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#Tried to limit this to works published or set during that time period
trooper-924 · 2 years
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As part of my ongoing agenda to turn Quincey into a cross between Forrest Gump and a kind of one man League of Extraordinary Gentlemen, I now present Quincey’s past adventures prior getting involved with the events of Dracula (all largely thought up on the spot):
Quincey is a good friend of Sherlock Holmes and has assisted the detective on many cases. By Quincey’s own request, John Watson omitted him from his writings to avoid “drawing too much attention”.
Quincey tried to find the lost treasure of Captain Flint, but was disappointed to learn that someone else had already claimed it a long time ago.
Quincey once helped a strange old gentlemen subdue a group of “doll-licks” and some time-displaced morlocks.
He has fought Robur the Conqueror on numerous occasion, to the point that the latter considers Quincey to be his archnemesis.
In Paris, he investigated and later confronted the so-called “Phantom of the Opera” after the latter kidnapped the opera singer Christine Daaé. For security purposes, Quincey’s role in the events was kept secret.
He tracked down and destroyed a copy of the notorious play The King in Yellow.
Quincey took part in an attempt to slay The Terrible Dogfish off the coast of Italy.
A year before the events of Dracula, Quincey rescued one Edward Prendick from being ravaged by wild Beast Men on an isolated island.
In South America, Quincey discovered a plateau that contained a group of still-living dinosaurs. He decided it would be best to not tell anyone what he discovered (he still took time to lasso a T. Rex though).
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bethanydelleman · 5 months
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Pssstt what do you think of Eloise Bridgerton?
Lots of people seem to love her and her outspokenness and I understand that the show is a very fictional very fanfiction fiction set in a very fanfiction-y Regency era and her dissatisfaction of her life as a woman is justified
But
Am I the only one who distastes her attitude? She's rude. She doesn't care about other people's feelings, not even her own mother or her sister, Daphne who yes has very different views about marriage compared to her but I think most of the time Daphne is nice towards her and all that she can spout is how she's Different and she doesn't want to marry that men had it so much better than women. It's giving very condescending energy
She's not wrong about the unfairness of women's situation but she's also a higher rank woman and it's just....*frustrated noise, I wish she's written for the show as less of a child who has just learned of the phrase 'women's right' who's made it their entire personality and more of a person who's conscious of the differences in privilege between men and women and tries to change that, emphasize in 'tries' instead of whatever she's supposed to be- whiny and rude
If she's the face of women's right movement, I'll be fine with it, but it's also very annoying
Or
Am I just weird for not liking her because she actually has some really good points? Idk
I find Eloise Bridgerton incredibly annoying and I'm not sure if the show is self-aware enough to know that they made her extremely irritating. And this also comes back to my girl sad about arranged marriage post... Caveat that it's been a while since I watched S1 & S2 of Bridgerton and I won't be watching 3 because I hated 2.
Eloise sounds and acts like an incredibly entitled university student who has never had a paying job. The stuff she says is "right" in a modern sense, or at least takes a modern perspective when it comes to women's rights, but it sounds canned given the imagined era. The big problem is that as far as I remember, Eloise only cares about women, mostly herself, and not about class. Her discovery during her investigation that servants don't have the time to publish a paper could have led to her realizing something, but it didn't. She whines about her "plight" but doesn't seem to have any real compassion for frankly anyone. It's an entirely selfish one woman campaign.
The fact is, Eloise comes from a very rich family and her siblings are very kind, she doesn't have to marry. If she is like any Jane Austen heroine, it's Emma. Austen made Emma sympathetic by showing an Emma who doesn't whine at all, but suffers from the weight of her duty and limited options. Jane Fairfax was the one who very occasionally complained about her lot in life, and her future was bleak. Being a governess sucked and was usually a dead-end job that required a ton of work.
Eloise could have been great. They could have put the words of real women's rights activists from her time period in her mouth, like Mary Wollstonecraft. They could have even borrowed from Jane Austen, who has many women beg to be regarded as "rational creatures" who know their own hearts. Instead, she feels like a hollow shell of empty rhetoric, a petulant child with no compassion for anyone but herself, and a mouthpiece of hackneyed modern sentiments.
So yeah I'm with you.
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greensparty · 2 months
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My Concert History: Foo Fighters UPDATED
Periodically I do a rundown of my concert history of seeing a particular artist. In 2018, I did my concert history of Foo Fighters, but since then I actually need to update the list. Timing couldn't be better with their show at Fenway Park tomorrow, which I'll be at...and have to update this list again! Here now is the update concert history since that 2018 history was published:
- WBCN River Rave 6/8/1997 @ Great Woods (Mansfield, MA)
I didn’t catch any of Foo Fighters’ shows in 1995-96, but I wasn’t going to miss out when The Colour and the Shape was released. Taylor Hawkins had just joined the band, and it was a few months before Pat Smear left the band. The WBCN River Rave also featured Matthew Sweet, Morphine, Fiona Apple, Porno for Pyros, Primus, Mighty Mighty Bosstones, and Moby just to name a few. Their set was mostly the songs off the first 2 albums. One of the highlights of the festival!
- HMV Records 11/1/1999 @ HMV (New York, NY)
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Me meeting Dave Grohl at their HMV in-store
Chris Shiflett had just joined the band. When There is Nothing Left to Lose was released, they did promotional blitz in NYC that included an in-store appearance at HMV. My ex-GF and I traveled down from MA to NYC for this. The band performed for about 40 min. mostly off the new album. Then the band signed copies of the new album and I got to meet them (read all about it here).
- WBCN Xmas Rave 12/1/1999 @ Orpheum Theater (Boston, MA)
Only a month after I got to meet the band, I saw them at the WBCN Xmas Rave, which also featured At the Drive-In and Ben Harper. They played about 13 songs, mostly hits and new album. Great show!
- 4/2/2000 @ Mullins Center (Amherst, MA)
They co-headlined a tour with Red Hot Chili Peppers (my first time seeing RHCP) with opening act Muse. Drove out to UMass Amherst to see this show. It was really cool to see the Foo Fighters in a much bigger venue, a preview of some of the arenas I’d see them in later. RHCP drummer Chad Smith came out and joined them on a second drum kit for “My Hero”.
- 7/3/2003 @ Hammerstein Ballroom (New York, NY)
Even though the band in retrospect isn’t a fan of their 2002 album One By One, its one of my favorites. Promoting the album, the band played 2 shows at Hammerstein with openers My Morning Jacket and Pete Yorn. They did quite a bit of the One By One album and during “Everlong”, a fan apparently proposed during that song!?! 
- Fuse TV Special 6/14/2005 @ Fuse TV studios (New York, NY)
Technically this is not a concert I saw, but I’ll explain why it made the list. I was working at the music video cable TV channel Fuse in 2005 just as the double album In Your Honor had been released. The band was doing a promotional blitz in NYC and stopped by Fuse to do a live performance 7th Avenue Drop show. I tried to go down to see them, but even as an employee and knowing so many people, I wasn’t able to go to the studio due to the capacity limit. But my friend who was working there, managed to get Dave Grohl’s guitar pick for me! Hence it being listed here even though it wasn't an official show I saw.
- 10/14/2005 @ Continental Airlines Arena (Rutherford, NJ)
My girlfriend (who became my wife) and two friends made the trek to NJ to see this co-headlining tour with Weezer and opening act Hot Hot Heat. This was a fantastic show, but the big highlight of the night was when they brought out special guest Roger Taylor of Queen, who played drums on the cover of “Tie Your Mother Down”, which Taylor Hawkins sang on. So much for “Never Meet Your Idols”! 
- 8/21/2006 @ Beacon Theater (New York, NY)
In 2006 they went on an intimate acoustic tour of theaters. I went to the Beacon Theater show with Frank Black (of The Pixies) opening. Further musicians they brought on this tour included Rami Jaffee (who became an official member in 2017), Petra Haden, Drew Hester and returning Foo Fighter Pat Smear, who officially returned as a member in 2010. It was almost like an episode of Storytellers as Dave Grohl talked about some of the songs and their meaning. Very special show!
- 2/19/2008 @ Madison Square Garden (New York, NY)
After the release of Echoes, Silence, Patience and Grace, the band began playing much larger venues. At this MSG show, Serj Tankian (of System of a Down) and Against Me! opened. Some of the additional musicians who played the 2006 acoustic tour came out for an acoustic section of the show that included the very first Triangle solo in MSG history from their percussionist. 
- 11/13/2011 @ Madison Square Garden (New York, NY)
By the time of 2011′s album Wasting Light, Pat Smear was back as an official band member. For their NYC show at MSG, the openers were The Joy Formidable and Social Distortion. They brought out a few special guests: Bob Mould of Husker Du played on “Dear Rosemary” and “Breakdown” (the Tom Petty song); and Joan Jett came out and did her song “Bad Reputation” with the band. The band also did Pink Floyd’s “In the Flesh”.
- 7/19/2015 @ Fenway Park (Boston, MA)
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Obligatory concert selfie of me and my friend Tim with Foo Fighters behind us!
After the 2014 album and HBO series Sonic Highways, I hoped Boston would be an upcoming episode / recording. While on tour to promote the album, just a few weeks earlier, Dave Grohl broke his leg onstage, so for the remainder of the tour he performed on a throne. Even if he was sitting the whole time, it was one hell of a show (read my concert review here). Openers were Royal Blood and Dropkick Murphys. Highlights of the show included Grohl’s surgeon Dr. Lew Schon, who came out and sang The White Stripes’ “Seven Nation Army” with the band; a brief cover of The Cars’ “Let’s Go”; a cover of Queen and David Bowie’s “Under Pressure”, and Godsmack’s Sully Erna joining for Alice Cooper’s “School’s Out”. 
7/21/2018 @ Fenway Park (Boston, MA)
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my friend Ron, Wally the Green Monster and me at Fenway Park
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Taylor Hawkins onstage with Foo Fighters
My second time seeing them at Fenway Park, but this show was very special because I won a contest and got tickets to the show and got to stay at the nearby Verb Hotel and also earlier in the weekend I got to see Foo Fighters guitarist Chris Shiflett doing a solo show at City Winery. I wish I could have this experience more often to get to see a musician in a small intimate setting and then see them rock out in a stadium with a band (read my concert review here). My buddy Ron came up and we had a great time! Openers included Boston's The Monsieurs (who I interviewed earlier in the month) and UK's The Struts. Highlights of this show included a cover of Queen and David Bowie's "Under Pressure" with Taylor Hawkins singing along with The Struts singer Luke Spiller, the band doing a cover of John Lennon's "Imagine" musically while singing Van Halen's "Jump" along with producer Greg Kurstin on piano, and Grohl's daughter Violet (12 at the time) on back-up vocals. Looking back it was one of the best Taylor Hawkins' performances as he also did a drum solo.
Boston Calling 5/23/2023 @ Harvard Athletic Complex (Boston, MA)
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Foo Fighters on stage
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me in my happy place: watching Foo Fighters
I attended Day of the 2023 Boston Calling festival (read my review here). Foo Fighters' headlined that night of the festival. This was a little over a year after the passing of Taylor Hawkins and only a week after they announced new drummer Josh Freese. Much of this show was about the band breaking in Josh but remembering Taylor. They paid tribute to Taylor with Dave singing “Cold Day in the Sun” (which Taylor sang) and to my surprise they performed “Aurora” because it was Taylor’s favorite Foo Fighter song (I haven’t seen them do that song live since 2003). For “Shame, Shame”, Dave introduced his 17 year-old daughter Violet. The highlight of the night (that got national attention from numerous news and music outlets) was Taylor’s 17 year-old son Shane guest drumming on “This is a Call”. 
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Me just hanging out with Mr. Chris Shiflett in 2018
In addition to all of these shows I recounted, I also saw Dave Grohl with Them Crooked Vultures in 2009, Taylor Hawkins with the Coattail Riders in 2006 and 2010, and Chris Shiflett in 2018.
After I see tomorrow's show I'll have to update this concert history!
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Third Draft Editing
So, it's been a hot minute since I talked about Cryptologists. During the Christmas period, the three of us had a blanket agreement to take a break, and take a break we did. I buggered off to the US for a spell, then came home jetlagged and ready to get back to editing.
At the moment, we're in the third draft. It is the most excruciating part of the editing process thus far.
At this point in writing The Case of the Crawling Shadow, there's really only two big things we're fixing narrative wise. That <i>should</i> be a good thing. Sure, it'll be a lot of work, if the three of us just fix <i>that</i> we're good to go, right??
Nope.
You see, the problem I've been reading The Cast of the Crawling Shadow for so long, that I keep catching myself skimming. Given how this is meant to be our last draft, if I don't catch any dodgy spelling or weird sentences before this draft is done, it's probably going to end up in the book. Sure, we have beta readers, but it seems unfair to give them a book that isn't ready to be published.
One way I've tried to get around it is using Hemingway, doing the structural edit one chapter at a time. For people who've never used it, it's designed more for short form writing and not-so-much editing a novel. That said, the change in document layout has been great for my tired eyes and its focus on clarity forces me to reassess our chunkier sentences.
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Unfortunately, Makoto, Alex, Cissy and Tim all use a lot of adverbs in their dialogue.
To be fair, that's just how people talk - in fact, it's how I talk. That said, I can't help but cringe every time I see the word "just" shoved into a sentence. While I'm not aiming to remove them all or even get to the limit per chapter, it's significant enough that every time someone opens their mouth I wind up going "can they word this differently and still sound natural". If the answer is no, it stays.
One of the big jobs I've had the last few weeks is changing a major plot element in the book. Originally, we wanted to have Scott appear after his murder and confuse Makoto about his time of death since for the first half of the book he's working under the assumption ghosts aren't real in this setting. Due to a change in focus, we ended up axing this idea so the last 3 weeks I've been going in and removing references to ghost Scott.
I'm doing this at the same time as the structural edit.
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My general rule right now is doing 1-3 chapters a week since right now that's all my schedule is allowing for. With any luck, all 3 of us will finish our read throughs and edits soon.
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glimmerglanger · 3 years
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Hey there! Hopefully it’s an OK time to make a request! I truly love your Alpha17/Obi fic, “Just Right”!
Hoping that a prompt of Alpha 17 finally making it to the Negotiator and pretty much stalking Obi and courting Obi in a very gentle and patient un-Alpha 17 way ends with some sexy and soft love making?
Anything will do! I just love this trope and the story you’ve created has been on my mind since it was published!
🥰😍🥰😍
Oooooooh! Well, I couldn’t quite do all the courting (that probably would have gotten longer than the original fic) but! I did do a little bit about the next time they run into each other! Thanks for the request! I have a few more in my inbox that I’m working on, as well!
This is VERY SPICY. SO SPICY. NOT SAFE FOR WIZARDS. Feat: intercrural and bjs and Feelings that 17 wishes he weren’t having.
~~~~
17 felt jittery in his skin from the time he heard that the Negotiator was going to make a stop on Kamino. It was an...unusual feeling, and one he found he disliked immensely. He tried to burn it away sparring with his brothers and, when that failed to work, he grabbed a group of shinies and led them on a run around one of the longer loops on the city.
After the third such loop, he still felt itchy along his bones and gave it up for a loss, retreating to his quarters and the quiet of his fresher.
He’d received a few messages from Kenobi since they’d last worked together. They’d been the usual sort of thing. He’d kept track of mission reports coming out of the Third System Army, too, making sure they routed through to him and reading over the lines of text.
He scrubbed a hand back over his short hair. He’d wanted Kenobi to come to Kamino, wanted an excuse to go back into the field. He hadn’t expected this strange twisting in his gut when he finally got what he’d been hoping for.
That did nothing to diminish the feeling.
He blew out a breath. Kenobi was still a day away, but 17 could imagine him well enough, picture his flashing eyes and that pleased little smile of his. He recalled - their memories were, after all, perfect - the stretch of bare skin and the tight, wet, marvelous heat around his cock.
He’d imagined it all, often, while touching himself in his bunk.
His own hand didn’t come even close to comparing. But it was what he had. What he’d had, anyway, but Kenobi was coming to Kamino…
17 frowned around his bunk and wondered how one went about asking for a repeat of the three days they’d spent in transit, fucking on every available surface.
#
Kenobi walked into the city with his cloak damp and sodden across his shoulders and a grin on his face. He nodded a greeting at 17 and fell into a conversation with Master Ti, and 17 tried not to think about how easy it had been to capture both of Kenobi’s wrists in one hand, pressing them down against the floor and sliding into his body, impossibly, and--
Kenobi glanced his way, an eyebrow raising, and 17 met his gaze evenly, shrugging with one shoulder. He’d made no secret of how much he’d enjoyed their activities. It would be pointless to try to pretend he hadn’t thought about it. Often.
Still, he knew how to be professional. He set the thoughts aside and focused on the discussion.
#
17 managed not to dwell too much on what they’d done throughout the day, but that didn’t stop him from steering Kenobi back to his quarters when evening finally arrived.
His quarters were built larger than most places in the city. The ceilings were tall enough to allow him to stand easily and the bed actually fit his proportions; it would swallow Kenobi, make him look so small, sprawled across it. Compared to the cabins on the cruisers, his room must have seemed huge.
Kenobi looked around, nodded, and said, “Certainly to scale, I have to--”
And then 17 backed him against the wall, slid a hand against his shoulder, and curled down enough to kiss him.
Kenobi moaned against his mouth, shifting from a conversation into the kiss easily, like switching gears on a speeder. He tasted good, mouth hot and sweet, his hands sliding up over 17’s armor, and 17 had taken him against a wall, held him up so easily - Kenobi barely weighed anything - and encouraged Kenobi to curl legs against his waist, because they wouldn’t fit all the way around 17 and--
“How do you feel,” 17 panted out, drawing away just enough to speak, “about a good hard fuck?”
Kenobi rasped out a sound, hair still a little damp from the rains outside, and said, “Oh, I’d quite enjoy that, but, hm, our options are somewhat more limited, this time.”
17 frowned, keeping Kenobi tucked against the wall; it was easy, blocking him in, and satisfying on some deep level. “Why’s that?”
“Well,” Kenobi said, clever fingers sliding along his armor, undoing latches, so he must still have been interested. “It’s been nearly two months since last I’ve seen you.”
“So?” 17 asked, not following, as Kenobi floated his chest plate somewhere across the room and placed it down quietly. He wanted to get his own hands on Kenobi, start taking off his robes, but once he started doing that, well…
Following the train of this conversation would grow harder.
“So, I’ve spent two months around all the men in the 212th,” Kenobi said, dry, and for a moment that made no sense as an explanation, until it did. Kenobi had explained, during one of the periods where they’d both needed a rest, how his people’s reproductive systems worked.
After two months, his reproductive organs would be perfectly compatible with all the men in the 212th. There was no way he’d be able to take 17. Not safely. 17 frowned, something twisting fast and hot and unpleasant in his gut at that thought, wondering if any of them realized. If they’d like the thought as much as he’d liked it, when Kenobi fitted him just right.
“Oh,” 17 said, drawing back, setting aside the flash of unknown emotion and a deeper sense of disappointment. Kenobi had been the only person he could--
“But I’m sure there are other options we can explore,” Kenobi said, following him, an arm sliding over his shoulders. “Unless you’re not interested?”
17 considered it. His disappointment almost had him shaking his head, sending Kenobi to his own bunk. But… they’d enjoyed themselves plenty, last time, and not just when he’d slid into the sweet embrace of Kenobi’s body.
And he didn’t want Kenobi to run off.
He frowned and asked, “What do you have in mind?”
Kenobi grinned, pulled himself up to take a kiss, and said, “Come here, let me show you.”
#
Kenobi positively got lost in the middle of 17’s mattress, just like 17 had known he would. He looked small - smaller than usual, even - spread out across the sheets, bare skin all on display, covered in freckles and scars.
17’s cock ached, a solid throb of need between his legs as he stroked himself with the lube Kenobi had pressed into his hands. Kenobi had told him to get very slick before rolling onto his stomach, 17’s pillow shoved under his hips.
“You’re sure this is what we should do?” 17 asked, hearing the doubt in his own voice.
Kenobi glanced over his shoulder - kriffing hell, the way he looked - and flashed a smile. “I think you’ll quite enjoy it,” he said, “just give it a try.”
17 grunted, but, in truth, he felt utterly incapable of refusing Kenobi when he was all stretched out, back bowing from the pillow under his hips, the insides of his thighs slick and shiny with lube.
“Come here,” Kenobi coaxed, shifting his ass back and forth, and, well. 17 wasn’t going to say no to that. He slid forward, hands moving over warm, perfect skin, knees making the bed dip, tilting Kenobi back towards him.
It was so easy to blanket him. 17 could cover him completely, and had, before, on a battlefield to shield him from shrapnel. But there were no explosions in his quarters. Just slick, warm skin as he sank down over Kenobi, cock brushing over the curve of his ass.
Kenobi hummed, tilting his hips back further, and 17’s cock slid forward, easy, between his legs.
“There you go,” Kenobi murmured, pressing his strong thighs closer together and - oh - the pressure felt good, good enough that 17 rocked his hips forward, cock sliding on slick skin, feeling all the lean muscles in Kenobi’s thighs and--
And the hot, wet slide of him, of the place where 17 could no longer fit, and he groaned, frustration and want all tangled together.
“You feel so good,” he rasped out, hips dragging back and pushing forward again, feeling the head of his cock just catch at - at the edge of Kenobi’s body and oh he wanted, but he could only drag the top of his cock along, sliding between the tight pressure of his thighs, muscles flexing against him and--
He dropped to his elbows, his arms long enough to still hold him up off of Kenobi’s back. He could look down, across Kenobi’s bright hair and the bunch of muscles in his shoulders. He could see Kenobi’s hands, clenched in the blankets as 17 moved between his legs, lube making the glide easy, friction building up the heat between them, Kenobi’s ass hard and firm against his hips each time he pushed forward.
He could remember taking Kenobi like this. Force, he’d remembered taking Kenobi like this, so many times, cock sliding in instead of forward, he’d be so tight, so wet, so hot, and--
17’s orgasm caught him by surprise and he groaned, head dropping forward as his cock jerked between Kenobi’s thighs. He shifted his hips back, unthinking, wanting the come all over skin, not his pillow and sheets.
