#Tumblr has a limit of the links per post too... | Explore Tumblr posts and blogs

fansblogs · 4 months ago

Text

fan is a narcissist. isn’t it wonderful.

Fan and NPD: The ultimate masterpost. Or something.

Hello! First time posting something this long, so forgive me for any possible inconveniences. The purpose of this post is to explain the grounds of my headcanon and correlate this disorder to Fan, whom I believe showcases it spectacularly, as well as educating on NPD along the way. This does not mean that Fan having NPD is “canon” by any account, but he most certainly displays traits of it, and it’s something I personally believe he has!

Disclaimer that this post is being made by a questioning narcissist. If you associate NPD with abuse, demonize narcissists or so on, please block me. Disorders do not make anybody inherently evil!

..in the making of this, I forgot that tumblr had video limits. To overcome this, I’ve linked most of the scenes I’ve been using for reference when making this post! There’s plenty of times where I start to describe certain scenes, so make sure to click on the link to avoid confusion. Sorry for the inconvenience!

If this format is too cluttered and/or confusing; here’s also the Twitter version of this post.

Lastly, if any PWNPD have things they want to note or add, go ahead!

tags: @moonlightcanyon @box-of-lemon-nys

All of this information is taken straight from the DSM-5. I don’t support nor endorse the ableist view of NPD shown in the DSM, but for the sake of simplicity I’ll be referring to it, as it’s the official diagnostic criteria.

As per the DSM, NPD (Narcissistic Personality Disorder) is defined as “a pervasive pattern of grandiosity, need for admiration, and lack of empathy, beginning by early adulthood and present in a variety of contexts.”

Fan displays all of these traits outstandingly overtly, yet in such a way most people wouldn’t recognize as narcissism. Starting with the first;

“Has a grandiose sense of self-importance (e.g., exaggerates achievements and talents, expects to be recognized as superior without commensurate achievements).”

This has been pertinent since his appearance in S2. In fact, the first line he even speaks in the season is a proclamation of his believed superiority. Fan has based his identity on being the BEST, the #1 fan of Inanimate Insanity.

Though there’s way too many examples of his grandiosity to compile completely, one of my favorites is this theory shown in EP 7, which perfectly displays these behaviors.

He’s confident that his theory is right, that each team will always win twice in a row. Though he provides proof, he notes “Not like you need it, right?”, showing that he believes his word is more than enough to prove something correct. Last but not least, his favorite episode (at the time) was Episode 3, the one where HE won the challenge for his team.

Again, just for the sake of simplicity, i’m picking and choosing scenes so I don’t have to note down every single time he displays this symptom.. but please keep in mind that this is a VERY obvious trait he shows almost constantly.

Though this side note isn’t really intended to be “evidence”, it feels relevant to mention that later in the series, Episode 14 becomes his favorite Episode, yet again another episode focused on his growth and accomplishments.

Another thing important to mention here is that narcissists are SEVERELY sensitive to criticism, which we see multiple times with Fan. Episode 2 of Invitational illustrates this very well with Fan’s reactions to both Cabby’s files and her own spoken criticism of him, even refuting it by blatantly denying his negative behaviors and defending his knowledge. (Timestamp 3:39-3:58)

2. “Is preoccupied with fantasies of unlimited success, power, brilliance, beauty, or ideal love.”

I’d say that this is perhaps the least evidenced of all the traits, but nonetheless, there are a few instances of this. Most relevant to me is Fan’s enjoyment of fanfic, especially the RPF he posted of him and MePhone.

Fan has a VERY, VERY complicated relationship with MePhone. But considering the idolization he has for him, this very much reads as a narcissistic fantasy in my mind. Becoming closer to a person with such power and influence, a person you personally admire and hold great respect for their accomplishments and believe would reach out to you due to your own assumed superiority absolutely falls into the criteria of narcissistic fantasies, something Fan shows very clearly here.

3. “Believes that they are “special” and unique and can only be understood by, or should associate with, other special or high-status people (or institutions).”

This symptom is heavily varied on presentation, and isn’t as cut-and-dry as “wants influential acquaintances.” In my personal experience, this is more akin to your own personal hierarchy, only caring to bond and make an effort to associate with those whom are higher in the hierarchy.

Fan is no stranger to this. He has a clear disdain for many of the contestants and subtly belittles them, such as Lightbulb, Paintbrush, Dough, or Paper. This is not that Fan necessarily dislikes any of his teammates or acquaintances, but he sees them as worse than him, which leads to a proneness of conflict due to his indifference towards their emotions. This also leads into the low-empathy in Section 7.

Meanwhile, someone Fan DOES view as “special” is Test Tube, what one would call a CHP/FP (Chosen Person / Favorite Person). He values her input and greatly idolizes her, and of course, is HEAVILY dependent on her. I can’t even begin to explain the intricacies of their relationship in such a small paragraph.

And in a rare case of Fan refusing to associate with institutions rather people, Episode 5 he remarks that he doesn’t want his egg to hatch into a “sub-par, bowless season”, an obvious projection on his end. (Timestamp 1:32-1:38)

I don’t think he would’ve legitimately made any actions to leave the game given that Bow didn’t appear (despite him assuming that his first interaction with Bow was nothing but a trick of MePhone’s), but his indirect threat of not wanting to be in the game without Bow, finding it too inadequate for him, still stuck with me.

4. “Requires Excessive Admiration.”

Alongside #2, this is probably the other most difficult trait to explain on the list. Fan’s no stranger to subtly fishing for compliments, but that’s the exact problem with him. He’s so subtle that many of the contestants in fact MISS his social cues, and Fan ends up being ignored or degraded instead.

Despite this, it’s clear that he expects praise and admiration from all, even if others don’t outwardly show it often. In the rare not-so subtle cases of Fan looking for acclamation, he outwardly asks for it to boost his ego, motivation, and most of all- excitement, as shown in Nickel’s FFF. (Timestamp 0:16-0:23)

Most of the time however, Fan places himself in positions that could give him commendation, one of my favorites being this short exchange from the Purgatory Stream. Fan has a lot of admiration for Marshmallow, and he tries to impress her with his offer, hoping for approval and kudos. (Timestamp 1:20:12-1:20:20)

(Short break here. Just wanted to mention how much Fan truly adores Marshmallow. Highly encourage anybody reading this to look into it if you haven’t already.)

Multiple times on Fan’s FFF’s, he’s attempted to do quips with his interviewees. In Nickel’s interview, he refers to these as his “fan instincts.” As I was saying earlier about these cues for praise being missed, both Nickel and Balloon react to his references with annoyance, in which Fan responds with aggression and disappointment respectively. In Balloon’s interview especially, it’s clear to see that he thought him referencing Balloon’s catchphrase would earn him a laugh and praise. (Timestamp 10:30-10:38)

5. “Has a sense of entitlement (i.e., unreasonable expectations of especially favorable treatment or automatic compliance with their expectations).”

Perhaps one of Fan’s least hidden symptoms. Again, a trait so glaring that it’s impossible to pinpoint every example.. but of course, my favorite display of this comes from one of the oldest pieces of Fan media, where he VERY clearly shows this. (Timestamp 0:14-0:38)

Though this short is dubiously canon, seeing it within the context of NPD makes a lot of sense to me. Of COURSE Fan’s personality would be far less nuanced when first created, hence his entitlement manifesting very overtly and negatively. Though it does mellow out over time, it never truly disappears, just seeps into different faucets of his personality and actions. (Timestamp 1:37-1:43)

Take here, for example. Fan tries to justify stealing from Cabby, but the truth is simply that he felt he deserved to see what she said about him, not asking her permission first. As Test Tube said, an invasion of privacy, a serious one at that when considering the later reveal of Cabby’s files being her memory aids. Alongside that, the grandiosity he highlights in this scene (think back to Section 1) is amazing. (Timestamp 0:42-1:01)

Just a bonus clip of Fan’s entitlement in relation to this specific conflict. (Timestamp 8:44-9:02)

In another more evident demonstration, Fan simply admitted to filming FFF without OJ’s permission, not even considering the possibility of needing to ask for acceptance to film and host a show inside of the Hotel. In his view, it’s something he wants, and with nobody encouraging against it, therefore it’s his right.

Another thing I really like about this post is how “innocent” Fan comes across here. In my personal experience, entitlement has never been something I intend to be harmful to others, just something I feel I deserve because I am special, not even noticing my egotism with it. I don’t think Fan intended anything wrong with hosting the show, just assumed that OJ would be fine with it, and that he would have no need to ask for permission.

6. “Is interpersonally exploitative (i.e, takes advantage of others to achieve their own ends).”

Very much so! This is one you’d never note down when taking a first glance at Fan, but it happens to be severely true. The way the DSM words it makes it sound inherently malicious, but trust me that this is not commonly how this trait manifests. Everybody tends to be manipulative once in a while, and that doesn’t make it a necessarily negative symptom if utilized in ways that don’t harm others.

For Fan, one of the big signs of this is his tendency of sitting back and letting his team do the work. According to his patterns he’s guaranteed a win, therefore he finds he has no reason to contribute, leaving his teammates to put in the effort to achieve it. (Timestamp 6:44-6:49)

Another thing I find I should add here is that Narcissists don’t usually intend for this manipulation to be.. legitimately evil manipulative. In our minds, we’re not doing anything wrong at all. So what if we use somebody as a means to an ends once in a while? There’s nothing wrong with it, especially if you deserve it. Fan is the same within this regard.

Funnily enough, this pattern of exploitation is a key factor of Fan’s character. Fan is THE #1 Fan of II, and as thus, must know as much about the show and its inhabitants as possible. He frequently uses the information and trivia he has collected about his fellows to steer them into giving him what he wants, no matter if it’s more information on themselves or a reaction, both things Fan finds severe intrigue and entertainment within.

Again, mentioning Nickel’s FFF (there is SO much to deconstruct there), Fan asks Nickel personal and invasive questions for his own entertainment, using Dime’s presence to utilize Nickel’s own self-confidence against him, prompting more honesty. (Timestamp 1:37-2:20)

Last but not least for this section, exploitation can be both conscious and subconscious. Though in my opinion it always seems Fan has some degree of lucidity, it’s clear from this blog post that it’s not all COMPLETELY conscious, some of his manipulative tendencies even flying over his own head.

In this post he mocks a version of himself he believes is far from his own image, failing to notice how often he does take advantage of the others around him. In the end, it all boils down to intentions. This faux version of Fan is comically evil, and Fan believes his own personal intentions are nothing short of moral and understandable.. thus his manipulation not coming across as remotely manipulative to himself, just something he deserves.

7. “Lacks empathy: is unwilling to recognize or identify with the feelings or needs of others.”

A DEFINING characteristic of him. There’s so much to delve into with this specific aspect of his character, it’s practically infinite. For starters, Fan holds zero to none respect for everybody around him, viewing most of the people in his life as nothing more than simple characters.

There’s certain people who break this mold such as Test Tube or Suitcase, but most are confined to it. Even with people that Fan admires, MePhone or OJ for example, he still views as playthings. At that, Fan’s general emotional and mental disconnect from the world feeding into his low empathy leads him into the practice of stalking, in which both MePhone and OJ happen to be targets.

My favorite moments of Fan exhibiting his low empathy always tend to be when he’s alongside Paintbrush. This scene in Episode 7 really puts this into perspective.. despite Paintbrush’s outburst and clear distress, Fan sees their frustration as nothing more than laughable, even predicting the time it would take to happen. (Timestamp 12:50-13:03)

Even Paintbrush momentarily pauses in their outburst, shocked by his insensitive reaction. Later, they threaten Fan with the idea of smashing Baby Shimmer, an impulsive action in the blindness of rage. It really speaks to me how even though Paintbrush was too highstrung to adequately try to analyze Fan’s reaction, they still subconsciously realized that trying to get Fan to empathize with them was near impossible, choosing to instead threaten him in efforts of arising understanding.

Same kind of situation here. Fan only cares about Paintbrush’s emotions when Paintbrush punches him to the ground. This concern is completely unrelated to empathy of Paintbrush’s anger, merely just a self-preserving meekness in fear of being attacked again. And after Fan notices Paintbrush’s “cliche”, his attention is entirely diverted and he instead only focuses on this new discovery, again finding no meaning in Paintbrush’s emotions as his priorities are higher. (Timestamp 9:04-9:20)

Though this quote is more about Fan’s disconnect and escapism, it does highlight his apathy to others as well. I think there’s bits and pieces to be said here about Fan’s low empathy, even if not directly related to it’s portrayal in this context.

8. “Is often envious of others or believes that others are envious of them.”

This symptom, just like majority of the others, is a key trait Fan exhibits. Time and time again, Fan flaunts spiteful and petty behaviors. Especially when provoked, Fan quickly finds himself vindictive and jealous. Though I do believe Fan’s grandiosity makes him believe that he has enviable characteristics, he tends to more outwardly show his jealousy toward others rather than vocalizing the assumed envy others have for him.

As I’ve referenced multiple times over, Episode 2 of Invitational is prime grounds for Fan analysis. This scene in particular shows such an evince of jealousy. Cabby first insults Fan’s formation of his identity, with an implied superiority of intelligence on her side. Watching his reaction is fascinating- first frustration, doubtful vulnerability, anger, then lastly disbelief.

Now, of course, this doesn’t exactly SEEM like jealousy, more-so defensive rage. Yet, it’s both! Fan has a lot of respect for how Cabby plays the game and her general self-image, admiring how professional and knowledgeable she comes across. Considering Test Tube’s proclamation of adoration for Cabby upon their first meeting, Fan instantly marked Cabby as somewhat of competition.

Though he initially pursued a friendship with Cabby, he was quicker to turn on her than Test Tube, due to what I believe to be jealousy. Yes, Cabby is smart, but part of the reason Fan felt entitled to steal from her to prove that he is vasty more intelligent.. making a point that Cabby's notes on him are surface-level and nothing as good as Fan himself could create. When Cabby's file showed criticism of him, he took it even more personally than anticipated, because not only did her notes happen to belittle him, but also were severely impressive.

And as I said, during their confrontation with Cabby, Test Tube’s reaction seemed more disappointed and shocked with Cabby’s assessment of her, far more calm than Fan’s obvious anger. Again, Cabby is deprecating Fan in a way that makes her come across as far more impressive than him, far more mature and intelligent to the both of them. Not only is Cabby damaging Fan’s pride, but he sees her own self-presentation as a threat to how Test Tube perceives HIM.

