#Trade Moulding

[ridatcompany]

[jamminvroomvroom]

adrenaline, baby.

ln x wife!reader

ahahaha i couldn’t help myself. wrote this at godspeed (20 mins) and i’m not even sorry. not my finest work but i could not care less this is peak brainrot (waving at you @lavenderlando). feral is the only word on my mind at this time. gg lando.

warnings: listen it’s porn with minimal plot. minors dni i am so serious!! 18+, smut, fluff, breeding kink, implied overstimulation, mentions of pregnancy, marriage, it’s just unhinged idk

your back couldn’t have hit the bed soon enough, touch starved bodies moulding into the cloud-like mattress. you’d waited all weekend to get him on top of you, and now that the stress of the race weekend had melted away, you’d been able to put the do not disturb sign to good use.

lando’s adrenaline rush had sent him feral.

he hadn’t stopped touching you since he’d been able to, practically dragging you through the mexican paddock, into the car, through the door of your hotel suite. he’d attended to his race duties and now lando had a wife to attend to.

six months of married bliss meant one thing: a lot of sex in a lot of places. you didn’t know how to keep you hands off of one another, proud of yourselves for making it behind closed doors this time. it meant you could take your time, that he could take you apart just how he liked to, and that’s what he did.

“c’mon, baby. need you nice and ready for me.” lando muttered into your neck, punctuating his words with a kiss below your ear. he had two fingers working in and out of you, curling deliciously against your walls. “did all of those overtakes, and then i did them again. now, m’gonna make you come for me again and again.”

he was a man, possessed.

a strangled cry tore from the back of your throat, zero regard for the neighbouring rooms as you fell apart, spasming into the white bed linen. lando didn’t stop, fucking you through the waves of pleasure until tears pricked your eyes and you were squirming away from him.

there wasn’t a second to recover, his curls tickling your thighs as he slotted between your legs, tongue lapping up the mess he’d just made. your ears were ringing, eyes squeezed shut, thrashing hard before your body dissolved completely under his touch. you couldn’t figure out where the pleasure started and where it ended, all you knew was that your second orgasm was approaching faster than lando has made up all those race positions.

“oh my god.” you repeated over and over like a prayer, blindly tipping over the edge, his tongue stroking your clit while his fingers coaxed you to your second release.

“i’m not done with you, baby. gonna fill you up again, just like you keep asking me to.” lando groaned, scaling up your body. you shuddered at his words, your body set on fire. it was a sort of given, at this point, that you were trying. or, to put it more accurately, not not trying. it did something to you, the idea of him letting loose, not a single barrier between your intertwined bodies, and he loved it as much as you did.

a litter of soothing kisses were placed up your throat, before he reached your lips, his own slotting over yours. it was messy, passionate, quiet whimpers being traded between you as he found his rightful place between your parted thighs. your legs were hooked over his hips, pulling him in, the tip of his cock painting over your folds. and then he was inside of you, slick bodies at one, and a switch in him flipped.

lando went deep, rocking into you like it was the last time. it definitely wouldn’t be. he could have left an imprint of your body in the mattress, holding you down as he ruined you. it was desperate, new urges unlocked in him since you’d started this new venture in the bedroom, no limits. you couldn’t keep up with him, letting him do all the work, just how he liked it. and you fucking loved it.

all you could do was clamp down on him, a beautiful mess at his mercy, his name chanted into the room. everything was hazy, nothing, there was only him and you. you arched into him, clawing at the bronzed, glowing skin of his lean back, eyes rolling in your skull at the way his muscles felt as they tensed under your touch.

“one more for me, baby, one more for now and i’ll give you what you want. gonna make me a daddy?” lando’s breath fanned your face as he spoke, watching with a smirk at the way you absolutely lost it.

you were sobbing when you came, the aftershocks continued by the way you felt him reach his own release. white heat pricked your skin and you collapsed even further into the bed, wrecked beneath him. you were grinning lazily, panting hard, eyes shut from the exhaustion. lando kissed away the tear tracks, residing inside you as you both came down from the high.

the air changed drastically, softer, intimate. he found your lips again, gentle this time, affectionate pecks reviving you.

“you okay, my love?” lando whispered. you breathed a laugh.

“you’re too good to me.” your voice was raspy, your vocal chords shot from a weekend of screaming his name in every possible context. “proud of you, honey.”

lando hummed softly, grateful for your praise. he scanned your face, an angelic glow gracing your features. his beautiful wife.

“gonna get you cleaned up.” he went to roll off of you, but your legs tightened around his waist.

“not yet. wanna stay like this for a minute.” your voice was laced with sleep, and lando couldn’t help but smile.

“this might have been the time, y’know.” lando’s words came out excitedly, unable to contain his delight at the idea of having a family. your family.

“and even if it wasn’t, i don’t mind the free practice.” you teased, but the giddy feeling in the pit of your stomach told you something, and so did the test you took four weeks later.

-

idk what came over me idk what happened lol. bye.

[teratosfavouritesnack]

When you decided to purchase one of the latest models of Jack of all Trades, you had no clue how much your life would change... for the better!

As the name suggests, this robot assistant possesses all of the necessary skills to maintain a home clean and safe. You don't have to worry about sweeping the floor, doing the laundry, or cooking when you have no energy for it. Intruders, gas leaks, and power outages are no longer a concern. Your house never looked neater or felt more secure, and your back has never been more grateful.

You had no idea how far his talents would extend, though. Not until one day the robot came to your bedroom and scanned your body - you could tell by the way the circle in its glassy eyes dilated and narrowed like the lens of a camera. Then it stated "Mx, your levels of oxytocin are dropping. Let me be of assistance." You tried convincing him you were alright, but the robot persisted that an oxytocin deficiency could lead to depression, irritability, aggressiveness, anxiety, cardiovascular issues... and so you indulged it, even if only to end the awful litany.

"I can offer sexual intercourse, a therapeutic massage, a session of meditation or aromatherapy-"

"Wait. What? Sexual intercourse?

The robot delivered an affirmative beep before lowering its belly plate. An appendage emerged in the shape of a human penis, though it was wrapped in silicone and resembled a luxurious sex toy. You were so shocked that your mouth opened and closed, unable to utter a word. The heat pooling between your legs however was undeniable, hard to ignore even for the robot. You saw its eyes examine you again. "Your heartbeat has accelerated and your body heat has risen."

Taking those details as an indication that this was exactly what you needed, it moved closer to you. With automated movements, it so effortlessly pulled you to the edge of the bed and removed your bottom clothes. You were so baffled by what was happening that you could only stare in awe at the robot as its metal hands wrapped around your thighs and pried them open. The precise and curt roll of its hips as it slid its appendage inside you made you gasp out loud. You could feel the synthetic dick change size inside your walls, moulding to your cunt and filling every crevice of your channel before it started moving back and forth.

You thought you couldn't be any more shocked than this, but when the synthetic cock started buzzing, making your whole body shake, you completely lost it. The fact that his fingers started vibrating when the robot pressed them onto your swollen clit, intensified your climax tenfold as it crashed upon you, sending your body spasming violently and arching against its cool metal plates.

It remained still, keeping its appendage inside you until your tremors subsided. Then it checked your vitals again and seemingly satisfied by the results, it pulled out of you. It meticulously cleaned you with the same efficiency it employs in wiping every inch of your house clean, then stopped to gaze at your astonished face.

"Is there anything else I can do for you, Mx?"

"N-No... Thank you."

So, with a cheerful beep, it walked out of your room, leaving you laying half-naked on your bed, speechless and with your mind spinning.

🪷. You can leave a tip on ko-fi if you want to support me <3

[vvampirelust]

thinking about hooking up with shane mccutcheon…

warnings: smut, top!shane, fingering (r!receiving), thigh riding (kinda), dirty bathrooms, not proof read

It’s typical. 

“Can I bum one?” that gravel-like voice asks the question which started it all. Your eyes flick from your freshly-lit cigarette to her. Holy shit. Instinctive alarm bells blare at the mere sight of her. She was hot. hot . hot. The straight-up definition of heartbreaker right before your eyes. And she had sauntered over to you, with a lilt of allure in her tone and a darkness in her half covered eyes, framed by the shaggy locks both jutting out and poking against her face. 

You take a drag yourself whilst digging out the pack from your pocket and handing it over to the strangely attractive stranger. “Thank you,” she nods, “Really. What’s your name?” the stranger asks, taking out a cigarette and pressing the end between her lips. You tell her without a second thought and her expression softens instantly. It’s a well performed move. Almost unnoticeable. That smile is so convincing, it's as if this girl has fallen in love simply by hearing your name. And who knows, maybe she has. At least for the moment.  Any other instance and you would have obeyed the waving red flag above her head. But tonight, it seems to be working for you. “That’s very pretty.  Suits you” she flirts, trading the pack with your lighter. Skin meets skin for a wavering moment. “I’m Shane.” 

Oh, yeah. Even if you wind up as just another name in an endless cycle, you couldn’t find it in you to care. 

It's fitting. 

The dimly lit, sleazy, bathroom of the bar you were outside. The countless cell phone numbers and names stained on the previously dull walls give a hint into the amount of sins committed inside this bathroom. If only walls could talk. 

You hope this sin is cherished. 

Shane presses you against the nearest surface found since stumbling through the door. Her hands shamelessly wander your body, running up your back, squeezing your waist, hoisting your thigh up to rest at her hip. “You want this?” she breathes against the corner of your mouth. You nod as you let out a sigh of her name. Sweet on your lips. A hushed secret. Your hands run up Shane’s clothed chest, circling her shoulders on your fingers path into her hair. Shane hums,  eyes seeking yours at the call of her name, so attentive in their search of your expression. 

“Please kiss me.” 

You watch Shane’s mouth curl like the flick of a cat's tail. She’s looking at your own mouth, leaning closer in search of the feeling of your lips. Shane kisses you hungrily, expertly. Her lips are surprisingly soft, and warm suckling on your bottom lip, tongue peeking out, already desperate for more. She wastes no time in sliding her tongue into your mouth, moaning lustfully when you meet her with a fierce passion. 

Tongues dance and swap spit as Shane pushes your dress up around your hips, fingers teasingly skimming the skin above your lacy waistband. Your fingers tug on her hair, eliciting more huffs to mould with your breathy whines. “Mm fuck” Shane mutters,  saliva connecting your mouths as she tilts her head down; Shane’s eyes dart continuously between your face and her hand sliding into your panties, “You’re so fuckin’ hot, and wet.” She cups your cunt, gasping in unison with you, “S’that for me?” 

Your chin dips, burying your face into Shane’s neck. You pepper kisses across her skin, becoming hooked onto her scent while playfully mumbling, “No shit.” In truth, you’re shielding your composure, breath not-so-secretly hitching as Shane’s long, slender finger teases your hole in slow circles, tempting you with the fantasy of her just stuffing you. 

Shane doesn’t seem too pleased with your response, chuckling softly, “Oh, is that how it is?” she asks with a layer of sass within her tone. You spot a foxy smirk on her lips, looking up at her with hazy eyes as Shane sinks two fingers into your cunt, cooing “yeah?” her voice rasps in a way that makes your tummy flutter, clenching tightly. And she can feel it. 

Hot breath fans over Shane’s neck - casting a shiver down her spine - as you moan loudly, latching your teeth into her as if you were a vampire. She sets off at a relentless pace, finger-fucking you in the bar bathroom the way she’s expected to. 

There’s no denying, she knows what she’s doing. 

It’s evident in the amount of pleasure pulsing….everywhere. Shane’s hips rut in time with the pace of her thrusts, making the experience that much more overwhelming. Small whines escape as you pant against her neck, tongue lapping in the motions of a french kiss. 

The sounds are driving her insane. Shane’s clit throbs in her too tight jeans, out of time with the pulsing of your silky walls around her fingers. Non-stop feeling. Shane huffs, shuffling her feet around yours so that she can rut her crotch against your thigh, allowing her jeans to squeeze her nub perfectly. “Ah- shit!” 

As your head falls back, your hand drops down to grope at Shane, cupping where the crease of her ass and her thigh meet. Shane chases you, lips finding yours once again to feel your pathetic moans passing into her mouth. Her thumb is bent at just the right angle in her palm to rub your clit as she curls and pushes her fingers deeper into you. If it causes any discomfort, she shows no sign of it. Too focused on making you reach your peak. 

She sucks on your tongue, savouring your taste in her mouth. It's messy.  Frantic. Slutty.  but it's winding you both up faster than you thought possible. You subconsciously rise onto your tiptoes, tingling from the intense stimulation. “Don’t run, baby,” Shane’s free arm wraps around your waist, holding you close to her, her fingers refusing to give up on that spot inside you. 

Shane groans in annoyance when a sharp knock manages to overpower the music and your moans. “Fuck off!” she shouts over her shoulder, head whipping right back to you. 

“Y’close, babe?” her tone changes like a switch, throaty coo back in her voice, “Your gettin’ tighter…” 

You hate how smug she is. But there’s no shame to admit she’s not wrong. The risk of being caught seemed to set your nerves on override, dialling your body heat to the fullest. “Don’t stop, don’t stop, don’t stop” you chant, “please. gonna cum, fuck fuck.” 

A moan slips from Shane’s mouth into yours, hearing the mix of how wet you sound along with how badly you want release. She’s right there too. Humping herself on your thigh is about to have her making a mess of her cotton panties. Most likely soaked through and through. 

“It’s good, yeah? Cum, babe, cum with me,” she mutters out through pleasured grunts, forehead pushing against yours as euphoria threatens to crash into this random room. Shane can feel your slick pooling in her palm and she lets go, cursing huskily and trembling. 

Your orgasm causes your body to still, wave after wave of pleasure coursing frantically inside of you. Arms hugging Shane close, you ride out your highs together, panting into one another’s mouths. Speaking in a tongue of lust. Moans passing back and forth, heads growing fuzzier as the music thumps through the walls of the bar. 

