#Trial Execution

[doydoune]

the worst day of their lives so far, but the night is quiet

[canisalbus]

To me, Machete kind of has the energy of a secondary villain/coldhearted side character in someone else's story that a lot of fans latch onto, moreso than the protagonist. Question is, would he be the villain in anyone's story?

Why, thank you! I'm actually glad to hear he gives off that vibe. I don't think he set out to become a villain but a lot of people certainly view him as one.

[laniemae]

“I think I have to climb to the top of the hill if I wanna see what's going on on the other side...”

Drew this through tears as an acceptance that Ojima will be the killer of this chapter and that he’ll die and I’ll never see him again.

Vent/rant under cut

——— I’m actually crying right now while writing this. I can’t see any other possibility where Ojima isn’t the killer. Just everything story wise and plot and symbolic wise makes sense. He’s already the prime suspect with his shaky alibi, him going to the medbay at midnight, the blood on Hiroaki’s bed where he slept for the night, his strange disassociating more than usual. 

At this point there’s so much evidence pointing towards Ojima being the one who killed Chiba I’m already grieving his inevitable death this trial. Just, even with the parallels between him and Chiba with the story time episode where he wrote a children’s book with her, hence the text in the art referencing that. And how that one time he talked during his dissociative haze he said the exact words that Chiba said to him while writing the book. I can only think of this as Ojima in shock with how he killed her. There’s also their parallels as well with both having sorts of age regression and coping by living through a childish fantasy lens. It’d be so sad thinking how that could be symbolic of Ojima killing a perception of himself. And with Ojima being a children’s book illustrator who had his childhood taken away from him and Chiba looking like a child and having a similar form of regression I can’t imagine how tragic this story would play out through with the trial. 

I really thought Ojima would have more time as I felt it’d be inevitable we’d get a breakdown scene with his PTSD and learning more about that story, but with how things are going I could imagine that happening during the trial. God I don’t even wanna imagine how his execution would be if it goes the route on playing up his trauma, these killing game staff are sadists and I could completely imagine them doing that, especially with the mention of working on the execution in the staffside.

I’m also in absolute tears over his relationship with Hiroaki. Just… purple is so devastating with the likely idea that Ojima is the killer, and even imagining if he already killed at that time. Them sharing an intimate moment and Hiroaki confessing how he’s so reliant and attached to him and how they’re basically codependent, and as well with how he’s almost finished the drawing for Ojima. When he’s the killer he’ll never be able to show it to him and he’ll have absolutely no one by his side anymore who cares about him or even loves him. It would be the most heartbreaking thing ever.

Ojima is such an incredibly amazing character like I’ve never seen before I can’t prepare for him to be the chapter 2 killer… he would’ve gone too early and I’m such despair. I’ll never be able to see him again in the series, he’ll never speak again I’ll never be able to get exited whenever an episode pops up in a thumbnail he’ll never dissociate again he’ll never be funny and sassy again he’ll never help Hiroaki to open up again he’ll never have a hilariously gay moment with Hiroaki again. He’s lived 16 years of his life going through the worst abuse a human could face, only for when he escapes to be dragged into a killing game and forced to commit a murder of someone who shares so much similarities with him. I’m already feeling the effects of his death a week before it happens and I’d rather fall into despair than yearn for hope only to have it taken away from me. I can’t imagine how I’ll be able to watch tetro with Ojima gone forever. I have been crying the entire day over this and my tears are making this hard to write.

[aleksanderscult]

Just to be clear I firmly stand by the Grisha as a persecuted group that got so much shit for centuries and they deserve every good and kind thing in the world.

Just because they are "privileged" as Bardugo calls them (which means to have special rights and immunity because of your rank) didn't stop the King from sexually assaulting Genya, drüskelle from killing them or being kidnapped and subjected to experiments. They had food on their table and a roof above their head which is what every human being should have but they were never treated as human beings or equals which is what they desired the most.

It's one thing to be "privileged" and another to being fed and the next minute you get either spit on by Ravkans or killed by witchhunters. That's not privilege. That's some superficial alliance that can get them killed any day.

[good-beans]

*runs into the room out of breath* Prisoner @justzosiahere! Prisoner @archivalofsins ! You thought you'd seen the end of me, hm? Not so fast!

(Who knew healing up from my own injuries would take so long, but no matter 👏) The wardens have named you both guilty, and as their chosen hero, it's my job to ensure you get a taste of your own medicine! I'm sorry, but this is what everyone wants 🤷‍♀️

And @oboetemasuka, don't think I've forgotten you either...

Zosia's - Gunsli's - Kyanako's - and eh, I might as well post more art while I'm already doing my duty 🫡

[attorneys-against-court-violence]

Ace Attorney peeps who have played both games

How do we feel about Trials & Tribulations being in non-linear order vs Dual Destinies being non-linear?

