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hussyknee · 1 year ago

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Friends, besties and my bitches, please re-boost my life's work. I had it and vetted to remove problematic elements, sourced everything I could get my hands on for free, and reworked and fine-tuned it. Thanks!

17/12/23 this masterlist has been completely, vetted, revamped and reformatted with free access to all reading and viewing material. It will be updated and edited periodically so please try and reblog the original post if you're able.

The Big Damn List Of Stuff They Said You Didn't Know

(Yes, it's a lot. Just choose your preferred medium and then pick one.)

Podcasts

Cocktails & Capitalism: The Story of Palestine Part 1, Part 3, East Palestine

It Could Happen Here: The Cheapest Land is Bought with Blood, Part 2, The Balfour Declaration

Citations Needed: Media narratives and consent manufacturing around Israel-Palestine and the Gaza Siege

Backgrounders and Quick Facts

The Palestine Academy: Palestine 101

Institute for Middle East Understanding: Explainers and Quick Facts

Interactive Maps

Visualizing Palestine

Teach-Out Resources

1) Cambridge UCU and Pal Society

Palestine 101

Intro to Palestine Film + Art + Literature

Resources for Organising and Facilitating)

2) The Jadaliya YouTube Channel of the Arab Studies Institute

Gaza in Context Teach-in series

War on Palestine podcast

Updates and Discussions of news with co-editors Noura Erakat and Mouin Rabbani.

3) The Palestine Directory

History (virtual tours, digital archives, The Palestine Oral History Project, Documenting Palestine, Queering Palestine)

Cultural History (Palestine Open Maps, Overdue Books Zine, Palestine Poster Project)

Contemporary Voices in the Arts

Get Involved: NGOs and campaigns to help and support.

3) PalQuest Interactive Encyclopedia of the Palestine Question.

4) The Palestine Remix by Al Jazeera

Books and Articles

Free reading material

My Gdrive of Palestine/Decolonization Literature (nearly all the books recommended below + books from other recommended lists)

Five free eBooks by Verso

Three Free eBooks on Palestine by Haymarket

Pluto Books Free Palestine Reading List 30-50% off

LGBT Activist Scott Long's Google Drive of Palestine Freedom Struggle Resources

Recommended Reading List

Academic Books

Edward Said (1979) The Question of Palestine, Random House

Ilan Pappé (2002)(ed) The Israel/Palestine Question, Routledge

Ilan Pappé (2006) The Ethnic Cleansing of Palestine, OneWorld Publications

Ilan Pappé (2011) The Forgotten Palestinians: A History of the Palestinians in Israel, Yale University Press

Ilan Pappé (2015) The Idea of Israel: A History of Power and Knowledge, Verso Books

Ilan Pappé (2017) The Biggest Prison On Earth: A History Of The Occupied Territories, OneWorld Publications

Ilan Pappé (2022) A History of Modern Palestine, Cambridge University Press

Rosemary Sayigh (2007) The Palestinians: From Peasants to Revolutionaries, Bloomsbury

Andrew Ross (2019) Stone Men: the Palestinians who Built Israel, Verso Books

Rashid Khalidi (2020) The Hundred Years’ War on Palestine: A History of Settler Colonialism and Resistance 1917–2017

Ariella Azoulay (2011) From Palestine to Israel: A Photographic Record of Destruction and State Formation, 1947-1950, Pluto Press

Ariella Azoulay and Adi Ophir (2012) The One-State Condition: Occupation and Democracy in Israel/Palestine, Stanford University Press.

Jeff Halper (2010) An Israeli in Palestine: Resisting Dispossession, Redeeming Israel, Pluto Press

Jeff Halper (2015) War Against the People: Israel, the Palestinians and Global Pacification

Jeff Halper (2021) Decolonizing Israel, Liberating Palestine: Zionism, Settler Colonialism, and the Case for One Democratic State, Pluto Press

Anthony Loewenstein (2023) The Palestine Laboratory: How Israel exports the Technology of Occupation around the World

Noura Erakat (2019) Justice for Some: Law and the Question of Palestine, Stanford University Press

Neve Gordon (2008) Israel’s Occupation, University of California Press

Joseph Massad (2006) The Persistence of the Palestinian Question: Essays on Zionism and the Palestinians, Routledge

Memoirs

Edward Said (1986) After the Last Sky: Palestine Lives, Columbia University PEdward Saidress

Mourid Barghouti (2005) I saw Ramallah, Bloomsbury

Edward Said (2000) Out of Place; A Memoir, First Vintage Books

Hatim Kanaaneh (2008) A Doctor in Galilee: The Life and Struggle of a Palestinian in Israel, Pluto Press

Raja Shehadeh (2008) Palestinian Walks: Into a Vanishing Landscape, Profile Books

Ramzy Baroud (2010) My Father Was a Freedom Fighter: Gaza's Untold Story, Pluto Press

Ghada Karmi (2009) In Search of Fatima: A Palestinian Story, Verso Books

Vittorio Arrigoni (2010) Gaza Stay Human, Kube Publishing

Izzeldin Abuelaish (2011) I Shall Not Hate: A Gaza Doctor’s Journey on the Road to Peace and Human Dignity, Bloomsbury

Anthologies

Atef Abu Saif (2015) The Drone Eats with Me: A Gaza Diary, Beacon Press

Voices from Gaza - Insaniyyat (The Society of Palestinian Anthropologists)

Letters From Gaza • Protean Magazine

ASHTAR Theatre (2010) The Gaza Monologues

Salma Khadra Jayyusi (1992) Anthology of Modern Palestinian Literature, Columbia University Press

Refaat Alreer (ed) (2014) Gaza Writes Back, Just World Books

Cate Malek and Mateo Hoke (eds)(2015) Palestine Speaks: Narrative of Life under Occupation, Verso Books

Refaat Alreer, Laila El-Haddad (eds) (2015) Gaza Unsilenced, Just World Books

Jehad Abusalim, Jennifer Bing (eds) (2022) Light in Gaza: Writings Born of Fire, Haymarket Books

Short Story Collections

Ghassan Kanafani, Hilary Kilpatrick (trans) (1968) Men in the Sun and Other Palestinian Stories, Lynne Rienner Publishers

Sonia Sulaiman (2023) Muneera and the Moon; Stories Inspired by Palestinian Folklore

Ghassan Kanafani, Barbara Harlow, Karen E. Riley (trans) (2000) Palestine’s Children: Returning to Haifa and Other Stories, Lynne Rienner Publishers

Atef Abu Saif (2014) The Book of Gaza: A City in Short Fiction, Comma Press

Samira Azzam, Ranya Abdelrahman (trans) (2022) Out Of Time: The Collected Short Stories of Samira Azzam

Essay Collections

Fatma Kassem (2011) Palestinian Women: Narratives, histories and gendered memory, Bloombsbury

Edward W. Said (2000) Reflections on Exile and Other Essays, Harvard University Press

Salim Tamari (2008) Mountain against the Sea: Essays on Palestinian Society and Culture, University of California Press

Novels

Ramzy Baroud (2019) These Chains Will Be Broken: Palestinian Stories of Struggle and Defiance in Israeli Prisons, Clarity Press

Graphic novels

Sahar Khalifeh (1976) Wild Thorns, Saqi Books

Liyana Badr (1993) A Balcony over the Fakihani, Interlink Books

Hala Alyan (2017) Salt Houses, Harper Books

Susan Abulhawa (2011) Mornings in Jenin, Bloomsbury

Susan Abulhawa (2020) Against the Loveless World, Bloomsbury

Poetry

Joe Sacco (2001) Palestine

Joe Sacco (2010) Footnotes in Gaza

Naji al-Ali (2009) A Child in Palestine, Verso Books

Mohammad Sabaaneh (2021) Power Born of Dreams: My Story is Palestine, Street Noise Book*

Tawfiq Zayyad (2023) We Are Here to Stay, Smokestack Books*

Fady Joudah (2008) The Earth in the Attic, Sheridan Books,

Ghassan Zaqtan, Fady Joudah (trans) (2012) Like a Straw Bird It Follows Me and Other Poems, Yale University Press

Hala Alyan (2013) Atrium: Poems, Three Rooms Press*

Mohammed El-Kurd (2021) Rifqa, Haymarket Books

Mosab Abu Toha (2022) Things You May Find Hidden in My Ear: Poems from Gaza, City Lights Publishers

The Works of Mahmoud Darwish

Poems

Rafeef Ziadah (2011) We Teach Life, Sir

Refaat Alareer (2011) If I Must Die

Nasser Rabah (2022) In the Endless War

Human Rights Reports & Documents

Hiba Abu Nada (2023) I Grant You Refuge, Not Just Passing

[All books except the ones starred are available in my gdrive. I'm adding more each day. But please try and buy whatever you're able or borrow from the library.]

Information on current International Court of Justice case on ‘Legal Consequences arising from the Policies and Practices of Israel in the Occupied Palestinian Territory, including East Jerusalem’

UN Commission of Inquiry Report 2022

UN Special Rapporteur Report on Apartheid 2022

Amnesty International Report on Apartheid 2022

Human Rights Watch Report on Apartheid 2021

Report of the United Nations Fact-Finding Mission on the Gaza Conflict’ 2009 (‘The Goldstone Report’)

Advisory Opinion on the Legal Consequences of the Construction of a Wall in the Occupied Palestinian Territory, International Court of Justice, 9 July 2004

Films

Documentaries

Jenin, Jenin (2003) dir. Mohammed Bakri

Massacre (2005) dir. Monica Borgmann, Lokman Slim, Hermann Theissen

Slingshot HipHop (2008) dir. Jackie Reem Salloum

Waltz with Bashir (2008) dir. Ari Folman (also on Amazon Prime)

Tears of Gaza (2010) dir. Vibeke Løkkeberg (also on Amazon Prime)

5 Broken Cameras (2011) dir. Emad Burnat (also on Amazon Prime)

The Gatekeepers (2012) dir. Dror Moreh (also on Amazon Prime)

The Great Book Robbery (2012) | Al Jazeera English

Al Nakba (2013) | Al Jazeera (5-episode docu-series)

The Village Under the Forest (2013) dir. Mark J. Kaplan

Where Should The Birds Fly (2013) dir. Fida Qishta

Naila and the Uprising (2017) (also on Amazon Prime)

GAZA (2019) dir. Andrew McConnell and Garry Keane

Gaza Fights For Freedom (2019) dir. Abby Martin

Little Palestine: Diary Of A Siege (2021) dir. Abdallah Al Khatib

Palestine 1920: The Other Side of the Palestinian Story (2021) | Al Jazeera World Documentary

Gaza Fights Back (2021) | MintPress News Original Documentary | dir. Dan Cohen

Short Films

Innocence (2022) dir. Guy Davidi

Fatenah (2009) dir. Ahmad Habash

Gaza-London (2009) dir. Dina Hamdan

Condom Lead (2013) dir. Tarzan Nasser, Arab Nasser

OBAIDA (2019) | Defence for Children Palestine

Theatrical Films

Divine Intervention (2002) | dir. Elia Suleiman (also on Netflix)

Paradise Now (2005) dir Hany Abu-Assad (also on Amazon Prime)

Lemon Tree (2008) (choose auto translate for English subs) (also on Amazon Prime)

It Must Be Heaven (2009) | dir. Elia Suleiman

The Promise (2010) mini-series dir. Peter Kosminsky (Part 1, Part 2, Part 3, Part 4)

Habibi (2011) dir. Susan Youssef (on Netflix)

Omar (2013)* (on Netflix)

3000 Nights (2015)* dir. Mai Masri

Foxtrot (2017) dir. Samuel Maoz (also on Amazon Prime)

The Time that Remains (2019) dir. Elia Suleiman

Gaza Mon Amour (2020) dir. Tarzan Nasser, Arab Nasser

The Viewing Booth (2020) dir. Ra'anan Alexandrowicz (on Amazon Prime and Apple TV)

Farha (2021)* | dir. Darin J. Sallam (on Netflix)

[All links are for free viewing except ones marked * which direct to Netflix. I'm trying to find a way to upload Waltz with Bashir, Gaza Mon Amour and It Must Be Heaven to YouTube without them being taking down, check back to see if I've managed it. If you find Guy Davidi's Innocence anywhere please let me know, I can't find it for streaming or download even to rent or buy.

Palestine Film Institute Archive

In 2018, BDS urged Netflix to dump Fauda, a series created by former members of IOF death squads that legitimizes and promotes racist violence and war crimes, to no avail. Please warn others to not give this series any views. BDS has not called for a boycott of Netflix. ]

NGOs

The Boycott, Divestment, Sanctions (BDS) Movement

Medical Aid for Palestinians

Euro-Mediterranean Human Rights Monitor

Palestine Defence for Children International

Palestinian Feminist Collective

Al-Shabaka: The Palestinian Policy Network

Addameer Prisoner Support and Human Rights Association

Institute for Palestine Studies

Al Haq

Artists for Palestine

The Palestine Museum

Jewish Currents

B’Tselem

DAWN

Social Media

Palestnians on Tumblr

@el-shab-hussein

@killyfromblame

@apollos-olives

@fairuzfan

@palipunk

@sar-soor

@nabulsi

@ibtisams

@wearenotjustnumbers2

@90-ghost

@tamarrud

@7amas1umblrspokesman

Allies and advocates (not Palestinian)

@bloglikeanegyptian – excellent political commentary

@vyorei – daily news roundups

@sulfurcosmos – unearths important points from academic literature

@leroibobo – discusses Palestinian architectural history, heritage and culture

@luthienne

@decolonize-the-left

(Please don't expect any of these blogs to be completely devoted to Palestine allyship; they do post regularly about it but they're still personal blogs and post whatever else they feel like. Do not harrass them.)