Shane’s body leans into yours, chin falling to your shoulder as her fingers come to a halt within you. The sudden emptiness is gut wrenching but the constant banging on the bathroom doors offers little time for small talk. “Oh my god,” you breathe out, bursting into laughter with the girl who just made you see stars. 

She’s still grinning when she sticks her drenched fingers into her mouth, sucking off your cum. Your own laugh falters, panties feeling impossibly damp impossibly fast. Shane almost snorts, “Don’t look at me like that,” despite her voice sounds serious. 

Head cocked to look down at you, Shane’s free hand reaches up to brush your hair back into place. “This was fun,” you say, tugging the hem of your dress down to where it should be. 

“Yeah,” Shane nods. She licks her lips as she takes what you guess as her last look at you

“Maybe I’ll see you around.” 

ignore me posting this earlier…

[slowd1ving]

hello!! Your fic is so cool and if your request is open, can I request DG x male reader when DG still in his James lee era while reader is the King of Busan

XENIA ゜゜・DG

Xenia, noun: the classical concept of hospitality to strangers. This, unfortunately, includes a wandering dog and his conniving owner—a most irritating, tooth-grinding conundrum the King of Busan has with Charles Choi and his boy-genius. sorry for the wait anon I was away from my laptop for the past week or so! and I couldn't write :'( first meetings and onwards for this particular work haha chicken and egg problem.. haha introspection on business and corruption... haha capitalism pairing: dg (james lee) + male reader warnings: male reader, canon typical violence, arguing (bickering) wc: 3.3k

LOOKISM MASTERLIST

MASTERLIST ・゜・NAVIGATION

In the lengthy chronicles of Charles Choi’s grand plan—to mould the precarious South Korean underground into something far more profitable—James Lee finally came across his very own cause-and-effect conundrum. 

What came first, the chicken or the egg? Plutarch initially posed this question in The Symposiacs: a symbolic tug of war between creator and creation. James supposed, in his bored sort of way, that this question described the relationship between cities and Kings as well. Chronically, objectively, the cities existed first—tall structures and unique ecosystems that forged shadowy figureheads to rule the violent underbelly. But poetically, it was rather hard to ignore the hands etching—pummeling—a pathway for the power to flourish. Without those in charge, what were the cities? And without the cities, who were the people in charge?

Parsing the matter, it distilled into who influenced whom.

Of course, the dazzling sprawl of Busan refracting from the glass under his feet was no exception. Even he, who satiated his youthful wanderlust with blood on his fists, couldn’t deny his reluctance to sully this city more. But, what did it matter? The second most important city in South Korea (some would froth at the mouth and argue it was the first for its gateway to Eurasian trade, or at least for its world-class ports) was built from perfectly respectable trade; but alack! it was also protected by its snarling underworld. It had already been befouled: polluted by fists no better than his, trodden by legs more filthy than his own. Blood and toil smeared its golden sand, and its money was just as dirty.

 Sure, the city was propped up by honourable (hah) commercial deals, but it was shielded by the illicit ones. 

A defiled aegis, if you would.  

It was clear the current glitzy glamour of Busan night-life was carefully orchestrated by someone: from the specific mouthfeel the night air had, to the businesses that ran late into the witching hours. Those mythical beings and chaebols who fed and extracted money from this place, in endless loops, were culpable for these towering skyscrapers and glittering lights. 

Creators. 

In turn, the city cradled your grimy little body—chubby hands wrapping around index fingers of the metaphorical hounds—and made you. 

Did this metropolis represent you, or did you represent the metropolis?

It was not in a polite setting that James Lee scouted the venerable King of Busan: arguably the second most esteemed figurehead for the Kings of South Korea. In theory. In theory, since Busan’s reputation as a hub for trade and exalted trade (rather than the mere cold, hard cash ill-reputed other cities offered Choi) entwined with your own. Except, in practice, you were a far more reticent King than anyone could imagine. A shadow to fade into obliquity more than any other shadow. 

Underbelly, yes. This was the turf you were most at home in; he could forget all about the glamorous, illegal casinos in basements, he could forget about eavesdropping on business moguls and their lackeys, he could forget about waiting in the entertainment districts for the proverbial snake to finally rear his head. 

You were the fucking microcosm of this city: draped with expensive fabric and chainmailed with gold, but the blood on your knuckles stank of impurity. In a parking lot nestled on the outskirts of Busan, he witnessed the King in his court: complete with the luxury, the opulence, and the hamartia of brutality that came with capitalism. Yes, Busan had minted you as a shadowy side to a glitzy coin—as your eyes snapped to where he lounged against concrete, he couldn’t help but observe how your imaginary hackles raised. 

Thwomp. Casually, you tossed the grunt beaten black-and-blue to the frigid asphalt, with the magnanimity of tossing breadcrumbs to ducks in a pond. Like the lackey was the bread and James fucking Lee himself was the duck. A bloodied cheek squished into his sneaker, but you merely stared at him owl-like. No, cat-like, because it seemed to be the same nonplussed stare a cat would give someone after bringing them a dead rat. 

“Nice city.” Since you clearly had no intention of speaking first. Deftly, his fingers unravelled the mystic plastic of a lollipop: popping the cherry-flavoured candy into his mouth to soothe the acerbic irritation he tasted. “You treat all your guests like this, or do kings not follow xenia anymore?” 

It was a rather futile attempt to lighten the mood. After all, if he could help it, he’d rather negotiate to pave the way for the second generation before resorting to throwing his fist. No, that was a lie. His flexing fingers wanted nothing more than to curl into a fist to let off some of the steam he’d garnered from searching for you in this uselessly big city, but fate had him making stupid jokes based on The Odyssey he’d read just last week for his Classics competition. If he rummaged in his pocket, he could probably find the gold medal clanking against hard sweets. 

Your expression changed minutely—a slight disturbance in your brows. They furrowed, and for a brief moment James Lee thought his joke fell flat. With all the blood soaked into your expensive garb, maybe you just valued fists over Homeric hexameter. Violence over prose. Brawns over brains. You slinked like shadows. Crude. Ominous. He could barely see your face even with the city lights flashing neon in the backdrop, but when your loping gait came to a halt, there was an exasperation that afforded more subtle nuance to your character. A bitterness to tinge what he thought was mindlessness. 

“Mr. Lee.” Your voice curled low in your throat, as quick and elusive as mercury, and perhaps just as poisonous. Shadow King of Busan, the man who never introduced himself to you noticed. Silence was golden, and he suddenly understood why Charles Choi so badly wanted sway over the young King in charge of this port city. “I hope you’re aware that beating my subordinates would invalidate any sort of hospitality between us. You’re no god amongst men either, so ritualistic hospitality is a very weak premise to coerce my amiability with. Try again.”

Deity in the flesh. Perhaps James Lee was the closest thing to breaking the limits of humanity, but all men were fallible. That wasn’t what caused his brow to rise though; going in blind may have been risky, but it was worth it to find someone with a silver tongue like this. 

You looked about his age—treading on the precarious cusp between First and Second Generation, fists stained as red as his hair—but you spoke as if you were triple your years. 

“You wanna transfer to my school? It’d be fun to have you in the Debate Club,” he said on a whim, but it wasn’t really a whim either. His instructions were expressly to negotiate with Busan—the city was far too volatile to create a power vacuum in. For cities like Ansan, struggle was welcomed; but Charles Choi had too little of everything to contend with Busan, of all places. Just like in Seoul, the situation would resolve itself, and it was far too soon for the HNH Group to meddle in a place like this. “You talk like a teacher.”

His tone was as syrupy as his candy, but there was half-provocation, half-probing-curiosity entrenched in his cadence. Go on, it coaxed, throw a punch. Argue back. Unorthodox was his means of securing cooperation, but he’d have to be a little unorthodox to secure the deal old man Choi had painstakingly written out. A contract between Elite and the capricious man before him, between HNH Group and the microcosm of Busan himself; it sounded like every capitalist’s wet dream. 

“Good question, kid,” you smiled, but it was less of a smile and more of a sneer as you ghosted closer to him. Kid, like you weren’t one yourself. 

Crack. You stepped, heavy, on the hand of the man you’d pummelled—only his unconscious groan of pain re-alerted James to his existence. “The term isn’t over. You should still be in school. Playing around like this makes me far less likely to listen to whatever you’ve followed me for. Try again.”

The thick scent of metal invaded his personal space as you peeled your black gloves off; the rings beneath them were tinted with the blood that had seeped through the material. Just like that, you callously tossed the garment onto the slumbering man under your feet—though he truly wasn’t sure whether it was a final affront to a beaten man or throwing down the gauntlet towards James Lee himself. 

It was a reminder, once again, to not be hasty. There was the real possibility of fucking Charles Choi several times over if he didn’t get this right, but the thought of his imminent doom didn’t seem all too unappealing. On the contrary, he found his heart beating faster—pulse hot on his tongue as an intriguing challenge presented itself before him. 

“I’m sure your informants have relayed more intel than just my name,” he mirrored the jagged stretch of your lips. The Legend of the First Generation. The Genius. The original, associated with the base moniker of the Ten Geniuses to show just how unparalleled James fucking Lee was. “Take a guess as to how my scholastic life is going, then consider the opportunity that I’m bringing you.”

Ambiguous. His words were dusted with just enough information to seem straight to the point, but vague enough that it was tantalising. A hook to ensnare the snake of Busan himself. And rather than sating the itch in his fists, he found himself looking forward to a parley instead. 

You studied him, appearing to consider his words seriously. Syllables phrased like he was the one with the upper hand, when in fact the HNH group was still tentatively unfurling and in the process of negotiations with both yakuza and Triad alike. He awaited your favourable response, hearing the stats roll into your mind as you calculated the preliminary gains and losses to joining hands with Charles Choi. 

Bloodied fingers tapped a rhythm into your jacket absentmindedly. He watched, anticipating your invitation. 

“Fuck off.”

“Huh?” he spluttered. Maybe he misheard you. Maybe he finally choked on his candy and induced a coma in which he was now dreaming of your response. 

“Your boss sent a high-schooler to broker a deal with Busan.” Your fingers now drummed in irritation against your forearm, but he was just as irritated. He took care of every other prefecture and province, only to have this guy who was his age, nonetheless, tell him his presence wasn’t good enough. Like, what? “Tell old Choi to come himself to negotiate if he wants any sort of foothold in my city. If he truly wanted a respectable contract, why would he send you as a messenger?”

“Excuse me?” If he wasn’t restricted from fighting you—the only exception was valid self-defence—he would’ve made the asshole in front of him eat shit. Alas, Choi wasn’t that generous or lenient. “He sent one of the Ten Geniuses, the primero, for this. I’m one of his greatest assets.”

“Are you a damn car or a person?” you snapped, and it suddenly felt as though he was looking upon an ancient wizard as he lectured a troublemaker outside his tower. His eyelid twitched, and he was finding it quite hard to keep a cool head. “Talking about assets… can’t believe Choi’s sent the guy who’s fucked up all the smaller provinces to deal with us.”

The latter sentence was more grumbled to yourself; it appeared he annoyed you just as much as you annoyed him, which he found a delighted satisfaction in. 

“Tell Elite to come himself,” you uttered finally, not even letting him get in a word edgeways as you ambled back into the shadows—not even sparing a glance for the pile of bodies left in your wake. 

And despite his objective, despite the imminent yelling he’d no doubt face, he couldn’t help but stare at your blood-soaked coat fluttering in the frigid coastal wind. 

Out of hatred, obviously. 

・゜゜・

Charles Choi was a conniving bastard. You already knew it, but seeing him in the reception hall really drove the image home. He was polite, a little too polite; yet as soon as you slid that manila folder across the mahogany table, his demeanour prickled into something knife-like. 

Snake of Busan, you were nicknamed, but this guy was something else entirely. Once he sank his teeth into your determination to keep Busan flourishing, you could practically see his pupils contract into thin slits. Of course you’d dealt with tricky deals. Weaving through negotiation as though it were a riptide was how you clawed your way to the very depth of Busan’s underworld—navigating until you finally found that crown mired in cess. 

Or, more accurately, it was Miss Crystal Choi who’d pierced her venom right where it hurt. A Genius of Business, her father had called her—and boy, did it take all your wit to match her expertise in trade. 

But did he really have to bring that guy along?

The scion of the Geniuses was also in your office, leaning against the wall far behind Elite and his daughter. And though nobody asked for his input—not even old Choi spared his prodigy a glance—it still irritated you to no end that he’d tagged along. A bright, cheerful grin cast the sun against the city nightlife on the top floor of your building—one directed right at you, considering the only other two people he knew had their backs facing him. Quite the foolish move, but you weren’t one to concern yourself with people who were basically daylight robbing you. If the dog they’d raised bit them, all the better.

Or maybe he was beaming right at your bodyguard-turned-assistant, who stood discreetly in the shadows of the blinds: slatted light gently cresting over his tall build. Well. It certainly was one of the less strange things Mr Lee had done.  

Still, for someone who’d been glaring at you just a week ago, the change felt far too eerie to ignore. 

“—and onto the temporary personnel exchange section—” A feeble attempt to pry open the walnut that Busan was, which would only end with the unfortunate bastard failing. You’d choose a loyal subordinate, they’d select someone who was doomed to only grunt work—far from the impenetrable fortress of this building. Boredly, you tapped the pen on the contract, before freezing up at Miss Choi’s next words. “—we’d like to recommend James Lee to transfer to this office.” 

A pen snapped, and ink spilled onto the page. Dumbfounded, you barely registered her sliding over a fresh sheet, as though she knew full well this would happen. 

No, it was no recommendation. Her very mention of his name was a forceful shove of him into your office. No wonder he was grinning like the devil. No wonder he was here in the first place. At that moment, you wanted nothing more than to leave Busan behind. 

Your eye twitched. 

He kept smiling—an ominous prelude to the brimstone and fire you were sure to experience promptly.  

・゜゜・

“Aren’t I a better bodyguard than that useless one you keep around?” 