This little interaction is quite a parade of envy. Vexation and jealousy tend to happen at the same time, something that’s very obviously shown here. (Timestamp 13:08-13:13)

At the end of the Episode during Fan’s elimination, Fan takes the news FAR more calmly than one would expect. Yet, this is mostly a facade, one to make himself seem far more composed and impressive than he actually is; by being so envious of Cabby, he holds himself to coming across just as dignified as she does. In matter of fact, Fan and Cabby share many of the same traits despite how differently they may manifest between them, and Fan sees part of himself in her. And for Fan.. my, is it terribly demeaning to meet somebody who’s like you but BETTER. The envy he holds is gnawing at his core.

9. “Shows arrogant, haughty behaviors or attitudes.”

As expected, a Fan special. I honestly wish I had more commentary on this symptom, but it’s so blatant and pertinent throughout his entire runtime on the show that I can’t offer up much variation that isn’t already obvious enough.

Citing this scene for example, this is clearly arrogance mixed with jealousy. Not only does he believe he’s far better than what Cabby has said about him, but he’s also jealous that Cabby comes across as more intimidating than him. (Timestamp 5:00-5:11)

Another really good presentation. His haughtiness causes him to act defensively, attempting to reassure to both himself and the Shimmers that he is in fact a threat bigger than them. When met with even more denial of his self-assumed daunting, he merely pushes it out of mind, believing that yes, he has fearful qualities about him and that his “lower score is preferable.” (Timestamp 12:05-12:30)

As per the DSM, NPD is diagnosed when patients meet 5 out of the 9 traits. In the case of this essay.. I managed to correlate Fan to all 9 symptoms. Though some are certainly more pervasive than others, I do believe Fan meets the full criteria… Which brings me to the end of my essay!

I have SO many thoughts about this that I couldn’t all squish into this already lengthy post. Please feel free to ask me anything about this at all, as somebody with a special interest in Fan, I could go on for HOURS.

And last but not least, if you have any questions on the topic of NPD (related to Fan or not) I’d also absolutely love to answer!

And with that.. Fan is absolutely a narcissist. Thanks for listening <3

#aqua’s yaps #fan ii #ii fan #fan inanimate insanity #inanimate insanity fan #ii analysis

147 notes · View notes

kimsuyeon · 2 months ago

Text

complete beginner's guide to [kpop] giffing, as explained by me!

keep in mind everyone has a different style and process, so there are some things in mine that may not feel intuitive or helpful - if so, don't include it! if you can make the gif, and have fun doing it, that's good enough. this post also assumes interest in specifically kpop giffing, but can for the most part apply to other content as well. i would just recommend different sharpening and coloring for those.

separated by headings (not images, since i need those... for examples) - if you are skipping to a specific section, look for the orange text of what you are looking for!

table of contents: - picking your programs - additional tools and programs (optional) - finding files - importing to photoshop (vapoursynth, screencaps, etc) - photoshop shortcuts and actions - sharpening - coloring - export settings - posting on tumblr

programs:

if you already have photoshop / your giffing program installed and set up, go ahead. if you don't, i would recommend looking here to get photoshop. please make sure you follow instructions carefully and safely! i do know photopea is an alternative people use, and i'm sure there are others. i unfortunately don't know any tutorials to link and probably won't be much help in regards to those programs, but i'm sure there are some floating around on tumblr!

my gif process uses photoshop, so this tutorial assumes that as well. if you use a different one, you might be able to transfer this to what you use, i'm not really sure :(

additional tools and programs: - handbrake: upscaler, found here. i make my own settings and generally only use this on lower quality sources to give vapoursynth a better chance with encoding in higher quality. - davinci resolve: a program i use to make clips appear 60fps when they are choppy or too few frames for the gif to look nice, and occasionally to do pre-photoshop coloring! i use the free version. i do not use this all the time and it is a big program, so definitely don't get it if you think you'd forget to / not want to use it. - yt-dlp: open source, downloads pretty much any file i could want quite well. i use this for most of my downloads and for subtitles as well. does require some knowledge of code, or, at the very least, willingness to troubleshoot set-up. find it here! i can share the command lines i run for: video, audio, vid + sub. - 4k+ downloader: what most people use for youtube-source sets, i believe. you have a limited number of downloads per day on the free version, thus the other downloading programs. - jdownloader2: no limit but sometimes a little slow or will refuse to download because of not being logged into an account, etc. a good download alternative if you plan on downloading a lot and yt-dlp is too much. - vlc: free program, standard on some devices, good for viewing files. - mpv: excellent file viewing, can also deinterlace and screencap (if you do not have / use vapoursynth) - vapoursynth: mac users beware, it's not optimized or set up and is a huge headache. windows users, once you get it set up, it's golden.

finding files, what to look for, and how to use them: how to use is explained here, with a focus on smooth and nice speeds! but finding the file is the first step, so let's head there.

stages: k24hrs (invite only, feel free to private dm or send an ask off anon for a file - i will do my best to get it to you); kpopbuzzhub; sharing korea torrent (requires a torrent app); twitter (shrghkqud (only has recent files) and a few other uploaders, requires much more active searching). there are a few other places you can look, but it is often more trouble than it is worth (or costs $). i am also always willing to help people find materials, so you can ask me to help you look for something or to link a source i used for whatever set.

music videos: also sometimes on k24hrs. i use vimeo a lot (color graders, directors, etc., will upload clearer versions). sharemania.us has some kpop mvs, typically bigger groups (i.e. blackpink). this is a place i check for ggs. and if none of these places or searching for torrents on btdigg, or on google in korean works, i just download the highest quality setting from youtube.

other types: like vlogs and fancams, normally directly downloaded from youtube, instagram, or twitter using yt-dlp or sites specifically for the app (i.e. twittervideodownloader).

what do i look for? 1080i for stages (or 1080p) are often super nice as they're a .ts. 2160p/4k is often ideal, but it also depends on your computer and what you are comfortable working with! generally - not always due to ai upscale - a bigger file size (in the gbs, high mbs like 800) is better and has more detail that will look clear when you work on it. older stages (2nd gen and before, some 3rd gen) and music videos often always are lower quality due to camera quality, and much harder to find. if you have to use the youtube upload for a stage, it is definitely doable, but it may be slightly disappointing in the quality you want to achieve. it depends on what you're comfortable posting and making!

how do i use them? if you use vapoursynth, scenedetect (encode/process whole video) or timestamp (just a small clip) your file - if upscaling, using davinci resolve, or any other pre-processing, do that first. it will pull up a resizer and a program and once you encode, it will give you an output file using the size and settings you put. this will import to photoshop. if using mpv or another screencapping method, take your screencaps (again, all pre-processing first) and prepare to import. there are two ways to do that for screencaps. you can also just watch whatever you downloaded, i'm guilty of downloading concert files just for fun 😅

in the next sections, i will be using four different files of varying quality and sources to explain my steps. hopefully that is helpful!

example file 1 (4k and 60fps, obtained using yt-dlp) example file 2 (1080i, obtained from k24hrs) example file 3 (1080p HD, obtained using yt-dlp) example file 4 (pulled from the gg archive i use, master)

importing to photoshop (vapoursynth and mpv explained): using example file 1, i am processing in vapoursynth - i always do one extra second before and after the clip i actually want so it doesn't cut off any frames i'd like. i adjust my sizes based on what works best for tumblr (540px for wide, 268px for 2 column, and 178 for 3 column). i always use finesharp 1.5 (this setting is up to you! i used to use .7, so totally ok if it changes over time, too!) when you export in vapoursynth, you need the y4m header. i use export to mov preset.

when importing to photoshop using a video (so vapoursynth, video files, not screencaps):

i recommend making your selected range a little bigger than the frames you want so they don't accidentally not get included. delete any extra frames while in the frame animation and then turn it into video timeline. i turn all my layers into a smart object (select them all by clicking the bottom layer and then shift-clicking the top one, or use (on windows) ctrl + alt + a to have it select faster). set timeline framerate (if you want to, i always use 60).

now your smart object is ready to sharpen and color!

using example file 2, i am processing mpv - i hit 'd' until deinterlace is on 'auto'. find the clip you'd like and hit your screencap shortcut (alt+s) for me - your screencaps should be super clear, it depends on how you set up your software (if mpv, what compression you told it). screencaps can take up a ton of storage so i recommend only screencapping what you need and deleting them after. when you hit your shortcut, play the file to the end of the clip you went and hit the screencap shortcut again to stop. your frames should be in the folder you designated as pngs now. delete extra frames now!

you now have two options: import as is, which can be a little slow, or turn them into dicom files. importing as is is done through stack. it will prompt you to select what is being loaded - change Use: to folder, and let it process. it will be slow. hit ok when the file list updates.

when it is done loading: create frame animation -> make frames from layers -> reverse frames. i would crop now using the crop tool for processing speed, and then proceed to do video timeline, smart object, and frame rate. when cropping: on the top, above your document names, the second image should show up on the crop tool - this can set your dimensions. i zoom and crop screencaps using this.

the other option is DICOM files, and what i use. when you have your pngs, do alt + d in the folder (windows), type cmd, and run this command: ren *.* *.dcm. press enter. it will update the files. on macOs, just rename the file type to .dcm.

then, import as so (it will prompt you to select the folder your .dcm are in, and will not work if the files are not actually DICOM). i find it much faster than the stack import. crop when it is done importing for processing time, like the other screencap import style.

create frame animation -> make frames from layers -> video timeline -> smart object from layers -> 60 fps.

photoshop shortcuts and actions: (windows) - ctrl + alt + a: select all layers - ctrl + shift + alt + w: export as image - ctrl + alt + shift + s: save for web (legacy) - this is the gif one!

actions are imported or created, i've shared my sharpening ones before. there are plenty you can find (or make) for a variety of things, such as aligning objects to a fixed position on all docs, doing the screencap reverse and import for you, etc. they are imported using load actions - select the [downloaded] .atn file and it'll pop up.

sharpening: explained here, and has my actions (feel free to use). very important to the quality and clarity of the gif. the better the file, the clearer a gif looks, sharpening can only do so much. play around during this step!

coloring: very much the most personal taste stage of giffing. i explain my process here. in kpop giffing, we tend to focus on unwhitewashing. other giffing tends to be more aesthetic tastes and fun since the source has better colors to work with.

export settings: these are what i use! you need the 256 colors. i do not recommend lossy or interlaced. i think bicubic sharper is the clearest i have tried.

posting on tumblr: use these dimensions FOR GIFS. edits can be different. height is up to you - i would not go over 800, but i think my quality looks weird past 600 range anyways.

example gifs: yeji, from example file #1, imported using vs. uses no. 1 sharpening (altered) from my pack. colored. zhanghao, from example file #2, imported using mpv and the load via stack. uses no. 4 sharpening (altered) from my pack. colored. taeyeon, from example file #3, imported using mpv and the load via dicom. uses no. 1 sharpening from my pack. colored. eunbi, from example file #4, imported using vs. uses no. 2 sharpening from my pack. colored.

if your gifs don't look how you want right away, that's okay! it takes time. my first ones were not great either. i am always improving on and working on my gifs. good luck and have fun hehe ♡

#i do not feel that qualified to answer this so caveat im not the best. and please also take ideas from my lovely moots and their resource #tags and tutorials / shared things. they are all so good #m:tutorial #resources #long post #flashing tw #userdoyeons #awekslook #ninitual #useroro tuserflora #useranusia #userchoi

76 notes · View notes

tsukimefuku · 1 year ago

Text

Hello, you amazing citizens of Tumblr. Here we are, the first writing challenge I’m happy to hold for no particular reason other than challenges are very fun.

We all know and love many Jujutsu Kaisen characters, and I guess many of us love food too. So, what if we join both passions in this challenge?

Welcome to “JJK foodies and goodies”, where you can send as part of the challenge a fic relating any JJK character with - you guessed it - food!

Slutty smut using food other than intended? Food preference head canons? A dinner scene? The sky is the limit, guys.

One fic per writer.

Said fic or Drabble must be within the 400-2000 word count limit.

It has to be an original/not already posted piece, that was written specially for the challenge.

It must feature at least one JJK character in a main role.

There is no need for it to be “x Reader”.

Any genre is accepted, but be sure to tag it correctly at the beginning of your fic.

Just to write and have fun with it. I might think of a next challenge with an actual prize, like a fanart or something of that sort, but this is supposed to be a simple bonding experience among writers and readers from the community. By the end of the challenge, I intend to make a masterlist with all of the submitted fics and put it in my pinned post.

All submissions must be POSTED on your own blogs, TAGGING me (@tsukimefuku) and LINKING this challenge at the beginning, after May 26th and until June 21st.

Any story posted for the challenge after that deadline won’t be on the challenge’s masterlist.

Considering this will be an extensive challenge to unite jjk fans and writers across the platform, I’d like to provide writers with a taglist for when they post their stories.

Readers and writer-readers: if you’d like to be on the tag list and support your fav writers works, please fill out this form (link) UNTIL MAY 25TH.

Writers interested in taking part on this challenge: on May 25th I’ll EDIT this post, putting the tag list here at the end for you to use on your fic, so be sure to save this somewhere safe :)

You don’t have to use the tag list, but you can if you want!

UPDATE: Here’s the taglist

@strawberry1042 @darkfaerietails @jay220a @fattybattysblog

@suguru-nugget @senseifupa @aleigant @gigiculona @rahuratna

@ibukiaa

And this is it, loves! Hope you all have fun. I know I will 🤓🦉

114 notes · View notes

maukree · 3 months ago

Text

Masterpost with all parts Yay, here we are. Part 2 of my *not quite Civil War (616)—The Messiest Divorce in Superhero History specifically (or Civil War, which is mostly actual Civil War just for this part, with very little winteriron)—where everything gets dark, painful, and incredibly shippable for so many ships. Not gonna lie, the whole point of these posts is for me to catch up before I start working on my MTH fill for the 616-canon-heavy winteriron fic, and also to have a convenient resource to link to if MCU-only fans actually choose to read it and want to know what happened in canon versus what is complete bullshit for my writing pleasure. That said—this event is a goldmine for all kinds of ships. So I’ve snagged the juiciest bits for your reading (and thirsting) pleasure because every ship is valid, and I don’t discriminate. (Though, I have my favorites, so they’re gonna stand out.) Now—Tumblr has a 30-image limit per post, and I am not about to split Civil War into multiple parts here, so there is a lot of ground to cover in this. There will be more parts after this, so you get one post for Civil War specially, with as much crammed into it as I can, laid out as simply as possible—for me, and hopefully for you too. P.S. While my cover image lists the overall timeline and which series I discuss in terms of winteriron, Civil War and this part here hits the fan right smack in the middle of Captain America and The Invincible Iron Man (they each get a few issues inside), but there’s a lot of other crap happening too elsewhere. I’m not about to unpack every superhero’s massive tie-in series here in equal detail, but I will mention others before the first BIG fight and how they pertain to Tony, Bucky, Steve and Peter—because, obviously, that’s who we’re here for, and Peter is in the middle... 'cause he is kind of important here. If you want the full, issue-by-issue breakdown of every tie-in, crossover, and emotional kick in the nuts that happened, and you didn’t like the five-hour video I sent you to in Part 1, Marvel’s got you covered with their Complete Guide to the Civil War Event (or which order to read it at, which I am following here, sort of.) *visuals are after each arc/issue covered. Fair warning: this has a lot of food for irondad or starker, but this is canon, so just deal with it. K, click that Read More button, and let’s goooo into “holy shit, why are they like this?”