Gaza journalists

Motaz Azaiza IG: @motaz_azaiza | Twitter: @azaizamotaz9 | TikTok: _motaz.azaiza

Bisan Owda IG and TikTok: wizard_bisan1 | Twitter: @wizardbisan

Saleh Aljafarawi IG: @saleh_aljafarawi | Twitter: @S_Aljafarawi | TikTok: @saleh_aljafarawi97

Plestia Alaqad IG: @byplestia | TikTok: @plestiaaqad

Wael Al-Dahdouh IG: @wael_eldahdouh | Twitter: @WaelDahdouh

Hind Khoudary IG: @hindkhoudary | Twitter: @Hind_Gaza

Ismail Jood IG and TikTok: @ismail.jood

Yara Eid IG: @eid_yara | Twitter: @yaraeid_

Eye on Palestine IG: @eye.on.palestine | Twitter: @EyeonPalestine | TikTok: @eyes.on.palestine

News organisations

The Electronic Intifada Twitter: @intifada | IG: @electronicintifada

Quds News Network Twitter and Telegram: @QudsNen | IG: @qudsn (Arabic)

Times of Gaza IG: @timesofgaza | Twitter: @Timesofgaza | Telegram: @TIMESOFGAZA

The Palestine Chronicle Twitter: @PalestineChron | IG: @palestinechron | @palestinechronicle

Al-Jazeera Twitter: @AJEnglish | IG and TikTok: @aljazeeraenglish, @ajplus

Middle East Eye IG and TikTok: @middleeasteye | Twitter: @MiddleEastEye

Haaretz* Twitter: @Haaretz | IG: haaretzcom

Mondoweiss IG and TikTok: @mondoweiss | Twitter: @Mondoweiss

The Intercept Twitter and IG: @theintercept

MintPress Twitter: @MintPressNews | IG: mintpress

Novara Media Twitter and IG: @novaramedia

[*Please note that Haaretz is an Israeli Liberal Zionist newspaper and heavily propagandized against Palestine. It's included here only as a vocal critic of the Israeli government and IDF from within Israel.]

Palestnians on Other Social Media

Mouin Rabbani: Middle East analyst specializing in the Arab-Israeli conflict and Palestinian affairs. Twitter: @MouinRabbani

Noura Erakat: Legal scholar, human rights attorney, specialising in Israeli–Palestinian conflict. Twitter: @4noura | IG: @nouraerakat | (http://www.nouraerakat.com/)

Hebh Jamal: Journalist in Germany. IG and Twitter: @hebh_jamal

Ghada Sasa: PhD candidate in International Relations, green colonialism, and Islam in Canada. Twitter: @sasa_ghada | IG: @ghadasasa48

Taleed El Sabawi: Assistant professor of law and researcher in public health. Twitter: @el_sabawi | IG

Lexi Alexander: Filmmaker and activist. Twitter: @LexiAlex | IG: @lexialexander1

Mariam Barghouti: Writer, blogger, researcher, and journalist. Twitter: @MariamBarghouti | IG: @mariambarghouti

Rasha Abdulhadi: Queer poet, author and cultural organizer. Twitter: @rashaabdulhadi

Mohammed el-Kurd: Writer and activist from Jerusalem. IG: @mohammedelkurd | Twitter: @m7mdkurd

Ramy Abdu: Founder and Chairman of the Euro-Mediterranean Human Rights Monitor. Twitter: @RamyAbdu

Subhi: Founder of The Palestine Academy website. IG: @sbeih.jpg |TikTok @iamsbeih | Twitter: @iamsbeih

Allies

Francesca Albanese: UN Special Rapporteur on the Occupied Territories. Twitter: @FranceskAlbs

Sana Saeed: Journalist and media critic, host and senior producer at Al-Jazeera Plus. IG: @sanaface | Twitter: @SanaSaeed

Shailja Patel: Poet, playwright, activist, founding member of Kenyans For Peace, Truth and Justice. Twitter: @shailjapatel

Jairo I. Fúnez-Flores: Researcher in curriculum studies, decolonial theory, social movements. Twitter: @Jairo_I_Funez

Imani Barbarin: Writer, public speaker, and disability rights activist. IG: @crutches_and_spice | Twitter: @Imani_Barbarin | TikTok: @crutches_and_spice

Jewish Allies

Chanda Prescod-Weinstein: Associate professor of physics and gender studies. Twitter: @IBJIYONGI) | (https://chanda.science/)

Katie Halper: US comedian, writer, filmmaker, podcaster, and political commentator. IG and Twitter: @kthalps

Amanda Gelender: Writer. Twitter: @agelender | (https://agelender.medium.com/)

Yoav Litvin: Jerusalem-born Writer and Photographer. IG and Twitter: @nookyelur | (yoavlitvin.com)

Alana Lentin: Professor of Cultural and Social Analysis at Western Sydney University. Twitter: @alanalentin

Gideon Levy: anti-Zionist Israeli journalist and activist. Twitter: @gideonle

Other Palestine masterlists

@fairuzfan How to be an Ally 101

@sulfurcosmos How You Can Help Palestine

@palipunk Masterlist of Palestine Resources

Share widely!

(if any links are broken let me know. Or pull up the current post to check whether it's fixed.)

From River To The Sea Palestine Will Be Free 🇵🇸🇵🇸🇵🇸

-----

Edit 1: took the first video down because turns out the animator is a terf and it links to her blog. Really sorry for any distress.

Edit 2: All recommended readings + Haymarket recommendations + essential decolonization texts have been uploaded to my linked gdrive. I will adding more periodically. Please do buy or check them out from the library if possible, but this post was made for and by poor and gatekept Global South bitches like me.

Some have complained about the memes being disrespectful. You're actually legally obligated to make fun of Israeli propaganda and Zionists. I don't make the rules.

Edit 3: "The river to the sea" does not mean the expulsion of Jews from Palestine. Believing that is genocide apologia.

Edit 4: Gazans have specifically asked us to stop fundraising and instead put every effort into pushing for a ceasefire. (Okay PLEASE DONATE NOW but remember that this is NOT a ceasefire Update: Israel is now only letting a trickle through again. They're trying to kill them. CEASEFIRE NOW.) "Raising humanitarian aid" is a grift Western governments are pushing right now to deflect from the fact that they're sending billions to Israel to keep carpet bombing Gazans. As long as the blockades are still in place there will never be enough aid for two million people, and all it will accomplish is getting them fed and patched up enough to keep being slaughtered. Aid means little for Gaza without a ceasefire.

Edit 5: Google drive link for academic books folder has been fixed. Also have added a ton of resources to all the other folders so please check them out.

Edit 6: Added interactive maps, Jadaliya channel, and masterlists of donation links and protest support and of factsheets.

The twitter accounts I reposted as it was given to me and I just now realized it had too many Israeli voices and almost none of the Palestinians I'm following, so it's being edited. Check back for more. I also removed sources like Jewish Voices of Peace and Breaking the Silence that do good work but have come under fair criticism from Palestinians.

Edit 7: Complete reformatting

Edit 8: Complete revamping of the social media section. It now reflects my own following list.

Edit 9: removed some more problematic people from the allies list. Remember that the 2SS is a grift that's used to normalize violence and occupation, kids. Supporting the one-state solution is lowest possible bar for allyship. It's "Free Palestine" not "Free half of Palestine and hope Israel doesn't go right back to killing them".

Edit 10: added The Palestine Directory + Al Jazeera documentary + Addameer. This "100 links per post" thing sucks.

Edit 11: more documentaries and films

Edit 12: reformatted reading list

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maryland-no-rabies · 5 months ago

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Tumblr (for newbies):

Reblogging ≠ reposting. You aren't stealing content by reblogging it, it's basically a 'group share' button. It also helps give artists/posts attention and you can reblog to interact with people. Reblog things you like.

Reblog bait. You can reblog it, but if a mutual hates reblog bait, you may tag it with 'reblog bait'. Or, find a tag with your mutual to put on posts they don't like, and block the tag under the 'content you see' tab in settings.

If someone reblogs your post, and you like their reblog, you just liked your own post.

(Sideblog section)

See my name? This is a gimmick. If a Tumblr says 'officially-(company/country/state)' then it's probably a gimmick! Check their content first because there are a few actual brand blogs, like Grammarly!

You can only make 250 posts (per email) on an account per day. This is called 'post limit' or 'PL'. I am currently on account 2, because I post too much. You may or may not hit post limit in your lifetime.

You can create as many sideblogs as you want, but you cannot like, follow, or send asks as a sideblog, and if you do so, it'll show up as from your main.

(Gimmicks)

Nobody can see your main from your sideblog, so you can have as many followers on your gimmick and none of them on your main

You will see gimmicks. A lot. It's fun.

You can interact with a gimmick as a non-gimmick

As a tumblr user, you have anon powers. You can turn any/most gimmicks into a pretty princess by typing something like '*turns you into a pretty princess*' into their ask box.

Nobody will be mad at you for making a gimmick. At all. There are like, 4 Jesus gimmicks. And it's great.

(General)

Tag a mutuals post with '10k to me', 'future 10k', '10k', or 'this will have 10k' for some fun chaos :3

Submit posts to PM Seymour's discord for MORE fun chaos

(General controls and understanding of Tumblr)

If you are in a youtube video online, you have broken containment

If you are getting a bunch of notifications from a post, you can hold down a notification from it or click the three dots on the post and click 'mute' to stop getting notifications (other than mentions)

You can also filter your notifications by clicking on the top left of your notifications tab and tapping 'custom'

The 'for you' tab of Tumblr is what the algorithm thinks you'll like based on your interests and stuff

The 'following' tab is blogs and tags you follow

On Tumblr, you can add not only extra notes in the tags but also regular tags. Spaces are allowed

If you get an ask from a Palestinian blogger, check yourself (you may find places where it's vetted/verified in their reblogs. You can also tell by them having no photos/story at all [no name, no information, just a donate link], and scams commonly use photos from Google images. Be suspicious if there's anything other than GoFundMe or something similar. PayPal is banned there.) or send a screenshot to me/somebody who offered to help. Then, you can answer the ask so people who can donate can see it, or donate yourself. DO. NOT. PRESSURE. YOURSELF.

Tumblr has a unique punctuation, in a way. which you will figure out on your own. An example is. periods to show a slight. pause

It reminds me of poetry

You can post whatever you want and you will find your people

Block people who make you uncomfortable and report bots for spam.

Welcome to Tumblr

Do what you want forever

#ask for more detail about a point if needed #or wanted #im summarizing here #and other questions #have fun tumblring!!

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noicevibes · 2 years ago

Note

DONT FORGET ROT FOR THE MALE MOANING AUDIOS

My dear, I'm going to use this ask of yours as a catalyst... All of my personal favourite ASMRs, vids, etcetera... beneath the cut. Not all of them are only male moaning! Literally just all my faves I've collected LOL.

Links will not only be audios; a majority of them are videos.

Links will be from any of the following: Twitter, the Hub, Audiomack, Soundgasm, and likely other sites, so be prepared because they're not labeled, lol. And sorry if any of the links are repeated; my bad.

BUT YES, THE MALE MOANING AUDIOS UGH 😮‍💨

BLUE TEXT MEANS NEW LINKS HAVE BEEN ADDED.

Links with sparkles are my personal faves.

Edited, more added July 21, 2023

CerberosVA Now, if y'all like your man extremely vocal, if you like whimpering, or lowkey, you like the whole subby bf thing, PLEASE, THIS MAN, I cannot recommend his shit enough. He's on twt, the hub, probably the mack; please support his official work on Patreon, if you can.

x | x | x | x | x | x | x | x | x | x | x

softxwarm (hub) This guy does both asmr and stuff with his girlfriend, but his solo ASMRs are pretty coo'. I'll just share my top three since you can just sift through his videos, anyway.

one (video; solo) | two (video; solo) | three (video; solo)

moonxx911 (twt) ANYTHING by this man. I won't even both being specific; I listen to his shit on repeat, rotated.

Akiradubs (hub) He mostly does character dub audios, but he has some simpler ones that I enjoy, like this one.

one (audio, gn!; sub male, ig?)

RedactedASMR I haven't gotten so deep into the lore of it, but Redacted has a whole series of ASMRs that tell long ass stories, so if you have the time, I recommend searching him out. I believe most of them are on YouTube? Personally, Lasko is my favourite (he's so cute with the stuttering, ughhhh). I'm just going to link my personal Redacted playlist I've started, rather than link specific ones. You can find him on more platforms, but I don't think his n/sfw ASMRs are on Youtube... idk.

ncvb RedactedASMR playlist (the mack)

SeikyuuVA (hub; also on the mack) Look, Seikyuu isn't everyone's flavour... there's only a couple specific ones I enjoy, just because he really goes over the top with the sounds and aggression sometimes, LMAO, and it gives me second hand embarrassment...

Lxvesickk (twt) Just found him, hehe. Just listen…

WickLuvsU (twt) His audios are... immaculate.

X | X (play these both at the same time... you're welcome.)

Video Links, general

1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 ✨ | 19 | 20

21 | 22 ✨ | 23 ✨ | 24 | 25 ✨ | 26 | 27 | 28 ✨ | 29 ✨| 30 31 | 32 | 33 | 34 | 35 ✨| 36 ✨| 37 | 38 | 39 ✨| 40 ✨

41 | 42 | 43 | 44 | 45 (mmf✨)| 46 (aud✨)|

Video Links, mlm

I had to put these links in a separate post because I reached Tumblr's 100 link-per-post limit? Didn't know that was a thing. So, please find them here! There's about 80+ links.

Video Links, wlw

1 | 2 | 3

Characters Like, the fake dubs. I dunno what they're called.

Hanma Shuji (hub, audio; Akiradubs) Zhongli (hub, audio; Akiradubs) Akira/Joker (hub, audio; Seikyuu) Take this Audiomack link, too; it's my other personal playlist that has a shit ton of character ASMR dubs on it, and then some...

