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moodliving · 2 months ago

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Affordable Interior Designers in Sydney: Elevate Your Space with Mood Living

Sydney, a city renowned for its vibrant lifestyle and dynamic architecture, is also home to some of the most innovative interior design firms in Australia. Among them, Mood Living stands out as a beacon for those seeking both elegance and affordability in their interior design ventures. Whether you're refreshing a single room or embarking on a complete home makeover, Mood Living’s blend of creativity and cost-effectiveness can turn your vision into reality without breaking the bank.

Why Choose Affordable Interior Design?

In a bustling city like Sydney, where the cost of living is on the rise, finding affordable yet high-quality interior design services is crucial. Affordable interior design doesn't mean compromising on style or quality. Instead, it means smart budgeting and resourceful solutions that make the most out of every dollar. At Mood Living, we understand the importance of balancing cost with aesthetics and functionality. Here’s why choosing affordable interior design can be the best decision for your home:

Value for Money: Affordable design services ensure that you get maximum value for your investment. By leveraging industry connections and cost-effective solutions, Mood Living provides top-notch design without the hefty price tag.

Creative Solutions: Working within a budget often leads to innovative and creative design solutions. Our team excels in making the most of every space and resource, ensuring your home is stylish and functional.

Personalized Service: Affordable interior designers, like those at Mood Living, offer personalized services that cater to your specific needs and preferences, ensuring that the design reflects your unique style and taste.

Increased Property Value: Thoughtful interior design can significantly increase the value of your property. Even on a budget, the right design choices can enhance the appeal of your home and make it more attractive to potential buyers.

Our Approach to Affordable Interior Design

At Mood Living, our approach to affordable interior design is both strategic and imaginative. We believe that excellent design should be accessible to everyone, regardless of budget constraints. Here’s how we achieve this:

Initial Consultation and Budget Planning: Our process begins with a comprehensive consultation where we discuss your vision, needs, and budget. Understanding your financial parameters helps us tailor our design solutions to fit within your budget while achieving your desired outcomes.

Smart Sourcing: We use our industry connections to source high-quality materials and furnishings at competitive prices. By leveraging bulk purchasing and discount opportunities, we can pass savings on to our clients without sacrificing quality.

Creative Design Solutions: Our team of skilled designers creates innovative design solutions that maximize the impact of every element in your space. We focus on designing functional layouts and selecting versatile furniture and decor that provide both style and practicality.

Efficient Project Management: Mood Living ensures that projects are managed efficiently, with a focus on minimizing delays and avoiding additional costs. Our streamlined process helps us deliver high-quality results within budget and on time.

Sustainable Practices: We incorporate eco-friendly and sustainable design practices where possible, offering budget-friendly options that also contribute to environmental sustainability.

Transforming Your Home with Mood Living

Mood Living specializes in transforming various types of spaces, from cozy apartments to expansive family homes. Here’s a glimpse into some of the services we offer:

Residential Design: Whether you’re looking to refresh a single room or undertake a full home renovation, our residential design services are tailored to meet your needs. We focus on creating spaces that are both functional and aesthetically pleasing, ensuring comfort and style.

Commercial Design: For businesses, we offer design solutions that enhance the functionality and appeal of your commercial space. Our team works to create environments that reflect your brand and support your operational needs.

Home Staging: If you’re preparing to sell your property, our home staging services can help make your home more attractive to potential buyers. We use strategic design techniques to highlight your home’s best features and create a welcoming atmosphere.

Interior Styling: From selecting the perfect color palette to choosing furnishings and accessories, our interior styling services help you achieve a cohesive and polished look. We pay attention to every detail to ensure that your space feels curated and complete.

Renovations and Makeovers: Whether you’re updating a single room or embarking on a major renovation, we manage every aspect of the project to deliver stunning results. Our goal is to enhance your space while staying within your budget.

Case Studies: Real Success Stories

To illustrate the impact of affordable interior design, here are a few examples of how Mood Living has transformed spaces for our clients:

Urban Apartment Revamp: A young professional in Sydney needed to revamp their small apartment on a tight budget. Mood Living designed a modern, multifunctional space using space-saving furniture and a neutral color palette. The result was a stylish and functional apartment that maximized every inch of space.

Family Home Makeover: A growing family required a complete home makeover to accommodate their changing needs. We provided a design solution that included new flooring, updated furnishings, and a fresh color scheme. The makeover created a more comfortable and functional family home while staying within the client’s budget.

Commercial Office Upgrade: A local business wanted to upgrade their office space to improve employee morale and productivity. Mood Living’s design incorporated ergonomic furniture, vibrant colors, and collaborative spaces, creating an inviting and productive work environment.

Tips for Working with Affordable Interior Designers

If you’re considering working with an affordable interior designer like Mood Living, here are some tips to ensure a successful collaboration:

Define Your Goals: Clearly communicate your design goals and preferences to ensure that the designer understands your vision. The more specific you are about what you want, the better the results will be.

Be Realistic About Your Budget: Provide a realistic budget and be open to discussing ways to make the most of it. A good designer will work with you to prioritize your needs and suggest cost-effective solutions.

Stay Involved: Stay engaged throughout the design process. Regular communication and feedback will help ensure that the project stays on track and meets your expectations.

Embrace Creativity: Be open to creative ideas and suggestions from your designer. Sometimes the most innovative solutions come from thinking outside the box.

Trust the Process: Trust your designer’s expertise and experience. They have the skills to turn your vision into reality, and their insights can lead to unexpected and delightful results.

Conclusion

Affordable interior design doesn’t mean sacrificing quality or style. At Mood Living, we are dedicated to providing exceptional design services that are both elegant and budget-friendly. With a focus on creativity, efficiency, and personalized service, we help Sydney residents transform their spaces into beautiful and functional environments without overspending.

If you’re ready to elevate your home or office with affordable interior design, contact Mood Living today. Let us help you bring your vision to life while staying within your budget. Transform your space and experience the difference with Mood Living – where affordability meets excellence in interior design.

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co-sign-com-au · 3 months ago

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Signage Company Sydney

Elevate Your Brand with Premium Signage from Sydney's Leading Signage Company

In the bustling city of Sydney, where businesses strive to stand out, signage plays a pivotal role in catching attention and leaving a lasting impression. Whether you're a new business or an established brand, high-quality signage is essential for effective communication and branding. At Co-Sign, Sydney’s premier signage company, we specialize in crafting top-notch signage solutions that elevate your brand and enhance visibility.

Why Choose Co-Sign – Your Trusted Signage Company in Sydney

At Co-Sign, we understand the importance of creating signage that not only attracts attention but also resonates with your brand identity. With years of experience and a portfolio of successful projects, we have established ourselves as a trusted signage company in Sydney. Our team of skilled designers, craftsmen, and installers work collaboratively to deliver outstanding results for all types of signage needs.

Whether it's shop signage for your retail outlet, building signage for corporate headquarters, or office signage to enhance your workspace, Co-Sign offers a comprehensive range of signage services tailored to your specific requirements.

Shop Signage: Make a Strong First Impression

First impressions matter, especially in retail. Shop signage is the face of your business and one of the first things potential customers notice. At Co-Sign, we design and manufacture custom shop signage that not only reflects your brand’s identity but also draws customers into your store.

Our team can create a variety of shop signage options, including window displays, hanging signs, and storefront signs that stand out. From bold and modern designs to classic and elegant styles, we have the expertise to make your shop signage truly unique.

Building Signage in Sydney: Elevate Your Presence

Building signage is a powerful tool to increase your business's visibility and presence in Sydney’s competitive market. At Co-Sign, we offer a range of building signage solutions that are designed to make your brand stand out, even from a distance.

Our building signage options include large-scale illuminated signs, 3D signage, and custom designs that perfectly align with your brand's vision. Whether you need signage for a commercial building, an office complex, or a retail space, we ensure that your signage is not only visually appealing but also durable and long-lasting.

Office Signage: Enhance Your Workspace

Office signage is more than just a way to display your company’s name; it plays a crucial role in creating a professional environment and guiding visitors through your space. At Co-Sign, we specialize in creating office signage that enhances your workspace while reflecting your company’s culture and values.

From sleek and modern reception signs to directional signs and room identifiers, we offer a wide range of office signage solutions. Our team works closely with you to ensure that the signage complements your interior design and serves its intended purpose effectively.

3D Signage in Sydney: Add Depth and Dimension

For businesses looking to make a bold statement, 3D signage is an excellent choice. 3D signage adds depth and dimension to your brand, making it more eye-catching and memorable. At Co-Sign, we use advanced manufacturing techniques to create stunning 3D signs that stand out in any setting.

Our 3D signage options are perfect for both indoor and outdoor applications, including shop fronts, office interiors, and building exteriors. We offer a variety of materials, finishes, and styles to choose from, ensuring that your 3D signage is a true reflection of your brand.

Illuminated Signage in Sydney: Shine Brightly

In a city that never sleeps, illuminated signage is essential for businesses that want to be noticed day and night. At Co-Sign, we offer a range of illuminated signage options that ensure your brand remains visible even in low-light conditions.

Whether it's LED signs, backlit signs, or neon signs, our illuminated signage solutions are designed to capture attention and make a lasting impression. We use energy-efficient lighting systems that not only save on energy costs but also provide bright and consistent illumination for years to come.

Custom Signage in Sydney: Tailored to Your Needs

At Co-Sign, we believe that every business is unique, and so should be its signage. That’s why we offer custom signage solutions that are tailored to your specific needs and preferences. Whether you need signage for a small boutique or a large corporate office, we work closely with you to design, manufacture, and install signage that perfectly aligns with your brand identity.

Our custom signage services include everything from initial concept design to final installation. We offer a wide range of materials, colors, and finishes, ensuring that your signage is truly one-of-a-kind. Our goal is to create signage that not only meets your expectations but exceeds them.

Why Co-Sign?

Choosing the right signage company is crucial for the success of your business. At Co-Sign, we are committed to delivering exceptional quality, innovative designs, and unmatched customer service. Here’s why you should choose us:

Expertise: With years of experience in the industry, we have the knowledge and skills to handle all types of signage projects, big or small.

Quality: We use only the best materials and state-of-the-art equipment to ensure that your signage is durable, attractive, and long-lasting.

Customization: We understand that every business is unique, which is why we offer fully customized signage solutions tailored to your specific needs.

Installation: Our team of professional installers ensures that your signage is installed safely and securely, with minimal disruption to your business.

Customer Satisfaction: We are dedicated to providing exceptional service and ensuring that our clients are completely satisfied with the final product.

Contact Co-Sign Today

If you’re looking for high-quality signage that makes a statement, look no further than Co-Sign. As Sydney’s leading signage company, we are here to help you elevate your brand and enhance your business’s visibility.

Visit our website at co-sign.com.au to learn more about our services and to request a quote. Let us help you create signage that truly stands out.

#Signage Company Sydney

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houseoforbs · 3 months ago

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How to Choose the Right Interior Designer in Adelaide,Sydney

INTRODUCTION

Transforming your living area is a significant undertaking, and choosing the right interior designer is essential. Whether you're aiming to refresh a single room or undertake a complete home renovation, the expertise of a proficient designer can significantly enhance your project. Adelaide and Sydney present a wide array of interior designers, each offering their distinct style and methodology. However, finding the perfect fit for your project can present challenges. This guide is designed to assist you in finding an interior designer who aligns with your vision, budget, and requirements.

If you are new to interior designing the best course of action is, just google an “interior designer near me” and if your location matches with mine — Adelaide or Sydney (Australia), then it will take a couple more minutes before you can identify one in these regions.

Remodeling your living space is a huge endeavor and selecting the best interior designer in Bangalore for it, is even more so. Whether your goal is to update a single space or embark on an entire home remodeling project, the skills of an experienced designer can elevate your design - and help you realize more fully what it's meant for.

Recognize Your Style and Goals

Before looking for an interior designer, it is important to establish a good combination of your personal style and desired goal. What do you hope to achieve in your space? Do you prefer something modern and timeless or old school intricate designs? Understanding what you like can help guide your decision making and make it easier to communicate with potential designers. Look for inspiration in design magazines or online on some pinterest or instagram pages. Develop a mood board of colors, textures and furniture pieces that you like. Create for yourself the more visual idea your taste so it helps you get through styling faster down the path. For reference whenever designer will ask about your project.

Yes of course it's good to have a clear sense on your style before getting yourself in there but at the same you must be open minded with what people will suggest. Adept to moot information, but in a more powerful manner than you imagined.

Research potential designers

Then once your vision is clear, it's time to start researching interior designers in Adelaide and Sydney. Find the professionals with years of experience on projects that resemble yours and who have honed their skills over time. Whether you are renovating a period home in Adelaide or creating an ultra-modern, contemporary apartment In Sydney having relevant experience is essential.

Look at portfolios online, and client testimonials as well the general style of both designers. Features of some designers may be style specific while others follow a more broader approach. Take design philosophy into consideration and select designers who respond in a timely manner, operate within your budget.

Setup calls and discuss your project with them in full detail.

Then, after you have your top choices drummed up our next step is to schedule consultations. This is your chance to open up about the project and see if this designer will be a good fit for what you have envisioned. Be prepared to discuss your budget, timeline and anything specific relating to the space during this consultation.

Approach to design from concept development stage through project management situations, etc You have to consider not just this thing, but their brain function and behaviors as well. Are they open to your ideas? Do they look systematic and detailed? Keep in mind that this person will guide you through the whole design process, so make sure to pick someone who you think would be nice working with.

It was then time to review the design proposals and decide.

Once you speak to a few designers, they will probably present their design proposals with the plan of steps that it takes them for your project and estimated costs/timelines. Look Advise, for Detail: go through these proposals with a fine-toothed comb The best design proposals define what the project objectives are, set out the stages of a typical design process and clearly state their costing model.

Take a look at the proposals to understand who will suit your requirements and expectations better. Keep in mind, that the most affordable choice is not always going to be your best one. Evaluate the creativity, experience, and project management offerings of each designer. After you have found a designer, get everything in writing and put it into that contract before continuing.

Conclusion

Choosing the best interior designer in Adelaide or Sydney is investing, not only on your living spaces but also to a new lifestyle for yourself. Design a Design: Taking the time to outline your style; study potential designers and hold detailed conversations and evaluation of design proposals will help in finding someone who can reflect on what you have imagined. Whether you are digging the warm, homey vibe or something more sleek and contemporary, a good designer will design with your personality and needs in mind. So, let the process have its own pace and enjoy your transformational journey into a living space that you always want.

#adelaide #house of orbs #home automation #interior design

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comprehensivecleaningservices · 11 months ago

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Enhance Workplace Productivity with Top-Tier Commercial Cleaning Services in Sydney

In the bustling business landscape of Sydney, maintaining a pristine office environment is essential for fostering productivity and leaving a lasting impression on clients. This is where Comprehensive Cleaning Services steps in, providing unparalleled commercial cleaning services tailored to the unique needs of your office space.