James Lee had been a bit too quiet these past few days; duly loping around behind the lower-ranked subordinates as they made their rounds, never crossing the proverbial line when you’d handed him his duties as interim grunt. Though, whenever you passed him, his eyes followed the shadows of your fluttering hem—two pinpricks of an arid glare sweeping on your back. 

But James Lee was a dog, and whatever command Elite gave him, he’d obey. Heel. Roll over. Serve under the King of Busan for a month. A jester, if you would, with a leash around his neck that kept drawing more and more blood from him. What were the limits? Just how far would he go for the man with a crimson shadow?

“No,” you said. He stood, far too proud, on a summit of lackeys that had been sent your way by one of the companies who’d attempted to cheat their way to getting a more favourable deal. It would’ve been a simple ambush—one doomed to fail—fated to end with you tossing blood-soaked gloves right on them before you postponed the meeting you were on your way to. 

But not today. It appeared the limit of the dog of Elite was passing up petty competition with the man two paces behind you.

“Unlike you, Song’s actually pleasant to listen to.” Yes, Song wasn’t the most useful of bodyguards point-blank, but it wasn’t like you particularly needed someone to take care of protecting you. He made people lower their guards. And he made a mean cup of tea. “I don’t have any use for you, so you’re still worse.”

“Semantics,” he shrugged. “I made your life much easier, did I not?”

He was smart. Too smart, but you already knew that from the intel that had not yet been erased. Hushed up, because of course Elite would painstakingly conceal his cards. 

And unfortunately, you were always drawn to a risky hand. A pleasure far removed from the mundane violence of your everyday life—a heart-pounding thrill of betting all your chips in a hazardous (though not desperate) gamble. 

“Maybe.” For it was one day removed from the multitudes of late meetings and burdensome glove changes. Your hands weren’t seeped in oily red, sliding and dripping onto your expensive clothes that were tailored—though still felt so fucking ill-fitting that it made you sick—right to your body. 

You considered the man toeing carefully past the dogpile located against a cargo container: donning what could’ve been your life. A beige school uniform, pinkie slightly indented from books and study, pen marks still dotting his fingers. Closer. He ambled lazily to your direction, and as he approached with the dying sun behind him, you could see his smile. Just as languid as the day you first met him, and just as irritating. 

Closer. Strawberry candy laced the iron odour, though you could faintly taste lemon in the profile too—testament to the yellow wrapper stuck crudely on one of the men. Closer—he was far too close now, standing chest to chest while he stared directly at you. 

If there was one thing that came from this ill-fated encounter, it was probably the permanent furrowed brows that decorated your perplexed face—the bloodhound had been reduced to this fluffy thing demanding your attention. 

And it was just as unfortunate that your impression had been chipped away for him too—a King whose expressions were utterly delightful to witness. A straight mouth, grinning ever-so-slightly when a deal went your way. A routine rhythm to your biro tapping your notepad. Eyes that shone with practical constellations as you breathed the briny air of the port in. 

A particularity to the way you treated others, steely to the strong, awkward with the weak. So utterly flustered, when it came to tiny kids tugging on your long coat, or the grandmas you lent your arm to on the streets. If he had to compare it, he’d attribute your personality as a non-Newtonian fluid: your very own mix of cornstarch and water. Tough with pressure, all soft without. 

Like now. 

“Come on,” he whined. Psychologically, he was doing a damn good impression of pitifulness—even if you’d just witnessed him commit a beatdown so one-sided that you could feel the second-hand pain. And little by little, he was watching you falter: breath caught in his throat as he watched your brows default to their furrow once more. “I saved you a good few minutes, didn’t I? Don’t tell me Busan can’t even acknowledge hard work and effort.”

“Fine, whatever,” you crumbled just like that, under the heavy weight of his triumphant eyes. “Good job.”

So cute, he thought, then froze almost immediately the moment the words came to mind.

Fuck. 

・゜゜・

[espionn]

LeafWing tribe sheet!

its over, i finally did them all. sorry this one took a while, ive been losing motivation, but at least its done!! honestly i love leafwings, so im glad i could get them out.

Physical Appearence + Traits:

-LeafWings are arboreal dragons, living in and relying on trees to hunt, shelter and sleep. Their talons are perfectly shaped to comfortably climb and hold onto branches, and their narrow wings allow them to swoop and weave through the trees without crashing.

-LeafWings’ colors, physical traits, and even demeanor shift and change with the seasons. During the summer, their frills and wings are rich green, and scales bright and glossy. They have higher energy and sleep less. During the fall, their colors shift to a warmer spectrum, their leafy frills start to flake off, and they start to prepare for winter. Once winter arrives, they lose their frills, tail-leaf and wing membranes, as well as turning duller and darker. They spend the majority of winter asleep, relying on the trees’ bare branches for camouflage, now rendered flightless. Finally, during spring, they wake up, their colors brighten, and their wing membranes return. The buds that grow along their backs open up and form their spine frills before summer begins.

-LeafWings are lithe and agile, and are very quiet fliers, especially when compared to HiveWings and SilkWings.

-During the summer, with their wings at their fullest, they can actually photosynthesize. They still need to eat food, but anytime they sleep during the day with their wings open to the sun, they wake up energized and not needing to eat for a while after. 

-The coloration and shape of LeafWings’ wings varies both by region and individual. Some LeafWings mimic specific types of trees.

-Some LeafWings also have Leafspeak, an ability which allows them to communicate with plants and even control them if powerful enough. 

Life Cycle:

-LeafWings hatch in clutches of one or two. They take around 5 months to hatch, and they are deeply reliant on their parents and their wider community. LeafWings are strongly protective of their dragonets. They also grow up somewhat quickly, reaching physical maturity quickly, but they continue to grow in size their entire lives.

-They partner for life, but often only raise one clutch of eggs (sometimes only a single egg) in their lifetime. The tribe is somewhat small as a result.

-LeafWings don’t have an official education system, instead relying on parents, peers and older, more experienced dragons to teach them what they need to know. LeafWings can then go on to pursue whatever tribe role stands out to them, using a sort of mentoring system.

Society and Culture:

-Before LeafWings were split into two groups, the tribe was quite peaceful and unified. The queen, by tradition, always had a council, and they lived nearby and alongside SilkWings. The tribe was known for being friendly and knowledgeable, and deeply dedicated to caring for the forest. 

-LeafWings are also very resourceful. From various leaves, grasses, bits of wood, flowers, and insects, they could create baskets and rugs, thin slats of wood to write on, dyes, storage objects, and various weapons and food preparing tools. Learning to make and control fire meant they could progress faster. They were also talented woodcarvers, weavers and artists, sometimes trading not only supplies, but also various art pieces to and from the SilkWings. 

-They were expert foragers, and had records of every type of tree, plant and animal in their forest. Many had  small gardens of their own - medicinal herbs, spices, and plants they simply found pretty. 

-Those with leafspeak were beloved and respected in the tribe, not dissimilar to animus dragons. Sometimes they would mould the shape of trees’ growth to create proper homes and nests for dragons to spend the nights, especially in winter.

-They have tribe-wide celebrations to mark spring, when they all wake from torpor, and the summer solstice, when they are at their highest energy and fullest lives. 

-The SapWings, after the tribe was forcibly split, remained very similar culturally, though they lost their ability to trade and had to concentrate on survival in the poison jungle. The PoisonWings, meanwhile, changed dramatically. They became distinctly aggressive and warlike, taking their understanding of plants and animals and weaponizing them. They used the many venoms, poisons and sharp, dangerous objects throughout the jungle to their full advantage. A number of dragons died in the process, but those who survived became stronger.

-LeafWings believe that plants hold some level of consciousness, and some believe that they are animated by fully conscious spirits, each with its own unique consciousness and opinions. Trees are unanimously believed to be extremely wise and benevolent, and as deserving utmost care and respect. They are treated as if they were tribe elders themselves. It was once agreed upon by all leafspeakers that if a tree resisted a request, they were not allowed to make any attempt to force it to do what they wanted. Leafspeakers would also be used to make requests before cutting off any part of the tree to use - if it refused, it would be left alone. (It isn’t hard to imagine the way they felt when the entire forest was cut and burned down by the HiveWings.)

Diet: Omnivorous. LeafWings eat meat (birds, rodents, sometimes large mammals and reptiles), sometimes raw, sometimes cooked, and also a wide variety of plants, fruits and nuts. Because of the versatility of their diet, they have a great number of meals they like to prepare, usually garnished with herbs, spices and sweeteners like honey and certain types of tree sap.

[gnocchisworld]

Beautiful Stranger

Joost Klein x singer!reader

Summary: reader is playing at a festival and her set is right after Joost's, they meet in the backstage tent after his stage and hang out after reader does hers! Rumors circulate after fans spotted the pair and they reconnect after missed opportunities when they were together :PP

Word Count: 2.6k

Warnings: no use of y/n, YEARNING! no physical description of reader but uses of she/her and feminine descriptors!

A/N: omgomg this is my first fic ever on here so anyways I am a firm believer of the meeting people twice theory like yes second chances yes reconnection yes!

Entering the backstage tent of the festival, you were immediately hit with a wave of scorching heat, the sun's relentless rays seeping even through the canvas. The energy from the performance on stage outside was pulsing and lively, carried by the young artist who commanded the crowd's attention, music increasing the adrenaline in your blood. Yet even as you prepared for your own set, the background noise and excitement faded to a muted hum as you focused on your vocal exercises and cues. As you readied yourself, the atmosphere surrounding you was as sultry and intense as the heat outside, the hot air seemingly alive with a buzz of anticipation. 

With as much haste as the sound disappeared from your brain, a new, baritone voice flowed through the air. 

“Ah, sorry. Didn’t see you here.” 

You looked up from your daze and were met with a deep, hypnotic blue, one that would make even the skies jealous. The angles of his nose were perfectly shaped, as if God had taken extra time to mould the clay that would later take on his form. From the standpoint of a bystander, the two would seem like the sun and the moon; two opposites that seemingly complimented each other like second nature. As the silence lingered for a second too long and his gaze set comfortably on yours, you choked up the first words that came to mind.

“No worries! I was just lost in my own world there for a moment.”

He was entirely captivating — you were unsure of how to compose yourself as you burned under his stare. As if reading your mind, he quickly offers his hand out to you, eager to make any form of connection.

“You can call me Joost.” He urges, carefully tracing his eyes over every line in your face for a reaction.

Taking his hand in yours, you promptly share your name. A subtle yet powerful exchange — trading names — the fibres in which every invisible string between two people begins to entangle together. His hands felt as though they had once held the warmth of a flame, having the ability to breathe life into anything it touched. For lack of better word, you were electrified.

A careful knocking on the stage door alerted the two and prompted the release of your hands. Your manager walks in, choosing to ignore the other figure in the room.

“Sorry, you’re on in 3.” 

“I’ll be there, thanks, Jere.” He nods, closing the door with relative ease and resuming whatever words he was muttering into his walkie-talkie. 

A beat passes as Joost speaks up again, “Succes!” Smiling fervently, he lightly brushes the skin on your shoulder with his palm as he walks out into his own dressing room before you could even respond, taking with him the warmth of his presence.

Unsure of how to make sense of what had happened, you drowned in your own quandary. The blood in your veins were still pounding against the valves of your beating heart and your kidney was beginning to beat to the same rhythm. You were unsure of whether this was due to stage fright or your recent encounter, though it didn’t really matter anyways; it was the fact that they were both valid options. 

—-----------------------------------------------------------

As you step on stage, the roar of the crowd engulfed your senses like a crashing wave. Your eyes scan the sea of bodies, a kaleidoscope of colours and faces all there to witness your performance. Unconsciously, you were scouring for the blue that looked at you as if you had been the only girl in the world. 

Unbeknownst to you, he had joined the crowd to experience the passion that you had brought out with your music — he wanted to get to know you, and music is the window to one’s soul. As you sang your first song, it became adamantly clear to him how the atmosphere shifted and every light softened under your radiance. Your music highlighted the more subtle hues in life that Joost had not seen in awhile, eliciting memories of lustrous summers and fleeting springs; it felt as if his world, which was always turning at 100 kilometres an hour, began to slow. Your voice was mellow, it filled his eardrums and calmed the ringing which usually reverberated in every corner of his skull. He took note of everything you did, from the way you held your guitar to the reds blossoming on your fingertips as you held down on its strings. Ultimately, he was hopelessly captivated — by your lulling melody, your beauty, and the entirety of your being.

Diverting your eye from your guitar to the crowd, you locked your gaze on a familiar aquamarine — a shade you couldn’t get out of your head as it bloomed in your peripheral vision. A smile played on your lips; you couldn't help it. It was as if the corners of your mouth were tugged at, forcing them to curve upwards. The warmth which was previously absent in your stomach began to reignite and it felt as if rainbows were being drawn on the skies of your psyche. Being on stage in front of thousands has never felt so intimate before.

—-----------------------------------------------------------

As your final song comes to an end, your cheeks are numb from the constant smiling — not performatively but rather from sheer happiness. You step off the stage and back into the backstage tents, still dazed from the trance you were under as you had, prior, melted under the beautiful stranger’s gaze. You could feel a familiar set of eyes linger on you and you’re met at eye level with two deep blue pools. He spoke up gently, breaking the silence between the two before it could settle on your shoulders.

Joost grins at you, his eyes still sparkling with the same intensity as before. "You were phenomenal up there," he says. "I couldn't take my eyes off you."

You felt your cheeks flush a rosy pink, with a shy smile you replied, “you weren’t too bad either.”

Joost let out a hearty chuckle, amused by your comment. "Just 'not too bad'?" he teased, feigning offence. A beat passes as you forget to answer, as if wind had been sucked out of you from the mere sight of his laughter. Taking the initiative, he inquires you; “Hey, uh, I was thinking of walking around some more, take a look at some other stages if you wanted to hang out for a bit?”

Your eyes sparkle with a glint of excitement, “I was actually thinking the same thing — I’d love to join you.” Your voice cracking ever so subtly, betraying your nervous plight.