I'll have more to add along the way; keep an eye on the update date!

#twt links #asmr #n/sft asmr #n/sfw asmr #idk what else to tag this?#male moan #voice kink #✦ nice chats.#priya<333 #✦ nc vb.

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fansblogs · 1 month ago

Text

fan is a narcissist. isn’t it wonderful.

Fan and NPD: The ultimate masterpost. Or something.

Hello! First time posting something this long, so forgive me for any possible inconveniences. The purpose of this post is to explain the grounds of my headcanon and correlate this disorder to Fan, whom I believe showcases it spectacularly, as well as educating on NPD along the way. This does not mean that Fan having NPD is “canon” by any account, but he most certainly displays traits of it, and it’s something I personally believe he has!

Disclaimer that this post is being made by a questioning narcissist. If you associate NPD with abuse, demonize narcissists or so on, please block me. Disorders do not make anybody inherently evil!

..in the making of this, I forgot that tumblr had video limits. To overcome this, I’ve linked most of the scenes I’ve been using for reference when making this post! There’s plenty of times where I start to describe certain scenes, so make sure to click on the link to avoid confusion. Sorry for the inconvenience!

If this format is too cluttered and/or confusing; here’s also the Twitter version of this post.

Lastly, if any PWNPD have things they want to note or add, go ahead!

tags: @moonlightcanyon @box-of-lemon-nys

All of this information is taken straight from the DSM-5. I don’t support nor endorse the ableist view of NPD shown in the DSM, but for the sake of simplicity I’ll be referring to it, as it’s the official diagnostic criteria.

As per the DSM, NPD (Narcissistic Personality Disorder) is defined as “a pervasive pattern of grandiosity, need for admiration, and lack of empathy, beginning by early adulthood and present in a variety of contexts.”

Fan displays all of these traits outstandingly overtly, yet in such a way most people wouldn’t recognize as narcissism. Starting with the first;

“Has a grandiose sense of self-importance (e.g., exaggerates achievements and talents, expects to be recognized as superior without commensurate achievements).”

This has been pertinent since his appearance in S2. In fact, the first line he even speaks in the season is a proclamation of his believed superiority. Fan has based his identity on being the BEST, the #1 fan of Inanimate Insanity.

Though there’s way too many examples of his grandiosity to compile completely, one of my favorites is this theory shown in EP 7, which perfectly displays these behaviors.

He’s confident that his theory is right, that each team will always win twice in a row. Though he provides proof, he notes “Not like you need it, right?”, showing that he believes his word is more than enough to prove something correct. Last but not least, his favorite episode (at the time) was Episode 3, the one where HE won the challenge for his team.

Again, just for the sake of simplicity, i’m picking and choosing scenes so I don’t have to note down every single time he displays this symptom.. but please keep in mind that this is a VERY obvious trait he shows almost constantly.

Though this side note isn’t really intended to be “evidence”, it feels relevant to mention that later in the series, Episode 14 becomes his favorite Episode, yet again another episode focused on his growth and accomplishments.

Another thing important to mention here is that narcissists are SEVERELY sensitive to criticism, which we see multiple times with Fan. Episode 2 of Invitational illustrates this very well with Fan’s reactions to both Cabby’s files and her own spoken criticism of him, even refuting it by blatantly denying his negative behaviors and defending his knowledge. (Timestamp 3:39-3:58)

2. “Is preoccupied with fantasies of unlimited success, power, brilliance, beauty, or ideal love.”

I’d say that this is perhaps the least evidenced of all the traits, but nonetheless, there are a few instances of this. Most relevant to me is Fan’s enjoyment of fanfic, especially the RPF he posted of him and MePhone.

Fan has a VERY, VERY complicated relationship with MePhone. But considering the idolization he has for him, this very much reads as a narcissistic fantasy in my mind. Becoming closer to a person with such power and influence, a person you personally admire and hold great respect for their accomplishments and believe would reach out to you due to your own assumed superiority absolutely falls into the criteria of narcissistic fantasies, something Fan shows very clearly here.

3. “Believes that they are “special” and unique and can only be understood by, or should associate with, other special or high-status people (or institutions).”

This symptom is heavily varied on presentation, and isn’t as cut-and-dry as “wants influential acquaintances.” In my personal experience, this is more akin to your own personal hierarchy, only caring to bond and make an effort to associate with those whom are higher in the hierarchy.

Fan is no stranger to this. He has a clear disdain for many of the contestants and subtly belittles them, such as Lightbulb, Paintbrush, Dough, or Paper. This is not that Fan necessarily dislikes any of his teammates or acquaintances, but he sees them as worse than him, which leads to a proneness of conflict due to his indifference towards their emotions. This also leads into the low-empathy in Section 7.

Meanwhile, someone Fan DOES view as “special” is Test Tube, what one would call a CHP/FP (Chosen Person / Favorite Person). He values her input and greatly idolizes her, and of course, is HEAVILY dependent on her. I can’t even begin to explain the intricacies of their relationship in such a small paragraph.

And in a rare case of Fan refusing to associate with institutions rather people, Episode 5 he remarks that he doesn’t want his egg to hatch into a “sub-par, bowless season”, an obvious projection on his end. (Timestamp 1:32-1:38)

I don’t think he would’ve legitimately made any actions to leave the game given that Bow didn’t appear (despite him assuming that his first interaction with Bow was nothing but a trick of MePhone’s), but his indirect threat of not wanting to be in the game without Bow, finding it too inadequate for him, still stuck with me.

4. “Requires Excessive Admiration.”

Alongside #2, this is probably the other most difficult trait to explain on the list. Fan’s no stranger to subtly fishing for compliments, but that’s the exact problem with him. He’s so subtle that many of the contestants in fact MISS his social cues, and Fan ends up being ignored or degraded instead.

Despite this, it’s clear that he expects praise and admiration from all, even if others don’t outwardly show it often. In the rare not-so subtle cases of Fan looking for acclamation, he outwardly asks for it to boost his ego, motivation, and most of all- excitement, as shown in Nickel’s FFF. (Timestamp 0:16-0:23)

Most of the time however, Fan places himself in positions that could give him commendation, one of my favorites being this short exchange from the Purgatory Stream. Fan has a lot of admiration for Marshmallow, and he tries to impress her with his offer, hoping for approval and kudos. (Timestamp 1:20:12-1:20:20)

(Short break here. Just wanted to mention how much Fan truly adores Marshmallow. Highly encourage anybody reading this to look into it if you haven’t already.)

Multiple times on Fan’s FFF’s, he’s attempted to do quips with his interviewees. In Nickel’s interview, he refers to these as his “fan instincts.” As I was saying earlier about these cues for praise being missed, both Nickel and Balloon react to his references with annoyance, in which Fan responds with aggression and disappointment respectively. In Balloon’s interview especially, it’s clear to see that he thought him referencing Balloon’s catchphrase would earn him a laugh and praise. (Timestamp 10:30-10:38)

5. “Has a sense of entitlement (i.e., unreasonable expectations of especially favorable treatment or automatic compliance with their expectations).”

Perhaps one of Fan’s least hidden symptoms. Again, a trait so glaring that it’s impossible to pinpoint every example.. but of course, my favorite display of this comes from one of the oldest pieces of Fan media, where he VERY clearly shows this. (Timestamp 0:14-0:38)

Though this short is dubiously canon, seeing it within the context of NPD makes a lot of sense to me. Of COURSE Fan’s personality would be far less nuanced when first created, hence his entitlement manifesting very overtly and negatively. Though it does mellow out over time, it never truly disappears, just seeps into different faucets of his personality and actions. (Timestamp 1:37-1:43)

Take here, for example. Fan tries to justify stealing from Cabby, but the truth is simply that he felt he deserved to see what she said about him, not asking her permission first. As Test Tube said, an invasion of privacy, a serious one at that when considering the later reveal of Cabby’s files being her memory aids. Alongside that, the grandiosity he highlights in this scene (think back to Section 1) is amazing. (Timestamp 0:42-1:01)

Just a bonus clip of Fan’s entitlement in relation to this specific conflict. (Timestamp 8:44-9:02)

In another more evident demonstration, Fan simply admitted to filming FFF without OJ’s permission, not even considering the possibility of needing to ask for acceptance to film and host a show inside of the Hotel. In his view, it’s something he wants, and with nobody encouraging against it, therefore it’s his right.

Another thing I really like about this post is how “innocent” Fan comes across here. In my personal experience, entitlement has never been something I intend to be harmful to others, just something I feel I deserve because I am special, not even noticing my egotism with it. I don’t think Fan intended anything wrong with hosting the show, just assumed that OJ would be fine with it, and that he would have no need to ask for permission.

6. “Is interpersonally exploitative (i.e, takes advantage of others to achieve their own ends).”

Very much so! This is one you’d never note down when taking a first glance at Fan, but it happens to be severely true. The way the DSM words it makes it sound inherently malicious, but trust me that this is not commonly how this trait manifests. Everybody tends to be manipulative once in a while, and that doesn’t make it a necessarily negative symptom if utilized in ways that don’t harm others.

For Fan, one of the big signs of this is his tendency of sitting back and letting his team do the work. According to his patterns he’s guaranteed a win, therefore he finds he has no reason to contribute, leaving his teammates to put in the effort to achieve it. (Timestamp 6:44-6:49)

Another thing I find I should add here is that Narcissists don’t usually intend for this manipulation to be.. legitimately evil manipulative. In our minds, we’re not doing anything wrong at all. So what if we use somebody as a means to an ends once in a while? There’s nothing wrong with it, especially if you deserve it. Fan is the same within this regard.

Funnily enough, this pattern of exploitation is a key factor of Fan’s character. Fan is THE #1 Fan of II, and as thus, must know as much about the show and its inhabitants as possible. He frequently uses the information and trivia he has collected about his fellows to steer them into giving him what he wants, no matter if it’s more information on themselves or a reaction, both things Fan finds severe intrigue and entertainment within.

Again, mentioning Nickel’s FFF (there is SO much to deconstruct there), Fan asks Nickel personal and invasive questions for his own entertainment, using Dime’s presence to utilize Nickel’s own self-confidence against him, prompting more honesty. (Timestamp 1:37-2:20)

Last but not least for this section, exploitation can be both conscious and subconscious. Though in my opinion it always seems Fan has some degree of lucidity, it’s clear from this blog post that it’s not all COMPLETELY conscious, some of his manipulative tendencies even flying over his own head.

In this post he mocks a version of himself he believes is far from his own image, failing to notice how often he does take advantage of the others around him. In the end, it all boils down to intentions. This faux version of Fan is comically evil, and Fan believes his own personal intentions are nothing short of moral and understandable.. thus his manipulation not coming across as remotely manipulative to himself, just something he deserves.

7. “Lacks empathy: is unwilling to recognize or identify with the feelings or needs of others.”

A DEFINING characteristic of him. There’s so much to delve into with this specific aspect of his character, it’s practically infinite. For starters, Fan holds zero to none respect for everybody around him, viewing most of the people in his life as nothing more than simple characters.

There’s certain people who break this mold such as Test Tube or Suitcase, but most are confined to it. Even with people that Fan admires, MePhone or OJ for example, he still views as playthings. At that, Fan’s general emotional and mental disconnect from the world feeding into his low empathy leads him into the practice of stalking, in which both MePhone and OJ happen to be targets.

My favorite moments of Fan exhibiting his low empathy always tend to be when he’s alongside Paintbrush. This scene in Episode 7 really puts this into perspective.. despite Paintbrush’s outburst and clear distress, Fan sees their frustration as nothing more than laughable, even predicting the time it would take to happen. (Timestamp 12:50-13:03)

Even Paintbrush momentarily pauses in their outburst, shocked by his insensitive reaction. Later, they threaten Fan with the idea of smashing Baby Shimmer, an impulsive action in the blindness of rage. It really speaks to me how even though Paintbrush was too highstrung to adequately try to analyze Fan’s reaction, they still subconsciously realized that trying to get Fan to empathize with them was near impossible, choosing to instead threaten him in efforts of arising understanding.

Same kind of situation here. Fan only cares about Paintbrush’s emotions when Paintbrush punches him to the ground. This concern is completely unrelated to empathy of Paintbrush’s anger, merely just a self-preserving meekness in fear of being attacked again. And after Fan notices Paintbrush’s “cliche”, his attention is entirely diverted and he instead only focuses on this new discovery, again finding no meaning in Paintbrush’s emotions as his priorities are higher. (Timestamp 9:04-9:20)

Though this quote is more about Fan’s disconnect and escapism, it does highlight his apathy to others as well. I think there’s bits and pieces to be said here about Fan’s low empathy, even if not directly related to it’s portrayal in this context.

8. “Is often envious of others or believes that others are envious of them.”

This symptom, just like majority of the others, is a key trait Fan exhibits. Time and time again, Fan flaunts spiteful and petty behaviors. Especially when provoked, Fan quickly finds himself vindictive and jealous. Though I do believe Fan’s grandiosity makes him believe that he has enviable characteristics, he tends to more outwardly show his jealousy toward others rather than vocalizing the assumed envy others have for him.

As I’ve referenced multiple times over, Episode 2 of Invitational is prime grounds for Fan analysis. This scene in particular shows such an evince of jealousy. Cabby first insults Fan’s formation of his identity, with an implied superiority of intelligence on her side. Watching his reaction is fascinating- first frustration, doubtful vulnerability, anger, then lastly disbelief.

Now, of course, this doesn’t exactly SEEM like jealousy, more-so defensive rage. Yet, it’s both! Fan has a lot of respect for how Cabby plays the game and her general self-image, admiring how professional and knowledgeable she comes across. Considering Test Tube’s proclamation of adoration for Cabby upon their first meeting, Fan instantly marked Cabby as somewhat of competition.

