#Trinidadian Hip Hop

[jayybludden]

JBM releases new music on Audio mack Digital platform.

New release single ” My Mind is Mafe Up”. JBM in “Just Blaze Recording Studio” in better days. As the New Year starts, JBM is worsting no time in out music. As he parts ways with the studio he has been working with for over a decade or more, his eyes is on his own adventure. He is now embarking on his own recording studio and pushing his own music Label to the fullest. Jayy Bludden is not…

[long-sleeved-sandwich]

my 11 year old cousin just found out today that cardi b is not, in fact, japanese.

*playing Money*

me: hey (my cousin) did you know cardi is dominican?

my cousin: no isn’t she japanese??

me: japanese????

my cousin: yeah i just always thought she was japanese. like “cardi b” “konichiwa” it sounds like the same language.

[hallowpen]

Hi, same anon from the mxfruit ask :) im sorry if im bothering you too much, but you mentioned there are other darker skinned or afroasians influencers/artists…would you mind telling me which ones do you follow/are your favorites? Would love to give them support as well :)

It's not a bother AT ALL!!! I appreciate you wanting to show support... it means a lot ❤️❤️❤️

I'm going to start off with the KING (not literally hehe) Morris K. If you are a fan of Thai BL, then you'll probably recognize him from Triage... and if you haven't seen Triage then I highly recommend you do!!! But... he has quite the acting career under his belt. He's been very open about his struggles being half-black, and how his being the first black celebrity in Thailand was a difficult journey. He's a huge advocate for more opportunities for Thai-black people in show business. He literally paved the way and I have great respect for him.

Tsunari. She is half-Thai and half-Trinidadian. If you're a fan of rap or hip hop, then I highly recommend her music. She often mixes in some english with her thai lyrics... and she's done a few covers of western artists. Give her a listen on youtube!!!

badmixy. She is an openly trans and proud Thai singer. She writes her own music and her lyrics have occasionally brought me to tears. Again, give her a listen over on youtube.

Rusameekae Fagerlund. He is an openly queer Senegalese-Thai actor, model, and mc. He's done several interviews to raise awareness about homophobia and racism in Thailand. He was named Scene Stealer of the Year in 2016 for his role in เพื่อนรัก เพื่อนร้าย (Best Friends, Bad Friends). He was a host on "Dress My Love" which is available on youtube (I don't think it's subbed though) which was a fun program where they would talk about fashion and have couples on as guests where one would style the other according to a certain theme.

Nam Patcharaporn and Maeya Nonthawan. Both are beauty pageant winners who faced criticism and unnecessary backlash for their darker skin.

Suzie Natthawadee. She is a social media influencer and vlogger that gained popularity when she spoke up about the Black Lives Matter movement in the United States and how Thailand should reflect on their own ideas about race and skin color. You can follow her on ig and tiktok @ suziewadee.

Esther Oruche. I might have spoken about her before hehe. She's fairly new to the scene, but I'm very much looking forward to her future projects... have I mentioned The Last Case enough??? I don't think so.... Please support her and her series!!!

[thesinglesjukebox]

LISA - "ROCKSTAR"

We're generally okay with this sort of rock-ism...

[6.44]

Kat Stevens: Like when there was a wasp trapped behind the radiator in the office and my colleague threw her shoe at it (complimentary). [8]

Leah Isobel: Equal parts delightful and boring, "Rockstar" distinguishes itself from LISA's previous solo material by having ideas, or at least the semblance of them: the switches between celestial melody and skittering momentum, the blunt sexuality of the post-chorus, and the critique embedded in the chorus' "teach me Japanese" bit all point to a real personality. But its blockbuster soundscape and paucity of structural interest -- that chorus is worn out by the third repetition -- squeeze out the more interesting parts. It's a La Croix song, with just a hint of flavor beneath all the empty fizz. [5]

Jonathan Bradley: “‘Lisa, can you teach me Japanese?’/I said ‘hai, hai’” is such an ostentatiously silly lyric, especially for one that recurs that many times, but it helps lighten a song that could otherwise be too self-serious in its stunting. LISA's got a likeable charisma, but she doesn’t fit imperious well, which is perhaps why her royal fanfare comes in the form of a mere Tame Impala sample. Likewise, that sample drops in just before the harsh pinging production threatens to become alienating. A pose of indomitability that is fortunate not to be as uncompromising as it imagines itself to be. [7]

