#Translated Script
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linktoo-doodles · 5 months ago
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Ah, yes. Sebastian is an idiot, but he's such a good boy, y'know.
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kasdim · 4 months ago
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Working late...
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blackkatdraws2 · 11 months ago
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Whenever Stanley closes his eyes, he can feel the older man's aura surrounding him. [Blank Scripts AU]
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hoppipolla · 10 months ago
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In the Fold — Talos
"Do not become a monster, Inspector Han Juwon. Juwon-ah." 
BEYOND EVIL dir. Shim Na Yeon (2021)
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folkdevilism · 2 months ago
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"𝓣he walls of the hall are plunged in darkness from which Hutter's back emerges. He faces the motionless figure. Is this pale, ghostly creature with hollow eyes and thin mouth the lord of the castle himself?
The face twists into a polite grimace. Sharp ratlike teeth appear over the lower lip."
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kelasian · 2 months ago
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get ready for stupid shitposting in conlangs
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gay-little-izzet · 11 months ago
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Compleated Dovin? I feel like he would love it it would be great enrichment for him
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Rest in pieces Dovin you would have loved being a phyrexian
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He gets killed again because he keeps challenging the praetor’s flawed definitions of perfection 🫤
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lordoflucky · 3 months ago
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Quick over-analysis of the ways Barok and Albert address one another, because ace attorney loves showing personality through how characters refer to each other, and I love analyzing it.
Easy one out of the way, Albert exclusively refers to Barok as "Barok" regardless of the situation. He is the only character to do this, with every other character referring to him as some variation of "Prosecutor/Lord van Zieks". This establishes their friendship from the get-go, while also being a bit jarring to the audience as literally no one calls him just "Barok". Even characters who are closer to him, like Gregson and Stronghart, still call him "van Zieks". As far as Albert is concerned, that's just his good friend Barok, not the intimidating Prosecutor Lord van Zieks.
Barok meanwhile has two major ways of referring to Albert:
Firstly, "Albert". This one's simple, he's just reciprocating Albert's first name address, and further cementing their friendship. This is used almost exclusively outside of the courtroom, meanwhile within the courtroom he almost only uses "Professor Harebrayne". An exception to this is right after Albert is forced to accept that the experiment is a failure Barok says:
"And as for you… …Albert. You can't ignore this any longer."
It's a sudden departure from the distant, professional address he's been using the entire trial. It's also a much kinder approach than Barok usually takes when referring to defendants (or anyone really), something Susato comments on directly by saying she's "Never heard him speak that way before." He's breaking the Reaper Persona for just a moment to give his friend a firm, yet ultimately gentle, push.
Back to "Professor Harebrayne", while on the surface it seems distant there is one scene that shows an extra dimension. During the "Laudable not Laughable" scene, a sequence dedicated to Barok giving Albert what is essentially a pep-talk, you would expect him to return to the "Albert" address as seen earlier. Instead, he continues to use "Professor Harebrayne". My interpretation is that Barok is specifically calling attention to the fact that Albert is Professor Harebrayne. He has a title which he earned that is proof of his abilities as a scientist. Following that logic, "Professor Harebrayne" isn't just for formality's sake, but also a representation of the respect Barok holds for Albert separate from their status as friends.
However, Barok actually has a third way of referring to Albert that is used exactly once. In the line directly preceding Albert's (false) confession to murder, Barok says:
"What's all this about… Mr Harebrayne?"
Mr Harebrayne. Not Professor, not Albert, Mr.
If "Professor Harebrayne" is meant to show respect, and "Albert" is meant to show fondness, then clearly "Mr Harebrayne" is the absence of both.
He's not "Brilliant Scientist Professor Harebrayne" and he's not "Dear Friend Albert", he is Mr Harebrayne and he is about to do something so, so stupid. And there's nothing Barok can do to stop him.
My chosen interpretation is that this is Barok's desperate attempt to verbally smack some sense into Albert. This is like the Barok equivalent of grabbing Albert by the shoulders and yelling "What the hell do you think you're doing???"
As an aside, this comes right before the "...Albert. You can't ignore this any longer" line. Meaning the latter can almost been seen as an apology for being so harsh moments before.
Just, Mr Harebrayne. It's such a minor change, but I adore it so much. With how much care ace attorney puts into the way characters refer to each other, I have to assume it was intentional.
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murderedbyhomework · 5 months ago
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So i found an extremely interesting commment on bilibili from someone who had bought and read the entire og lhl script and also watched the show
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translation: ask the director, so much fluff got deleted…. the script was filled with so much ship content, better than a lot of danmei novels i’ve read. In the later periods it was a solid reciprocal relationship, xiaobao was so top energy, and xiaohua really liked to sajiao (playing cute). When xh when to explain to xb that he didn’t kill his dad his first sentence was “i’m sorry i betrayed your trust, i was wrong okay?”. when xb went to save xh from the palace, xh was tortured for information and xiaobao helped him dress his wounds, and also broke the hand of the man who hurt him. xb felt so bad for him he started crying and xh started to sajiao “i’m very glad that you came to save me, but look (waves handcuffs), i had it under control” xiaobao also asked “how are you” xiaohua replied that shan gudao went to the palace to find the mother bug and xiaobao replied “i was asking how your wounds were”…… also when xiaobao broke out of the trap improving his original swordplay his opponent wasn’t qi mushan but li xiangyi….lastly when xiaobao gave xiaohua his qi xiaohua’s internal monologue was “the world only wants the all knowing, all capable, godlike li xiangyi, but at least someone still insists on treating me like the normal person li lianhua, that is enough” it’s all gone i’m so mad
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sannehnagi · 2 months ago
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Lexember 1
-eaga- spring, year, season
Depicts a tree with a fallen branch, representing new growth.
e.eaga.Ø /ɛːjaɡa/ the spring, the year
he.eaga.Ø /hɛːjaɡa/ the years
ē.eaga.Ø /ɛːjaɡa/ the two years
ui.eaga.Ø /wɛːjaɡa/ a year
‘e.eaga.Ø /ʔɛːjaɡa/ years
ho.eaga.Ø /hɔɪ̆jaɡa/ a couple years
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kingcreativityau · 3 months ago
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Hi, I was wondering if, because you aren’t planning on working on this any time soon, you would be willing to release any notes you had on the story. I’m curious about how the story ends and so if you had anything on that it would be really appreciated.