Though he initially pursued a friendship with Cabby, he was quicker to turn on her than Test Tube, due to what I believe to be jealousy. Yes, Cabby is smart, but part of the reason Fan felt entitled to steal from her to prove that he is vasty more intelligent.. making a point that Cabby's notes on him are surface-level and nothing as good as Fan himself could create. When Cabby's file showed criticism of him, he took it even more personally than anticipated, because not only did her notes happen to belittle him, but also were severely impressive.

And as I said, during their confrontation with Cabby, Test Tube’s reaction seemed more disappointed and shocked with Cabby’s assessment of her, far more calm than Fan’s obvious anger. Again, Cabby is deprecating Fan in a way that makes her come across as far more impressive than him, far more mature and intelligent to the both of them. Not only is Cabby damaging Fan’s pride, but he sees her own self-presentation as a threat to how Test Tube perceives HIM.

This little interaction is quite a parade of envy. Vexation and jealousy tend to happen at the same time, something that’s very obviously shown here. (Timestamp 13:08-13:13)

At the end of the Episode during Fan’s elimination, Fan takes the news FAR more calmly than one would expect. Yet, this is mostly a facade, one to make himself seem far more composed and impressive than he actually is; by being so envious of Cabby, he holds himself to coming across just as dignified as she does. In matter of fact, Fan and Cabby share many of the same traits despite how differently they may manifest between them, and Fan sees part of himself in her. And for Fan.. my, is it terribly demeaning to meet somebody who’s like you but BETTER. The envy he holds is gnawing at his core.

9. “Shows arrogant, haughty behaviors or attitudes.”

As expected, a Fan special. I honestly wish I had more commentary on this symptom, but it’s so blatant and pertinent throughout his entire runtime on the show that I can’t offer up much variation that isn’t already obvious enough.

Citing this scene for example, this is clearly arrogance mixed with jealousy. Not only does he believe he’s far better than what Cabby has said about him, but he’s also jealous that Cabby comes across as more intimidating than him. (Timestamp 5:00-5:11)

Another really good presentation. His haughtiness causes him to act defensively, attempting to reassure to both himself and the Shimmers that he is in fact a threat bigger than them. When met with even more denial of his self-assumed daunting, he merely pushes it out of mind, believing that yes, he has fearful qualities about him and that his “lower score is preferable.” (Timestamp 12:05-12:30)

As per the DSM, NPD is diagnosed when patients meet 5 out of the 9 traits. In the case of this essay.. I managed to correlate Fan to all 9 symptoms. Though some are certainly more pervasive than others, I do believe Fan meets the full criteria… Which brings me to the end of my essay!

I have SO many thoughts about this that I couldn’t all squish into this already lengthy post. Please feel free to ask me anything about this at all, as somebody with a special interest in Fan, I could go on for HOURS.

And last but not least, if you have any questions on the topic of NPD (related to Fan or not) I’d also absolutely love to answer!

And with that.. Fan is absolutely a narcissist. Thanks for listening <3

#aqua’s yaps #fan ii #ii fan #fan inanimate insanity #inanimate insanity fan #ii analysis

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fookinhellcurlyy · 5 days ago

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Louis Tomlinson's Career History Pt. 3 and 4 [Post-1D] by notastrwbrysng2

Full credits to notastrwbrysng2 from X/Twitter. Reposting screenshots and texts for archiving purposes.

Please check the full disclaimer stated in Part 1 & 2.

Note: I will copy-paste the exact texts from the tweets. The words after the cut below are from the linked thread (source). The cited articles per tweet are hyperlinked ('x'). I might replace/combine some screenshots due to Tumblr's limitations, as well as add the links from where they were originally taken.

Again, thank you so much notastrwbrysng2 (Megs) for creating this.

———

Part 3: Why Louis Tomlinson is getting screwed over as an artist

I will fill in the connections and details. Main players are: SC, R.ob Str.inger, Ho.ward Stri.nger

We identified SC and Rob plenty of times but never made the connection of WHO ELSE is managing the UK side. We left off at R.ob wanting a songwriting career from Louis. In AOTV, Louis mentions talking to his mom about next steps. He said he wanted to sing. I believe that refers to this time period when he was being led astray and shuffled into behind the scenes activities.

During this 2016 period, Louis was trying (unsuccessful, going back to his tweet) to get his girl band going. The baby, Rob aiming for songwriting negotiations, and the girl band ate up 2016, along with the debut of Just Hold On and mom's health declining. | x

Louis contributed a couple songs (Blackbeard, EXO) but wrote for himself or was not credited/alias.

He eventually was signed UNDER Sony to RCA, as mentioned earlier, a month later to Epic, and sat dormant until Rob's very close friend David Massey took over.

Before Louis could leave Epic, it looks as though Louis had to put in some grunt work during "the lost years." Narnia blog highlighted this beautifully with this summary of events in 2018, ALL focused on Simon or Rob. Sounds interesting. Did they string along Louis with no intention of letting him have that solo career that he chose over songwriting for Rob? We will never know...

Louis was tapped for some VERY public events, forced to look excited and supportive. Oh look, the timing...

He FINALLY signed once xfactor was over in February 2019. He was made to hold off until then. I went over the single released and the album not until January 2020. Which leads us to: Airplay.

Airplay has lacked for both the Walls and FITF albums, going as far as being blacklisted/shadowbanned from B.BC radio. In the report out from BMG, Louis was not played until he was the #1 album (again, with NO AIRPLAY) and they very much begrudgingly played it to stop the calls.

BBC loved it but .. it was stopped during discussions with higher ups? Too indie? Something was a miss. It was being stopped as other artists have before (Madonna was listed because "She was too old to play," other bands just completely halted for no reason at all.)

Going back...Remember the person who was the head of Sony, who wanted a boyband, that partnered with SC and X.factor? That was HOW.ARD STR.INGER. Rob's brother. And what has he done for his career? Head of CBS, then Head of Sony Music, then a BOARD MEMBER AT BBC. —Who did Louis reject not once, but possibly twice, to come on as songwriting? Rob. —And who caused a lot of issues while in 1D, pursuing a new direction, taking control of the band? Louis. —Who was the head during that time? Rob. —Who does Louis have connections to as well that could make Rob sweat? HARRY.

Harry sits as So.ny and Colum.bias #1 earner. Louis has bucked Ro.b many times over the years and Ro.b wanted Louis behind the scenes, not a solo career. —Who said no to R.ob? Louis. —Who could that influence? Their biggest earner.

If you take H out of the equation, it's still the same result. Louis has defied SC, he has defied R.ob, and the last way to shut him down was a link to UK radio. As a non executive board member, that solely means brother Ho.ward doesn't work for BBC, but is on the board. "Dont play this kid" is all that needed to be said.

As a recap: —HS made a deal with SC for TXF to be under S.ony. —SC tries to shuffle LT into management. —RS tried to get LT on a songwriting roster, less trouble keeping him closer. —LT refused, albums delayed. —Jumps hoops, album out '20, '22. —RS BBC member BMG told NO, we can't play him.

LTs ENTIRE CAREER from 2010-2023 has been under Ho.ward, SC, and Rob's control some way or another, not even mentioning any OTHER issues on top of music (media portrayal, etc.).

Louis on attempting to get radio play and realizing it is all talk versus having shows that are transactional, black and white. | x (vid down atm)

—

Part 4: Supplemental article from BMGs Lisa Wilkinson

Behind The Campaign, Louis Tomlinson | April 19, 2023

ADDITIONAL BACKUP REFERENCE (full article in text format): louisupdates

This breakdown was provided by BMGs Dir of UK Marketing (New Recordings) Lisa Wilkinson.

There are areas that appear to be excuses without revealing truths (see: Unable to play BTM w/no reason)

This was removed from online. (Screenshots below were from the actual article.

Topics of discussion could easily be put up for debate as marketing via BMG was lackluster at best and more fan-driven and financed than what should have been, but this is what we were given:

Part 1 & 2 here.

#louis #business talk #louis' career #music industry #pr and marketing #masterpost

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funger-rips · 4 days ago

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funger-rips 2?

Heya! I noticed the other funger sprite rip blog was deactivated here on Tumblr, and I felt that was a shame due to the blog being a pretty accessible resource for in-game sprites. Not just on Tumblr too!

So, I decided to remake the blog in it's honor! (Same handle at least...) I'll be attempting to do the same as they did, posting stuff from the files, like character sprites and backgrounds. Feel free to send some requests!

Thanks for the support! See below cut for tags and qna's.

How I run this blog:

I post rips/archive works up to once a day, aside from answering asks or blog updates. I run on a queue usually. I may post less frequently depending on how busy I am.

I will not answer requests directly, but I DO read every request and try to get to them in order. It's just me here, a one-man band. So please be patient if I do not get to your ask/request soon.

There is a 30 image limit per post, so I will space out requests and similar content across posts if needed. I will leave links on each post that has another post that directly connects to it.

Here are the tags I use (Will update as I make new ones):

#sprite rips: The bulk of this blog. I go into the game's files directly and convert the artwork into usable png's.

#devblog content: Archive of any "third party" content Miro posts. Includes dev screenshots, YouTube videos, teasers, old scrapped content, etc. posted on his various socials. Sources will be given. I will NOT archive something unless I have definitive proof Miro posted it.

#mod talks: Blog updates and maintenance content. Mundane stuff that aren't rips or archives.

#askbox: For when I answer asks directly. I only answer asks if they aren't requests, just actual questions about the blog or what have you.

#battle backgrounds: The background art used as set pieces in combat in-game.

#inventory items: Full and mini sprites of any item you will find in your inventory.

#ui and related: Anything constructing the game's UI and menus.

#overworld sprites: Sprites found on the overworld, outside of combat.

#moonscorched: Any moonscorched content.

#videos, #gifs, and the characters' names are all self explanatory.

#fear and hunger #fear and hunger termina #funger #pinned post #mod talks

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tsukimefuku · 9 months ago

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Hello, you amazing citizens of Tumblr. Here we are, the first writing challenge I’m happy to hold for no particular reason other than challenges are very fun.

We all know and love many Jujutsu Kaisen characters, and I guess many of us love food too. So, what if we join both passions in this challenge?

Welcome to “JJK foodies and goodies”, where you can send as part of the challenge a fic relating any JJK character with - you guessed it - food!

Slutty smut using food other than intended? Food preference head canons? A dinner scene? The sky is the limit, guys.

One fic per writer.

Said fic or Drabble must be within the 400-2000 word count limit.

It has to be an original/not already posted piece, that was written specially for the challenge.

It must feature at least one JJK character in a main role.

There is no need for it to be “x Reader”.

Any genre is accepted, but be sure to tag it correctly at the beginning of your fic.

Just to write and have fun with it. I might think of a next challenge with an actual prize, like a fanart or something of that sort, but this is supposed to be a simple bonding experience among writers and readers from the community. By the end of the challenge, I intend to make a masterlist with all of the submitted fics and put it in my pinned post.

All submissions must be POSTED on your own blogs, TAGGING me (@tsukimefuku) and LINKING this challenge at the beginning, after May 26th and until June 21st.

Any story posted for the challenge after that deadline won’t be on the challenge’s masterlist.

Considering this will be an extensive challenge to unite jjk fans and writers across the platform, I’d like to provide writers with a taglist for when they post their stories.

Readers and writer-readers: if you’d like to be on the tag list and support your fav writers works, please fill out this form (link) UNTIL MAY 25TH.

Writers interested in taking part on this challenge: on May 25th I’ll EDIT this post, putting the tag list here at the end for you to use on your fic, so be sure to save this somewhere safe :)

You don’t have to use the tag list, but you can if you want!

UPDATE: Here’s the taglist

@strawberry1042 @darkfaerietails @jay220a @fattybattysblog

@suguru-nugget @senseifupa @aleigant @gigiculona @rahuratna

@ibukiaa

And this is it, loves! Hope you all have fun. I know I will 🤓🦉

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maukree · 4 days ago

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Masterpost with all parts Yay, here we are. Part 2 of my *not quite Civil War (616)—The Messiest Divorce in Superhero History specifically (or Civil War, which is mostly actual Civil War just for this part, with very little winteriron)—where everything gets dark, painful, and incredibly shippable for so many ships. Not gonna lie, the whole point of these posts is for me to catch up before I start working on my MTH fill for the 616-canon-heavy winteriron fic, and also to have a convenient resource to link to if MCU-only fans actually choose to read it and want to know what happened in canon versus what is complete bullshit for my writing pleasure. That said—this event is a goldmine for all kinds of ships. So I’ve snagged the juiciest bits for your reading (and thirsting) pleasure because every ship is valid, and I don’t discriminate. (Though, I have my favorites, so they’re gonna stand out.) Now—Tumblr has a 30-image limit per post, and I am not about to split Civil War into multiple parts here, so there is a lot of ground to cover in this. There will be more parts after this, so you get one post for Civil War specially, with as much crammed into it as I can, laid out as simply as possible—for me, and hopefully for you too. P.S. While my cover image lists the overall timeline and which series I discuss in terms of winteriron, Civil War and this part here hits the fan right smack in the middle of Captain America and The Invincible Iron Man (they each get a few issues inside), but there’s a lot of other crap happening too elsewhere. I’m not about to unpack every superhero’s massive tie-in series here in equal detail, but I will mention others before the first BIG fight and how they pertain to Tony, Bucky, Steve and Peter—because, obviously, that’s who we’re here for, and Peter is in the middle... 'cause he is kind of important here. If you want the full, issue-by-issue breakdown of every tie-in, crossover, and emotional kick in the nuts that happened, and you didn’t like the five-hour video I sent you to in Part 1, Marvel’s got you covered with their Complete Guide to the Civil War Event (or which order to read it at, which I am following here, sort of.) *visuals are after each arc/issue covered. Fair warning: this has a lot of food for irondad or starker, but this is canon, so just deal with it. K, click that Read More button, and let’s goooo into “holy shit, why are they like this?”