Carefully, he took your hand and started walking out of the tent, leading you towards the next stage — “so you don’t get lost.”

As you shuffle through the labyrinth of crowds, your bodies are constantly pushed together, every small touch prompting an exchange of warmth in return. His doting predisposition was almost overbearing, each time he looked back to make sure you were still behind him was so subtle, yet so appetent. The implications of it all, his hands on yours as you traverse the field of human bodies, wide open for the consumption of a myriad of prying eyes, was not lost on either of you, yet it remained a fact that both of you choose to ignore.

Breathing away the air of silence encapsulating the two of you, he speaks up. “What kind of music are you into? Like what artist do you want to see right now?”

You hadn’t realised how your gaze was so readily fixed on him — as if it were a force of habit, until his voice fills the silence you’d had in your head; racing at 100 kilometres an hour to catch up to the speed of your heart. Without much time to formulate a response, you quickly mutter the first few words that enter your thoughts. “I’ll watch anyone! Plus — maybe you could introduce me to some new music?”

Your words elicited a gentle smile as he tugged you towards a new area; “truth be told I don’t know who’s performing either — but we can discover together!”

As you settle into the crowd and your bodies blended in to the splatter of colour amidst dancing souls, he rested his hand on the small of your back, fingers fidgeting with the fabric of your top — holding dear to you and praying to a higher being so as to not get partitioned in the middle of thousands.

Although you were sure your attention was focused on the performance just ahead, you could feel each time his gaze averted into your eye line — his stare burned into your cheek the same way a kiss would; searing your flesh with a romance that lingered like sun rays on burnt skin. You used each chance he looked away to do the same — to leave a persistent stain on his peripheral vision which sent his heart to the moon. This prolonged back and forth lasted all the way to the end of the artist’s set, his songs being nothing more than background noise as your heart pounded prolifically in your ears. 

Eager to extend your time together, you asked to buy him a drink — with which he gladly accepted.

—-----------------------------------------------------------

Minutes passed into hours discreetly — you were lost in conversations about everything and nothing at the same time, until the noise settled and the crowd thinned, bringing your conversation down to weak attempts at staying in each other’s company.

You take the final sip of your drink; you promised yourself this’d be the last. Eased by the momentum of your mutual exchange, you ask him: “Do you ever look out into the crowd and realise that every person that everyone’s ever met was brought together by chance?”

“Like how your set just so happened to be right after mine?”

Hesitantly, you replied, stepping on eggshells as you cherry pick each word carefully, trying to gauge some meaning behind your blooming relationship. “Yeah, I mean like what if I hadn’t been in that tent when you came in? Would you still watch my set? Would you be having a drink with me right now?”

“I’m pretty sure someone with a presence like yours would’ve caught my attention one way or another.” His response was delivered almost immediately, as if the answer were the most obvious thing in the world.

Attempting to hide the smile inevitably slipping onto your face and the pink creeping up your cheeks, you let out a sincere chuckle. “I’m glad you think so.”

As your conversations drift with the sunlight, a call from your manager reminds you of your responsibilities, prompting an exchange of see you soons and subtle glances over the shoulder as you both depart from each other’s warmth.

It was hard to be around him — to be close but not close enough. To say he charmed you would be an understatement, and to say that he didn’t feel the same would be a lie. Being back in your hotel room reminded you of how intoxicating it felt to be near him, and it felt like an itch as you traced back the steps that you took so carefully around him; how the two of you danced around each other so gently. You weren't sure you'd ever cross paths again; the regret of not being forward about how you'd felt with him loomed around you as you lay in bed, phone in hand, wondering if he was still thinking about you. His name rested on the tip of your tongue as you drifted off to sleep, naturally burrowing a home in your chest.

—-----------------------------------------------------------

Waking up to waning notifications and texts hardly alerted you as you were seemingly stuck in the same state of wonderstruck that you had been in the day before. As you recollect your fleeing consciousness, the blots of colour on your screen begin to form coherent shapes, revealing texts from your manager and PR team, all addressed at several tweets and posts discussing you; their messages growing more and more panicked with each one. With a deep breath, you clicked on the Twitter app, bracing yourself for what you knew was coming.

The tweets were overwhelming, discussing everything from your performance to your interaction with Joost. People were making assumptions about your relationship and dissecting every detail of your interaction.

Mindlessly scrolling through the barrage of tweets, a text from a number you have labelled as “Joost :)” halts every single movement and thought previously in motion.

J: hello girlfriend :D 

R: joost?

J: have u seen what theyre saying about us??

R: its really brutal

they dont hesitate

J: this is my first time experiencing something like this (・´з`・)

R: me too!

i hope youre ok with that kind of stuff though, its pretty intrusive

J: yup, but im going to have to get used to this (╥﹏╥)

and you are cute, so i dont mind  (⁀ᗢ⁀)

R: oh thank you, youre cute too :D 

You smiled as you read Joost's messages, feeling a warm sense of relief and happiness. Despite the gossip and speculation online, he seemed to be handling it all in stride – easing any preexisting worry that he’d be weirded out or pushed away by the assumptions forced upon you and your relationship. You stared intently at your screen, your fingers hovering anxiously over the keypad. Your heart rate quickened as you contemplated hitting send on the message, a wave of trepidation washing over her. 

R: maybe we can talk more over lunch? just to make sure ure all good!

Was it too desperate? Did it seem like you wanted a second? First? Date amidst an unfortunate impasse? Would he be discouraged? Did he even want to see you again?

J: i’d love 2!!!!

Oh. You release the breath you hadn’t noticed you were holding in, letting the pressure dissipate from your shoulders. Despite the weight of the situation, you found solace in knowing that he had playfully accepted the circumstances and was willing to brace the full extent of the accusations by risking another day with you. Finalising the details for lunch, you got ready and swiftly made your way out the door – towards the destined spot.

—-----------------------------------------------------------

Stumbling through the city, you took in the sights as you passed by slews of oscillating buildings and unnamed parks. Unanswered messages from your manager remain rigid and unread as you lock away your phone, looking forward for signs of the restaurant you were to meet Joost in. Determination sets in to the anterior parts of your brain – the tenacity to express your interest in growing together with the man you had just met the day prior. Although it was sudden, you were sure that getting to know him would only continue to confirm the feelings beginning to harbour at the base of your judgement. Rounding the last corner, you were hit by a familiar warmth; it was sudden, intrusive, preponderant, and all-consuming simultaneously.

“Hallo!” The Dutch accent slipped into his greeting like honey, the same baritone voice you’d come to be acquainted with to fill the air around you, as a blanket would. Suddenly every smell, minute sound, or gentle breeze that was prevalent became subdued – every one of your senses focusing on the presence of the alluring companion standing in front of you.

Your grin evident in your voice, you reply tenderly, “hello, stranger.”

[novlr]

how to describe? Houses, rooms, interiors, palaces, etc?

Creating immersive descriptions of indoor spaces is more than just scene setting—it’s an invitation to the reader to step into your world. Describing the interior of buildings with vivid detail can draw readers into your narrative. So let’s explore how to describe interiors using multiple sensory experiences and contexts.

Sights

Lighting: soft glow of lamps, harsh fluorescent lights, or natural light.

Colour and textures; peeling paint, plush velvet, or sleek marble.

Size and scale: is it claustrophobically small or impressively grand?

Architectural features: high ceilings, crown mouldings, or exposed beams.

Furnishings: are they modern, sparse, antique, or cluttered?

Style and decor: what style is represented, and how does it affect the atmosphere?

State of repair: is the space well-kept, neglected, or under renovation?

Perspective and layout: how do spaces flow into each other?

Unique design features: describe sculptural elements, or things that stand out.

Spatial relationships: describe how objects are arranged—what’s next to, across from, or underneath something else?

Sounds

Describe echoes in large spaces or the muffled quality of sound in carpeted or furnished rooms.

Note background noises; is there a persistent hum of an air conditioner, or the tick of a clock?

Describe the sound of footsteps; do they click, scuff, or are they inaudible?

Include voices; are they loud and echoing or soft and absorbed?

Is there music? Is it piped in, coming from a live source, or perhaps drifting in from outside?

Capture the sounds of activity; typing, machinery, kitchen noises, etc.

Describe natural sounds; birds outside the window, or the rustle of trees.

Consider sound dynamics; is the space acoustically lively or deadened?

Include unexpected noises that might be unique to the building.

Consider silence as a sound quality. What does the absence of noise convey?

Smells

Identify cleaning products or air fresheners. Do they create a sterile or inviting smell?

Describe cooking smells if near a kitchen; can you identify specific foods?

Mention natural scents; does the room smell of wood, plants, or stone?

Are there musty or stale smells in less ventilated spaces?

Note the smell of new materials; fresh paint, new carpet, or upholstery.

Point out if there’s an absence of smell, which can be as notable as a powerful scent.

Consider personal scents; perfume, sweat, or the hint of someone’s presence.

Include scents from outside that find their way in; ocean air, city smells, etc.

Use metaphors and similes to relate unfamiliar smells to common experiences.

Describe intensity and layering of scents; is there a primary scent supported by subtler ones?

Activities

Describe people’s actions; are they relaxing, working, hurried, or leisurely?

Does the space have a traditional use? What do people come there to do?

Note mechanical activity; elevators moving, printers printing, etc.

Include interactions; are people talking, arguing, or collaborating?

Mention solitary activities; someone reading, writing, or involved in a hobby.

Capture movements; are there servers bustling about, or a janitor sweeping?

Observe routines and rituals; opening blinds in the morning, locking doors at night.

Include energetic activities; perhaps children playing or a bustling trade floor.

Note restful moments; spaces where people come to unwind or reflect.

Describe cultural or community activities that might be unique to the space.

Decorative style

Describe the overall style; is it minimalist, baroque, industrial, or something else?

Note period influences; does the decor reflect a specific era or design movement?

Include colour schemes and how they play with or against each other.

Mention patterns; on wallpaper, upholstery, or tiles.

Describe textural contrasts; rough against smooth, shiny against matte.

Observe symmetry or asymmetry in design.

Note the presence of signature pieces; a chandelier, an antique desk, or a modern art installation.

Mention thematic elements; nautical, floral, astronomical, etc.

Describe homemade or bespoke items that add character.

Include repetitive elements; motifs that appear throughout the space.

History

Mention historical usage; was the building repurposed, and does it keep its original function?

Describe architectural time periods; identify features that pinpoint the era of construction.

Note changes over time; upgrades, downgrades, or restorations.

Include historical events that took place within or affected the building.

Mention local or regional history that influenced the building’s design or function.

Describe preservation efforts; are there plaques, restored areas, or visible signs of aging?

[mamani-bento]

what you're willing to give (satoru gojo)

satoru gojo x reader, 1.3k, gender not mentioned

fwb!gojo + 'if we get caught kissing in a small, dark, kind of shady alleyway, it's on you.' from this prompt list, highly suggestive making out + fluff + humour (?)

summary - gojo wants more. you want more. the only difference is that he can admit it, but he likes you enough to wait until you can too.

minors do not interact!

i wrote this and i'm sooooooo at his characterisation here, this goes under fics-that-are-SO-well-set-up-for-a-sequel i'm a genius sometimes, fwb!gojo has not left my head since i read this incredible fic by @staryukis

mamani-bento's masterlist!

gojo doesn't understand why you're complaining, honestly.

okay, he sort of does, but he doesn't understand why you're still complaining.

"do you want to stop?"

your answer takes a bit longer to emerge, and gojo can't help the smug grin against the side of your neck. he continues to nip and lave at your skin, paying special attention to a slowly-forming bruise near your jugular as he waits for your response.

"stop–ah!–stop fucking smiling."

gojo does not stop smiling, but he does lay off your neck, moving his lips upwards and catching your swollen ones with a low chuckle instead.

"so mouthy," he mumbles into shared breath, delighting in the reactionary tightening of your clenched fists in his hair. he can't help the groan he lets out at the feeling, and his large palm grips harder at the plump flesh of your thigh hooked over his hip. his body presses further into your front, pushing you against the wall. his long fingers curl at your scalp and he can feel the scrape of uneven stone against the back of his hand.

sighing pants and moaned kissing fill the dark alley behind the pub. gojo loves his friends, he really does, but he can't possibly be expected to pay attention to them inside when you're wearing that.

"i didn't think this would do it for you," you airily breathe out as gojo lets your leg down, groping at the flesh of your ass instead.

he catches your bottom lip between his teeth, revelling in the gasp he's rewarded with. "liar," he mutters, no real heat behind his words. "you absolutely knew that this would do it for me."

he could die with the sound of your giggle in his ear and he'd be happy as a clam. he's been feeling like he could die a lot this evening, ever since you entered in that outfit and made him nearly choke on air at the sight.

you trace kisses down the long column of his neck, and his eyes flutter shut at the pleasure. he gives your ass one last squeeze, large palms smoothing over the thin fabric of your panties, before he finally moves his hand out of your tiny skirt.

you had come to the halloween party dressed as him and it makes his head spin every time he thinks about it. the only modification you've made is the pants, traded in for a similarly navy skirt that shows off the plush of your thighs, and sheer stockings that end just below the hemline. he's very thankful for that skirt, very grateful for the access it's giving him to feel you up as he pleases.

and maybe, maybe, he should be a little concerned at what this means for his narcissism, that the sight of you like this, like him, is having such a profound effect. but all he can really think about is your teeth scraping against the underside of his jaw, your hands now tugging at the collar of his blue button-up, your skin moulding under the greedy kneading of his palms as he moves to your hips.

"where's your tie?" you manage to ask as you pull away, as if just realising that he's missing an integral part of his outfit.

"at home," he says, opening his eyes to look at you looking at him. your costume blindfold rests on your forehead, messily bunched up from all the movement, giving him the full effect of your partly disappointed expression.

your fingers fiddle with his undone top button. "would've liked if you had a tie," you mumble, almost complainingly.

he knows you're lying, fully certain that this halfway nanami-cosplay he's got going on is also doing it for you if your enthusiastic participation is anything to go by. and maybe, maybe, he left the tie out just so he could have a reason to get you in his house. he likes to pretend sometimes that he still has to convince you to spend nights with him. likes to act as though he's perpetually on a quest to win your affections, despite all the evidence to the contrary.