“See,” Kenobi started, tilting to look over his shoulder, “I--oh!”
He looked gratifyingly startled when 17 pushed onto an arm, grabbed his hip, and flipped him onto his back. His chest was flushed - but only a little - and his cock stretched up towards his stomach, still hard.
17 could fix that. Wanted to fix that, so badly it made his jaw ache.
He shifted around, put a hand on Kenobi’s chest to keep him still, and bulled his way between Kenobi’s legs, curving over.
He tasted his own come, when he licked over Kenobi’s cock, sliding his lips down over heated skin. His come was everywhere, there always seemed to be so much of it when they did things together. It streaked over Kenobi’s thighs and--
And 17 couldn’t help but bringing his other hand up, sliding over skin, between Kenobi’s legs and - kriffing hell - it was there, too. He groaned, helplessly, and Kenobi echoed the sound, fingers scrambling at 17’s hair as he rubbed two fingers through the slick smear of his own come.
Kenobi cried out, all thick with pleasure, when 17 slid those two fingers over him, and then, with a renewed throb of want, into him.
Kenobi felt so tight around his fingers, hot and wet and squeezing. He knew how thick his fingers were, wondered if they were just about all Kenobi could take in his present state, and the thought made something in his spine go all white hot.
He bobbed his head, sucking as he moved his hand, curling his fingers while Kenobi’s legs curled up around his shoulders, while Kenobi gasped and tried fruitlessly to squirm under him, the sounds escaping his throat getting thicker and louder and--
17 swallowed when Kenobi gave it up for him, smiling at the feel of Kenobi’s body squeezing around his fingers, clenching in waves. He slid his fingers back and out, giving a last suck, after a long moment, and Kenobi gasped his name.
He looked...dazed and relaxed, sprawled on the bed, uncomplaining about 17’s hand on his chest, his heartbeat translating up into 17’s fingers. He looked...soft. And peaceful. And 17 felt, again, the way he had on their trip, that he’d very much like to keep Kenobi looking that way all the time.
He shivered at the thought, shook his head, and said, “You’re right, that was a good idea.” He cleared his throat, and, before Kenobi could start gloating, pulled both of Kenobi’s legs up, over one of his shoulders, and went on, “Do you think it would work like this, too?”
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Spice e-plus interview Die & Toshiya 27th April 2021
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DIR EN GREY:  What’s the current mood of a band that chose to move forward even in times of Corona? DIR EN GREY is releasing their 32nd single "Oboro" on April 28th. After a series of cancellations and postponements of their lives due to the Corona outbreak, the band continues to move forward with activities such as “Explosive screening ‘Meguro Rock-May-Kan GIG”, an unattended live performance recorded at Meguro Rock-May-Kan GIG,  that is being screened at live houses all over the country. We asked Die (Gt) and Toshiya (Ba) remotely about the shocking music video, the new song "Oboro", and the current band mood.
Notes before reading: This is Die and Toshiya’s interview for the Japanese website Spice E-plus published on April 27th. Feel free to correct me if you spot any mistakes or any confusing parts. Links or credits to this post when the content is reposted or captured in other SNS is appreciated :) --- Original interview: Here
Text by:  Yohsuke Hayakawa ---This interview was done on the last day of the  “Explosive screening ‘Meguro Rock-May-Kan GIG” but, even though there is no audience in that live, the band could play together on a stage for the first time in a while.
Die: That’s right. There was no audience, however at the time of recording there were some moments in which it was difficult to play as there were no limits. The fact we were able to get together for the first time in a long time and play together as a band was simply touching/ emotional.  However, it becomes difficult if you can’t see the audience. Last year we did an unattended live broadcast but that was the first time and as it was broadcasted in real time, I was nervous. In that sense, this time was a bit different from the previous live without audience we did. -How was the “Meguro Rock-May-Kan GIG” for you, Toshiya? Toshiya: First of all, I think it was the best thing to be able to show movement as a band. Also, I’d say overwhelming? About being able to play together, I think the words I’d use would be “happy” and “fun”.
-Ah, it felt like returning to a place that it’s like the origin of the band. Toshiya: That’s right. When the five of us played together for the first time, it was interesting and fun, somehow, I think I was really nervous about it. It’s not something that paralyzes you, I think it was a natural feeling after all. In this special environment because of Corona, it was like the first time we played together, I thought again “after all, this is it”. -In terms of freshness, you also had the chance to play “Ochita koto no aru Sora” (digital single released in August 2020) live for the first time. Toshiya:  Yes. After all, I could realize that as opposed to when you play it with headphones, the rhythm is adjusted in an atmosphere in which the air is moving around. Die: Actually, I felt it was a song that felt familiar and I was playing it while feeling that if we went on tour, I would be able to create more and more grooves.
“ We can’t play lives but as we are making songs for the album, we are moving forward. I’m hopeful because of that” (Die) -Along with the latest songs, there were some nostalgic songs that suit “Meguro Rock-May-Kan GIG”, especially “JEALOUS” was a surprise. Moreover, it was the original version, not the “reverse” one. Die: Hahaha. Well, we’ve played old songs on the "mode of ~" tours, so it’s a song we can still play. However, the tempo of the songs at that time was too different from what it is now (laughs).  It’s simple, but it feels like I’m playing a song from another band. Toshiya: Regarding “JEALOUS”, we were planning to play it at the cancelled tour『TOUR20 Sogai』 - I didn’t expect to heart it at this timing.  Hearing it after a long time…. the impression I got is that the sense of consistency has increased in “JEALOUS”. Die: Hehehe. Toshiya: I think that's right. As we didn’t listen to the click (of the metronome) in the old songs, if someone was going faster, everyone would go faster to keep up the rhythm, and if someone messed up, everyone would be drawn into that.  In that sense, I had a lot of freedom but as recent songs (the rhythm) are matched by this clicking, in order to do that, I tried “JEALOUS” using a metronome this time. That’s why I think you got that impression that it “clicked”. Die: Well, I think we should had done it more freely.  Not using a metronome click as we used to do, the tempo of the song is determined by the feeling of the venue. Certainly, at that time, everyone was doing it like that so I wish we could do it in that way this time too. Toshiya: Yes, that way is a possibility as well. If we have a chance, I think it would be good to do it in such a highly flexible situation. Well, from time to time there will be different rhythms within the band, if the members are simply playing at that moment and doing well, I think the audience will listen to it naturally  and will go with it comfortably. -I see. So, it’s been said for a while you were in the process of making an album, has your mindset changed since when you were working in “Ochita koto no aru Sora", which was done in a relatively early stage of this Corona situation, until now? Die: For me personally, I don't think it has changed. From the beginning, my feelings are heading towards a new album. We are releasing a single this time, but we were working on arranging different songs in parallel, so the mood is basically the same. We haven't been able to play lives since last year due to the corona, but that doesn't mean we've changed the way we make it. Basically, it hasn’t changed our way of working remotely. “When I listened to the melody, I felt the hope that "I'm sure we can make something beyond our imagination next time." (Toshiya) -So, how about you, Toshiya? T: Personally, there have been quite a few changes during that time. The world situation has changed due to the Corona situation and I wondered if we could released the single we made and if the fans would listen to it. I want to play concerts but I can’t do it……how could say it?....this is my point of view but….it’s like I didn’t know what’s the purpose of the band, it’s a bit confusing for me. It's a big thing for me to think that way. Well, now I feel like I have no choice but to move forward. Until that seemed like that, I was thinking where I should rely on, I felt like, where should I set a goal? -Do you mean now after such a period? I wonder if there was a moment in which those feelings you had went up as the new songs for the album took shape. Toshiya: That's right. I haven't seen the goal yet, but I'm working on pre-production with the band right now. After that there will be a period in which the songs will be released. I was listening to the songs that the members brought there, and it was really interesting for me. -Oh, is it interesting? T: Yes. It's completely different from the songs I made myself, and when they pass through the filters of each members, they become versatile and I think that’s very interesting. I don't actually see the members face to face and interact with them but when I listened to the songs, I felt the hope that "Oh, I'm sure we can make something beyond our imagination next time". I think the other members  might also hope for that, or renewed their feelings like about it like, "I have to do my best for DIR EN GREY". Die: Well, about that you mentioned, making songs for the album ... You can see hope as Toshiya said, we can’t play lives, but we're moving forward. I feel hope in that. -That you had to work on the album during this corona situation had a positive effect on your mind. Die: But after all, there is a continuous cycle for the band, touring and producing, and one of them is missing. I don't feel the that tension there. So, while thinking “There is nothing we can about it because we can’t play lives", we are making the next new album and continuing with the hope that later we will be able to tour again. -As a result of concentrating on production in such an environment, do you feel a good response in what you are creating now? T: Of course, there is a response, but I wonder if it’s really good to pack our current feelings together in it. I haven’t found a decisive factor yet. Several complications came out quite a bit but, maybe it’s the way it is now, and it and I guess it’s not over yet. Die: Rather than “in this kind of situation”, the hurdles are simply rising. Everyday, there are many....many....(laughs) -Hahaha. Was that so? Die: Yes. It’s always the same but, if you find a keyword or a hint to the next album, it will lead you to make several songs. Now I think it is still part of our work to find that. I can’t really say at this point what kind of specific feeling is but, if we find it, we can change the shift, or it will be easier to find the direction of the album. Right now, we are exploring this aspect and we haven’t come to any conclusion yet. There will be a moment  it would be like “this is the atmosphere” and it will flow in that way, so I guess it will be easier to go that way. We have no option but explore it further. “It's been 24 years since the band was formed, and it’s like the challenges we are going through are also reflected in the MV, it’s not like we are going to sit back and rest on our laurels” (Die) -I think the song that gives you a glimpse of how the next album will be it’s the new single “Oboro”. At the time of this interview, just the 15- second MV teaser was released but….no, it already is having a strong impact! Toshiya: Hehehe Die: (Smiles)  As for the MV, the concrete idea came out from Kyo, and from that idea everyone went to do it in that direction but, well, it’s like it can’t be done without us, right? It’s been 24 years since the formation, and it seems that the things we are challenging are also reflecting in things like that. It’s not like we are going to sit back and rest on our laurels. -Yes. I feel you are a band that doesn’t know the meaning of “withering” and in a good sense, doesn’t settle down. Die: That’s right. When I was shooting the MV, I talked a bit with Kyo, I was like “Isn’t this too edgy? It’s too much”. Probably, I think that a scene like this can be shown firmly even in a MV where only 5 people play, and I think  it can be expressed in a simple form, but DIR EN GREY isn’t just there, after all, I thought we had to beat in/smash down more and more. So, the MV set this time reminded me of the atmosphere when we debuted, I was feeling like it was still aggressive and no good. -In an era when there is a call for compliance/ obedience, you must have an image of reliance. Die: Haha. But there is a part that it can’t be played (on TV etc…) (laughs). -It’s true (laughs). Toshiya: Well, so this is also part of DIR EN GREY. This talk we just had, I wonder if this scene with the five members playing is also part of what DIR EN GREY is. Personally speaking, I want to try to go to other places rather than this one at the next chance. I still don’t know what that would be, and when it comes to what we are actually going to do, I think everyone, including myself, will be concerned about it again. However, if some form remains, I would like to do something that it’s constantly evolving. -When it comes to the style of your MVs, you want to be a band that has no limits. Toshiya: That's right. For example, DIR EN GREY is gloomy, isn't it? DIR EN GREY is heavy, difficult, and intense, isn't it? Of course, I think it's an option that we can be caught like that (in a MV) but if we even want to surprise ourselves, after all I think I want us to keep working as hard as we can. I’m sure we jumped over those limits but maybe….just maybe….I think that’s  the things the 5 members are looking for…. -In 24 years of activity as a band,  if now it’s time to shake off everywhere, that’s your strength as a band. Toshiya: Yes, I think so. -So, "Oboro" is a ballad with a power and lyrics unique to DIR EN GREY, I felt  the core was made in a way to make you listen to the song and the live  performance of it in a fresh shape. It’s because each part is powerful, even though there are instruments in it that are not the usual ones in the band. As for the arrangements that the band did, was it simply a scraping work? Die: Now it’s simpler than it used to be, we’ve been focusing more on how to make the sound that’s in more powerful than actually just adding more. As I had that mental image,without overdubbing  the guitar arrangement as much as possible, I went in the direction of reducing it. It might be a bad way to say this but, I approached the arrangements with the feeling that this is what I’m going to play live later, so it was like “don’t do anything crafty/pretentious”. -It seems that you are using a Fender Jazzmaster for recording, did you do that choice because of what you just said? Die: That's right.  After all, for chord stroke parts, etc… I’m going to play with that guitar and that tone quality later. So, when I tried to use that kind of chord progression for the first time in a while, it was simple, but it felt like something fresh. It really resonated with me, and when I listened to it myself, I simply thought, "Oh, that's good" (laughs). -Hahaha. That’s good. Is that feeling of being a raw band an essential point for you? Die: Well, that's right. At the so-called chorus part,  it wasn’t  just about filling the backing with the low notes of the guitar. I also took on a new challenge to be able to see the scenery further. “I think there will surely be something that makes it fun for the band, fun to match our sounds again, there will be something that it’s going to feel interesting for sure.” (Toshiya) -I see. Also, the bass phrase is a basic one, but it’s done with an approach that makes each note stand out, including the tone quality/timbre. Toshiya: Regarding “Oboro”, I simply thought  the dynamic image of it would be the most attractive thing, so I wanted to hear each and every sound without really doing anything extra. Up until now, there were too many things we wanted to do, and we wanted to include that and this as well, I had a sound barrier, but I couldn't hear what I wanted to hear. While narrowing down the main points and making it possible to listen to each part you want to hear firmly, still, each of the members started  working on it with the idea that to be able to listen to each part of it would be the virtue of this composition. - As a result, the bass sounds with a thick sound image that has a strong presence. Toshiya: That's right. At the end, I think the part where you can hear the sound of the bass alone is quite distorted, but that is the tone through all the song, and the sound is quite distorted. However, when the sounds overlap, the low feeling is more noticeable than the distortion. Normally, if it is distorted, it tends to overlap  when you join all the parts. However, as I said earlier, each member was thinking about how they wanted to hear their own sound, and even if it is distorted very much, the sound has a strong presence. I think I was able to reach such a result firmly. -While setting up the coordination/the harmony of  the musical instruments, is your main idea oriented toward making a song “that makes people listen to it”? Toshiya: Yes, I have in mind that it’s going to become a song. After all, it’s because I’m thinking it will be a full song. However, I think at that point the band sound has become unbeatable. Die: First of all, the basics of a song (without the lyrics) start once the instrumental part is recorded.  At that point, I still have no idea what kind of song we are getting into, so after the approach of how it’s going to be the singing part actually comes, the task is replacing some parts with a backing that makes the most of the lyrics. I’m always trying to figure out how to make the lyrics stand out. -I'm looking forward to hearing "Oboro" live, but recently you announced a live performance at the Tokyo Garden Theater ("Sogai") on May 6th. After cancelling the tour and Pia Arena MM performance scheduled last year,  does this live performance with audience mean that, after all you have been through, you can see a way that the band can perform in this situation? (* It was announced that this "Sogai" live will be postponed due to the announcement of the state of emergency on April 23rd.) Toshiya: The members and the staff included talked about this a lot, but in the end, after a lot of discussions we came to the conclusion that it couldn’t be “as under these circumstances we can’t do it, we won’t do it’  but rather, the talk went into the direction of “If we don’t do it, we won’t accomplish anything”, of course, there is a national guideline for lives and we have to obey it. While thinking about that, as for DIR EN GREY, nothing will work unless we take action. If you don't take a step, nothing will happen. If you don't move now and say "Let's wait for the time to come",  it’s more like, “when will that time come?”. - That's true. Toshiya: Then, instead of waiting for the time to come, we thought it would be better to make "now" the right time for us. - While there is a change in your previous mindset, you made the best choice you can make now. Toshiya: That’s right.  Our mindset is simply different from those days. Die: As Toshiya said, if you don't experience a live performance during Corona, nothing will come out, and if you simply say, “we won't do a live concert during Corona," that's all. I think we should also have the experience of a live performance under the regulations. At the moment, we can’t ask everyone to come, but it's important for the future that we don't wait without moving at all, that we take a step forward and experience this kind of live. It’s a live that was decided with no idea of how it will turn out. -Is it necessary for yourselves to continue the band in the future? Is it also a trigger/spark for you? Toshiya: Yes. We felt that we couldn't get anything unless we acted on our own to get something. We had a discussion about what we could do while following the guidelines, and we thought that it was the live concert that would be the spark/trigger for us, so I would like to take on the challenge of the next live concert with that decision. As I mentioned at the beginning of this interview, I think there will surely be something that makes it fun for the band, fun to match our sounds again, there will be something that it’s going to feel interesting for sure. In addition, although there is a limit on the number of people who can attend the live, this time there will be  audience there. It’s a commonplace but, I think we can get something like a synergistic effect by colliding with the people who is going to come. - It will finally be a live  with audience in front of you. Die: That's right. However, the hurdles are still rising. You have to make a live concert following a guideline such as half of the capacity of the venue or not being able to shout/scream. I don't think it's good to say, "As the audience can’t shout/scream, we are not sure about doing it". Since we decided to do it, I think we have to do a DIR EN GREY live that has never been seen before. The future setlist and so, we have to change the method itself…. There is no point in doing it unless we get to convince all the fans who come to see us under these circumstances. “I’m glad I came”, “I’m glad I was able to see it”, things like that, I want to make a live that everyone can think of.
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entity9silvergen · 3 years
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I recently asked reddit for some LGBT history from countries other than the US. Here’s what I got:
Germany
The Weimar Republic was surprisingly accepting of "alternative lifestyles."
During the Weimar Republic, Germany had a pretty active LGBTQ scene, with some major films and songs being produced, despite it still being illegal at the time. However, there was also a push to decriminalize homosexual behavior which sadly wasn't passed as the Nazis came to power.
This was based of two factors: after WW1 the authoritarian culture of Prussia sorta received a long overdue pushback. People were kinda sick of it, especially since these losers led them into a seemingly pointless war to begin with. Second: A LOT of men died in WW1 - and the army did not exactly prefer LGBT people. So with a lot of regular folks dead, the percentages of the total populace was sorta shifted. This also pushed the women's rights movements at the time for a similar reason.
Magnus Hirschfeld was helping trans people transition, crossdressers get crossdressing 'licenses', and generally advocating for and helping the LGBT community in the early 1900s in Germany. Nazis ended up raiding and burning down his research institute.
Hirschfeld was a gay polyamorous man. He was one of the first advocates for trans and gay rights but his work was destroyed by the Nazis.
The institute he headed even did the first modern gender affirming surgeries. The institute was destroyed and many people who were there (including the first known person to undergo complete MtF surgery) were killed by the nazis and the place was little more than bombed out ruins at the end of the war.
More information on the institute
Pre Nazi interwar Germany (Weimar Republic)  was pretty open when it came to not only sexuality, but also gender identity. The Nazis put a stop to that & tried to destroy any & all research into either, but, for a brief moment, it was there.
Russia
Pretty sure all Russian LGBT history was erased before we even had a written language, but Russia almost got gay marriage legalized in the first soviet constitution (didn’t happen bc Stalin)
The early soviet period (pre-Stalin) is sometimes called “the first sexual revolution” as opposed to America’s “sexual Revolution” of the 60’s. Broad women’s suffrage, female employment and education, parental leave, advancement of GSM rights & decriminalization of abortion. This unfortunately did not stand the test of time & reactionary sentiment.
Additional Source
UK/ Britain/ England 
The lead singer of Judas Priest is gay. The commenter’s father thought it was kinda funny because it didn’t match with his biker aesthetic, but the commenter doesn’t think he considered how much leather he wears on a daily basis
Hell bent for Leather was a track off Killing Machine. It was written by lead guitarist Glenn Tipton (who is straight), but it's fun to find alternative meanings in Priest songs. A second commenter likes to pretend a lot of the lyrics Halford sings are gayer than they actually are.
A couple people mentioned how uncomfortable it was seeing Ru Paul interact with British drag queens because he barely knows anything about British culture.
Ru Paul got angry that a British drag queen hasn’t seen the Golden Girls because “it’s gay culture” and then not five minutes later someone had to explain to him who Alan Turing was.
Alan Turing, who was an incredibly noteworthy figure (He made the Enigma codebreaker machine, which broke the code that was used by Nazis during the war and basically sped up the war by a significant margin. He also set the foundations for artificial intelligence, one achievement he was named for: the Turing Test), was homosexual and prosecuted multiple times because of it
Shakespeare was probably bisexual (some of his sonnets had homoerotic subtext/were sent to a younger man). Plus, Hamlet is gay as fuck. 
Sonnet 46 was very gay. Here’s a link!
King James 1st was corrupt and used his position to promote his gay lover to higher positions than he should've gotten. 
The 13 year old king James 6th of Scotland and 1st of England fell in love with a 37 year old catholic Franco Scottish man. The king gave the older man so much free shit that other lords started getting salty and his lover ended up converting to Presbyterianism out of loyalty to his young lover. He also fell in love with a man who ''was noted for his handsome appearance as well as his limited intelligence.'' 
Clearly James was into himbos, and women too.
He had a secret tunnel connecting his bedroom to George Villiers’s bedroom.
His relationship with Villiers was basically common knowledge and a source of much amusement and mockery. He also once said that his relationship with Villiers was equivalent to the relationship that Christ had with John the Baptist
Much more recently, there's obviously JKR and the banning of puberty blockers and Margaret Thatcher opposing LGBTQ+ rights by passing a law meaning you couldn't 'promote homosexuality'. 
Prince Philip was a racist twat (and probably a huge homophobe knowing him).
Gay marriage only became legal in 2014.
The Wolfenden Report was published in 1957, and it recommended the decriminalization of homosexual acts between consenting adults. It was a huge topic of public debate, and ultimately led to the Sexual Offences act of 1967, which legalized sexual acts between consenting men aged 21 or over in England and Wales (sexual acts between women were never explicitly criminalized). Scotland decriminalized sex between men in 1980, and Northern Ireland in 1982. 