Commercial Cleaning Sydney: Tailored Solutions for Every Business

With a commitment to excellence, Comprehensive Cleaning Services is your go-to partner for commercial cleaning in Sydney. Our team understands that a clean and organized workspace is not just about aesthetics; it directly influences the efficiency and well-being of your employees.

Our Range of Services

Commercial Cleaning Services:

Our comprehensive commercial cleaning services cover every inch of your workspace. From boardrooms to restrooms, we meticulously clean and sanitize to create an environment that promotes health and productivity. Our skilled professionals use industry-leading techniques and eco-friendly products, ensuring a spotless finish without compromising the environment.

Office Cleaning Sydney:

Recognizing the diverse nature of offices in Sydney, we offer specialized office cleaning services. Whether you operate in a high-rise building or a co-working space, our team is equipped to handle it all. We understand that a clean office contributes to employee satisfaction and, consequently, higher work output.

Tailored Solutions:

At Comprehensive Cleaning Services, we recognize that each business has unique cleaning requirements. Our approach is tailored to meet the specific needs of your office space. We work closely with our clients to understand their expectations and develop a customized cleaning plan that ensures optimal results.

Why Choose Us?

Experienced Professionals:

Our team comprises highly trained and experienced professionals dedicated to delivering top-tier cleaning services. We pride ourselves on attention to detail and a commitment to exceeding client expectations.

State-of-the-Art Equipment:

We invest in the latest cleaning technologies and eco-friendly products to ensure the highest standards of cleanliness. Our cutting-edge equipment allows us to efficiently tackle even the most challenging cleaning tasks.

Flexible Scheduling:

Understanding that business operations vary, we offer flexible scheduling options. Whether you need daily, weekly, or monthly cleaning services, we can create a schedule that aligns seamlessly with your business requirements.

Conclusion

In the competitive business landscape of Sydney, maintaining a clean and organized office is a strategic advantage. Comprehensive Cleaning Services is your trusted partner for commercial cleaning in Sydney, offering tailored solutions that contribute to a healthier and more productive work environment.

Contact us today to discuss your unique cleaning needs and let us elevate your workspace to new levels of cleanliness and efficiency.

For more info visit here:-

commercial cleaning services

#commercial cleaning sydney

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supportsofttechnologies · 1 year ago

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Innovate and Thrive: Application Development for Digital Success in Sydney

In today's fast-paced digital landscape, staying competitive and achieving digital success is paramount for businesses and entrepreneurs. One of the key drivers of this success is a well-designed and strategically developed mobile application. If you're in Sydney and looking to embark on this transformative journey, you're in the right place. In this blog post, we'll explore the world of app development Sydney and provide insights into how you can innovate and thrive in this dynamic ecosystem.

The Power of Mobile Apps

Mobile apps have become an integral part of our daily lives. They offer convenience, accessibility, and engagement that websites alone can't match. From shopping and social networking to healthcare and finance, mobile apps are transforming industries and creating new opportunities for businesses.

App Development in Sydney

Sydney, as a thriving metropolis and a hub of innovation, is home to a vibrant community of app developers and digital entrepreneurs. If you're considering mobile app development Sydney, you're tapping into a pool of talent and resources that can help turn your idea into a successful digital product.

Why Choose Sydney for App Development?

1. Top Talent: Sydney attracts some of the best app developers in the country. The city's universities and tech institutions produce a steady stream of talented individuals well-versed in the latest technologies.

2. Innovation Ecosystem: Sydney's startup ecosystem is thriving, with numerous co-working spaces, incubators, and accelerators. This environment fosters innovation and collaboration, providing a fertile ground for app development.

3. Global Connectivity: As an international business hub, Sydney offers excellent connectivity to markets around the world. This is especially advantageous for apps with global ambitions.

4. Diverse Industries: Sydney's diverse economy spans various industries, from finance and healthcare to entertainment and tourism. This diversity presents opportunities for app developers to cater to a wide range of sectors.

Steps to Success in App Development

Now that you're ready to embark on your app development journey in Sydney, let's outline the key steps to ensure success:

1. Idea Validation: Before you start coding, validate your app idea. Research your target market, identify pain points, and ensure there's demand for your solution.

2. Design Thinking: Invest in a user-centric design process. Great user experience (UX) and user interface (UI) design are crucial for the success of your app.

3. Choose the Right Development Partner: Finding the right app developer Sydney is essential. Look for a partner with a proven track record, experience in your industry, and a collaborative approach.

4. Development and Testing: Collaborate closely with your development team to build a robust and scalable app. Thoroughly test the app to eliminate bugs and ensure it meets user expectations.

5. Marketing and Launch: Plan your marketing strategy well in advance. A successful launch requires a strong online presence, app store optimization (ASO), and an effective marketing campaign.

6. Feedback and Iteration: After launch, listen to user feedback and iterate on your app. Continuously improving your app is key to its long-term success.

7. Monetization Strategy: Explore different monetization models, such as in-app purchases, ads, or subscription plans, depending on your app's nature.

Conclusion

Sydney is not just a city; it's an ecosystem of innovation, a hotbed of talent, and a launchpad for digital success. As you embark on your app development journey in Sydney, remember that innovation and thriving in the digital space require continuous learning and adaptation.

Stay connected with the vibrant app developer community in Sydney, leverage the city's resources, and keep pushing the boundaries of what's possible in the world of mobile apps.

For expert guidance and support in your app development journey in Sydney, reach out to experienced app developers Sydney at Supportsoft technology who can help you innovate, thrive, and achieve digital success in this dynamic city. Your journey to success begins with a single step, and that step can take you to incredible heights in the world of mobile app development.

#app developer sydney #app development sydney #mobile app development sydney #supportsoft technologies

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sydneyrestaurantreview · 2 years ago

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Review: Irene’s Restaurant In Newtown

Irene's is a vibrant pop-up restaurant located in the former space of the beloved Newtown diner Hartsyard. Co-owned by Jarrod Walsh and Dot Lee of Hartsyard, and helmed by Indian-born chef Neville Dsouza, the restaurant pays homage to Dsouza's childhood memories of his aunt Irene's cooking.

While not strictly an Indian restaurant, Dsouza incorporates bold flavors and nods to his upbringing into the dishes he creates. For example, the goat curry on the menu follows his aunt's original recipe, which he still has in her own handwriting. This staple dish is made using a whole goat from Marrickville's Whole Beast Butchery and is served with bread rolls and raita.

Other menu items include a salty, sour, and crispy cucumber snack with goat's curd from Rozelle's Willowbrae Cheese and chillies, as well as larger plates such as fried pork loin with 'nduja butter and tamarind chicken. For dessert, there might be a mix of raw and ripe mangoes with chipotle oil, which Dsouza recalls buying from street vendors in Mumbai.

The drinks list also has a personal touch, with Dsouza's favorite Kingfisher beer and a mango lassi spiked with yoghurt-washed Brix Distillers white rum, mango syrup, and lime on offer. Irene's offers authentic, produce-driven cuisine inspired by Dsouza's family traditions and his experiences working in some of Sydney's top restaurants.

My rating:

#restaurant #sydney #Newtown #foodie #foodblogger

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sublimekryptonitechild · 2 years ago

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Built In Wardrobes Kitchen Remodellings Sydney, Cooking Areas Sydney

A best style for the main bedroom, with double drawers, great deals of double dangling room and centre long dangling, makes this a best wardrobe for any pair. They have actually utilized the extremely long lasting material to construct my wardrobes. I enjoy their work as well as devotion to accomplish their client's need. I would absolutely recommend Silva Wardrobe Co as they are expert in supplying you the top quality items at finest rate. An additional advantage of using moving door closets is saving area.

Australian owned and run with over 15 years of experience in the market. Great Integrated Wardrobes is renowned for its trustworthy, professional solution and also quality wardrobes. We intend our initiatives at crafting wardrobe layouts that are not only beautiful, yet functional and developed to last. Free-standing closets are really common, but they usually disrupt the style flow in the bed room.

We likewise utilize modern equipment and devices to make your wardrobes. Gliding doors are a dazzling space-saving option for smaller spaces, consisting of bed rooms. Distinct bath and also kitchen areas seeing to it all clients more than happy one stop look for all your restoration requires.

Wardrobes Northern Beaches wardrobe installation Tailor-made Built-in + Walk-in Closets

Thanks significantly for your professional item and the way in which business was negotiated. I simply wanted to claim exactly how absolutely thrilled I am with the end result. I located your Firm by accident as well as decided to provide you a go. Your sales person, Tony, turned up promptly, was really practical as well as the closet was very fairly valued. When I phoned call to make a couple of modifications, it was no problem as well as the information were faxed via to me.

The end outcome is a closet that is both lovely, sensible as well as functional. To guarantee the long life of all custom-made joinery we develop, our team just make use of high quality materials that not just look wonderful yet can withstand the stress of daily usage. This includes difficult polyurethane doors, Polytec melamine, Blum hardware as well as high quality accessories for style as well as functionality. We comply with the contemporary design fads that supply an extra functional worth with its huge storage space rooms.

Are you trying to find a modern, modern cooking area with outstanding capability as well as space saving features? Talk to us and see exactly how we can make your desire cooking area a fact. You can't always purchase what you want, however Choice Closets can design and also construct it for you. When you have a need for a distinct, specialist home entertainment or screen device, let us understand and also we will certainly work with you to create and build your system to match your demands.

Wardrobes Sydney, Integrated In Closets, Walk In Robes Style, Closet Fitouts

At Modern Design Wardrobes, we intend to provide efficient Built in wardrobes sydney and also attractive storage options. Our cabinets and also integrated in wardrobes in our Guildford showroom can be custom developed for your home to ensure the very best fit. Change your closet into an elegant and also organised customized made wardrobe with Bober-- Ecology, Sydney.

Conventional closets in Sydney are recognized for their mouldings and also profiles, whilst contemporary ones are renowned for their neutral and minimalist natures. Regardless of the design or 'look' you're choosing, we can produce a remedy to match. Stegbar's variety of closets have actually been developed and curated with specific style and expression in mind. From walk-in or built-in to pivoted or sliding, there's a wardrobe to fit your clothes, your style and also your space.

The most effective mirror closets option, like the styles and also the variety, high quality also. Why not consider approaching a room style expert for more suggestions on fitted closets? There is a reason that these designs are still so preferred in the contemporary age. It is time to take complete advantage and let your imaginative side shine.

Built In Wardrobes For Western Sydney

Your custom-made made closets from Waratah Closets will look amazing and also fit your bedroom space perfectly. With us, you have the capacity to choose all materials, shades, styles, coatings, layouts, accessories and also fittings. Whether for your service or your home, we design and also build built-in wall surface devices that fit under stairways, in edges, around doors and also also ones that occupy a whole wall surface. You might want even more drawers in the kitchen area, even more shelves for publications and job folders or more display racks for knickknacks.

Our custom developed closets stand out and also stick out among others, while we take your needs and make certain performance of your style ideas. We recognize the finer practical information whether you desire moving doors or hinged doors, custom-made made to your room as well as readily available area. Utilising your space successfully, we guarantee the gliding doors will certainly never obtain stuck offer you a hard time once again!

We have actually fitted wardrobes mounted countless wardrobes as well as frameless shower screens to residences throughout Sydney, satisfying each client's individual demands. Not just are our products of the finest, but we pride ourselves on providing a complete end to finish solution based on affordability, efficiency and also comfort. We have actually been in the market because 1994 and we just utilize high-grade products in our comprehensive series of items. Our devoted craftsmanship for all Personalized Built Built In Wardrobes Wardrobes in Sydney is highly acknowledged. We can offer various storage space configurations with slides, baskets, drawers, shelves, as well as hanging area.

Built In Closets For Western Sydney

At Factory Direct Closets, we incorporate high quality products with a specialist setup team. Our installers have over 10 years experience setting up integrated closets in the hardest and tightest of rooms. We recognize the complexities as well as technical facets of wardrobe building, so rest assured - when it's with Factory Direct Wardrobes - It's Constructed Right. Our specialist installers fit the area size and space to excellence. Our effective group is known for prompt shipment and also installment of closets in Sydney. A house that is well-organised as well as tastefully developed is an obvious of your personality.

Every one of our closets are created based on an extensive understanding of your requirements to properly make use of the whole available area. As time proceeds, most of us begin to prefer space-efficient strategies when designing our houses. Hereof, a tailor-made wardrobe seems to be the perfect choice, as opposed to acquiring a prefabricated closet. Our installers will see your house with your completely cut integrated closet parts as well as get in progress bringing your layout to life! Gliding door wardrobes are the contemporary variation of hinged wardrobes. If you desire a closet that has a modern appearance, this is your best bet.

This allowed us to handle the website, action results, and also make essential modifications whenever required. To obtain an evaluation for your new closet in Sydney, please feel free to contact us using our on-line query form and also one of our style professionals will certainly call you to discuss your wardrobe demands. We are an Australian made business that uses state-of-the-art Australian lumber, as we're all about sustaining our local wood industry for the best materials offered custom built in wardrobes in the country. For example, if we discuss garments storage, you need to determine a method to know where your summertime and also winter garments will certainly go.

Custom Integrated In Closets Sydney

Lots of homeowners need to get a closet that's a bit also small or as well big for their space. Custom units are constructed according to your space's dimensions, so you have the perfect fit. If you don't locate a wardrobe that fits your needs, we can tailor a setup according to your demands. Once we complete the closet style, we call our client to examine as well as recommend adjustments, if required prior to giving a last touch up. Wardrobe Solutions that are Innovative, useful and sensible designs for the convenience of modern living. We are the only company to use Hardwood front cleat sustains, which not only makes the wardrobe more powerful yet completes the total feel and look of the design.

If you want the most effective built-in closets in Guildford, you do not require to look somewhere else. They are built to be an excellent suitable for the bed room of your residence as well as are unable to be relocated as soon as established. Essentially a built-in wardrobe is one that is built inside your wall tooth cavity and then positioned into the area. We're enthusiastic about making your home a residence that suits your personal design as well as useful needs. We also offer hassle-free post-sale repair work and also maintenance solutions to extend the toughness of the wardrobes. We maintain a variety of wardrobe templates that you can utilize to personalize your need.

These are simply some of the many benefits of getting a personalized wardrobe in Sydney. As skilled developers and also installers, we can use unbiased advice on different types of units. Our expert will certainly ask you a series of questions during the assessment, consider all the motivation product, and afterwards offer design referrals. We will likewise offer a 3D rendering of the final layout, so you recognize what to anticipate. King Wardrobe provides custom-made layout solutions to all joinery and also storage space requirements, from integrated wardrobes to entire kitchen area improvements along with custom made enjoyment systems.