Hi!
I'm willing to spoil a bit of the story for your curiosity, so here you go!
So what I planned to do was to do a bit of more backstory bits and the Split itself (personally one of my favourite moments)
And then to go on with the main story. Some main bits:
Virgil's nightmares terrorizing them all. Turns out baby Patton has some power over them though. Also, Janus can fight them.
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King pitting Janus and Virgil against each other. Manipulating Virgil, having lots of talks with him. There's one moment where he pretends to be twins 'breaking through' and throws some shade about Jan, so Virgil (already being on the edge) actually goes to fight him.
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Lo keeps staying in the middle. Being the glue to hold it all together.
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There's still some doubts about our local snake though.
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Then King separates them for a bit later on. Lo stays on his own with Pat and King steals baby Patton to, well, torment him a bit. Some stuff ensues. (also one of my personal favourites). Anyway, Virgil goes to attempt to rescue him later.
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Let's say Shadow Virgil plays some role in there. And that kickstarts the plot of there actually being hope to fix this mess :)
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And then there's the second half of the story. Which I like even more but I think that's enough spoilers for today :)
Hope you liked it!
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project-sekai-facts · 3 months ago
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The text on the book in Tsukasa's trained Star Melody 4* card is a translation of the opening lines of the Pianist Named Torpe play from On the stage of dazzling light. It is slightly different from the official English translation later provided by Hatsune Miku: Colorful Stage.
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waterlinkedgirl · 3 months ago
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Musical Touken Ranbu: Michinooku ~ Hitotsu Hachisu (Michinooku ~ A Single Lotus)
Here we go! Only a few days after the archive release and toumyu's ninth anniversary (congratulations!)
Michioku, or Michihasu, is a myu I have many conflicting feelings about, both positive and negative. However, I do believe that with the right amount of care in the next Mika-related story myu, the negative can still be cleared. Plus, I'm glad about a lot of things being re-established. The writer does need to step up her game a little on the plot-writing side of things, as well as the understanding-and-respecting-past-myu side of things, but as long as she does, this can still be given a proper place within what was already established.
Keep in mind that these are only the subtitle files, timed and tled to the DMM senshuuraku and the bluray respectively. The archive version will have a talk at the start, so the starting times of the subs will have to be delayed accordingly.
You can find the subtitles and my TL notes document here!
#touken ranbu#toumyu#water's translations#michioku#michihasu#how do I put this#seeing as myu's director Kayano has said in an interview right before Michioku that Kogi and Mika have a special bond#different from other swords-- and then they try to speedrun *Tsuru* and Mika having a what feels like it was intended to be#even greater relationship using a song called Kage Futatsu where KOGI'S signature song from Utaawase was Futatsu no Kage???#I SINCERELY want to believe it's incompetence rather than the writer deliberately pulling the rug from under Kogi's feet#bc the alternative is just cruel#I don't particularly mind the relationship Mika and Tsuru have in this play but I feel that not for a moment Kogi and kara respectively#were considered in the writing#anyway my final verdict is that this myu is what too many people think tsuwa is: the divorce myu (between Mika and Tsuru this time)#in all cases I hope myu can bring Shirakawa Yuki in again like with Datemyu just to offload myu's already deathly busy writer (she's done#5 myus in a month before which is just insane) because I feel this just isn't sustainable with the amount of carefulness a long-running#franchise like myu demands and the *writing* quality (not the production quality AT ALL Michioku's is great) is suffering for it.#like sure Michioku is loaded with references but they're references that either don't serve *Michioku's own* plot or their treatment shows#a lack of understanding of the work it's referencing-- for example Kashuu calling upon atsu's “This is how the shinsengumi fights!” actuall#goes completely contrary to the lesson he's supposed to have learned from atsuibun: that swords aren't disposable and that he has duties as#both soldier (captain in atsu) and as COMRADE and he makes the (already highlighted in Michioku!) dumb decision of butting in without#thinking-- and with that framed against manba's breaking trauma as well! He's supposed to have learned to stay rational and consider both#duties yet here he is ---BECAUSE of the reference--- completely leaning on the pre-atsu-development side of the scale#as if Ishi's words went one ear in one ear out. And yes the scene by itself could've worked as a subversion to show Kashuu makes the#'irrational' decision against what Ishi taught him to consider precisely because he cares for the people he's protecting but there is NO#groundwork laid at all for that in the rest of Michioku! This is what I mean with the carelessness of the references and the lack of#consideration for what prior myus were trying to SAY and ACHIEVE which is insane because she was the lyricist for those#it's more a collage of feelings provided through a set of characters calling back to the scripts of prior myu rather than#a story that evokes feelings bc the humans in it walk forward and act upon-- interact with-- the scenery on the road as left by prior human
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emry-stars-art · 2 years ago
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Oops wrong au 👀🦈🪼
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semisentientseafood · 1 year ago
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Did another special fest lobby music band design, this time for Decksterity (artist of the Frostyfest lobby music Yule Tide!)
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drawing--dead · 6 months ago
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rank and file
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