For a totally batshit real-life bit of gay history, check out the show A Very English Scandal. It's about a politician, Jeremy Thorpe, who put a hit out on his former lover who was threatening to go public with the fact they had had a relationship. 
Austria
Gay marriage was legalized in Austria about 3 years ago. The worst thing is that it'd have staid illegal if the Supreme Court wouldn't have jumped in and declare it to be unconstitutional.
Austria did have something called "partnership" which was where gay couples could officially register with the state as couples but not receive any of the benefits of married het people
They still have super backwards Transphobic laws requiring for example "real life experience" to get even diagnosed. Basically you're forced to be and live as feminine/masc as possible and a doctor them judges if you're femme or masc enough. It's torture
Australia had widespread, over 60% approval of gay marriage for well over a decade before the government legalized it. The governments were actually going against the people for a very long time by denying it.
Taiwan/ Hong Kong/ Mainland China
When Taiwan recently legalized gay marriage, their official statement was something along the lines that they were casting off Western-imposed values and returning to their own traditional values and the entire western lgbt community ridiculed them in a "if that's what you need to tell yourself" sort of way but it's actually the truth. 
Prior to western colonization, the Imperial Chinese attitude toward sexuality was not dissimilar to Greco-Roman attitudes in that a man must marry a woman to beget legitimate heirs but whatever else he does on the side is his own business. It wasn't until Victorian colonizers came along and imposed homophobic attitudes on China that China started treating gays like abominations. In Taiwan, Hong Kong, and Mainland China, as indeed most of the world, homophobia is a western value imposed by colonizers.
Bonus history: there is an actual saying in Arabic that was in widespread use across the Middle East and North Africa for thousands of years from classical antiquity until European colonization. The saying goes "Women are for babies, [young men] are for fun."
The commenter specifies that this means “college-aged twinks,” not children
Another commenter speculates about when homophobia arose in China and how. They also add that in Rome, bottoms were stigmatized. 
There’s a story of Emperor Ai of the Han dynasty & him cutting off his sleeve for his boyfriend
There is also a god worshipped in Taiwan, the Rabbit God Tu'er Shen, whose domain is managing love and sex between same-sex attracted people. He is meant to be the incarnation of a soldier from the 17th century, who fell in love with an imperial inspector and spied on him bathing, and was tortured and killed by that official because he was offended by the spying. A villager from the soldier's hometown dreamed that Tu'er Shen appeared to him and said that because his crime had been love, he had been appointed to manage the affairs of gay people. The villagers erected a secret temple to the soldier, and people have been praying to him ever since.
South Africa
South Africa became the first nation in the world to explicitly prohibit discrimination based on sexual orientation in its constitution. It was also first country in Africa to legalize same sex marriage in 2006. What really set them back for so long was apartheid.
There is some speculation that that Shaka Zulu was gay since he never took any wives
South Africa's post Apartheid constitution was the first in the world to outlaw discrimination based on sexual orientation in 1996.
South Africa was also the 5th country in the world and only country in Africa to legalize same sex marriage in 2005.
Even before that the Constitutional Court ruled that sexual orientation was not relevant when deciding child custody in 2002.
Transgender folks have been allowed to change their sex in the population registry since 2003.
Conversion therapy is not illegal yet and public opinion still needs some work.
Spain
In Spain gay marriage was legalized in 2005, now they are considered one of de gay-friendliest countries in the world. The commenter is a lesbian and has never been closeted or directly experienced discrimination for being a lesbian.
In July 2005, Spain became the third country in the world to explicitly legalize gay marriage, after a thirty-year struggle following the fall of Franco's dictatorship, during which most activism was carried clandestinely (as it was illegal).
From 2007 onwards, Spanish [binary] trans people can legally correct the name and sex fields of their IDs and currently, there's a push for a law that would allow for legal recognition of non-binary Spaniards.
Despite the dictatorship in the 60s, there were cinemas that specialized in gay meet ups. Trans women also had ways to get passports so they could go to the US for surgery.
Ireland
In Northern Ireland, same sex marriage only became legal in 2020 and the leader of the most popular party is homophobic transphobic racist and sexist af. In fact, the majority of the party are but some of the quotes from the biggest party leader are depressing.
Same-sex marriage was only legalized in Ireland in 2015. Homosexuality was decriminalized in 1993. 
When Ireland legalized same sex marriage by popular vote in 2015, it was still something you got horribly bullied for in schools if you were out. Queer people got an apology from the Taoiseach in 2018, for the suffering and discrimination we faced from the State prior to the legalization of homosexuality.
In the case of trans rights, in 2015 the Gender Recognition Act was signed into law. It allows legal gender changes without the requirement of medical intervention or assessment by the state as long as you are over the age of 18. 
Ireland has fines and jail time for anyone found guilty of attempting conversation therapy. 
Ireland has seen a lot of progress in LGBT rights in the last 6 years but even up to the 2000s, citizens left their family members and friends to rot for being LGBT+. It still happens all over the country, especially in circles that are still fanatically Catholic. As the Catholic Church has lost the iron grip on the country, people have become more accepting of the LGBT+.
India
The Kamasutra(ancient text on sexuality etc.) has an entire chapter dedicated to homosexuality
The Arthashastra, a 2nd century BCE Indian treatise on statecraft, mentions a wide variety of sexual practices which, whether performed with a man or a woman, were sought to be punished with the lowest grade of fine. While homosexual intercourse was not sanctioned, it was treated as a very minor offence, and several kinds of heterosexual intercourse were punished more severely.
Sex between non-virgin women incurred a small fine, while homosexual intercourse between men could be made up for merely with a bath with one's clothes on, and a penance of "eating the five products of the cow and keeping a one-night fast"
Milk, curd (cheese), ghi (clarified butter), urine, and dung are the five products of a cow
The commenter adds that this is not a terrible punishment.
The Mughal Empire mandated a common set of punishments for homosexuality, which could include 50 lashes for a slave, 100 for a free infidel, or death by stoning for a Muslim
On 6 September 2018 the Supreme Court of India invalidated part of Section 377 of the Indian Penal Code making homosexuality legal in India
Prior to the British colonization of India homosexuality was not all that looked down upon when compared to what happened when the British took over and instituted anti gay laws.
The Hijra (literally means third gender) were seen as normal and have been accepted since long before Christ, as evidenced by the Karma Sutra. The British took videos of them to take back to demonstrate how the Desi were “barbaric”.
Bonsia
In Bosnia, there was a one pride parade that ended with religious extremists ruining it and the police not doing anything. It was supposed to be 5 maybe 3 days long but ended in like 1 or 2.
The Danish astronomer Tycho Brahe mapped out the entire night sky with only his eyes. It laid the foundations of many later scientists, such as Isaac Newton. He was a very rich nobleman, so much so that he owned 1% of Denmark's money. He had a pet dwarf that apparently could see the future, which sounds pretty gay. He was also part of the Elefant Ordning, which consisted of rich and strong Danish men.
Philippines 
Despite many attempts to legalize same-sex marriage, the Philippines still didn't budge. Being gay in itself is legal, but same-sex marriage still isn't.
Philippines ,the most Catholic Country in Southeast Asia, has held the largest Pride Parade in Southeast Asia.
Serbia
Serbia didn't have history from about 16th century to 1800's when the 1st revolt happened and failed till 1813's... Then yet another in 1830's for semi independence from Turks, and full in 1836
During the last lingering Ottoman rule over autonomous Serbia, Serbia was one of the very first few countries to have legal mostly everything... it then got removed with like 3 constitution changes and then it didn't move forward for a looong time
Switzerland
Would you have thought that small, conservative Switzerland was a center of the international gay community during the mid-20th century? The magazine "Der Kreis"- the circle - was the only queer magazine in the world that kept publishing during WWII. It was edited in Zurich and distributed internationally, which often meant illegal smuggling, even into nazi Germany. The magazine's annual ball was attended by hundreds of gay men from all over Europe each year. The whole thing was kept strictly secret from the public, though it was known and tolerated by the police.
The Kreis club disbanded in 1967, as repressions grew heavier after a number of murders in the scene had caught the public's attention. By then, other European and American groups took its place, publishing their own magazines.
They made a movie about it.
More info about Der Kreis
As of today, Switzerland doesn't allow gay marriage. A country-wide referendum will be held this fall on gay marriage.
The commenter speculates that gay marriage will be legalized.
A few people expressed surprise that Switerland is socially conservative and several people explained that women’s right to vote was only place in the 70s.
There’s a movie about it
Turkey
A Muslim Persian (born in modern day Turkey) philosopher/mysticist named Mewlana who is known for his sayings on acceptance and love for one another was gay! He had exchanged letters with his instructor Shams and wrote homoerotic poems to him! In Turkey this is ignored by many due to the country's stance on homosexuality
More information
Norway
The commenter’s hometown and the neighboring town arranged their first pride parade/event in 2017, which is a big deal for a small place and one of the local priests went livid and went straight to the newspaper and social media to condemn it. A local rapper wrote a short and to the point article in the newspaper calling him out for all kinds of things which was a great read. Then to top it off, the priest arranged for a "Jesus Parade" in protest to be held the day before the pride parade. Only like five people walked in it, not including the priest of course because he happened to be on vacation in Spain that week. The pride parade itself was a success though! It's become an annual event. Covid has put some breaks on it though, but they're making a documentary this year about the pride celebrations.
Hungary
Hungary has no same sex marriage or transition rights
Police are unkind to protestors
During “commie times,” being queer was illegal so queer people went to the gulag
Belgium
Same sex marriage was legalized in Belgium in 2003 (right after the NL who were the first in the world). The commenter says that same-sex marriage has always felt possible and she is confused about other countries’ actions.
Poland
Polish president on public assembly: 'LGBT is not people, this is ideology'.
Denmark
WHO took their sweet time declassifying being transgender as a mental illness, so Denmark got sick of waiting and became the first country to stop classifying it as an illness.
Australia
In Australia same-sex marriage wasn't legal until 2017.
Portugal
Portugal is know for having one of the most (if not THE most) peaceful revolutions in history back in the 60's, with only 4 deaths total.
Canada
Operation Soap.
Mexico
To learn more, watch Dance of the 41 on Netflix.
Netherlands
NL was one of the first countries to legalize gay marriage in 2001
Sweden
In Sweden they used to classify Homosexuality as a disease during the 20th century so in protest people would call in too gay to work.
New Zealand
When same sex marriage was legalized, the parliament broke into song.
The song
Other
Homosexuality is illegal in 73 countries, some by death or life in prison.
Only one country in Asia has legalized same-sex marriage: Taiwan
FNAF is older than same-sex marriage in the US
Condor Operation
I think this is some important stuff so please reblog so more people can see! And, if you would like to add to or correct anything here, feel free to do so!
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allthingskenobi · 4 years
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Obi-Wan in Exile – Vader
(Originally published on AllThingsKenobi.com December 13, 2020)
Welcome to the first in a series of looks into Obi-Wan Kenobi’s time in exile on Tatooine between Star Wars Episode III: Revenge of the Sith and Star Wars Episode IV: A New Hope. We’ve tried to mine as much Legends and canon material as possible to help guide you through some of the period’s most common and repetitive themes so that when the new Obi-Wan Kenobi series airs, you’ll be ready.
Not everything he ever did in the entire 19 years will be explored here, but as we said, we’ve tried our best to pick out the most prominent and impactful moments to give everyone a better understanding of exactly what one hermit had to endure out there all alone in the sandy deserts of Tatooine.
While Vader himself was not a common reoccurrence throughout Obi-Wan’s exile, the threat of him certainly was…well until now that is. As Vader so often does, he’s recently made his way back to the forefront of the story and will seemingly loom very large over the upcoming series, thus moving us to start with exactly what that might mean for Obi-Wan and how it might work with the canon boundaries we currently have. Yes, we understand that canon can change and probably will, but we do love a challenge.
“Vader,” Obi-Wan muttered. “Vader’s alive.”
DARK LORD: THE RISE OF DARTH VADER BY JAMES LUCENO L
Let’s start at the beginning. We have one instance in Legends where we see Obi-Wan learn that Vader survived Mustafar and it comes mere months after his exile on Tatooine begins. He first hears the name “Vader” mentioned again on the HoloNet during one of his trips into Mos Eisley and nearly faints before panicking to find a way to take Luke and run. (1) This early recognition seems to be reconfirmed in later canon as one of Ben’s greatest fears in the third year of his exile continued to be “sand crunching beneath heavy black boots, a dark cape billowing in the desert squall, the mechanical wheeze of a respirator.” (2) So will we see Obi-Wan only just learning of Vader’s fate in the tenth year of his exile? I’d say that’s highly doubtful unless the show provides a flashback for us—which we will gladly accept.
“Instead, Padmé was dead and Obi-Wan was running for his life, as stripped of everything as Vader was. Without friends, family, purpose…”
DARK LORD: THE RISE OF DARTH VADER BY JAMES LUCENO L
At the same time, Vader was also very convinced that Obi-Wan was still alive and would remain so despite his greatest efforts. Because if there was one thing Vader was good at it, it was holding a grudge like he held a lightsaber, and he would expend quite a bit of energy over the 19 years between episodes III and IV searching for his old Master. (Just ask anyone he comes across in the comics.) Oh, and let’s not forget that it’s also Vader who would later inform a disbelieving Tarkin, in no uncertain terms, that Obi-Wan was still alive and on the Death Star. (3)
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“No, I can’t [leave],” Ben said, firmly. “I must be here.”
KENOBI BY JOHN JACKSON MILLER L
“The core of Anakin that resides in Vader grasps that Tatooine is the source of nearly everything that causes him pain. Vader will never set foot on Tatooine, if only out of fear of reawakening Anakin.”
DARK LORD: THE RISE OF DARTH VADER BY JAMES LUCENO L
Now that we’ve established that they both knew of each other’s survival, it begs the question as to why their paths never actually crossed in 19 years. Personally, I think it’s fairly simple: Obi-Wan would never leave Tatooine and Vader would never go anywhere near it. We will discuss Obi-Wan not leaving Tatooine more in-depth at a later time (and yes, we know what Ewan said about having a ‘rollicking time’), but Vader would canonically never visit his home planet until well after Obi-Wan and Luke were both gone. (4)(5) And by then it was much too late.
That brings us to the most recent ‘Obi-Wan Kenobi’ news and how that fits in with what Legends and canon have told us so far. We received a lot of exciting and thought-provoking announcements in a short amount of time, and frankly, our minds haven’t stopped spinning since. Could the show undo what we currently assume to be true? Yes. Could the show work within those same parameters? Also, yes. Do I personally have any idea what’s going to happen? No. DO I THINK THE SHOW IS GOING TO BE AMAZING NO MATTER WHAT? Y E S. The goal of this exercise is to simply try and reconcile the new details to the existing Star Wars lore because I think that’s what makes it interesting. So you can take it or leave it. The choice is yours. (Until it isn’t because the show has aired and this is all pointless.)
HERE WE GO.
“[Deborah] Chow confirmed that audiences will “definitely see Obi-Wan and Darth Vader get into it again” as we see the blue blade of a hooded Obi-Wan clash with the fiery red blade of Darth Vader.”
“McGregor knows the battle will be eagerly anticipated, and he’s looking forward to performing it just as much: “Having another swing at each other might be quite satisfying for everybody. We hope that you enjoy it as much as we’re going to enjoy making it.””
DEBORAH CHOW AND EWAN MCGREGOR DURING THE DISNEY INVESTOR’S REEL
Not only was the “Hayden Christensen returning as Darth Vader” bombshell dropped in our laps, but we were also fed the above morsels (not once but thrice) and told to digest them. Our first reaction was a hearty and well-deserved cry of rejoicing until the realization of what this could all mean set in and it turned into a hearty and well-deserved sob.
There’s hardly a way to be disappointed in the fact that we will see Ewan and Hayden not only together again, but “getting into it” as well, but we do have to wonder what this means for the moment where Obi-Wan and Vader face each other again on the Death Star. The moment is not only pivotal to Episode IV, but I would argue, the entire saga. And it’s made even more impactful by the fact that the two men have not physically confronted each other since their fateful battle on Mustafar.
What we do know, and that which should not change, is that Vader never knew where Obi-Wan was hiding nor that he had Luke, his son, with him. That tells me two things: whatever kind of “rematch” happens here does not endanger Luke’s safety in the long run nor is it probably something that would occur more than once. I think what we’re going to see happen is isolated and “unexpected,” occurring only once ten years into Obi-Wan’s exile.
You: But, All Things Kenobi, if they could never physically meet on Tatooine or elsewhere, then what does this all mean??
Us: Do we look like Deborah Chow or Ewan McGregor? Do we have all the answers for you? NO! But can we try to help ease your mind until the show airs and I’m proven all sorts of wrong?? YES! SO PUT ON THAT TINFOIL HAT AND LET’S DO THIS!!
“I sense something. A presence I’ve not felt since…”
STAR WARS EPISODE IV: A NEW HOPE C
“Obi-Wan once thought as you do.”
STAR WARS EPISODE VI: RETURN OF THE JEDI C
Instantly our minds turned to these two particular comments from Vader in Episodes IV and VI. They’ve always stood out as peculiar, demanding explanation, but even more so now. The first is a vague, open-ended statement that leaves us to assume they hadn’t met again since they parted on the slopes of Mustafar. The second is a seemingly wistful reminiscence of a memory Vader has of his old master.
Luke had just finished making a heartfelt plea for Anakin to remember his “true self” then says, “come with me.” Where did Obi-Wan make the same appeal to only be shunned by Vader as well? Is it possible the series will show us this after all these years and possibly solve the riddle of both enigmatic statements at once? Is it possible that any such conversation might quickly devolve into another lightsaber-fueled clash??
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“Count Dooku was Yoda’s apprentice.”
“And Count Dooku has fallen to the dark side.”
“All of us have apprenticed to Master Yoda.”
“He cannot be held accountable for Dooku’s descent.”
“But they are connected. Profoundly.”
THE CLONE WARS 6×11 “VOICES” C
A distinct bond exists between each Padawan and Master and unfortunately that bond does not disappear when one or the other becomes a Sith Lord. Despite the bond between Obi-Wan and Anakin being firmly closed at both ends, there’s no doubt that a presence remains. And even the most sturdy walls might crack from time to time.
Even after 19 years apart, Vader is quick to recognize when Obi-Wan is nearby and goes so far as to know his intent. “Escape is not his plan. I must face him alone.” And he’s right. (3) As for Obi-Wan, the Force has plagued him with dreams and visions, even showing him “a limbless wreck hanging in a bacta tank, necrotic skin pallid and scarred.” (2)
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Could their strong connection be the vehicle that allows Obi-Wan and Anakin to confront each other once more? Within the Force they could not only converse, but we could also see them “take another swing” at each other without any physical consequences no matter who “wins.” The mental toll would also make for great drama for both men and bring a new perspective and emotional weight to several scenes in the Original Trilogy.
“If you loved me, Obi-Wan, you would have killed me.”
STAR WARS: DARTH VADER 24 BY KIERON GILLEN C
Finally, it’s quite possible that Obi-Wan might not physically be involved at all in their “rematch” and it might be entirely from Vader’s perspective. One theory could be as simple as the fact that Vader once had a training droid whose deadliest combat setting took the form of his former master. (Oh, Anakin.) (6) Another theory, and a much more likely one, could be that Vader has a Force vision or dream that allows him to recreate and relive various moments between himself and Obi-Wan, including, but not limited to, another lightsaber battle. This would be interesting to witness as every time it occurs, it means that Vader is wrestling with Anakin.
Although the Obi-Wan that continues to exist in Anakin’s psyche doesn’t seem too different from the real thing, just imagine Ewan McGregor getting to play Obi-Wan from Anakin’s point of view…I’ll just drop my mic there.
Star Wars: Darth Vader 24 by Kieron Gillen (2016) C
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Star Wars: Darth Vader 5 by Charles Soule (2017) C
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Citations:
(1) Dark Lord: The Rise of Darth Vader by James Luceno L
(2) “Time of Death” – From A Certain Point of View by Cavan Scott C
(3) Star Wars Episode IV: A New Hope C
(4) Star Wars: Darth Vader 2016 by Kieron Gillen C
(5) Star Wars: Darth Vader 2020 by Greg Pak C
(6) Star Wars: The Force Unleashed (2008) by Haden Blackman L
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Press: Elizabeth Olsen, Much Like Wanda Maximoff, Comforts Herself With Classic TV
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W MAGAZINE: For W’s second annual TV Portfolio, we asked 26 of the most sought-after names in television to pay homage to their favorite small-screen characters by stepping into their shoes.
WandaVision was the first television show produced by Marvel Studios, and any gamble Disney+ took to make the series happen immediately paid off. At one point during its nine-episode run, WandaVision was the most popular streamed show in the world (beaten only recently by another Marvel series, Loki). The suburbia-set series received critical acclaim, snagging 23 Emmy nominations—one of those for Elizabeth Olsen, who was nominated for Outstanding Lead Actress in a Limited or Anthology Series or Movie for her performance as the titular Wanda—and convinced even the biggest Marvel skeptics to buy into its delicious plot.
It might come as a surprise, then, that Olsen doesn’t really watch that much contemporary television herself. But who could blame the actress, when most of her time is spent filming scenes for the Marvel Cinematic Universe as Wanda Maximoff (also known as the Scarlet Witch), a wielder of chaos magic who materializes in the small town of Westview—first as a 1950s-era housewife married to a humanlike robot named Vision (played by Paul Bettany), then as a ’60s housewife, then a ’70s housewife, and so on. When the actress does watch television, though, she prefers to get into some of those older shows, like Murder, She Wrote, which she chose to re-create above, and, of course, episodes of ’90s sitcoms like Full House, of which there was no dearth in the actress’s childhood.
My contract with Marvel was done. Kevin Feige, who runs Marvel, had me come into his office, and he pitched me WandaVision. I loved the concept of it, but I was terrified of a new streaming service—that is now Disney+.
Did you know the entire concept going in, or was it revealed to you over time?