[cenomatic]

pov…

[wonder-worker]

I've been thinking about the tragedy of Elizabeth Woodville living to see the end of her family name.

I don't mean her family with her husband, which lived on through her daughter and grandson. I mean her own.

Her sisters died, one by one, many of them after 1485. When Elizabeth died, only Katherine was left, and she would die before the turn of the century as well.

All her brothers died, too. Lewis died in childhood. John was executed. Anthony was murdered. Lionel died suddenly in the peak of Richard's reign, unable to see his niece become queen. Edward perished at war. Richard died in grieving peace. For all the violence and judgement the family endured, it was "an accident of biology" that ended their line: none of the brothers left heirs, and the Woodville name was extinguished. We know the family was aware of this. We know they mourned it, too:

“Buy a bell to be a tenor at Grafton to the bells now there, for a remembrance of the last of my blood.”

Elizabeth lived through the deposition and death of her young sons, and lived to see the end of her own family name. It must have been such a haunting loss, on both sides.

[bestworstcase]

Anything from Volumes 1-3 that is setup that you don't think is given enough attention or respect for good setup?

Sidenote to this:

Open seat with no person in it + Salem having someone looking for the Choice Relic was hinting at Summer Rose. Did we have anything hinting at her pre Beacon's Fall or just things that she fits given additional context?

regarding summer specifically, while i wouldn’t call them hints per se, there are a handful of beats in v1-3 that smell like foreshadowing to me:

the first is “she was right about you; such arrogance.” – cinder might well be referring to salem here, of course. however. what strikes me about this remark is that arrogance is not a characteristic that salem seems to perceive in ozma; rather she describes him, in her soliloquies and songs, as a self-destructive, deceitful, manipulative fool blinded and trapped by his faith in the old gods. cowardly. fallen from grace. think of what she says to oz in 8.9—look how you’ve diminished, how you’ve lessened yourself—she sees him groveling at the feet of tyrannical monsters and sees debasement.

does it follow for salem to characterize ozpin to cinder as, primarily, arrogant? i’m not convinced it does. but summer rose? well… hm. consider, also, that the full line is “this whole time, right beneath our feet… she was right about you; such arrogance…” <- i think it is more likely than not that “she” is someone inside the brackets of ���our,” and in context “our” is either [cinder + ozpin] or [cinder + her associates physically present at beacon].

in the event that “she” is not part of “our” the more naturalistic phrasing is “beneath our feet… salem was right about you” – because “she” otherwise has no antecedent. of course, some allowance here for this to be a narrative choice not to name salem yet, but we’re one (1) episode off from revealing her face and by this point we’ve known for a while that cinder works for someone else, so the choice to drop the name here or in the volume credits is of fairly trivial importance. unless of course cinder isn’t talking about salem.

second: “Oh! We've also stopped some bad guys, too! I guess it's like they say: "like mother, like daughter"! I still wonder why Ozpin let me into the school early…” [laugh track] – obv this part of ruby’s address to summer’s memorial headstone foreshadows ozpin’s conspiracy and team strq’s involvement therein. but it also foreshadows this exchange:

RUBY: We don’t have to kill you to stop you, and we will stop you. SALEM: Your mother said those words to me… she was wrong, too.

and i think it bears pointing out that ruby is wrong here, and later in the volume qrow specifically calls attention to this and lays out why she’s wrong. team rwby didn’t stop the bad guys; they cut off one avenue of attack and cinder circled around from a new direction that took advantage of torchwick’s imprisonment, and this also resulted in the public break between ozpin and ironwood which eroded the cohesion of the inner circle. ergo, ruby thinks she stopped the bad guys but in the long run the consequences of the breach all benefited salem.

looks into the camera like im on the office.

like mother, like daughter!!!

further, that sequence of events ultimately leads to the final confrontation between her and torchwick – wherein he declares “if you can’t beat them, join ’em,” and shortly gets eaten by a grimm right after making it clear that he intends to kill her. torchwick’s death is thematically motivated – a narrative rejection of his cynical every-man-for-himself, dog-eats-dog outlook – but consider that:

summer rose, if she is indeed salem’s willing agent, is certainly at beacon tonight – because she’d be the one who stayed behind to hold the fort.

summer is thus the one salem instructs to “reinforce our numbers at beacon,” meaning the grimm; that instruction only makes sense if the person receiving it can communicate with or command grimm. ergo, summer must have some degree of control over grimm.

ruby is disarmed and on the ground getting beaten by a man who fully intends to kill her, and a grimm swoops down out of nowhere to eliminate him faster than he can blinks. and then… the grimm rears up, roaring at her, and comes down with a sweep of its wings that creates a blast of air that pushes her away. that isn’t aggression!! that’s a defensive threat display!! (the feilong in v4 does the exact same thing – trying to push the boat away). it’s ruby who charges the gryphon, and while it lunges forward in reaction to her charge, all that happens is she gets her feet on its head and pushes off to leap over it, and the grimm goes fucking flying so hard it crashes into the ship’s interior and never emerges. the point being,

math.