"come over. help me put it on."

the streetlight from the main road filters into the alley and the music from the building you're both leaning against is muffled and you look so thoroughly debauched with your lips swollen and your face flushed and your chest heaving, and all gojo can really register is the feeling of your body against his.

this is the only way he can have you. too risky to be in a relationship but not to fall into bed with each other at every social gathering, to ignore your colleagues and make out in the alleyway like teenagers. he knows, he knows, that something will give. he's largely stopped trying to hide how much he cares for you behind this dance of 'come over' and 'are you awake?', but your walls are so high, every brick laid by the fear of both being with somebody and being somebody who might not make it back home after a mission. until he can break them down, he'll take what he can get, what you're willing to give him.

"you planned that line?" you scoff with a shocking perceptiveness. or not that shocking. for somebody who claims to not care, you pay an awful lot of attention to his mannerisms outside bed. he'll wait for you to admit it to yourself.

he moves closer, thick arm familiarly winding around your waist until he can feel the ghost of your deep breaths fanning over his already lonely lips. "don't tell me you wore that and expected this to not happen tonight."

the silence is deafening in the wake of his low accusation. you can't deny it, of course you can't deny it. you know that your cherry lip gloss drives him crazy, that the sight of your thighs moving in those translucent silky stockings is enough to wind him up, that he's got an ego for days and seeing you dressed like him is basically heaven. you could've gone as anybody. shoko's only rule was to dress up as another teacher, she didn't specify anything about your-fuckbuddy-that-you're-pretending-to-not-have-a-thing-for.

his gaze shoots to your mouth as your teeth worry your lower lip, and he'd really like you to say something now. preferably along the lines of 'you're absolutely right, i'm in this outfit because i want to sleep with you, let's go' , but he knows it'll never be that easy with you.

even as your body presses against his, even as your hands move to play with the hair on the nape of his neck, you ask, "what about the others?"

gojo laughs, a bright thing that pierces the heavy silence of the dark alley. "they should be used to it by now, no? we'll send shoko an apology card in the morning for bailing."

he doesn't mean to push, but you never do anything you don't want to, and past experience tells him that you really want to do him. despite your initial reluctance, you always end up in his bed at the end of the day. despite your stubborn insistence that 'this is the last time' and 'this isn't a thing', it's never the last time and it's definitely a thing. and predictably, he can see your resolve wavering now, like it always does.

"she also deserves flowers, i think."

"sure, we'll send some flowers too," gojo easily acquiesces with a shrug. he'll send shoko a damn car if you ask him to. but he can't say that yet, won't say that until you admit that whatever ineffable instinct keeps pulling you two together runs deeper than back alley make outs and sweaty nights that feel inevitable.

"this is–"

"the last time?" gojo interrupts, unable to stop himself.

he ignores your unimpressed expression in favour of pressing into your hips with his, satisfied with the way wide eyes and a small gasp replaces your flat look. he makes no attempt to hide what you've done to him, what you always seem to be doing to him. he's affected at the best of times, but in this outfit? he never stood a chance. "is that a yes?"

you seem equal parts annoyed and aroused.

just how he likes you.

"shut up," you grouse, tugging at his collar until you're fiercely kissing him again, everything becoming a frenzy that promises to end with your clothes on his floor and your nails running down his back.

if this is what you’re willing to give him for now, he’ll gladly take it. but he wants more, and he knows that you want more, and it’s only a matter of time before something finally gives.

[theoutcastrogue]

Cold Iron in folklore, fiction, and RPGs

'Gold is for the mistress—silver for the maid! Copper for the craftsman cunning at his trade.' 'Good!' said the Baron, sitting in his hall, 'But Iron—Cold Iron—is master of them all!' — Rudyard Kipling, “Cold Iron”

Folklore

Drudenmesser, or "witch-knife", an apotropaic folding knife from Germany

The notion that iron (or steel) can ward against evil spirits, witches, fairies, etc is very widespread in folklore. You hang a horseshoe over your threshold to deny entry to evil spirits, you carry an iron tool with you to make sure devils won't assault you, you place a small knife under the baby's crib to ward it from witches, and so on. Iron is apotropaic in many many cultures.

In English, we often come across passages that refer to apotropaic cold iron (or cold steel). "All uncouth, unknown Wights are terrifyed by nothing earthly so much as by cold Iron", says Robert Kirk in 1691, which I believe is the earliest example. "Evil spirits cannot bear the touch of cold steel. Iron, or preferably steel, in any form is a protection", says John Gregorson Campbell in 1901.

Words

So what is cold iron? In this context, it’s just iron. The “cold” part is poetic, especially – but not only – if we’re talking about either blades (or swords, weapons, the force of arms) or manacles and the like. It just sounds more ominous. There are “cold yron chaines” in The Fairie Queene (1596), and a 1638 book of travels tells us that a Georgian general (in the Caucasus) vowed “to make the Turk to eat cold iron”.

Green’s Dictionary of Slang defines “cold iron” as a sword, and dates the term to 1698. From 1725 it appears in Cant dictionaries (could this sense be thieves’ cant, originally? why not, plenty of words and expressions started as underworld slang and then entered the mainstream), and from ~1750 its use becomes much more common.

NGram Viewer diagram for 1600-2019.

In other contexts, cold iron is (surprise!) iron that’s not hot. So let’s talk a bit about metallurgy.

Metals

In nature, we can find only one kind of iron that’s pure enough to work with: meteoritic iron. It has to literally fall from the sky. Barring that very rare occurrence, people have to mine the earth for iron ore, which is not workable as is. To separate the iron from the ore we have to smelt it, and for that we need heat, in the form of hot charcoals. Throwing the ore on the coals won’t do much of anything, it’s not hot enough. But if we enclose the coals in a little tower built of clay, leaving holes for air flow, the temperature rises enough to smelt the ore. That’s called a bloomery.

clay bloomery / medieval bloomery / beating the bloom to get rid of the slag

What comes out of the bloomery is a bloom: a porous, malleable mass of iron (that we need) and slag (byproducts that we don’t need). But now we can get rid of the slag and turn the porous mass to something solid, by hammering the hot bloom over and over. And once the slag is off, by the same process we can give it a desired shape in the forge, reheating it as needed. This is called “working” the iron, hence “wrought iron” objects, i.e. forged.

a blacksmith in his forge, with bellows, fire, and anvil (English woodcut, 1603)

This is the lowest-tech version, possibly going back to ~2000 BCE in Nigeria. If we add bellows, the improved air flow will raise the temperature. So smelting happens faster and more efficiently in the bloomery, and so does heating the iron in the forge, making it easier to work with. And that’s the standard process from the Iron Age all through the middle ages and beyond (although in China they may have skipped this stage and gone straight to the next one).

If we make the bloomery bigger and bigger, with stronger and stronger bellows, we end up with a blast furnace, a construction so efficient that the temperature outright melts the iron, and it’s liquified enough to be poured into a mould and acquire the desired shape when it cools off. This is “cast iron”.

a blast furnace

So in all of this, what’s cold iron? Well, it’s iron that went though the heat and cooled off. (No heat = no iron, all you got is ore.) If it came out of a bloomery, or if it wasn’t cast, it’s by definition worked, hammered, beaten, wrought, and that happened while it was still hot.

Is there such a thing as “cold-wrought” iron? No. In fact, “working cold iron” was a simile for something foolish or pointless. A smith who beats cold iron instead of putting it in the fire shows folly, says a 1694 book on religion, so you too should choose your best tools, piety and good decorum, to educate your children and servants, instead of beating them. When Don Quixote (1605) declares he’ll go knight-erranting again, Sancho Panza tries to dissuade him, but it’s like “preaching in the desert and hammering on cold iron” (a direct translation of martillar en hierro frío).

Minor work can be done on cold iron. A 1710 dictionary of technical terms tells us that a rivetting-hammer is “chiefly used for rivetting or setting straight cold iron, or for crooking of small work; but ’tis seldom used at the forge”. Fully fashioning an object out of cold iron is not a real process – though a 1659 History of the World would claim that in Arabia it’s so hot that “smiths work nails and horseshoes out of cold iron, softened only by the vigorous heat of the sun, and the hard hammering of hands on the anvil”. [I declare myself unqualified to judge the veracity of this statement, let's just say I have doubts.] And there is of course such a thing as “cold wrought-iron”, as in wrought iron after it’s cooled off.

Either way, in the context of pre-20th century English texts which refer to apotropaic “cold iron”, it’s definitely not “cold-wrought”, or meteoritic, or a special alloy of any kind. It’s just iron.

Fiction

The old superstition kept coming up in fantasy fiction. In 1910 Rudyard Kipling wrote the very influential short story “Cold Iron” (in the collection Rewards and Fairies), where he explains invents the details of the fairies’ aversion to iron. They can’t bewitch a child wearing boots, because the boots have nails in the soles. They can’t pass under a doorway guarded by a horseshoe, but they can slip through the backdoor that people neglected to guard. Mortals live “on the near side of Cold Iron”, because there’s iron in every house, while fairies live “on the far side of Cold Iron”, and want nothing to do with it. And changelings brought up by fairies will go back to the world of mortals as soon they touch cold iron for the first time.

In Poul Anderson’s The Broken Sword (1954), we read:

“Let me tell you, boy, that you humans, weak and short-lived and unwitting, are nonetheless more strong than elves and trolls, aye, than giants and gods. And that you can touch cold iron is only one reason.”

In Peter S. Beagle’s The Last Unicorn (1968) the unicorn is imprisoned in an iron cage:

“She turned and turned in her prison, her body shrinking from the touch of the iron bars all around her. No creature of man’s night loves cold iron, and while the unicorn could endure its presence, the murderous smell of it seemed to turn her bones to sand and her blood to rain.”

Poul Anderson would come back to that idea in Operation Chaos (1971), where the worldbuilding’s premise is that magic and magical creatures have been reintroduced into the modern world, because a scientist “discovered he could degauss the effects of cold iron and release the goetic forces”. And that until then, they had been steadily declining, ever since the Iron Age came along.

There are a million examples, I’m just focusing on those that would have had a more direct influence on roleplaying games. However, I should note that all these say “cold iron” but mean “iron”. Yes, the fey call it cold, but they are a poetic bunch. You can’t expect Robin Goodfellow’s words to be pedestrian, now can you?

RPGs

And from there, fantasy roleplaying systems got the idea that Cold Iron is a special material that fey are vulnerable to. The term had been floating around since the early D&D days, but inconsistently, scattered in random sourcebooks, and not necessarily meaning anything else than iron. In 1st Edition’s Monster Manual (1977) it’s ghasts and quasits who are vulnerable to it, not any fey creature. Devils and/or fiends might dislike iron, powdered cold iron is a component in Magic Circle Against Evil, and “cold-wrought iron” makes a couple of appearances. For example, in AD&D it can strike Fool’s Gold and turn it back to its natural state, revealing the illusion.

Then Changeling: The Dreaming came along and made it a big deal, a fundamental rule, and an anathema to all fae:

Cold iron is the ultimate sign of Banality to changelings. ... Its presence makes changelings ill at ease, and cold iron weapons cause horrible, smoking wounds that rob changelings of Glamour and threaten their very existence.... The best way to think about cold iron is not as a thing, but as a process, a very low-tech process. It must be produced from iron ore over a charcoal fire. The resulting lump of black-gray material can then be forged (hammered) into useful shapes. — Changeling: The Dreaming (2nd Edition, 1997)

So now that we know how iron works, does that description make sense? Well, if we assume that the iron ore is unceremoniously dumped on coals, it does not. You can’t smelt iron like that. If we assume that a bloomery is involved even though it’s not mentioned, then yes, this is broadly speaking how iron’s been made since the Iron Age, and until blast furnaces came into the picture. But the World of Darkness isn’t a pseudo-medieval setting, it’s modern urban fantasy. So the implication here is that “cold iron” is iron made the old way: you can’t buy it in the store, someone has to replicate ye olde process and do the whole thing by hand. Now, this is NOT how the term “cold iron” has been used in real life or fiction thus far, but hey, fantasy games are allowed to invent things.

Regardless, 3.5 borrowed the idea, and for the first time D&D made this a core rule. Now most fey creatures had damage reduction and took less damage from weapons and natural attacks, unless the weapon was made of Cold Iron:

“This iron, mined deep underground, known for its effectiveness against fey creatures, is forged at a lower temperature to preserve its delicate properties.” — Player’s Handbook (3.5 Edition, 2003)

Pathfinder kept the rule, though 5e did not. And unlike Changeling, this definition left it somewhat ambiguous if we’re talking about a material with special composition (i.e. not iron) or made with a special process (i.e. iron but). The community was divided, threads were locked over this!

So until someone points me to new evidence, I’ll assume that the invention of cold iron as a special material, distinct from plain iron, should be attributed to TTRPGs.