If you read this part you will know where Tony, Bucky and Steve are just after 616 Civil War is won by one side.

What triggered Civil War for real / Was used as an excuse for registration? Basically, the U.S. government has been side-eyeing caped vigilantes for years—tolerating their sometimes helpful, sometimes catastrophic crime-fighting because, well, they weren’t technically employees. Things had been escalating for a while, but the final straw was when a group of young, reality-TV-era superheroes (The New Warriors) tried to do their thing, and—shocker—it went terribly. Some guy called Nitro (not part of the New Warriors, just a villain doing villain things) exploded next to an elementary school during a fight with that chirpy young group, killing over 600 people, including a lot of kids. There was a national outrage, and nothing gets the government’s attention quite like untrained superhumans causing massive collateral damage in broad daylight that people complain about. Suddenly, Congress, the media, and your grandma had an opinion on whether superheroes should be running around unchecked, which has resulted in the Superhuman Registration Act (SRA or, sometimes SHRA)—which most people are probably more familiar with from the X-Men movies and whatnot (where it was basically “Mutants, go register”), or as the comic book equivalent of the Sokovia Accords in the MCU. The SRA demanded that all superheroes:

Reveal their identities.

Undergo training.

Operate under official oversight.

Which… totally sounded reasonable to some people. But only some people. Sure, about half of the superhero community saw it as necessary law and order, but the other half saw it as the death of personal freedom. And that is how this Marvel Civil War came about in the comics. (They did have a second one waaaay later, but I am not getting into that.) The easy comparison with MCU here is:

Team Pro-Registration (led by Tony).

Team Anti-Registration (led by Steve).

Where it gets VERY different:

It has very little (nothing, but he's around) to do with Bucky.

It's long.

A lot of people are involved.

Fighters on each side die.

It gets twisted and very much downhill from here as far as Tony's bromance with Steve goes (or on the up, depends on how much you like your angst). And, yes, there is a possibility some of the characters would've remained alive (but, like, a lot of Marvel characters die and come back even more often in the comic books) if Tony and Steve had just fucked it out, honestly. The Amazing Spider-Man (1999): Mr. Parker Goes to Washington (#529-531) (Not actually released in 1999—the series itself started in 1999. Marvel’s way of naming shit and constantly renaming it will break your head, I swear.) This specific three-parter covers Tony dragging Peter into the most emotional relationship drama to ever drama. For clarity (and because I think I’m too funny and can’t resist commenting along), while Civil War is gearing up, Tony starts making deeply emotional decisions under the guise of strategy, and his first move is to recruit Peter and make sure he is on his side. Because obviously, if you’re about to start a massively controversial government-backed superhero initiative, the first person you want in your corner is the kid with no money, another tragic backstory, the worst luck in the history of caped crusading, but a very good sense of right and wrong. At this point in the timeline, Peter is living with Tony in the Avenger's tower, Tony is already acting like his chaotic billionaire stepdad while Peter is hitting it off with the Avengers on the daily. For real, Peter even calls him “Dad” once or twice, although mostly, he calls him “boss” and, what, do you know, he is actually his intern. MJ is staying with Peter, but you can ignore that. So what actually happens here relevant to Civil War beginnings: Tony takes Peter to Washington, D.C., where he’s testifying before Congress about superhero accountability. While in D.C., Tony gives Peter a new version of the Iron Spider suit (like two days after another new version ’cause he can’t stop spoiling him or, like, gearing him up for war or something, idk...) and starts laying the groundwork for making him his right-hand. There are a lot of father/son vibes, mentor/protégé vibes, and if you’re reading this through a Starker lens, well—Tony spends a lot of time complimenting Peter, and putting a hell of a lot of emotional weight on his presence.

Fact: Tony genuinely cares about Peter in here (not looking at it through starker lens right now, trying to think winteriron long game here), but he’s also desperate for allies as the political pressure builds. Because Peter is not just a good boy for Tony but good in general, he is clearly conflicted from the beginning about the government stepping in to control superheroes, but Tony reassures him that it’s the right thing to do and that he is actually working on stalling it and making sure it stays under control (he is being hella shady). Peter also trusts Tony implicitly (big mistake, buddy), and because this is the road to Civil War and not just Fun Congressional Trips With Tony and Pete, we also get some early signs of how badly this is going to go for everyone involved. So, Peter backs Tony up (as Peter, hiding his identity and later as Spider-Man, refusing to reveal his identity at the meeting), showing loyalty to Tony despite his own lingering doubts. This whole arc is really about Tony starting to make moves to secure the Pro-Registration side, and Peter—bless him—doesn’t fully grasp what he’s getting into yet. This is an awesome arc to read for anyone who likes Tony and Peter in any capacity, but it’s so clear that Tony doesn’t just care about Peter here—he needs him. He is also the guy who will, very soon, break Peter’s heart, and it’s very gutting. Like, they kick the whole event off with this, and you can feel your heart bleed in advance. Why this Matters for Civil War: Tony starts Civil War with Peter at his side, which will make it all the more painful when it inevitably falls apart. Peter’s trust in Tony is absolute at this point, and that will change—violently. Tony also secretly hires a bad guy to attack them in D.C. to make a point, and this should really be one of the many signs on how seriously Tony's starting here from the very beginning.

In Fantastic Four #536-537, Thor’s hammer crash-lands on Earth. This is a big deal because, at this point, Thor is 'not around', but everyone is trying to get their hands on his nutcracker. Naturally, Doctor Doom shows up, because if something cool falls from the sky, he’s contractually obligated to try and steal it. The reason the hammer is important is because Reed Richards is around for this, so while he’s not fully immersed in Civil War beginnings yet, he’s about to be. Also, Thor and his hammer specifically play a massive part in Civil War (stick a pin in that mental note). Doom doesn’t get the hammer, obviously, it just chills there because nobody can lift it. Following the Fantastic Four issues (but also technically happening before them—just go with it), we have New Avengers: Illuminati (2006) #1, which is basically a bunch of rich, powerful men sitting in a room and making decisions that will screw over everyone else. This issue gives us the Illuminati’s response to the SRA, aka a lot of self-important posturing. The Illuminati (Tony, Reed Richards, Namor, Doctor Strange, Black Bolt, and Charles Xavier) gather to discuss how this whole registration thing is about to go down. And—shocker—they do not agree. Everyone except Reed and Tony, who tend to agree on more things than people give them credit for, thinks that the SRA is a massive disaster waiting to happen. T'Challa is there too, and while he loves being complemented on how pretty his country is, he still tells them to fuck off. Politely. Namor flips off Tony too and nearly drowns him. It's a cool action sequence. So, nothing too exciting, but good to know. That said, this is side content I don’t personally care about, but will splash in here and there for basic understanding as needed, and not spend image limit on it (unless it extra cool).

Civil War (2006) #1 This is where things aren’t just leading to the breakup of Tony and Steve—this is where everything fully hits the fan. I’ve already covered the tragedy and the public outrage/last trigger for SRA, but let’s talk about a lovely parallel happening in the aftermath. During the funeral for the folks who died, Tony gets spit on. A grieving mother blames him personally for the deaths of all those children, since he's kinda bankrolling Avengers and stuff, and while Tony was not even remotely involved in this paticular Nitro-exploding and killing kids mess—just the cleanup—he takes it HARD. (Yeah, remember how badly he took everything in the movies? It's worse in the comics, and the woman is aggressive about it.) And regardless of whether it’s comic books or movies, if there’s one thing Tony cannot handle, it’s being told that his inaction led to innocent people dying. This is where his shady, kind-of-sorta “leaning” into supporting registration cements itself into a full send. Unfortunately for both sides of this war, Fury is nowhere to be found to smack some sense into people, because he pissed off the U.S. government (again) and is currently persona non grata. So instead, Maria Hill is running S.H.I.E.L.D, calls in Steve for a little chat, while a bunch of other heroes are off in various places having their “Should we let the government own our asses?” powwows. Hill, naturally, expects Steve to be the poster boy for the Superhuman Registration Act, because, you know, Captain America = America, right? Big mistake. Huge. I don’t know if it’s the way she talks to him in her “I’m in charge now, shut up and do what I say” tone, or the fact that she basically says, “Hey, so here’s the deal—there’s a new law coming down. You’re going to help us enforce it, and we’re going to use S.H.I.E.L.D. to make sure every superhero signs up. Cool? Cool.” Either way, Steve's response is HELL NO. Hill, in her usual charming manner, reacts to being blown off by trying to arrest him. Which is hilarious. Steve then proceeds to beat the crap out of some S.H.I.E.L.D. agents, escape the Helicarrier, and go underground. But not to hang out with Fury who pops up at a later stage. Just underground, officially becoming the face of the Anti-Registration movement. Now, I’m probably not being fair to Hill (I actually do like her), but I am also Switzerland when it comes to comic book Civil War (and MCU Civil War), because both Tony and Steve are being absolute fucking idiots about literally everything in either canon. Frankly, Bucky is the only smart one when this takes place, and mostly 'cause he’s nowhere to be seen yet after ghosting Steve in London. He’s out there somewhere, probably drinking whiskey in a safe house, brooding about his past crimes, cleaning his guns, and for now busy NOT giving a single fuck about what's going on. While the love of his life that he hasn’t met yet (reminder: this is a winteriron timeline) is going out of his way to become the most hated man in the superhero community. Sad.

She-Hulk (2005) #8 is mostly a pointless tie-in to Civil War in the context of what I am trying to do here, but we do get a peek at Tony’s methods and how he’s running his “Collect ’Em All” campaign for Pro-Registration allies. Jennifer Walters (She-Hulk), has a bunch of things going on somewhat related to the main event, but the only one you need to know here is that Tony makes an appearance to give her information she needs for a case she is working on—“for free, not asking for anything, no strings attached” of course (which, lol, sure, Tony). This is a good look at how Tony operates. He’s not exactly strong-arming people right away, but you’d have to be blind not to pick up on the “Pick a side or get picked for one” vibes. In general, his methods vary through the Civil War, but you have to give it to him, he is very creative and approaches each person in a wickedly unique way. Crafty. He's crafty. In Wolverine (2003) #42, Logan is seen catching some heat and getting the “You’re not welcome here anymore” treatment from randoms, demonstrating how the baseline folks are reacting to what’s going on (although, when does he not get this heat, honestly?). He gets into a few debates with fellow supers about how the SRA is giving Nazi vibes, all while side-eyeing the Sentinel parked outside the X-Mansion pretending to be a lawn ornament and suspecting it’s not actually there for their “safety”. Wolverine isn’t my favorite in general, but he slaps in this, because instead of sitting around and yapping about whose side he’s on, he’s one of the few people actually making sense and decides that Nitro—the asshole who kickstarted this and exploded all over the place, killing all the people—hasn’t been rolled over by an avenging tank yet and it should probably be done. Right? The man has a point. Avengers. Tony tells him to drop it because “we have bigger problems”, but Logan is like “Yeah, nah” and sets off on a mission to gut Nitro with a fork (or, well, six of them), since someone here has priorities and actually takes being an Avenger (which he has been for a few months only tbh) seriously. I am not gonna talk about Wolverine much after this, so feel free to hunt down his issues on your own.

Amazing Spider-Man (1999) #532 This is one of my favorite issues, honestly, because this is the moment Tony asks Peter for everything, and Peter realizes what his loyalty to Tony actually means. In short, they visit the White House together (Tony brings him along to all the cool places, as you can see), and Peter’s life as he knows it gets irreversibly fed. This issue is a massive turning point because Tony wants a lot. And I mean, a lot. Up until this point, every time Spider-Man’s identity has been revealed, it’s been because a villain unmasked him—never voluntarily. But now, with the SRA officially getting signed by the president, the rules are clear: If you don’t register, you and your entire family become fugitives. Your assets will be confiscated, your safety will be gone, your life will be over, etc. AND if you do sign up, you might also have to snitch on others and hunt them down. Like… tough. Very tough. Tony, being the dramatic bastard that he is, casually admits to the President that he is Iron Man right there in the Oval Office, while Peter is completely missing this historic moment because he’s looking for a bathroom, checking out Secret Service agents, and admiring priceless art. (I respect his priorities.) Then comes the Big Ask. Tony wants Peter to do the same—to stand beside him and publicly reveal that he is Spider-Man to the world. Peter, reasonably, is not down for this plan at all initially, but Tony, ever the master manipulator with a heart, leaves Peter with a choice. (Sort of. Which is really no choice at all, if you think about it, since, if Peter refuses, his entire life crumbles.) MJ and Aunt May (especially May) help him process the decision, and while they ultimately support him, Peter himself is still torn right up until the last second. Even when he’s about to go to Tony with a YES, he still considers running. He even makes the arrangements to run, but doesn’t. The issue ends with Tony and Peter standing side by side at a podium, about to make this announcement. This issue slaps for both irondad and starker, honestly.

Civil War: Front Line (2006) #1 While superheroes are busy picking sides, Front Line follows the journalists stuck in the middle, trying to cover this mess—specifically Ben Urich (Daily Bugle, professional shit-stirrer) and Sally Floyd (indie journalist, professional snarker). The two of them are trying to make sense of the SRA fallout, tracking how the government is spinning the Stamford disaster (all those dead kids). In the same issue, Speedball—one of the good guys who accidentally got a school full of kids blown up when he was fighting Nitro—gets arrested, which is awkward as hell and also the first time on the page where someone flashes their S.H.I.E.L.D. badge to start arrests, signaling that things are starting to get really serious. Speedball has a VERY bad time after his arrest and is often used to remind us all that the places where supers who didn't fall in line go are not a spa. At all. Since this is essentially a press room issue, it ends with the reveal of Tony’s identity—that same press conference where we last left him with Peter. And LOL, DUDE, you do not begin this shit with “Hello. I am Tony Stark, and I am an alcoholic.” This. Is. What. He. Says. YES. While Peter is next to him, shaking in his boots and waiting for his very private life get gutted into pieces to support Tony's agenda.