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processproductionsophielindsay · 4 years ago

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CHRISTO AND JEANNE CLAUDE

Wall of Oil Barrels - Rideau de Fer (The Iron Curtain) (1961-62)

https://doyle.com/auctions/13dd02-n-a/catalogue/133-christo-iron-curtain-wall-of-oil-barrels-color-offset-lithograph

Christo and Jeanne-Claude's first collaborations involved wrapping dozens of oil barrels with cloth and rope, and stacking them in layers across public spaces to partially or completely block access. Earlier iterations of this site-specific work on Rue Visconti in Paris included a version in the courtyard of Christo's studio, as well as 1961's Stacked Oil Barrels and Dockside Packages, both of which were installed for two weeks on the harbor in Cologne, Germany. Particularly in Wall of Oil Barrels, the artists expanded the scope and scale of the previous works, creating a larger and more impenetrable wall of both wrapped and unwrapped barrels that blockaded a section of a city street. Christo was propelled by the idea of spatially reconfiguring a specific outdoor location with a common, contextually misplaced object, a notion that would play a role in many of his future creations and collaborations with Jeanne-Claude. The piece used 89 barrels, and measured 13.2 feet wide, 2.7 feet deep, and 13.7 feet tall. It took eight hours to assemble. An expression of the artists' views on the disruptive nature of the Cold War and the Berlin Wall, which was then being built, Wall of Oil Barrels commented on the politics of space, freedom, and mobility under increasingly conservative and divisive governmental policies throughout Europe. Since they installed it without permission, Parisian authorities demanded that the piece be dismantled, but Jeanne-Claude could persuade them to allow the work to remain in place for several hours. This monumental work and its brief celebrity as a public nuisance helped Christo and Jeanne-Claude gain early notoriety in Paris. Oil barrels became an important medium for Christo in 1958. He had been using smaller, every day, affordable objects like beer cans, but the barrels started a significant shift towards larger works, while still adhering to a distinct type of sculptural form. Wall of Oil Barrels was Christo's first large-scale work, and marked the beginning of the collaborative, massively scaled, site-specific works for which he and Jeanne-Claude would become famous.

Wrapped Coast (1968-69)

http://www.panthalassa.org/wrapped-coast-by-christo-jeanne-claude/

Using one million square feet of erosion-control synthetic fabric, 35 miles of polypropylene rope, 25,000 fasteners, threaded studs, and clips, Jeanne-Claude and Christo wrapped 1.5 miles of rocky coast off Little Bay in Sydney, Australia to create Wrapped Coast in the late 1960s. This method of wrapping was something that Christo had experimented with previously, using smaller objects, but this monumental effort became the largest single artwork ever created surpassing Mount Rushmore. It remained wrapped for ten weeks, beginning October 28, 1969. The draping of the fabric over the coast helped to re-contextualize and de-familiarize a well-known natural setting, and revealed the essential form and shape of the coast as a discrete object. Passersby experienced a shift in their commonplace perspective of the landscape by having limitations - both visual and physical - imposed upon the viewing process. This selective imposition also brought about new and unexpected revelations about the coastline, particularly its formal and structural qualities as a cohesive object with a distinct shape, substance, and volume.

Valley Curtain (1975)

https://www.theartstory.org/artist/christo/artworks/

In the Spring of 1970, Christo and Jeanne-Claude began work on Valley, a 200,200 square foot section of orange, woven nylon fabric that stretched across an entire Colorado valley. The gigantic, crescent-shaped fabric was suspended on a steel cable and anchored to two mountain tops, between Grand Junction and Glenwood Springs in the Hogback Mountain Range. They tied it down with 27 ropes and spread across the valley at a maximum measurement of 1,250 feet wide and 365 feet high. Valley Curtain was a tremendous feat of engineering and coordination that experienced significant and expensive setbacks. Christo and his team first attempted to install the curtain on October 9, 1971, but a gust of wind caught the fabric and it flew away, ripping on the surrounding rocks and construction equipment. On August 19, 1972, it was at last erected successfully, but it remained intact for only 28 hours, until a wind at over 60 miles per hour threatened to tear through it once more. Workers dismantled the piece shortly thereafter. For the brief time that it was in place, the bright orange drape slung between the craggy mountains reinvigorated the valley's contours, highlighting its natural flow, rhythm, and volume. Like many of the duo's large-scale environmental works, it brought new perspective to a familiar landscape, and encouraged a refreshed appreciation of the natural world. The bold color of the fabric popped against the bright sky, the muted blue mountains in the distance, and the greenery covering the nearby hills. Few viewers could see it live in its short, 28-hour existence, which added to the work's sense of fragility, vulnerability, and urgency, while also stimulating an awareness of the emptiness that accompanied its eventual dismantling. The work was documented extensively in photographs: ultimately, the most prolific medium of earthworks, these types of works which are purposely subjected to environmental change, impermanence, and decay.

The Umbrellas (1984-91)

https://en.wikipedia.org/wiki/The_Umbrellas_(Christo_and_Jeanne-Claude)

This piece took place simultaneously in two different rural locations, one in Japan outside the city of Tokyo, and the other in California north of Los Angeles. The umbrellas were assembled in California and composed of fabric, aluminum, steel, wooden supports, bags, and molded base covers. Each umbrella was 19 feet high and 28 feet wide. 1,340 blue umbrellas were installed in Japan, a color chosen to evoke the rich vegetation and water resources of the area, and 1,760 yellow umbrellas were placed in California, reflecting the golden grass that covers the nearby grazing hills. In Japan, the umbrellas were placed closer together following the geometry of the rice fields, and they were spread further out in California, where vast expanses of agricultural land dominate much of the Central Valley. The usage of umbrellas in each location symbolizes the similarities, and the differences associated with the ways of life and the land usage in each area. They represented the varied availability and character of the land, and the temporary cycles of cultivation wrought by human industry. After years of preparation and planning, environmental studies, wind tests, and negotiations, the first steel bases went down December 1990. The exhibit was finally unveiled on October 9, 1991, and received about 3 million visitors. It became a huge tourist attraction and a popular site for picnics and weddings. The work quickly turned controversial, however, when one umbrella caught a strong wind and pinned a woman against a rock, ultimately killing her and injuring three others. The project was cited for removal and during the dismantling process, a Japanese worker was electrocuted when an umbrella he was holding hit an electrical wire. Some critics responded to these tragic accidents by taking umbrage with the egocentrism of Christo's spectacle-oriented, massively scaled visual productions, and subsequent projects became more difficult for the artists to find financial and governmental backing.

Christo's early education in Soviet Socialist Realism, and his experience fleeing his home as a refugee of political revolution, informed his career's many forays into real-world politics as a primary subject and source of his art making. His 35-year collaboration with the artist Jeanne-Claude, and the large-scale site-specific works they co-authored, stand out as his career's greatest achievements. Together, the duo created monumentally scaled sculptures and installations which often used the technique of draping or wrapping large portions of existent landscapes, buildings, and industrial objects with specially engineered fabric. Christo and Jeanne-Claude made works that stand out as some of the most grandiose, site-specific artworks ever. While they often insisted that the aesthetic properties of their art made up its primary value, reactions from audiences and critics worldwide have long recognized a broader commentary operating across their work, and themes ranging from environmental degradation, to the vexed history of the 20th century and the Cold War, to the perseverance of democratic and humanist ideals.

· Christo and Jeanne-Claude's interventions in the natural world and the built environment altered both the physical form and the visual experience of the sites, allowing viewers to perceive and understand the locations with a new appreciation of their formal, energetic, and volumetric qualities.

· The artists' choice to remain intermittently inside and outside the frameworks of legality lends much of their work a built-in aspect of dissent and resistance. It also expands upon and emboldens a long legacy of quasi-legality in art, where art exists in a realm somewhere between the "real" world and fantasy, and affords the art world with distinct privileges and restrictions.

· Christo and Jeanne-Claude often worked outside the gallery system, refusing to negotiate sales of drawings and commissions through an art dealer. In this respect, they took a definitive stance on the political and economic infrastructure of the global art market, and set a precedent for artists working outside the system who still cultivated an international level of success.

· Whereas Land Artists usually made a point of blurring the lines of distinction between the artwork itself and its natural setting and/or materials, Christo and Jeanne-Claude's art relied on developing a high contrast between the engineered, man-made elements and the site's organic characteristics. Their work therefore pushes the envelope of what makes up site-specific, large-scale installation art, and expands the genre discourse to incorporate controversial themes of industrialization, bureaucratization, and late capitalism.

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architectnews · 3 years ago

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STH BNK by Beulah Melbourne

STH BNK by Beulah Melbourne, Australia’s Tallest Tower, Southbank Victoria Landscape Architecture

STH BNK by Beulah Melbourne Landscape

29 June 2021

Design: ASPECT Studios with Grant Associates

images courtesy of architects office

STH BNK by Beulah Melbourne News

Groundbreaking new Melbourne project STH BNK appoints ASPECT Studios and Grant Associates

MELBOURNE, 29/06/2021 – As momentum continues to build on Beulah’s unprecedented STH BNK by Beulah development, world renowned urban design practice Grant Associates and international design practice, ASPECT Studios, have been formally announced as the project’s landscape architects.

Recognised globally for designing Gardens by the Bay in Singapore, STH BNK marks the first Melbourne based project for Grant Associates, as they join forces with the locally based studio of design practice ASPECT Studios, to bring this project to life.

Aligning with Beulah’s strong values of collaboration, Grant Associates and ASPECT Studios are working closely with UNStudio, Cox Architecture, global design and engineer firm, Arup, along with ‘living infrastructure’ specialists Junglefy, to bring to life the green spaces proposed in the winning concept from the 2018 Southbank by Beulah architecture competition.

The landscape envisions a scheme that merges with Southbank Boulevard, forming an intrinsic part of the public realm. The landscape design will be centred on the planted vertical facades and outdoor spaces that will create the world’s tallest vertical garden, stretching from the street level to the top of both towers. Via this series of outdoor spaces and green devices, the towers will pay homage to Victoria, known as the Garden State, symbolically bridging the iconic Royal Botanic Gardens with Melbourne’s Arts Precinct.

The proposal will challenge landscape pre-conceptions and will embed itself in a new fast forward vision of the public space, creating an attractive and desirable sequence of public spaces for residents and visitors.

Upon completion, this will include the Future Sky Garden, an expansive, transformative and usable conservatory space at the top of the tallest tower, while extended planted terraces will characterise the facing facades of the two towers as they twist towards each other, connecting people to nature and encouraging healthy city living. A visual beacon for the future of green skyscrapers, the towering vertical garden will push the boundaries of flora-infused buildings, serving to attract local birdlife, sequester CO2 and produce an abundance of oxygen and filter dust and pollutants from the air, improving oxygen levels into the towers and surrounding areas.

One Central Park, Sydney: photo courtesy of Simon Wood Photography_ASPECT Studios

Adelene said the Beulah team is thrilled to have ASPECT Studios join the team, bringing their local and global experience, as well as their extensive knowledge of landscape architecture, urban design, and urban strategy.

“It is about creating a sense of place and a signature location for Melbourne and Australia, which connects people and nature, as well as promoting a healthy city community and we know the ASPECT Studios team can help us achieve this,” said Adelene.

The Roof Shanghai: photo courtesy of RAW Vision Studio_ASPECT Studios

On Grant Associates’ appointment, Beulah Executive Director Adelene Teh said the practice’s reputation, globally, is second to none.

“Making considerations for the team on this project is a monumental task as this will be a world-class precinct for the city. Grant Associates were selected, not only because they are leaders in sustainable urban landscapes, but because they truly understood our vision of connecting people through nature. Through dynamic biophilic design, our vision is to redefine notions of retail co-creation, cultural possibilities, workplace innovation, the learning economy, sustainable living and urban belonging.”

Detail of Rooftop at Commonwealth Bank Australia, Darling Square Sydney: photo courtesy of Simon Wood Photography_ASPECT Studios

Conceived as a conceptual extension of Southbank Boulevard, Southbank by Beulah will place a strong focus on culture, paying homage to Melbourne’s diverse population.

The project will enhance the lifestyle of all Melburnians and visitors through a diverse world class offering including; five distinct collections of private residences, public and green spaces, a rooftop sky garden, town hall, commercial offices, a six-star urban resort, childcare centre, a health and wellness precinct, arts and culture spaces and programs, as well as world-class experiential retail, all within two twisting terraced forms.

ASPECT Studios’ Studio Director Matthew Mackay:

Renowned for their biophilic work such as One Central Park in Sydney or Platinum Tower in Melbourne, Matthew said, “We are delighted to be part of such a dynamic and talented team working on this ground breaking project. We are looking forward to drawing on our experience of designing and delivering green infrastructure, biophilia and living architecture and pairing it with our local knowledge to provide a significant urban greening outcome for the city of Melbourne.”

Gardens by the Bay, Singapore, landscape design by Grant Associates: Photograph : Craig Sheppard

Grant Associates Director Keith French:

“Southbank by Beulah is a pioneering project and delivering such a complex piece of integrated greening and place making in Melbourne is only possible through a collaborative approach and the collective efforts of many disciplines and specialists. We are really pleased to be working in close partnership with ASPECT Studios on this incredible project that brings nature and biophilic design to the forefront.

As a practice, we believe in combining the latest design technology and thinking with a rich knowledge of human behaviour, nature and ecological science and we are delighted to have the opportunity to bring our experience to Melbourne as we set out to create a truly inspirational place for the city, its residents and its visitors.”

STH BNK by Beulah Melbourne images / information received 290621

STH BNK by Beulah Melbourne Development

Australia’s Tallest Tower Australia’s Tallest Tower: Southbank by Beulah

UNStudio – Southbank by Beulah in Melbourne Winner image : Norm Li, courtesy of UNStudio Southbank by Beulah Tower Competition Winner

vimeo

Southbank by Beulah – Ben van Berkel sketches UNStudio’s design from UNStudio on Vimeo.

Southbank by Beulah Tower Competition Winner architects practice:

UNStudio

The Stack for Southbank Architects: MVRDV and Woods Bagot image courtesy of architects office Southbank by Beulah in Melbourne design by MVRDV and Woods Bagot

Southbank by Beulah Design: MAD Architects image by MIR Southbank by Beulah in Melbourne design by MAD Architects

Location: Melbourne, Victoria, Australia

Melbourne Tower Buildings

Premier Tower Architects: Elenberg Fraser image : Peter Clarke Premier Tower

Uno Tower, 111-125 A’Beckett St, located in Melbourne’s CBD is a 65 storey mixed use development. Design: Elenberg Fraser images : Binyan Studios, Pointilism and Lucernal Uno Tower

Architecture in Melbourne

Contemporary Victoria Architectural Projects

Melbourne Architecture Designs – chronological list

Architecture Walking Tours Melbourne by e-architect

Melbourne Architecture News

Melbourne Architect

Camberwell House Design: AM Architecture photography : Dianna Snape

Old Be-al House, Camberwell Design: FMD Architects photo : John Gollings

Comments / photos for the STH BNK by Beulah Melbourne Building page welcome

Website: Melbourne

The post STH BNK by Beulah Melbourne appeared first on e-architect.