He told me that he wanted to create a story about Wanda Maximoff manipulating reality to mimic the sitcoms that she grew up with in order to comfort herself. He wanted it to be kind of trippy, for it to feel like a sitcom, but twisted, kind of Twilight Zone-y. That reminded me of Twilight Zone: The Movie, where there’s a boy who is obsessed with television, has a horrible family, and he conjures up a bunny that kills his whole family. It’s really wacky. I just thought, It would be incredible if we do anything that’s a piece of that.
Were you personally a fan of I Love Lucy and other old sitcoms?
Yeah, I watched Nick at Nite all the time. I loved I Love Lucy, Laverne & Shirley. I didn’t like The Brady Bunch, but I loved the Brady Bunch sequel movies. That made me excited to get to reference The Brady Bunch [in WandaVision].
Did you shoot the episodes in order, or did you go back and forth between the 1950s and ’60s?
We tried to film everything in order. The exteriors, though, we hopped around. Our fences, the color of the houses, the flowers all look different from decade to decade. Luckily, it was pretty contained, but it really was sad to wrap the sitcom. We wrapped it when Paul and I and Kathryn [Hahn] and Teyonah [Parris] were filming the ’70s opening montage to the Brady Bunch theme, and that was how he wrapped it—in six bizarre outfits, with a pregnant belly on a tandem bike.
Did you keep anything from the set?
I’m not a keeper, because I feel like I’m not allowed to [keep things]. I feel like everything goes into some box that they hide from everyone, then maybe eventually they’ll retire and reuse shit. I have no idea.
I thought you might keep Wanda’s apron!
That would have been a really impractical apron. It was made out of gauze. Anything would bleed right through it.
Do you have an understanding of women in each decade now? Did you have to wear the undergarments and the whole nine yards?
Yeah. I loved the undergarments. It’s all helpful for the time, for the character, for how women move, how they talk. The shoes were the worst. I did wear vintage period shoes. And that’s awful. My feet don’t even like heels, let alone heels that have quite literally no support.
Is it difficult to have kissing scenes with all the purple paint on Paul Bettany when he’s dressed as Vision?
It’s really hard. It comes off on me, even though they try as much as they can to powder him. They have to powder his hands all the time, because if he wants to touch my face… They have to be on top of us for those scenes. It’s really not practical.
So which character did you decide to play for our portfolio?
I decided to be Angela Lansbury [as Jessica Fletcher] in Murder, She Wrote. I asked my friend Clayton Hawkins, who’s a hairstylist and great with wigs, if he could get a cheap wig and wrap my hair. And that’s what we did. I was watching Murder, She Wrote in London a lot.
During lockdown?
I was filming there, and in and out of lockdowns, but filming through lockdowns as well. And that was one of the things that would be on the television. I think I never really sat down and watched Murder, She Wrote until then. It’s fabulous. Great guest stars, great whodunits. My favorite moment is when they solve it and play it out for you in the solving of the mystery and going backwards. It’s just delicious, and it feels good to watch. There’s a great horse-racing episode that I loved, because I love the racetrack.
Did you have a TV show you loved growing up?
I never did Dawson’s Creek, I never did any of those shows. What did I watch, though? I loved Family Matters, Step by Step, The Torkelsons. And I loved Full House. We had all the VHSs, and it was very easy to watch at my house.
Did you have a crush on John Stamos?
Yes.
Who was your cinematic crush when you were growing up?
Frank Sinatra. I didn’t know they were old movies that I was watching. So when you say “TV shows,” what I consumed as a child was all old musicals, like Oklahoma!, Guys and Dolls, Carousel, West Side Story. I loved classic musicals, and I was in love with Frank Sinatra. I would do scenes with him in my bathroom, which then turned into scenes with George Clooney as I got older and I realized Frank Sinatra was an old man. I was like, Well, maybe if I get older, I can at least work with George Clooney, as his daughter’s friend or something, and then we have a thing.
What was your first red carpet look? Was it for Martha Marcy May Marlene?
Yeah, Cannes was my first red carpet look. I was in the Row. I was in a black Row skirt and a lace top, and I didn’t have an undergarment on. I didn’t know that flash photography at night was going to be my enemy, and my publicist worked really hard to try and remove those pictures from the Internet. [Laughs]
Do you have a secret skill?
You know what I’m really good at? Removing stains. I believe I can remove a stain from anything.
How did you learn to remove stains?
Probably started with my mom, who’s a soaker. That’s kind of the first rule: patience. And then, because I cook so much, I think I just had to learn. I’m pretty “woman of the house” handy.
I thought you were going to say that your secret skill was that you can sell real estate. Because when I first met you, you had a real estate license.
I did. It’s definitely expired. I got my real estate license because I didn’t want to work in a restaurant in New York as a summer job. So I thought, I’ll work in a real estate office. I was dealing with my sister’s friend who was a realtor, and I dealt with his rental clients. And I would mispronounce streets in New York all the time, because I had just moved there.
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Press: Elizabeth Olsen, Much Like Wanda Maximoff, Comforts Herself With Classic TV was originally published on Elizabeth Olsen Source • Your source for everything Elizabeth Olsen
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nutty1005 · 4 years
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Xiao Zhan, welcome to the cruel entertainment business
Original Article: https://mp.weixin.qq.com/s/6qaJPp9O1exu4M8xtbt71A Original Author: 杨晋亚 Translator’s note: The original author is part of Yuli Studio, this article is published in Yuli Studio’s Weixin Official Account on 15 Sep 2019 as a part of “Behind the Screens” Volume 210.
“I never thought it would happen this way, this was fated.”
A month ago, he was just accepted by audiences due to “The Untamed” and just became one of the most popular actors. Now, he had to take on the responsibility of a movie’s box office as the main lead actor, and show his worth to the movie industry.
Three days before “Jade Dynasty I” aired in the cinemas, Yuli Studio met up with the nervous Xiao Zhan, who told us his fears, “Movies, well, they are very direct, very pragmatic and very cruel, so there’s no choice, since we’re already here, I just have to work hard to do my best.”
With traffic and popularity, comes others’ views and opinions – some expected him to withstand the stress of the box office, but there were also others waiting to laugh at his failure. “Jade Dynasty I” was the first obstacle Xiao Zhan was breaking through, and the path ahead was still long.
Xiao Zhan, welcome to the cruel entertainment business.
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Xiao Zhan at “Jade Dynasty I” Press Conference
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Looking back at the movie journeys of all the traffic actors, no one was like Xiao Zhan, who took on a movie while he was still a nobody, and this movie aired just barely 2 months after he made a name, putting his resource conversion ability to a public test.
On the first day, the box office was 142 million, on the second day it broke 200 million, these were the results “Jade Dynasty I” achieved during the Mid Autumn movie season, which exceeded many people’s expectations. The first day was with fans support, the second day still had interested moviegoers, Xiao Zhan’s first time as the lead actor on silver screen and he miraculously withstood the box office.
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“Jade Dynasty I” Super Topic + Maoyan Movie Professional Box Office Chart
This was Xiao Zhan’s third time on the silver screen.
The first time, he was a little monster dressed in flowery clothes in “Monster Hunt 2”, drowned in a sea of group actors, almost unnoticeable as the camera panned past him in a second. The second time, he was a special agent, a side character that barely had 1 minute of screen time, in “The Rookies” during that year’s summer movie season. The third time, he became the main lead actor and took on the entire movie, presenting the process of innocent Zhang Xiaofan becoming a demon.
The production team of “Jade Dynasty I” revealed that, whether or not Xiao Zhan became popular, the movie was planned to air on 8 Aug, however because the post production was incomplete, hence it was shifted to the Mid Autumn movie season.
Director Cheng Xiaodong said that the luckiest decision he made for “Jade Dynasty I” was to cast Xiao Zhan, “I never thought that his acting would be so natural so good, he is not pretentious, and he is very humble, when you tell him something he will listen and improve.”
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Stage photographs from “Jade Dynasty I”, Xiao Zhan before and after demonizing 
On set, Cheng Xiaodong even actively added some scenes for Xiao Zhan, for example the scene at the start of the movie where Xiaofan was fantasizing about his senior, Tian Linger, “I found that he could act in all layers, he could do dull and dimwitted, he could do the demonizing transformation later on, so this movie he had many layers, the pace kept changing.”
To Xiao Zhan, Zhang Xiaofan of “Jade Dynasty I” was an unforgettable milestone, it was considered to be his toughest filming. Filming in conditions under 20°C and being blown by a giant fan, hung upside down for a free fall of 30 meters, in order to maintain his sense of the role, he even turned off the heater in his trailer, just so that his body will adapt to the temperature outside.
Before “Jade Dynasty I” aired, Xiao Zhan once said, “If the reception of the movie isn’t very good, I just have to work harder in the future. If it was not bad, then I am grateful that you saw my hard work from that period of time.”
After the movie aired, Xiao Zhan became the center of discussion for “Jade Dynasty I”. The movie’s quality was the result of an entire movie crew’s hard work, but now that all the discussions had landed on Xiao Zhan, to a certain degree, that was the price to pay for fame.
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Stage photograph from”Jade Dynasty I”, Xiao Zhan as Zhang Xiaofan 
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On 23 Aug, there was a video on Weibo that was reposted a few tens of thousands of times.
In the video, Xiao Zhan had just ended a day’s filming, and after he got off the car, the 20 over fans waiting at the hotel entrance got rowdy, they blocked Xiao Zhan’s path and took pictures of him in his face using their phones. Spotting a gap at the side, Xiao Zhan suddenly took off running, and then he safely entered the elevator.
During the filming period of “The Oath of Love” recently at Wuxi, crazy fan actions were happening everyday as Xiao Zhan went to and from his work, sometimes they would surround and block him in the underground car park, sometimes when he got into the car they would forcibly block the car doors from closing, sometimes they would knock on his hotel room door to stuff notes to him.
Xiaofan, a staff who worked around Xiao Zhan said that the sasaeng problems was already very serious, the company wanted to provide him two assistants and security guards, but Xiao Zhan insisted not to.
“Because he didn’t want to give off the impression that he started acting like a big shot after he got famous.”
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During the interview, Xiao Zhan spoke about the sasaeng problems again
From the media’s perspective, we have witnessed many artists change after they got famous, some would have a star aura, some would be exuding confidence from in to out, Yuli Studio’s reporter Lanpangzi once visited the set of “The Untamed”, and one year later met Xiao Zhan again at the “Jade Dynasty I” press conference, Lanpangzi discovered that Xiao Zhan was still as warm and accommodating like the boy-next-door.
At the backstage of the press conference, a few tens of guests spoke to Xiao Zhan consecutively, he was smiling at everyone, and slowly fulfilled each and everyone’s request to take a photograph together, and only until 4pm that afternoon he was able to finally have time for a few mouths of a lunchbox. The continuous non-stop interviews started at 4.05pm, all the reporters wanted a photograph together, and he tried to accommodate even under such tight scheduling.
After becoming famous, Xiao Zhan had more and more interviews, and if he was not careful, he would be accused of putting on airs if the arrangements of the interviews were done wrongly. Xiaofan said that Xiao Zhan himself was especially aware of this point, “He is now even more nervous than before, and he had expectations of all of his staff, please don’t think that he is putting on airs just because of our errors.”
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Xiao Zhan at the “Jade Dynasty I” Press Conference
After joining the “Jade Dynasty I” press conference in Beijing, Xiao Zhan had to quickly fly back to Wuxi to continue filming.
Before “The Untamed” finished airing, Xiao Zhan had already entered the filming for “The Oath of Love”, and filming while at the height of his fame would mean that he would miss a lot of event opportunities. When his fans were worried about his limited exposures, Xiao Zhan’s thoughts was that: “What’s there to be worried about, I feel that an actor’s life comes from his works.”
In fact, Xiao Zhan had received a lot of invitations from many events, so his biggest worry was how he could maintain his normal acting condition.
“Some events you just had to complete, and then I had some commercial obligations prior, like that day at Suzhou, that was a contract that I signed then,” Xiaofan said, “the last thing that Xiao Zhan wanted to do was to take leave.”
Xiao Zhan’s current schedule at “The Oath of Love” was from 8am to 10pm, if he had to take leave, it meant that when Xiao Zhan returned to the set he would have to work overtime to film his scenes.
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Stage photograph from “The Oath of Love”, Xiao Zhan as Gu Wei
The performance teacher accompanying the filming , Yang Xu, witnessed Xiao Zhan’s helplessness and anxiety.
“His load in ‘The Oath of Love’ was especially big, basically we could only discuss his scenes that day while he was doing his make up in the morning, because the filming would end very late at night, I wanted him to go back for more rest. Moreover the fan problems now are too prominent, sometimes he would also talk to me a bit, although I don’t think this incident affected his mood or his performance, but it definitely affected his normal resting time.”
For a while, Yang Xu was very worried about Xiao Zhan’s condition, but what surprised him was that, although the filming would end very late at night, but by the next day, Xiao Zhan would have memorized his lines and made full preparations before coming to the make up room.
“That was what made him powerful, and I found that he would actually really use every bit of spare time to prepare for the role and his lines, for example, while doing his make up, even when going to the toilet, he would be holding the script, and then during the rest period after filming every scene, he would be reading his lines with me while drinking coffee, because lines reading needed partners, I said you just take me as your partner.”
When he was away from the set on leave, Xiao Zhan took late night flights between Beijing and Wuxi almost every time, and in the photographs taken by his fans at the airport, he would also be reading his script.
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Stage photograph from “The Oath of Love”, Xiao Zhan as Gu Wei 
Every early morning at the make up room would also be the spare time for Xiao Zhan and Xiaofan to talk about their work and release stress.
“Now he does not seem to enjoy the applause and glory from the opportunities that came with his sudden fame, a lot of it was some anxiety and confusion,” in Xiaofan’s eyes, these two months in Xiao Zhan’s life definitely changed.
“Suddenly, we experienced a lot of things that we don’t quite understand, it could have been a small mistake at work, but we would gain the attention of anti-fans or fans. He is more of an introvert, he doesn’t go out to entertain, stays at home more, leads simple life, and suddenly his life came under the spotlight, wherever he went there will be fans following, he was definitely anxious.”
The seniors in the industry would also give Xiao Zhan some advice, and share with him some of the survival rules in the entertainment world that he had not experienced. “For example we will having having a fun conversation, or someone would be telling some something he does not know about in the industry, the next day he will tell me that the conversation made him quite excited, he learned a lot, I feel like he is a sponge like person, continuously absorbing,” a senior in the industry revealed.
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Xiao Zhan 
03
On 10 Aug, a day before the filming starts for “The Oath of Love”, performance teacher Yang Xu finally met Xiao Zhan again.
The script for “The Oath of Love” was given to Yang Xu quite early on, Xiao Zhan also wanted to quickly get into the preparation for this role, but because the promotion schedule for “The Untamed” was too tight, they did not manage to squeeze out some time to discuss about the script face-to-face.
“That day’s morning he just fixed his costume, we only met briefly at night,” Yang Xu recalled, but what put him at ease was that Xiao Zhan already made full analysis and preparation of the script, “At that time, I felt assured, his analytical skills of his roles were getting stronger, he was already able to analyze the script independently.”
Yang Xu, who was once a teacher in Central Drama School, participated in many dramas, such as “Nothing Gold Can Stay”, as their performance instructor. When he joined “The Oath of Love”, it was already his third time working with Xiao Zhan.
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Stage photograph from “The Oath of Love”, Xiao Zhan as Gu Wei 
While filming “The Untamed”, Xiao Zhan told the visiting staff from Yuli Studio that he wished to improve his lines. After finishing “Jade Dynasty I”, Xiao Zhan proactively went to Yang Xu for a few classes.
The airing “The Untamed” in this summer made many viewers notice the actor Xiao Zhan.
In the “Bloodbath at Nevernight City” in episode 32, Wei Wuxian stood on top of a roof, facing off the accusations from all of the sects, crying and laughing, unable to explain himself. In this part, the Yiling Patriarch’s rage was at his max, and it was Xiao Zhan’s golden moment of his acting abilities, and many drama fans were surprised to find out that the filming of that scene was done in the same day as another scene – that day’s morning was the filming of youth Wei Wuxian in the library, and at night he immediately went into the condition of the Yiling Patriarch dying in Nevernight City.
We asked him how he could film such extreme conditions within the same day, Xiao Zhan confessed that he himself did not know, “I saw some gifs and clips, if I had to suddenly redo this scene, I don’t think I can outperform that me then, I guess that time it was the accumulation of time and condition, maybe that period of time I had already blended into the role.”
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Stage photographs from “The Untamed”, Wei Wuxian at Nevernight City and the Library
Drama fans attributed this to Xiao Zhan’s “self-sacrificing styled acting” performance method, in the drama, Wei Wuxian depended on someone to use the “self-sacrificing curse” 16 years later to resurrect – this “self-sacrifice” meant that Xiao Zhan gave himself entirely to the role of Wei Wuxian.
To Yang Xu, Xiao Zhan’s instinctive acting method, where he became the role, actually came from this “sincerity”, and this was where the advantage of Xiao Zhan as an actor lied.
“Xiao Zhan is a very sincere person, I spoke to him then that sincerity is a very important quality in an actor. This sincerity meant that he could 100% give away himself, he was the same when he was taking classes with me. Because when we were practicing, he also needed to share some of his privacy or live experiences, he would share them very sincerely.”
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Stage photograph from “The Untamed”, Xiao Zhan as Wei Wuxian
Yang Xu felt that the introvert and quiet Doctor Gu from “The Oath of Love” was more like Xiao Zhan in his everyday life. But Xiao Zhan felt nervous about this role having similarities with his own character, because he felt that he had not acted in any contemporary dramas. Before filming started, he constantly asked Yang Xu about the differences between contemporary dramas and period dramas, whether he was to portray life as more at will compared to period dramas.
Yang Xu told him, at its core they are acting out human emotions, therefore he must truly experience the life of this character, and then build a realistic communication with his partner.
“Yang Zi is a more quick-witted actress, her performances are very varied, if at this time Xiao Zhan wasn’t about to build enough communication with Yang Zi, or not focused enough, then the two of them might not be able to match up. But what’s good is that Xiao Zhan is very sincere, and he could receive Yang Zi’s performance, and then reply with his layered emotions. I was on set watching a few of their scenes, I personally feel that Xiao Zhan did very well.”
From “Jade Dynasty I” to “The Oath of Love”, Yang Xu saw the growth of Xiao Zhan within this half year. During the process of working with Yang Zi, Xiao Zhan became willing to try more variations, willing to breakthrough his fixed style of acting, and look for changes in every scene and every line.
“He is very concerned about how he crafts every single character, he has his own expectations of his performance and profession, he will never be satisfied with his results and what he has attained in performance. He will forever be seeking, and with this seeking, he will have motivation to learn and grow. And he is very talented, I always tell him, you definitely can become a good actor.”
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“The Oath of Love” Character Poster
04
We reverse the time back to early 2017, Xiao Zhan has just joined the filming of “Battle Through the Heaven”, as the minor role Lin Xiuya.
Then, Xiao Zhan had just entered the entertainment industry for barely a year, and acted in a web drama that he jokingly called it his “dark history” later on.
During the performance classes before the filming of “Battle Through the Heaven”, Xiao Zhan stood out from all the newcomers, not only because of his outstanding looks, but also because he was well-mannered and polite, very hardworking during the filming, and left a great impression on the staff.
“Battle Through the Heaven” was filmed throughout the Chinese New Year period of 2017, the new actors did not go home, and one of the seniors in the crew was talking to them, telling them that as a singer in China, their career progression might be more limited, and they should go down the path of acting, but the path of acting is a path of no return, they could only move forward and not backwards, therefore you will need to put in everything for it.
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Stage photograph from “Battle Through the Heaven” Season 1, Xiao Zhan as Lin Xiuya
Born in 1991, Xiao Zhan was the representative of “over-aged commoner pursuing an entertainment business dream”, he only started to learn dancing at the age of 24, debuting as a part of a boy group. That spring, the 26 year old took in what the senior said, and started to consider the possibility of changing his career path.
At that time, Xiao Zhan was not confident, he felt that he came from an idol group background, and he was not sure if he could become an actor. But one of the strengths of Xiao Zhan was that he would not consider whether he could or not, instead, he would “choose, I just want to do it well, do it first, we’ll see the results later”.
Just like him starting to learn dancing with no foundations, but he saw effects after a month; during the idol competition his mentor Shu Qi suggested that he train his gaze, and a few weeks later he started to shed off the commoner in his gaze; in the transformation to become an actor, the senior encouraged him to lose weight first, and come to the set of “The Wolf” 3 months later, he really lost 10lbs.
“The Wolf” was Xiao Zhan’s entry work, followed through the entire drama as a part of the lead actors, and gained an acting quality improvement from 0 points to 50 points. A member of the staff revealed that hotels with better conditions were further away from the set, and in order to leave more time to acting, Xiao Zhan took the initiative to pick a hotel that was near the set despite it having worse conditions.
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Stage photograph from “The Wolf”, Xiao Zhan as Ji Chong 
During the filming period of “Battle Through the Heaven” and “The Wolf”, transforming from a singer to an actor facing cameras, that sensation once caused Xiao Zhan to lose the sense of himself, unsure how he could let the audiences believe that he was that role. During the filming of “The Untamed”, Xiao Zhan was still not confident enough, compared to the newcomers around him that came from acting schools, Xiao Zhan did not have any advantages.
“My thoughts and intentions had always been very simple, that is I want to do it well,” Xiao Zhan said, during the filming of “The Wolf”, he filmed in the day and took classes at night, writing his acting analysis in the late night, he also broke down once or twice, writing them while crying, but eventually he persisted.
The seed of stubbornness and refusal to admit defeat is deeply rooted in Xiao Zhan’s body, as a child he would go to Shaoniangong every weekend to learn drawing, and nothing would keep him from it, because that was something he wanted to do from his heart; when competing in the idol competition, facing many teammates who were from music academies, he thought to himself that “if you could do it, then I could do it too, and I’ll do it even better”; when filming, he believed that viewers would not be concerned whether he came from an acting background, but the most direct answer would be whether he acted well or not.
“The Untamed” finally brought the actor Xiao Zhan to everyone’s notice.
That summer, he became the entertainment business’s new top traffic power, his supertopic firmly in the top three, all kinds of gossip forums had posts about him, and “Jade Dynasty I” also showcased his appeal.