Civil War (2006) #2 Following the first arrest, things are properly rolling downhill now. More arrests, the first betrayals, and the first real punches are about to happen. Tony, still fully committed to the government’s golden boy arc, is working with S.H.I.E.L.D. to form his superhero task force to hunt down the noncompliant capes. Steve has been AWOL since flipping off Hill but there is a resistance going on. I mean… it sounds good, right? For now, Tony looks like a total dick, and Steve is the hero. As a note, however, Tony is not being a complete blind asshole here, and does struggle with hoping they are doing the right thing just before SRA officially becomes law. Because comics don’t release in a neat timeline, the end of this issue is also where we get some lovely art of Peter unmasking during that press conference (the art shifts between comics, enjoy it and deal with it).

At this point, Civil War is fully spiraling, and the “oh shit, this is getting worse” moments are stacking up. In Thunderbolts (2006) #103, Tony and his team sign up the Thunderbolts—a group of villains-turned-government-enforcers (not to be confused with the MCU version, and no, Bucky is not here yet). And what is their job is to hunt down villain holdouts and then recruiting them to hunt down more holdouts. Yes, the plan is literally “let’s get criminals to enforce the law.” Things are just getting plain weird and scary and in Civil War: Front Line (2006) #2, the press and civilians are starting to get real nervous about how Tony is taking down people who used to be on the side of good with very little prejudice for not complying. Essentially, the whole “this is about protecting people” argument is starting to look flimsy AF when actual normal people are watching buildings collapse and their heroes get thrown into Superhero Guantanamo. Nobody is having a good time at this stage, but, to lighten the mood, Peter gets fired from the Daily Bugle via headline: “YOU’RE FIRED!”

New Avengers (2004) #21 is where we properly get into Steve’s headspace, and IT IS HILARIOUS. This issue is basically Steve being alone and sad after flipping off Maria Hill and instantly regretting everything, including his own existence. He angsts for most of it, because of course he does, and at some point, Bucky makes a 0.5-second flashback appearance, because it wouldn’t be a Steve issue if he wasn’t feeling sorry for himself and reminiscing about people he’s lost. The vibe here is “I should draw my feelings or write a book” (multiple panels on him trying to do that), but instead of actually dealing with his trauma of being a fugitive, which he is very upset about, he just… keeps brooding. Then S.H.I.E.L.D. sends Dum Dum Dugan to bring Steve in, and that’s when the paranoia kicks in. Suddenly, Steve is feeling betrayal from all angles (fair), and even Falcon catches some suspicion, even though they are best buds in this, since Bucky is out there gallivanting somewhere, not getting involved yet. After Steve and Falcon reunite, they set off on a noble quest titled: “Let’s Make Civil War About Peter Parker, Because He’s the First Pick for Everyone.” They gently stalk Peter to see if he’d be down to join Team Cap, but they are very late. Steve is devastated, because Peter once called him cute, and now Peter is already firmly on Tony’s side, kinda-sorta-but-actually-yes. And if that wasn’t enough betrayal for one issue, Hank Pym tries to help S.H.I.E.L.D. to arrest Cap, which really just solidifies the whole “Steve is having the worst week of his life” situation. Maybe if Steve had actually talked to Peter instead of stalking him, Peter would have called him cute again, and Civil War would have ended right there, since our sunshine babydoll can make everyone see light. But alas.

As you probably picked up on already, Peter is right smack in the middle of this, as mentioned about 10,000 times. In Amazing Spider-Man (1999) #533, they fully cover how much his life went to absolute shit after that press conference. It wasn’t just getting fired. Everyone wants a piece of him now. Some people want to kill him, a lot of people want to fuck him, and the internet is absolutely losing its collective mind. (For real—his unmasking breaks the internet, including the porn sites. FACTS.) At the same time, Peter is deeply uneasy about everything, and Tony is “comforting” him while simultaneously sharpening his betrayal knife. The same knife where Tony does not ASK Peter if he wants to be part of his superhero-hunting strike force and instead, he just signs him up publicly without permission. Peter, already on his WTF is going on subplot, doesn’t even get time to process any of this properly before Tony cranks the drama to 11, piling on on top of his little 'favor' to reveal his identity and says: “Hold my beer, meet your new teammates, and get ready—because the dying is about to fucking start tomorrow.” Whelp.

Things don’t actually escalate to full-on hero-on-hero-we-give-a-crap-about murder aka THE BIG WTF MOMENT just yet (patience), but people are getting hurt just for trying to not pick a side, and crime is skyrocketing because, shockingly, when heroes are too busy planning on punching each other, villains thrive. In Fantastic Four (1998) #538 Johnny is in a coma because a mob beat him within an inch of his life just for existing as a super, the Fantastic Four are already crumbling and even Reed’s own family thinks he’s being a dick. (And they are correct.) He is so firmly on Tony’s side that it’s almost embarrassing, and I suspect some consensual touching is involved to be this stupidly on board with Tony, but I digress here too, since I don’t even know if this is a ship. There’s some setup happening for later events, but we’re not going Mariana Trench deep here, so let’s move on. Oh, someone does pick up Thor’s hammer. I wonder who that is. Over in Civil War: Front Line (2006) #3, the press is still deep in the trenches, and there is a lot of talking happening. Everyone is talking. Some folks are being interviewed. Nobody is doing shit. It's getting... boring. It's also getting very confusing.

BUT.

We are FINALLY, at least in this ‘brief’ (ah, who the fuck am I kidding here) recap, at the stage where I am mentally prepared to talk about The Great Civil War Standoff (aka, Please, Just Start Punching Already) and promptly skip to HOLY FUCK NOT THIS MUCH PUNCHING, boooooys, what are you doing??? (I rock myself in the corner.) As mentioned, the whole thing sorta stalls while each side is staring at each other with deep, unspoken yearning, waiting for the BIG fight, while smaller fights start breaking out all over the place. And because event comics are an actual nightmare, I am going to stop talking about the tie-ins here. I’ve set the scene, now just assume there’s a TON of random skirmishes happening, Cap and Spider-Man have already thrown hands (yo, this pretends to be a winteriron timeline, go look for your shippy business elsewhere, I am hungry), a bunch of unimportant extras are getting hurt or worse, and at this point, it’s just Tony vs. Steve and their twisted moral compasses playing an extremely violent game of chicken. I know, I know—I am taking a big skip after I just dropped an obscene amount of lore on you. But listen. Event tie-ins, and I cannot state it enough, are so messy and out of order while… being in order, sorta. You get to one good bit, and then Marvel chucks another 2,000 issues between you and the next good bit, and suddenly, you’re sitting there, waiting for the cliffhanger to be explained while trying to remember why the hell you should care what Quicksilver was doing five minutes before it happened and why you can’t just skip ahead to the yummy shit. Headache material, honestly. So, anyway. The scene has been set. Yay. Civil War is in progress. What we know now and what I am desperately trying to remember here:

Bucky is still in the wind.

Steve’s resistance is being annoying and resisting, but occasionally making sense, gaining traction, and also getting innocent people hurt left and right.

Tony is entering his “I am a very scary man” era and is also getting people hurt left and right, both physically and emotionally.

Peter is still with Tony but is having a minor existential crisis every five minutes on the account of emotional hurt, and barely any other Marvel issue in this timeline doesn't have an opinion on why he is still with Tony, is he sucking his dick or what, 'thought he was the good guy'/'ah yeah, this is why Tony needed him', etc.

The X-Men are staying out of it, mostly, because they’ve seen this movie before.

Deadpool and Cable, as well as about a gazillion other supers, have their own shit going on, but I refuse to get into that.

The Thunderbolts are being shady, surprise surprise, and they only get an honorable mention here ��cause I’ve mentioned them earlier to demonstrate Tony’s spiral into being not just a bit of an asshole but very much an asshole.

Reed is so into Tony that he’s about to do something crazy. (I don’t even know if the touching is consensual at this point, since he is absolutely whipped by Tony, and it stinks of Stockholm syndrome.) So, now that we have decided on where we are and had a cup of tea/smoke, let’s have a look at the actual Civil War issues as they proceed, Captain America Civil War issues and Iron Man issues, skip a bunch of other important shit after, but ultimately, get to where we need to be before Part 3 of me posting (some other day) because I want to talk about Tony and Bucky and not about Civil War.

Civil War (2006) #3 Alright, we are finally here, because Civil War #3 is where shit gets real. Tony, being the tactical genius and emotionally constipated mess that he is, decides that it’s time to spring a trap on Team Cap. He and his Pro-Reg team set up a fake distress call because Steve is Steve, and if there’s even the slightest chance someone needs saving, he’s gonna show up. Boom. Steve does, of course, and Steve and his Underground Resistance walk straight into it. This finally gives us the most tense superhero standoff so far, with S.H.I.E.L.D. hovering overhead, a ton of supers on both sides locked, loaded, and ready to throw hands, and Peter right in the middle, not knowing how the fuck he got stuck with this lot. Tony, to his credit, tries to be the adult here. He actually reaches out, extends an olive branch, and tries to talk some sense into Steve before this escalates into full-out war (okay, okay, he tells him to chill the fuck out and comply, in slightly different words, but there is an actual amnesty Tony has worked out if Steve goes willingly, so he did try). Steve, being the absolute icon of stubbornness that he is, nods. Agrees to talk, at least. And immediately tries to take Tony down using some sneaky tech. Which gives us Tony vs. Steve, and it is GLORIOUS. These two beat the absolute crap out of each other, while everyone else on their respective teams also starts brawling (dozens/hundreds), with caped bodies flying, punches being thrown, and Peter still mostly blinking, but also fighting, while being upset that he failed to mediate between his two extremely stupid super dads and is not enjoying the whole “exhausted child of divorce” role they’ve been trying to pin on him. The fight between Tony and Steve is brutal, but Tony actually has an edge, since he’s Extremis-enhanced, a tech genius, years ahead in strategy, bla-bla-bla—so Steve is struggling. It goes on for a while, this fight, and then, the cliffhanger to end all cliffhangers. Because Thor (codename “Lightning”—this is important) shows up to backup Team Tony. Which shouldn’t be a big deal, right? We suspected it, since hammer and all, but... christ.

Civil War #4 is where we go from “Oh shit” to “OH FUCK NO.” The Thor that shows up at the end of Civil War #3 is not… actually Thor? Only in comic books, folks, since he’s a clone that Tony, Reed, and Hank Pym cooked up in a lab. While Team Cap is a bit shook, (they take Thor being a god of thunder seriously, he’s also been presumed dead for ages), Tony is trying to get Steve to give up, but Steve is having none of it. It seems largely (ha!) in favor of Team Tony right now, until Goliath (a massive giant person, can shrink down, used to be buddies with Thor, actually) shows up for Team Cap and Thor… kills the fuck out of his nice buddy, making everyone, Tony included, freeze in a “what the actual fuck just happened?” terror, since innocents getting hurt and extras getting hurt are sorta… whatever, but this is one of their own, technically, biting it. Team Cap calls for a retreat, very shook, and Reed’s Sue Storm is the first important superhero to straight-up bail on the Pro-Registration side right this moment because she is DONE with this bullshit and with Reed, who has been such an asshole to Fantastic Four, honestly—not giving a crap about Johnny being in a coma and possibly (at the very least emotionally) cheating on her with Tony. Sue is so done that she shields Team Cap long enough for them to get away, and after the fight writes Reed a dramatic “I’m leaving you, please feed yourself, there’s oily fish” note, and takes Johnny (who is no longer in a coma, yay!) with her to fight the good fight, or a fight, as long as it's not on Reed's side. And on both sides, folks on the sideline are starting to really question leadership and what kind of fight it really is. Peter is actually asking, “Wait… are we the baddies?” having massive doubts about Tony, and Steve doesn’t seem to give a shit how many of his friends get hurt, and it’s all very fucking gutting and not even a little funny. In general, this looks bad for both Steve and Tony, because Steve is throwing his side against Tony’s like cannon fodder and doesn’t seem to listen to anyone’s opinions on the fact that amnesty is at least worth discussing at this point, and Tony is after causing massive (ha!) death with a faulty clone, so a lot of superheroes are—if not outright bailing and changing sides now—at least considering it. Tony actually pays for Goliath’s funeral, since he was a cool guy and didn’t shrink down after dying. Had to buy him a massive amount of plots because, well… giant. Has a gutting interaction with his widow that tries to remind him what Tony is doing this for to begin with. For me this is a very important issue for Tony's character in this. He pays for Goliath’s funeral, because that’s who Tony is—he genuinely does care. But instead of acknowledging that this is the moment to stop, to rethink, to pull back, he keeps going, because, sadly, caring doesn’t stop him from marching forward and getting deeper and deeper into this.

Captain America (2004) #22 – The One Where Steve Gets Laid (and Sharon Gets Therapy for related reasons)

While Tony and Steve are busy emotionally wrecking each other on a public stage, we take a brief (very) detour into the mess that is Steve Rogers’ love life. Hill, who has been on a power trip ever since Fury went underground, decides that since Steve is still out there resisting like a stubborn bastard, someone needs to bring him in. And who better than his kinda-ex, kinda-current, definitely-in-love-with-him S.H.I.E.L.D. agent girlfriend?

Sharon is not thrilled because she’s really not here for the double standards. Like, Tony liaises (👀) with half of the superhero community, according to her, and the better half of S.H.I.E.L.D and nobody gives him shit, but the moment she has a little love crisis and starts questioning where her loyalty actually lies, suddenly, it’s a whole thing.

But fine. Mission accepted.

Sharon sets out to “bring Steve in”—by which I mean she tracks him down, immediately bangs him, and then quotes dead presidents at him in the post-coital glow. And because it's also Steve's love language, he also starts quoting dead presidents back. (If you’ve ever wondered what Steve’s pillow talk is like, now you know.)

Now, in case you were still wondering whether Sharon is truly down bad for Steve, let’s talk about how she sabotaged her own mission by giving the strike team (cape-killers) the wrong address. On purpose. So she could a) bang Steve and b) display her undying passion for those dead president quotes.

And this is why Sharon is in therapy. Because, as it turns out, this is how S.H.I.E.L.D. traditionally deals with traitors.

For those who remember what I talked about in Part 1 of this pre-civil war, here is something: Red Skull and Lukin are still out there, watching all of this unfold like it’s their personal Netflix binge, and they are THRIVING. They love that the heroes who should be stopping them are too busy punching each other instead. And because they are absolute dickheads, they are also actively manipulating Sharon’s emotions to make her feelings for Steve even stronger.