[hehearse]

hello tumblr user hehearse. another ask BUT this time its NOT torturous song associations! i would just like to ask if you have specific thoughts on jinjae. because theyre SO fucking weird abt each other and they have me in a grip. i would like to know your thoughts on them ^^

GASP branching out aren't we? :D

i think they are incredibly fun. and horrible in their own way.

i love the fact that shj is NOT under yoojin's key word effect and he is Just Like That TM. bear with me for a sec. i was having yet another ted talk with dearest achro juuust recently about them, SO THERE ARE SOME HALF COHERENT THOUGHTS READY

i like how shj being the adult and not under the keyword effect gives some. agency in a way. so you know how yoohyun gets all the love despite him being the way he is. for the price of him moulding his entire being around yoojin? or more like HE decides THAT is the price and the only context for the love to be deserved and a fair trade so to speak. when he breaks the mould, he does not lose the privilege of being loved. he was chosen when he was that way to begin with. and anyway, yoojin gives so much leeway to yoohyun even in the frame of his views on good and bad - because love runs deep, and there are many things he'll let slide or let go, as long as yoohyun - and other kids - are happy.

but shj is an adult, not yoojin's kid. might sound obvious but. that gives him agency to fuck up his relationship with yoojin, and he actively chooses not to do it when he moves to the "partner" stage!! (because hyunje very clearly was feeling out the boundaries in the beginning, wasn't he? pushing and pushing and poking the rot until yoojin cracked. and what a surprise that was huh. huh, shj?? he stopped after that. the lines established (by him) and he was not. entirely happy about what he saw, even if incredibly intrigued)

additionally. there is something to say about the playful lines they draw. yoojin has his pride and wants to at least APPEAR strong even when he is struggling. and in places where yoohyun or yerim would fluster him with excessive care and worry, shj gives him enough space to pretend for a bit. even if they both know he's lying. he lies himself too, to save yoojin his pride, doesn't he? the "ah, it's just my whims" attitude? isn't it easier to accept the lavish gifts and such when it's not personal? might just use since he is clearly an eccentric rich s class, right? (that shoots them both in the foot with yoojin feeling insecure, like shj can drop him at any point in time, but that's different story)

plus! plus!! the thrill of biting back at someone so powerful. the excitement of toying with the guy everyone feels threatened by. ^^ (and of course the fun of peeling of perfect appearance and seeing this sung hyunje who doesn't eat bread crusts, likes fishing and being annoying and playing into jokes and is SO good at it he catches on instantly, just give him an opening. a secret persona. makes you feel special, doesn't it?)

while love for yoojin seems natural (oh yoojin. the most guy ever. gah.), sung hyunje too. makes adjustments to win points. like with him treating yerim seriously, him taking in account yoohyun's possessiveness when proposing giving only one of his eyes to blind yoojin (because you know. yoohyun would be unhappy if he didn't get a chance to give his eye to his hyung. and he is his hyung's number one. so shj can't not take it into account - he likes his place number two after all).

ANYWAY. i think yoojin needs an Adult TM who won't necessarily break apart without him. but who would still like to have him around and let yoojin bully him a bit as a treat. and sung hyunje needs someone who can not only tolerate his nasty personality up close, but would ALSO bite back without a fear of retribution. makes life more fun that way. i suppose you can say they both need someone who would entertain their bullying but not leave or get scared or break apart. ^^

[fairycosmos]

to anon with black mold in their room! i would recommend hg mould remover or some other trade brand kinda remover bc they’re more rough on the mold but pls air out the room properly after.

butttt after all the mold removal is done get a dehumidifier!!!!! its such a massive game changer bc i’d been spraying down my wall every 2 weeks bc the mold would come back so fast and make me sick and ruin all my stuff. but i’ve had a small capacity dehumidifier (i turn it on every night bc i like the white noise) for about a year now and there has been absolutely no mold growth at all!! i need to water my plants a bit more bc they dry out faster but otherwise my life has gotten so much easier!!!

(also when my depression was rlly bad, the dishes that i didnt have enough energy to take out of my room used to get super moldy as well and now i dont need to worry about that if i get into a depressive episode and its such a massive mental load thats removed)

sorry i rambled a bit but this shit has made such a massive difference

thank u this is so so helpful!! really hope they see this 💌❤️💌

[meli-writes]

Mechismo - No. 03 /// Speak

(First) / (Previous)

When the reappropriated battle-radio crackles to life— Pss-Tat-tat. It’s good.

“—ou copy? Answer! I know—” Psssat-at-at. It’s the oft-heard, impatient snap of takeout breadstick or asshole-bone. Psst-tat. One of those, at least. “—need help.

Okay?”

Boots slip to the deck in a restrained show of attentiveness; pulled through loose cablets — anxiously-chewed at the stray ends — that have hewn radio to emplaced console. That beg it remain connected, to the dropship’s comm-booster. Tsss-at-tat. Still within reach.

You want to hear this — need to, were waiting to.

But the pack — lance, she’ll be here soon to pipe-in indignant with — doesn’t need to see that, their breaths hitching as you click down on the transceiver, “Aww. Howdy pup, ya not doin’ so good right now?”

“Don’t call— Ugh. You were right!” she exclaims. “Not—” Psss— Tick!

Tsss-Tick-tick! The radio needs to be tuned to hers — its signal obfuscated before now, even with the leash hardwired between them, and the tracker buried in her bought-out frame.

It’s the hiss-click when internal-atmos sneers out through a cockpit-shield; where— Tsss-Tick! Where the sea presses on its laminate interlace which melds still, after hours sunken, the internal-external halves of its shattered, protective screen into purposed form.

Whereon the seabed her mech rests to be recovered, and indebted for the courtesy.

Tick-tsss-tick. Or the kettle that rattles to a whinesome, third climax — another pack-hound ordered to bring her tea, without notice to the possibility it’s because it never tastes how she made it. Tsss-tick-Tick-Tick!

One of those,

at least.

It takes some more dials to find her. Tick-tick—Tack! Then it locks in, and she’s yours.

“—were knocked out. So it’s just me — that’s left,” she pleads between the hiss that remains: the unmistakable whine of pilot exhaustion and shrapnel-bled coolant dripping onto wet, fizzing circuits. “Okay.”

Somewhere below, a treat rattles from tread-to-tread; out of the recesses of bounced-up combat boots, through metal slats into the underdeck — for the rats, not dogs, to feast on this time. Though one still mounts a boot-tip, bobs up into your spare hand, and “Oh. How I’d just adore making it all right for ya pup,” you drawl, wait out the seconds, to lap up each transceived pant of desperation. “But— y’know, ya gotta make it right first.”

Speakers shudder in electric anticipation as the meagre band of frequencies a battle-radio is allowed to occupy choke on two shots in sudden succession. Thhunkh. Thunkhh. Your radar flickers into range, to see the targeted blips but a moment before they flicker out.

There’s so many more than those ones, than hers — bright speckles of seawater mould on the dull, hooded monitor.

“Yeah. Sure,” she spills, spent shells in the oil-suckered muck, doesn’t have the time to mute, “can take it from my friends’ corpses when this contract’s done — like I didn’t pay enough gettin’ outta yours.”

You think it’s a shame, how she values them — valued them — over her own family, slipping her leash to leave the pack behind. “Handler,” she begs — her words huddled between the rhythmic shunts of her main-arm reloading.

You feel the way it tears itself apart each time it fires — how it trades off: so much power, but it must hurt itself too. How she didn’t know how to repair it — before you, “No.”

“Wha—”

“No more debts,” you append, in correction of her. It’d look the same on the company files but, “Ya always looked sad when ya owed me.”

“So how the fuck am I supposed to—” Her shriek suffers another’s interjection; the hull-creasing bellow of another blow taken, less glanced than the last, less her fainting gesture at leverage. “Fine! You wanna fuck me, right? ‘Cos I never gave you the chance.”

Mould pours into a brittle crescent around her, cut apart at the gridlines and nowhere else.

She must’ve backed into her prize: a vessel downed in distant memory, too much promise of precious relics to be uncontested, now the winds have shaken it from its grave. At last its rusted silvered shell bounces an invisible laser back into the rangefinder. You count down each point: two-point-six clicks, two-point-five, point-four, point-three.

She doesn’t need to know that — would know it herself, 

“Ya ain’t gotta make it right to me,” you explain, punctuate it with the loose, separation-anxious howl of the smallest of the pack’s three. It nuzzles past the mounted one, and whimpers as you tamp fingers down on radio and tongue, to tell her.

“It’s to your sisters.”

All your hounds whine now, except her. But that’s still good. The pilot-suits will recirculate the lost fluid — most of it. The rest will help it slip off, after she’s back, and even before that it’s little between them and the ridged, rubber toe-caps each vies to press themselves into.

“Are you not over this,” she cries, even though it’ll soak the soft trim of her head-mounted display. “I left months ago and I’m dying now.”

You retreat a wet index-finger from an eager, pulsing throat — rub the mess on its cheek, let out a soft snap. “I’m not, pup,” you turn on her, and two sub-point clicks fly past before you’re able to continue, “and you're already whining so perfectly for me.”

Each hound has stirred now, rushing to collar themselves in their owned, metal skin.

Your words echo into their cockpits, “Bark for your owner.”

It’s not even for them but— Awooo! And it must count sixty-four seconds or less, till they’re hot and grounded, “and I’ll be right over.”

If they want their reward, “I can’t believe I’m—” If there’s still one to collect.

You look at that speckled crescent, know from how it falls on her what each wretched speckle is — model, armament, pilot-temperament — and can count the seconds you’ll need to break it. Can count the second you have to break it, and are losing as drop-sirens howl and steel starts to pounce upon the earth.

“Daisy,” you bark — worried she’s silent.

But then, the radio crackles. You hear the hitch in her throat — as the dropship shadows the broken field, before her pack lights the darkness, and realise, in relief, that she is waiting — waiting to, “Speak!”

“Arf!”

“Good girl.”

---

(Masterpost) / (Next)

written for Making-up-Mech-Pilots' prompt:

Mech Pilot who is very upset that they don't get to pick their own callsign.

technically started writing this before i made a tumblr account but i believe this will be appreciated here. it started off more playful and invariably i have made it sad but also smutty. lmk if you like it <3

[rallamajoop]

The Baker Incident Report and the Resident Evil 7 Guidebook

While I’m talking obscure sources of RE7 lore, there's a couple more I’ve been poking through lately: the Baker Incident Report file (only available with the RE8 Trauma Pack DLC), and the BIOHAZARD 7 resident evil kaitaishinsho or RE7 guidebook (only available in Japanese, though some translations have made their way online).

I’m not the biggest fan of these kinds of ‘canon’ – fans shouldn’t have to go pouring through pages of DLC-exclusive-text-dumps or untranslated supplements to find out WTF was supposed to be going on – and both of these have other problems I’ll get into below. All that said, here's some of the more interesting new info they give us.

From the BIR, the Winters were moved to ‘Eastern Europe’, as witness protection from the Connections. That's still frustratingly unspecific, but more than we’re ever explicitly told in the game.

The lab that created Eveline is in Munich, Germany, per the BIR. This one does add up: close enough to Eastern Europe for Miranda to be involved, but not so close that it would necessarily ring alarm bells for Mia when the BSAA wanted to move them right to Miranda’s doorstep. Mia’s obviously been to the Munich lab, but presumably didn’t know exactly where the mould comes from (something redacted out even in their own reports). The guidebook also places the lab in Europe, but doesn't give a city. The BIR adds that the Connections are active in Eastern Europe, and we know they have facilities in Central America. Presumably there are offices in Texas too ‒ Mia can't be commuting cross continents to get to work every day.

Eveline was shipped to Central America due to an attempted raid by the BSAA, which is far more we learn from the "Orders" file from the game. The BIR goes so far as to imply that this botched operation was indirectly responsible for the whole Baker Incident, with Chris and his team leaving due to their frustration with the BSAA's attempts to cover the incident up. The guidebook, however, tells us Chris Redfield was actually the guy leading the team behind the failed raid. I assume we’re meant to take it that the mission failed because of an info leak, but I’m still amused by just how ineffectual this franchise keeps making Chris out to be.

Post RE7, Zoe is working as a reporter for a small paper in New Orleans. We don't know if she too went through witness protection but her name was listed among the dead at the Baker mansion.

Ethan is called a systems engineer in both the guide book and the BIR (this one does seem to have been spread around fandom more widely).

Eveline was created in the early 2000s, according to the guidebook. This one really doesn't add up for me: if the project started in 2000 and had already advanced through the A-E series by the early 2000s, why did it stagnate there for the next 10 years without further progress? Did Miranda leaving the project set it back so far? They can't have been waiting for Eveline to grow up, she can age 25x faster than usual, and is being deliberately maintained at the age of a 10yo girl. IDEK, I'd be inclined to ignore this one.

The guidebook states that Mia told people she worked for a "trading company," and was often away from home for work, something which had already strained the Winters’ marriage. I'd guess she told people she spent a lot of time accompanying shipments of goods when she was really smuggling materials or taking part in covert operations for the Connections.

The guidebook gives 2010 as the year she started working for the Connections (a year before her marriage to Ethan in 2011, though it doesn’t mention when they met, which may well have been 2010 or earlier). Mind you, this is also the one bit that randomly calls her "a researcher", so take it as you will (more on this below).

Of Mia's involvement with the project that created Eveline, it says only that the Connections' Special Agents Alan and Mia were assigned to transport Eveline to America. No real indication Mia was ever involved before then.

Of Mia's relationship to Eveline, it says that Mia "found Eveline creepy, but felt sympathy for her lonely situation." You and the rest of us, Mia.

Eveline forced Mia to lure Ethan to the Bakers' property in hope that adding Ethan to their family would make Mia more compliant, according to the guidebook. Eveline was especially fixated on Mia, having known her longer than the Bakers, and was frustrated with Mia's continued resistance to her control. Mia seems to have tried to keep Ethan's existence secret from Eveline to protect him, but somehow let it slip. All this is already implied in-game, of course, but it's nice to have it spelt out.

The Bakers feed people infected food because “oral and mucosal infections” are supposedly better for mould-powered mind-control. Ethan is obviously already infected AF well before their attempts to feed him 'dinner' (there's no way his severed hand would be usable otherwise), but IDK, maybe ingesting some extra mould would have made it easier for Eveline to control him? I'm sure a 10yo girl and a family of hillbillies do not have this down to an exact science, and I wouldn't even be surprised if feeding people mould was counter-productive somehow, given their success rate.

So why did none of those infected prisoners join Eveline's "family" alongside the Bakers? The guide book tells us simply that all were "deemed unfit" as family members, and were thus killed, and converted into molded instead.

We get official names for all the molded types we meet in the game (Moulded, Blade Moulded, Quick Moulded and Fat Moulded – pretty self-explanatory).