Taylor Alatorre: The self-orientalizing doesn't land as hard as it should because it aims a bit too broadly -- after two decades of hallyu, it's more plausible that an oblivious fan would mistake Lisa for being Korean than Japanese. Hip hop is built on hyperbole, but the low-hanging "all look same" punchline represents a missed opportunity to foreground her status as the only Thai member of a flagship K-pop group. CL, while lacking such status, seemed to have more fun with her version of this trick on "Hello Bitches," zipping from Macau to Kakao to sake with breathless irreverence. But "Rockstar" is more stylishly produced than "Hello Bitches" was, with a refurbished griminess built of interlocking machine parts. If the end result is to evoke the kind of amalgamated cyber-Asia that forms the backbone of Bullet Train and Elon's Twitter feed, that isn't the worst possible thing; at least it gives the joke a proper setting. [6]

Will Adams: Much like a lesser known Rihanna single of a similar title, "Rockstar" is an endearing game of play-pretend that doesn't take itself too seriously. Do I believe LISA is actually a rock star? No. Do I believe she's having fun? Oh yeah. [7]

Ian Mathers: It didn't fuck me up when I saw people roughly my age noting that kids these days will sometimes refer to "taping" shows without understanding why we call it that, or that they don't recognize what the save icon is a picture of. But I did get a bit of a jolt listening to this and realizing that "rockstar" as a term is probably as referent-less these days as "dialing" a phone number is (and that's without getting into the precipitous and not wholly unwelcome decline of calling people). That doesn't mean the use of "rockstar" feels inappropriate here at all; for the length of "Rockstar" LISA certainly feels like one in the modern sense, even as the song doesn't even vaguely gesture towards the music genre that used to inform the term. But who cares? It kinda bangs. [7]

Nortey Dowuona: James Essien, a Ghanaian songwriter who cowrote "Hurt People" for Belizeian-Trinidadian pop singer Kamal., is one of the three co-writers (along with Delacey of "Drama Queen" and Lucy Healey of "imtyn"  by Grace Enger), alongside producers Ryan Tedder and Sam Homaee. These have nothing to do with the light faux Tame Impala drums that play for two bars, but I'd rather mention all of that than anything that happens in this song. [3]

Katherine St. Asaph: I don't know how I feel about Ryan Tedder being brat. [6]

Jacob Sujin Kuppermann: Perhaps the most obnoxious piece of music I've heard this year. [9]

[Read, comment and vote on The Singles Jukebox]

[randomvarious]

Haddaway - "What Is Love" 1992 Eurodance / Eurohouse / Dance-Pop

It's another big one, folks. Today I'm gonna tell you the story about how this indispensable early 90s club classic that went on to largely define the Eurodance era as a whole originally came to be, and how it also ended up unexpectedly launching the career of a Trinidadian-born renaissance man by the name of Nestor Haddaway, who would go on to become an international pop superstar, largely away from American eyes.

So, the truth of the matter is that, before he'd end up moving tens of millions of units with his debut record, "What Is Love," Nestor Haddaway wasn't even really much of a singer in the first place. He had lived in America, joined the navy for a handful of years, earned a PhD in political science, and then decided to move out to Europe, where he thought he could have a chance at making it as a musician. Nestor was fond of German-made music, like Kraftwerk, and knew the country had served as a launching pad for a whole bunch of successful acts, including Donna Summer. And he also knew that, as a black man, the industry wouldn't be so quick to try to pigeonhole him into either R&B or hip hop, either, like the US had a tendency to do, because the German music industry just seemed to be more open-minded about things like that.

So, Nestor would end up in Frankfurt, in a crew with none other than Michael Münzing and Luca Anzilotti, a pair of guys who had previously made music with techno legend Sven Väth as the trio OFF, and then found much wider success as the producers behind Snap!, who would give the world songs like "The Power" and "Rhythm is a Dancer" in the late 80s and early 90s. You won't find Haddaway's name attached to any of their records, and if you do a Discogs search, it'll show that his first credits were as his own solo act, but he did do production and remix work with Münzing and Anzilotti, and he made good money from it too.

But while he wanted to be a successful producer on his own—and not a singing solo act—Nestor was also a lot of other things too: he was a dancer, a choreographer, an American football player in one of Europe's top leagues, and a business owner who organized fashion shows and photoshoots. And all of that seemed to keep him from being a desperate artist who'd be eager to sign a contract with anyone that'd be willing to take him on, only to be, most likely, taken advantage of later. And with that security of having his fingers in many other pies, he was able to turn down a bunch of offers he didn't like at first, before very unexpectedly starting to really find his way in Cologne, in 1992.

That was when Nestor decided to do a favor for his music partner, Alex Strasser, who, at the time, had a job at a label called Coconut Records, and was struggling to make ends meet. But a way that Nestor could help him out would be to come down to the studio and record some music. Nestor would do some stuff that he had been working on himself, and then to help out Alex, he would also record something for Coconut too. No big deal; just being a good friend, really.