(Which explains the banging. Though, let’s be honest—she was into it.)

Amazing Spider-Man (1999) #535 (and half of the next Spider-Man-specific issue, sorta) – The One Where Tony Officially Breaks Peter’s Heart (And Ours) Alright, kids, this is it, and you should be thankful I made you crack a smile over dead presidents (hopefully), because this is crying-level shit.

This is where Peter starts realizing that maybe, just maybe, signing up with Tony was a colossal fucking mistake— and not just sorta feeling it.

Tony, still deeply entrenched in his “I Am the Government Now” phase, still has a soft spot for Peter (awww, tragic) and when Peter demands to see where the prisoners he is bringing in and not loving it are kept, Tony decides that it’s time to give Peter the full tour of the Negative Zone prison (a very dodgy place, tbh).

And our science nerd, all-around good guy, man with a conscience—takes one look at the absolute nightmare Tony has built and goes, “Wait. What the actual fuck is this? You can't be serious.” Tony: “Oh, yeah, this? This is where we’re locking up heroes who don’t register. Indefinitely. Without trial. In a literal alternate dimension, so no lawyer can ever get them out.” Peter, blinking hard, possibly resisting the urge to throw up: “…Excuse me?” Peter tries to confront Tony about it, he does, but very quickly catches on that Tony is not above implying he can do the same to him. Which is… whelp.

The whole conversation goes something like this, if you want a slightly longer version (see visuals for the full one): Peter: “Hey, Tony, quick question—what the fuck?” Tony: “Ah, Peter, my boy, don’t worry about it, this is for the greater good.” Peter: “The greater good? Again, what the fuck?” Tony: “You’re being dramatic.” Peter: “Am I? Am I though?” Tony: “Peter…” Peter: “Dad?” (happens) Tony promptly tries to ship Peter off on some other business to get him to cool off, but Peter is finally on board with the fact that this man has cracked, and he no longer feels safe around him. He doesn't even trusts MJ and Aunt May with Tony anymore (threats have been made) and tries to take them and go on the run. And then… He and Tony end up exchanging punches. God, it’s so bad and upsetting, you have no idea. I have no jokes for this, and ship it, don’t ship it, but this is the ultimate betrayal on Tony’s part. Peter is falling apart after, barely escaping, not knowing where to go, and Tony… is also feeling heartbroken, equally as gutted. I’m gonna leave this here for now, since we need to go into some other issues before we continue with this plotline. But you get me, yes? I need tissues when I think about this.

Captain America (2004) #23 - BUCKY!

Alright, everyone, take a deep breath. We are finally getting to the Bucky part of this winteriron timeline.

Bucky is officially entering the chat, and he is looking DAMN FINE while doing it, got a new hair-dew + arm and everything. He also has a lot of feelings while breaking into a S.H.I.E.L.D. facility to pull some spy shit for Fury, because of course he is, and I am devastated I am running out of image limit here soon.

He’s absolutely judging Steve for leading a resistance movement and somehow not inviting him... and sorta doing it the way he's doing it.

He’s also side-eyeing Tony for being a government stooge, even though that’s neither here nor there, since they don’t actually know each other at all (yet), but awareness is awareness, and it still doesn’t stop him from forming an opinion.

Bucky is, in fact, just generally pissed. And sexy. Always sexy. But the best part—and why Bucky really should be shaking hands with Peter here (another shoutout to winterspider)—is that Bucky is watching Steve and Tony’s breakup in real-time and judging both of them.

His basic thoughts on the matter boil down to “Wow, I left you two alone for five minutes, and this is what happens?” since while Steve and Tony are out here making Civil War everyone’s problem, Bucky is off-screen, forced into being hot and competent, actually doing something productive by hunting real villains.

He has zero actual desire to get involved in the war itself, though he does seem to be more pro-Steve, obviously, and is way more concerned about Red Skull and Lukin than he is about whatever the hell Steve and Tony are doing.

Speaking of villains, Red Skull, who we find out is using Doom’s tech but not actually working with him, is under the impression that the whole Civil War was his big, evil, successful plan. (It wasn’t, everyone contributed, but let’s humor him.)

On the slightly more angsty side—because Bucky never misses an opportunity for angst, picked it up from Steve—he does blame himself a little bit for Civil War, since some of the shit he did when he first got defrosted was cited as part of the long-ass list of “Why the SRA Needs to Exist.” Not that he’s spiraling over it, but he’s self-aware enough to recognize he helped fuel the fire. But mostly, he’s doing what Bucky kicks ass at—being hot in shadows, judging everyone, avoiding Steve’s nonsense, avoiding Tony’s nonsense, and handling actual problems. God, I want his babies.

Civil War (2006) #5

Where we swing back to Tony being a massive dick about almost everything—except for the fact that he loves Peter, one way or another.

At this point, they are sorta in the process of arguing/fighting (there is some timeline overlap), Peter is trying to run away from him, and when S.H.I.E.L.D. is about to take it too far, Tony absolutely panics because he cannot see Peter hurt.

But Peter is now technically a fugitive, and Tony’s side has recruited some deeply unhinged people, so it’s open season on Spidey, with very specific instructions that Peter is to be brought in alive and unharmed—no matter what.

That would have been great… except Peter is now running on pure panic and heartbreak, immediately realizes he is completely fucked, ends up in a stinky sewer, and gets his ass kicked into next week.

He almost dies but gets saved by Punisher of all people, who promptly brings him to Steve and the Resistance (where Sue and Johnny are pretending to be a married couple for a mission, which is weird—let’s not talk about it).

Meanwhile, Tony is spiraling. Again.

His entire strategy is falling apart, Sue Storm has already dumped Reed over this bullshit war, Steve is still out there leading his resistance, and now his own protégé—his son in all but name—has turned against him.

Tony is visibly wrecked over Peter’s defection, but since he has the emotional processing skills of a brick, he just channels all that heartbreak into “fine, let’s get Daredevil arrested next” energy, which he does—for which he is given a piece of silver and called Judas. (Brutal.)

That’s not to say Tony doesn’t care. He very clearly does, and this issue makes it obvious that he still sees Peter as a kid who needs protection, even when Peter himself doesn’t want it. But his way of showing it is, unfortunately, locking up Peter’s friends in a pocket dimension and putting a hit out on him (technically), so, uh… yeah.

Meanwhile, Steve is also getting more extreme, starting to questionably recruit people he normally wouldn’t, and letting Punisher into his little rebellion. (Which is definitely going to end well. Totally.) He is also over the moon Peter is on his side now and announces it to the others while... Peter is still unconscious. Now tell me both Steve and Tony are not simply fighting here over who gets to read him a bedtime story? Come on.

The Invincible Iron Man (2004) #13 & Amazing Spider-Man (1999) #536: (Tony’s Possible Career Change & Peter’s “Fuck You” Tour)

Alright, so The Invincible Iron Man (2004) #13 is technically Tony’s first solo Civil War issue, but fuck all actually happens.

It’s mostly a lot of “Tony, what the fuck are we doing?” meetings, brooding with some old friends, chatting to Happy while being deeply unhappy, and simultaneously spiraling, yet still, and committing war crimes in the name of national security. (Multitasking, sure.)

But one major thing does happen here, and while it’s just an offer at this point, it’s HUGE:

They start floating the idea of Tony taking over as Director of S.H.I.E.L.D.

At this point, S.H.I.E.L.D. is still running itself into the ground under Maria Hill’s special brand of leadership, but someone suggests that maybe, just maybe, the guy who is single-handedly running the actual show anyway should just be in charge of the whole thing.

And while that doesn’t happen just yet, it changes EVERYTHING for what happens post-Civil War. When it finally comes, is going to be a game-changer for his relationship with Bucky later on. (Yes, we are keeping our winteriron priorities straight, thank you.)

So, while this is happening and I am yawning 'cause Tony's first issue is so fucking underwhelming, in the Amazing Spider-Man (1999) #536, we pick up from Peter’s dramatic escape and near-death sewer experience, and things are finally coming to a head.

Peter, now officially 100% done with Tony’s bullshit, does something that could not be a bigger middle finger if he tried.

He digs out his old, classic Spider-Man suit (because fuck the Iron Spider, fuck you, Tony, I called you Dad unironically, you were my family, WTF), goes on national TV, and gives a full speech dragging the entire SRA, the Civil War, and Tony himself.

And as a helpful reminder here… Peter is not a “friendly neighborhood Spider-Man” in these comic books—he is a fucking legend, a bright, shining beacon of good for so many people (while still a menace to others, of course), and what he says actually matters.

For all of my shippy jokes and the subtext, there is a real reason why both sides want him. And it’s not just because he’s hella adorable and can kick things really hard.

When he talks, people listen. And when he does start talking, he absolutely obliterates the SRA, calls it unconstitutional, publicly calls out the people supporting it, and tells the world that he refuses to be part of it anymore. Tony loses his shit.

Okay, okay, some food for thought here, for once not related to ships I see everywhere (I have a sick mind and you are somehow still reading this, so don't ask me what's wrong with me and I will not ask you what's wrong with you).

Now, before anyone grabs their pitchforks, this is not me defending Tony’s actions (man makes a LOT of mistakes, obviously), but it is also worth remembering that he’s not a total monster here. He genuinely believes that what he’s doing is necessary, and unlike in the MCU where it’s all “let’s get a leash because one building blew up and we might have destroyed a country” the 616 version of Tony actually has a more thought-out (if deeply flawed) reason for being on the Pro-Reg side.

So, what is Tony trying to sell people on here?

Superheroes need to be trained. The trigger event for the SRA was a bunch of untrained, reality-TV-era heroes going up against a villain way out of their league, and as a result, a school full of children exploded. From Tony’s perspective, this was preventable. If these heroes had been properly trained, those kids (and some other people, but I mostly say kids, this is me not being nitty-gritty accurate about everything) wouldn’t be dead. This is not entirely wrong, but his method of fixing it is basically turning superheroes into government employees and locking up anyone who doesn’t comply, which is… less great.

The public has lost trust in superheroes. And Tony, unlike Steve, actually cares about public perception, comes with his brand and all. He sees this as a way to restore faith in the superhero community by offering transparency and accountability. The problem is obviously the way it’s being enforced is, again, deeply flawed and increasingly authoritarian.

The alternative, in his mind, is worse. He is absolutely cracked as far as Peter is concerned (fair), but here’s where Tony’s futurist brain actually screws him over—because he is not wrong when he says that if the superheroes don’t regulate themselves, the government will do it for them, and it’ll be worse. He thinks he’s getting ahead of the inevitable, but instead of negotiating and making sure the law is fair, he enforces it like an actual jackbooted stormtrooper.

So yeah, Tony is still a mess, and he’s still doing a lot of fucked-up things, but his core reasoning isn’t as evil as some people paint it in here and maybe even not as bad as I paint it overall in this recap.

He truly thinks he’s saving lives and making the world safer. He’s just doing it in the most morally questionable, emotionally compromised way possible, and at some point, even he knows it’s spiraling. That doesn’t excuse the Negative Zone prison or bounty hunting his own allies, engaging in shady business and, Jesus Fuck, cloning Thor, but it does explain why he started down this path in the first place. Tony is also on the side of the law and, for the most part, public opinion here (mostly, since actual normal public is scared AF right now). The problem is, the law isn’t always right, and Tony, in all his genius, somehow keeps forgetting that.

Now let’s hop over to Steve (“Oh No, Babe, What Are You Doing?” should be the title of his entire movement) and talk about how his ideals are great but his execution is a trainwreck. Look, Steve is not wrong—but he’s also not right in the way he thinks he is. And the biggest issue with Steve in Civil War is that his entire approach boils down to “Fuck No.” That’s it. No. No compromise. No alternative plan. Just hardcore, unwavering, freedom-loving NO. Steve’s Core Beliefs in Civil War:

"This is about freedom." Steve believes heroes should have the right to make their own choices about when and how they act, and he fundamentally rejects the idea that they should be forced to register. (Fair point, buddy, but maybe think of a Plan B? No? Cool, cool.)

"If the government can force us to do this, what’s next?” Steve has read a history book before and is fully aware that government overreach never stops at just one bad idea. And considering how mutants have already been treated (X-men and mutants are a very persecuted group here), he is not about to wait around and find out what comes next.

“I will not be controlled.” Instead of seeing if there’s a way to meet halfway or at least slow things down, Steve immediately goes, “Fuck this,” ditches his government job, and starts an underground resistance movement.

Which brings us to Steve’s biggest flaw in Civil War. Where Steve Screws Up:

Steve doesn’t even TRY to negotiate. Tony, for all his shady billionaire manipulation tactics, at least pretended to be open to discussion. Steve refused outright. Instead of using his influence to propose a better system when he still absolutely can, he straight-up vanishes into the night like Batman with extra patriotism.

His resistance is a mess. Unlike Tony, who is (somewhat) organizing a structured system, Steve’s team is basically “whoever wants to punch the government in the face” with no real plan beyond “resist.” He takes Punisher in, for crying out loud. There are no rules, no real discussions about alternatives, and no clear path forward with Steve's movement at all. This means his resistance is a bunch of scared, desperate heroes who are putting civilians in danger while trying to evade capture and kinda... all want to go home.

He is willing to let people get hurt for his cause. People are getting hurt left and right, not just his own team but also civilians caught in the crossfire. Instead of adapting or trying to find a smarter way forward, Steve just keeps doubling down, because this man went all-in on a bad bet and refuses to walk away from the table.

He does not listen. To anyone. A lot of people would have been on his side if he had actually tried to talk about a solution instead of running headfirst into a guerrilla war. Even when his own people start to question him, he digs his heels in and refuses to budge. Fuck them and the horse they rode in on is basic response to any "Emm... dude?"

Steve vs. Tony: The Real Tragedy

Steve sees Tony as a sellout, Tony sees Steve as reckless and the reality here is that they’re both kind of right.

Steve is fighting for freedom, but his method is chaotic and ultimately very dangerous. Tony is trying to prevent chaos, but his method is authoritarian, ruthless, and deeply problematic. And this is why Civil War is what it is. And why it is a lot more fun than the MCU one, if you properly get into it. At the end of the day, comic book Civil War isn’t just about laws and the SRA—it’s about two men who genuinely believe they’re doing the right thing, both completely incapable of seeing the middle ground. And, well… it all ends in disaster, obviously.