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dayasbun · 5 years ago

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Fame - Angus Cloud (1)

Summary- a luckily timed audition leads to you falling for your new and unexpected co-star.

Warnings- okay HI welcome to my first multi chapter series woah?! this is actually so exciting for me like wow especially since angus doesn't have any fics yet im just really really excited- so warnings! smut for sure, bad words, lotsa fluff, angst- everything in one basically. here comes a ride and I hope you enjoy :)

Part 1 {reading now}

'Stay calm.'

That's what you kept whispering to yourself. It was officially time for your audition, and you could not mess this up.

You were to audition for a new role in Euphoria's season two. The idea of working with none other than the one and only Zendaya, as well as people like Jacob Elordi, Alexa Demie, Sydney Sweeney- and even more insanely talented actors and actresses- completely made your heart flutter. You've been looking for your big break for a while, and you match this role perfectly. The skin tone they preferred? Matched. The personality? Matched… and you wouldn't even be acting when it came to that. The style they were looking for, you matched it perfectly.

The role was the new girl in town, who becomes close with Lexi and Rue. Being so close to Rue (her cousin) the new girl begins to spiral down into some things that she's never really experienced or discovered before, due to living in a very sheltered bubble in her past home.

You have not been this hyped for something in years… no exaggeration. You had experience with the characters background, you matched the characters personality and look, and you felt like you got the script down to a T. No glances at the crisp paper were even necessary for you to completely nail this. As you heard your name being called { " Y/F/N Y/L/N, come on in!"} you let out a shaky breath, standing up and walking quickly into the small, but brightly lit room.

In front of you were three smaller co producers of the show, none of which you had heard of. Not Z or Drake or anyone- but if you were considered for the role, then they'd come next. These producers simply were the ones with trusted judgment, the ones that picked their top favorites, and then those favorites were rushed off to the next level.

"Hello! Y/N, correct?"

You nodded with a bright grin. "That's me! An honor to be here."

The co producers smiled softly back at you and introduced themselves, making the room feel more like a homey space rather than just a place to audition. "So what role were you looking to fulfill today?"

"Well, I'm actually coming in to try out for the role of Rues cousin? The one that comes from a recently broken home due to her parents divorcing, and is used to her old sheltered lifestyle back where she used to live." you spoke smoothly, showing no signs of nervousness in your voice whatsoever.

The panel in front of you nodded. "We've actually had quite a few people come in to audition for that role… more than we need."

Your heart sank- this was it. Your big break had just been broken-

"However! There is another role we're looking to fill. Now look kid, I like your style and your confidence- we haven't brought this up to any other people that have come to try out yet- but! There's another role that it seems you would fit, and if you're interested in it, you can completely try out reading the script, then we'll just see where your energy flows and where it comes from for this character. The character I'm speaking of now that we want for the second season has a very similar style and similar personality traits with the new girl- Rues cousin- that will be coming in. Are you interested?"

Fuck. You really had practiced for hours in the mirror over the same script, and now you couldn't even use it? 'Oh well' you told yourself. You had to take what you could get, this is still an amazing opportunity and you could still be a main character on the show. You'd come too far to say no, and you weren't dumb enough to pass this up.

"Of course! Can I get more of a background on the character?"

"Sure sweetie, so part of this season will be focused on Fez and his backstory. That's where you come in! Like I said, very similar to Rues cousin, you're moving to the area, but for the second time and not the first. You and Fez were really close in the past, and maybe even had a little bit of a romantic relationship- but that's in a way up to the viewers to predictions, and also up to you and Angus's interpretation of the role. This role is spicy and angsty- full of passion and heartbreak- its honestly a lot to take on. But the reason I immediately thought of this role for you because your energy seems like it would match Angus's amazingly. I can just see you two immediately vibing and working together really well, as well as your look matching the character we had in mind- and to think you're not even in character right now."

Angus Cloud. One person that you would barely have had any scenes with if you had gotten the role of Rues cousin- but now you had an opportunity.

You always found Angus insanely fine- from the first episode you told your best friend "Damn...I don't usually dig redheads but that is one fine ass drug dealer." And now you have the opportunity to work with him, and not only work with him– but possibly be one of his main love interests on the show. And honestly after hearing that, there was no way you were going to pass up possibly getting this role.

"That sounds amazing! What would the process of that be, would I have to redo everything that I've already done over again?"

"Okay- so this is how it goes for your situation. Since you were not expecting this, we're 100% okay with you completely reading from the script for today. If we like the way that you act out and portray the character, we will call you back in the next couple of weeks; maybe by next week due to us hiring very quickly- and we will have you do yet another run through, but with Angus and without the script. After that, if you guys click, we have you do another run through while Drake is watching over it, and if he approves it then you're pretty much in and that will start the actual filming process."

You nodded slowly as they handed you a new script. God so much was going on inside of your head right now- so much. You faintly heard them telling you to start reading, so you nodded again and did.

10 minutes later you were so much more into it, screaming at a character that wasn't in the room. You added raw passion and emotion, your arms flailing and your throat feeling raw. After the scene ended, you cooled down and turned to the panel in front of you. The co producers nodded politely and thanked you, telling you that you would receive either a rejection or continuation letter in due time.

And you walked out of the room, you prayed under your breath- something you hadn't done in a while. You prayed you'd get the role.

Thankfully, this time, God heard your prayers.

#angus cloud fic #angus cloud #fezco smut #fezco fluff #fez euphoria #fezco fic #fezco imagine #fezco x reader #fezco euphoria #fezco #hbo euphoria #euphoria

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wellesleybooks · 4 years ago

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The Newbery, the Caldecott, the Printz, oh my!

The American Library Association (ALA) today announced the top books, digital media, video and audio books for children and young adults – including the Caldecott, Coretta Scott King, Newbery and Printz awards – at its Midwinter Meeting & Exhibits taking place virtually from Chicago.

A list of all the 2021 award winners follows:

John Newbery Medal for the most outstanding contribution to children's literature:

“When You Trap a Tiger,” written by Tae Keller, is the 2021 Newbery Medal winner. The book is published by Random House Children’s Books, a division of Penguin Random House.

Five Newbery Honor Books also were named:

“All Thirteen: The Incredible Cave Rescue of the Thai Boys’ Soccer Team,” written by Christina Soontornvat and published by Candlewick Press; “BOX: Henry Brown Mails Himself to Freedom,” written by Carole Boston Weatherford, illustrated by Michele Wood and published by Candlewick Press; “Fighting Words,” written by Kimberly Brubaker Bradley and published by Dial Books for Young Readers, an imprint of Penguin Random House; “We Dream of Space,” written by Erin Entrada Kelly, illustrated by Erin Entrada Kelly and Celia Krampien and published by Greenwillow Books, an imprint of HarperCollins Publishers; and “A Wish in the Dark,” written by Christina Soontornvat and published by Candlewick Press.

Randolph Caldecott Medal for the most distinguished American picture book for children:

“We Are Water Protectors,” illustrated by Michaela Goade is the 2021 Caldecott Medal winner. The book was written by Carole Lindstrom and published by Roaring Brook Press, a division of Holtzbrinck Publishing Holdings.

Four Caldecott Honor Books also were named:

“A Place Inside of Me: A Poem to Heal the Heart,” illustrated by Noa Denmon, written by Zetta Elliott and published by Farrar Straus Giroux Books for Young Readers, an imprint of Macmillan Publishing Group; “The Cat Man of Aleppo,” illustrated by Yuko Shimizu, written by Irene Latham & Karim Shamsi-Basha and published by G.P. Putnam's Sons, an imprint of Penguin Random House; “Me & Mama,” illustrated and written by Cozbi A. Cabrera and published by Denene Millner Books/Simon & Schuster Books for Young Readers; and “Outside In,” illustrated by Cindy Derby, written by Deborah Underwood and published by Houghton Mifflin Harcourt.

Coretta Scott King Book Awards recognizing an African American author and illustrator of outstanding books for children and young adults:

Coretta Scott King (Author) Book Award:

“Before the Ever After,” written by Jacqueline Woodson, is the King Author Book winner. The book is published by Nancy Paulsen Books, an imprint of Penguin Random House LLC.

Three King Author Honor Books were selected:

“All the Days Past, All the Days to Come,” written by Mildred D. Taylor, published by Viking, an imprint of Penguin Random House LLC; “King and the Dragonflies,” written by Kacen Callender, published by Scholastic Press, an imprint of Scholastic Inc.; and “Lifting as We Climb: Black Women’s Battle for the Ballot Box,” written by Evette Dionne, published by Viking, an imprint of Penguin Random House LLC.

Coretta Scott King (Illustrator) Book Award:

“R-E-S-P-E-C-T: Aretha Franklin, the Queen of Soul,” illustrated by Frank Morrison, is the Coretta Scott King Illustrator Book winner. The book is written by Carole Boston Weatherford and published by Atheneum Books for Young Readers, an imprint of Simon and Schuster Children’s Publishing Division.

Three King Illustrator Honor Books were selected:

“Magnificent Homespun Brown: A Celebration,” illustrated by Kaylani Juanita, written by Samara Cole Doyon and published by Tilbury House Publishers; “Exquisite: The Poetry and Life of Gwendolyn Brooks,” illustrated by Cozbi A. Cabrera, written by Suzanne Slade and published by Abrams Books for Young Readers, an imprint of ABRAMS; and “Me & Mama,” illustrated and written by Cozbi A. Cabrera and published by Denene Millner Books/Simon & Schuster Books for Young Readers.

Coretta Scott King/John Steptoe New Talent Author Award:

“Legendborn,” written by Tracy Deonn, is the Steptoe author award winner. The book is published by Margaret K. McElderry Books, an imprint of Simon & Schuster Children’s Publishing Division.

Coretta Scott King – Virginia Hamilton Award for Lifetime Achievement:

Dorothy L. Guthrie is the winner of the Coretta Scott King – Virginia Hamilton Award for Lifetime Achievement. The award pays tribute to the quality and magnitude of beloved children’s author Virginia Hamilton.

Dorothy L. Guthrie is an award-winning retired librarian, district administrator, author and school board member. A respected children’s literature advocate, Guthrie promotes and affirms the rich perspectives of African Americans. Her work, “Integrating African American Literature in the Library and Classroom,” inspires educators with African American literature. Guthrie founded the first African American museum in her home, Gaston County, North Carolina.

Michael L. Printz Award for excellence in literature written for young adults:

“Everything Sad Is Untrue (a true story),” by Daniel Nayeri, is the 2021 Printz Award winner. The book is published by Arthur A. Levine, an imprint of Levine Querido.

Four Printz Honor Books also were named:

“Apple (Skin to the Core),” by Eric Gansworth and published by Arthur A. Levine, an imprint of Levine Querido; “Dragon Hoops,” created by Gene Luen Yang, color by Lark Pien and published by First Second Books, an imprint of Macmillan Children's Publishing Group; “Every Body Looking,” by Candice Iloh and published by Dutton Books for Young Readers, an imprint of Penguin Young Readers, a division of Penguin Random House; and “We Are Not Free,” by Traci Chee and published by Houghton Mifflin Harcourt.

Schneider Family Book Award for books that embody an artistic expression of the disability experience:

“I Talk Like a River,” written by Jordan Scott, illustrated by Sydney Smith and published by Neal Porter Books/Holiday House, wins the award for young children (ages 0 to 10). Two honor books for young children were selected: “All the Way to the Top: How One Girl’s Fight for Americans with Disabilities Changed Everything,” written by Annette Bay Pimentel, illustrated by Nabi H. Ali and published by Sourcebooks eXplore, an imprint of Sourcebook Kids, and “Itzhak: A Boy who Loved the Violin,” written by Tracy Newman, illustrated by Abigail Halpin and published by Abrams Books for Young Readers, an imprint of Abrams.

“Show Me a Sign,” written by Ann Clare LeZotte and published by Scholastic Press, an imprint of Scholastic Inc., is the winner for middle grades (ages 11-13). Two honor books for middle grades were selected: “Get a Grip, Vivy Cohen!,” written by Sarah Kapit and published by Dial Books for Young Readers, an imprint of Penguin Young Readers, a division of Penguin Random House LLC, and “When Stars Are Scattered,” written by Victoria Jamieson and Omar Mohamed, illustrated by Victoria Jamieson, color by Iman Geddy and published by Dial Books for Young Readers, an imprint of Penguin Young Readers, a division of Penguin Random House LLC.

“This Is My Brain in Love,” written by I.W. Gregorio and published by Little Brown and Company, a division of Hachette Book Group, is the winner for teens (ages 13-18). No honor book for teens was selected.

Alex Awards for the 10 best adult books that appeal to teen audiences:

“Black Sun,” by Rebecca Roanhorse, published by Saga Press/Gallery Books, an imprint of Simon & Schuster

“The House in the Cerulean Sea,” by TJ Klune, published by Tor Books, an imprint of Tom Doherty Associates, a division of Macmillan

“The Impossible First: From Fire to Ice - Crossing Antarctica Alone,” by Colin O’Brady, published by Scribner, an imprint of Simon & Schuster

“Kent State: Four Dead in Ohio,” by Derf Backderf, published by Abrams Comicarts

“The Kids Are Gonna Ask,” by Gretchen Anthony, published by Park Row Books, an imprint of Harlequin, a division of HarperCollins Publishers

“The Only Good Indians,” by Stephen Graham Jones, published by Saga Press/Gallery Books, an imprint of Simon & Schuster

“Plain Bad Heroines,” by emily m. danforth, published by William Morrow, an imprint of HarperCollins

“Riot Baby,” by Tochi Onyebuchi, published by Tordotcom, an imprint of Tom Doherty Associates, a division of Macmillan

“Solutions and Other Problems,” by Allie Brosh, published by Gallery Books, an imprint of Simon & Schuster

“We Ride Upon Sticks: A Novel,” by Quan Barry, published by Pantheon Books, a division of Penguin Random House

Children’s Literature Legacy Award honors an author or illustrator whose books, published in the United States, have made, over a period of years, a substantial and lasting contribution to literature for children through books that demonstrate integrity and respect for all children’s lives and experiences.

The 2021 winner is Mildred D. Taylor, whose award-winning works include "Roll of Thunder, Hear My Cry,” the 1977 Newbery Medal winner and a Coretta Scott King (CSK) Author honor; "The Land," the 2002 CSK Author Award winner; "The Road to Memphis," the 1991 CSK Author Award winner; “All the Days Past, All the Days to Come”; and “The Gold Cadillac,” among other titles.