But as you could probably guess, this little session turned out to be a huge deal. Coconut's co-owner, Tony Hendrik, decided to come down to the studio too, and brought with him a rough draft of a song that he and his wife, Karin van Haaren, had worked on. In fact, the two of them had already had the song in Coconut's publishing company and were just waiting for the right person to come along and sing over it. And that song was an early version of "What Is Love," and their latest candidate to front it was now none other than Nestor Haddaway.

But Hendrik had a vision for the song that he and Nestor didn't share. He wanted Nestor to sing the song in the style of Joe Cocker, who, I'd say, is pretty dang inimitable himself. So, while Nestor acknowledged that he was definitely a fan of Cocker's work, he also told Hendrik that there was no way that he was going to sing like him. Nestor had loved the work that he had done with the guys from Snap! and brought back something that was more in their vein. Hendrik wasn't too thrilled with it, telling Nestor and Strasser that what he really had wanted was a ballad, but his wife ended up convincing him to just roll with it. So, he relented.

And here's what appears to be an early iteration of what they had come up with, which was made available on YouTube only a few years ago, and seems to have one key ingredient missing from the finished product:

And this version probably would've sufficed as a solid, radio-friendly dance hit, but you'll notice that in this iteration, the organ stabs aren't nearly as full or fluid. And to get the final version, Hendrik took the song, locked himself in the studio for a full week or so, and then was able to turn that organ into something harder that the listener could happily glide on during the instrumental portions between Haddaway's verses. It was a terrific enhancement. Plus, Nestor had also supplied vocals that sounded less tender and more anguished too.

And when Nestor heard this updated version, he knew he had something unique on his hands that also had mass appeal as both a dance and pop record. Coconut offered to buy the track from him for 5,000 Deutsche marks, but he outright refused. And yet, unbelievably, when they first tried to shop it, no other label or radio station actually wanted anything to do with it at first! But a new station in Cologne was willing to implement it as a jingle, which was enough to get the ball rolling, and after getting a positive response from about a thousand DJs that they had sent it to, "What Is Love" then proceeded to catch complete fire on a global scale.

The song went to #1 in 13 countries, #2 in the UK, and almost broke the top ten on the Billboard Hot 100, while hitting #9 on its corresponding dance chart too. And despite its slightly lesser showing Stateside, Saturday Night Live's Butabi brothers, who would then feature as the main characters in 1998's A Night at the Roxbury, would extend its relevance for a whole lot more years, by using it as their own theme song, which even encouraged yours truly and a friend of theirs to dress up as them for Halloween one year, which I assure you, there are no pictures of 🤫.

(I was the Will Ferrell one, btw)

Now, maybe one thing you're wondering is, "yes, the plonking organ definitely proved essential, but so did that mysterious and intermittent female vocal too! Who was that?" Well, I have absolutely no idea, but what I can tell you is where it came from, because Haddaway lifted it from a 1991 sample pack CD called Datafile One that was made for producers, DJs, programmers, and artists to use. Have a listen to track 64 and you'll hear the pair or samples that were used:

And that's pretty much it. Haddaway, who originally had no intention of being a pop star himself, had actually managed to become one on a bit of a lark, by giving the world a super catchy and versatile club banger with the first song that he'd ever apparently recorded professionally as a singer. And it was also on the heels of Germany's last massive Eurodance triumph, "Rhythm Is a Dancer," which happened to be by his friends in Snap! And while Haddaway would pretty much flame out as a one-hit wonder in the US after that, he'd still string together a bunch more singles that would resonate well in other markets, ultimately allowing him to have a long and fruitful career that he's been able to sustain to this very day. Plus, Just Blaze's sampling of "What Is Love" for Eminem and Lil Wayne's own "No Love," which ended up doing over 5 million in sales and streaming, couldn't have hurt, either, so, good thing he didn't end up selling it to Coconut for the relative pittance that they had originally offered him!

Welcome to Haddaway week.

[bowbarb]

Facts about Nicki Minaj

She is The First Female Artist With a No. 1 Single on the Rap Charts Since 2002

Her favorite color is pink (duh)

Her full name is Onika Tanya Maraj-petty

She has a tattoo in Chinese written on her left arm that reads "God is always with you"

She is African, Trinidadian and Indo-Asian descent

She was born in Trinidad and Tobago and then moved to the Bronx in New York City when she was five years-old.