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Stage photograph from “The Untamed”, Xiao Zhan as Wei Wuxian 
Why was he able to receive so much love this summer?
There were many within the entertainment circle that looked well upon Xiao Zhan, two of them could provide answers or a type of assessment:
“Xiao Zhan used his acting abilities to conquer me”; “I see the shadow of every worker on him, he carries the hopes and dreams of every man pursuing a dream.”
There was a microblog titled “Recording Xiao Zhan’s every man moments” that obtained 330 thousand likes, and within it, fans shared many little stories about him.
For example, after living for 28 years, Xiao Zhan’s most prideful moment was to have his logo sell well as a designer; the backgrounds of his group’s concerts and the web drama’s slides were all drawn by him; his mobile phone home screen was the God of Fortune, like every person who hoped for a sudden windfall.
One part was the recognition of his working capabilities; the other part, the Xiao Zhan, who became a designer after graduation and went through a year of working life before pursuing his “entertainment business dream”, was indeed very different from the idols that were cultivated from the idol machine, he came with common sense and life experiences, his past was definitely able to resonate with every man.
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Xiao Zhan 
05
A fan once sent this microblog – Xiao Zhan’s temperament is so good, perhaps it’s because he had been honed by his clients. Xiao Zhan himself replied her with a meme: “What do you mean?”
The experience as a contractor, plus always facing people with a smile, everyone’s first impression of Xiao Zhan was that he was a gentle person with a good temperament.
Xiao Zhan always habitually considered others’ feelings first.
Staff Xiaofan revealed that the previous assistant was not capable enough, made a lot of mistakes, but Xiao Zhan never lost his temper at him.
Yang Xu accompanied Xiao Zhan every morning in the make up room for script reading, there was once Xiao Zhan had insomnia the night before and was in a bad shape, he took the initiative to apologize to the teacher, “That day I could feel that he was actually very tired, but he still tried his best to maintain his condition to discuss his role with me, later on he came to me and said, teacher I’m sorry, my condition was bad in the morning, you took still so much effort to explain the role to me, I feel quite bad, you can come slightly later, otherwise you’ll feel bad looking at my current state. I was very touched then, I said you just rest well and don’t worry about me.”
In the idol competition, someone once questioned Xiao Zhan’s character as passive and unenthusiastic. To Xiaofan, this is because “he is always humble and polite to people he doesn’t know well, and he’ll treat everyone with a sense of propriety.”
A reporter once asked Xiao Zhan if he was a Mr. Nice Guy. Xiao Zhan replied, “I feel that those who feel like this are probably acquaintances. People who know me very well will know that I’m actually quite stubborn and quite strong-headed.”
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Xiao Zhan 
Xiao Zhan said, he did not like to make the atmosphere uncomfortable, he hoped that everyone could all be harmonious.
But in the “Secret Garden”, Xiao Zhan will unexpectedly shed off this shell of warm smiles and display the tenacious edge in his heart.
Xiao Zhan had a microblog that held the heartfelt words between he and his fans, and some words Xiao Zhan would quietly post in the comments, and those who care for him would always see it.
Last year after “The Untamed” started filming, there were those who believed that he would rise to fame very quickly, but there were also those who mocked him for “being famous on credit”, Xiao Zhan, who had a nickname “Brother Wealthy”, quietly posted a comment on the sentiments then, “I have money, I don’t go on credit.”
In his daily life, Xiao Zhan does not like to cry, he said he has given all of his tears to his characters. Once in a while, everyone can also see that soft Xiao Zhan coming out of his protective shell. Last year during the Hangzhou concert, he looked at the hall full of his fans’ support, singing the song, “Satisfaction”, that his fans fought for him, he tried to keep in his tears.
After bursting to fame, whether Xiao Zhan will continue to display his strong or soft moments, we would not know, but Xiaofan revealed that the staff do not control Xiao Zhan’s microblog postings, the “Secret Garden” continues to be his method of communicating with his fans.
But we can be certain that Xiao Zhan is slowly learning and adjusting to the rules of the entertainment business, becoming more careful, he will sometimes tell his staff, “We need to be more careful than before.”
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Xiao Zhan’s Mid Autumn greetings 
06
The night after the premiere of “Jade Dynasty I”, Xiao Zhan secretly went to record a program at CCTV. That night at 8.30pm, word from the scalpers circle came out, “Xiao Zhan’s activity, those who can come to the area near the world trade center message me! Limited seats! Hurry!”
Later on, there were a lot of fans gathering at the north entrance of CCTV, and until late night at 11pm, there were still large groups of fans quietly waiting. Xiao Zhan and his staff would sometimes wonder, when would days like this ever end, but they also understood that this is an anomaly, things would slowly stabilize after a few months, and the future still depended on his works.
After completing the filming of “The Oath of Love”, Xiao Zhan will go through a period of rest and adjustment, and enter filming again at the start of next year.
“What worried him previously what that he didn’t know where his opportunities were, didn’t know which path he should take; now of course he’s firmly decided on being a good actor,” Xiaofan revealed.
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Xiao Zhan at the premiere press conference of “Jade Dynasty I” 
His vlogs since his debut, until yesterday when he spoke to everyone online, Xiao Zhan always started with “I am still Xiao Zhan”.
After rising to fame, Xiao Zhan told himself that he needed to work harder in his life, and work hard to remind himself to stay common and still be that very initial Xiao Zhan.
However, no one would be able to foresee the possibilities of Xiao Zhan in his career, “No one restricted that I have to be this type of Xiao Zhan my whole life,” since he is someone who likes to stay on his feet, and very willing to try and change.
Entering this cruel entertainment business, Xiao Zhan still continues to be a honorable working class, lying on his sofa after knocking off; traffic comes and goes, he tells himself that he should not compare with anyone else, he should only compete against himself, and be a long distance runner.
Only passion and sincerity can withstand the long and slow passage of time.
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Xiao Zhan looking at that year’s fireworks
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argumentl · 3 years
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The Freedom of Expression, radio version. Ep 15, Jan 2016.
Kaoru introduces the show's concept first, and then welcomes Joe. Joe comments on how Dir's Budokan shows are due to happen in less than a week. Kaoru also says that he will have done a talk event in Shinjuku the previous day ('will have', as the show is pre-recorded).
Kaoru then reads out the show's contact info and gets straight on with the first topic. He begins by saying that over the new year period, and during time off many people will have been watching movies. Joe asks Kaoru how often he goes to see movies. Kaoru says he goes to the movie theater maybe 2-3 times a year, and otherwise buys or rents DVSs. He also says he watches a lot on satellite tv services like Sky Perfect etc. Joe asks him which movies from the previous year have left an impression on him. He says there is always something that did, but he can never think of it off the top of his head when he is asked. One example he can remember is the movie, 'Zero Gravity'. He can actually say more about movies he wants to see. For example, 'The Act of Killing', a documentary movie looking into the minds of those responsibile for a mass killing in Indonesia (Joe thinks the movie is set in Thailand, but its actually Indonesia).
Kaoru also mentions the John Malkovich film, '100 Years', which is due to be premiered on the 18th of November in the year 2115 in Cognac, France. Until then, it is being kept in a safe which is set to open automatically in 100 years time. Kaoru is kinda interested in this safe. Invitations to the premier made out of metal have been sent to various people for them to pass on to their descendants. The inspiration behind the idea came from the amount of time it takes to make Lois XIII Congac, 100 years. Joe thinks this is an interesting idea when compared to the culture of instant consumption of new material that we have now, but wonders whether the film will resonate with audiences 100 years from now. He then considers that we do have movies from 100 years ago that are watchable, Chaplin etc, so maybe this has a chance. Kaoru says that we don't know how far technology will develop in the next 100 years. Joe asks Kaoru whether Dir would ever make a song to be released in 100 years if they were requested to? Kaoru answers that they would if they were ordered to. It would probably be something quite simple if they did. Something timeless, with a simple message that wasn't influenced by the trends of the age. He also says that he tries to do this anyway as it can lead to new discoveries. Joe thinks its weird that none of the people involved in the movie will be around when it is eventually released. This leaves a slightly bitter taste with Kaoru, as they won't ever have to take the criticism or responsibility for it.
Next they welcome Dobashi for the Tokyo Sports corner. His first topic is that the media compay 'Shin R25' had announced a list of 'Athletes you don't want to be friends with', after carrying out a survey on men in the 20s-30s age range in 2015. The results were as follows:
1) Soccer player Honda Keisuke.
2) Baseball star Ichiro
3) Baseball player Yu Darvish
4) Sumo wrestler Hakuko Sho
5) Skater Yuzuru Hanyu/Golfer Ishikawa Ryo.
etc etc.
Dobashi agrees with this list, stating these kind of people are harsh, and difficult to interview. In particular he mentions that Honda Keisuke is not a fan of Tokyo Sports. Why?  asks Joe...Well, says Dobashi, its because they've written a lot of pieces badmouthing him. (lols from the others at this). Dobashi had also heard that Ichiro would often fire tough questions back at journalists.
Joe asks Kaoru what he does when he's not in the mood to be interviewed, or he doesn't like the questions. Kaoru says its not so much of a big deal, because they only ever appear in quite limited sections of the media (music mags etc). So, as they are not usually all over the tv or newspapers etc, they feel quite free to answer in any way they please, or not. Kaoru is not sure if this is a good thing, as he wonders if the magazines will still put it out what he says in the way that he actually intends it.
Joe then asks Dobashi if Tokyo Sports confirms the content of articles with their subjects before publishing. Dobashi says they do sometimes, and he then goes into a long explantion about the inner workings of Tokyo Sports compared to other newspapers. Joe asks Kaoru how strict he is when it comes to checking his interviews before a magazine publishes. He says he does look out for instances where the interviewer has got his nuance wrong, and he will also cut sections that he thinks the members have gotten carried away with durng interviews. Dobashi says checking material with artists etc can be very tricky for newspapers, because they want to try to avoid any kind of censorship if they can, and maximise their freedom of press. Also, people are generally wary of the newspapers getting any kind of scoop on them.
Dobashi's next story relates to the news that journalist Tatsuya Kato, former Seoul Bureau cheif at Sankei shinbun newspaper, had been aquitted after being charged with defamation of the South Korean president for questioning her wherabouts in the hours after the ferry sinking disaster in 2015. This makes Dobashi think about how much the freedom of reporting is tolerated. Another point of interest is that in the 50th year since the normalisation of Japan/South Korea relations, the judge in the case indicated a desire not to inflame current Japanese-Korean ties. Dobashi wonders how much of the aquittal came from the potential dimplomatic consequences, and how much came from a desire to uphold press freedom. Joe comments that to him it feels wrong to only target the journalist who wrote the article, and not the newspaper that published it. Kaoru concludes that the eventual outcome of the case seems natural, considering the damage that would have otherwise been done to the slowly improving Japanese-South Korean relations.
Kaoru finishes by plugging his imminent Budokan shows, which were to be the final of the Arche tour cycle, but also a means of looking forward to whatever comes next. He says he gets in live mode about a week before a big show like this, due to all the prep that needs to happen in advance. Finally he invites listeners to carry on contacting the show as always via email.
Songs - Dir en grey/ Ruten no tou (acoustic ver.), Orange 9mm/Glistening.
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shima-draws · 5 years
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OKAY OKAY SO I had this idea that’s similar to Reverse Falls—except everyone’s personalities/roles are swapped, so for example Stan takes the place of Ford and ends up in the portal, and Ford takes the place of Stan and is stuck trying to get him back for thirty years. Mabel and Dipper swap, as do Soos and Wendy, and Gideon and Pacifica, Candy and Grenda, etc.
They’re the same people with the same likes/dislikes and talents, but their personalities are all switched around!! So while Dipper is still mega fascinated by science and mysteries and stuff, he’s very outgoing and energetic and silly, while Mabel is more reserved and very shy about her creative passions—which leads to her being the one to find the journals, and take interest in them because they’re quirky and entertaining—and written by Stan :’) Dipper has a million different sweater vests, and Mabel has buttons and pins all over her clothes!
I see Ford and Stan’s story playing out as like, Ford was the one born with six fingers but it never bothered him much, and he was a very energetic personality as a kid, leading him and Stan into tons of trouble. Meanwhile Stan has always had self confidence issues, and he always took people calling him the “lesser twin” to heart, despite Ford encouraging him not to. Stan always had an interest in the mysterious, as well as Ford, but Stan’s fascination of it stemmed from his own anxiety issues, and found that he could relate a lot to the weird and unusual (because really, a lot of them were like him, labeled as weird and dumb because of his “mental” issues)
Rest is under the cut because it got LONG lol
This all came to a head during high school when Stan started writing fiction;; and really GOOD fiction at that. He couldn’t outwardly express himself and his interest in the supernatural, but he could do that through fiction, which made everything so much easier for him since he has social anxiety! And he found he was really talented at it. Which leads to a great big story writing contest, and the principal telling Stan that if he wins he can get a scholarship and go to college for writing. (The principal also says Ford is going places, too, but the things Stan can do will get him far, while Ford will always be stuck with the more…disapproving of careers. Assuming writers are a big hit, and scientists are just seen as frauds and losers.) Stan gets REALLY excited about this, which bums Ford out a lot because he wanted to do the treasure hunting thing and search for anomalies together, but Stan protests saying this is his passion and he’s finally being given an opportunity to do something good and worthwhile with his life.
The night before the contest, Ford sneaks in to the library where all the entries are set up, and accidentally mixes Stan’s story up with someone else’s—the pages get all intermixed and weird, and he quickly leaves before he can fix it because he’s about to get caught by night security (but he THINKS he got the pages in order when he in fact did not). The next day the judges read Stan’s story and say it makes no sense, it’s all out of context and the writing is all over the place and sloppy—so Stan loses. Of course he realizes that something must have happened, and after seeing a pen that belongs to Ford on the floor, he realizes what Ford has done. Which results in their enormous fight, and Ford is the one to be thrown out of the house.
Ford still manages to make it into college anyway, despite being homeless for a time, and starts studying hard. It’s not…a good college, at all, and he gets roughed up a lot and teased by frat boys, and struggles endlessly to make ends meet financially, and battles with intense depression. But he manages, somehow :’)
Stan, on the other hand, is so torn up about Ford leaving that he is essentially writers blocked—and he can’t write anything of any worth for a LONG time. Eventually he’s forced to get a low paying job in Glass Shard, wondering where it all went wrong, and missing Ford fiercely but still too upset to reach out. (He’s sure Ford is doing fine on his own, anyway.)
Eventually Stan manages to catch the attention of a publishing company along the way, and gets enough money to finally move out and continue his work! Which leads him to Gravity Falls, a place rumored for being weird, so Stan goes there to get inspiration for his writing, and starts a new life.
Ford, meanwhile, has graduated from college, but with a degree from such a shitty place he’s turned down for many job offers. He essentially starts traveling around the country, trying and failing to get noticed, and things start getting really tight for him moneywise, and people start chasing him down to repay his college debt. Yeah. It’s bad lol
Stan decides to call up an old friend of his that he encountered working part of the industry, Susan!! Susan happily comes up to Gravity Falls to act as an “editor” of some sorts for Stan’s latest in-progress novel. Stan also starts keeping a record of all the weird things he sees in Gravity Falls in a journal—and as time passes, the more he gets involved, and the more crazy he gets about discovering the source of all the weirdness there…which leads to him discovering a cave full of symbols and eventually ends up summoning Time Baby (yes, he and Bill are swapped in this!). Time Baby tells Stan that he’s brilliant, that he can bring all of his stories to life and live out his wildest fantasies if they work together. And so, Time Baby helps Stan in order to build a portal—but not a DIMENSIONAL portal, no. A TIME portal. Because I see Time Baby wanting to extend his rule to every time period possible in this AU, but being limited by time laws and possibly a revolutionized force trying to stop him. If he gets access to a time portal he can spread his influence farther, and attempt to take over all timelines, the past, the present, and the future. And Stan, who in this AU hadn’t grown up knowing when someone was trying to con him, falls for Time Baby’s flattery EASILY, and starts building the portal with his instructions. Susan also helps, being a mechanic alongside an editor. But unfortunately, an accident during testing gave Susan a glimpse into the future, where she witnessed the horrifying truth of Time Baby’s rule. She quit the project and decided to leave Stan on his own, who realizes Time Baby’s lies and started to lose his mind as he attempted to protect himself against the overlord’s influence. Which leads to him calling up Ford!!
Ford, who is currently barely scraping by, drops everything to go see Stan in Gravity Falls, in an excited attempt to reconcile. Of course Stan is driven by paranoia and anxiety at this point, so he snaps at Ford, demands him to hide his journals, and this results in their enormous brawl. Ford gets burned, they accidentally activate the portal, and Stan falls in—to be sent to an apocalyptic future.
Unfortunately without Stan’s other journals Ford has no IDEA how the portal works. And seeing as Stan worked with a being from a future with extreme technological advancements, even with his genius he can’t figure it out right away, and especially without the other journals to help. So, as Ford struggles to bring the portal back online, he decides to take over the Shack and transform it into a science museum of some sorts. Being as outgoing as he is, Ford’s able to draw people in with his friendly personality and contagious energy, which earns him enough money to keep the Shack running. He fakes his own death (mostly to escape the mountain of debt he’s in—I know, Ford isn’t the type, but he really didn’t want people sniffing around after all he’d been through, and paying back loans is the last thing on his mind, especially since he’s avoided it already and is labeled as a criminal anyway), opens the Mystery Shack, which is home to tons of crazy inventions and neat science factoids and tours, and thirty long years pass as he struggles to work the portal again. (He tries tons of different complicated things, but nothing works. He gets very frustrated with it sometimes.)
Eventually, the summer of 2012 arrives and with it comes Dipper and Mabel! And you know, things play out pretty similarly to how the original GF universe did. Bill is an interdimensional demon who keeps track of people dimension hopping (which Mabel and Dipper inevitably end up doing once they get their hands on a space tape), Gideon is filthy rich, Pacifica is a fake psychic who has an interest in Dipper, Wendy is the girl who fixes up the Shack, Soos is the guy always slacking off and being cool (and the thought of Mabel having a crush on him is. WEIRD but consider it being like, teen Soos or smth. Soos but COOL. He could pull it off), Fiddleford is a cheeky waiter at the diner—you get the point lol.
Anyway I am dubbing this AU as UPSIDE-DOWN FALLS! (I apologize if anyone else has ever had a similar idea, but it just popped into my head and I couldn’t disregard it man;;)
Also I feel that Ford and Stan might eventually go traveling the dimensions, or a mishap occurs and they get separated or something—and Ford runs into the regular GF verse Stan, and he has a great fondness for him because they’re practically the same. (Stan won’t admit it but he really likes Upside-Down Ford too.)
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rubyjcat · 3 years
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[Behind-the-Scenes] HELIOS Rising Heroes: Animation Showcase
“HELIOS Rising Heroes: Animation Showcase” is an English voice fan project I worked on all by myself (barring voice actors) that took five months to make.
The original plan was to make just one video, but it ended up being eighteen of them!
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Link to YouTube playlist:
https://www.youtube.com/playlist?list=PL0UbdFyWSx0n_ewcd-t0iAB0adGe5lghH
In this write-up, I’ll be discussing details about the response to the project, recording all the footage, video editing, voice acting + audio processing, script translations + rewriting, which fonts were used, and even the emulator used. I’ve organized it into sections to make it easier to find certain things. Also, this is directed to English-speaking readers since I’m not gonna bother translating the entire thing to Japanese.
THE DREAM
I wanted to make this fandub ever since the game was released (in Aug 2020). I just knew that English voices would be extremely fitting to the world of HELIOS with a setting inspired by America and characters, places, and terms mostly in English. I was disappointed to hear that the studio behind the game, Cacalia Studio of Happy Elements K.K., had no interest to localize their games outside of Asia, which meant the chances of an English dub, let alone a global release were close to zero.
I was able to understand how to play the game thanks to the fan translators, some of which came from other Cacalia Studio games, and got inspired to continue learning Japanese (there was a previous attempt to translate Japanese lyrics years back).
What I thought was just the silly dream of one overseas player’s became something much more!
THE TIMELINE (BRIEF OVERVIEW)
I played the game for about two months prior to working on the project. Before starting the project, I had to sort out graphical and technical issues on my end first as I was unable to play the game smoothly until November.
November 2020
Finding all the in-game battle lines
Writing transliterations (romaji) of lines by ear
Learning and translating lines to Japanese
Started recording footage
December 2020
Further translation revisions
Held a casting call
Script rewriting and finalizing
January 2021
Completed casting
Started video editing (learning process)
Started audio processing
Recorded more footage
February 2021
Recorded more footage
Japanese script revisions
Finished working with VAs
Finished audio processing
Continued video editing
Published Preview video
March 2021
Recorded the last of the footage
Japanese subtitle revisions
Finished Showcase video
Finished Individual battle clips
Gave recommendations to VAs
The exact start and end dates were Nov 1st, 2020 to March 31st, 2021. Pretty neat.
RESPONSE TO THE PROJECT
I was absolutely shocked with the response to the preview video, which at the time of writing has just hit 10K views and almost 600 likes on Twitter and YouTube combined. Not bad for an unpaid hobby fandub (a joke only I find funny...) of an otherwise “niche” Japanese-only mobile game.
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As of Apr 4th, 2021 - Thank you so much. This is more than I could’ve asked for.
The preview video blew up way more than anticipated, setting up for a bit of disappointment when the Showcase video was released.
The amount of views I expected for this project within its prime were a couple hundred views, so I’m content that the Showcase video reached that amount (it had ~500 by the end of March).
The expectations for the battle clips were an average of 100 views and a handful of likes - and each one got roughly that amount (or more) - so I’m also content with that, especially for something that’s just “bonus material”.
I tried my best to promote this project on Twitter with three main tweets. My one regret with promoting the project was making the second tweet after publishing the Showcase because the Japanese I wrote there was pretty terrible (as I was all worn out from editing and was in a haste to tweet about it). I tried to make up for it in a follow-up reply the next day, but it was too late. I was satisfied with how my third and final tweet and thread of battle clips turned out, but it sadly didn’t garner much attention. A reason for this was probably due to bad timing. I knew that the timing of the last tweet was awful as HeliosR did something special for April Fools’ day, plus the Easter event was being hyped around the same time, but I really wanted to finish up the project within March (my timezone, at least. It was already April 1st in Japan).