Captain America (2004) #24: In which Steve takes a page out of Bucky's book and punches the right people (for, like, 5 whole seconds) for a change. Finally! A break from all the Civil War emotional trauma to remind us that, yeah, Steve is a hero first, war criminal second. I am gonna guess it’s because we’re getting close to the finish line here (you are nearly free, yay!), so they just had to show Steve fighting someone other than his own friends for once. Progress. For… reasons.

He’s still knee-deep in Civil War Resistance mode, but he remembers for one night that there are actual bad guys in the world and focuses on a real threat: Hydra. (Or Hydra-adjacent assholes. And explosions. Lots of explosions.)

So, in this quick issue, Steve teams up with Sharon, who is now secretly working with Fury (who is still underground being an off-brand James Bond with a cigar budget, doing his own resistance thing much better), and together, they take on some good ol’ Hydra goons. Well, Steve takes on Hydra goons by blowing them up (probably killing them, but let’s just say “off-screen unconsciousness” for the sake of the PG-13 rating), and Sharon rolls in with her flying car to rescue him from S.H.I.E.L.D.

And, oh yeah, Red Skull is still lurking in the background, thriving on the fact that the Civil War is keeping everyone too distracted to stop him. He’s over here cackling like a Scooby-Doo villain, making sure Steve and Tony stay too busy ruining each other’s lives to notice he’s playing puppet master behind the scenes. (Smart move, honestly. Props to him for being the one guy who actually planned his shit out properly.)

Look, the details might be fuzzy (it’s getting late for me here), but the core takeaway is this: Cap is actually being Captain America again for an entire issue—stopping real threats, foiling evil plans, and protecting people instead of just yeeting his side at Tony’s.

The Invincible Iron Man (2004) #14

A good Tony issue following a good Steve issue… I wonder why that is. Not a good issue in the sense that Tony’s thriving—oh no, this man is drowning in consequences—but good in the sense that we finally get a proper deep dive into the emotional wreckage that is Tony Stark, destroyer of friendships, king of bad decisions, and certified government tool (actual fucking tool, honestly, but I love him and he can have Bucky’s babies, though I am not into mpreg).

This issue is actually packed.

Happy is dying in a hospital bed, Steve is still actively resisting arrest, Peter is on a fugitive road trip, and Sue Storm is ready to rip Tony’s head off for ruining her marriage. The government is still offering him more power, because sure, let’s give the stressed-out man on the verge of a breakdown full control over the most powerful intelligence agency on Earth.

Anyhow… not to go into too much detail here, but Tony cannot resist one last chance to talk things out with Steve and arranges a stadium meeting with Cap. You might think, “Oh, good, they’re going to try reasoning with each other like adults!” HAHAHA, NOPE.

The meeting lasts about five seconds before it devolves into a fight, which Steve… starts again. The emotional tension is through the roof, Peter is there too (aww, hurts), and they’re not just fighting over the SRA, they’re fighting over their entire broken relationship. If someone played “It’s Time to Go” by Taylor Swift over this sequence, it would fit perfectly.

Though Tony actually mostly fights with Peter here and still manages to pay him a compliment in the process, giving us hope that not all is lost, which we desperately need. But overall, the whole thing is still a disaster. Life is fully kicking Tony's ass from all directions, the temptation to drown it in whiskey is creeping back in, he is considering hitting the bottle, and… Tony is at a crossroads. He’s losing everyone who ever mattered to him, his side is looking increasingly shady, and the weight of everything is crashing down on him. We actually get some raw, human, vulnerable Tony, instead of just “mustache-twirling villain” Tony. So yeah, finally, a good Tony issue.

In case you were wondering, Peter is in fact fully on team Cap now, not just for the stadium fight, and in the Amazing Spider-Man (1999) #537 still has his morals intact (bless him), and this issue is about reinforcing that.

So, Steve—who is now basically Peter’s new/old father figure, 'sits' him down and hits him with the big speech.

And, my GOD, does he deliver it.

He drops one of the most iconic Captain America monologues in all of comic book history:

“Doesn’t matter what the press says. Doesn’t matter what the politicians or the mob say. Doesn’t matter if the whole country decides that something wrong is something right. This nation was founded on one principle above all else: the requirement that we stand up for what we believe, no matter the odds or the consequences.”

And you just know this wrecks Peter emotionally, because this is exactly the kind of moral backbone that made him idolize heroes in the first place. This is the moment where Peter fully solidifies his stance. He’s not just on Team Cap because he got burned by Tony—he believes in what Steve is saying. Tony is having an emotional crisis over Peter leaving, which I completely understand, and... Peter also throws some flirty one-liners at the Cap, since our babe can't help it.

Civil War (2006) #6 and we are at maximum endgame (ugh, still hurts) mode now.

At this point in the war, neither side is even pretending to be civil despite moments of personal growth, slash remembering who they are, and both Steve and Tony have fully committed to their respective roles as Head of the Underground Resistance (Steve) and CEO of Government Overreach Inc. (Tony).

We start off with Tony and Reed in full villain arc, sipping coffee and talking about how crime rates are dropping (I have no idea how, since all the superheroes are busy beating the shit out of each other instead of fighting crime, but never mind me), and immediately move on to the Punisher deciding today is the day for homicide.

He sneaks into the Baxter Building (as one does) to steal information on “Number 42” which is not Tony’s latest suit model but instead the name for his prison in the Negative Zone where they’re throwing unregistered heroes indefinitely and that caused Peter and Tony to block each other on Facebook.

Totally normal, non-dystopian behavior, nothing to see here.

Sue Storm is out here making power moves too, pulling up to Atlantis and trying to convince Namor to get off his fishy ass and help Team Cap. Namor, in true “I am too sexy to care” fashion, basically shrugs and says, “Surface problems? Sounds like a you problem,” before dramatically flipping his cape and walking away. (Sue, girl, I admire the effort and only mention it, cause you are one of the very few truly likable characters in this Event.)

Back at Team Cap’s HQ, Steve unveils his master plan: an all-out raid on the Negative Zone prison to free their captured allies. The team is hyped, ready for action—until Punisher casually murders two villains in cold blood right in front of everyone because they dared to ask if they could help. Steve, who may be a war criminal but still has standards, absolutely loses it and beats the hell out of Frank before throwing him out of the rebellion.

Tony on his end is having an emotional meeting with Miriam Sharpe (aka, “Tony’s #1 Fan Who Also Made Him Feel Like Shit at That Funeral”). He throws some cash at a pretty garden with angels for the dead kids, she thanks him for all his hard work but also makes it clear that, yeah, this war is costing him everything. (Gee, thanks for the reminder, Miriam, I’m sure Tony didn’t notice he’s lost literally all of his friends by now.)

The issue ends with Steve pulling a classic Uno Reverse Card on Tony. The Pro-Reg forces think they’re about to stomp the rebellion once and for all, but—surprise, bitches!—Team Cap knew there was a mole in their ranks (Ragnarök, I’m looking at you, you Dollar Store Thor knockoff), and they had Hulkling impersonate Hank Pym to sneak in and free all the captured heroes before the fight even starts. So, yeah. Big-ass battle incoming, and I can nearly go to sleep.

Civil War (2006) #7 You’ve made it! (I low-key question if anyone actually did make it this far, but I am very into this now, so…)

This is the big one. The final battle. The moment where all this superhero divorce drama comes to a head, and oh my God, it is so much.

So, after about a million issues of emotional devastation, betrayal, and Peter collecting father figures like infinity stones, we finally get the massive all-out brawl between Team Cap and Team Tony. And when I say massive, I mean half the Marvel Universe is throwing hands in the middle of New York City. Superpowered beings are crashing through buildings, explosions are going off everywhere, and don't ask me why they thought “protecting civilians” and “obliterating the city” were compatible ideas.

Steve and Tony really do go at it like two exes who just found out they were sleeping with the same person (Peter, doll, what are you doing? Kidding, kidding).

Steve is beating the absolute shit out of Tony, and Tony—who is running on the fumes of guilt and exhaustion—lets him.

Because Tony is ready to die. That’s right. Tony, who has been holding onto control like his life depends on it (because it literally does), just gives up, drops the metaphorical gloves, and basically tells Steve: “Go ahead, finish it.”

And Steve almost does.

(Not to draw parallels here, but Bucky tried to pull the same move with him and proceed with murder-kill when he was brainwashed. What's Steve's excuse here?)

Like, Steve almost wins. The Resistance might not have, but Steve does. He is seconds away from beating Tony to actual death in the middle of the nightmare they’ve caused—but then. Civilians. Regular-ass, non-superpowered, completely terrified people tackle Steve to the ground.

They’re not protecting Tony (maybe a little, it's up for debate, see the panels)—they’re stopping Steve. Because holy shit, Steve. Look at what you’ve done. Steve does. Look. And finally sees it.

The destruction, the sheer chaos, the city that’s half in ruins because of this war. He sees the fear in their eyes and realizes that this isn’t about freedom anymore. He’s lost the plot. They’ve all kind of lost the plot, and someone has to give up, and he will not let Tony beat him to it.

So, Steve. Fucking. Stops.

He takes off his mask, drops his shield, and says, “It’s over.” He turns himself in. He turns Steve Rogers in specifically, essentially following the law, and Team Cap officially loses the war.

At the end of this, Tony—bruised, in desperate need of a good fuck (hey, Bucky, where you at?), and still internally monologuing about how the fuck his life turned into this—is appointed Director of S.H.I.E.L.D. And this is how, after so many words, christ, the Civil War officially, techically ends, and the winteriron timeline can properly begin. Happy tears, I am crying happy tears right now.

So, Part 3 of this ‘brief’ (lol) timeline is coming ASAP, and it does deliver on some juicy Bucky and Tony interactions—actual on-page moments, not just me connecting the angst dots with wishful thinking, promise.

And if you’re thinking things might slow down now—oh, my sweet summer child. We are only just getting to the fun part, since Captain America essentially becomes Bucky’s comic book. The stakes are different, the players have shifted, but Tony and Bucky finally start existing in the same space.

If Civil War was crazy, what happens next is the part where we go off the rails entirely in the best possible way.

To confirm, where we are:

Bucky is in the wind but possibly smoking cigars with Fury.

Bad guys who were ignored for this Event do have some plotty evil planned.

Tony is in charge of S.H.I.E.L.D. and he still has to keep hunting down anti-registration supers.

Steve is alive and in jail. For now.

And Peter—oh God, I have to mention this, because I must, and this just further confirms that some of the editors were shipping Peter with someone other than MJ.

So, Peter is an absolute disaster, thanks for asking. And if you know comic books and reading this just to laugh at me getting shit wrong and are wondering, “Wow, does she about to mention One More Day?”—yes. Yes, I am. And I don’t want to talk about it. But I will, just for a second.

One More Day (2007) is Marvel committing a crime against humanity.

It’s a four-issue arc where Marvel editorial decided Peter was too happy and needed to suffer more, so they erased his marriage to MJ from existence. (Ah, yeah, he was married to her this whole time, in case I didn’t mention it, but I was too busy pushing Starker on people if the winteriron angle didn’t work out.)

Basically, after Civil War, Peter’s life goes to absolute hell. He unmasked, so every villain with a grudge is coming for him, Kingpin puts out a hit, and Aunt May gets shot.

Peter, being the absolute hero of a man that he is, tries everything to save her. He begs Tony for help (doesn’t work). He tries to make a deal with Doctor Strange (doesn’t work). And just when it looks like May is going to die, the literal devil (Mephisto) shows up and is like, “Hey, Pete, what if I saved your aunt, but in exchange, I erased your marriage to MJ from existence so you two never got married and will never be happy together?”

And Peter and MJ actually say yes. BOOM. Years of character development and one of Marvel’s most iconic relationships is GONE, conveniently removing all that pesky guilt when Peter flirts with older men.

So, Aunt May lives, but now Peter and MJ were never married, and no one remembers he unmasked during Civil War. The comic book fandom hates it. The writers regret it. Everyone pretends it didn’t happen. Marvel did make a movie about this though, kinda. Also kidding. But for real, it’s one of the most infamous and universally despised retcons in Marvel history.

And on that cheerful and very nerdy note, thank you for reading.

Masterpost with all parts

44 notes · View notes

luciawithoutj · 11 months ago

Text

Hey hi hello!

I have some things to say about new merch and jo merch in general so this is gonna be a litrle longer post and actually I think I should cange my semiotics theme (which is already about jo) about how bad their merch design is.

First of all little disclaimer: this is all my humble opionion based on what I learned in my one year of being graphic design student and an artist and designer on the internet for last 4-5 years. Before going to uni I learned most of about art and graphic design stuff by reading books and watching tons of yt videos. Second of all this critic is just coming from place of love for this band because I see so mucb potential and they could do some amazing merch designs if they give it a chance and I am fully aware how expensive the touring is and why they had to cut the quality of merch products.

So far my favorite jo band merch designs are cds (that probably required some designer to make), condoms (because they are really funny, genius, nicely designed and unique merch that fit the vibe of the band and matches their songs as well) and the new tshirt from last merch drop (which design is made by one slovenian fanartist : link.

Main reason that made me want to speak up is seeing that this merch drop will only have 100 products (my friend said that could mean 20-ish shirts per size) which how big this fandom has gotten in last year is pretty really dam limited. For a limited product I am really disappointed and I hoped for more. For such a limited product that design is the most default design they could have gone for and I am so sorry for Damon because his work is goregous, amazing, breathtaking and I could talk about it for ages and how inspiring it is but this shirt design isn't serving.

If they wanted to do bare minimum of design with those 5 images here is some of my ideas (unfortunately I don't have time to visually show them to yall on a mock ups because of finals that I should be studying for instead of writing this so try to imagine what I am trying to say and demonstrate). First is just simple instead of white choose black shirt or even better a thisrt. If you want it to go a stepp further is using their name logo font (font name is Avaline btw if anyone wants to download and use it for their designs :))) and either put it how they did when they promoted the everybody's waiting or to write idk therapy sessions or anything related to the band or it can even be some inside joke.

Something like this would make design just a bit more intersting but still bare minimum but amazing for regular merch. If they want to go a step further but want to keep the long sleeves (this idea was suggested by few people I talked too) they could put pictures vertically on the sleeves. I would find it a bit cooler if it is on the right sleeve out-side and then they put their band logo (the heart one) on the left side of the shirt where people's hearts normally are.

After exams I would definitely like to try to make some designs and just limit myself with this 5 pictures and play with typography and photoshoop to make something interesting.

Another I want to mentioned is how in my humble opinion if you are gonna sell limited edition either make it really pretty or good quality or really cursed and funny with inside jokes.