If you read this part you will know where Tony, Bucky and Steve are just after 616 Civil War is won by one side.

What triggered Civil War for real / Was used as an excuse for registration? Basically, the U.S. government has been side-eyeing caped vigilantes for years—tolerating their sometimes helpful, sometimes catastrophic crime-fighting because, well, they weren’t technically employees. Things had been escalating for a while, but the final straw was when a group of young, reality-TV-era superheroes (The New Warriors) tried to do their thing, and—shocker—it went terribly. Some guy called Nitro (not part of the New Warriors, just a villain doing villain things) exploded next to an elementary school during a fight with that chirpy young group, killing over 600 people, including a lot of kids. There was a national outrage, and nothing gets the government’s attention quite like untrained superhumans causing massive collateral damage in broad daylight that people complain about. Suddenly, Congress, the media, and your grandma had an opinion on whether superheroes should be running around unchecked, which has resulted in the Superhuman Registration Act (SRA or, sometimes SHRA)—which most people are probably more familiar with from the X-Men movies and whatnot (where it was basically “Mutants, go register”), or as the comic book equivalent of the Sokovia Accords in the MCU. The SRA demanded that all superheroes:

Reveal their identities.

Undergo training.

Operate under official oversight.

Which… totally sounded reasonable to some people. But only some people. Sure, about half of the superhero community saw it as necessary law and order, but the other half saw it as the death of personal freedom. And that is how this Marvel Civil War came about in the comics. (They did have a second one waaaay later, but I am not getting into that.) The easy comparison with MCU here is:

Team Pro-Registration (led by Tony).

Team Anti-Registration (led by Steve).

Where it gets VERY different:

It has very little (nothing, but he's around) to do with Bucky.

It's long.

A lot of people are involved.

Fighters on each side die.

It gets twisted and very much downhill from here as far as Tony's bromance with Steve goes (or on the up, depends on how much you like your angst). And, yes, there is a possibility some of the characters would've remained alive (but, like, a lot of Marvel characters die and come back even more often in the comic books) if Tony and Steve had just fucked it out, honestly. The Amazing Spider-Man (1999): Mr. Parker Goes to Washington (#529-531) (Not actually released in 1999—the series itself started in 1999. Marvel’s way of naming shit and constantly renaming it will break your head, I swear.) This specific three-parter covers Tony dragging Peter into the most emotional relationship drama to ever drama. For clarity (and because I think I’m too funny and can’t resist commenting along), while Civil War is gearing up, Tony starts making deeply emotional decisions under the guise of strategy, and his first move is to recruit Peter and make sure he is on his side. Because obviously, if you’re about to start a massively controversial government-backed superhero initiative, the first person you want in your corner is the kid with no money, another tragic backstory, the worst luck in the history of caped crusading, but a very good sense of right and wrong. At this point in the timeline, Peter is living with Tony in the Avenger's tower, Tony is already acting like his chaotic billionaire stepdad while Peter is hitting it off with the Avengers on the daily. For real, Peter even calls him “Dad” once or twice, although mostly, he calls him “boss” and, what, do you know, he is actually his intern. MJ is staying with Peter, but you can ignore that. So what actually happens here relevant to Civil War beginnings: Tony takes Peter to Washington, D.C., where he’s testifying before Congress about superhero accountability. While in D.C., Tony gives Peter a new version of the Iron Spider suit (like two days after another new version ’cause he can’t stop spoiling him or, like, gearing him up for war or something, idk...) and starts laying the groundwork for making him his right-hand. There are a lot of father/son vibes, mentor/protégé vibes, and if you’re reading this through a Starker lens, well—Tony spends a lot of time complimenting Peter, and putting a hell of a lot of emotional weight on his presence.

Fact: Tony genuinely cares about Peter in here (not looking at it through starker lens right now, trying to think winteriron long game here), but he’s also desperate for allies as the political pressure builds. Because Peter is not just a good boy for Tony but good in general, he is clearly conflicted from the beginning about the government stepping in to control superheroes, but Tony reassures him that it’s the right thing to do and that he is actually working on stalling it and making sure it stays under control (he is being hella shady). Peter also trusts Tony implicitly (big mistake, buddy), and because this is the road to Civil War and not just Fun Congressional Trips With Tony and Pete, we also get some early signs of how badly this is going to go for everyone involved. So, Peter backs Tony up (as Peter, hiding his identity and later as Spider-Man, refusing to reveal his identity at the meeting), showing loyalty to Tony despite his own lingering doubts. This whole arc is really about Tony starting to make moves to secure the Pro-Registration side, and Peter—bless him—doesn’t fully grasp what he’s getting into yet. This is an awesome arc to read for anyone who likes Tony and Peter in any capacity, but it’s so clear that Tony doesn’t just care about Peter here—he needs him. He is also the guy who will, very soon, break Peter’s heart, and it’s very gutting. Like, they kick the whole event off with this, and you can feel your heart bleed in advance. Why this Matters for Civil War: Tony starts Civil War with Peter at his side, which will make it all the more painful when it inevitably falls apart. Peter’s trust in Tony is absolute at this point, and that will change—violently. Tony also secretly hires a bad guy to attack them in D.C. to make a point, and this should really be one of the many signs on how seriously Tony's starting here from the very beginning.

In Fantastic Four #536-537, Thor’s hammer crash-lands on Earth. This is a big deal because, at this point, Thor is 'not around', but everyone is trying to get their hands on his nutcracker. Naturally, Doctor Doom shows up, because if something cool falls from the sky, he’s contractually obligated to try and steal it. The reason the hammer is important is because Reed Richards is around for this, so while he’s not fully immersed in Civil War beginnings yet, he’s about to be. Also, Thor and his hammer specifically play a massive part in Civil War (stick a pin in that mental note). Doom doesn’t get the hammer, obviously, it just chills there because nobody can lift it. Following the Fantastic Four issues (but also technically happening before them—just go with it), we have New Avengers: Illuminati (2006) #1, which is basically a bunch of rich, powerful men sitting in a room and making decisions that will screw over everyone else. This issue gives us the Illuminati’s response to the SRA, aka a lot of self-important posturing. The Illuminati (Tony, Reed Richards, Namor, Doctor Strange, Black Bolt, and Charles Xavier) gather to discuss how this whole registration thing is about to go down. And—shocker—they do not agree. Everyone except Reed and Tony, who tend to agree on more things than people give them credit for, thinks that the SRA is a massive disaster waiting to happen. T'Challa is there too, and while he loves being complemented on how pretty his country is, he still tells them to fuck off. Politely. Namor flips off Tony too and nearly drowns him. It's a cool action sequence. So, nothing too exciting, but good to know. That said, this is side content I don’t personally care about, but will splash in here and there for basic understanding as needed, and not spend image limit on it (unless it extra cool).

Civil War (2006) #1 This is where things aren’t just leading to the breakup of Tony and Steve—this is where everything fully hits the fan. I’ve already covered the tragedy and the public outrage/last trigger for SRA, but let’s talk about a lovely parallel happening in the aftermath. During the funeral for the folks who died, Tony gets spit on. A grieving mother blames him personally for the deaths of all those children, since he's kinda bankrolling Avengers and stuff, and while Tony was not even remotely involved in this paticular Nitro-exploding and killing kids mess—just the cleanup—he takes it HARD. (Yeah, remember how badly he took everything in the movies? It's worse in the comics, and the woman is aggressive about it.) And regardless of whether it’s comic books or movies, if there’s one thing Tony cannot handle, it’s being told that his inaction led to innocent people dying. This is where his shady, kind-of-sorta “leaning” into supporting registration cements itself into a full send. Unfortunately for both sides of this war, Fury is nowhere to be found to smack some sense into people, because he pissed off the U.S. government (again) and is currently persona non grata. So instead, Maria Hill is running S.H.I.E.L.D, calls in Steve for a little chat, while a bunch of other heroes are off in various places having their “Should we let the government own our asses?” powwows. Hill, naturally, expects Steve to be the poster boy for the Superhuman Registration Act, because, you know, Captain America = America, right? Big mistake. Huge. I don’t know if it’s the way she talks to him in her “I’m in charge now, shut up and do what I say” tone, or the fact that she basically says, “Hey, so here’s the deal—there’s a new law coming down. You’re going to help us enforce it, and we’re going to use S.H.I.E.L.D. to make sure every superhero signs up. Cool? Cool.” Either way, Steve's response is HELL NO. Hill, in her usual charming manner, reacts to being blown off by trying to arrest him. Which is hilarious. Steve then proceeds to beat the crap out of some S.H.I.E.L.D. agents, escape the Helicarrier, and go underground. But not to hang out with Fury who pops up at a later stage. Just underground, officially becoming the face of the Anti-Registration movement. Now, I’m probably not being fair to Hill (I actually do like her), but I am also Switzerland when it comes to comic book Civil War (and MCU Civil War), because both Tony and Steve are being absolute fucking idiots about literally everything in either canon. Frankly, Bucky is the only smart one when this takes place, and mostly 'cause he’s nowhere to be seen yet after ghosting Steve in London. He’s out there somewhere, probably drinking whiskey in a safe house, brooding about his past crimes, cleaning his guns, and for now busy NOT giving a single fuck about what's going on. While the love of his life that he hasn’t met yet (reminder: this is a winteriron timeline) is going out of his way to become the most hated man in the superhero community. Sad.

She-Hulk (2005) #8 is mostly a pointless tie-in to Civil War in the context of what I am trying to do here, but we do get a peek at Tony’s methods and how he’s running his “Collect ’Em All” campaign for Pro-Registration allies. Jennifer Walters (She-Hulk), has a bunch of things going on somewhat related to the main event, but the only one you need to know here is that Tony makes an appearance to give her information she needs for a case she is working on—“for free, not asking for anything, no strings attached” of course (which, lol, sure, Tony). This is a good look at how Tony operates. He’s not exactly strong-arming people right away, but you’d have to be blind not to pick up on the “Pick a side or get picked for one” vibes. In general, his methods vary through the Civil War, but you have to give it to him, he is very creative and approaches each person in a wickedly unique way. Crafty. He's crafty. In Wolverine (2003) #42, Logan is seen catching some heat and getting the “You’re not welcome here anymore” treatment from randoms, demonstrating how the baseline folks are reacting to what’s going on (although, when does he not get this heat, honestly?). He gets into a few debates with fellow supers about how the SRA is giving Nazi vibes, all while side-eyeing the Sentinel parked outside the X-Mansion pretending to be a lawn ornament and suspecting it’s not actually there for their “safety”. Wolverine isn’t my favorite in general, but he slaps in this, because instead of sitting around and yapping about whose side he’s on, he’s one of the few people actually making sense and decides that Nitro—the asshole who kickstarted this and exploded all over the place, killing all the people—hasn’t been rolled over by an avenging tank yet and it should probably be done. Right? The man has a point. Avengers. Tony tells him to drop it because “we have bigger problems”, but Logan is like “Yeah, nah” and sets off on a mission to gut Nitro with a fork (or, well, six of them), since someone here has priorities and actually takes being an Avenger (which he has been for a few months only tbh) seriously. I am not gonna talk about Wolverine much after this, so feel free to hunt down his issues on your own.

Amazing Spider-Man (1999) #532 This is one of my favorite issues, honestly, because this is the moment Tony asks Peter for everything, and Peter realizes what his loyalty to Tony actually means. In short, they visit the White House together (Tony brings him along to all the cool places, as you can see), and Peter’s life as he knows it gets irreversibly fed. This issue is a massive turning point because Tony wants a lot. And I mean, a lot. Up until this point, every time Spider-Man’s identity has been revealed, it’s been because a villain unmasked him—never voluntarily. But now, with the SRA officially getting signed by the president, the rules are clear: If you don’t register, you and your entire family become fugitives. Your assets will be confiscated, your safety will be gone, your life will be over, etc. AND if you do sign up, you might also have to snitch on others and hunt them down. Like… tough. Very tough. Tony, being the dramatic bastard that he is, casually admits to the President that he is Iron Man right there in the Oval Office, while Peter is completely missing this historic moment because he’s looking for a bathroom, checking out Secret Service agents, and admiring priceless art. (I respect his priorities.) Then comes the Big Ask. Tony wants Peter to do the same—to stand beside him and publicly reveal that he is Spider-Man to the world. Peter, reasonably, is not down for this plan at all initially, but Tony, ever the master manipulator with a heart, leaves Peter with a choice. (Sort of. Which is really no choice at all, if you think about it, since, if Peter refuses, his entire life crumbles.) MJ and Aunt May (especially May) help him process the decision, and while they ultimately support him, Peter himself is still torn right up until the last second. Even when he’s about to go to Tony with a YES, he still considers running. He even makes the arrangements to run, but doesn’t. The issue ends with Tony and Peter standing side by side at a podium, about to make this announcement. This issue slaps for both irondad and starker, honestly.

Civil War: Front Line (2006) #1 While superheroes are busy picking sides, Front Line follows the journalists stuck in the middle, trying to cover this mess—specifically Ben Urich (Daily Bugle, professional shit-stirrer) and Sally Floyd (indie journalist, professional snarker). The two of them are trying to make sense of the SRA fallout, tracking how the government is spinning the Stamford disaster (all those dead kids). In the same issue, Speedball—one of the good guys who accidentally got a school full of kids blown up when he was fighting Nitro—gets arrested, which is awkward as hell and also the first time on the page where someone flashes their S.H.I.E.L.D. badge to start arrests, signaling that things are starting to get really serious. Speedball has a VERY bad time after his arrest and is often used to remind us all that the places where supers who didn't fall in line go are not a spa. At all. Since this is essentially a press room issue, it ends with the reveal of Tony’s identity—that same press conference where we last left him with Peter. And LOL, DUDE, you do not begin this shit with “Hello. I am Tony Stark, and I am an alcoholic.” This. Is. What. He. Says. YES. While Peter is next to him, shaking in his boots and waiting for his very private life get gutted into pieces to support Tony's agenda.