Before Minaj made it on the hip-hop scene, she had a regular job like the rest of us. But this job didn’t last long, as she was fired as a waitress at Red Lobster for being rude to a customer. In this particular incident, Minaj chased the customer out of the restaurant to give her the finger and demand for her pen back. As a matter of fact, Nicki has admitted to being fired from 15 jobs for the same reason (She ate that)

She's strong, she's a boss, she writes her own rhymes and she spends her own money. She's a mogul and a tireless creative. She does nothing by halves, and that's an ethos for all of us to live by.

[seeabout-afterdark09]

Come Closer

Come Closer

Wizkid ft. Drake (March 31, 2017)

This collaboration between Drake and Wizkid is the second song off of Wizkid's album called Sounds From The Other Side. It's a tropical love song where both men talk about the women, they want to put in their life. In his verse, Wizkid is relishing in his fame drinking with women that make him feel good. He's looking for the kind of love he can feel (physically), he doesn't care to chase after a woman when he has a lot of options currently. "When me tune drop, the girls, they bounce along/Me no let nothing come between me and me paper."

Drake's verse however, is different from the tone of Wizkid's. "Too mix up in drama to go outside/Too mix up in drama to free my mind." For the past few years he's been dealing with the beef with Meek, beef with old heads in hip-hop, and dealing with the aftermath of a bad breakup with Rihanna. He wants to step out of the hot seat and just chill so he can think clearly. He has too many jealous people around him that want to see him fail; he needs a change in pace. "What would I do without you, my chargie?/I don't feel that way with anybody/Tell me your secrets, I'm not messy." Chargie is Jamaican Patois for the word "friend", first popularized by the singer Popcaan. Despite having Trinidadian roots, Nicki Minaj has always been more comfortable speaking Jamaican Patois rather than her own Trinidadian dialect because she lived in an area in New York around a lot of Jamaican immigrants and naturally grew up using Patois more. I say this to say, Nicki is very familiar with Jamaican culture and loves speaking Patois around Drake.

They are friends but Drake knows they can be more because he doesn't feel the same with anyone else like he does with her. "Steady it for me, girl, hold steady/I wanna put you in my life/Your hair smell like the tropics, your body look nice." He wants Nicki to be patient with him and just follow his lead. When he mentions the tropics, Drake is referring to when Nicki celebrated her birthday (the year prior) in the Turks and Caicos Islands. "One fuck cyaan hold me, we gotta go twice/I'm here for you, just tell me what you like/I wanna put you in my life." Being with her once isn't enough for him, he doesn't want Nicki around as a casual fuck but as a full on romantic partner. One of the more emotional parts of the year for them was in March when Nicki appeared in a few stops for Drake's Boy Meets World Tour. The energy between them was palpable. When they were onstage together, neither one of them wanted to let go of the other. I personally feel like outside of the tour, the two of them spent a lot of much needed one on one time in Paris together — bringing them closer together during one of the rockiest points in Nicki's career.

[aykutiltertr]