I think people (and me first) would eat tshirts (but also other merch designs) with some cursed designs or just texts that say "sparklative" or "slay pose" or "I feel SloveNACE" (this 3 were suggested by amazing people in tumblr discord server) or even let Jan photoshoop their faces on most random picture. This 5 guys with their gen z humour could make and do some hilarious merch like how amazing idea the condoms are.

Last thing I want to say is how many amazingly talented fans are. I mean even Damon was so shocked and moved by amount of talent and art made in this community. Furthermore I know (some of them as online friends and mutuals, others as just artists from same fandom) who are also either graphic design students or they work in art/graphic design/entertainment fields and some of them (including myself) would be so happy to even make few merch designs or art for them for freee or for a ticket for their show. Personally I would die from happiness if I get a chance to work with my favorite band that inspires me so much everyday to the point people at my uni think I am from Slovenia and know slovenian because of how much I include them in my uni work and how much fanart and designs I made because of them in last 6 months.

I just think there is so much potential guys might not be aware of (Idk honestly because who knows what is going on backstage in their lives). But yeah they could have even asked Damon to help them with composition of the pictures on that shirt or even hire Racik to make some pretty art or any fanartist honestly. Here is just few links of my favorite fanartists who also do a lot of graphic design related stuff (and also some of them sell their products on their own websites/redbubble/etsy/inprint/etc) :

Tia <3

Roxanne

Vic

jo.kam_ (previously mentioned her design)

Lemon

yelecx

Racik (ofc)

There is probably more but my brain for hell of it won't remember any names so feel free to add in the comments or tags more artists <3

I could probably go more in depth and give more ideas how to improve merch designs the cheapest and best way as possible but still trying to keep the quality good as it needs to be. I know there is still gonna be people fighting for this shirts and people are still gonna buy their merch but just it hurts my art/designer soul seeing this bad designs when there is so much potential and they have amazing fans and amazing crew and they work with so many talnted people and they themselves are so talented and their music inspired so many and so much.

Thanks everyone for coming to my TedTalk. <3

Actually now I am thinking and from just talking about jo work from design and semiotics perspective for that semiotics seminar I could just focus on their merch design and go more in detail about it and if yall want when it is done and I translate it in english I could share it here for people who want to read about it. Let me know I guess.

Also if someone is interested my art and design insta is lucia.without.j and my redbubble is lucia-without-j and my dms are always open if someone wants to chat or complain about anything art, design, joker out or any other fandom I am in related.

P. S. I am so sorry for any spelling mistakes and if what I said doesn't make sense. English isn't my first language.

#joker out #kris guštin #bojan cvjetićanin #jan peteh #nace jordan #jure maček #damon baker #new merch #graphic design #merch design #lucia is yapping again

70 notes · View notes

0dividedby0haha · 1 year ago

Text

slightly editing this intro post to be better for those who have to suffer the curse of pc (no read more button) so my dni and links and blogs are under the cut

ALSO I NEED MORE STRAWPAGE GIMMICKS PLZ SEND MORE THINGS TO MY STRAWPAGE I BEG OF U (just not art cuz i can’t receive art gimmicks rn bc of smth on the strawpage website)

my blog has basic dni, also please keep it pg-13 i want to keep the NSFW to a minimum, also please no extreme opinions such as: misogyny or transphobia/homophobia/etc. I want to keep this blog welcoming for as many ppl as possible, also DNI z00s, those types of people are not valid, animals CAN NOT consent. also if you are anti-endo DNI

please don’t send donation asks i can’t tell what is and what isn’t a bot and i can’t donate

I AM A MINOR

btw i try to tag certain things that might make my mutual eway uncomfortable (as per their request) so if you are also uncomfortable because of nsfw mentions in textposts feel free to block those tags! there’s kinda a scale of severity too, just thought i would mention that

will add more if i feel like it

roblox username: lol123abc456789althi

tumblr toshiro and zenkichi fanclub: https://www.tumblr.com/join/tvjiBYF_

tumblr komasan fanclub community: https://www.tumblr.com/join/My4rvb9E

komasan fanclub roblox group: https://www.roblox.com/communities/35716361/Komasan-fanclub#!/about

strawpage: https://0dividedby0.straw.page/

community for ppl to reblog in when post limit: https://www.tumblr.com/join/DrqfTa5Z

edit: masterpost now

blogs i own:

@regretehannibal

@theanon-kingdom (affiliated with but not directly linked to: @1nf3ct3d-x3 bc they gave me idea of kingsbond anon and anon kingdom, just wanted to credit them)

@teamrockets-wobbuffet (a gimmick blog i made of team rocket’s wobbuffet)

@your-fav-isnt-divorced (gimmick blog that is the opposite of @your-fav-is-divorced )

@pressure-confessions (a confessions blog ran by me and @idkjustamherelol, i am mod flashbeacon)

@totallyrealzero (an askblog i made after creating an oc of @z3r0th3h3r0’s blog)

@elosthetree (regretevator oc askblog)

@the-text-reverser (gimmick blog where i reverse text)

@the-velvet-room-real (gimmick blog where the velvet room and it’s residents run the blog)

@official-level-5 (gimmick blog co-ran by me and another person)

@liam-and-alice-rant (blog for dumb rants)

@the-vinki-slugcat (fanmade blog of the vinki from rain world)

@anonymouse-the-anon (blog made bc of a silly in @dollking081 ‘s blog)

@0dividedby1haha (post limit blog)

interests/fandoms/special interests (keep in mind this list is VERY INCOMPLETE and i plan on hopefully updating whenever i can): epithet erased (i do not support jelloapocalypse anymore after they made death threats aimed at the creator of the manga one piece), dandy’s world (i do not support rox), moshi monsters, yo-kai watch (my fav is ykw2 bony spirits), ni no kuni, pokemon, regretevator, skylanders, roblox, persona (currently playing q2 and persona 5, will move onto p3r after persona 5), bocchi the rock!, video essays (specifically video game ones), jjba, roblox pressure, among us, minecraft, fortnite, the nintendo wii u, the nintendo 3ds, dougdoug, the minecraft server hoobs live, bofuri, by the grace of the gods, kuma kuma kuma bear, hi-fi rush, lego marvel superheroes (the one on wii u with the cosmic bricks), lego dc supervillains, the lego movie, lego, music, the duck paradox, deltarune, undertale, and inscryption.

#boundaries post #masterpost #pro endo #intro post

106 notes · View notes

e-rated-beardo · 3 months ago

Text

Scorn and the Saint-Maker, chapter 32: I can’t face this life alone

Scorn and the Saint-Maker is a murder mystery/ineffable husbands romance/who-turned-them-human Good Omens fanfic, set at a university in Scotland, with lots of (as-yet skippable) level-5 smut, ✨sexy maths✨ (reportedly), and one trans angel

Of course Tumblr's link block got fucky again when I wanted to post. Of course. (And yeah, I know it's because of AO3's request throttling, but it's still Tumblr's fault for not making their post UI able to deal with that at all. A new request every time someone pastes a link in the post UI is just irresponsible coding tbh. GROW BETTAH)

Chapter 32 summary: The aftermath.

Rating: Chapter rated T; fic E (for skippable smut and some heavy topics).

Notices/warnings: Further hospital/medical stuff. References to all the recent drama and to the sick from a few chapters back (also non-graphic).

Excerpt:

“You had a breathing tube,” Ruaraidh said without looking up. “Said they were worried you might ‘aspirate’. I’m not sure what that means, but it sounds like something you’d want to avoid.” Anthony looked around as well as he could to assess the situation. A number of cords and tubes connected him to a collection of interesting-looking machines on a wheeled trolley; one machine looked very much like the heart monitors he had seen in medical shows on TV. There was a tallish steel rack on which was hung a rectangular bag containing a near-clear liquid. The bag had a label, but he could not read it. “Apologies for the less than enthusiastic ‘welcome back to life’ speech,” Ruaraidh continued dispassionately. “I’m told you came in with a blood alcohol content of about fifty basis points. That’s over six times the legal limit and more than enough to kill most people. Too bad,” he added as an afterthought. “Would’ve saved us all a lot of trouble.”

Read chapter 32 on AO3 ➡️ or start from the beginning ↩️ (141k words, WIP)

...or go back to chapter 28, where the cliffhanger run starts ➡️

For the sake of my sanity (and the quality of my coursework, and the continued quality of Scorn, frankly), I’m going to slow down posting to fortnightly instead of weekly for a while.

This last run of chapters... was pretty unpleasant to write, not going to lie, and probably contributed to the slowing-down (*coughs* near-complete cessation) of my writing mid-autumn. Writing about people having an awful time makes one feel kinda down... go figure. For the past few weeks – since I’ve started seeing the end of the current angstfest, which I’m sure is a complete coincidence – I’ve somehow managed to write about one new chapter a week again, but given that’s not been my average for a while, I’m sure you can understand my worry. 🙂

I’ll be posting chapter 33 next Thursday on the normal schedule, then it’s two weeks per after that. There might be the occasional bonus chapter or bullshit spinoff or drawing posted in the gaps, but Scorn proper is going to have to take priority.

Hi @goodomensafterdark as usual, hi also @addledmongoose who I know has been waiting for the end of cliffhangers ❤️ (and hi to everyone else who also has, who I don't know about!)

#good omens #fanfic #my fics #fic update #scorn and the saint-maker #ineffable husbands #aziraphale #crowley #ineffable angst #welcome back everyone who doesn't like cliffhangers!

28 notes · View notes

novella-november · 6 months ago

Text

Okay everyone, I officially have an invite link here to the Novella November Tumblr Community since they raised the membership cap.

there's just one caveat if you want to join:

This community will be pretty much unmoderated because right now Community features are very limited and adding admins and mods requires directly messaging tumblr support so they can manually add people to it, which is, to be frank, a lot of effort lol. so!

This Community will be on a trial-run basis.

If it gets too much, it will simply be closed/disbanded/etc.

So, please behave yourselves (be kind, no nsfw, no hate speech of any kind), and have fun!

Don't forget to post outside of the Tumblr Community section as well, I have it set to Public so everything is visible to everyone even if they're not in the Community (the only reason I am even opening this up, I don't want it to be some secluded thing) , but I am not sure if those posts will exist outside of the Community itself

Oh, and Tumblr has indeed confirmed you cannot interact with communities in any way via Secondary Blogs, aka Sideblogs, so you'll see me in the Community as my main blog, Walks-The-Ages.

Anything I post in the Community I will also crosspost here to this blog so please do not feel obligated to join, this is just something to make it easier for people to find writing buddies and such.

#novella november #community events #writing events #anti ai #Novella November Tumblr Community

42 notes · View notes

pennyplainknits · 4 months ago

Text

More Joy Day: some vids I love

I meant to do something more substantial for More Joy Day, I even recorded a podfic, but I was really unhappy with it. I didn't want to let the day go without marking it, so below are some vids that bring me joy. I hope they bring you joy too, and that you'll spread that by leaving a comment for the vidders as well! Where I have it I've added a link to tumblr or AO3 to make that easy

youtube

Freedom Ride by Sally Sparrow

This is such a gleefully fun look at how everyone wants a piece of Steve Rogers, set to a song that can't help but make you want to dance. Also a lovely reminder of the fun and possibilities of pre-Endgame Marvel tbh.

youtube

A Better Son by Neery

There's just something wonderful about how this song works for S1 Stede, it remains one of my favourite character studies of him, capturing his dramatic nature, his grit-your-teeth-and-smile approach to the world.

youtube

Bethlehem Steel by AurumCalendula

Speaking of character studies this is study, lament, epitaph. Dean Winchester, in all his skills, contradictions, and trauma. I especially love the opening montage of his hands, and the fast, choppy editing. The song choice is inspired too.

youtube

Devil's backbone by secretlytodream

A very different Steve Rogers vid to Freedom Ride. I love how it builds, and how it shows how very little choice Bucky had in any of what happened but how Steve chooses him time and time again.

youtube

Hail Satan by Tafadhali

Sometimes a vid isn't so much a celebration as a stern FUCK YOU to canon. I said when I first watched this I could feel the anger vibrating off it, and it inspired my own ST vid Brutal. Great song choice, and really great use of the limited amount of screen time Corroded Coffin gets too

vimeo

To Wreck, Jedusaur/@jedusaur

Speaking of fuck yous to canon.... Not only is this a fantastic, pointed, angry vid, with a gutpunch when you realise just what the vid is about, the first time i saw it also has joyful memories attached, as I watched it premiere at bitchin party far too long ago.

youtube

Potential Break Up Song by sisabet

Just roll around in the most toxic of toxic breakups. I watched Smallville for far too long because of Michael Rosebaum's face and this is a really good exhibition of why. His ability to make one of THE comic book villains the poorest little miaow miaow.

youtube

Wait for it by booksandwildthings

(I only have the YouTube link for this). This remains one of my favourite Obi-Wan vids, though really this whole playlist could be Obi-Wan. I like the usage of the cartoon source, and the impact the switch to live action makes. It also really throws into sharp relief how much Obi-Wan loved Anakin, which of course makes his betrayal hurt even more (flashing lights in this one)

youtube

Whoomp (There it Is) by Sisabet

Has me grinning the whole way through. Saving the world with friendship and nail bits! This has such great movement and the editing is spot on. The lyric matching is so fun too. (flashing lights in this one)

youtube

Spring Break Anthem by emotionallyits2009

If Bethlehem Steel is Dean As Tragedy, this is Dean as well...just watch. The comedy in this vid is so well done, and I really love the way it highlights Jensen's comic chops, while also exploring the darker underbelly of Dean's hedonism.

And apparently I only get 10 vids per post?? So I guess this is part one of two

#more joy day 2025 #vid recs #spn #smallville #stranger things #star wars #supernatural #MCU #Captain America #firefly #buffy the vampire slayer #Youtube #Vimeo

18 notes · View notes

thefreakandthehair · 1 year ago

Text

Hi friends! It's that time again! I'm so excited to host the Second Annual Spicy Six Fanworks Challenge! The past year of seasonal challenges has been such a blast, and I can't wait to see what people come up with this time around!

Here are the rules:

It's a Spicy Six challenge so of course, you must include someone from the Spicy Six (Robin, Nancy, Jonathan, Eddie, Steve, Argyle). Don't feel pressured to include everyone, of course. You can be ship-specific or general. Chrissy is also included! (I know that makes seven– I just don't want to change the title, honestly.)

There are two links below, one for dialogue prompts and one for more general prompts. Please DM me at thefreakandthehair with your claim. Prompts go on a first come, first serve basis, and historically, they've gone fairly quickly! I'm just one person, so DMs make it easier for me to see who claimed what first. If we're friends on Discord, that's also totally fine since those are timestamped, too.

