuji running, followed by Yuuji's shadow itself taking up the position of the pedestrian on the sign. You can read this as the sign telling Yuuji not to proceed to where he's going or as an indication of how the upcoming fight will end for the viewer.

The next sign that we get is one telling us to Go Left, which doesn't really seem important, but I promise you, it is. We'll see a lot of arrows pointing left throughout the episode and every single one of them is pointing away from danger. Go Left to avoid danger, essentially.

These two signs are arguably the most important in the episode, but they aren't the coolest use of visual symbolism that we got, so lets keep going.

The third sign that we see focused on in the episode is a No Running sign that Yuuji passes that says "Do Not Rush. It Is Dangerous." Yuuji, of course, runs past it on his way toward the escalators that lead (for him) to Gojo and (for the viewer) to Choso.

Once he does get to the bottom of the escalators, Yuuji is attacked by Choso immediately and Choso's opening move (Convergence), once Yuuji moves his arms up and away from his face, slices up through the subway cieling and the road above to cut the Pedestrian Do Not Cross sign that we saw at the beginning of the episode in half.

We also get out first big Left Arrow, placed immediately in the foreground of the shot and pointing toward the aforementioned sign that's been cut in half (this will be important later), but in a another view, it also points away from station itself. Again, go left to avoid danger.

Our next Left Arrow is on the ceiling between Yuuji, indicating that he should go away from Choso. Interestingly enough, it also points toward the bathrooms that Yuuji will go into later once his fight with Choso in the hallway becomes too dangerous.

That same arrow falls to the floor between them once Choso gets mad after Yuuji tells him about Eso and Kechizu crying, this time pointing directly away from Choso.

Another Left Arrow, this time in a more urgent red. We see this once Yuuji realizes that he's in serious danger, that he'll loose if he continues to fight Choso in the hallway. It's also pointing away from the bathrooms and toward the escalators from Yuuji's point of view beside the bathrooms, indicating that he needs to leave the area entirely.

The previous arrow pointing toward the bathrooms as a safe option has been destroyed and Yuuji has taken some serious damage by the time he moves toward them. The bathrooms are no longer safe. Yuuji needs to leave.

This is followed up by the only Right Arrows that we see focused on in the epsiode, but unlike the Left Arrows, they aren't used to convey how to get away from danger, but rather what is dangerous. Not only do these arrows all point toward Choso outside of the shot, they also have each of his techniques displayed below them.

Once the bathroom fight is over and Yuuji is on death's door, we get a zoomed out shot of his body framed by (two) people cut in half. This sign is shown right before Sukuna makes his only appearance in the episode, where we hear the sound of electricity flickering.

We heard this exact sound earlier from the Left Arrow telling Yuuji to get away from Choso at the beginning of the fight, but I like to interpret it as an audio indicator of Yuuji's life and/or control of Sukuna flickering in and out, becoming weaker.

Side Note: In the previous shot of Yuuji that we get before this one, we see a blade of light cutting Yuuji in half, the same way Convergence cut the Pedestrian Do Not Cross sign in half earlier in the episode. This will come into play later in the post, but keep it in mind.

The next time we see these bisected bathroom signs is when Mimiko and Nanako approach Yuuji to awaken Sukuna. Two people framing Yuuji/Sukuna that have been cut, while those same signs are whole in the hallway to the left. Go left to avoid danger applies to the girls here as well.

Our next important set of signs are actually the same sign, a large green arrow in the foreground that points away from where Yuuji's body is. While Choso stumbles away from it (away from Yuuji/Sukuna) the girls walk toward it.

This is also the first Left Arrow that we see point toward Choso, unlike the one pointing away from him at the beginning of his and Yuuji's fight. Choso, at this moment and onward, is no longer a source of danger to Yuuji or to us, the viewer.

And finally, the final shot of the entire episode, our old friend, the Pedestrian Do Not Cross sign. Yuuji has lost to Choso, the girls have found him to awaken Sukuna, and we get a focus shot of the Pedestrian that previously represented Yuuji cut in half and covered in blood.

I mentioned earlier that we get another shot of Yuuji cut in half by a ray of light in the bathroom.

Here is that shot, and the way that I interpret it is as a reminder that Yuuji shares his body. Yuuji's control of his body has been cut off in the same way that the Pedestrian representing Yuuji has had part of it cut away. What's left is the part that Yuuji can't control, the Pedestrian covered in blood.

Additionally, repeated use of a sign showing pedestrians cut in half and bloody can also represent the civilians in Shibuya, especially now that Yuuji no longer has control of his body.

[doctorwhommm]

hypnotising you to draw twojamie 🕛🕖🕓🕘

anon ilysm im watching the second doctor era atm and these two are so beloved to me !!

[jerreeeeeee]

can we talk about how tesseralia makes tres horny boys who they are and parallels them in story and song beautifully. magnus coaching a group of kids and encouraging them and telling them they can win when all the odds seem against them vs hoisting angus on his shoulders and telling him to let the world know they won. taako’s first profound experience of the bonds formed through cooking vs developing the power to fight the embodiment of despair and apathy through cooking a meal with somebody. merle’s first meeting with his greatest enemy who’s completely ideologically opposed to his commitment to love and joy vs his last moment with his old friend john appreciating the beauty of the world together