Uzozisola (You'll Regret It) - Justin Vibes ✩ Rhythm Karaoke (Nihavend M...  ⭐ Video'yu beğenmeyi ve Abone olmayı unutmayın  👍 Zile basarak bildirimleri açabilirsiniz 🔔 ⭐ KATIL'dan Ritim Karaoke Ekibine Destek Olun (Join this channel to enjoy privileges.) ✩ ╰┈➤ https://www.youtube.com/channel/UCqm-5vmc2L6oFZ1vo2Fz3JQ/join ✩ ORİJİNAL VERSİYONU 🢃 Linkten Dinleyip Canlı Enstrüman Çalıp Söyleyerek Çalışabilirsiniz. ⭐ 🎧 ╰┈➤ https://youtu.be/YRGiYySpH5Y ✩ (MAKE A LIVE INSTRUMENT ACCOMPANIMENT ON RHYTHM IN EVERY TONE) ✩ Aykut ilter Ritim Karaoke Ekibini Sosyal Medya Kanallarından Takip Edebilirsiniz. ✩ İNSTAGRAM https://www.instagram.com/rhythmkaraoke/ ✩ TİK TOK https://www.tiktok.com/@rhythmkaraoke ✩ DAILYMOTION https://www.dailymotion.com/RhythmKaraoke ⭐ Uzozisola (You'll Regret It) - Justin Vibes ✩ Rhythm Karaoke (Nihavend Minör 4/4 C Composer Aymos) ❤ ＠ＲｉｔｉｍＫａｒａｏｋｅ Ｍüｚｉｓｙｅｎｌｅｒｉｎ Ｂｕｌｕşｍａ Ｎｏｋｔａｓı．．．． ➤ SANATÇININ DİĞER ŞARKILARI İÇİN OYNATMA LİSTESİNE BAKABİLİRSİNİZ...         ⭐ 🎧 ╰┈➤ https://www.youtube.com/playlist?list=PL9SktAtLVupOrJM4iEjwg4NY0kWEvhKJX https://www.youtube.com/shorts/JcqjI4dwLZI   HIP HOP ➤ ESER ADI                : Uzozisola (You'll Regret It) ➤ SÖZ GÜFTE            : AYMOS ➤ BESTE - MÜZİK      : AYMOS ➤ USÜL                       : 4/4 ➤ MAKAM - DİZİ        : NİHAVEND - MİNÖR ➤ ARANJÖR              : JUSTIN VIBES ➤ ENSTRÜMANLAR :   ➤ KİMLER OKUDU    : ft. Diamonds of Gwijo x Azul Serene ➤ FİRMA - ŞİRKETİ   : ? COMPOSITION & LYRICS AYMOS Aymos Songwriter                             ŞARKI SÖZÜ ve AKORU Lyrics Translation: Ngi Authi a sharp mina (I’m a chilled/laid back guy) babuze bonke bazo ku tsela (ask anyone and they’ll they you) ndiyi authi e sharp mina Andina nto eyiningi mina (I’m a chilled/laid back guy) ndihleka nawo wonke umntu ohleka nam (I get along with almost everyone) phinde veza loku gqibela (my huge smile is a testament to that) ayebo sokule hee hee Hu hu (Yes this is it) Uzozisola (You’ll Regret It) This song is a cover of Mas Musiq's "Uzozisola" which means "You'll Regret It". It's about being a nice guy but if pushed over the edge, you'll regret it. Diamonds of Gwijo (the kids), only sang part of the song's lyrics. Azul Serene sang the breakdown "Uzozisola". I hope you enjoy! Marimba One has strategically thought of the future and longevity of their instruments, and equally the same for their artists. Because of this intentional care and detail to both the instruments and the artists, that was enough for me to choose M1. Justin Vibes A multi-platinum songwriter & producer, singer, and vibraphonist, Justin Vibes has paved out a lane in the music industry that some may find intriguing. The Baltimore born, Trinidadian musician found success in Los Angeles writing songs for Eminem, Chris Brown, DaBaby, and Kodak Black, just to only name a few while touring the world, performing on big stages such as Coachella, Lollapalooza, etc with alternative pop duo, Capital Cities.  His instrument of choice, the vibraphone, is an instrument rarely seen in the mainstream music scene. Justin is using this instrument on hit records and big stages with no hesitation, garnering millions of views on social media, and showcasing the instrument (along with his singing and songwriting skills) in all of his original music.   Currently, Justin is continuously writing songs for other artists, producing content for his audience, and is expected to release his solo project soon. JUSTIN VIBES HIP HOP SONGS RHYTHM KARAOKE

[lboogie1906]

Inga DeCarlo Fung Marchand (September 6, 1978) known by her stage name Foxy Brown, is a rapper. After signing to Def Jam in 1996, she released her debut album, Ill Na Na. The album was certified platinum by the RIAA and has sold over 7 million copies worldwide. She was part of the hip-hop supergroup The Firm, along with Nas, AZ, and Cormega. The Firm’s sole album arrived in 1997 and was released by Dr. Dre’s Aftermath Records. In 1999, her second album Chyna Doll, debuted at the top of the Billboard 200, making her the second female rapper to top the chart after Lauryn Hill in 1998.

She is a Trinidadian-American of Dougla and Chinese-Trinidadian descent. She and two older brothers grew up in Brooklyn. Her parents divorced when she was four, and her family moved in with her grandfather. She attended Brooklyn College Academy.

Her second album Chyna Doll arrived in 1999, and her third, the Grammy-nominated Broken Silence, in 2001. Since 2001, she has featured on songs but has not released any albums. In 2003, she left Def Jam and canceled the release of her Ill Na Na 2 album, but returned in 2005 once Jay-Z, the label’s president and CEO, signed her again to begin work on her new album Black Roses. Her mixtape Brooklyn Don Diva was released in May 2008, and her visual album, King Soon Come, was slated for 2019 release but has been delayed indefinitely.

She gave birth to her first daughter (2017). #africanhistory365 #africanexcellence

[valkyries-things]

FOXY BROWN // MUSICIAN

“She is an American hip hop artist. She is hailed for her style described as "husky flow" with "dancehall swagger" that influenced a new generation of female rap artists. She's also recognized as an early fashion icon among women rappers. When her 1999 album "Chyna Doll" debuted at #1 on the Billboard 200, she became the first female rap artist ever to accomplish that feat. Signing with Def Jam Records at 17 in 1996, she released her debut album "Ill Na Na" the same year. The single "I'll Be" from the album spent 20 weeks on the Billboard Hot 100.Her 2001 album, 'Broken Silence' has sold nearly one million copies to date. Several songs on the album marked Caribbean influence, owing to Brown's own Trinidadian heritage. Often weaving Caribbean patois into her rhymes, oxy has made the reggae-inspired style one of her trademarks.”