It was important to also make the videos accessible to the Japanese audience as they were a large portion of the viewers. This proved to be a challenge as my knowledge of Japanese is limited - at least for me, it’s easier to translate grammar-correct Japanese than it is to write my own sentences.
I ultimately decided against posting any of the videos on NicoNico because I wasn’t sure about Japan’s laws regarding copyrighted material. I knew it was already risky enough posting on social media and didn’t want to take any additional risks.
ABOUT THE FOOTAGE (1) – HEROES & ATTACK ORDER
HeliosR uses a gacha system, so to be able to even make something like this, you’d first need access to all 16 ★4 OG Heroes in the game.
I had them spread across five different accounts, four of which were reroll accounts. Asakou from the Cacalia RPG server gave me two of those accounts, and I rerolled myself for Keith and Ren during their Birthday Orders (one free 10-pull per account). Every account is also given a free ★4 selector ticket which I made good use of.
3,000 rubies (in-game currency) were sacrificed to pity the ★4 OG Dino when he was released in December just for the sake of the fandub!
Besides covering all of the Heroes, I also needed to play through each account to unlock certain story chapters, event stages, and evolve the Heroes for their shiny evolved CG art. Some of the Expert event stages (that had the Nighttime backgrounds) proved difficult to clear with a new account.
When using skills, the order of the Heroes were edited such that everyone was able to have the majority of their lines used at least once. All Heroes had two “receiving support” lines, two or three “supporting” lines, and two or three “skills against the enemy” lines. Some of the extra lines didn’t make it into the Showcase, so they were used for the individual clips instead.
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I should’ve used Gray instead of Marion for the account that had Billy because you can see Marion’s sprite in Billy’s image. xD
In the Showcase, you may notice that the "Union Attacks" consist of all the ★4 CG images. These were spliced together; I never had all four Heroes of the same sector on the same account. For example, I would have Gray, Asch, and Jay on one account and Billy on another account, recorded their ★4 Bursts separately using the same background (from unlocking the Expert stages on both accounts), and then edited all the footage together.
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Jay’s Burst was later re-recorded with a different attacking order so that he wouldn’t link to Billy.
It was also important to keep the same order of Bursts as well as use all four Bursts in the same turn. The ★4 Burst order was usually determined by who didn’t link skill with one another (with the exception of East sector as I was still figuring things out) because I didn’t want the link skill activation getting in the way of the animations.
As a little bonus, I also showed off the exclusive damaging skills of the Chapter 6 and 7 ★4 frames that I was lucky enough to pull from the gacha: Marion’s "Invitation To The Dance“ (roses), Faith’s “Synthetic Vibes” (beats), and Dino’s “Crow Mark Dead End” (claw marks).
ABOUT THE FOOTAGE (2) - BACKGROUNDS
Since I didn’t want to use the same battle music and backgrounds for all of the videos, I decided to use some of the themes from the limited-time events which went as far back as Nov 2020.
Each background has three variants (Daytime, Afternoon, Nighttime) and so I carefully picked them based on the colours. I ended up using mostly Expert stages - or Nighttime backgrounds, since Daytime versions were only used for Normal difficulty stages (which are too easy to clear).
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The backgrounds used for the Showcase, all from limited-time events.
I decided to mix up some of the Heroes from other sectors in the individual clips for fun, basing it off of their relationships with each other. Using South sector’s background for Gast’s clip was a purposeful choice because I already used the North sector’s background for the other three North sector Heroes. I made sure to include Akira and Will of the South sector in Gast’s clip so it didn’t feel too random!
The only default background I didn’t use was Chapter 2’s because I already made use of the Casino theme for OG West sector’s individual clips. (...Plus I didn’t really like that background :p)
Here’s a list of all the backgrounds I used:
Escape the Prison (Nov 2020) - used for Showcase [EAST]
Mission of CASINO (Nov 2020) - used for Junior, Faith, & Keith clips
HAPPY NEW YEAR SHOW! (Jan 2021) - used for Showcase [SOUTH]
Help! Cooking Hero! (Jan 2021) - used for Will and Oscar clips
A Sweet Spell Garnished With Chocolate (Feb 2021) - used for Showcase [WEST]
Grandiose Chinoiserie (Mar 2021) - used for Showcase [NORTH]
The Hero Is A Detective!? (Mar 2021) - used for Billy and Jay clips
Default backgrounds: Chapters 1, 3, 4 (shared with 7), 5 (shared with 6) - used for all other clips
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The Christmas event was the only event that went unused during the Nov 2020 - Mar 2021 period.
I didn’t record the East sector event (Christmas) in Dec 2020 because I was actually too busy with the casting call! I also didn’t think I would make use of it after already recording the Prison event intended for East sector. The project ended up taking so long that it actually benefited from having a wider selection of events over the months, which also showcased the beauty of the game.
ABOUT THE WORK & VIDEO EDITING
Hardware:
A decent computer.
A pair of no-name earbuds I found while cleaning out some junk.
Software:
All FREE!
*There’s a catch
NoxPlayer* emulator (debloated, read more about in its own section) and Open Broadcast Studio were used to record game footage and sounds.
Davinci Resolve was the main tool I used to edit the videos. A very demanding program that I only recommend using if you have a mid to high end computer.
MediBang was used to edit some of the art like the logos, but I ended up using Resolve for the majority of the graphics, including the thumbnails.
Audacity and Cakewalk were used to edit audio.
Many aspects for this project took longer than I had hoped because there was a learning process with using Resolve for the first time. I’m also a bit of a perfectionist, re-exporting videos tons of times just to fix small mistakes. Lastly, the time it took to make all the fancy effects was longer than I’d estimated. As the project dragged on, there was pressure to not delay the release of the videos any longer than I had to. A lot of this was self-imposed though.
There were days where I just did something else other than work on the project, which helped re-fuel my motivation when I decided to pick it up again.
Pretty much everything in the videos were taken from the game itself. The only graphics that were taken from the official website instead were the Substance symbols (the pictures with HERO at the bottom).
Additional overlay graphics were custom-made. It took two whole days to make the 3-second long sector intros and another two days to create and animate the arrow graphics for the credits. These were made using Resolve’s fusion and colour features. Much of the edit was inspired by the official HeliosR designs.
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Left: Official in-game graphics // Right: My fanmade video (sector intros)
Sector intros were inspired by the four Heroes version of Union Attacks in-game.
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Left: Official HeliosR video // Right: My fanmade video
The Preview video took after the ★4 Burst mini-previews as part of HeliosR’s promotional campaign, uploaded before the game was released.
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Left: Official HeliosR video // Right: My fanmade video
The credits at the end of the Showcase were inspired by a different video, this time being the Half-Anniversary video.
The Showcase - which had a duration of 29:07 - was 11.5GB large in size. It took almost three hours to render (which I re-rendered to fix things) and two DAYS to upload to YouTube because I experienced multiple uploading interruptions. It’s a good thing you can re-upload the same video to continue where you left off without having to restart the entire process.
The individual hero clips didn’t take as long to make (but they took a while anyway as I re-uploaded some of them to fix minor mistakes). The recommendations for the VAs that were given alongside the publishing of each clip also spanned over another five days as I wanted to personalize and think about each one carefully.
A pretty frustrating part of the project was the prevalent lag when recording footage, which may have been due to the emulator and/or some technical things on my end. The Prison event used for the Showcase was the very first one I recorded when I wasn’t as aware about the lag, and so it suffered a bit as a result. The Union Attacks were the worst offender. I re-recorded the same battle scenes several times each just in case, then went through the footage frame-by-frame in Resolve and chose the ones with the least amount of lag. If all of the recorded footage suffered lag at different parts, I would even compare and splice together parts of them that didn’t lag. There was also audio lag (a known issue of NoxPlayer) so I had to move all of the audio forward by 1/3 of a second.
By the end of the project I had over 200 videos of game footage with a total size of over 24GB and a total duration exceeding 9 hours, not even counting all the ones that went unused.
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The Heroes weren’t the only ones who evolved. MS Paint not recommended for thumbnails.
Overall, (despite the few mistakes here and there that nobody other than me would notice) I was happy with how everything turned out, down to the gorgeous thumbnails! I am an artist, after all~ :^)
I also have much more respect for video editors. They should be called VIDEO ANIMATORS!
ABOUT THE VOICES & AUDIO PROCESSING
When making a dub, it doesn’t mean we want to replace or best the original language, we just want to give it a new interpretation. In fact, the characters’ voice descriptions and direction provided in the scripts were heavily inspired by the seiyuu (Japanese VAs) and how they performed their lines.
Honestly, this was THE dream cast!! Some of the VAs had comparably similar voices to the Japanese ones which was an amazing coincidence. The ones that may not have sounded as similar had unique interpretations that I felt still suited their characters well. I also chose actors based on their performance, and everyone delivered!
Voice actors were not expected to imitate the Japanese voices and lines. They were provided direction and reference videos to help time their lines, but were otherwise given liberty when it came to their own interpretations.
You shouldn’t hear any jarring differences between the voice actors’ microphones and setups. That’s because I took the time to process the audio. Faith’s audio was submitted to me post-processed so it was used as a guideline for what the audio quality should sound like. Some of the others had comparable quality to Faith’s, so I only added compression to balance their volumes. Most of them benefited from equalization of various levels - this took some experimenting back and forth with the frequency spectrum. Lastly, a couple more benefited from clip fixing, noise gate, de-essing and/or click removal. It was very important for VAs to have at least decent room treatment; while small differences between mic frequencies can always be altered, echoes are difficult if not impossible to remove completely.
I feel that audio engineering is highly underrated and more important than ever as voice actors continue to record from home studios.
And in case it wasn’t already clear, this was purely voluntary work. No VAs or myself were paid to contribute anything for the project. Though, the experience alone was worth more than any amount of money.
ABOUT THE SCRIPT & TRANSLATIONS
HELIOS Rising Heroes「エリオスR」English Translation - Battle Lines
https://docs.google.com/spreadsheets/d/1ImWrAfvS_hgp6qr5qt30vCP63uHEk2o79uqY0h-3wL4/edit?usp=sharing
This spreadsheet consists of the literal translations for all the battle lines I could find in the game (it still isn’t done -yet-, plan to finish it when I get the chance). These are only fanmade and are not guaranteed to be accurate, especially as I wasn’t able to find another translator to help or proofread it.
After translating the lines, I made many additional revisions from the literal meanings such as changing the intention of the line slightly to flow better, having extra words added in to provide more context, or changing them completely. Thus, the lines used in the video are NOT literal TLs!
Another thing of note that may not seem apparent, but is what I feel an important aspect of character writing, is to remain completely unbiased towards all the characters. Personal favourites aside, I ensured that every Hero had their own spotlight as well as lines written in a way that remained faithful to their personality, no matter how unlikeable they were (looking at you, Asch Albright).
Even after giving voice actors their scripts, I made another revision in February after the release of the aforementioned Half-Anniversary video with the transcriptions for the ★4 Bursts, which is when I discovered a couple of mistakes with my transcriptions. This resulted in me having to edit out a part of one of the voice actors’ lines (Billy’s “String Show” line in his ★4 Burst) because of a translation mistake! I’m really glad I was able to double-check the correct lines before releasing the Preview video, or it would’ve looked pretty silly to Japanese viewers.
The last set of revisions were just minor edits to the subtitles (such as using kanji instead of kana) while I was working on subtitling all the videos.
Notable changes included:
WILL SPROUT
During attacking combo
Original line:
tanonda zo... ike! / “Counting on you... Reach!”
Rewritten line:
“I’ll become stronger... For everyone!”
The rewritten line is a condensed version of one of Will’s ★4 Evolved CG lines (“For everyone... I’ll become more and more stronger!”). He had “Reach!” in both his attacking combo and regular Burst, so I gave him an extra unique line.
★4 Burst
Original line:
warui kedo... kore de oshimai da! / “Sorry, but... it ends with this!”
Rewritten line:
“I’m sorry, but... it’s over for you! HAAAH!”
There were a couple of oversights I made with the script, and this was one of them that didn’t fit the animation properly. Props to Ryan for coming up with the extra shout at the end! So yeah, we kinda winged this line.
OSCAR BALE
When using skills against the enemy, during attacking combo, and in the ★4 Burst (repeat line)
Original line:
osoi! / “Slow!”
Rewritten lines:
“Too slow!” / “You’re slow!” / “Over here!”
Rewritten simply because I wanted to minimize repeated lines and change things up.
GAST ADLER
When supporting an ally, and during attacking combo
Original lines:
tetsudau ze / “I’ll help (you).”
itchouagari / “All done.”
Rewritten lines:
“I’ve got your six.”
“Target eliminated.”
I wanted to add in a few military terms to reflect Gast’s background.
FAITH BEAMS
★4 CG line (for the credits)
Original line (literal TL):
“It’s not terrible or evil, right? Surely this isn’t punishing... I guess?”
Rewritten line (with “mistake”):
“I’m not doing anything horrible or evil, alright? This is just business as usual... I suppose?”
Faith’s CG line had a mistake when I first translated and handed it off to his actor. I accidentally wrote “oshigoto” (work/business) instead of “oshioki” (punishment). The original has him pretty much saying the same thing twice anyway, so I would say the intention was still retained.
KEITH MAX
When supporting an ally
Original line:
gambare yo~ / “Do your best~.” or “Hang in there~.”
Rewritten line:
“Stay alive, would ya~?”
I know Keith’s meant to say “serious” things in a sarcastic or snarky way, but I just had to add in this fun line!
DINO ALBANI
Using skills against the enemy
Original lines:
haa! / “Haah!”
hei! / “Hey!”
Rewritten lines:
“I can do this!”
“Leave it to me!”
The Japanese lines for Dino’s offensive skills were rather basic, with the third and unchanged line “Here goes!” being a repeat line Dino also says when attacking. I wanted to give him some more lines - as standard as they are - to show his personality a bit more, along with having an additional fun West sector interaction. The changes fit the animations better too. (I actually had his VA say the "Haah!" line, but ended up using a different take of “Here goes!” in place of it.)
ABOUT THE FONTS
Fonts were taken from various sources and were either FREE for personal use or had an open font license. I didn’t have access to the commercial fonts (such as Futura) used in-game, so these were the following fonts I made use of:
Techna Sans looked similar enough to Futura when capitalized, and still looked decent in lowercase.
Jost* is a font that was derived from Futura. Some of its uppercase letters are sharper than Futura's, but it worked pretty well for the text in the credits.
Gau Font Over Drive was used for the ANIMATION SHOWCASE text.
Gen Jyuu Gothic LP was used for the majority of the Japanese text and its English letters were also used for the battle clip subtitles on Twitter.
Meiryo UI (default font) was used for the Preview videos’ subtitles.
Noto Serif JP (default Google font) was used for the serif Japanese text in the credits.
ABOUT NOXPLAYER ANDROID EMULATOR
ETA: AS OF VERSION 1.1.18 (04/23/21), EMULATORS NO LONGER WORK WITH HELIOSR (AS WELL AS OTHER CACALIA STUDIO GAMES). THE BELOW INFORMATION IS OUTDATED.
If, for whatever reason you’re interested in using NoxPlayer, you should take caution when installing it onto your machine. I don’t advocate for or recommend installing Nox. I had to resort to emulation so that I could record the footage and sounds directly from my computer using OBS. The reason why I used Nox specifically is because Cacalia Studio doesn’t like emulators, blocking most of them from running their games. I found further instructions on how to run the game in Nox from the Cacalia RPG Discord (via Twitter @HeliosR_en).
First, not all Nox versions are safe. It should only be installed from the official website, Bignox. More recent versions (I believe from 6.3.0.6 and up) may contain malware such as Segurazo and Chromium packaged with the installer which can be annoying to remove. The version of Nox I used was 6.3.0.0 (you can install older versions, then just don’t update it), which has Android 7 and doesn’t contain packaged malware (AFAIK).
Second, NoxPlayer may be “free” to use, but it comes with bloatware and profits off of its users’ data by collecting and sending it to many different servers. The below guide is what I used to debloat Nox and minimize communication to these servers. Scroll down the comments for additional domains to add to the hosts file.
Debloating & Optimizing Nox:
https://gist.github.com/Log1x/12d330ef7685d6fbc611d1d57efb5c29
This is another good guide that makes use of command prompt to remove additional bloatware from the emulator.
How to Remove Bloatware on Nox and LDPlayer Emulator:
https://codefaq.org/emulator/how-to-remove-bloatware-on-nox-and-ldplayer-emulator/
ENDING NOTES (TL;DR)
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Images of the first and last video for the HeliosR project. We’ve come full circle!
One very tired and average person decided to translate, script, cast, direct, and edit an ambitious project all by herself using only FREE tools, and ended up taking too long to finish it. But at least she finished it, right?
Translators = RESPECT
Voice actors = RESPECT
Video editors = RESPECT
Audio engineers = R E S P E C T (their work is especially behind-the-scenes)
Hell, I even like Asch now.
During my time working on this, there was one question I always had in mind: “What would the fans want?”
I hope this follow-up has given you a bit of insight into the makings of the HeliosR project. Thank you for reading!
~RubyJCat
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corkcitylibraries · 3 years
Text
National Heritage Week | Frank O’Connor – Librarian
by Jim McKeon
Writer, Frank O’Connor, was just twenty years of age when he was released from Gormanstown Interment Camp. Cork had been badly hit by the Civil War. It was still a smouldering ruin. Because the city and county had been the focal point of much of the bloodiest fighting the turmoil of the Civil War lingered there longer than it did elsewhere in the country. In the spring of 1924, the city was still edgy. O’Connor had no money and no job. Under the new government all teachers were required to learn the Irish language. For a few months he taught Irish to the teachers at the Protestant school in St Luke’s Cross, near his home. He was paid a few shillings a week for this. He struggled by, a twenty-year old in his father’s patched up, old hand-me-down trousers teaching middle-aged teachers how to speak the Irish language. It was frustrating, especially if you were on the losing side in the Civil War. MacCurtain and MacSwiney had tragically died but he still met Corkery and Seán O’Faoláin regularly. As so often before Daniel Corkery, forever in O’Connor’s background, stepped in and arranged an interview for a job. Cork dramatist, Lennox Robison, who was secretary of the Carnegie Library, was organising rural libraries and he was looking for young men and women to train as librarians. After a tough interview O’Connor got the job. His mother packed his little cardboard suitcase, including a big holy picture of the Sacred Heart, and he set off for Sligo.
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 Bust of Frank O’Connor - on display in the City Library, Grand Parade
At last he had enough books to read. Even for 1924, the wages were poor, thirty shillings a week. His lodgings were twenty-seven and sixpence. He had a half-crown (12.5 cent) left for cigarettes and drink. He posted his dirty laundry on to Cork every week. His mother washed it, with unconditional love, and posted it back, and sometimes included five shillings for her son. As a librarian he was all hands. His boss said he was untrainable. He kept busy by reading poetry books and getting them off by heart. He was blessed with a phenomenal memory. The only thing of note in Sligo was that he celebrated his twenty-first birthday far from home. After six months he was sent to Wicklow, where a new library was to be opened.
 When he arrived a local priest wanted to close down the library. Lennox Robinson had just been heavily criticised and fired from his library position because of a controversial story he wrote about a pregnant girl who felt she had mysterious visit by the Holy Ghost. O’Connor’s boss was Geoffrey Phibbs, an influential fellow poet with controversial opinions on many aspects of life. The two young poets became great friends.  Phibbs escorted O’Connor to Dublin and introduced him to Lady Gregory, George Russell (AE) and Yeats. AE was editor of the Irish Statesman and encouraged O’Connor to send him on something for publication. He sent a verse translation of Suibne Geilt Aspires and when AE published it 14 March 1924, it carried for the first time the pseudonym Frank O’Connor. It must be remembered that he was a young civil servant and he may have been contemplating on keeping his job by using a pen name ever since Lennox Robinson’s enforced resignation. He chose his confirmation name, Francis, and his mother’s maiden name, O’Connor. The prominence AE and the Irish Statesman gave him thrust him into literary view. Yeats had great time for O’Connor and said that he did for Ireland what Chekhov did for Russia. But the young librarian missed home and his mother. A vacancy came up in Cork. AE tried to talk him out of it and warned him he’d be miserable back in Cork. It never occurred to O’Connor that he would not return home. Like his father he was, at that stage, a one-town man..
 Notwithstanding AE’s forebodings, he accepted the job of Cork’s first county librarian in December 1925. He was just twenty-two years of age. His salary of five pounds a week was more than anyone in Harrington’s Square had ever dreamed of earning. The library was at twenty-five Patrick Street which was still in the process of being rebuilt.  Minnie was happy that her son was back home again and his father, Big Mick, was impressed that a pension went with his son’s new job. The city was still in a poor condition. The foundation of the Irish Free State in 1922 augured a period of new confidence in Cork. But in 1924 a public inquiry found: 
  …limited progress had been made on rebuilding Cork’s city centre since it had been burned down in 1920. Criticism was made of the poor quality of maintenance of the city streets, many of which were still paved with timber blocks. Part of Anderson’s Quay had fallen into the river. The public water supply was of poor quality…There was virtually no building in progress in the city.  