it’s plausible that the grimm was drawn to torchwick’s murderous rage. but the way it behaves immediately after it swallows him – that very clear “get away from me please” body language, and ruby -apparently- kicking a grimm the size of a goddamned clydesdale dozens of feet and then through the hull of a literal warship? ruby is strong, but she’s not… that strong. but if the grimm didn’t want to engage her and propelled itself under and past her at the same time as she vaulted off its head? that would explain what happens perfectly – ruby’s kick altered its launch trajectory just enough that it crashed.

minutes later, someone loyal to salem scraped a very badly injured cinder off the top of beacon tower and left ruby alive where qrow would find her. salem’s vested interest in keeping ruby alive is VISIBLE throughout the battle for beacon, and notably include a perfect opportunity to capture her while she’s in a coma atop beacon tower that isn’t taken – suggesting that salem makes her singular attempt to capture ruby solely to reassure cinder that Something is being Done.

and if summer rose has command over grimm and was at beacon that night… the gryphon’s behavior is exactly what i’d expect if all the grimm had marching orders to insure this one girl in particular – the spitting image of their commander – doesn’t come to serious harm. there’s a nonzero chance that gryphon did in fact save ruby On Purpose!

…and that happens in the context of a fight between ruby and the bad guy she thought she stopped (but she was wrong), who joined salem because “if you can’t beat em, join em.” (salem voice) she was wrong, too…

also

<- like mother like daughter. summer had a nevermore’s eye view of the battle for beacon, in this essay i will –

third: this one is something i didn’t really Think About until v9 and specifically the v9 ost dropping, but some of the things cinder says in v2-3 strike me as like – she got that from summer im sure of it. for example, in midnight, cinder’s view of huntsmen is that they’re free, they have power, they can go anywhere and do whatever they want, and rhodes never contradicts this. where did she get “huntsmen and huntresses should conduct themselves with honor and mercy”? who taught her the aspirational moral ideal?

summer rose, maybe.

but in the deeper sense,

where did cinder get the ‘destiny’ conceit? her underlying beliefs about how the world is are a product of her childhood, but the overt framing of fate/destiny isn’t present in midnight; nor has salem ever spoken of destiny and her philosophical views are in many ways a rejection of destiny – salem does not believe in fate, she is the woman who dedicated her life to toppling the gods.

and on close examination this looks like yet another suspiciously summer rose shaped hole!! “you’re special, ruby […] special the way your mom was special […] it was said that those born with silver eyes were destined to lead the life of a warrior.” – in after the fall, ozpin gives coco an entire pep talk whose central conceit is embracing and submitting to the turns of fate – sacrifice “show them gods and deities/blind and keep the people on their knees” & guide my way “you were born to hypnotize them all/they all said their prayers/can you hear me up there?”

cinder, of pyrrha: “people assume she’s fated for victory, when she's really taking fate into her own hands. interesting. add her to the list.” & “it’s not about overpowering the enemy; it’s about taking away what power they have.”

<- that second statement is salem’s strategic doctrine, through and through. but the ‘power’ cinder is talking about here is derived through manipulating the perception of destiny; the self-fulfilling prophecy. the invincible girl cannot be touched because she makes subtle adjustments to insure that no one is able to try. it is pyrrha’s belief in destiny that destroys her, as it destroys ozma. ozpin invokes fate to justify and explain his choices. those born with silver eyes are destined to lead the lives of warriors.

summer rose was destined to live and die fighting the grimm – so the world promised her. maybe she believed, maybe she felt like she had no choice but to accept her prescribed fate. until she met salem, and took fate into her own hands. made a choice. broke the chains. it’s about taking away what power they have, like salem did when she tore the scales from summer’s eyes, like summer did when she refused her destiny and joined hands with the grimm instead.

what does summer rose look like through cinder’s eyes? she was a huntress. she was literally destined to be one of the greatest huntresses in history, a hero, the shining pillar upholding the world order that chose the enslavement of children as a fair price for peace. fate dictated that she be the icon, the idol, the embodiment of the system that brutalized and subjugated cinder – she had every privilege cinder could ever dream of, freedom and security and a home, a loving family – and she chose to walk away.

and if they talked about that like, ever, and specifically if summer talked about that warrior’s destiny as a cage, a curse she had to escape – is it any wonder that cinder would adopt that framing to make sense of what happened to her? if summer rose was fated to stand at the pinnacle, then does it not follow that cinder fall was fated to be ground into the foundations? and likewise, if summer rose can shatter her pedestal and fall from grace, then cinder fall can shatter her chains and rise. summer proves that the idea of destiny is powerful but not inviolate. and it is hollow, it is a lie, a fiction, and that means it can be taken away. revealed as a deception. destroyed.

anyway

to the broader question

i think people really, really do not give the jaundice arc enough credit for the long-term set up it’s doing.