Margaret A. Edwards Award for lifetime achievement in writing for young adults:

The 2021 winner is Kekla Magoon. Her books include: “X: A Novel,” co-written by Ilyasah Shabazz and published by Candlewick Press; “How It Went Down,” published by Henry Holt and Co. Books for Young Readers, an imprint of Macmillan Children's Publishing Group; “The Rock and the River” and “Fire in the Streets,” both published by Aladdin, an imprint of Simon & Schuster Children’s Publishing.

Mildred L. Batchelder Award for an outstanding children’s book originally published in a language other than English in a country other than the United States, and subsequently translated into English for publication in the United States:

“Telephone Tales” is the 2021 Batchelder Award winner. Originally published in Italian as “Favole al telefono,” the book was written by Gianni Rodari, illustrated by Valerio Vidali, translated by Antony Shugaar and published by Enchanted Lion Books.

One Honor Book also was selected: “Catherine’s War,” published by HarperAlley, an imprint of HarperCollins Publishers, written by Julia Billet, illustrated by Claire Fauvel and translated from French by Ivanka Hahnenberger.

Odyssey Award for best audiobook produced for children and/or young adults, available in English in the United States:

“Kent State,” produced by Paul R. Gagne for Scholastic Audio, is the 2021 Odyssey Award winner. The book is written by Deborah Wiles and narrated by Christopher Gebauer, Lauren Ezzo, Christina DeLaine, Johnny Heller, Roger Wayne, Korey Jackson, and David de Vries.

Four Odyssey Honor Audiobooks also were selected:

“Clap When You Land,” produced by Caitlin Garing for HarperAudio, a division of HarperCollins Publishers, written by Elizabeth Acevedo and narrated by Elizabeth Acevedo and Melania-Luisa Marte; “Fighting Words,” produced by Karen Dziekonski for Listening Library, an imprint of Penguin Random House Audio, written by Kimberly Brubaker Bradley and narrated by Bahni Turpin; “Stamped: Racism, Antiracism, and You,” produced by Robert Van Kolken for Hachette Audio, written by Jason Reynolds and Ibram X. Kendi and narrated by Jason Reynolds with an introduction by Ibram X. Kendi; and “When Stars Are Scattered,” produced by Kelly Gildea & Julie Wilson for Listening Library, an imprint of Penguin Random House Audio, written by Victoria Jamieson and Omar Mohamed and narrated by Faysal Ahmed, Barkhad Abdi and a full cast.

Pura Belpré Awards honoring a Latinx writer and illustrator whose children's books best portray, affirm and celebrate the Latino cultural experience:

“¡Vamos! Let’s Go Eat,” illustrated and written by Raúl Gonzalez, is the Belpré Illustrator Award winner. The book was published by Versify, an imprint of Houghton Mifflin Harcourt.

One Belpré Illustrator Honor Book was named:

“Sharuko: El Arqueólogo Peruano/Peruvian Archaeologist Julio C. Tello,” illustrated by Elisa Chavarri, written by Monica Brown and published by Children’s Book Press, an imprint of Lee & Low Books, Inc.

"Efrén Divided,” written by Ernesto Cisneros, is the Pura Belpré Children’s Author Award winner. The book is published by Harper, an imprint of HarperCollins Publishers.

Two Belpré Children’s Author Honor Books were named:

"The Total Eclipse of Nestor Lopez," written by Adrianna Cuevas and published by Farrar Straus Giroux Books for Young Readers, an imprint of Macmillan Publishing Group, and "Lupe Wong Won’t Dance," written by Donna Barba Higuera and published by Levine Querido.

"Furia,” written by Yamile Saied Méndez, is the Pura Belpré Young Adult Author Award winner. The book is published by Algonquin Young Readers, an imprint of Algonquin Books of Chapel Hill.

Two Belpré Young Adult Author Honor Books were named:

"Never Look Back," written by Lilliam Rivera and published by Bloomsbury YA, and "We Are Not from Here," written by Jenny Torres Sanchez and published by Philomel Books, an imprint of Penguin Random House.

Robert F. Sibert Informational Book Award for most distinguished informational book for children:

“Honeybee: The Busy Life of Apis Mellifera,” written by Candace Fleming and illustrated by Eric Rohmann, is the Sibert Award winner. The book is published by Neal Porter Books/Holiday House.

Three Sibert Honor Books were named:

“How We Got to the Moon: The People, Technology, and Daring Feats of Science Behind Humanity’s Greatest Adventure,” written and illustrated by John Rocco, published by Crown Books for Young Readers, an imprint of Random House Children’s Books, a division of Penguin Random House; “Exquisite: The Poetry and Life of Gwendolyn Brooks,” written by Suzanne Slade, illustrated by Cozbi A. Cabrera, published by Abrams Books for Young Readers, an imprint of ABRAMS; and “All Thirteen: The Incredible Cave Rescue of the Thai Boys’ Soccer Team,” written by Christina Soontornvat, published by Candlewick Press.

The Excellence in Early Learning Digital Media Award is given to a digital media producer that has created distinguished digital media for an early learning audience.

The 2021 Excellence in Early Learning Digital Media Award winner is “The Imagine Neighborhood,” produced by Committee for Children.

One honor title was named: “Sesame Street Family Play: Caring for Each Other,” produced by Sesame Workshop.

Stonewall Book Award - Mike Morgan & Larry Romans Children’s & Young Adult Literature Award given annually to English-language children’s and young adult books of exceptional merit relating to the gay, lesbian, bisexual and transgender experience:

“We Are Little Feminists: Families,” written by Archaa Shrivastav, designed by Lindsey Blakely and published by Little Feminist, is the 2021 recipient of the Stonewall Book Awards – Mike Morgan & Larry Romans Children’s & Young Adult Literature Award.

Four Honor Books were selected:

“Beetle & The Hollowbones,” illustrated and written by Aliza Layne and published by Atheneum Books for Young Readers, an imprint of Simon & Schuster Children’s Publishing Division; “Darius the Great Deserves Better,” written by Adib Khorram and published by Dial Books, an imprint of Penguin Random House LLC; “Felix Ever After,” written by Kacen Callender and published by Balzer + Bray, an imprint of HarperCollins Publishers; and “You Should See Me in a Crown,” written by Leah Johnson and published by Scholastic Press, an imprint of Scholastic Inc.

Theodor Seuss Geisel Award for the most distinguished beginning reader book is:

“See the Cat: Three Stories About a Dog,” written by David LaRochelle, illustrated by Mike Wohnoutka and published by Candlewick Press.

Four Geisel Honor Books were named:

“The Bear in My Family,” written and illustrated by Maya Tatsukawa and published by Dial Books for Young Readers, an imprint of Penguin Young Readers, a division of Penguin Random House; “Ty’s Travels: Zip, Zoom!” written by Kelly Starling Lyons, illustrated by Nina Mata and published by HarperCollins Children’s Books, a division of HarperCollins Publishers; “"What About Worms!?” written and illustrated by Ryan T. Higgins and published by Hyperion Books for Children, an imprint of Disney Book Group; and “Where’s Baby?” written and illustrated by Anne Hunter and published by Tundra Books of Northern New York, an imprint of Penguin Random House Canada Young Readers, a Penguin Random House Company.

William C. Morris Award for a debut book published by a first-time author writing for teens:

“If These Wings Could Fly,” written by Kyrie McCauley, is the 2021 Morris Award winner. The book is published by Katherine Tegen Books, an imprint of HarperCollins.

Four other books were finalists for the award:

“Black Girl Unlimited: The Remarkable Story of a Teenage Wizard,” written by Echo Brown and published by Christy Ottaviano Books/Henry Holt and Co. Books for Young Readers, an imprint of Macmillan Children's Publishing Group; “The Black Kids,” written by Christina Hammonds Reed and published by Simon & Schuster Books for Young Readers, an imprint of Simon & Schuster Children's Publishing; “It Sounded Better in My Head,” written by Nina Kenwood and published by Flatiron Books, Macmillan Publishers; and “Woven in Moonlight,” written by Isabel Ibañez and published by Page Street Publishing.

YALSA Award for Excellence in Nonfiction for Young Adults:

“The Rise and Fall of Charles Lindbergh,” written by Candace Fleming, is the 2021 Excellence winner. The book is published by Schwartz and Wade, an imprint of Random House Children’s Books, a division of Penguin Random House.

Four other books were finalists for the award:

“All Thirteen: The Incredible Cave Rescue of the Thai Boys' Soccer Team,” written by Christina Soontornvat and published by Candlewick Press; “The Cat I Never Named: A True Story of Love, War, and Survival,” written by Amra Sabic-El-Rayess with Laura L. Sullivan and published by Bloomsbury YA; “How We Got to the Moon: The People, Technology, and Daring Feats of Science Behind Humanity's Greatest Adventure,” written and illustrated by John Rocco and published by Crown Books for Young Readers, an imprint of Random House Children’s Books, a division of Penguin Random House; and “You Call This Democracy?: How to Fix Our Democracy and Deliver Power to the People,” written by Elizabeth Rusch and published by Houghton Mifflin Harcourt Books for Young Readers, a division of Houghton Mifflin Harcourt.

Asian/Pacific American Award for Literature. The award promotes Asian/Pacific American culture and heritage and is awarded based on literary and artistic merit. The award offers three youth categories including Picture Book, Children’s Literature and Youth Literature. The award is administered by the Asian Pacific American Librarians Association (APALA), an affiliate of the American Library Association. This year’s winners include:

The Picture Book winner is “Paper Son: The Inspiring Story of Tyrus Wong, Immigrant and Artist,” written by Julie Leung, illustrated by Chris Sasaki and published by Schwartz & Wade, an imprint of Random House Children’s Books, a division of Penguin Random House. The committee selected one Picture Book honor title: “Danbi Leads the School Parade,” written and illustrated by Anna Kim and published by Viking Children's Books, an imprint of Penguin Random House LLC.

The Children’s Literature winner is “When You Trap a Tiger,” written by Tae Keller and published by Random House Children’s Books, a division of Penguin Random House. The committee selected one children’s literature honor title: “Prairie Lotus,” written by Linda Sue Park and published by Clarion Books, an imprint of Houghton Mifflin Harcourt Books for Young Readers, a division of Houghton Mifflin Harcourt.

The Youth Literature winner is “This Light Between Us,” written by Andrew Fukuda and published by Tor Teen. The committee selected one Youth Literature honor title: “Displacement,” written by Kiku Hughes and published by First Second, an imprint of Macmillan Children's Publishing Group.

The Sydney Taylor Book Award is presented annually to outstanding books for children and teens that authentically portray the Jewish experience. Presented since 1968 by the Association of Jewish Libraries, an affiliate of the American Library Association, the award encourages the publication and widespread use of quality Judaic literature.

This year’s Gold Medalists include: in the Picture Book category, “Welcoming Elijah: A Passover Tale with a Tail,” by Lesléa Newman, illustrated by Susan Gal and published by Charlesbridge; in the Middle Grades category, “Turtle Boy,” by M. Evan Wolkenstein and published by Delacorte Books for Young Readers, an imprint of Random House Children’s Books, a division of Penguin Random House LLC; and in the Young Adult category, “Dancing at the Pity Party,” written and illustrated by Tyler Feder and published by Dial Books, an imprint of Penguin Random House LLC.

Sydney Taylor Book Award Silver Medalists include: in the Picture Book category, “I Am the Tree of Life: My Jewish Yoga Book,” by Mychal Copeland, illustrated by André Ceolin and published by Apples and Honey Press, an imprint of Behrman House, and “Miriam at the River,” by Jane Yolen, illustrated by Khoa Le and published by Kar-Ben Publishing, a division of Lerner Publishing Group; in the Middle Grades category, “No Vacancy,” by Tziporah Cohen and published by Groundwood Books; “Anya and the Nightingale,” by Sofiya Pasternack and published by Versify, an imprint of Houghton Mifflin Harcourt; and “The Blackbird Girls,” by Anne Blankman and published by Viking Books for Young Readers, an imprint of Random House LLC; and in the Young Adult category, “They Went Left,” by Monica Hesse and published by Little, Brown Books for Young Readers, an imprint of Hachette Book Group.

Recognized worldwide for the high quality they represent, ALA awards guide parents, educators, librarians and others in selecting the best materials for youth. Selected by judging committees of librarians and other literature and media experts, the awards encourage original and creative work. For more information on the ALA youth media awards and notables, please visit www.ala.org/yma.

#ala #children's book award #american library association

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thecozywhaleshark · 5 years ago

Text

King of Hearts (pt. 4)

Word Count: 6,344

Warnings: Smut. Angst. Some fluff. Swearing. Oral (male and female receiving). Denial. Overstimulation. Bondage. Begging. Masturbation. Unprotected sex (they forgot this time sorry, please be safe my beans). A little thigh riding. Little face riding. Basically the kinkiest shit I have written so far. I’ll go retreat back to my hell cell now.

Summary: He was hired to teach her things... and so that is what he’ll do.

“Bye everyone! It was nice to meet you and see some of you again!” Jin yells, waving as you walk out of the door of another publishing event.

You were so glad it had gone well. It had come up last minute and you had frantically texted Jin: “I have a meeting and Marsha (another one of my editors) is asking about you… H E L P” and thankfully, he had come through.

It had been a long dinner, office casual, and you almost drooled when you saw Jin enter the restaurant in a simple pair of slacks and a buttondown shirt, looking delectable as always.

“Thank you for saving me… again,” you sigh, cheerfully linking your arm through his as you walked to your car.

“You’re just lucky it landed on our date night.” Jin replies, giving you a wink.

You roll your eyes. Boys. “Date night, huh? So that’s what we’re calling it?”

He leans in and brushes his lips against your ear. “That’s what we’re calling it until we’re out of earshot of some of your co-workers.”

You glance behind you and see that there were, in fact, two of your team walking a couple feet behind you on their way across the parking lot.

“Good catch,” you whisper, “Now pretend to laugh at something I said.”

Jin lets out a jolly laugh and unlinks your arms so he can throw it around your shoulders.

“I can’t believe you said that!” he says, raising his voice slightly so the people behind you are sure to hear.

“You’re just jealous you didn’t think of it first,” you fire back, raising your own voice slightly and elbowing him in the gut before ducking out from under his arm and striding out of his reach. “Race you to the car!”

You are thankful you decided to wear flats to this dinner instead of your heels and take off, more to get away from your co-workers than actually play with Jin.

Jin catches up to you easily and could have outrun you, but you slam your hand against the back of your car.

“I win!” you crow gleefully.

“That’s not fair, I don’t know what your car looks like!” he complains, while you search in your bag for your car keys.

You grin. “I just thought we should put some space between us and our followers,” you state, nodding your head in their direction.

He glances back and sees them a good ways off and grins. “Smart tactic…” he mumbles, then leans across the hood as he waits for you to unlock the door. “… or were you just warming up for later?”

You smirk and give him a heavy wink. “Maybe I was warming you up,” you reply, unlocking the door and sliding into your seat before he has a chance to reply, and therefore missing the way his face changes.