As a side-note, Ethan himself gets referred to as a ‘molded’ around this fandom a lot, which really isn’t correct. Ethan’s infected by the mold in the same manner as the Baker family, whereas ‘molded’ is a term coined to describe what amounts to mutamycete zombies (see above): the unintelligent, inhuman monsters that made up the generic enemy types of RE7, whose whole bodies are simply “superorganisms formed of countless mycelia.”

The guide book also implies that Jack’s final, mutated form reflects that he’s starting to become a moulded himself, which is a very interesting little detail.

Notes attached to concept art suggest that most moulded are created from dead bodies, covered by mould in bathtubs to convert them. Eveline is also seen spontaneously converting people to shapeless mould though, and clearly converted much of the ship’s crew into moulded-creatures in a very short time after her escape. It’s not super-consistent, but it is all horror-logic at its best (read: the rules are whatever will make this scene scarier).

There’s a bunch of additional stuff in the BIR naming the Connections’ founder as Brandon Bailey, someone who naturally has ties to Umbrella, blah, blah, blah ‒ I’m sure it all means more to fans of some of the older games. I can't pretend to have much interest in this part myself.

So with all that interesting info, what's my big problem with these sources? Well, for one thing, you don’t have to look far into the guidebook to find info that contradicts what we already know – and sometimes even itself. One page clearly describes Mia as a special agent working for the Connections ‒ a description that matches the wording used in the Orders document, and everything we see Mia doing in the game. But then another page randomly tells us Mia was hired as "a researcher" ‒ a description that matches nothing else we know about her (though it's an irritatingly common misconception, and this book may be the reason why). No-one's checking any of this stuff for consistency.

The guidebook also features such other gems as telling us Ethan currently lives and works in Los Angeles, when both Mia’s driver’s license and all geographical logic tell us they’re from Texas. Then there's that weird bit about Eveline being created in the early 2000s... and realistically, I can only assume a lot of what made it into the book may have come from earlier concept notes that were never updated as the story developed ‒ and if you read anything else on the production of this game, you'd know that concepts changed massively as development went on.

But more frustrating is everything the book doesn’t tell us. There isn’t a word said about the oh-so-mysterious "imprinting protocol" that Mia references in the game. How does it work? Is it, as the ending text spiel seems to imply, merely something that can be implemented in a hurry when Eveline needs to be transported across the globe? Can she be imprinted on more than one person at once? Has she ever been imprinted on anyone else? That seems likely, given that the lab’s in Munich while Mia lives in Texas (and if she's really been around since the early 2000s and Mia joined the company only in 2010, she logically must have been), but we don’t find out. Does Eveline get similarly obsessed with everyone she’s imprinted on, or is Mia special? Not a clue.

Since the guidebook was released in March 2017, long before the Not a Hero and End of Zoe DLCs, neither expansion is mentioned in the text. And since we don’t even learn the name ‘The Connections’ until the Not A Hero DLC, the group that created Eveline is referred to simply as the “mysterious organisation” (with quotes) whenever it comes up.

Nothing is said in the guidebook about the new incarnation of Umbrella which was so prominently involved at the end of RE7 either. Possibly, this too was to avoid spoilers for Not A Hero, which does at least give us some info on them – but then, the Baker Incident Report doesn’t mention the new Umbrella at all either, and it doesn’t have that excuse. That omission is all the stranger, considering that Zoe’s whole purpose in writing it is supposedly to expose the cover-up after the Baker Incident – doesn’t Umbrella factor into that at all? It’s like their whole role in RE7 has just wiped clean.

It's also obvious there was so much more lore written for this game that the guide book doesn’t share. Early versions of collectable documents that can still be found in the game files give the D-series head and arm some fascinating backstory, but there’s nothing about them in the guide book, which is a real shame.

Mia especially stands out as a character who must have so much backstory we never hear anything about. How did she get involved with a company as evil as the Connections? How did she justify it to herself for so long – what excuses did she make to herself? Did she genuinely believe they were finding ways to win wars without losing soldiers? Was she gathering evidence against them, was she scared they’d kill her if she left? Not one single word in either the guidebook or the BIR to explain.

Even more annoying to me, though, is just what a wasted opportunity the Baker Incident Report is to add more to Zoe’s story, when she’s one of my favourite RE characters. Included in the text is a letter she received from Mia, giving what should have been the perfect opportunity to flesh out the relationship Zoe and Mia must have built in the three years they spent trapped in the Baker property, the only two (semi-)sane people present – and what does the letter do? Imply they hardly knew each other at all. It’s the most boring possible answer, it contradicts hints from the actual game (Marguerite outright tells us they've been working together, even!), and GDI, you do not get to tell me that my girls didn’t know each other! ;_;

Ethan and Mia similarly get the short shrift. Throughout RE7 their every interaction is building to a big scene that never actually happens where Ethan finds out the truth – Ethan knows Mia’s been keeping secrets, he never stops asking questions about it, and Mia says outright that she wants to come clean. So what does the BIR tell us? Well, post RE7, Mia mentions in an interview that she doesn’t want anyone telling Ethan. Not a word about what changed her mind. Not a word about why Ethan would just stop asking. Total cop-out.

And there’s so much more it could have covered too. There's nothing about Ethan’s ‘military training’. Nothing about the Winters' relationship with Chris. Mia’s conversation with him in RE8 suggests he was personally involved in relocating them to Eastern Europe, but the BIR doesn’t mention that either. The BIR at large is basically just an extended lore dump, and it doesn’t even sound like Zoe’s voice.

So this is about where I finish up with both of these sources: frustrating, inaccessible, inconsistent, and more missed opportunities than real material. There’s a lot in both I’ll happily go on ignoring. But I’ll still pour through them for every last interesting detail, because I am that obsessed with this canon right now, and they’re what we’ve got.

[y-rhywbeth2]

Lore: Baldur's Gate #1

Link: Disclaimer regarding D&D "canon" & Index [tldr: D&D lore is a giant conflicting mess. Larian's lore is also a conflicting mess. You learn to take what you want and leave the rest]

The City | Demographics | Law & Legal System | Administration & Government | ??? - WIP

Might as well start compiling lore on the namesake of the game...

Featuring the city aesthetic (the depiction of it in-game wasn't nearly grey, damp or claustrophobic enough) and a mostly complete overview of the city and its major areas: the Lower City, Upper City, Outer City, Undercellar and Undercity.

Cultural titbits: like why you can't have animals bigger than peacocks; that you shouldn't live here if you have claustrophobia; how the Patriars clearly have it out for people with hay fever; the constant mould problem; where to go to get a glowing tattoo, a fake tan and the magical equivalent of a plastic surgeon; and why, in fairness to the Banites, the city requires very little effort to turn into a nightmarish police state under the control of an evil deity.

And if your Dark Urge is a sewer gremlin then that's a life choice they're making, not a Bhaalist thing: the Undercity isn't in the sewers.

-

The city state of Baldur's Gate is one of Faerûn's more important ports, situated geographically between the massive trade centres of Athkatla and Waterdeep. It began its life as a fusion of the early fishing hamlet of Loklee (formed around 0 DR) and the pirate and smuggler hub that formed nearby. It was a popular port with a shipyard and visitor's wharves by 204 DR. The natural harbour the man-made harbour is built on is one of the only places in hundreds of miles that's safe for ships to dock at.

Due to the lack of nearby settlements to form competition, the trade hub attained city status and import early in its existence. It briefly fell under the early kingdom of Shavinar, though this was mostly a technicality and the settlement continued to govern itself and continued to do so when the kingdom fell in 277 DR.

The area was first officially recognised in the history books as the city of of Baldur's Gate in 446 DR.

The primary spoken language of the Gate is Chondathan, however during the Spellplague the city attracted enough refugees to become one of Faerûn's most populated cities, and it's a diverse enough location that many people are at least bilingual (not counting Common): many speak Chondathan, their native/ancestral language and a third.

As a major port the city has always been something of a melting pot and encouraged a policy of tolerance - you don't want to drive away merchants and trade, after all. Likewise, in the interests of encouraging trade, the city has enforced a stance of political neutrality and refuses to be drawn into international problems.

Officially, the city prides itself on being welcoming to all ways of life, to the point where anyone and anything goes as long as they obey the laws and don't rock the boat; even the open worship of the majority evil gods is completely unremarkable - what if you want to trade with a place where those gods are a major religion, after all? While Umberlee is worshipped everywhere near the sea (under threat of tidal waves and drowning in retribution for not worshipping her), Baldur's Gate is one of the few places she has an actual temple.

A shrine to any god - regardless of what their faith does or preaches - can be established in any of the temple districts for public worship, and the law will pay it no mind.

This reputation for tolerance and neutrality means it tends to be one of the first choices for refugees and immigrants looking for a new start. The city is extremely crowded, with many people packed into tight spaces and narrow streets, and its population numbers surpassed the metropolis of Waterdeep decades ago; standing at 42,103 people in the 14th century, it has likely more than doubled since. Visitors often find it incredibly - possibly intolerably - loud and busy, while locals consider them to be backwater farmers who don't know what civilisation looks like.

While the city doesn't discriminate legally against any groups, its reputation for tolerance is somewhat overexaggerated. Peoples who are viewed as monstrous by the Realms at large, such as orcs and other goblinoids, or drow, can expect to feel unwelcome as with everywhere else. The recent wave of unwanted human refugees from Calimshan have a strained relationship with the established Baldurians, who view them as foreign and wish they'd just assimilate and start speaking Chondathan already. The city is a human settlement by culture and demographics, retaining its historical human majority, and while the demihuman minorities are part of mundane everyday life, there have been incidents such as in the early 14th century, which saw the rise of The Sure Helm: a human supremacy group who had an issue with the non-humans in their society and were known to carry out hate crimes on the likes of half-elves and half-orcs if they thought they could get away with it.

On a slightly saner note: you have the freedom of religion to worship a god who demands slaves and blood sacrifice, but it's a bad idea to advertise that... Or get caught slaving and murdering, unless you're a very high ranking priest.

--

Local bards tend to refer to the city as the Cresent moon in their lyrics and poems, after the shape of the city layout. The musical traditions of the Gate focus on "brassy-voiced tenors" and "delightfully smoky altos".

Baldurians frown on drunk, debauched and disorderly behaviour in public: there's no space for this nonsense and you're keeping everybody on the street awake.

The gate has an array of cosmetic services available in the markets of the Wide, where - as well as mundane tattooists and piercers - one can hire wizards in the market to perform cosmetic alterations with transmutation magic: glowing tattoos and other strange illusions, tans, magically affixing gems and jewellery like pieces to your body, changing hair colour, texture and style, changing your eye colour, altering your height or your weight or your sexual dimorphism, etc etc.

It's considered bad luck to harm a cat. Many of the animals moved into the area by hitching a ride on sea traffic, and as they're extremely useful for keeping vermin down both on land and at sea, Baldurians are fond of them.

If you need help carrying your shopping or finding somewhere in the city, most street corners have youths known as "lamp boys" and "lamp lasses" you can hire - so called because of the lanterns they carry at night. With the founding of the newspaper you can also find them hawking the daily papers.

The trade the city brings is the lifeline of the Sword Coast (South), and the only place one can buy foreign and luxury goods in the entire region. That said, these goods come at a significant mark up compared to the prices you'd find in Waterdeep or anywhere in Amn.

The majority of silver trade bars (bars of metal used in place of coins, for ease of transport) are made in the Gate, and the city sets the standards for this form of currency.

-

The city has always been heavily policed, and is known for being quiet and one of the safest cities in Western Faerûn; Baldurians don't expect much if any major disruption to the city's day-to-day life.

The city has its own City Watch - member of the watch being readily identified by their black helms, bearing a red stripe down one side - however the Flaming Fist Mercenary Company is the first thing that comes to mind when you mention law enforcement; you can barely go more than an hour without seeing at least one uniformed officer.

The City Watch used to be the city's police force, however by the end of the 15th century the Fist has taken on much of their role, and the Watch now functions purely as the private law keepers of the Upper City. They are permitted to live within the Upper City, and positions in the watch are now mostly hereditary.

Even when the Watch was the official city police the Fist boasted an army a thousand strong. By the start of the 15th century the Fist had taken over city patrols in a semi-official capacity. The two groups also overlap, and many of the Watch are also secretly members of the Fist. One in ten people in the gate - Watch or otherwise - are spies and informants for the mercenary company.

They may not be fully reliable as a police force however, as they are known to chose not to deal with some problems, declaring it a problem for the watch to deal with. Notably they do not police the Outer City and refuse to touch anything involving the Undercellar.

The Flaming Fist also has outposts in other realms, where it guards the foreign trade interests of the city, such as Fort Beluarian (a hamlet of 313 people) in the jungles of Chult on the Southern end of Faerûn. Being mercenaries, they are available for hire for any purpose that isn't considered flat out evil.

Of course the heavy policing and massive police presence, to anybody who cares to look closer at the city's outward appearance of security, is a giant tip-off that the city has a thriving underworld. The Thieves Guild is an ever-present force, and the religious tolerance means that there are a lot of other organised crime syndicates (ie the priests), murderers and extortion rackets running around. Such organisations keep close diplomatic ties to the Grand Dukes and the commander of the Flaming Fist.

-

The weather conditions are typically rain, sleet or fog depending on season and time of day, and the streets and buildings are almost constantly wet either from the weather or the sea. The architecture is almost entirely stone, as it's less likely to rot. The streets are often slippery, and straw or gravel from the river is sometimes thrown over the cobbles for grip. The citizens take advantage of the moisture and damp to use their cellars to cultivate edible fungi. Damp, mould and mildew are a common menace, but it did lead a wizard named Halbazzer Drin to make his fortune by inventing spells that banishes mildew (12gp per casting) and dry out an area without damaging anything (10gp), so services exist if you need to hire them. The spell is not known outside of the city; Drin refused to sell knowledge of the spell to anyone for any price or offer. Due to the damp, the streets have no banners or other hanging fabrics around.