  In the burning of Cork not alone had many of the character and physical structures of the city been lost, but so also had thousands of jobs and many peoples’ homes. The Cork Examiner reported that thousands were rendered idle by the destruction. The rebuilding was tediously slow mainly because of the shortage of funding. Britain’s refusal to accept blame and pay compensation didn’t help. The Civil War itself and the post-war political divide were also major factors in delaying the building progress. This was another chapter in Frank O’Connor’s Cork, a damaged city struggling to survive. He opened his library over a shop near the corner of Winthrop Street. It was five years since the burning yet major buildings, just yards away, like Roches Stores and Cash & Co, were still rubble. Rebuilding had not yet started in these two well-known shops. In January 1927, Roches Stores finally re-opened for business. Summing up, the burning of Cork had a unifying effect on a people that had been collectively damaged by the event. It also exposed divisions in Cork society at the time. A Church/political divide came to the surface during this traumatic time. It was demonstrated through criticism by councillors of Bishop Coholan for his refusal to condemn the burning. Many republicans were unhappy because they felt the clerical comments were often selective. Frank O’Connor had a huge responsibility for a young and inexperienced man. He was given a cheque for three thousand pounds to set up and stock his library. He made his first mistake. At that time an anti-Catholic bias still lingered in commerce. He naively lodged the cheque in the nearby and more practical catholic bank when the accepted practice was to use the protestant bank. This innocent action caused a major committee dispute and O’Connor was accused of having a personal and ulterior motive. Then, when he insured the building, the insurance company gave him a cheque as a personal thank you. He didn’t want it and kept it for years but never cashed it. He sums up this whole chaotic scenario: 
  By the time the Cork County Council had done with organizing my sub-committee it consisted of a hundred and ten members, and anyone who has ever had to deal with a public body will realize the chaos this involved. Finally I managed to get my committee together in one of the large council rooms, and by a majority it approved my choice of bankers. There was, I admit, a great deal of heat. Some of the councillors felt I had acted in a very high-handed way, and one protested against my appearing in a green shirt – a thing which, he said, he would not tolerate from anybody. 
  When he finally got his stock of books together and organised his new library, he decided that he should have closer contact with the rural community. If they couldn’t come to him then he’d go to them. He bought a van, packed it with boxes of books, and drove all over the county. After six months this affected his health. He was exhausted from working long hours driving all over West Cork and he wrote almost every night. In a letter to old Wicklow colleague, Phibbs, he wrote, I’m working like a brute beast. He became ill and had to have a serious operation in the Bon Secours Hospital. He spent two weeks in hospital and six weeks convalescing. It shows his stubbornness when he shocked the nuns in the hospital by refusing to receive the sacraments before the operation. 
           Cork had a long tradition of theatre and a critical play-going audience, but in 1927 there was only one drama group in the city, the newly formed Cork Shakespearian Company. Daniel Corkery’s little theatre had closed in 1913 and groups like Munster Players, Leeside Players and Father Matthew Players were also defunct. On 8 August 1927 Micheál MacLiammoir and Hilton Edwards brought their touring company to Cork. They performed The High Steppers’in the Pavillion Theatre in Patrick Street. This venue later became a cinema and is presently HMV music shop. After the opening night there was a party at Seán and Geraldene Neeson’s home. Geraldene was Terence MacSwiney’s bridesmaid when he married in England. MacLiammoir encouraged O’Connor to revive drama in Cork. O’Connor was inspired and was instrumental in forming the Cork Drama League. Although he knew nothing about drama he threw himself headlong at the project. Old friend, Seán Hendrick, recalls: 
  That Michael knew nothing about producing plays and I knew nothing about stage-managing them did not trouble us at all…The producer was to be given a free hand in the choice of both plays and cast and members were bound to accept the parts allotted them. There were to be no stars and an all-round uniformity of performance was to be aimed at. 
  Undaunted, Frank O’Connor tore into their new venture. Lennox Robinson’s play, The Round Table, was to be the first production. It was its first appearance in Cork and there were some slight adjustments to suit the local audience. The curtain-raiser was Chekhov’s The Cherry Orchard. Typically, O’Connor wrote the programme notes, directed The Round Table, and appeared in both plays. The Round Table was a difficult play to produce. It had fourteen characters. Many of them doubled up and played two roles. They had trouble trying to cast the part of Daisy Drennan, but one night Geraldine Neeson brought along a pretty young girl to audition. Although she had a terrible stammer she was a natural actress. Not alone did she get the part but that night O’Connor walked her home. From then on Nancy McCarthy became his leading lady and for years to come she was to flit in and out of his life. The company’s first play opened on 28 February 1928 in Gregg Hall in the South Mall, a theatre venue no longer used in Cork. They got high praise all round especially Nancy McCarthy. They immediately started rehearsing for their second venture, The Cherry Orchard. Cork City was now back on its feet and completely rebuilt and people were getting used to a new freedom and sense of safety. Theatre was a hugely popular event.  Plays at that time generally had an Irish theme and written by the likes of Yeats, Synge, Robinson and T. C. Murray. That had been the custom and they were very popular with Cork audiences. But the young Frank O’Connor had other ideas. He was into French and German and Russian theatre and he wanted to offer the Cork public something different. 
  English drama, no matter how significant it may be in its own setting can have no beneficial effect upon a country which is subjected to cultural influences only from one source. The Cork Drama League proposes to give the best of American and continental theatre, of Chekhov, of Martine Sierra, of Eugene O’Neill and those other dramatists whose work, as a result of the dominating influence of the English theatre, is quite unknown in Cork.  
  That was a more than subtle dig at Fr, O’Flynn, a local priest, who had founded the Cork Shakespearian Company in 1924. The two men did not get on. From 20 December to 30 December1927 they exchanged four letters in the Cork Examiner trading insults. Fr, O’Flynn signed his letters The Producer while O’Connor used his name in Irish. Seán Hendrick joined in the attack calling himself Spectator. Everyone in Cork knew who both men were. Ironically, they were more alike than they cared to admit; they were two proud Cork men, they both loved Shakespeare and they both loved Irish. Two more plays were produced, The Cherry Orchard and A Doll’s House. Both got fine reviews, but the audiences were poor. Maybe the Cork Drama League was going too far too soon, and Cork wasn’t ready for them. By now O’Connor was spending most of his time with Nancy McCarthy. Nancy was a religious girl from a well-known Cork family. He brought her home to see his mother and the couple went on a three-week holiday to Donegal. They stayed in houses three miles apart. They met every day for a year outside of St, Peter and Paul’s church after mass. They were engaged for a while but it did not work out. She would not marry him. He would not marry in a Catholic church and there was no way Nancy would marry outside the Church. She was one of ten siblings and he was an only child. She felt he was spoiled. This was quite true. By now he was being regularly published in the Irish Statesman. He had a poem dedicated to Nancy published 9 May 1928. The last two lines are filled with melodrama: 
  That even within this darkness of our body keeps  
Communion with the brightness of a world we dream  
  Frank O’Connor was beginning to feel that AE was right. He should never have left Dublin. He was no longer enjoying his years in Cork. It was no longer the place he had known. O’Faoláin was in America and recently he had found it difficult to talk to Corkery. He made it plain that he was taking sides and that O’Connor was on the wrong side. O’Connor was restless and felt that Cork was threatening to suffocate him. He missed Wicklow where he could talk literature and art to Phibbs and go on to Dublin to meet AE and Yeats. AE would give him all the latest books and gossip, and Sunday evening he could go to the Abbey Theatre and see a series of continental plays, Chekhov, Strindberg and contemporary German plays. Eventually, getting frustrated with the parochialism of Cork and his lack of success with Nancy McCarthy, he applied for the job as municipal librarian in Ballsbridge. On Saturday 1 December 1928 he packed his case and left for Dublin. He still felt it was only a temporary move. Nothing could cure him of the notion that Cork needed him and he needed Cork. Nothing but death could ever cure him of this. 
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Jim McKeon’s book Frank O’Connor: A Life is available to borrow from Cork City Libraries 
Jim McKeon has been involved in theatre all his life and has many film scripts, plays and books to his name. His best-known work is probably the biography of Frank O'Connor. He also toured Ireland and the US with his one-man-show on the writer's life. Jim is also an award-winning theatre director and poet.
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georgemackayhey · 5 years
Text
More Than A Night Out
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warning: Explicit content 18+ Only
w/c: 5k
───※ ·❆· ※───
You sat behind the roped off a section of a smoke-filled bar in one of Vegas' most hectic hotels, sporting a fancy dress and feeling a bit anxious.
"I'm George. And you're who I'm supposed to be introducing myself to, right?" He stood leaning in close before you clad in a casual leather jacket with his hands shoved in his pockets. Reading body language had become a much more important part of this job than you'd once figured. But there was a difference between assessing and staring. And you had to catch yourself on the edge of openly gawking at the lean beauty who called himself George.
"Yes, yes, thanks for sparing some time for a chat." You smiled warmly, scooting to the corner of the curved red vinyl booth. George let his nervous grin flicker into a warmer expression as he slid in to meet the opposite corner of the table.
You were a writer for an independent magazine based out of New York. Your publisher had sent you all over America to interview all kinds of talented people of current pop culture. You were used to celebrities and their lingo, and you were used to the pseudo niceties these interviews came along with. After answering your questions with nothing but pride, your subjects would leave and go on being popular. It was your job to make them seem like normal human beings, with an overload of charm.  
In your lap, a hardback notebook held all your hastily scribbled questions that you thought up in preparation for this moment. You were meant to ask George MacKay how his latest film had changed his life and about his rise to fame. You were supposed to get him to gush about acting and tell you some beautiful antidote no other interview had managed to hear the likes of. Your job tonight was to focus on George's latest project, 1917. But George asked the first question.
"So you've been doing this a while, huh?" The man with sky blue eyes asked. A waiter had breezed by, sliding a list of drinks for you pair to choose from.
"I only ask because the bio in your email was like, really impressive. I don't know if I'm worthy." George laughed, gazing at the beer list as you shrugged. You had conducted conversations with the likes of many old, jaded stars. Tonight was different. A young, spirited man sat across from you and his eyes were shining right into yours. You were completely unworthy.
"Don't worry. I'll only write exactly what you say." You smiled, eyeing the mixed drinks, but only ordering water when the waiter came back by.
"What's been your craziest interview?" George wondered, propping his chin in his hand as he looked to you like a boy in school, and you were a fireman on career day. You laughed out loud, because yes. You laugh because you were supposed to be asking the questions.
"I made Axel Rose cry." You grinned, peeking behind a strand of your hair to ensure this wasn't something you went around telling everyone. "He was the guest during a benefit for our magazine. I asked about his family and he just sort of lost it."
George laughed out loud, beaming at you. So far, this felt more like riffing with an old friend of a friend. You nearly forgot about the list of questions in your lap. But even after you cracked open your notebook, George still had more to say.
"With the right questions, I bet you get a lot of dirt." He rose a pale brow as if there was something he was trying to get you to understand. A code he wished you would crack.
"You should let me ask you a few." You mused, leaning in a little closer to establish your longing to get this show on the road. Not that you wanted the night to end sooner. You could have basked in the glow of his blinding smile for all time. But you were on a clock...
George watched your mouth move as you asked him about 1917. He looked you in the eyes when he told you his favorite memories from set. You watched his hands move around as he explained the impact that acting out such a tumultuous time period had on his personal and professional life. In the lulls in between conversation, when he paused to sip his lager, your eyes met each others. It was by far one of the more enjoyable nights of your career. He was easy to listen to and very lovely to look at.
When the clock struck midnight, and your notebook was filled with more information than you'd even consider finalizing, the night ended. With smiles and genuine thanks, you parted from the grotty Vegas bar. But as you made your way through the casino, you turned back to see George lingering near the elevators, watching you disappear into the crowd.
___
Up in your luxurious room, too nice for someone to stay in all alone, you checked your phone. You had a flight to catch in the morning, travel that would put you home right in time for the weekend.
But a dark email loomed at the top of your notification bar. Your flight had been delayed due to weather, a wicked snow storm had taken residence in New York. Seriously, this late in February? The airline had given you a limited few options for later flights, and you slumped on the downy hotel bed, booking the soonest flight out of this trashy city.
Looked like you'd be spending another day hanging around the hotel that felt more like a small city of its own. Luckily, you had something, rather; someone to write that would keep you pleasantly distracted.
___
Last nights silky was totally worth sporting in front of your modern-day movie star crush, but you were glad to be more comfortable this morning. After a long scalding shower, you slipped into reasonable leggings and an old band shirt that was a few sizes too large. This could pass as sporty, right? With thoughts of fashion draining from your head, you grabbed your laptop and started a lazy shuffle toward the lobby of the hotel.
You usually wrote in coffee shops, back home, but the lobby swarmed with tourists was a little too hectic for your liking. Luckily, you wandered to the opposite wing of the lodge and found a relatively cozy nook outside of a casino. It was too early for the swarm of gamblers to distract you with drunken cheers, but the stead buzz of well-groomed patrons coming and going from the bar was white noise music to your ears.
You nestled into a chaise lounge chair by a window and ignored everything besides your laptop screen. There was nothing that could stop you from spending a little too long scrolling through George's fan tag on Instagram. When you finally started to outline the story based on his interview, you were one hundred words from your limit of one thousand, and you still hadn't said everything you wanted. You could have gushed over his polite and charming nature long enough to take up every page of the magazine you worked for.
But you reigned yourself in, reworded for a while, and started to finalize the article when a passer-by disrupted your work for the first time in a couple of hours.
"Is that about me?" It was him.
"Oh my God." You laughed, clutching onto your laptop like an instinct. You were shocked to see George again; dressed in a fine-looking sweater that made your heart buzz with a silly warmth. You cursed your leggings and wondered why you were stupid enough to wear your old thrift store Bowie tshirt in public.
"Can I read it?" George grew a wicked grin, moving to sit at the foot of the chaise you occupied. You scrambled to straighten your poster as your heart speed up in search of an excuse. You really shouldn't let him do that- but you couldn't say no to his sweet face, especially when he was smiling right at you.
"Uh..." You glanced between George and the laptop you'd been staring at for far too long. You realized that you were one spell check away from sending the damn thing in. You pressed the spellcheck button in a flash, so you wouldn't have to lie. But no errors were found, and you were left with zero choice.
"Just know I shouldn't be doing this." You warned, scooting your laptop away with a cringe. George, in all his charm, waggled his brow at you as he leaned in a little closer to read your story. You held your breath at his silly expression and ceased to breathe the entire time his eyes locked onto your laptop screen.
"This..." George spoke up after a very scary bout of silence. He shook his head as his eyes scanned the page on your laptop, and you felt your heart begin to stall.
"You actually, like... listened to what I had to say," George smirked in unmistakable disbelief. "It's so much more than a Q&A. You drew conclusions and made our conversation into a story. It's perfect." George glanced up to you for the first time in a while, and his eyes were searing into yours.
"Geez," You chuckled nervously, digging your nails into the stitching on the cushion below you. "Thank you, George. I never really get feedback like that from anyone I write for." You realized. Sure, you're articles we're promoted by the people featured in them, but they hardly ever had a direct comment on your work.
"When is it coming out?" George wondered, leaning on his elbow, looking up toward you. You leaned toward the laptop that was the barrier between you and the pretty man, but were closer to him than ever before.
"I just have to change the font..." You noted, pressing buttons as you spoke.  "open my email..." George's eyes eventually flickered from your face back to your screen. "and send it in."
"Would you like to do the honors?" You grinned, moving the cursor over the send button on the screen. George gazed back to you with a hearty chuckle but didn't waste much more time before clicking the send button for you.
"And now we wait." You shrugged, wrapping your arms around your waist as the handsome man smiled your way. Oh if you'd only put on a little lipstick...
"How should we pass the time, then?" George wondered in a curious lilt. "Oh, let's go drink one of those thirty-four-ounce margaritas to celebrate. It's the perfect occasion to day drink." Was he kidding? Because you weren't entirely sure if you were being punk'd or not, you tried to hide your wide-eyed reaction as you responded.
"I'm hardly dressed for the occasion." You grinned, shutting your laptop.
"If it's any consolation, that bar is empty right now, besides there's a lady asleep in the back in her clothes from last night." George pointed across the way. There we're people flooding the casino and taking their drinks to gamble. There was no way you were about to pass up this opportunity.
In the blink of an eye, you were sitting at a bar top, turned toward each other to share a ridiculously overpriced thirty-four-ounce strawberry margarita out of honest to God silly straws.
"This should actually be illegal."
"Do you remember the prohibition, George?" You laughed, watching the blended ice travel through the purple looped straw as you sipped.
"Of course not." George laughed incredulously. "Just because I lived through the war doesn't mean I'm that old."
"Ha ha." You mused, wondering why it was so easy to be around George. You'd just met him, but from the moment he opened his mouth, it was like you'd been chatting together for years. It was like he saw past the questions you were being paid to ask, and heard you asking them. Maybe just because you really did want to know his answers.
"I want to know what you've lived through," George demanded, taking a turn to drink out his straw from the margarita you'd been sharing. He'd been asking questions like that since you'd met him, and your chest blossomed with nerves as he peered up at you through his lashes. In your nervous scramble to give George an answer, your brain settled on a story about the first time you met Will Smith.
"Wait, wait, wait." George broke away from his green silly straw and held a dismissive hand out in front of you.
"We're off the record now, y/l/n. I want to know the real shit! Ya know, the last time you cried. Your Chipoltle order." George was waving his hands as if his questions were obvious. You laughed out loud, throwing your head back and relishing the moment you realized how lucky you were to be living in this moment.
So you reluctantly told him some things. You couldn't justify giving your best details away, but you liked the idea of a stranger knowing you the worst thing you did in second grade, and a silly trademark your family coined. George kept his brilliant gaze set on you, and you could almost see your own stories coming to life in his eyes. He was actually listening to you.
The focus on you was becoming a bit too overwhelming, so you shifted to ask George a few more questions, tipsy enough to pry for a few of the same antidotes George had asked you for. After laughing over a few fun facts about his hometown and the time he ran away from his mum in the supermarket, you both settled into silence. You were busy trying to compute how wild this afternoon had turned.
"How long are you staying?" He asked after a beat. When he caught your attention, you realized he'd never lost it and you'd been staring at him like you longed to do last night.
"Oh uh-"
"I was gifted tickets to one of those Cirque shows and my friend's flights got canceled.. So... I thought maybe... you'd wanna..."
"I... sure." You sit up straight, trying to bite back the cheesy grin on your face. You weren't sure how you ended up here in Vegas, sharing a drink with a stunning boy, but you thanked your lucky stars as George went one telling you the details he'd roped you into tonight.
___
The storm in New York had only gotten worse, as you scrolled through updates on your cities local website. Your flight was supposed to take off tomorrow morning, but the storm hadn't let up since the last flight got canceled. You decided now wasn't the time to worry, and went about tearing through your suitcase praying you'd find something nice enough to wear.
You exchanged room numbers, agreeing to meet up at George's tonight. You had more than enough time to get ready but still scrambled to present yourself as perfectly as possible. Agreeing to a night out with George was as lucky as you'd ever been.
After shimmying into a pretty outfit and fixing your makeup just right, your phone buzzed with a notification. Your editor had sent you the final edit of the story you'd written for George, praising you for a job well done. You couldn't help but giggled as you skipped down the hall on the way to George's room, three stories higher.
"Hello, love! You look wonderful." George smiled wide as he opened the door, gesturing for you to come in. His single room was much like yours, a living area and kitchen big enough to house a family, and a bedroom off down the hall. Vegas confounded you.
You rested your room key on a desk near the door and watched George slide into a sharp blue jacket, bringing out the shine of his matching eyes. God, how did he get better looking by the minute?
He escorted you from his suite with a coy grin as if your outing was scandalous.
"Your interview should be published next week. My editor loves it." You informed, walking in step with George to the elevators.
"Of course they do, you're an incredible writer." George pulled a face as if this were a fact everyone knew. You pushed the elevator button with a roll of your eyes, unsure how to handle his outlandish flattery.
"All because of the answers you gave me. You're an incredible subject." You fawned, feeling brave enough to in one fleeting moment.
"Then we make the perfect pair," George smirked at you, keeping his eyes on yours as you passed into the elevator doors. Your legs must have figured out how to move on their own because you felt a bit stunned still by the look in George's eye after his soft comment.
The Cirque show was just across the street in another hotel. But because Vegas was insane, it took you a solid fifteen minutes to cross between traffic and a packed hotel lobby to get to the venue inside. By the time you and George settled into your seats, you felt all too unworthy of what was happening.
"Thanks again for bringing me along. I don't know how I got so lucky." You huffed a nervous laugh, trying not to openly swoon over how close you were to the boy. His leg was just barely far enough away from brushing against yours, and you were meant to sit there like it was totally cool for the next hour.
"Trust me, I'm the lucky one." George nodded, turning his head toward the stage as the lights went dim. Your heart was beating a mile a minute and during the first few minutes of the show, all you could truly focus on was how close George was to you. You felt like a schoolgirl on her first date, and reprimanded yourself for letting your feelings get this way.
But halfway through the show, something astounding happened. It was more thrilling than all the acrobatics and dance numbers happening on stage before you. George let his fingers bloom across your palm before they fit perfectly between yours. He sat holding your hand with his eyes fixed on the show, while you tried to keep from melting off the seat into a puddle.
The show ended and you walked out of the theater together, quietly flooding out into the street that was somehow busier than before.
"Thanks for that. I've only been to Vegas for work and have never had time to do the cheesy trashy fun bits."
"Me either." George looked to you and you could tell he was brewing some idea behind his sparkling eyes. Just then, his full name was called out from somewhere beyond your shared gaze. That's when you realized you were still holding his hand. You took a step back, untangling your fingers when you realized a group of drunk college students were excitedly asking for George's photo. You watched from a few steps away and swallowed the silly blooming crush you couldn't shake. What happens in Vegas stayed, right? Maybe you were both just blinded by the ancient ideal.
But when the fans disbanded, George didn't waste a beat slipping his hand back into your grasp.
"Let's go have some fun." He waggled his brow the same as he had hours ago, smirking all the while.
You proceeded to drink and laugh and gamble and dance into the early morning. Your evening became a blur of flashing neon lights and booming bass notes. Even in your alcohol-fueled daze, you fully felt George's fingers linger on your shoulder as he led you to and from the dance floor. His touch was warm and steady and the only thing that made sense in the night full of fast-paced fun you had no time to process.
On the walk back to the hotel, reality threatened to seep in as your feet burned in your heels. When you realized you left your room key in George's room, you felt no shame in taking your heels off and walking the hotel carpet with a little more ease. "I'm all for a movie night in but that was so much fun."
"Me too. Let's have a movie night next." George grinned, wasted as you were.
"Yes!" You fawned in exhausted excitment.
He led you into his room where your room key sat waiting where you'd left it. But the thought of walking one more step made you want to cry. So you asked if George minded if you sat for a moment; settling on the tiny loveseat giving your feet a break and talking yourself into the last bit of walking toward your room.