Jin slides into the passenger side and buckles, waiting until you start the car and are backing out before speaking.

“So I read some of your works…”

You blush hard. Well this has to be a nightmare...

“Oh god.”

“I read that Elaina is tied up in Chapter 57… and so is Ariel in Chapter 8, and Sydney in Chapter 32, and Morgan in Chapter 23…” he counts off his fingers then looks up at you with a smirk.

You can feel your face turning so red it hurts and you’re thankful for the darkness of the car, though you’re sure he can see flashes of it in the strobing passes of the streetlights.

“Did you read everything I’ve written in a week?”

He rests his head on the back of his seat and shrugs. “You write interesting things. And I travel a lot. Reading passes the time.”

You nod and there is a moment of silence before his voice leeches out from the dark.

“Tell me, y/n, have you ever tied up a man?”

You choke and swerve the car, and a car honks at you.

“WATCH IT!” Jin shouts, grabbing the steering wheel and getting you to the side of the road.

He pats your back while you fan yourself with your hand. “What –“

He runs a hand through his hair. “Okay, let’s try that again. You seem to be quite fascinated with tying up other women y/n… have you enjoyed that in past experiences?”

You blush before mumbling a soft yes and he makes a humming sound in the back of his throat. “Okay. Things to keep in mind.”

The car ride is silent until Jin suddenly yells, “THERE!” and points violently to a store on the corner.

“What?! What is it?!” You yell, straining to see if there was something in the road ahead of you.

“That store – do you see the neon red sign?”

You squint. “Momma Thot’s Sex and Secrets?”

He nods. “Yes! Pull into that parking lot.”

“Why?” you ask as you cross lanes and turn into the lot of the gas station on the other side of the street.

“I have something I need to buy there… for us.”

You park the car and turn to him. “Us?”

“Yes, us.”He smirks and unlocks his door, climbing out before ducking his head back in. “You hired me to teach you things, darling. And this item is part of the lesson. Plus, this shop is the only place I can get it.”

You climb out of the driver’s side and slam your door, double-checking to make sure you locked it.

“This place is sketchy.” You say, quickly walking to Jin’s side.

He scoffs. “Don’t judge it just because it has a red sign. Kristy is very nice.”

You raise an eyebrow. “Kristy?”

“The owner of the shop.”

You look at him and he holds out an arm in front of you to stop you from walking into traffic.

“So I take it you’ve been to this place many times before then.”

He smirks and gestures to you when the traffic is cleared enough so you can cross. “I know this place like the back of my hand…”

You thought you heard him say “and the woman who runs it too,” but you couldn’t be sure, as a loud truck drowned out the last part of his sentence.

You tried to ignore it but you couldn’t help hearing it over and over in your mind. And the woman who runs it too and the woman who runs it too and the woman…

Jin opens the door for you and you enter the store under the ding of the bell.

Yup, definitely a sex shop, you think as you take in the racks of nude magazines by the door and the locked case of whips and harnesses against the back wall.

“Can I help you?” a woman purrs and you turn to meet the striking blue eyes of the cashier. Jin offers her an easy smile.

“Hey, Kristy. Just need some of that lovely Japanese silk rope you introduced me to…” he leans against the counter and gives her a heavy wink.

She smirks back. “Back for more?” she asks, slowly trailing her hand up his arm.

He covers her hand with his own. “As much as I would love a little more of you… I have a date tonight.” He nods in your direction.

You offer a shy smile and little wave of your fingers. Kristy chuckles and gives a little finger wave back making you blush and look away.

I’m just gonna go over here and um… admire this wall of dildos… yup.

“Do you think she’ll be able to handle it?” you hear Kristy whisper and Jin laughs.

“The rope please, princess. You know my favorite one.”

She chuckles and pulls a sky blue rope off the back wall.

He smirks. “Perfect. Just like the eyes of my favorite girl.”

You roll your eyes and try to ignore the twinge of jealousy that pings inside you and turn your focus to a shelf of ball gags. Maybe if I shove one down my throat far enough I’ll die…

No. Snap out of it.

You’re gagging enough having to listen to this.

Not that you’re jealous.

Why are you suddenly jealous of an escort?

Stop it. This wasn’t the plan.

“Ready to go?” You start and turn around, seeing Jin holding a plastic bag and staring at you curiously.

“Um, yeah. I’m fine. Let’s… yup. We go.” You quickly spin on your heel and head out the door, Jin chuckling after you.

I am not jealous of the sex store cashier. Am not. Not jealous. Not.

“You’re flighty tonight, little bird.” He hums, catching up with you easily in just a few long strides.

You laugh and hate how it comes out sounding higher than you intended. “This is how I normally walk.”

He snorts. “No you don’t. You drag your feet. Right now, you seem to be running away.”

He grabs your arm and pulls you to a stop. “Y/n… are you scared? Because we don’t have to do this tonight, I just thought that maybe…”

You shake your head furiously. “No! Oh no. I’m not scared.”

He lets go of your arm and shoves his hands in his pockets, the bag dangling at his hip. “Then what is it?”

You tuck your hair behind your ear and look away, letting out a huffy breath. “Sex stores just make me uncomfortable.”

He smirks. “Says the erotica writer.”

You roll your eyes. “Yes, says the erotica write who hired an escort-“ you turn and poke him in the chest. “-that’s you, to teach her things.”

He smirks and holds up the bag. “And that’s exactly what I’m doing.” He leans down close and breathes hot on your ear. “But to teach you things… dearie… we have to do a little… shopping.” He kisses your cheek and straightens, walking over to your car.

“Now where are we going? Which hotel?”

You fidget with the straps of your purse and blush, trying to keep your voice steady. “The nearest hotel is half an hour away from here… so I was thinking…”

Just spit it out already, y/n

He turns around and raises an eyebrow. “Yes?”

“Um… I was thinking, we could maybe, if it’s okay with you, to um, go to my place?”

He seems to miss a step for a second before shaking his head and letting out a little laugh.

“If that’s what you want.”

You shrug and follow him. “It’s just closer, that’s all.”

“Well, in that case…” he walks to the passenger side and tugs violently on the handle with his free hand. “Let me in!” he hollers, making the handle of the door thump faster and you laugh, pulling your keys out of your purse.

“You’re a child.”

He smirks as you unlock the car and folds his arms on the top of your car.

“You won’t be thinking that soon, love.” He winks and slides in your car, leaving you cursing him silently and fumbling to find the right key for the ignition.

You make it back home in relative silence… well as silent as it can be as Jin reaches into the bag and begins to untie the rope ends, practicing knots as you drive through the dark.

“This is me,” you say, pulling up to your apartment building and parking.

“You live in an apartment?” Jin asks, stepping out of the car and beginning to swing his bag again. “Why don’t you have a house?”

You shrug. “I don’t like the idea of living alone in a big house. I don’t need it. An apartment is fine.”

He nods as you head up the stairs in silence and lead him to your door at the end of the hall.

“Okay, so this is my place…” you state, awkwardly holding the door open for him.

Of course it is stupid, why would you let him into a random place? Why would you have the key to some random building?

Oh, shut up.

He looks around and unbuttons the cuffs of his sleeves, rolling them up. “Cozy.”

You roll your eyes and follow him in. “What were you expecting, a mansion?”

“Nah,” he grins and sets the bag on the kitchen table. “Just for it to be a little messier. Like my place.”

“Oo so the popular escort Jin is a mess?” you tease, setting your purse down next to the bag.

“You have no idea,” he whispers, his eyes going dark for a moment before he gives a brief shake of his head and gives you that flirtatious grin again.

“So,” he kicks off his shoes and reaches for the bag again, shaking it. “Where should we set up?” He wiggles his eyebrows and you laugh, shoving him with your shoulder on your way past him.

“This way.”

You lead him into your bedroom and turn on the lights, gesturing towards your bed. “I assume you’ll want to do this there.”

He laughs and heads over to it, sitting on the end of the bed and bouncing a few times. “This would be preferred, yes.”

He beings to unbutton his shirt and you yelp.

“Whoa, whoa, whoa! What are you doing?!”

He looks at you curiously. “… getting naked?”

You blush furiously and look away. Of course he is.

He smirks. “What’s the matter, doll? Getting nervous?” he chuckles and shrugs his shirt off this shoulders, folding it in his lap. “You’ve seen me naked before.”

“Yes, but…” Never in my bedroom…“Never mind. Let’s do this.”

You pick up the bag from the end of the bed next to him and pull out the rope. “How do you want to be tied?”

His eyes darken and he takes a deep breath. “You have no idea how hard you just made me,” he groans and your eyes widen.

“Better finish getting yourself undressed then I guess,” you smirk back, loving the little rush of power that you got when you saw how that comment affected him so quickly.

He quickly obeys and reaches for the rope. “The easiest way is this knot,” he explains, showing you how to do it. “It will hold me in so I can’t get away while at the same time make it easy for you to untie me when we’re done, see?” he pulls a string and the knot unravels. You nod.

“Okay, here.” He hands it to you and skootches back on the bed, towards your metal headboard. “Do you want me laying down, or sitting up? Or something else?” he asks and you fumble.

“um… I, I don’t know. Um, whatever is the most comfortable for you? What do you usually do?”

You fiddle with the rope and he smiles at you. “That’s okay. How about this? I’ll prop myself up on these pillows, and you can make the rope just loose enough so that it’ll be fine if you decide later that you want me laying down, you can just remove the pillows?” He arranges while he explains and you watch carefully while he does until he settles.

“I think I’m comfortable here. You okay with this?”

You step back and look him over, nodding your approval. “I think that’ll work.”

“Super. Now tie me.” He grins and holds out his wrists.

“So eager to be bound,” you smirk, wrapping the rope around one of his wrists and bringing his arm up to the headboard and he licks his lips, watching you darkly.

You finish tying him up and stand back. “Is that okay?”

He gives the ropes a test try, and gives you an easy smile. “Perfect.”

You stare at each other for a minute before you blush and look away.

“I don’t know what to do,” you whisper, standing awkwardly at the end of the bed.

He gives you an encouraging smile. “Do whatever you want to do to me, love. That’s how this works. Have your way with me.”

You take a breath and step towards him. Be brave, y/n. You can do this. You smirk and lower your voice as you begin to pull your blouse out of your skirt. “Are you sure that’s what you want?”

He watches as you pull it over your head and reach for the zip on your skirt.

“More than anything,” he breathes, his eyes locked on your body.

You feel a rush of heat head towards your core and you quicken your efforts to get out of your clothes. You shimmy out of your skirt and kick off your flats, leaving them where they lie.

“Goddamn, you’re beautiful,” he praises, and you blush again.

You still have more clothes to remove, and in a rushed and slightly flustered effort to get out of your tights quickly, you trip and bang your knee against the hard edge of your bed frame.

“Oh, fuck me.” You curse, sitting on the edge of the bed and pulling off your tights the correct, not-standing-up way.

“I would, but you see, I’m a little tied up here.” Jin grins and gives his hands a tug at the ropes. “So I guess you’re just going to have to do all the work.”

You pull off your tights and straddle him quickly, his eyes widening.

“Is that what you want, baby?” You coo, stroking your finger down his cheek and beginning to grind on his lap, giving him a smirk of satisfaction when his breath hitches.

“See, I told you that you would be good at this…” he groans, then gasps as you grind a little harder and you feel the first shoots of pleasure begin to warm your body.

You feel him hardening beneath you all the way, and you smile, reaching back to unclasp your bra, exposing your breasts to his face, but not moving close enough so he can touch them.

He licks his lips and groans, staring at your chest as you continue to move your hips.

“What is it Jinnie?” you ask, taking your hands off his shoulders and moving them to your chest to begin to play with your nipples. “Did you want to touch?”

He swallows hard and flicks his eyes to yours before nodding hard and letting out an enthusiastic, “Fuck. Yes! Yes. Please. Yes please.”

You tap your chin and pretend to consider it, moving your chest closer to his face. “I mean… I guess you can…”

You slide your hand in his hair and use your other to brace yourself on his shoulder as he immediately latches onto your chest and groans around your nipple, sucking hard.

You moan as he works you, switching between your breasts and moaning at how good you feel in his mouth. You’re getting swept away in the feeling before a trickling thought flows into your mind-

Make him beg for it.

It takes effort, but you push him off you and smirk, moving back so he can’t touch you with his mouth anymore.

He whines in protest, trying to sit up more but being yanked back by the ropes holding him down and at your mercy.

You quirk an eyebrow at him and cluck your tongue, making him quiet immediately and look at you with big eyes and his mouth slightly open, panting.

You trail your fingers lightly down his chest, relishing in the way he shudders beneath you as your hand lowers and you gently stroke up his length.

You continue this soft stroking until he is whining and desperate under your hand, gnawing at his lips and clenching his fists, trying to buck his hips. His efforts are in vain though, as your body is holding his legs down and he can’t force you to go faster or grip him harder.

Soon enough he can’t take it anymore and begins to try to reason with you.

“You’re so good at this baby,” he groans, his voice shaking as he tries to keep himself from falling apart. “But I want to be inside you,” he states, moving one of his legs so his thigh is pressing to your core and you moan, unable to stop yourself from grinding a little against it.

“Do you now,” you smirk, leaning forward until your lips are a hairsbreadth away from his.

“Oh, I do,” he smirks back, though his is brief. “And I know you want me to be inside you too.”

You tsk and ghost your mouth over his, pressing faint brushes against his jawline.

“Mmm.. do you now.” You respond, pressing your mouth lower on his neck.

He tilts his head so you can have better access and continues his reasoning.

“I do. You see, I know how much you love feeling me deep inside you. Imagine it. Me, stretching you so sweetly, filling you up so good. I know how much you like that pretty little cunt stretched. Especially by me. You love how I fill you and make you feel.” His voice lowers and you shiver, tightening your grip on him before you nip at his neck and suck.

You hear his sharp intake of breath as you flick your thumb over his tip once before pulling away from his neck, leaving a purple bruise in your wake.

You take your hand off his length and brush the pad of your thumb over the little mark you just made on his pretty skin, satisfied. “I wish you could see how pretty this is,” you coo, pulling your hand away. “But I guess you’ll just have to admire it later.”

You let your hand trail down again and move your body until you’re sitting between his legs. You cock your head to the side and trail your fingers lightly over the inside of his thighs, smiling when you see the muscles in his legs clench.

“So tense, baby.” You soothe, rubbing little circles into the tops of his thighs with your fingers before tripping them down again.

“Can you relax for me?”

He takes a deep breath and shudders, trying to do as you ask as you lower your head and place your mouth around the tip of his cock for just an instant, flicking your tongue over him briefly before moving away.

“Y/n…” he groans, bucking his hips, and you’re delighted. This is the first time he’s resorted to using your name instead of a pet name, and you want to milk it for all it’s worth.