(or the very overt textual statement from THE HISTORY PROFESSOR! placing the blame for the violent radicalization of the white fang squarely on human bigotry and persecution of faunus in general; the white fang arc is clunky and hamstrung by the inadequacy of its vocabulary, but the fandom talking point that the narrative perspective on this subject has “evolved” or “improved” is just. not true. v1 is very emphatically clear that 1. terroristic violence is not activism, 2. ascribing the terroristic violence of a few to an entire minority group to rationalize bigotry is bigoted in and of itself and completely unacceptable, and 3. violent radicalization is created through relentless discrimination and hate, which creates a self-reinforcing circle wherein the justifiable outrage of the persecuted outgroup and the extreme violent reactions provoked by the persecution are distorted into a justification for further persecution by those of the in-group who materially benefit from perpetuating this cycle!!! all of this is explained in an almost afterschool special manner by the main character faunus rights activist and the history professor!!! in volume one!!! what changed is that the writers developed the skill and vocabulary necessary to weave these ideas into their storytelling in a more effective and more cogent way!!! literally begging the rwby fandom to start listening to the actual words the characters say)

ahem. the jaundice arc lays so much of the groundwork for jaune’s and ruby’s character arcs reaching all the way to v9 and undoubtedly beyond; it sets up the first pieces of the ozlem fractal; it foreshadows the white fang arc and sets up blake’s character arc of self-reclamation and figuring out how she wants to use her voice as an activist; it draws attention to the misogynistic cultural norms that define and are defined by the history between ozma and salem; it lays the foundation for the scene in v2 where ozpin questions blake, which hits the way it does because we have the context of anti-faunus harassment occurring openly at ozpin’s school and nobody doing anything about it, and by extension is the first stroke of the salem-faunus connection that is almost certainly the keystone holding the entire narrative together because it is her relation to the faunus that provides the key to decipher the lost fable.

the jaundice arc is a crucial load-bearing pillar that supports the entire narrative and people revile it because nobody in this fandom can be fucking normal about jaune. lmao

[frootbyethefoot]

and the world is not a better place because of it.

[ID: a digital drawing of maki harukawa from danganronpa v3: killing harmony. she is on her knees and hunched over, shaking, and clutching kaitos jacket. she is coated in heavy purple lighting, while the background is pitch black.]

[cabin10diaries]

you know how caleo shouldve ended? not together

first of all, where is the romance. they have all the banter and none of the cutes (except in the like, what, one/two scenes calypso tells someone not to attack leo in toa? i barely even remember)

theyre more like. siblings honestly

leo x jason and echo x calypso shouldve obv been canon 😞 (/j thats not the poijt here but i do love both ships)

they have totally different things they want in life

calypso wants to finally live it. she's spent so long on that gods forsaken island isolated, and she now finally has a chance to actually do shit !!! be a contributing member of society !! figure out who she is, what she wants, what to do with the rest of her life !!!

leo is finally done running. he's found his home: the waystation, chb, piper, not-dead-jason. he deserves to rest after everything he's been put through, and so he will; live life comfortably, finally stay in one place, have a stable family with unconditional love he so needs !!!

literally midnight rain by tswift

calypso deserves to go out and live her life, leo deserves to sit back and enjoy his

which is why they should go their seperate ways and at most be friends !!! (or siblings depending on waystation hcs <3)

[the-hasegawa-fan]

hey chat. heh....

(CAMI DONT LOOK)

we love ace right ace nation??

.

.

.

.

.

.

.

.

HE SHOULD BE DONE BY TOMORROW🫶🫶🫶

[incorrect-hs-quotes]

Rose: I like the term "gallows humor" because it always makes me think of someone getting sentenced to death and being like "I have GOT to be the funniest person at my public execution"

[moghedien]

I don't want to be a spoil sport or whatever, but I just feel like every fantasy story set around the Salem Witch Trials which suggests that the victims of the trials were actually witches is almost certainly regressive and bad and the writers should be shamed

[k16is]

i am deeply afraid of the utena fandom just know i am absolutely terrified to follow any of you because of how the show is. What if i post a bad take and you have to kill me. What if YOU post a bad take and i have to kill you

[gideonisms]

can I ask what your dumb menial job is and how can i get in on that shit please lord in heaven

Mail sorting second shift 👌 I found it through a temp agency in my area and it's the first job I've ever had that has not required me to speak to people all day, has paid me enough to live on, and has given me a regular schedule