Yeah, big mistake. Before you knew it, you were totally passed out there and slept soundly on the sofa in a room that wasn't yours. When you woke up and noticed your shoe's near George's by the door you felt so embarrassed for having crashed like that, your weak hangover trumped by shame.
"Shit." You mutter, quietly moving to sneak toward the door. Your cellphone rested on the counter next to your room key. But as you reach for your things, you hear George shuffle into the room. He's dressed for a new day in a plain button-up and suit jacket.
"Oof, I'm really sorry for falling asleep." You cringed, grabbing your room key, a little afraid to look right in George's eye.
"It's alright really." He nodded. "It was so late, I don't know how you slept on that little thing. But  I didn't want to move you and make it weird." George kind of grimaced, hoping his comment wasn't as equally unwelcome as he seemed to think the action might have been. "I'm sorry you don't have to leave just yet."
"I have a flight, actually." You frowned suddenly, wishing you didn't have to leave this place you hated a day ago. But as you unlocked your phone to make sure you weren't too late, there we're a slew of emails from your flight agency, canceling your morning commute again.
"And now I don't have a flight."
George's phone seemed to buzz to life at the same moment, it was a new day after all. He glanced at his notifications frowning the same as you just had.
"Well I was going to invite you to breakfast but I've got another meeting added to my list of a ridiculous amount of things to do today." George sighed.
You knew the fun would have to come to an end sooner rather than later, he was a busy guy, an increasingly important, beautiful, busy guy. And you were stuck in Vegas all over again, without much to keep you occupied from how much you'd grown to love it here, just a little.
"Maybe we can have that movie night if I get back early enough." George smiled, leaning over to retrieve his shoes from the doormat. You couldn't believe George had remembered your off the cuff remark from early this morning, but somehow his comment felt more like a raincheck, than an invite. And whether you were hungover or paranoid, you couldn't tell.
So you took the cue to gather your things, opting to carry your shoes and stood in the doorway.
"You know where to find me, then." You offered, too afraid of agreeing right off and seeming too desperate to spend more time with him. You wished George good luck with all his movie star duties for the day and sulked on the long walk back to your shitty matching room.
___
Your day was spent ordering room service, exhausted by the idea of going back out and about in all the madness that made up Vegas. You scrolled through a measly list of flights to take, opting to stay another night and hoping the storm would pass soon. Soon, the sun was setting and after a long bubble bath, you slipped into your favorite pair of pj's, planning to listen to some podcasts to make the most of this evening. But just as you finished cleaning up, a knock came at your door. You hadn't ordered more room service, and there was a sign dangling from your door handle warning away the maids.
You were surprised to find George on the other side of your door, looking happy to see you. You honestly hadn't expected to see him again, you thought your luck had run its course. And you spent the whole day trying not to reminisce over the way you'd grown more comfortable near each other as the night went on.
You greeted him with a smile, comfortable enough in your pj's when you noticed he was wearing joggers now, too.
"You shed the suit?" You laughed.
"I figured if we're having a movie night I better dress for the occasion," George smirked. You hung your head to hide your blush and opened the door wider for him to come in all the way.
Okay, so maybe you had failed to plan this far ahead, but you hardly cared what happened next. You and George floated to the sofa in front of the television, and he reached for the remote.
“Have you memorized the tv guide yet?” George prodded as you sat next to him, leaving a sliver of space for good measure.
“I’ll have you know I’ve been far too busy running around the city this weekend.” You smiled, turning your gaze toward the television, too skittish to meet George’s baby blue eyes this close up.
He clicked his tongue as if to say “what a shame” all while flipping through channels. He landed on Hallmark, tossing the remote down ceremoniously. You couldn’t help but laugh as the movie seemed to just begin.
“Is that Betty White?” You chuckled.
“You’re welcome.” George boasted over getting lucky finding this film queued up perfectly for the two of you on this spontaneous night. You spent a little bit laughing over the cheesy musical flares and dramatics that made up every great Hallmark film, this one included. But as the film played on, you couldn’t help but notice the bits of genuinely good storytelling peeking through.
George kept you laughing throughout the film, but near the end, both of you got quiet and watched in silence until the credits rolled.
“Damn. That was actually just a little bit good.” George spoke up, a little quiet. That’s when you noticed how close he’d gotten to you. The sliver of space you’d left at the beginning of the movie was now barely noticeable.
“Yeah.” You laughed, amazed by more than just the film. “This whole weekend has been surprisingly wonderful.” You spoke softly, daring to glance right at George, who had already fixed his eyes on you.
You couldn't tell who made the first move but the next thing you know, you're kissing him. You and George took turns sharing feather-light pecks, each of you chasing each other kiss after one ended. George was definitely the first to place both strong hands around the back of your head and kiss you like he meant it. You were nearly too stunned to kiss him back, but once you started the floodgates broke off their hinges and there was no turning back. You climbed into his lap and latched on for all it was worth because surely this was a dream and you weren't ready to wake up at all.
You savored the steady build of his fingers trailing down your arms while your kisses grew deeper, mouths pushing against each others like you’d been doing this for ages. Your hands had a mind of their own, creeping softly under the hem of George’s soft tshirt to his hot skin below.
"Hey," George gently broke your kiss and cupped your face in both hands. You practically held your breath as his shimmering eyes searched yours. "You okay with this?" George seemed to genuinely wonder. His voice was dripping with lust and his body was warm underneath yours. It didn't take a detective to read George like a book, but he still had the self-control and gentle heart to make sure you were comfortable. It only made you want him more. But you were still far too shy to say so, no matter your actions. So you bit your lip and hummed in sweet agreeance, wrapping your hands around George’s neck.
You watched George’s face stretch into a smile before he ducked his head to the crook of your neck where he let out a contented sigh before grazing his teeth along your skin. You squealed with delight when he swiftly pinned you down on the sofa to playfully pepper your face with kisses like something less heated was taking place.
"You know, now would be the perfect time to carry me from the couch to your bed." You rose an encouraging brow, reminding George of just this morning when he was too afraid of disturbing your sleep on his sofa that matched this one. George let out a laugh as he peeled himself off the top of you and picked you up bridal style in his impressively buff arms.
"Right this way, madame." George teased, carrying you through his bedroom door.
You had thrown the covers into place the best you could the last time you woke up here. George rested you gently on the bed, much like you were sleeping and he was afraid of waking you up. But your heart was beating fast enough to win a race, somehow increasing when George rested beside you, pushing your hair behind your ear.
“You’re very pretty, you know?” George blinked, whispering to you.
“I’m glad you think so.” You spoke back even quieter, reaching out to touch his face. He was so handsome it nearly stopped your heart. George leaned in for another kiss, this one slow and steady. You hadn’t felt so content in ages, you could have laid there kissing George forever and been happy. But then his fingers trailed down your side to grab your hip, and you swore you saw stars. George pulled your leg over his and now you were pressed against one another, kisses growing deeper still.
“This alright?” He asked almost timidly, as his fingers crept below your nightshirt.
“Yeah,” You breathed as George moved his kisses down your neck, and his hand to your chest. Your fingers splayed through his hair as he reached around your back to find the clasp on your bralette
“It’s in the front.” You giggled, feeling George smile against your skin.
“Very cute.” He hummed in your ear before kissing your jaw and finding the button. He shoved your shirt most of the way off, and you had to move out from under him to remove it all the way. Before settling back against the pillows, you pulled off George’s shirt so you could revel in the warmth of his skin.
You settled in his lap, each knee on either side of his hips throwing your arms around his neck and kissing him again, somehow still enjoying each brush of his tongue against yours like it was the first time. George signed into your mouth, each pleasant groan traveling straight down your spine. You rolled your hips against his, and George’s groans grew darker.
His fingers were lost in your hair and you found a steady pace to rock against him, drawing out longer whimpers from his lips with each new movement. Soon, his hand toyed with the drawstring of your shorts and he had to break away from your kiss to ask if he could take them off you could only muster an encourageable nod as your breath got caught in your throat. George laid you back, keeping those stunning blue eyes locked on yours all the while, only breaking away when he slid the last of your layers off. His fingers slid slowly between your legs as he laid next to you, pressing his forehead against yours.
“You’re so fuckin’ pretty. How’d I get so lucky?” George spoke, you could feel his breath ghost across your lips while he went on building up the tension in your stomach. It didn’t take long for you to fill with fire, a contradictory chill shooting through your system. You couldn’t take it any longer.
“George,” You sighed, opening your eyes to look at him again, “need you.”
You watched his eyes go dark as he slowly moved away from you, slipping his joggers off and slotting himself between your legs.
“You’re sure?” He asked one final time.
“Please.” You groaned, placing your hands on his shoulders to brace yourself. With one last kiss on your lips, the Disney prince type, he pushed into you. If you thought the noises George had made before were beautiful, the ones he was making now could’ve moved you to tears. He found your hand and held it with one of his while the other slipped below your belly button.
Your heavy sighs and desperate moans synced up and you rode your highs on the edge of one another. George didn’t move off the top of you right away, instead, he stayed there with his face buried in your hair soaking up the quiet moment.
“That was wonderful, love.” George whispered in your ear as he fell to your side. You turned to face him, biting back a yawn.
“You’re wonderful.” You sleepily smiled. George pulled you against him then, and you rested your hand on his chest so you could feel his heartbeat. The steady rhythm puts you to sleep in no time.
___
The next morning came late, and the Vegas sun shone brightly through the space between the curtains you forgot to close.
George was still by your side, but you’d drifted apart in the night. So upon noticing his eyes were open and glued on you, you felt no shame curling up next to his side.
"This has been the longest one night stand of my life." You sighed dramatically, comfily resting your head on his broad shoulder. George was quiet for a beat and you were a bit worried you’d upset him. But then he spoke up, with a gentle voice saturated in sleep.
"Wanna see how long we can last? I don’t think I wanna stop waking up to you."
How could you say no? You’d spent the whole weekend saying yes to George, and look where it had gotten you. So you agreed to stay one more night in Vegas, hoping what happened there would last a lifetime.
───※ ·❆· ※───
Requests are open ♡
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newstfionline · 4 years
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Wednesday, October 28, 2020
Pair of studies confirm there is water on the moon (Washington Post) There is water on the moon’s surface, and ice may be widespread in its many shadows, according to a pair of studies published Monday in the journal Nature Astronomy. The research confirms long-standing theories about the existence of lunar water that could someday enable astronauts to live there for extended periods. One scientific team found the telltale sign of water molecules, perhaps bound up in glass, in a sunlit region. Another group estimated the widespread prevalence of tiny shadowed pockmarks on the lunar landscape, possible shelter for water ice over an area of 15,000 square miles. Moon water has been eyed as a potential resource by NASA, which created a program named Artemis in 2019 to send American astronauts back to the moon this decade. Launching water to space costs thousands of dollars per gallon.
Colleges Slash Budgets in the Pandemic, With ‘Nothing Off-Limits’ (NYT) Ohio Wesleyan University is eliminating 18 majors. The University of Florida’s trustees this month took the first steps toward letting the school furlough faculty. The University of California, Berkeley, has paused admissions to its Ph.D. programs in anthropology, sociology and art history. As it resurges across the country, the coronavirus is forcing universities large and small to make deep and possibly lasting cuts to close widening budget shortfalls. By one estimate, the pandemic has cost colleges at least $120 billion, with even Harvard University, despite its $41.9 billion endowment, reporting a $10 million deficit that has prompted belt tightening. Though many colleges imposed stopgap measures such as hiring freezes and early retirements to save money in the spring, the persistence of the economic downturn is taking a devastating financial toll, pushing many to lay off or furlough employees, delay graduate admissions and even cut or consolidate core programs like liberal arts departments. “We haven’t seen a budget crisis like this in a generation,” said Robert Kelchen, a Seton Hall University associate professor of higher education who has been tracking the administrative response to the pandemic. “There’s nothing off-limits at this point.”
Thousands Forced to Evacuate From California Fires (NYT) Two firefighters were gravely injured and tens of thousands of Californians were forced to flee their homes on Monday as two new fires ripped through Orange County. About 90,800 residents in Irvine were put under mandatory evacuation orders because of the Silverado Fire and the smaller Blue Ridge Fire, said Shane Sherwood, a division chief for the Orange County Fire Authority. High winds and low humidity fueled the fires’ rapid growth. About 4,000 firefighters were fighting 22 wildfires across the state on Monday, according to Cal Fire, the state’s fire agency. As evening approached, the Silverado Fire had burned about 7,200 acres and the Blue Ridge Fire 3,000 acres. Later Monday night, the Orange County Fire Authority said that the Blue Ridge Fire had grown to 6,600 acres
Why N.Y.C.’s Economic Recovery May Lag the Rest of the Country’s (NYT) New York, whose diversified economy had fueled unparalleled job growth in recent years, is now facing a bigger challenge in recovering from the pandemic than almost any other major city in the country. More than one million residents are out of work, and the unemployment rate is nearly double the national average. The city had tried to insulate itself from major downturns by shifting from tying its fortunes to the rise and fall of Wall Street. A thriving tech sector, a booming real estate industry and waves of international tourists had helped Broadway, hotels and restaurants prosper. But now, as the virus surges again in the region, tourists are still staying away and any hope that workers would refill the city’s office towers and support its businesses before the end of the year is fading. As a result, New York’s recovery is very likely to be slow and protracted, economists said. “This is an event that struck right at the heart of New York’s comparative advantages,” said Mark Zandi, chief economist for Moody’s Analytics, a Wall Street research firm. “Being globally oriented, being stacked up in skyscrapers and packed together in stadiums: The very thing that made New York New York was undermined by the pandemic, was upended by it.”
Asylum-Seekers Face Violent ICE Coercion (Foreign Policy) U.S. immigration officers have threatened, pepper-sprayed, beaten, and choked asylum-seekers from Cameroon to coerce them to sign their own deportation orders, the Guardian reports. A coalition of advocacy groups, including the Southern Poverty Law Center, filed a complaint earlier this month describing a “pattern of coercion” by ICE agents at a Mississippi detention center that it called “tantamount to torture.” According to multiple accounts in the complaint, immigration officials used the coercive tactics to compel detainees to sign documents that would waive their rights to further immigration hearings. At least one individual was hospitalized as a result. One man, identified by the initials C.A., described how officers broke his fingers as they sought to force his fingerprint onto a document. “Officers grabbed me, forced me on the ground, and pepper-sprayed my eyes. … I was crying, ‘I can’t breathe,’ because they were forcefully on top of me pressing their body weight on top of me. My eyes were so hot. They dragged me outside by both hands,” said the individual, who was prevented from speaking to his lawyer before signing the document. C.A. was placed on a deportation flight on Oct. 13 but was one of two Cameroonians pulled off the plane moments before takeoff, as an investigation had begun into the allegations of abuse. At least 100 asylum-seekers, including many from Cameroon and the Democratic Republic of the Congo, were deported on the same flight. For two consecutive years, the Norwegian Refugee Council has deemed Cameroon the world’s most neglected displacement crisis due to an insurgency in the north and a brutal government crackdown on two English-speaking separatist regions. Since 2016, the two conflicts have killed over 3,000 people and displaced more than 700,000.
Belgium’s former King meets estranged daughter for first time (Reuters) Belgium’s former King Albert has met his daughter Delphine for the first time, after she won a seven-year legal battle to prove that he is her father, earning recognition as a princess. The two met Albert’s wife, Queen Paola, last Sunday at their royal residence, the Belvedere castle, in the Brussels suburb of Laeken, the royal household said on Tuesday. “This Sunday October 25, a new chapter has opened, filled with emotions, calm, understanding and also hope,” the king, the queen and Delphine said in a statement. “Our meeting took place at the Belvedere Castle, a meeting during which each of us was able to express, calmly and with empathy, our feelings and our experiences.” “After the turmoil, the wounds and the suffering, comes the time for forgiveness, healing and reconciliation. This is the path, patient and at times difficult, that we have decided to take resolutely together.” Delphine Boel, 52, a Belgian artist, fought a seven-year legal battle to prove that the former king is her father. After a DNA test confirmed that, a court granted her the title of princess earlier this month. Albert, 86, who abdicated six years ago in favour of his son Philippe, had long contested Boel’s claim.
Germany cautions Thai king (Foreign Policy) Pro-democracy protesters in Thailand marched on the German Embassy in Bangkok to deliver a letter asking German authorities to investigate whether King Maha Vajiralongkorn “has conducted Thai politics using his royal prerogative from German soil or not.” German Foreign Minister Heiko Maas, speaking from Berlin, said the German government was “examining” the issue “and if there are things we feel to be unlawful, then that will have immediate consequences.”
Belarus Opposition Calls General Strike, as Protesters Gird for Long Fight (NYT) When Belarusians took to the streets in the hundreds of thousands in August, after Mr. Lukashenko claimed a re-election victory that was widely seen as fraudulent, many predicted that it was only a matter of days or weeks until the longtime authoritarian leader stepped down. Instead, Mr. Lukashenko and the large swath of the public that is arrayed against him have settled into a drawn-out test of wills, with their country’s future on the line. Protesters continue to turn out in the tens of thousands every Sunday, chanting “Go away!” and waving the white-red-white flag of the opposition. Mr. Lukashenko responds with waves of crackdowns by the police and, backed by Russia, appears determined to wait the protests out. “In such a tense situation, absolutely anything could turn out to be the trigger that topples the system,” said Artyom Shraibman, a Minsk-based nonresident scholar at the Carnegie Moscow Center. “It could end in the course of a week, or it might not die for a year. No revolution has ever gone according to plan.” The authorities’ use of violence to try to put down the protests appears to be escalating, further feeding the anger in Belarusian society. It was a bout of severe police violence early in the uprising that supercharged the protests.
World’s largest IPO shows power of mobile payments in China (Washington Post) Go to a store, hop in a taxi, or even stop by a street peddler’s cart in China, and you will see QR codes strung up on colorful laminated squares. These mobile payment codes are the default way money changes hands in China these days, and the reason Ant Group’s initial public offering is set to be the world’s largest. China’s Ant Group—the Alibaba spinoff behind the ubiquitous blue QR payment codes across the world’s second-largest economy—announced plans on Monday to raise more than $34 billion in a joint listing across Shanghai and Hong Kong. This would trounce last year’s listing of oil titan Saudi Aramco, the reigning IPO champion. Mobile payments have replaced cash and credit cards in China as the preferred payment method, thanks to easy-to-use apps made by Ant Group and its closest rival Tencent. Ant Group’s Alipay and Tencent’s WeChat Pay are similar in spirit to wildly popular U.S. stock trading app Robinhood, in that they are user-friendly enough that anyone with a smartphone and bank account can make complicated financial transactions with a click or swipe.
China sanctions U.S. weapons manufacturers (Foreign Policy) China will impose sanctions on three U.S.-based weapons manufacturers after the U.S. State Department approved the sale of $1.8 billion worth of weapons and equipment to Taiwan last Wednesday. Chinese Foreign Ministry spokesman Zhao Lijian said the sanctions were necessary “in order to uphold national interests.” It’s not yet clear what form the sanctions will take. More sanctions could soon be on the way, as the State Department approved a further $2.37 billion in weapons sales to Taiwan on Monday.
Vietnam evacuating low-lying areas as strong typhoon nears (AP) Vietnam scrambled Tuesday to evacuate more than a million people in its central lowlands as a strong typhoon approached while some regions are still dealing with the aftermath of recent killer floods, state media said. Typhoon Molave is forecast to slam into Vietnam’s south central coast with sustained winds of up to 135 kilometers (84 miles) per hour on Wednesday morning, according to the official Vietnam News Agency. The typhoon left at least 3 people dead and 13 missing and displaced more than 120,000 villagers in the Philippines before blowing toward Vietnam. Prime Minister Nguyen Xuan Phuc ordered provincial authorities late Monday to prepare to evacuate about 1.3 million people in regions lying on the typhoon’s path. Phuc expressed fears that Molave, the latest disturbance to threaten Vietnam this month, could be as deadly as Typhoon Damrey, which battered the country’s central region in 2017 and left more than a hundred people dead.
Vaccines, not spy planes: U.S. misfires in Southeast Asia For months, by Zoom calls and then by jet, Indonesian ministers and officials scoured the world for access to a vaccine for the coronavirus that Southeast Asia’s biggest country is struggling to control. This month, their campaign paid off. Three Chinese companies committed 250 million doses of vaccines to the archipelago of 270 million people. A letter of intent was signed with a UK-based company for another 100 million. Absent from these pledges: the United States. Not only was it not promising any vaccine, but months earlier the United States shocked Indonesian officials by asking to land and refuel its spy planes in the territory, four senior Indonesian officials told Reuters. This would reverse a decades-long policy of strategic neutrality in the country. Washington’s campaign to buttress its influence in the region—part of its escalating global rivalry with China—has been misfiring, say government officials and analysts.
Bomb at seminary in Pakistan kills 8 students, wounds 136 (AP) A powerful bomb blast ripped through an Islamic seminary on the outskirts of the northwest Pakistani city of Peshawar on Tuesday morning, killing at least eight students and wounding 136 others, police and a hospital spokesman said. The bombing happened as a prominent religious scholar during a special class was delivering a lecture about the teachings of Islam at the main hall of the Jamia Zubairia madrassa, said police officer Waqar Azim. The attack comes days after Pakistani intelligence alerted that militants could target public places and important buildings, including seminaries and mosques across Pakistan, including Peshawar.
Hopes for peace in Libya (Foreign Policy) The two main factions in Libya’s civil war agreed to a nationwide cease-fire at U.N.-backed talks in Geneva on Friday. Previous attempts to broker an end to the yearslong conflict have failed, but the new agreement has cautiously raised hopes that it will lay the groundwork for a peace deal. The cease-fire, signed by the Tripoli-based Government of National Accord and Gen. Khalifa Haftar’s Libyan National Army, calls for all front-line forces to return to their bases and all mercenaries and foreign troops to withdraw within three months. The Libyan conflict has drawn in a multitude of international players, including Russia, Turkey, Egypt, and the United Arab Emirates. Their actions in the coming months could make or break the cease-fire.
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