You shift where you sit a little uncomfortably, the pressure inside you building up a little too much for your liking. As much as you loved teasing Jin, you wanted some relief too.

Lifting your hips you slip off your underwear and let it fall off the side of the bed, settling yourself down by Jin’s knees.

You use your feet to spread Jin’s legs until you find a comfortable position, hooking your legs over his and settling yourself back on one of your hands.

From where you sat, you had a perfect view of him tied up and looking down at you, and from the way you were spread, he also had a perfect view of you.

You smirk at him as you slowly begin to trail the hand not holding you up across your body, swirling your fingertip around your nipple before pinching it yourself and letting out a moan.

He groans and strains against his ties. “Baby, that’s not fair.” He whines and you see his dick twitch. “Let me touch you. I can make you feel so good.”

You hum and trailed your hand over your stomach, sliding down into your own heat.

“But why would I need you when I can just do it myself?” You croon, rubbing circles around your clit before slipping two of your fingers between your folds. “I’m an independent woman.”

Jin groans again and tugs harder at his ties, shaking the bedframe. “My hands feel better than yours do… and you know it.”

You let out a moan as you increase the pressure on your clit, working yourself harder and feel your juices begin to drip down your thighs.

“That’s… debatable, baby.” You whimper, sliding a finger inside yourself to gather more wetness and bringing it back up to your clit.

You stop talking then, letting your moans speak for themselves as you bring yourself to orgasm by your hand and the sound of Jin’s begging.

He groans so loud when he watches you climax, and whimpers as he watches you smear your own cum around yourself, playing with your body where he wishes he could be instead.

“Did you want to taste?” You ask, sitting up and crawling back over to him, letting your tongue flick out against the angry red tip of him to taste his pre-come before you sit up and brush your slicked fingers against his lips.

He opens his mouth and sucks your fingers into his mouth, moaning at your taste.

“Please…” he whimpers and you pull your fingers out. “Please… I want to come.”

You re-position yourself over his cock and rub yourself against him, letting him pass between your slick folds but not letting him go any further.

“Wanna come… please…” he whines, bucking his hips. You grind onto him a little more, before immediately stopping what you’re doing and sliding down his thighs to grab the base of his cock in your hand and give it a hard squeeze, denying his orgasm and making him cry out.

“Oh, but you’re doing so well baby,” you coo, stroking his damp hair off his forehead.

“Please,” he whispers, bucking his hips beneath you.

“Oh, no no no... baby... see, what’s gonna happen… is you’re going to let me use you to get off.. but you better not come... or else things are only going to get worse.”

You lean up on your knees, pressing a kiss to one of his rope rubbed wrists before sinking down onto him.

He cries out and you lean forward, catching his lower lip between your teeth.

“Don’t come.” You whisper, smirking as you pull away.

You begin to grind your hips on him, relieved to finally feel some friction inside you. You keep an eye on him as you begin to lower yourself up and down his length, smirking when you see his head fall back against the headboard.

“Oh no baby,” you coo, reaching out and grabbing the back of his neck, pulling his forehead to yours. “I want you to watch.”

He lets out a strangled sound and bites his lip so hard to keep himself from coming as you sit back up and brace yourself against his chest, beginning to ride him harder.

“That’s it, baby, so hard for me…” you whimper as you hit him harder, chasing your release.

He’s concentrating so hard there are tears pricking in the corners of his eyes as he tries to breathe through it and not come.

You’re close to your second orgasm and unthinkingly clench around Jin, making him give a startled cry and buck up into you.

“That’s… that’s not playing fair,” he gasps, a tear falling down his face as he struggles to stop his hips… and fails.

You tsk and force yourself off him, moving yourself down his thighs before sliding off onto the sheets next to him.

“Baby, god, please, no” he whimpers as you leave him, and you lean over to kiss him, trailing your hand up his chest, stopping at his jaw to rub the pad of your thumb over his bottom lip.

“You got close there, didn’t you love?” you whisper, leaning over him to press a kiss to his cheek.

“Please,” he whimpers as you move your thumb from his lip to his cheek, brushing away the tears, “Please, y/n, baby, sweetheart, y/n, please…”

You hum softly and bring your thumb wet with his tears to your lips and suck. “Please… what?”

He groans out loud. “Please… suck my cock… let me come, please I’d be so good to you I promise…”

“Please suck my cock baby… I’ll be so good to you baby…’” you murmur and move up the bed, feeling bold and ready to try more new things while you’re in the mood.

You straddle his shoulders and position yourself over his face. “I think I want you to be good to me first.”

His head comes off the bed and he latches his mouth onto your heat eagerly, flattening his tongue to stroke you as you grab the headrest and move your hips over him.

He’s eating you faster than he ever has before, letting you use him to get yourself off, his hands straining at the ropes.

You reach down and grab both of his hands at their tied positions and twine your fingers through his as you work your hips harder.

He begins sucking at your clit and you let go of one of his hands so you can brace yourself against the headboard again, clenching your thighs around his head as you come in a wave of dizzying heat.

He lets out a loud moan between your legs, and you look down, making eye contact with him as you watch him continue to clean and eat you slowly.

It takes you a minute to get out of your post-orgasm haze and still your rocking hips so you can shakily climb off him and maneuver yourself back down his body.

His lips are swollen and covered with your juices, and his eyes so big as they watch you slide your fingers down his chest and over the tops of his thighs as you settle between his legs.

“You did so good for me, handsome,” you praise, pressing a soft kiss to the top of his hip. “I think you deserve a reward for that, yeah?”

He whimpers as you grab the base of him and lick a stripe up his length, swirling your tongue at his leaking, throbbing tip. He bucks his hips and you press a tender kiss to the top.

“I know baby, I’ll take care of you. Don’t worry.” You coo, stroking him gently with your fingers as his legs tremble, before latching your mouth to his tip and sucking hard.

He comes immediately with a cry, so worked up he can’t hold back any longer, bucking his hips to get deeper into your mouth. You help him through it, and eventually, his head falls back against the pillow and he lets out a loud sigh of relief.

You watch his chest heave from your position, his cock still in your mouth as you soothe his shaking legs with your hands.

“Thank you,” he whispers, a little breathless, and you smile around him.

Oh baby, you’re not done.

You continue to work him in his mouth and he whimpers, trying to pull away.

“T-too much,” he stutters, and you smirk, flicking your eyes to his face and shooting him a wink.

He’s gone soft in your mouth but you continue to work him with your tongue and suck, and soon he’s starting to harden all over again.

“Fuck baby, how –” he whines and you suck a little harder until he’s coming again on your tongue with a shout.

You swallow everything he gives you and let him fall out of your mouth, pressing tender kisses to his pelvic bone as you kiss your way back up his chest and meet his mouth, praising him as you go.

“That was so good baby, you did so well…” you murmur, reaching up to untie his left hand, pressing a kiss to the rubbed skin and placing it on the bed before untying the right.

“Where… did you learn… to do that?” he asks, sinking down into the bed and rubbing his wrists.

You press a kiss to his forehead, seeing his eyes start to close.

“I told you, I’m an erotica writer… I just became one of my characters.”

“I thought you were… more of an innocent… in bed,” he yawns, closing his eyes.

You brush your fingers through his hair and smile as his body fully relaxes against the sheets and he begins to snore softly.

“Only sometimes,” you whisper, crawling into bed beside him and pulling the comforter over you both.

It’s only been a couple of hours when you climb out of bed as carefully as you can, trying to avoid waking Jin as you head over to your laptop on the other side of the room.

You were too wired to sleep anymore. Too many things had happened tonight, and you were feeling the urge to write… now.

You lowered the brightness on your screen and picked up your glasses case, looking over your shoulder as you carefully opened it and tried to close the case as gently as possible.

You fix your glasses and reach for a scrunchie to tie up your hair, opening up the document that held your current work in progress…

“Tell me, Katherine, have you ever tied up a man?” you type, and quickly fall into your written world.

Jin wakes up in a panic, blinking blearily in the dark. Something had lured him awake, a furious tapping of sorts. Stretching out his arm, he finds your figure gone and looks around the room.

Shit. I just broke Rule #2. Never fall asleep.

He sits up, his heart pounding as he criticizes himself and his professionalism, and stifles a groan, his body sore from earlier. He smirks as he stretches his arms and rolls his neck, looking around for where you when. He catches a glimpse of your glowing screen on the other side of the room and his gaze softens.

He can barely see your dim outline against the glow, hair pulled up messily, body wrapped in a blanket, but he feels the intense urge to go to you.

Softly, he gets out of bed, dragging the comforter with him, and pads over to your form. You’re concentrating so much you don’t notice until you hear his gravelly voice in your ear.

“Harder, fuck, harder Ryan,” he moans and you yelp, slamming your laptop shut.

“JIN!” you yell, throwing off your glasses and burying your face in your hands. “You scared me!”

He chuckles and wraps his comforter around your shoulders, hugging you as he leans over your body. “Open up, I want to read more.”

You snort and lean back against your chair, your head hitting his shoulder. “In your dreams.”

He pouts against your hair. “But aren’t I the inspiration for this?”

You roll your eyes and sigh. “I mean… yeah… maybe… but you weren’t supposed to read that! At least, not yet.”

“Ooo, not yet? So I will get to read it.”

“Maybe. If you’re good.”

His breath is hot on your ear as he leans his head down and begins pressing kisses to your jawline. “If I’m good…” he murmurs, “Was I not good enough tonight?”

You close your eyes and lean into his touch. “You were very, very good… so good for me Jin.”

He moans softly at your compliment and catches the bottom of your ear in his teeth.

“And since I was very, very good… I think I should get to read this early.”

He pulls away from you lightning-fast and snatches your laptop, letting the comforter fall to the ground.

That motherfucker-

“JIN!” you yell again and run after him as he laughs and bounces onto the bed.

You’re quick to follow, climbing over him and using your entire body to try to wrestle it back. “Give it.” You grit, straddling his lap.

“No,” he smirks and clutches it tight to his chest, pulling you closer to him.

“Why…” you complain. “Jin, I need this for work. It’s my job. I promise you can be the first one to read it when it’s done.”

He hums and tugs it closer, refusing to let go. “Okay… but I wanna read it now…” he whines and you giggle, digging your fingers into the edge and trying to pry his hands from it.

“No.” You say sternly and he pouts, finally letting go.

“Good man,” you smirk and go to climb off him to put it back, but he grabs you and holds you in place.

“No.” he states and reaches to press your laptop down onto the bed. “You have to stay.”

You laugh and wrap your arms around his neck. “Aww… is someone feeling cuddly?”

“Yes.” He whispers, and pulls you to him, resting his cheek against your head.

You’re breaking Rule #3 his mind whispers, and he closes his eyes trying to drown it out. Never stay the full night with a client…

“Shut up,” he mumbles to himself and you stir against his chest.

“Excuse me?”

“Not you,” he whispers, kissing the top of your head. “Just talking to myself.”

You hum sleepily and nuzzle into him and he swears you can feel his heart skip a beat. He holds you until your breathing deepens, and tucks you both into the sheets.

But now that he has you here, even though the night has been long, he finds that he can’t sleep anymore.

Jin watches as the clock on the dresser blinks to 3am, and he knows he’ll have to leave in a few hours, where he’ll have to start another day.

Slowly, he unwraps his body from yours and reaches for the dropped comforter on the floor, laying it over your body and tucking you in, the rules racing through his mind.

#1. Never catch feelings for a client.

#2. Never fall asleep.

#3. Never stay the full night with a client. Give them what they paid for and leave.

Breaking the rules will get you in trouble.

Jin’s not one to break the rules, but as he dresses himself and leaves you a note - a simple explanation saying he had to go early and to text him when you can… he considers it... stopping to blow a soft kiss to your sleeping form before he walks out the door.

Part 5

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f1united · 5 years ago

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ceo luke/calum part 1

Summary: You are Luke’s PA and have a thing for his rival Calum after meeting him in a bar one night

Fridays are supposed to be the best day of the week and you didn't really have a reason to disagree. Well at least that was until now. Sure, people had worst mornings than yours but nothing seemed to be going right. It was early summer and you had woken up to glorious sunshine glistening through the sheer curtains of your apartment. Usually getting up in the morning was extremely difficult for you but the sun seemed to put a spring in your step.

After applying a light layer of makeup and throwing on a lightweight, summery dress you made your way out of the door and headed down in the lift towards the car park. Fridays in the office meant casual clothes which also meant extreme comfort for the day. On the way to the office you picked up Lukes coffee. He was always grumpy if you didn't bring him one so it was better to be safe than sorry. That was when the morning began to go downhill.

As the women passed the espresso across the counter some spilled from the lid and landed straight on your fresh new pair of Vans. If there was one thing you were always protective over it had to be your shoes. Despite feeling the hot coffee seep through the black fabric and into your white socks you repeated to the server that it wasn't a problem and they could always be cleaned. Plus they were black, it wasn't too obvious your toes were just on fire. You grabbed your purse off the counter and gave the women a smile as she apologised once more while you were on your way out.

After leaving the coffee shop, the roads seemed to be heaving. The traffic had picked up and you cursed yourself for not leaving a few minutes earlier. There was nothing you could do about it now anyway. Glancing at the clock you realised you were going to be slightly late. 8:54. Hemmings Co was around 10 minutes away but that was with clear roads ahead. Joining the carriageway full of traffic you just decided to turn the radio up and get on with it. You'd been Luke's Personal Assistant for a year and a half now and spending almost every day with him meant that you'd got to know his personal side as well as his work side. He wouldn't mind if you were slightly late.

Pulling into the office car park you noticed that it was quite full today. Important meeting maybe, although you couldn't remember one planned. Pressing floor 15, you headed up in the lift and made your way to yours and Luke's office. When you joined you used to sit just outside his door like a personal receptionist. He then offered you your own office but you explained how you often liked a little chat to pass the time and were okay sitting by the door, close to the others desks littering the floor. By the time you had come in the following day he had set up another desk in the opposite corner of his office for you so that you had your own space but could still chat to him whenever you wanted. Despite refusing, saying you would be invading his privacy, he wouldn't let it go and insisted that he would hold private phone calls in the business room if he needed too, which of course he never did so you now knew almost everything about him, including when his next doctor's appointment was.

Walking into the office you noticed how everyone was still in smart clothes. Pulling your phone from your bag to make sure it did say Friday you frowned slightly in confusion. You muttered a few 'mornings' on your way through the rows of colleagues. Pushing open the door to your office you saw Luke stood in front of his desk on his phone. Quietly, you placed his coffee on his desk and he looked up giving you a wink and a smile, mouthing a thank you for good measure. You walked around the sofa in the middle of the room and placed your bag on your desk. Switching on your computer, you sat down in your chair and spun it round so that you were able to glance out of the huge glass windows. The outskirts of Sydney sure were beautiful and you had one of the best views by far.