More than one person can claim the same prompt if it’s for a different pairing/character/grouping or if it’s for a different medium (i.e.: a prompt can be claimed for a fic by one person, and the same prompt can be claimed for a fanart by someone else).

This year, I'm limiting people to two prompts per person. If you'd like to use two for one fic, please just claim the one that's the main inspiration and feel free to use whichever others you'd like within the fic!

No word count minimum or maximum for fics.

Posting will run from December 15th through January 31st. With all of the events happening, we're having a longer posting timeframe this year! Additional posting details here!

When you post, please use the tag SpicySixWinterFanworksChallenge and tag me so I can see and reblog it!

Please feel free to reblog to spread and signal boost.

Dialogue Prompts Here

Inspiration Prompts Here

tagging people who've been on the ride before/expressed interest/pals! everyone is welcome, tumblr just limits you to 50 tags per post: @starrystevie @starryeyedjanai @patchworkgargoyle @just-my-latest-hyperfixation @withacapitalp @stargyles @stevespookington @stevethehairington @nostalgicbones @shares-a-vest @wynnyfryd @steddieas-shegoes @steddieasitgoes @maxinemaxmayfield @maxineholtzmann @kaspurrcat @sparklyslug @sparkle-fiend @ahhrenata @sentient-trash

@hexiewrites @hbyrde36 @sharpbutsoft @thisapplepielife @henderdads @strawberryspence @spicysix @sidekick-hero @firefly-party @gothbat99 @fragilecapric0rnn @judasofsuburbia @kkpwnall @fastcardotmp3 @yournowheregirl @flowercrowngods @delta-piscium @hammity-hammer @unclewaynemunson @undreaming-fanfiction @fruityfour @frankenstein-ate-my-left-shoe @hereforanepilogue @t-boyeddie @matchingbatbites @artaxlivs @wormdebut @pearynice @aringofsalt @spinmewriteround

133 notes · View notes

timesorceror · 3 months ago

Text

If you've found this list of fic recs via my Dreamling Fic Recs Masterpost, then you know this list is one of many.

However, if you came upon this list some other way, then know that it is in no way an exhaustive archive of the best of the best in Dreamling (especially since Tumblr posts have a link limit of 100 inline links per post). For the full spiel about how this list came to be and a link to my Google Doc with the most up-to-date full list, please see the Masterpost for details.

All you need to know is that this list works sort of like a menu at a restaurant. You're here to eat at Restaurant Dreamling, and the item categories on this menu are series written various authors.

Some are complete series, most are not.

Some series I have highlighted only my personal favorite fics, while others I recommend as-is. Most series don't have summaries on AO3, so I wrote a few of them myself, but I did copy them over when they were available. A few series recs that contain miscellaneous fics have one or two main tags that are the primary attraction of the fic which they're attached to.

I hope that explanation was enough to get you hungry for some tasty Dreamling fics, and may you have a wonderful dining experience!

acadethicc

that one amnesia post is now a cinematic universe [All Teen Works]

The only thing [Hob] remembers is the 1389 encounter. For all he knows, he woke up in the future, and a Very Hot Mysterious Guy claims he is immortal. Dream takes it upon himself to help Hob during this time, maybe realizing some of his own feelings in the process.

AceDragonType

Besties Hob & Death [Contains some Teen Works]

In which Hob and Death become friends over the course of his many deaths. He also becomes friends with her little brother Dream, and eventually more than friends. They hang out, get coffee, and are generally very cute and adorable.

Aetheltrythh

It never ends well. Or does it? [All Explicit Works]

Dream struggles with his traumas post-Fishbowl, so Hob helps Dream with some of his issues using shibari. They do some bondage and some bonding, and learning how to give over parts of yourself to someone you trust with all that you are.

Anonymous

Sandmännchen [General Audiences]

Dream is having trouble dealing with his trauma post-fishbowl. Hob figures out that Dream is going through age regression to cope, and so he sets out to help Dream with hugs and toys and lots of cuddles.

Sweet Dream [Contains some Explicit Works]

A collection of Dreamling fics containing:

• Replay [7 Chapters | 8,764 words] (Dream Sex, Dom/Sub) • To the Victor [6 Chapters | 24,532 words] (Hob is Hope of the Endless) • Other Names for Roses [2 Chapters | 9,538 words] (Omegaverse / Medieval AU) • Nothing So Crude [4,333 words] (Omegaverse / Regency AU)

apocryphal

Cottagecore [Contains some Teen Works]

The love story of a fae prince and a hedgewitch in the middle ages.

Ardin

In Secret I Love Thee Universe [Contains some Explicit Works]

Arranged Marriage AU. Modern Setting. Dream always knew he’d have an arranged marriage, so when it looks clear that his mother has settled on Robert Gadling, he figures he should get to know the man some, even if it goes completely against tradition to do so.

Aria_Lerendeair

Hopefully [Contains some Mature Works]

Hob is the anthropomorphic personification of Hope and the newest Endless. He has a lot of learning, a lot of growing, and a lot of change to deal with.

aWordyBody

What Magic Art Is This? [All Explicit Works]

Morpheus is a prolific theatre director who possibly cares way too much about art. Hob is a stagehand who just wants steady work at the same theatre, year after year.

Bacota

Chef!Hob au [Contains some Explicit Works]

Dream hires a private chef to help take some of the pressure off of caring for Orpheus. He does not factor in the possibility that he might fall for said chef. Not that this is a problem, technically.

BeatnikFreak

transatlanticism [Contains some Explicit Works]

Fifteen years after Dream left Hob, they bump into one another on a New York street. They have a beautifully smutty hook up, and then engage in some electronic penpal activity.

to take care of me [Contains some Explicit Works]

Of course Dream would come to Hob Gadling if he were in need of comfort. It is simply that Dream of the Endless is not a creature of comfort. Eventually, Hob Gadling manages to convince Dream otherwise.

behold_me

birds of a feather [All Explicit Works]

After their disastrous 1889 meeting, Jessamy decides to interfere in her master’s affairs, arranging a second meeting where Dream and Hob reconcile by having sex on Dream’s throne. Eventually Hob saves Dream from the fishbowl, they get married, and Hob gets to meet the family, in that order.

behold_me, The_KickIt_Domain

the poetry between stars [Contains some Explicit Works]

Suffering from writer's block and broken from a bad relationship, children's book author and illustrator Dream retreats to the small, beachside town of New Haven. He'd never have guessed that the town's vibrant, eclectic coffeeshop owner, Hob Gadling, would be the glue that puts him back together.

BuckytheDucky

last name [Contains some Mature Works]

Hob is in Las Vegas for a friend's stag party. Morpheus is in Las Vegas for his ex-wife's bridal shower. A night of drinking and commiserating is all the two plan for. Life has a funny way of derailing plans.

chaosheadspace

The Library Idiots [Contains some Explicit Works]

Dream Olympiou, freshly hired subject librarian, stirs up the sleepy reading rooms and Hob's life with a personality that leaves much to be desired and a body that's got fine written all over it. Hob is in for an adventure long overdue, including misunderstandings, shushed feelings, and checked out brains (and arses).

charinabook

Dream and Hob (600 years of pining) [Contains some Explicit Works]

Dream goes with Hob to one of his classes, gets hot and bothered about it, and there is some desk sex. Also he freaks out a little when he learns about Hob’s chronic pain, but it turns out alright in the end.

CourfeyracFredMariusCratchit

House at Pooh Corner [Contains some Explicit Works]

When two boys become fast friends, their fathers are tossed together by circumstances. They stay together by choice.

cuubism

Wish [Contains some Explicit Works]

Despite all reason and belief, Dream is pregnant with a half-Endless baby. It's all a lot more complicated than Hob was expecting.

dancinbutterfly

They Kinked So Hard They Self-Actualized Themselves Pregnant [Contains some Explicit Works]

Hob and Dream indulge in some breeding kink. Like a lot of breeding kink, with dream sex and consentacles. Then suddenly there is a child, and Dream complains to Desire about it.

dancinbutterfly, Moorishflower

Fuckboi Hob [Contains some Explicit Works]

Dream is in need of a date to his family dinner. The more objectionable, the better. So he puts out a listing, and Hob Gadling, tattooed parolee in recovery, is the one who answers.

Darci

Black Coffee [All Teen Works]

Sandman stories set in a human!AU, in which Hob and Morpheus meet at a coffeeshop and become friends - and more.

Delta_Pavonis

Knight Rhythms [Contains some Explicit Works]

A collection of Dreamling fics containing:

• Good Knight [748 words] (Fantasy AU / Knight x King AU) • Stay the Knight [2,663 words] (Fantasy AU / Knight x King AU) • find in me your rhythm [9,064 words] (Dancer Dream + Drummer Hob / Fantasy AU) • Sonata in D [454 words] (Dancer Dream + Drummer Hob / Fantasy AU) • Fanfare [1,072 words] (Dancer Dream + Drummer Hob / Fantasy AU) • Metronome [975 words] (Dancer Dream + Drummer Hob / Fantasy AU) • Tremolo [1,228 words] (Dancer Dream + Drummer Hob / Fantasy AU) • Crescendo [1,181 words] (Dancer Dream + Drummer Hob / Fantasy AU) • Sympathetic Vibrations [6,628 words] (Dancer Dream + Drummer Hob / Fantasy AU) • Quaternion [5 Chapters | 16,767 words] (Fantasy AU / Doppleganger)

Not Immune to the Horse Girl Hob AU [All Explicit Works]

Centaur Dream saves Hob from being attacked by a boar. He is rewarded for his services as Hob allows him to watch him finish jacking off. Later, a very enthusiastic size queen Hob eventually services him.

Wood + Glass [Contains some Explicit Works]

When Hob accepts Dream’s response to his video for a fake relationship, he does not anticipate that the fake relationship would become real, or so deeply, incredibly horny. Not that he can complain.

Dira Sudis (dsudis)

A Condition of Complete Simplicity (Costing Not Less Than Everything) [Contains some Mature Works]

Continuity-connected fics in which Dream is varying states of fucked up. There is angst and fluff and many doses of hugs. Hob helps sometimes.

A Well-Ordered Love Story [Contains some Explicit Works]

Dream is a homebody who orders his groceries via an app. Robert “Hob” Gadling is a shopper who usually picks up his order, and through this, they get to know one another and form a sweet, loving relationship.

Dream Problems [Contains some Explicit Works]

Dream thinks of Hob while trapped in the fishbowl, and when he visits Hob after escaping, he realizes that he wants to make those fantasies a reality. Hob is actually very okay with this, though he does insist on some kink negociation afterwards.

Never Refuse You [Contains some Explicit Works]

In 1689, Dream takes Hob on a tour of the Dreaming and grants him a title, and there is also smut. This changes very little for their meetings in the Waking because Hob’s Waking and Dreaming memories remain separate. One day after Dream’s return post-Fishbowl, he asks for those memories to merge. And this… changes the course of everything.

everythingisconnected

Hob gets rest [All Explicit Works]

Hob has trouble sleeping, and Dream decides to help. By having sex. It is surprisingly effective.

foxish_nonsense

Safe Haven [All Teen Works]

When Dream cannot go back to the Dreaming after escaping the Fishbowl, he must instead drop in on an old friend. After he has recovered both his tools and repaired his realm, he returns to reassured said friend that all is well, to mixed success.

frihetkanske

One for Jessamy [Contains some Explicit Works]

Hob and Dream reconcile after Dream escapes the Fishbowl, and some time later Jessamy is returned to her rightful place by Dream’s side.

GalaxyDreamStories

Accidental Alpha [All Explicit Works]

When he left the White Horse in 1389, Morpheus did not expect to see Hob Gadling for another 100 years. He expects Hob to beg for death, especially living as an omega. Hob’s dreams apparently have other ideas.

hardly_an_escape

Trilobites & Tuxedos [Contains some Explicit Works]

The soft and sometimes smutty domestic adventures of Hob Gadling and Dream of the Endless.

honeyteacakes

Dreamling Fics [Contains some Teen Works]

A collection of Dreamling fics containing:

• In My Solitude [3,886 words] (Getting Together / First Kiss) • Coffee for Two [2,120 words] (Coffee / Falling In Love) • Small Pleasures [2 Chapters | 4,138 words] (Idiots to Lovers / Getting Together) • proceed with what you're leading me to [5,038 words] (Witch Dream / Professor Hob)

IcePhoenix96

I'm Gonna Be (100 years) [All Explicit Works]

A certain Endless and human immortal are each other’s one constant for many years. They pine, obsess, and fall in love. And Lucienne is the best wingwoman (of course).

im_not_corrupted

if I make it to the morning [All Teen Works]

After Death suggests finding Hob Gadling, Dream finds The New Inn but does not walk inside. The idea of seeing the cruelty he has suffered [...] reflected in Hob is too terrible for him to bear, and so he returns to The Dreaming. After some prompting, though, he begins to visit Hob’s dreams. Somehow, he finds a safe space there in the company of his friend.

Ismene_Jane

The Sandman Reimagined - Dreamling [All Explicit Works]

Post-Fishbowl, Dream visits Hob several times after their reunion and is invited to Hob’s home, where they proceed to deal with the sexual tension between them and enter into a tentative relationship.

issylra

someone to stay [All Explicit Works]

Dream is a little bit broken. Hob likes to fix things. They fall in love. Or, the tattoo parlor/flower shop AU that no one asked for.

take it easy [Contains some Explicit Works]

A handful of interconnected post-canon stories featuring retired Dream as Hob's roommate.

the trouble with talking [Contains some Explicit Works]

In which Dream begins to feel things and it goes about as well as you would expect.

Konstadt

Corvid Chronicles [Contains some Explicit Works]

Professor Hob Gadling meets author Morpheus Aeternus on his university campus, and this chance meeting changes the course of their lives. Morpheus gets a chance to heal and recover from his trauma, and Hob gets to support his beautiful, raven-loving partner along the way.

Edge Of Silence [Contains some Explicit Works]

Hob navigates the eccentricities of his one true friend in an attempt to increase his understanding of the universe and his place in it... [...] Dream works to consolidate what he has always known, and what he knows now, to learn from his past mistakes. A slow burn expansion of friendship to truly knowing, with a few road bumps [...] and an adventure or two.

LeotheLionathefootofOrion

hob and his boyfriends <3 [All Explicit Works]

When the Corinthian is remade, he goes to Hob. When Dream loses track of his Nightmare, he goes to Hob. And Hob always thought that “three’s a crowd” was a stupid fucking expression, anyway.

#dreamling #dreamling fic #fic recs #long post

16 notes · View notes