[truetellsnigeria1]

Nicki Minaj makes history as most successful touring female rapper

Nicki Minaj has broken the record for the highest grossing tour by a female rapper in history. According to American statistic company, Touring Data, the US-based Trinidadian hip-hop star also broke the highest-grossing concert by a female rapper in history, with $2.858 million at Madison Square Garden in New York on March 30,…

[whatsonmedia]

First Week of April: Top 7 Live Music Events

Get ready for an exhilarating week of live music filled with a diverse array of musical talent spanning genres and styles. From the dynamic energy of alternative rock with Nico Vega to the soulful beats of Black Coffee’s house music, there’s something for every music lover to enjoy.

Nico Vega

Nico Vega is an American alternative rock band formed in 2005 in Los Angeles, California. Fronted by lead vocalist Aja Volkman, Nico Vega gained popularity with their dynamic live music and powerful vocals. Their song “Beast” gained widespread attention after being featured in the video game “BioShock Infinite.

When: Wednesday 03 April 2024

Where: The Moroccan Lounge, Los Angeles (LA), CA, US

Ticket: Price: US $20.00

Time: Doors open: 18:30

Nicki Minaj

Nicki Minaj is a Trinidadian-American rapper, singer, and songwriter known for her bold persona, clever wordplay, and versatile musical style. Rising to fame in the late 2000s, Minaj has become one of the most influential figures in hip-hop and pop music.

When: Thursday 04 April 2024

Where: Barclays Center, Brooklyn, NY, US

Ticket: Price: US $59.50 – US $299.50

Time: Doors open: 20:00

Max Cooper

Max is a British electronic music producer and DJ known for his innovative approach to techno and electronica. Her show at the Barbican Centre in London promises to be a sonic journey into the depths of experimental electronic live music.

When: Friday 05 April 2024

Where: Barbican Centre, London, UK

Ticket: Price: £27.50

Time: Doors open: 20:00

Black Coffee

Black Coffee is a South African DJ and record producer renowned for his soulful house music sound and infectious beats. His show at Frank H. Ogawa Plaza in Oakland, CA, offers a chance to experience the pulsating energy of his live DJ set.

When: Saturday 06 April 2024

Where: Frank H. Ogawa Plaza, Oakland, CA, US

Ticket: Price: US $20.00 – US $249.50

Time: Doors open: 15:00

Conjunto Primavera

Conjunto Primavera is a Mexican Norteño band known for their romantic ballads and traditional regional Mexican music. With their heartfelt lyrics and soulful melodies, Conjunto Primavera has become a beloved fixture in the Mexican music scene, appealing to audiences of all ages.

When: Sunday 07 April 2024

Where: Vaqueros Nightclub, Los Angeles (LA), CA, US

Ticket: Price: US $30.00

Time: Doors open: 21:00

Olivia Rodrigo

Olivia Rodrigo is an American singer-songwriter and actress who rose to fame with her debut single “Driver’s License.” With influences ranging from indie rock to pop-punk, Rodrigo’s music explores themes of love, heartbreak, and self-discovery.

When: Monday 08 April 2024

Where: Madison Square Garden, New York (NYC), NY, US

Ticket: Price: US $20.00 – US $199.50

Time: Doors open: 19:30

Judith Hill

Judith Hill is an American singer-songwriter known for her powerful vocals and eclectic musical style. Her music blends elements of soul, funk, and pop, showcasing her incredible vocal range and emotive delivery.

When: Tuesday 09 April 2024

Where: Mercury Lounge, New York (NYC), NY, US

Ticket: Price: US $32.80

Time: Doors open: 18:00

[belovedcelebrity]

Pink Friday How Becomes Brand of Feminism Hardest Hip Hop Queen Nicki Minaj

Nicki Minaj Trinidadian-born rapper and American singer well known as Queen of Rap is known for her musical versatility. Nicki Minaj on Red Carpet Celeb rity Nicki Minaj, born Onika Tanya Maraj, is a renowned music artist known for her lyricism, fashion sense, and stage presence. Born on December 8, 1982, in Saint James, Trinidad and Tobago, she moved to Queens, New York, where she discovered…

[nadircozy]

In the hazy intersection of R&B and alternative vibes, there exists an architect of sonic landscapes, a maestro of emotion Jahron Brathwaite known by his moniker ‘PARTYNEXTDOOR.’ Initially,

PND’s thought that his music was something so intimate that he should have kept it from the world. Never would he have expected to lead people into a new sound. The Mississauga, Ontario singer with Jamaican and Trinidadian roots has dedicated his being to crafting a sound based on intimacy, vulnerability, and raw emotion. Here, you can listen to PARTY talking about his earliest influences that sculpted his sound. After being discovered on MySpace at the age of 17, PND moved to Los Angeles the following year to further pursue his career. He ended up signing a songwriter deal with Warner records. Roughly 5 years after that he formed a relationship with fellow canadian artist Drake who brought him to Warner partner OVO Sound.