Civil War (2006) #2 Following the first arrest, things are properly rolling downhill now. More arrests, the first betrayals, and the first real punches are about to happen. Tony, still fully committed to the government’s golden boy arc, is working with S.H.I.E.L.D. to form his superhero task force to hunt down the noncompliant capes. Steve has been AWOL since flipping off Hill but there is a resistance going on. I mean… it sounds good, right? For now, Tony looks like a total dick, and Steve is the hero. As a note, however, Tony is not being a complete blind asshole here, and does struggle with hoping they are doing the right thing just before SRA officially becomes law. Because comics don’t release in a neat timeline, the end of this issue is also where we get some lovely art of Peter unmasking during that press conference (the art shifts between comics, enjoy it and deal with it).

At this point, Civil War is fully spiraling, and the “oh shit, this is getting worse” moments are stacking up. In Thunderbolts (2006) #103, Tony and his team sign up the Thunderbolts—a group of villains-turned-government-enforcers (not to be confused with the MCU version, and no, Bucky is not here yet). And what is their job is to hunt down villain holdouts and then recruiting them to hunt down more holdouts. Yes, the plan is literally “let’s get criminals to enforce the law.” Things are just getting plain weird and scary and in Civil War: Front Line (2006) #2, the press and civilians are starting to get real nervous about how Tony is taking down people who used to be on the side of good with very little prejudice for not complying. Essentially, the whole “this is about protecting people” argument is starting to look flimsy AF when actual normal people are watching buildings collapse and their heroes get thrown into Superhero Guantanamo. Nobody is having a good time at this stage, but, to lighten the mood, Peter gets fired from the Daily Bugle via headline: “YOU’RE FIRED!”

New Avengers (2004) #21 is where we properly get into Steve’s headspace, and IT IS HILARIOUS. This issue is basically Steve being alone and sad after flipping off Maria Hill and instantly regretting everything, including his own existence. He angsts for most of it, because of course he does, and at some point, Bucky makes a 0.5-second flashback appearance, because it wouldn’t be a Steve issue if he wasn’t feeling sorry for himself and reminiscing about people he’s lost. The vibe here is “I should draw my feelings or write a book” (multiple panels on him trying to do that), but instead of actually dealing with his trauma of being a fugitive, which he is very upset about, he just… keeps brooding. Then S.H.I.E.L.D. sends Dum Dum Dugan to bring Steve in, and that’s when the paranoia kicks in. Suddenly, Steve is feeling betrayal from all angles (fair), and even Falcon catches some suspicion, even though they are best buds in this, since Bucky is out there gallivanting somewhere, not getting involved yet. After Steve and Falcon reunite, they set off on a noble quest titled: “Let’s Make Civil War About Peter Parker, Because He’s the First Pick for Everyone.” They gently stalk Peter to see if he’d be down to join Team Cap, but they are very late. Steve is devastated, because Peter once called him cute, and now Peter is already firmly on Tony’s side, kinda-sorta-but-actually-yes. And if that wasn’t enough betrayal for one issue, Hank Pym tries to help S.H.I.E.L.D. to arrest Cap, which really just solidifies the whole “Steve is having the worst week of his life” situation. Maybe if Steve had actually talked to Peter instead of stalking him, Peter would have called him cute again, and Civil War would have ended right there, since our sunshine babydoll can make everyone see light. But alas.

As you probably picked up on already, Peter is right smack in the middle of this, as mentioned about 10,000 times. In Amazing Spider-Man (1999) #533, they fully cover how much his life went to absolute shit after that press conference. It wasn’t just getting fired. Everyone wants a piece of him now. Some people want to kill him, a lot of people want to fuck him, and the internet is absolutely losing its collective mind. (For real—his unmasking breaks the internet, including the porn sites. FACTS.) At the same time, Peter is deeply uneasy about everything, and Tony is “comforting” him while simultaneously sharpening his betrayal knife. The same knife where Tony does not ASK Peter if he wants to be part of his superhero-hunting strike force and instead, he just signs him up publicly without permission. Peter, already on his WTF is going on subplot, doesn’t even get time to process any of this properly before Tony cranks the drama to 11, piling on on top of his little 'favor' to reveal his identity and says: “Hold my beer, meet your new teammates, and get ready—because the dying is about to fucking start tomorrow.” Whelp.

Things don’t actually escalate to full-on hero-on-hero-we-give-a-crap-about murder aka THE BIG WTF MOMENT just yet (patience), but people are getting hurt just for trying to not pick a side, and crime is skyrocketing because, shockingly, when heroes are too busy planning on punching each other, villains thrive. In Fantastic Four (1998) #538 Johnny is in a coma because a mob beat him within an inch of his life just for existing as a super, the Fantastic Four are already crumbling and even Reed’s own family thinks he’s being a dick. (And they are correct.) He is so firmly on Tony’s side that it’s almost embarrassing, and I suspect some consensual touching is involved to be this stupidly on board with Tony, but I digress here too, since I don’t even know if this is a ship. There’s some setup happening for later events, but we’re not going Mariana Trench deep here, so let’s move on. Oh, someone does pick up Thor’s hammer. I wonder who that is. Over in Civil War: Front Line (2006) #3, the press is still deep in the trenches, and there is a lot of talking happening. Everyone is talking. Some folks are being interviewed. Nobody is doing shit. It's getting... boring. It's also getting very confusing.

BUT.

We are FINALLY, at least in this ‘brief’ (ah, who the fuck am I kidding here) recap, at the stage where I am mentally prepared to talk about The Great Civil War Standoff (aka, Please, Just Start Punching Already) and promptly skip to HOLY FUCK NOT THIS MUCH PUNCHING, boooooys, what are you doing??? (I rock myself in the corner.) As mentioned, the whole thing sorta stalls while each side is staring at each other with deep, unspoken yearning, waiting for the BIG fight, while smaller fights start breaking out all over the place. And because event comics are an actual nightmare, I am going to stop talking about the tie-ins here. I’ve set the scene, now just assume there’s a TON of random skirmishes happening, Cap and Spider-Man have already thrown hands (yo, this pretends to be a winteriron timeline, go look for your shippy business elsewhere, I am hungry), a bunch of unimportant extras are getting hurt or worse, and at this point, it’s just Tony vs. Steve and their twisted moral compasses playing an extremely violent game of chicken. I know, I know—I am taking a big skip after I just dropped an obscene amount of lore on you. But listen. Event tie-ins, and I cannot state it enough, are so messy and out of order while… being in order, sorta. You get to one good bit, and then Marvel chucks another 2,000 issues between you and the next good bit, and suddenly, you’re sitting there, waiting for the cliffhanger to be explained while trying to remember why the hell you should care what Quicksilver was doing five minutes before it happened and why you can’t just skip ahead to the yummy shit. Headache material, honestly. So, anyway. The scene has been set. Yay. Civil War is in progress. What we know now and what I am desperately trying to remember here:

Bucky is still in the wind.

Steve’s resistance is being annoying and resisting, but occasionally making sense, gaining traction, and also getting innocent people hurt left and right.

Tony is entering his “I am a very scary man” era and is also getting people hurt left and right, both physically and emotionally.

Peter is still with Tony but is having a minor existential crisis every five minutes on the account of emotional hurt, and barely any other Marvel issue in this timeline doesn't have an opinion on why he is still with Tony, is he sucking his dick or what, 'thought he was the good guy'/'ah yeah, this is why Tony needed him', etc.

The X-Men are staying out of it, mostly, because they’ve seen this movie before.

Deadpool and Cable, as well as about a gazillion other supers, have their own shit going on, but I refuse to get into that.

The Thunderbolts are being shady, surprise surprise, and they only get an honorable mention here ‘cause I’ve mentioned them earlier to demonstrate Tony’s spiral into being not just a bit of an asshole but very much an asshole.

Reed is so into Tony that he’s about to do something crazy. (I don’t even know if the touching is consensual at this point, since he is absolutely whipped by Tony, and it stinks of Stockholm syndrome.) So, now that we have decided on where we are and had a cup of tea/smoke, let’s have a look at the actual Civil War issues as they proceed, Captain America Civil War issues and Iron Man issues, skip a bunch of other important shit after, but ultimately, get to where we need to be before Part 3 of me posting (some other day) because I want to talk about Tony and Bucky and not about Civil War.

Civil War (2006) #3 Alright, we are finally here, because Civil War #3 is where shit gets real. Tony, being the tactical genius and emotionally constipated mess that he is, decides that it’s time to spring a trap on Team Cap. He and his Pro-Reg team set up a fake distress call because Steve is Steve, and if there’s even the slightest chance someone needs saving, he’s gonna show up. Boom. Steve does, of course, and Steve and his Underground Resistance walk straight into it. This finally gives us the most tense superhero standoff so far, with S.H.I.E.L.D. hovering overhead, a ton of supers on both sides locked, loaded, and ready to throw hands, and Peter right in the middle, not knowing how the fuck he got stuck with this lot. Tony, to his credit, tries to be the adult here. He actually reaches out, extends an olive branch, and tries to talk some sense into Steve before this escalates into full-out war (okay, okay, he tells him to chill the fuck out and comply, in slightly different words, but there is an actual amnesty Tony has worked out if Steve goes willingly, so he did try). Steve, being the absolute icon of stubbornness that he is, nods. Agrees to talk, at least. And immediately tries to take Tony down using some sneaky tech. Which gives us Tony vs. Steve, and it is GLORIOUS. These two beat the absolute crap out of each other, while everyone else on their respective teams also starts brawling (dozens/hundreds), with caped bodies flying, punches being thrown, and Peter still mostly blinking, but also fighting, while being upset that he failed to mediate between his two extremely stupid super dads and is not enjoying the whole “exhausted child of divorce” role they’ve been trying to pin on him. The fight between Tony and Steve is brutal, but Tony actually has an edge, since he’s Extremis-enhanced, a tech genius, years ahead in strategy, bla-bla-bla—so Steve is struggling. It goes on for a while, this fight, and then, the cliffhanger to end all cliffhangers. Because Thor (codename “Lightning”—this is important) shows up to backup Team Tony. Which shouldn’t be a big deal, right? We suspected it, since hammer and all, but... christ.

Civil War #4 is where we go from “Oh shit” to “OH FUCK NO.” The Thor that shows up at the end of Civil War #3 is not… actually Thor? Only in comic books, folks, since he’s a clone that Tony, Reed, and Hank Pym cooked up in a lab. While Team Cap is a bit shook, (they take Thor being a god of thunder seriously, he’s also been presumed dead for ages), Tony is trying to get Steve to give up, but Steve is having none of it. It seems largely (ha!) in favor of Team Tony right now, until Goliath (a massive giant person, can shrink down, used to be buddies with Thor, actually) shows up for Team Cap and Thor… kills the fuck out of his nice buddy, making everyone, Tony included, freeze in a “what the actual fuck just happened?” terror, since innocents getting hurt and extras getting hurt are sorta… whatever, but this is one of their own, technically, biting it. Team Cap calls for a retreat, very shook, and Reed’s Sue Storm is the first important superhero to straight-up bail on the Pro-Registration side right this moment because she is DONE with this bullshit and with Reed, who has been such an asshole to Fantastic Four, honestly—not giving a crap about Johnny being in a coma and possibly (at the very least emotionally) cheating on her with Tony. Sue is so done that she shields Team Cap long enough for them to get away, and after the fight writes Reed a dramatic “I’m leaving you, please feed yourself, there’s oily fish” note, and takes Johnny (who is no longer in a coma, yay!) with her to fight the good fight, or a fight, as long as it's not on Reed's side. And on both sides, folks on the sideline are starting to really question leadership and what kind of fight it really is. Peter is actually asking, “Wait… are we the baddies?” having massive doubts about Tony, and Steve doesn’t seem to give a shit how many of his friends get hurt, and it’s all very fucking gutting and not even a little funny. In general, this looks bad for both Steve and Tony, because Steve is throwing his side against Tony’s like cannon fodder and doesn’t seem to listen to anyone’s opinions on the fact that amnesty is at least worth discussing at this point, and Tony is after causing massive (ha!) death with a faulty clone, so a lot of superheroes are—if not outright bailing and changing sides now—at least considering it. Tony actually pays for Goliath’s funeral, since he was a cool guy and didn’t shrink down after dying. Had to buy him a massive amount of plots because, well… giant. Has a gutting interaction with his widow that tries to remind him what Tony is doing this for to begin with. For me this is a very important issue for Tony's character in this. He pays for Goliath’s funeral, because that’s who Tony is—he genuinely does care. But instead of acknowledging that this is the moment to stop, to rethink, to pull back, he keeps going, because, sadly, caring doesn’t stop him from marching forward and getting deeper and deeper into this.

Captain America (2004) #22 – The One Where Steve Gets Laid (and Sharon Gets Therapy for related reasons)

While Tony and Steve are busy emotionally wrecking each other on a public stage, we take a brief (very) detour into the mess that is Steve Rogers’ love life. Hill, who has been on a power trip ever since Fury went underground, decides that since Steve is still out there resisting like a stubborn bastard, someone needs to bring him in. And who better than his kinda-ex, kinda-current, definitely-in-love-with-him S.H.I.E.L.D. agent girlfriend?

Sharon is not thrilled because she’s really not here for the double standards. Like, Tony liaises (👀) with half of the superhero community, according to her, and the better half of S.H.I.E.L.D and nobody gives him shit, but the moment she has a little love crisis and starts questioning where her loyalty actually lies, suddenly, it’s a whole thing.