Turning back to the screen, you noticed the updating logo staring you in the face. While unintentionally listening to the end of Lukes phone call you looked at the 0% not budging on your screen.

"The whole system is down" Luke sighed as he walked round his desk and sat on his chair, placing the phone back on its holder. "I've phoned them and they're trying to figure it out but it's not looking hopeful." He rummaged with some papers as he spoke to you.

"Ah shit that's not good" you replied, "I do have a question though."

"Shoot" he said sitting back in his chair and looking up from his desk and to you.

"What happened to casual Friday?" Luke always wore a suit whether it was a Friday or not. In fact you can't really remember if you'd ever seen him not wearing a suit.

"We have another meeting with Hood today, supposed to be yesterday but they cancelled. You were the one who rescheduled it for me in my diary, remember?" he laughed as he went back to shuffling some papers around.

"Clearly not" I placed my head in my hands and rubbed my temple, trying to figure out at what point in yesterdays busy schedule I got an email or call saying that they had moved it.

"I wouldn't worry, if you're in here they won't see you, they want to meet with me and one of their clients" He started tapping his keyboard harshly.

"Luke that probably won't help much if the system is down. Plus if I thought the meeting was going to be yesterday I have probably already got a copy of everything you need" you gave him a cheesy smile as you opened the top draw on the side of your desk and lifted out a few folders. After flipping through some you found the one with 'HOOD' marked clearly on the front. Luke got up from his desk and came and stood next to you, taking the folder from your hands.

"What would I do without you ay" he smiled back

"I don't know what you did before me" you laughed

"I had Lucy remember"

"A lot of good she was"

"She did what she had to do" He defended her

"Ah is that why she's still here?" you commented sarcastically. He just rolled his eyes and ruffled your hair.

"I'm going to get the meeting set up now, should be done by lunch, if not don't wait up for me just grab yourself something." He grabbed his coffee as he headed for the door.

"Whatever you say, pretty boy" You rolled your chair back from your desk and headed over to the printer. You'd sent some things to it last night so luckily you had some work to do to pass the time before the computers were back up and running. Luke laughed at your comment and shouted a 'see ya' while he walked down the corridor. “Time for work” you muttered before slumping back into your desk chair and focusing on all the paperwork in front of you.

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Part 2 will be up soon :)

#5sos #calum hood #luke hemmings #ceo #ceo calum #ceo luke #ceo 5sos #calum hood imag #luke hemmings imagine

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doubleattitude · 4 years ago

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NUVO Dance Convention, Indianapolis, IN: RESULTS

High Score by Age:

NUbie Solo

1st: Penelope LeMieux-’These Boots’

2nd: Rylan Reynolds-’Hallelujah’

3rd: Charlie Nees-’When You Believe’

4th: Kinley Herbort-’Born to Entertain’

5th: Ava Hughes-’Like A Girl’

6th: Mariah Dixn-’Cola’

7th: Emi Rae Richard-’Michael Jackson’

Mini Solo

1st: Kya Massimino-’System Activated’

2nd: Kate Jarboe-’Hit the Road Jack’

2nd: Carrigan Paylor-’It Is Time’

3rd: Zoe Swope-’Moon River’

3rd: Madeleine Shen-’The Bridge’

4th: Charlotte Holt-’I Want to Go to Hollywood’

5th: Lexus Natalie-’Alternate World’

5th: Aubrey Scaggs-’The Way’

6th: Kinley Blankemeyer-’Je T’Aime’

6th: Morgan Gilbert-’Just Watch Me Now’

6th: Addison Prichard-’Swing It Like Roger’

7th: Mia Estacio-’Elastic Heart’

7th: Aubrey Koerner-’Opportunity’

7th: Keaton Hoying-’Trip A Little Fantastic’

8th: Gemma Reep-’Poison’

9th: Riley Gibson-’Killer Queen’

10th: Aubrey Leins-’Bellingham’

10th: Lucia Kingsley-’Little Jazz Bird’

Junior Solo

1st: Audrey Mayernik-’Oya’

2nd: Aaliyah Dixon-’Icon’

2nd: Leila Winker-’Takt’

3rd: Sydney Foertsch-’Oh So Quiet’

3rd: Makaylyn Lewsi-’Run to You’

3rd: Londyn LeMieux-’Tar’

4th: Julia Bailey-’Crazy In Love’

4th: Maely Weaver-’Staggered in a Configuration’

5th: Ava Opel-’Embers’

5th: Kenley Fogltanz-’One Mistress’

6th: Riley Neugebauer-’New Start’

7th: Ayden Nelson-’Flatline’

7th: William Colin-’Wrapped Up’

8th: Samantha Voice-’Dream On’

8th: Amelia Duncan-’Lonely’

8th: Kathryn Roth-’Send In the Clowns’

9th: Kendall Burkhart-’Everybody Loves You’

9th: Claire Stifferlen-’In the Mood’

10th: My War-’Tenley Zielinski’

10th: Madilyn Lanman-’Sweet Child O’ Mine’

10th: Ayla Nguyen-’Unbroken’

Teen Solo

1st: Britton Johnson-’Monolithic’

2nd: Andres Jimenez-’Frontieres’

2nd: Hannah Webb-’Holy Water’

2nd: Ava Cassidy-’Witness’

3rd: Tatiana Hagee-’Harvest Moon’

3rd: Kaja Chow-’Retreat’

4th: Emery Sousley-’Birds of Paradise’

4th: Emily Haas-’Light Ascending’

4th: Calico Reyes-’Trust In Me’

5th: Allie Douglas-’In the Sand Dunes’

6th: Ainsley Grey-’The Room’

7th: Posey Zielinski-’Cat’s Cradle’

7th: Joely Stupeck-’Eternally Yours’

7th: Faith Stoner-’Solids’

8th: Addy Reinoehl-’Jealous’

8th: Camille Kapsalis-’Seeker’

8th: Taylor Sakwi-’The Journey Within’

9th: Jenna Jarboe-’Don’t Let Me Go’

9th: Anna Rosenberger-’Inside’

9th: Shay Kaminski-’Once Upon Another Time’

10th: Hannah Colin-’Bring On the Rain’

10th: Ava Peters-’Nature Boy’

10th: Tabbi Courts-’Porcelain’

10th: Madden Zook-’Rain’

10th: Abigail Riester-’The Most Beautiful Things’

10th: Scarlett Szewczyk-’Vestige’

Senior Solo

1st: Chloe Jeffcoat-’As For the Fall’

1st: Olivia Beauchamp-’Here Comes the Sun’

1st: Louie Gonzalez-’Out of Sight’

2nd: Aaron St. Hilaire-’Exit’

2nd: Gionna D’Alessandro-’Wish You Were Here’

3rd: Anna Miller-’Go’

3rd: Taylor Masson-’Silence’

3rd: Julianne Doner-’To Live Even One Day’

4th: Jordin Suwalski-’Hold On Tight’

4th: Adare Haas-’This Is Not the End’

4th: Avery Earle-’Trick of the Light’

5th: Macie Blacklidge-’Rainfall’

5th: Sophie Tosh-’The’

6th: Ella Tosh-’Safe’

6th: Hannah Macrae-’Vehemence’

7th: Savannah Venter-’Always Be My Baby’

7th: Braylan Enscoe-’Ne Me Quite Pas’

8th: Madison Burkhart-’Goodbye’

8th: Ava Geske-’You Shouldn’t See This’

9th: Mackenzie Marsala-’A Closeness’

9th: Bryn Dubberley-’Can’t Help Falling In Love’

9th: Abigail Silva-’Creek’

9th: Trinity Malgay-’Take Me Coco’

10th: Brooke Atwood-’Cold’

10th: Annabel Buhler-’Dawn’

10th: Livi Reed-’Soldier’

Mini Duo/Trio

1st: Tiffany and Co. Studio of Dance-’Rescue’

2nd: Danceworks-’You’re the One That I Want’

3rd: Tiffany and Co. Studio of Dance-’Space Jam’

Junior Duo/Trio

1st: Ratio Dance-’Luminous’

2nd: Expressenz Dance Center-’Friend Like Me’

3rd: Viva Dance Co.-’Giant’

Teen Duo/Trio

1st: Viva Dance Co.-’Fate Playing’

2nd: Imperium House of Dance-’Worth It’

3rd: Ratio Dance-’Entreat Me Not’

3rd: Expressenz Dance Center-’Liability’

Senior Duo/Trio

1st: Artistic Edge Dance Center-’Symphony of Sorrow’

2nd: Expressenz Dance Center-’For My Help’

3rd: Shelley Shearer School of Dance-’Remember’

NUbie Group

1st: Dazzle Dance-’Lemonade Stand’

2nd: Turning Pointe Dance Academy-’One Dance’

Mini Group

1st: NorthPointe Dance Academy-’Stand By Me’

2nd: Just Off Broadway-’Mr. Blue Sky’

3rd: NorthPointe Dance Academy-’Sophisticated’

Junior Group

1st: Expressenz Dance Center-’Don’t Rain On My Parade’

2nd: Viva Dance Co.-’Funky Town’

3rd: Just Off Broadway-’Canon In D’

Teen Group

1st: Expressenz Dance Center-’My Way’

2nd: Expressenz Dance Center-’Disjointed Connections’

2nd: Expressenz Dance Center-’Mini Skirt’

2nd: Expressenz Dance Center-’Your Daddy’s Son’

3rd: Ratio Dance-’Caspian’

Senior Group

1st: NorthPointe Dance Academy-’Nothing Fades Like the Light’

1st: Expressenz Dance Center-’The Wake’

2nd: Just Off Broadway-’Credence’

3rd: NorthPointe Dance Academy-’911′

Mini Line

1st: NorthPointe Dance Academy-’Change’

2nd: NorthPointe Dance Academy-’Bop’

3rd: NorthPointe Dance Academy-’Do You Hear What I Hear?’

Junior Line

1st: The Colony-’Lose Control’

2nd: NorthPointe Dance Academy-’Bom Bom’

3rd: Dazzle Dance-’Top Hats, Bowties and Tails’

Teen Line

1st: NorthPointe Dance Academy-’This Woman’s Work’

2nd: The Colony-’They Don’t Love You’

2nd: Ratio Dance-’Unknown’

3rd: NorthPointe Dance Academy-’Walking In Memphis’

Teen Extended Line

1st: Just Off Broadway-’Falling Forward’

2nd: Expressenz Dance Center-’X-NZ’

3rd: Indy Dance Academy-’Bound to Edge’

Teen Production

1st: NorthPointe Dance Academy-’Cha Cha Heels’

2nd: Dazzle Dance-’Prepare for Takeoff’

High Score by Performance Division:

NUbie Hip-Hop

1st: Dazzle Dance-’Lemonade Stand’

NUbie Ballet

1st: Turning Pointe Dance Academy-’One Dance’

Mini Lyrical

1st: NorthPointe Dance Academy-’Change’

2nd: DanceWorks-’True Colors’

3rd: NorthPointe Dance Academy-’Do You Hear What I Hear?’

Mini Tap

1st: NorthPointe Dance Academy-’R.S.V.P’

2nd: NorthPointe Dance Academy-’P.Y.T’

3rd: NorthPointe Dance Academy-’Runaway Baby’

Mini Jazz

1st: Just Off Broadway-’Mr. Blue Sky’

2nd: NorthPointe Dance Academy-’Bop’

3rd: NorthPointe Dance Academy-’Poison Ivy’

Mini Contemporary

1st: NorthPointe Dance Academy-’Stand By Me’

2nd: NorthPointe Dance Academy-’Sophisticated’

3rd: NorthPointe Dance Academy-’Anchor’

Junior Jazz

1st: Expressenz Dance Center-’Don’t Rain On My Parade’

2nd: Viva Dance Co.-’Funky Town’

3rd: NorthPointe Dance Academy-’Bom Bom’

Junior Lyrical

1st: Just Off Broadway-’Canon In D’

2nd: NorthPointe Dance Academy-’A Change Is Gonna Come’

3rd: NorthPointe Dance Academy-’Open Hands’

Junior Contemporary

1st: The Colony-’Lose Control’

2nd: NorthPointe Dance Academy-’Haunted’

3rd: NorthPointe Dance Academy-’Stand By Me’

Junior Tap

1st: NorthPointe Dance Academy-’Drift Away’

1st: Dazzle Dance-’Top Hats, Bowties and Tails’

Teen Contemporary

1st: Expressenz Dance Center-’My Way’

2nd: Just Off Broadway-’Falling Forward’

3rd: Expressenz Dance Center-’Disjointed Connections’

Teen Jazz

1st: Expressenz Dance Center-’Mini Skirt’

2nd: NorthPointe Dance Academy-’My Lovin’

3rd: Dazzle Dance-’Prepare for Takeoff’

Teen Lyrical

1st: Expressenz Dance Center-’Your Daddy’s Son’

2nd: NorthPointe Dance Academy-’This Woman’s Work’

3rd: Miss Laura’s School of Dance-’A Million Reasons’

Teen Specialty

1st: NorthPointe Dance Academy-’Post That’

2nd: Turning Pointe Dance Academy-’Gettin It’

Teen Hip-Hop

1st: Expressenz Dance Center-’X-NZ’

2nd: Turning Pointe Dance Academy-’Missy E’

Teen Tap

1st: NorthPointe Dance Academy-’Walking In Memphis’

Teen Musical Theatre

1st: Reflexions Dance Arts-’Money’

2nd: NorthPointe Dance Academy-’A Bushel and A Peck’

Teen Ballroom

1st: NorthPointe Dance Academy-’Cha Cha Heels’

Senior Lyrical

1st: NorthPointe Dance Academy-’Soar’

2nd: Dazzle Dance-’Listen’

Senior Contemporary

1st: Expressenz Dance Center-’The Wake’

1st: NorthPointe Dance Academy-’Nothing Fades Like the Light’

2nd: Just Off Broadway-’Credence’

Senior Jazz

1st: NorthPointe Dance Academy-’911′

Best NU Groups:

NUbie

Dazzle Dance-’Lemonade Stand’

Mini

Just Off Broadway-’Mr. Blue Sky’

NorthPointe Dance Academy-’Stand By Me’

Junior

Expressenz Dance Center-’Don’t Rain On My Parade’

The Colony-’Lose Control’

Just Off Broadway-’Canon In D’

Viva Dance Co.-’Funky Town’

Teen

Just Off Broadway-’Falling Forward’

Ratio Dance-’Caspian’

NorthPointe Dance Academy-’This Woman’s Work’

The Colony-’They Don’t Love You’

Expressenz Dance Center-’My Way’

Senior

Expressenz Dance Center-’The Wake’

NorthPointe Dance Academy-’Nothing Fades Like the Light’

Just Off Broadway-’Credence’

Studio Pick:

NorthPointe Dance Academy-’Nothing Fades Like the Light’

Expressenz Dance Center-’My Way’

#2020 #nuvo dance #dance competition #indianapolis

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