Buildings tend to be tall and narrow, with shuttered slit windows placed high up, which will be firmly shut at night and all day in winter, to keep out the gales and invading gulls looking for places to nest. The extremely narrow streets of the Lower City are full of window planters and hanging baskets of flowers, providing the sole spot of colour amongst the grey. As the city streets are so steep and narrow, the city has a ban on allowing animals larger than a dog into the city (it's too difficult for them to navigate and likely to cause traffic issues).

Boxed in by its thick, heavily fortified city walls and with no space to expand the city has largely built upwards, and the streets are filled with stone buttresses and arches supporting the upper floors.

Due to its stony architecture and frequent overcast, the entire city is often referred to as the Grey Harbour by residents. (This is also the name of the actual city harbour)

The city is built into the chalk white cliffs around the harbour, growing in elevation until the settlement stops at the outermost walls.

By the 15th century, the city was firmly divided into the Lower and Upper Cities, the latter of which is built into the highest elevation, cut off by a wall. In the population boom that followed the mass immigration of Spellplague refugees, many people were forced to make space for themselves outside of the walls, building the Outer City. Beneath the city lies the Undercellar

Descending from the Undercellar is a labyrinth of tunnels leading down into caverns buried beneath Baldur's Gate; housing the ruins of a forgotten era, where the Temple of Bhaal stands over the ruins, surrounded by the restless spirits and walking corpses of undead residents ancient and brand new.

-

The Lower City houses most of the city, crafts and trade.

With the narrow spaces, cliffs, tall buildings and arches, the city can get rather dark at night. What public lighting is available is maintained by the citizens themselves. The wealthier parts of the Lower City, like Bloomridge, use oil and wick copper bowls, while poorer areas make do with candles in tin lanterns, usually such things are mounted on the walls and ceilings of the darkest corners; but when you want to navigate at night you'll usually be hiring lamp lads.

The Grey Harbour is one of Toril's most famous and best ports, frequented by legitimate merchant captains and pirates alike; many of the families living on the docks are the families of sailors. The area is very industrialised, sporting the shipyard, multiple cranes and railway tracks used to facilitate the moving of goods. The most notable structures are the Harbourmaster's Office, a tiny building with barred windows that deals with all trades and taxes - and the Water Queen's House at the end of the pier, which everybody with a brain makes offerings to and nobody looks too closely at whatever the Umberlant priests get up to in there, because the vast majority of people like breathing.

The Gate has little in the way of large fanciful festivals, but specific streets in the Lower City are prone to a centuries old tradition of "cobble parties", where the people living on a street pull up some chairs, benches and barrels and gather outside to share a mild drink, tell stories and chat. An ongoing cobble party can be recognised by the bright rose-red torches that are hung up along the street walls - these torches are made at Felogyr's Fireworks and can be bought almost anywhere in the city.

Bloomridge is as close the Upper City as you can get without actually gaining access, and houses the Gate's middle class. It was initially built in elevated platforms cimbing up the Upper City's walls using magic and Gondian engineering. It's various attractions - including fanciful architecture, florists, artisanal boutiques, fancy open-air kaeth houses (cafes) and dining houses (restaurants; also known as "skaethars" or "feasthalls"), and elaborate hanging gardens and floral arcades - made it attractive to those with wealth but no pedigree.

The district expanded as those who could afford to do so began purchasing and razing the original, less fancy buildings in the vicinity and building estates on the ground where they used to stand. Those who can't quite afford that instead opt to live in high class apartment buildings and flats over the local businesses. Buildings here often have rooftop gardens and balconies with pleasant vistas.

-

The Upper City is located in the oldest quarter of the city, the Lower City being built outside of the walls and stretching down to the harbour and then having the lower city walls constructed around it. The only gate connecting the two halves is the eponymous Baldur's Gate, the first of the many city gates constructed. It's also heavily guarded and the only gate by which outsiders may access the Upper City; there are numerous smaller gates, but they are exclusively used by patriars and those bearing family livery or bearing a letter of employment signed by a patriar. This district houses the Gate's oldest and most powerful families: anyone who isn't a patriar is either a servant or a watchman, who will most likely be a member of a family that has served a patriar family/the Upper City for generations. The exceptions tend to be a handful of the most successful and affluent business owners whose businesses have become popular enough with the nobility to be welcomed in. Every business and city service in this district exists to serve the upper class exclusively.

It's the most open and colourful part of the city; the shutters and doors are painted in fresh, vibrant paints. The streets are broad and well lit with ornate enchanted lamps; the terrain is mostly flat, unlike the streets of the Lower City, which can often resemble giant staircases.

Businesses that would cause unpleasant smells are banned from the area, and the Upper City maintains many gardens, windowsill planters and trellises where flowers bloom and fill the air with pleasant scents (unless you have hay fever, anyway). Wandering minstrels provide ambient music as they wander the streets - usually a singer playing a lute or harp accompanied by a flutist and perhaps a drummer who may provide a chorus.

They've also got drains, so the streets are less inclined to flood or turn to mud the way the rest of the city is.

There are no inns or alehouses here: a noble who wishes to drink will either host a party, attend a private club, or go slumming in the Lower City.

The Upper City houses the High Hall, also known as the ducal palace; the administrative building that provides a place for feasts, court hearings and government meetings. The meeting rooms are and have always been open for public use, however there is a rule that states you cannot rent a meeting room there twice within 48 hours (to stop people from monopolising the rooms). The High Hall used to be a more grim, military building but has since been renovated to appear more bright and friendly as a PR stunt following a giant riot over taxes.

The other two of the city's temples are located in the Upper City, the Lady's Hall - a Temple of Tymora - and the High House of Wonders, the temple of Gond (who is near enough the city's patron god). The building serves various purposes: a temple, workshops, factories and laboratories. When something deemed ready for the eye is released it can usually be viewed in the Hall of Wonders: a science museum across the street to the temple.

It's also where the Gate's largest marker - the Wide - is situated. It's the only large open space in the city, and the only open air market. Outside of festivals, performances and music is banned in the area. The Wide is usually packed with people forced to stand shoulder-to-shoulder, and those who are hired to perform deliveries in the Wide are always tall and large, capable of seeing over the heads of the throngs and pushing their way through. Goods are carried atop tall poles that are strapped to the deliverymen's chests or backs. Prices are lowest in the Wide compared to anywhere else, and any transactions that cannot be performed within a licensed store must take place here by law.

Permits to rent space in the Wide for the day are limited, and they usually go to whoever has the money to bribe the bailiff, watchmen and other officials who have sway in over the market's administration - which is usually the merchants of the Upper City.

As well as the usual fare of goods, the Wide offers a large range of cosmetic services including the mundane body modifications and stylists that one would find on Earth, and more esoteric concepts that can only be accomplished with magic; such services and the artisans who provide them are seasonal and ever changing. The Wide is the most colourful spot in the city, and the only place that's the exception to the lack of banners and other hanging fabrics. Historically the Wide was open all day and night, but in recent times the watch has been closing the area at dusk - nobody except for the patriars may have use of the Upper City after dark.

The Wide is only closed if the area must be used for something else, such as public Highharvestide festivals... or because a patriar decided to close it off for private use, such as a ball or wedding.

Just outside of the market area is the rest of the Upper City's commercial area; stores, insurance offices, trade guildhalls, Ramazith's tower and the public entrance to the Undercellar - a flight of stone stairs leading down to a pair of heavy oak doors at the southern edge of the market. The doors are shut, but the Undercellar never closes and if you knock somebody will open them and usher you inside.

-

The Undercellar is a maze of underground passages lying beneath the city - mostly vaulted stone chambers created from the interconnected and abandoned cellars of the old Upper City, with hidden exits all over the city. Those who know where these exits are tend to guard them jealously, but may be willing to allow the Thieves' Guild access for coin or service. The Guild itself controls a fair few of these exits, and has been working on expanding the network.

It's also the playground for the criminal underworld of the Gate. The Undercellar's public image is that of a rather unprincipled festhall (a specific form of adult entertainment venue in the Realms that serves as a fusion of casino, bar, lounge, spa, brothel, playground, BDSM scene, LARPing club and so forth), which in a way, it is. Due to its dangerous reputation, it's incredibly popular, especially with those who are trying to look edgy and dangerous (particularly teenagers).

If one is openly carrying weapons, you can expect the armed guards stationed in the room to start following you closely; otherwise they'll leave you be. The guards are unlikely to care much about any disturbances, so long as they don't start disrupting everybody's business. Customers are not to venture further into the Undercellar without permission and an escort.

And behind that edgy, but mostly harmless veneer visitors play at and never see past is the real Undercellar, which is every bit as dark as its rumoured to be.

The Guild has its offices down here, and other rooms are used for varying purposes by other criminals. Want to put a hit on somebody, watch somebody get murdered in a Bhaalist red room, smuggle people or whatever crimes against humanity you feel like seeking out, this'd be the place to do it.

The Undercellar is policed by nobody except the criminals who do their work down there; whatever might take place down there, neither the Watch nor the Fists have any desire to know about them if you try and bring them to light. Want to avoid bad things? Don't get involved with the Undercellar.

The sprawling, pitch-black maze - if one knows how to navigate it - is a good way to get around the Upper City without detection. Somewhere down there is a passage that goes deeper, leading further into the earth and into the Undercity.

The Undercity is, clue in the name, the dead remains of a city buried beneath the living Baldur's Gate (specifically the original city that became the Upper City). At its heart is the Temple of Bhaal, and the city is inhabited by Bhaalists, alive and dead; the original, now undead, inhabitants of the undercity and any victims of the temple that have joined them.

-

The Outer City, Cliffgate and Blackgate are not technically parts of the city, being constructed outside of them.

The soil surrounding the city is little use for agriculture, but it is sufficient for grazing, so most farmers are the likes of shepherds and cattle farmers. As livestock and large animals are not permitted inside the city, cattle markets, stables and such businesses will be found there. Many of the less pleasant businesses, such as butchers and tanners, have relocated here to spare the rest of the city the smell and mess.

Much of the structures are semi-permanent in nature, and the areas are not subject to official oversight or in possession of any particular infrastructure. They aren't policed by the Fist or the watch, the area is near enough lawless, and crime is frequent. "Security" tends to be overseen by the Guild, and while the government doesn't tax outside the walls, residents still have to pay their dues to the local thieves and thugs.

The Outer City is as crowded as the Lower City, but less sanitary or orderly: these places are dirty, loud, smell a lot and tend to be quite dangerous. Many of the residents are farmers, criminals and foreigners and immigrants of varying generation who can't afford or find a place in the city proper.

The Blackgate is the historical slum area, and grew around the inland-facing Black Gate to the North West, growing around the Trade Way connecting The Gate to Waterdeep.

The Tumbledown district, located in Cliffgate outside the city gate of the same name, is the middle child of the expansions, leading down the cliffs. The land was owned by the Szarr family generations ago, before they were all (supposedly) slaughtered by a rival family in the night. Tumbledown is an extremely foggy area, full of graveyards and tombs, and rumours abound that the ghosts of the dead Szarrs haunt the streets there and steal people away. People do disappear there, but most people are sceptical that it's due to ghosts.

The Outer City is a newer, larger slum that grew around the Basilisk Gate and spread along the Coast Way - the road between the Gate and Athkatla - as the city population exploded at the end of the 14th century.

Immigrant communities have taken the opportunity to build their own settlements in the Outer City, styled in their own architectural styles, such as Little Calimshan; a tenement on Wyrm's Crossing is exclusively occupied by halflings; Whitkeep houses a gnomish community who does most of the city's tinsmithing; half-orcs lodge in Stoneyes; a shield dwarven community is located in Shieldgate.

These communities are considered outsiders by most Baldurians, and generally there's no love lost between those inside the walls and outside.

[audreyscribes]

PJO ROMAN DEMIGOD HEADCANONS:👟 MERCURY: GOD OF TRAVEL AND COMMERCE, GOD OF MERCHANDISE AND MERCHANTS, THIEVES, MESSENGER OF THE GODS ✉

Author’s Note: Out of everyone, writing the Mercury kids was so hard. Not because of what to do but literally Mercury's aspects are so restricted in the sense of how New Rome and Camp Jupiter is run. ROMAN DEMIGODS H/CS MASTERLIST LINKS: [TUMBLR] // [AO3]

So unlike Hermes, where the Greeks saw him as crafty, cunning, and resourceful hence the whole trickster aspect, the Romans saw Mercury more of a god of commerce and trade. So as a legacy of Mercury and a child of Mercury himself, there’s more pressure for them to be good with finances and trades, then being a trickster. Especially in a Roman camp where they value discipline, they see tricksters as pranksters and aloof then cunning, therefore believing it is harmful to the integrity and structure of the Roman military and see it as a nonsense; which they will immediately double down anything trickster and doll out punishments to cut off any thought of joking around. If you have a joking personality and whatnot, you have to suppress that part of yourself because once your superiors know you have the blood of Mercury in you, they will be harder on you and the punishments will be unfair.

So don’t be surprised if you see a lot of children of Mercury being the opposite personalities then the children of Hermes. It’s not because it’s inherent, but their environment making them sour and serious. However, like Larry who was sceptical and judgemental and stern in the beginnings of the books, once given the opportunity to be free, he is goofy and lighthearted like their Greek counterparts. Don’t let yourself be squashed by others so you can fit the mould; you’re just as quick footed and free like Hermes and Mercury should be.

Otherwise, everything else seems pretty much the same with Mercury with Hermes. In terms of Roman use though, there’s more emphasis on Mercury children being communicators and on the battlefield, you’re either shouting orders to the legion or you’re running communication lines. If there’s ever a time to see a child of Hermes/Mercury running on the battlefield, it’s this. You’ll be zooming across the battlefield, bopping and weaving through your obstacles with letters and messages in hand. 

And in the senate, the trickster side of Mercury still shines through as your silver tongue allows you to have sway in the meetings, and you remember every meeting because after all, Mercury is still the god of Merchants, Thieves, and Messengers; you remember every transaction regardless its form and you know its value better than anyone.