But fine. Mission accepted.

Sharon sets out to “bring Steve in”—by which I mean she tracks him down, immediately bangs him, and then quotes dead presidents at him in the post-coital glow. And because it's also Steve's love language, he also starts quoting dead presidents back. (If you’ve ever wondered what Steve’s pillow talk is like, now you know.)

Now, in case you were still wondering whether Sharon is truly down bad for Steve, let’s talk about how she sabotaged her own mission by giving the strike team (cape-killers) the wrong address. On purpose. So she could a) bang Steve and b) display her undying passion for those dead president quotes.

And this is why Sharon is in therapy. Because, as it turns out, this is how S.H.I.E.L.D. traditionally deals with traitors.

For those who remember what I talked about in Part 1 of this pre-civil war, here is something: Red Skull and Lukin are still out there, watching all of this unfold like it’s their personal Netflix binge, and they are THRIVING. They love that the heroes who should be stopping them are too busy punching each other instead. And because they are absolute dickheads, they are also actively manipulating Sharon’s emotions to make her feelings for Steve even stronger.

(Which explains the banging. Though, let’s be honest—she was into it.)

Amazing Spider-Man (1999) #535 (and half of the next Spider-Man-specific issue, sorta) – The One Where Tony Officially Breaks Peter’s Heart (And Ours) Alright, kids, this is it, and you should be thankful I made you crack a smile over dead presidents (hopefully), because this is crying-level shit.

This is where Peter starts realizing that maybe, just maybe, signing up with Tony was a colossal fucking mistake— and not just sorta feeling it.

Tony, still deeply entrenched in his “I Am the Government Now” phase, still has a soft spot for Peter (awww, tragic) and when Peter demands to see where the prisoners he is bringing in and not loving it are kept, Tony decides that it’s time to give Peter the full tour of the Negative Zone prison (a very dodgy place, tbh).

And our science nerd, all-around good guy, man with a conscience—takes one look at the absolute nightmare Tony has built and goes, “Wait. What the actual fuck is this? You can't be serious.” Tony: “Oh, yeah, this? This is where we’re locking up heroes who don’t register. Indefinitely. Without trial. In a literal alternate dimension, so no lawyer can ever get them out.” Peter, blinking hard, possibly resisting the urge to throw up: “…Excuse me?” Peter tries to confront Tony about it, he does, but very quickly catches on that Tony is not above implying he can do the same to him. Which is… whelp.

The whole conversation goes something like this, if you want a slightly longer version (see visuals for the full one): Peter: “Hey, Tony, quick question—what the fuck?” Tony: “Ah, Peter, my boy, don’t worry about it, this is for the greater good.” Peter: “The greater good? Again, what the fuck?” Tony: “You’re being dramatic.” Peter: “Am I? Am I though?” Tony: “Peter…” Peter: “Dad?” (happens) Tony promptly tries to ship Peter off on some other business to get him to cool off, but Peter is finally on board with the fact that this man has cracked, and he no longer feels safe around him. He doesn't even trusts MJ and Aunt May with Tony anymore (threats have been made) and tries to take them and go on the run. And then… He and Tony end up exchanging punches. God, it’s so bad and upsetting, you have no idea. I have no jokes for this, and ship it, don’t ship it, but this is the ultimate betrayal on Tony’s part. Peter is falling apart after, barely escaping, not knowing where to go, and Tony… is also feeling heartbroken, equally as gutted. I’m gonna leave this here for now, since we need to go into some other issues before we continue with this plotline. But you get me, yes? I need tissues when I think about this.

Captain America (2004) #23 - BUCKY!

Alright, everyone, take a deep breath. We are finally getting to the Bucky part of this winteriron timeline.

Bucky is officially entering the chat, and he is looking DAMN FINE while doing it, got a new hair-dew + arm and everything. He also has a lot of feelings while breaking into a S.H.I.E.L.D. facility to pull some spy shit for Fury, because of course he is, and I am devastated I am running out of image limit here soon.

He’s absolutely judging Steve for leading a resistance movement and somehow not inviting him... and sorta doing it the way he's doing it.

He’s also side-eyeing Tony for being a government stooge, even though that’s neither here nor there, since they don’t actually know each other at all (yet), but awareness is awareness, and it still doesn’t stop him from forming an opinion.

Bucky is, in fact, just generally pissed. And sexy. Always sexy. But the best part—and why Bucky really should be shaking hands with Peter here (another shoutout to winterspider)—is that Bucky is watching Steve and Tony’s breakup in real-time and judging both of them.

His basic thoughts on the matter boil down to “Wow, I left you two alone for five minutes, and this is what happens?” since while Steve and Tony are out here making Civil War everyone’s problem, Bucky is off-screen, forced into being hot and competent, actually doing something productive by hunting real villains.

He has zero actual desire to get involved in the war itself, though he does seem to be more pro-Steve, obviously, and is way more concerned about Red Skull and Lukin than he is about whatever the hell Steve and Tony are doing.

Speaking of villains, Red Skull, who we find out is using Doom’s tech but not actually working with him, is under the impression that the whole Civil War was his big, evil, successful plan. (It wasn’t, everyone contributed, but let’s humor him.)

On the slightly more angsty side—because Bucky never misses an opportunity for angst, picked it up from Steve—he does blame himself a little bit for Civil War, since some of the shit he did when he first got defrosted was cited as part of the long-ass list of “Why the SRA Needs to Exist.” Not that he’s spiraling over it, but he’s self-aware enough to recognize he helped fuel the fire. But mostly, he’s doing what Bucky kicks ass at—being hot in shadows, judging everyone, avoiding Steve’s nonsense, avoiding Tony’s nonsense, and handling actual problems. God, I want his babies.

Civil War (2006) #5

Where we swing back to Tony being a massive dick about almost everything—except for the fact that he loves Peter, one way or another.

At this point, they are sorta in the process of arguing/fighting (there is some timeline overlap), Peter is trying to run away from him, and when S.H.I.E.L.D. is about to take it too far, Tony absolutely panics because he cannot see Peter hurt.

But Peter is now technically a fugitive, and Tony’s side has recruited some deeply unhinged people, so it’s open season on Spidey, with very specific instructions that Peter is to be brought in alive and unharmed—no matter what.

That would have been great… except Peter is now running on pure panic and heartbreak, immediately realizes he is completely fucked, ends up in a stinky sewer, and gets his ass kicked into next week.

He almost dies but gets saved by Punisher of all people, who promptly brings him to Steve and the Resistance (where Sue and Johnny are pretending to be a married couple for a mission, which is weird—let’s not talk about it).

Meanwhile, Tony is spiraling. Again.

His entire strategy is falling apart, Sue Storm has already dumped Reed over this bullshit war, Steve is still out there leading his resistance, and now his own protégé—his son in all but name—has turned against him.

Tony is visibly wrecked over Peter’s defection, but since he has the emotional processing skills of a brick, he just channels all that heartbreak into “fine, let’s get Daredevil arrested next” energy, which he does—for which he is given a piece of silver and called Judas. (Brutal.)

That’s not to say Tony doesn’t care. He very clearly does, and this issue makes it obvious that he still sees Peter as a kid who needs protection, even when Peter himself doesn’t want it. But his way of showing it is, unfortunately, locking up Peter’s friends in a pocket dimension and putting a hit out on him (technically), so, uh… yeah.

Meanwhile, Steve is also getting more extreme, starting to questionably recruit people he normally wouldn’t, and letting Punisher into his little rebellion. (Which is definitely going to end well. Totally.) He is also over the moon Peter is on his side now and announces it to the others while... Peter is still unconscious. Now tell me both Steve and Tony are not simply fighting here over who gets to read him a bedtime story? Come on.

The Invincible Iron Man (2004) #13 & Amazing Spider-Man (1999) #536: (Tony’s Possible Career Change & Peter’s “Fuck You” Tour)

Alright, so The Invincible Iron Man (2004) #13 is technically Tony’s first solo Civil War issue, but fuck all actually happens.

It’s mostly a lot of “Tony, what the fuck are we doing?” meetings, brooding with some old friends, chatting to Happy while being deeply unhappy, and simultaneously spiraling, yet still, and committing war crimes in the name of national security. (Multitasking, sure.)

But one major thing does happen here, and while it’s just an offer at this point, it’s HUGE:

They start floating the idea of Tony taking over as Director of S.H.I.E.L.D.

At this point, S.H.I.E.L.D. is still running itself into the ground under Maria Hill’s special brand of leadership, but someone suggests that maybe, just maybe, the guy who is single-handedly running the actual show anyway should just be in charge of the whole thing.

And while that doesn’t happen just yet, it changes EVERYTHING for what happens post-Civil War. When it finally comes, is going to be a game-changer for his relationship with Bucky later on. (Yes, we are keeping our winteriron priorities straight, thank you.)

So, while this is happening and I am yawning 'cause Tony's first issue is so fucking underwhelming, in the Amazing Spider-Man (1999) #536, we pick up from Peter’s dramatic escape and near-death sewer experience, and things are finally coming to a head.

Peter, now officially 100% done with Tony’s bullshit, does something that could not be a bigger middle finger if he tried.

He digs out his old, classic Spider-Man suit (because fuck the Iron Spider, fuck you, Tony, I called you Dad unironically, you were my family, WTF), goes on national TV, and gives a full speech dragging the entire SRA, the Civil War, and Tony himself.

And as a helpful reminder here… Peter is not a “friendly neighborhood Spider-Man” in these comic books—he is a fucking legend, a bright, shining beacon of good for so many people (while still a menace to others, of course), and what he says actually matters.

For all of my shippy jokes and the subtext, there is a real reason why both sides want him. And it’s not just because he’s hella adorable and can kick things really hard.

When he talks, people listen. And when he does start talking, he absolutely obliterates the SRA, calls it unconstitutional, publicly calls out the people supporting it, and tells the world that he refuses to be part of it anymore. Tony loses his shit.

Okay, okay, some food for thought here, for once not related to ships I see everywhere (I have a sick mind and you are somehow still reading this, so don't ask me what's wrong with me and I will not ask you what's wrong with you).

Now, before anyone grabs their pitchforks, this is not me defending Tony’s actions (man makes a LOT of mistakes, obviously), but it is also worth remembering that he’s not a total monster here. He genuinely believes that what he’s doing is necessary, and unlike in the MCU where it’s all “let’s get a leash because one building blew up and we might have destroyed a country” the 616 version of Tony actually has a more thought-out (if deeply flawed) reason for being on the Pro-Reg side.

So, what is Tony trying to sell people on here?

Superheroes need to be trained. The trigger event for the SRA was a bunch of untrained, reality-TV-era heroes going up against a villain way out of their league, and as a result, a school full of children exploded. From Tony’s perspective, this was preventable. If these heroes had been properly trained, those kids (and some other people, but I mostly say kids, this is me not being nitty-gritty accurate about everything) wouldn’t be dead. This is not entirely wrong, but his method of fixing it is basically turning superheroes into government employees and locking up anyone who doesn’t comply, which is… less great.

The public has lost trust in superheroes. And Tony, unlike Steve, actually cares about public perception, comes with his brand and all. He sees this as a way to restore faith in the superhero community by offering transparency and accountability. The problem is obviously the way it’s being enforced is, again, deeply flawed and increasingly authoritarian.

The alternative, in his mind, is worse. He is absolutely cracked as far as Peter is concerned (fair), but here’s where Tony’s futurist brain actually screws him over—because he is not wrong when he says that if the superheroes don’t regulate themselves, the government will do it for them, and it’ll be worse. He thinks he’s getting ahead of the inevitable, but instead of negotiating and making sure the law is fair, he enforces it like an actual jackbooted stormtrooper.

So yeah, Tony is still a mess, and he’s still doing a lot of fucked-up things, but his core reasoning isn’t as evil as some people paint it in here and maybe even not as bad as I paint it overall in this recap.

He truly thinks he’s saving lives and making the world safer. He’s just doing it in the most morally questionable, emotionally compromised way possible, and at some point, even he knows it’s spiraling. That doesn’t excuse the Negative Zone prison or bounty hunting his own allies, engaging in shady business and, Jesus Fuck, cloning Thor, but it does explain why he started down this path in the first place. Tony is also on the side of the law and, for the most part, public opinion here (mostly, since actual normal public is scared AF right now). The problem is, the law isn’t always right, and Tony, in all his genius, somehow keeps forgetting that.

Now let’s hop over to Steve (“Oh No, Babe, What Are You Doing?” should be the title of his entire movement) and talk about how his ideals are great but his execution is a trainwreck. Look, Steve is not wrong—but he’s also not right in the way he thinks he is. And the biggest issue with Steve in Civil War is that his entire approach boils down to “Fuck No.” That’s it. No. No compromise. No alternative plan. Just hardcore, unwavering, freedom-loving NO. Steve’s Core Beliefs in Civil War:

"This is about freedom." Steve believes heroes should have the right to make their own choices about when and how they act, and he fundamentally rejects the idea that they should be forced to register. (Fair point, buddy, but maybe think of a Plan B? No? Cool, cool.)

"If the government can force us to do this, what’s next?” Steve has read a history book before and is fully aware that government overreach never stops at just one bad idea. And considering how mutants have already been treated (X-men and mutants are a very persecuted group here), he is not about to wait around and find out what comes next.

“I will not be controlled.” Instead of seeing if there’s a way to meet halfway or at least slow things down, Steve immediately goes, “Fuck this,” ditches his government job, and starts an underground resistance movement.

Which brings us to Steve’s biggest flaw in Civil War. Where Steve Screws Up:

Steve doesn’t even TRY to negotiate. Tony, for all his shady billionaire manipulation tactics, at least pretended to be open to discussion. Steve refused outright. Instead of using his influence to propose a better system when he still absolutely can, he straight-up vanishes into the night like Batman with extra patriotism.