Crafting Intimacy in Sound:

PND’s stands as a musical sorcerer, conjuring spells that weave intimacy into every note. His work isn't merely a collection of songs; it's a series of chapters unraveling the complexities of human connection. This profile aims to explore the delicate balance he strikes between vulnerability and swagger, carving a niche in the music industry as the purveyor of modern romance that may not be conventional. Okay, it’s not conventional at all but that’s what comes with being a singer. On the song “things and such” he mentions his love interest's mother being skeptical of his intentions with her daughter because he’s and R&B singer. Moreover, let’s rewind back to his first album. PND’s self-titled debut album, "PARTYNEXTDOOR," marked his official entry into the music scene, released in July 2013 under the OVO Sound label. This project served as a captivating introduction to the artist's distinctive sound, blending R&B, electronic elements, and a touch of Caribbean influences reflective of his Canadian and Jamaican heritage.

The album consists of ten tracks, each contributing to the atmospheric and moody aesthetic that has become synonymous with PND’s style. From the opening track, "Welcome to the Party," to the closing notes of "TBH," the album unfolds as a cohesive journey through late-night vibes and introspective musings.

Singing Style:

PND’s singing style is characterized by a unique blend of smooth, melodic vocals and a distinctive atmospheric delivery. His approach to singing transcends traditional R&B boundaries, incorporating elements of contemporary hip-hop and electronic music. Here’s a breakdown of some of the key aspects of his vocal ability that make his music unique, addictive, and captivating.

PND's singing style is a distinctive blend of smooth R&B vocals, a touch of Caribbean influences, and a knack for creating atmospheric and immersive soundscapes. Several key elements contribute to the uniqueness of his singing style:

1. Atmospheric Delivery:

PND is known for his ability to create an atmospheric and moody ambiance through his vocals. His delivery often leans towards the laid-back and introspective, establishing a sense of intimacy in his music. This atmospheric quality contributes to the immersive experience that defines many of his tracks.

2. Versatility:

One of the standout features of PND's singing style is his versatility. He can seamlessly transition between soulful crooning, melodic harmonies, and more rhythmic, rap-infused cadences. This versatility allows him to explore a range of emotions within a single track or across different songs.

3. Emotional Resonance:

There's a raw and genuine quality to PND's vocals that enhances the emotional resonance of his music. Whether he's expressing love, heartbreak, or desire, his singing style carries an authenticity that connects with listeners on a personal level.

4. Caribbean Influences:

Drawing from his Trinidadian heritage, PND infuses Caribbean influences into his singing style. This is evident in the rhythmic patterns, inflections, and occasional dancehall elements present in his music. It adds a unique flavor to his sound, setting him apart in the contemporary R&B landscape.

5. Collaborative Chemistry:

PND has collaborated with various artists, including Drake, and his ability to complement and enhance the style of those he works with showcases his adaptability. Whether he's sharing the spotlight or taking the lead, his singing style remains a consistent and defining element in his collaborations.

In essence, PND's singing style is a captivating fusion of emotive storytelling, atmospheric production, and a versatility that allows him to navigate the diverse landscapes of contemporary R&B. It's a style that has evolved over the course of his career, contributing to his status as a unique and influential voice in the music industry.

Furthermore,

PND has made significant contributions to the music industry not only as a solo artist but also as a talented songwriter and collaborator. His songwriting prowess has left an indelible mark on the work of other artists, showcasing his ability to craft compelling narratives and melodies. Here are a few aspects of PND's impact as a songwriter and influencer on other musicians.

1. Songwriting for Others:

PND's penmanship extends beyond his own discography, as he has crafted songs for various artists across genres. His ability to capture emotions and tell stories resonates in the lyrics he provides for others, adding depth and authenticity to their projects. This collaborative approach has allowed him to shape the sonic landscapes of fellow musicians.

2. Collaborations with Drake:

As a signee to Drake's OVO Sound label, PND has collaborated with Drake on multiple occasions, contributing not only as a featured artist but also as a songwriter. Their collaborative efforts have resulted in chart-topping hits that showcase PND's influence on Drake's music and the broader hip-hop and R&B scenes.

3. Shaping the Contemporary Sound:

PND's production style and songwriting have played a role in shaping the contemporary R&B and hip-hop sound. His fusion of atmospheric beats, introspective lyrics, and melodic hooks has inspired a new generation of musicians, influencing their approach to storytelling and sonic exploration.

4. Impact on R&B Aesthetics:

Through his solo work and collaborations, PND has been a trailblazer in redefining the aesthetics of modern R&B. His seamless integration of Caribbean influences, emotive vocals, and intricate production has set a standard for artists exploring the intersection of various genres within the R&B landscape.

5. Setting Trends in Sound and Style:**

PND's contributions to the music of others extend beyond lyrics; his influence is often seen in the broader soundscapes and stylistic choices adopted by artists he collaborates with. His innovative approach to production and vocal delivery has sparked trends and inspired a wave of artists to experiment with new sounds.

In summary, PND's impact as a songwriter and influencer on other musicians goes beyond his solo career. His ability to craft poignant narratives, coupled with a distinctive sonic signature, has not only elevated his own artistry but has left an enduring imprint on the broader music landscape, influencing the work of fellow artists and contributing to the evolution of contemporary R&B and hip-hop.

[nickmacleanjazz]

From Press Release:

Over a trio of Fridays in September, multi-award winning trumpet player and jazz iconoclast BROWNMAN ALI will take a deep dive into 3 of jazz history's most impactful trumpet players, investigating the work of Dizzy Gillespie, Freddie Hubbard & Miles Davis, accompanied by some of Toronto's top-tier jazz artists -- including 10x Global Music Award winner Nick Maclean on piano who appears in all 3 shows; alongside next-gen bass gurus Chris Parnis, Bennett Young & Ben Duff; in-demand drummer Petros Anagnostakos (just back from New York) and 21 year old drumset phenom Jackson Haynes.

CONTXT by Trane, 254 Lansdowne Ave, Toronto Doors at 6:30pm | Concert at 7:30pm $20 Advance (per show) | $30 Door (per show) $45 for all 3 shows (package available until Sept. 9)

Buy special 3 show deal HERE

Limited tickets available for this project. Please purchase early. All show information at Trumpets.Brownman.com

DIZZY GILLESPIE TRIBUTE - 1 of 3

FRI-SEP-15 :: Brownman Ali - trumpet & percussion :: Nick Maclean - piano :: Chris Parnis - upright bass :: Petros Anagnostakos - drums

From his time with Charlie Parker as one of the leaders in bebop, to his solo explorations, through to his later years delving into World music, Dizzy Gillespie has always been a force of nature as a jazz trumpet player. But his place in history was assured through a combination of musicianship, showmanship and wit -- traits shared by Trinidadian-born elite trumpet player Brownman Ali, who will spend a night examining compositions both written by and made famous by the great Dizzy Gillespie. You'll be sure to hear "Manteca", "A Night In Tunisia", "Hot House", "Groovin' High" and many more Dizzy classics. BUY TICKETS

FREDDIE HUBBARD TRIBUTE - 2 of 3

FRI-SEP-22 :: Brownman Ali - trumpet & effects :: Nick Maclean - piano & synth :: Bennett Young - acoustic & electric basses :: Petros Anagnostakos - drums

Freddie Hubbard's iconicly powerful approach and energized style have profoundly shaped the evolution of many, including 2x National Jazz Award winner Brownman Ali, who will take on the sobering task of paying musical tribute to one of the greatest jazz trumpet players in the history of the jazz artform. Ali and an all-star hand-picked ensemble will bound through 2 sets Freddie Hubbard's inspired compositions - the 1st set from Freddie's acoustic period ("Ready for Freddie", "Open Sesame", etc) and the 2nd set showcasing his later electric period on the CTI label ("Red Clay", "Skydive", etc). BUY TICKETS

MILES DAVIS TRIBUTE - 3 of 3

FRI-SEP-29 :: Brownman Ali - trumpet & effects :: Nick Maclean - piano & synth :: Ben Duff - acoustic & electric basses :: Jackson Haynes - drums

In one spectacular evening, spanning 2 unique sets, multi-award winning jazz trumpet iconoclast Brownman Ali -- heralded by the Hamilton Spec as "one of the greatest interpreters of Miles Davis' work in Canada" -- will lead an all-star quintet through the many different musical eras of Miles Davis' always evolving career; from bebop to cool, Coltrane to Shorter, electric-jazz to hip-hop. This show is a single night version of Brownman's heavily lauded month-long FIVE WEEKS FOR MILES series, compressed down into a single night expansive deep-dive into Miles' music. BUY TICKETS

All show information at Trumpets.Brownman.com