His resistance is a mess. Unlike Tony, who is (somewhat) organizing a structured system, Steve’s team is basically “whoever wants to punch the government in the face” with no real plan beyond “resist.” He takes Punisher in, for crying out loud. There are no rules, no real discussions about alternatives, and no clear path forward with Steve's movement at all. This means his resistance is a bunch of scared, desperate heroes who are putting civilians in danger while trying to evade capture and kinda... all want to go home.

He is willing to let people get hurt for his cause. People are getting hurt left and right, not just his own team but also civilians caught in the crossfire. Instead of adapting or trying to find a smarter way forward, Steve just keeps doubling down, because this man went all-in on a bad bet and refuses to walk away from the table.

He does not listen. To anyone. A lot of people would have been on his side if he had actually tried to talk about a solution instead of running headfirst into a guerrilla war. Even when his own people start to question him, he digs his heels in and refuses to budge. Fuck them and the horse they rode in on is basic response to any "Emm... dude?"

Steve vs. Tony: The Real Tragedy

Steve sees Tony as a sellout, Tony sees Steve as reckless and the reality here is that they’re both kind of right.

Steve is fighting for freedom, but his method is chaotic and ultimately very dangerous. Tony is trying to prevent chaos, but his method is authoritarian, ruthless, and deeply problematic. And this is why Civil War is what it is. And why it is a lot more fun than the MCU one, if you properly get into it. At the end of the day, comic book Civil War isn’t just about laws and the SRA—it’s about two men who genuinely believe they’re doing the right thing, both completely incapable of seeing the middle ground. And, well… it all ends in disaster, obviously.

Captain America (2004) #24: In which Steve takes a page out of Bucky's book and punches the right people (for, like, 5 whole seconds) for a change. Finally! A break from all the Civil War emotional trauma to remind us that, yeah, Steve is a hero first, war criminal second. I am gonna guess it’s because we’re getting close to the finish line here (you are nearly free, yay!), so they just had to show Steve fighting someone other than his own friends for once. Progress. For… reasons.

He’s still knee-deep in Civil War Resistance mode, but he remembers for one night that there are actual bad guys in the world and focuses on a real threat: Hydra. (Or Hydra-adjacent assholes. And explosions. Lots of explosions.)

So, in this quick issue, Steve teams up with Sharon, who is now secretly working with Fury (who is still underground being an off-brand James Bond with a cigar budget, doing his own resistance thing much better), and together, they take on some good ol’ Hydra goons. Well, Steve takes on Hydra goons by blowing them up (probably killing them, but let’s just say “off-screen unconsciousness” for the sake of the PG-13 rating), and Sharon rolls in with her flying car to rescue him from S.H.I.E.L.D.

And, oh yeah, Red Skull is still lurking in the background, thriving on the fact that the Civil War is keeping everyone too distracted to stop him. He’s over here cackling like a Scooby-Doo villain, making sure Steve and Tony stay too busy ruining each other’s lives to notice he’s playing puppet master behind the scenes. (Smart move, honestly. Props to him for being the one guy who actually planned his shit out properly.)

Look, the details might be fuzzy (it’s getting late for me here), but the core takeaway is this: Cap is actually being Captain America again for an entire issue—stopping real threats, foiling evil plans, and protecting people instead of just yeeting his side at Tony’s.

The Invincible Iron Man (2004) #14

A good Tony issue following a good Steve issue… I wonder why that is. Not a good issue in the sense that Tony’s thriving—oh no, this man is drowning in consequences—but good in the sense that we finally get a proper deep dive into the emotional wreckage that is Tony Stark, destroyer of friendships, king of bad decisions, and certified government tool (actual fucking tool, honestly, but I love him and he can have Bucky’s babies, though I am not into mpreg).

This issue is actually packed.

Happy is dying in a hospital bed, Steve is still actively resisting arrest, Peter is on a fugitive road trip, and Sue Storm is ready to rip Tony’s head off for ruining her marriage. The government is still offering him more power, because sure, let’s give the stressed-out man on the verge of a breakdown full control over the most powerful intelligence agency on Earth.

Anyhow… not to go into too much detail here, but Tony cannot resist one last chance to talk things out with Steve and arranges a stadium meeting with Cap. You might think, “Oh, good, they’re going to try reasoning with each other like adults!” HAHAHA, NOPE.

The meeting lasts about five seconds before it devolves into a fight, which Steve… starts again. The emotional tension is through the roof, Peter is there too (aww, hurts), and they’re not just fighting over the SRA, they’re fighting over their entire broken relationship. If someone played “It’s Time to Go” by Taylor Swift over this sequence, it would fit perfectly.

Though Tony actually mostly fights with Peter here and still manages to pay him a compliment in the process, giving us hope that not all is lost, which we desperately need. But overall, the whole thing is still a disaster. Life is fully kicking Tony's ass from all directions, the temptation to drown it in whiskey is creeping back in, he is considering hitting the bottle, and… Tony is at a crossroads. He’s losing everyone who ever mattered to him, his side is looking increasingly shady, and the weight of everything is crashing down on him. We actually get some raw, human, vulnerable Tony, instead of just “mustache-twirling villain” Tony. So yeah, finally, a good Tony issue.

In case you were wondering, Peter is in fact fully on team Cap now, not just for the stadium fight, and in the Amazing Spider-Man (1999) #537 still has his morals intact (bless him), and this issue is about reinforcing that.

So, Steve—who is now basically Peter’s new/old father figure, 'sits' him down and hits him with the big speech.

And, my GOD, does he deliver it.

He drops one of the most iconic Captain America monologues in all of comic book history:

“Doesn’t matter what the press says. Doesn’t matter what the politicians or the mob say. Doesn’t matter if the whole country decides that something wrong is something right. This nation was founded on one principle above all else: the requirement that we stand up for what we believe, no matter the odds or the consequences.”

And you just know this wrecks Peter emotionally, because this is exactly the kind of moral backbone that made him idolize heroes in the first place. This is the moment where Peter fully solidifies his stance. He’s not just on Team Cap because he got burned by Tony—he believes in what Steve is saying. Tony is having an emotional crisis over Peter leaving, which I completely understand, and... Peter also throws some flirty one-liners at the Cap, since our babe can't help it.

Civil War (2006) #6 and we are at maximum endgame (ugh, still hurts) mode now.

At this point in the war, neither side is even pretending to be civil despite moments of personal growth, slash remembering who they are, and both Steve and Tony have fully committed to their respective roles as Head of the Underground Resistance (Steve) and CEO of Government Overreach Inc. (Tony).

We start off with Tony and Reed in full villain arc, sipping coffee and talking about how crime rates are dropping (I have no idea how, since all the superheroes are busy beating the shit out of each other instead of fighting crime, but never mind me), and immediately move on to the Punisher deciding today is the day for homicide.

He sneaks into the Baxter Building (as one does) to steal information on “Number 42” which is not Tony’s latest suit model but instead the name for his prison in the Negative Zone where they’re throwing unregistered heroes indefinitely and that caused Peter and Tony to block each other on Facebook.

Totally normal, non-dystopian behavior, nothing to see here.

Sue Storm is out here making power moves too, pulling up to Atlantis and trying to convince Namor to get off his fishy ass and help Team Cap. Namor, in true “I am too sexy to care” fashion, basically shrugs and says, “Surface problems? Sounds like a you problem,” before dramatically flipping his cape and walking away. (Sue, girl, I admire the effort and only mention it, cause you are one of the very few truly likable characters in this Event.)

Back at Team Cap’s HQ, Steve unveils his master plan: an all-out raid on the Negative Zone prison to free their captured allies. The team is hyped, ready for action—until Punisher casually murders two villains in cold blood right in front of everyone because they dared to ask if they could help. Steve, who may be a war criminal but still has standards, absolutely loses it and beats the hell out of Frank before throwing him out of the rebellion.

Tony on his end is having an emotional meeting with Miriam Sharpe (aka, “Tony’s #1 Fan Who Also Made Him Feel Like Shit at That Funeral”). He throws some cash at a pretty garden with angels for the dead kids, she thanks him for all his hard work but also makes it clear that, yeah, this war is costing him everything. (Gee, thanks for the reminder, Miriam, I’m sure Tony didn’t notice he’s lost literally all of his friends by now.)

The issue ends with Steve pulling a classic Uno Reverse Card on Tony. The Pro-Reg forces think they’re about to stomp the rebellion once and for all, but—surprise, bitches!—Team Cap knew there was a mole in their ranks (Ragnarök, I’m looking at you, you Dollar Store Thor knockoff), and they had Hulkling impersonate Hank Pym to sneak in and free all the captured heroes before the fight even starts. So, yeah. Big-ass battle incoming, and I can nearly go to sleep.

Civil War (2006) #7 You’ve made it! (I low-key question if anyone actually did make it this far, but I am very into this now, so…)

This is the big one. The final battle. The moment where all this superhero divorce drama comes to a head, and oh my God, it is so much.

So, after about a million issues of emotional devastation, betrayal, and Peter collecting father figures like infinity stones, we finally get the massive all-out brawl between Team Cap and Team Tony. And when I say massive, I mean half the Marvel Universe is throwing hands in the middle of New York City. Superpowered beings are crashing through buildings, explosions are going off everywhere, and don't ask me why they thought “protecting civilians” and “obliterating the city” were compatible ideas.

Steve and Tony really do go at it like two exes who just found out they were sleeping with the same person (Peter, doll, what are you doing? Kidding, kidding).

Steve is beating the absolute shit out of Tony, and Tony—who is running on the fumes of guilt and exhaustion—lets him.

Because Tony is ready to die. That’s right. Tony, who has been holding onto control like his life depends on it (because it literally does), just gives up, drops the metaphorical gloves, and basically tells Steve: “Go ahead, finish it.”

And Steve almost does.

(Not to draw parallels here, but Bucky tried to pull the same move with him and proceed with murder-kill when he was brainwashed. What's Steve's excuse here?)

Like, Steve almost wins. The Resistance might not have, but Steve does. He is seconds away from beating Tony to actual death in the middle of the nightmare they’ve caused—but then. Civilians. Regular-ass, non-superpowered, completely terrified people tackle Steve to the ground.

They’re not protecting Tony (maybe a little, it's up for debate, see the panels)—they’re stopping Steve. Because holy shit, Steve. Look at what you’ve done. Steve does. Look. And finally sees it.

The destruction, the sheer chaos, the city that’s half in ruins because of this war. He sees the fear in their eyes and realizes that this isn’t about freedom anymore. He’s lost the plot. They’ve all kind of lost the plot, and someone has to give up, and he will not let Tony beat him to it.

So, Steve. Fucking. Stops.

He takes off his mask, drops his shield, and says, “It’s over.” He turns himself in. He turns Steve Rogers in specifically, essentially following the law, and Team Cap officially loses the war.

At the end of this, Tony—bruised, in desperate need of a good fuck (hey, Bucky, where you at?), and still internally monologuing about how the fuck his life turned into this—is appointed Director of S.H.I.E.L.D. And this is how, after so many words, christ, the Civil War officially, techically ends, and the winteriron timeline can properly begin. Happy tears, I am crying happy tears right now.

So, Part 3 of this ‘brief’ (lol) timeline is coming ASAP, and it does deliver on some juicy Bucky and Tony interactions—actual on-page moments, not just me connecting the angst dots with wishful thinking, promise.

And if you’re thinking things might slow down now—oh, my sweet summer child. We are only just getting to the fun part, since Captain America essentially becomes Bucky’s comic book. The stakes are different, the players have shifted, but Tony and Bucky finally start existing in the same space.

If Civil War was crazy, what happens next is the part where we go off the rails entirely in the best possible way.

To confirm, where we are:

Bucky is in the wind but possibly smoking cigars with Fury.

Bad guys who were ignored for this Event do have some plotty evil planned.

Tony is in charge of S.H.I.E.L.D. and he still has to keep hunting down anti-registration supers.

Steve is alive and in jail. For now.

And Peter—oh God, I have to mention this, because I must, and this just further confirms that some of the editors were shipping Peter with someone other than MJ.

So, Peter is an absolute disaster, thanks for asking. And if you know comic books and reading this just to laugh at me getting shit wrong and are wondering, “Wow, does she about to mention One More Day?”—yes. Yes, I am. And I don’t want to talk about it. But I will, just for a second.

One More Day (2007) is Marvel committing a crime against humanity.

It’s a four-issue arc where Marvel editorial decided Peter was too happy and needed to suffer more, so they erased his marriage to MJ from existence. (Ah, yeah, he was married to her this whole time, in case I didn’t mention it, but I was too busy pushing Starker on people if the winteriron angle didn’t work out.)

Basically, after Civil War, Peter’s life goes to absolute hell. He unmasked, so every villain with a grudge is coming for him, Kingpin puts out a hit, and Aunt May gets shot.

Peter, being the absolute hero of a man that he is, tries everything to save her. He begs Tony for help (doesn’t work). He tries to make a deal with Doctor Strange (doesn’t work). And just when it looks like May is going to die, the literal devil (Mephisto) shows up and is like, “Hey, Pete, what if I saved your aunt, but in exchange, I erased your marriage to MJ from existence so you two never got married and will never be happy together?”

And Peter and MJ actually say yes. BOOM. Years of character development and one of Marvel’s most iconic relationships is GONE, conveniently removing all that pesky guilt when Peter flirts with older men.

So, Aunt May lives, but now Peter and MJ were never married, and no one remembers he unmasked during Civil War. The comic book fandom hates it. The writers regret it. Everyone pretends it didn’t happen. Marvel did make a movie about this though, kinda. Also kidding. But for real, it’s one of the most infamous and universally despised retcons in Marvel history.

And on that cheerful and very nerdy note, thank you for reading.

Masterpost with all parts

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